
Browse content similar to Lawful Killing: Mark Duggan. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
Operation Dibri, | 0:00:14 | 0:00:15 | |
as some of you may know, is a long-running Trident | 0:00:15 | 0:00:17 | |
investigation into the activities of the Tottenham Mandem, the TMD. | 0:00:17 | 0:00:21 | |
There is intelligence to suggest that Mark Duggan is currently | 0:00:21 | 0:00:25 | |
in possession or control of about three firearms and he's | 0:00:25 | 0:00:27 | |
looking to take possession of a firearm perhaps this evening | 0:00:27 | 0:00:30 | |
and he's been trying to do it for a few days. | 0:00:30 | 0:00:34 | |
Strict reminder for the firearms officers. Listen in, guys. | 0:00:34 | 0:00:37 | |
A firearm is to be fired only as a last resort. | 0:00:37 | 0:00:39 | |
Other methods must have been tried and failed. | 0:00:39 | 0:00:42 | |
Taxi, yeah? | 0:00:42 | 0:00:43 | |
So, what? Like, what, just wait there, yeah? All right, cool. | 0:00:52 | 0:00:56 | |
-What's going on? -All right? | 0:01:02 | 0:01:04 | |
-Go easy. -Yeah. | 0:01:04 | 0:01:06 | |
Boss man, Tottenham, yeah? | 0:01:06 | 0:01:09 | |
We're on him. | 0:01:12 | 0:01:14 | |
Thanks. Thanks. OK. | 0:01:14 | 0:01:15 | |
Duggan confirmed in possession of a firearm. On my team, go. | 0:01:15 | 0:01:20 | |
SIRENS WAIL | 0:01:20 | 0:01:21 | |
Strike! Strike! Strike! | 0:01:22 | 0:01:25 | |
Armed police! Armed police! He's reaching! He's reaching! | 0:01:29 | 0:01:33 | |
GUNFIRE | 0:01:33 | 0:01:35 | |
OFFICER SHOUTING | 0:01:40 | 0:01:42 | |
SHOUTING ECHOES | 0:01:49 | 0:01:55 | |
Where's the gun? Where's the gun?! | 0:01:56 | 0:01:59 | |
-Medi pack! -SIRENS WAIL | 0:01:59 | 0:02:01 | |
The police shooting of Mark Duggan in August 2011 triggered | 0:02:09 | 0:02:14 | |
the worst riots in modern British history. | 0:02:14 | 0:02:16 | |
People died in those riots, | 0:02:18 | 0:02:20 | |
so that's one thing that absolutely raises | 0:02:20 | 0:02:22 | |
the Duggan shooting up above others. | 0:02:22 | 0:02:25 | |
There is still no agreement about what actually happened when | 0:02:26 | 0:02:30 | |
Duggan was stopped by armed police on that summer's day. | 0:02:30 | 0:02:33 | |
That three to five seconds of history | 0:02:33 | 0:02:36 | |
has far too many different versions | 0:02:36 | 0:02:40 | |
for anyone to say one version is any truer than another version. | 0:02:40 | 0:02:44 | |
An inquest jury decided that Mark Duggan was not holding | 0:02:47 | 0:02:50 | |
a gun when he was shot, but that it was a lawful killing because the | 0:02:50 | 0:02:54 | |
officer who fired honestly believed there was a gun in his hand. | 0:02:54 | 0:02:59 | |
The body that investigates the police, the IPCC, | 0:02:59 | 0:03:03 | |
found that Mark Duggan was holding a gun, but that | 0:03:03 | 0:03:06 | |
he was throwing it as he was shot. | 0:03:06 | 0:03:08 | |
There's even less agreement about who Mark Duggan really was - | 0:03:10 | 0:03:14 | |
highly dangerous gangster or ordinary family man. | 0:03:14 | 0:03:18 | |
More than five years on, the story is wrapped up in secret | 0:03:20 | 0:03:24 | |
intelligence, the existence of which cannot even be acknowledged, | 0:03:24 | 0:03:28 | |
leading to a suspicion that the truth is being hidden. | 0:03:28 | 0:03:32 | |
If it was a member of my family that had been shot | 0:03:32 | 0:03:34 | |
and the answer from the official body investigating was, "Well, | 0:03:34 | 0:03:37 | |
"we know the answer but we can't tell you," yeah, I would find that | 0:03:37 | 0:03:39 | |
incredibly frustrating and I wouldn't trust it either. | 0:03:39 | 0:03:42 | |
The whole function of intelligence | 0:03:42 | 0:03:44 | |
must be the prevention of crime and the prevention | 0:03:44 | 0:03:49 | |
of death, if at all possible, so it seems to me | 0:03:49 | 0:03:51 | |
these are vital questions that have remained unanswered. | 0:03:51 | 0:03:55 | |
Something is amiss here, something's not quite right here, | 0:03:55 | 0:03:59 | |
so what is the truth? | 0:03:59 | 0:04:01 | |
This film tries to get closer to the truth through personal | 0:04:02 | 0:04:06 | |
testimony and official records. | 0:04:06 | 0:04:09 | |
..Two-two. Duggan in the car. | 0:04:09 | 0:04:13 | |
Dramatised scenes are based on what is known about the movements | 0:04:13 | 0:04:16 | |
of Mark Duggan and the police who were tracking him over | 0:04:16 | 0:04:19 | |
the 24 hours leading up to the shooting. | 0:04:19 | 0:04:21 | |
The Metropolitan Police chose not to participate in the making of | 0:04:23 | 0:04:26 | |
this film, but we hear the officers' own words by dramatising | 0:04:26 | 0:04:30 | |
their inquest transcripts. | 0:04:30 | 0:04:32 | |
The people here are still very animated about it, | 0:04:38 | 0:04:41 | |
they're still passionate. | 0:04:41 | 0:04:43 | |
What's driving them on to keep fighting for Mark Duggan? | 0:04:43 | 0:04:46 | |
They have no alternative. | 0:04:46 | 0:04:48 | |
We went to an inquest and we heard the police's accounts, | 0:04:48 | 0:04:51 | |
we heard their version and subsequent to that inquest, | 0:04:51 | 0:04:54 | |
we've found out lots more that throws real doubt on their account. | 0:04:54 | 0:04:59 | |
The first phone call I got, I was told that the police | 0:04:59 | 0:05:03 | |
on Ferry Lane had shot a young black guy who had come out of a car, | 0:05:03 | 0:05:09 | |
armed, and was pointing his gun to shoot it at them. | 0:05:09 | 0:05:12 | |
My instant response was, "That's tough, isn't it? | 0:05:12 | 0:05:16 | |
"But you play by the sword, you die by the sword. | 0:05:16 | 0:05:19 | |
"If you're crazy enough to draw a gun and go and attack | 0:05:19 | 0:05:22 | |
"the police officers and they shoot you and kill you, oh, well." | 0:05:22 | 0:05:25 | |
Ladies and gents, I'm Zulu 51, | 0:05:35 | 0:05:39 | |
I'm a DI from Trident and we're all here today on Operation Dibri. | 0:05:39 | 0:05:44 | |
The date is Wednesday, 3rd August, | 0:05:44 | 0:05:46 | |
and the time by my watch is ten minutes past six in the evening. | 0:05:46 | 0:05:51 | |
Trident, a Metropolitan Police unit tasked with tackling gun crime, | 0:05:51 | 0:05:56 | |
was then over two years in to a long-running operation | 0:05:56 | 0:05:59 | |
codenamed Dibri. | 0:05:59 | 0:06:01 | |
Operation Dibri, it was really... | 0:06:02 | 0:06:04 | |
It was an operation that was tackling | 0:06:04 | 0:06:06 | |
an organised criminal network, | 0:06:06 | 0:06:08 | |
organised criminal gang known as TMD. | 0:06:08 | 0:06:11 | |
In more layman's terms, it's Tottenham Mandem. | 0:06:11 | 0:06:15 | |
They were involved of the supply of firearms or use of firearms | 0:06:15 | 0:06:18 | |
and drugs, the supply of class A drugs. | 0:06:18 | 0:06:21 | |
As well as that, they would be involved in | 0:06:21 | 0:06:23 | |
a number of murders and attempted murders and conflicts with other | 0:06:23 | 0:06:27 | |
organised criminal gangs which... from opposing areas, basically. | 0:06:27 | 0:06:31 | |
We received daily briefings that the TMD had been involved in | 0:06:32 | 0:06:36 | |
numerous fatal and non-fatal shootings, | 0:06:36 | 0:06:38 | |
kidnappings, the supply of class A drugs | 0:06:38 | 0:06:41 | |
within London and they had been involved in stops | 0:06:41 | 0:06:43 | |
where they've actually made determined attempts | 0:06:43 | 0:06:47 | |
to escape, discarded firearms. | 0:06:47 | 0:06:48 | |
They've been very surveillance-aware and so on. | 0:06:48 | 0:06:52 | |
There are a large number of subjects and associates on this operation. | 0:06:52 | 0:06:56 | |
There are, I think, six that have been put on the briefing for | 0:06:56 | 0:07:00 | |
tonight who may become relevant for tonight or for the rest of the week. | 0:07:00 | 0:07:03 | |
'My job was really as a detective sergeant on the proactive team,' | 0:07:03 | 0:07:07 | |
the day-to-day running of my team | 0:07:07 | 0:07:09 | |
and receiving and assessing intelligence | 0:07:09 | 0:07:12 | |
and running the day-to-day response to that intelligence, | 0:07:12 | 0:07:15 | |
working to Mr Foote, the SIO. | 0:07:15 | 0:07:17 | |
If I come back to Mark Duggan, | 0:07:17 | 0:07:19 | |
the picture on there is quite a good likeness. | 0:07:19 | 0:07:22 | |
He's got a baby mother with ... children who live at ... | 0:07:23 | 0:07:26 | |
which is just off ... | 0:07:26 | 0:07:27 | |
He does frequent that address on a daily basis. | 0:07:29 | 0:07:33 | |
Operation Dibri had been implemented before I'd attended Trident | 0:07:33 | 0:07:35 | |
or deployed to Trident | 0:07:35 | 0:07:37 | |
and during that time, I understand, | 0:07:37 | 0:07:39 | |
there was around 100 subjects that were part of that through research, | 0:07:39 | 0:07:42 | |
but the core, if you like, | 0:07:42 | 0:07:44 | |
of that group were around 48 members | 0:07:44 | 0:07:46 | |
and they were considered the most violent people in London | 0:07:46 | 0:07:50 | |
and not only in London, but outside London, | 0:07:50 | 0:07:53 | |
stretching across to Europe because of the importation of drugs | 0:07:53 | 0:07:56 | |
and involvement in that aspect and they were closely linked | 0:07:56 | 0:07:59 | |
to Turkish criminal organisations as well. | 0:07:59 | 0:08:02 | |
There was the intriguing bit in the inquest where the cop said | 0:08:02 | 0:08:05 | |
he was on a list and he was | 0:08:05 | 0:08:06 | |
amongst the 48 most dangerous gangsters | 0:08:06 | 0:08:08 | |
in all of Europe, which seemed a remarkably precise number. | 0:08:08 | 0:08:12 | |
There is intelligence to suggest that Mark Duggan is currently | 0:08:21 | 0:08:25 | |
in possession or control of about three firearms | 0:08:25 | 0:08:27 | |
and that he's looking to take possession of a firearm | 0:08:27 | 0:08:30 | |
perhaps this evening. | 0:08:30 | 0:08:32 | |
He's been trying to do it for a few days. | 0:08:32 | 0:08:34 | |
The intelligence over that period, and historically, | 0:08:34 | 0:08:36 | |
was a clear indication | 0:08:36 | 0:08:37 | |
that Mr Duggan was involved in gun crime. | 0:08:37 | 0:08:39 | |
As well as gun crime, he was involved | 0:08:39 | 0:08:41 | |
in the supply of class A drugs and possession of ammunition as well. | 0:08:41 | 0:08:45 | |
All of those are obviously very serious crimes. | 0:08:45 | 0:08:48 | |
Mark Duggan had a criminal record for two minor convictions - | 0:08:48 | 0:08:52 | |
possession of cannabis and receiving stolen goods. | 0:08:52 | 0:08:57 | |
But intelligence held on the police national computer | 0:08:57 | 0:09:00 | |
and the Metropolitan Police's own systems | 0:09:00 | 0:09:03 | |
linked him to serious offences, | 0:09:03 | 0:09:05 | |
including suspicion of firing weapons | 0:09:05 | 0:09:07 | |
and arrests in connection with attempted murder and murder. | 0:09:07 | 0:09:11 | |
That intelligence was rated, | 0:09:11 | 0:09:13 | |
according to the police's own evaluation method, | 0:09:13 | 0:09:17 | |
which grades intelligence from A1, for a highly reliable source, | 0:09:17 | 0:09:20 | |
down to E5, which could be comparable | 0:09:20 | 0:09:23 | |
to something overheard in a pub. | 0:09:23 | 0:09:25 | |
So you'll have, for example, E, | 0:09:26 | 0:09:29 | |
pretty untested, unreliable, unknown, | 0:09:29 | 0:09:31 | |
and 4 or 5 would be. | 0:09:31 | 0:09:33 | |
It could be malicious, that type of grading, to sort of A1, A2, | 0:09:33 | 0:09:36 | |
like that, so it's sort of a letter and number system. | 0:09:36 | 0:09:40 | |
Does that make sense? | 0:09:40 | 0:09:41 | |
The only intelligence relating to Mark Duggan where the grading | 0:09:41 | 0:09:45 | |
was ever revealed was a report | 0:09:45 | 0:09:47 | |
that he had been in possession of a handgun. | 0:09:47 | 0:09:50 | |
That was graded as E4. | 0:09:50 | 0:09:52 | |
E4 sits quite low because it would be something | 0:09:53 | 0:09:56 | |
that's either untested, cannot-be-judged intelligence. | 0:09:56 | 0:09:59 | |
The grading of the other intelligence was never made public, | 0:09:59 | 0:10:03 | |
but by the summer of 2011, | 0:10:03 | 0:10:05 | |
Mark Duggan was under what the police call directed surveillance. | 0:10:05 | 0:10:09 | |
Directed surveillance means that that, you know, basically, | 0:10:09 | 0:10:12 | |
as a police state, | 0:10:12 | 0:10:14 | |
a law enforcement agency, | 0:10:14 | 0:10:16 | |
we have the powers to intrude on people's privacy, | 0:10:16 | 0:10:19 | |
and that comes under a legislation called RIPA, | 0:10:19 | 0:10:22 | |
the regulatory investigative police powers act. | 0:10:22 | 0:10:24 | |
The idea for that power is to allow us to conduct surveillance | 0:10:24 | 0:10:28 | |
on people, people that are involved in criminality. | 0:10:28 | 0:10:32 | |
My understanding of RIPA is pretty limited. | 0:10:32 | 0:10:35 | |
I'm just a lay person. | 0:10:35 | 0:10:36 | |
It is very difficult to get a deep understanding of it, | 0:10:36 | 0:10:40 | |
because the officials always say that they're not allowed to | 0:10:40 | 0:10:42 | |
speak about it, not allowed to speak about its existence, | 0:10:42 | 0:10:45 | |
and not allowed to tell you if RIPA legislation | 0:10:45 | 0:10:49 | |
is impacting on their investigation. | 0:10:49 | 0:10:51 | |
So, RIPA is the Regulation of Investigatory Powers Act 2000. | 0:10:51 | 0:10:56 | |
So, they're bugging phones, they're using listening devices | 0:10:56 | 0:11:00 | |
if GCHQ is on you. These are things that we're not allowed | 0:11:00 | 0:11:04 | |
to have public discussion and debate about, | 0:11:04 | 0:11:07 | |
and officials are not allowed to even speak about it. | 0:11:07 | 0:11:11 | |
RIPA is the beginning of secret courts and secret legislation. | 0:11:11 | 0:11:17 | |
The RIPA intelligence on Mark Duggan was so secret | 0:11:17 | 0:11:20 | |
that an ordinary coroner couldn't share the inquest into his death. | 0:11:20 | 0:11:25 | |
Instead, a senior judge with high enough security clearance | 0:11:25 | 0:11:29 | |
to see the intelligence had to be appointed. | 0:11:29 | 0:11:31 | |
The picture of Mark Duggan painted by the police intelligence | 0:11:38 | 0:11:41 | |
was very different to that given by his family and friends. | 0:11:41 | 0:11:45 | |
This is a bike that Mark bought Kemani for his birthday. | 0:11:45 | 0:11:50 | |
And this is Mark on the bike. | 0:11:52 | 0:11:54 | |
I am Mark Duggan's baby-mother. | 0:11:54 | 0:11:57 | |
I have three children for him. | 0:11:57 | 0:11:59 | |
We started going out on my 16th birthday. | 0:11:59 | 0:12:02 | |
This is when Kahliya was born. | 0:12:04 | 0:12:07 | |
Ah, this is a good one. This is when Mark was getting a tattoo. | 0:12:07 | 0:12:11 | |
He was trying to pretend that it wasn't hurting him, but it was. | 0:12:11 | 0:12:14 | |
My first memories of Mark, | 0:12:14 | 0:12:18 | |
he used to have this big, curly Afro... | 0:12:18 | 0:12:22 | |
Big curly Afro. | 0:12:23 | 0:12:25 | |
I knew Mark from when he was born. | 0:12:26 | 0:12:30 | |
He grew up with my son. | 0:12:30 | 0:12:32 | |
He grew up in Broadwater Farm estate which, you know, | 0:12:32 | 0:12:36 | |
your kids played out, and everybody played together. | 0:12:36 | 0:12:39 | |
Mark rode with many young people | 0:12:39 | 0:12:40 | |
that he grew up with in the community. | 0:12:40 | 0:12:42 | |
They're all young kids growing up together. | 0:12:42 | 0:12:45 | |
Maybe one or two of them were a bit hyperactive, | 0:12:45 | 0:12:48 | |
but not to an extent where I would say | 0:12:48 | 0:12:51 | |
they were a danger to this community. | 0:12:51 | 0:12:53 | |
Even growing up, | 0:12:53 | 0:12:56 | |
he was, like, more into girls. | 0:12:56 | 0:12:59 | |
From an early age himself, he was into girls, | 0:12:59 | 0:13:03 | |
when he realised that he was cute. Everybody started to say, | 0:13:03 | 0:13:06 | |
"Oh, he's so cute!" He just went on a different one. | 0:13:06 | 0:13:10 | |
He was like, "Everybody fancies me." | 0:13:10 | 0:13:12 | |
All you hear is just from the media, | 0:13:14 | 0:13:16 | |
bad-mouthing the Broadwater Farm estate. | 0:13:16 | 0:13:18 | |
And it's totally not like that. | 0:13:18 | 0:13:20 | |
Everyone looks out for each other on that estate, and... | 0:13:20 | 0:13:23 | |
I had a good childhood there, | 0:13:24 | 0:13:26 | |
and I am proud to say that's where I come from. | 0:13:26 | 0:13:30 | |
But I always knew, from when I was a child, that... | 0:13:30 | 0:13:33 | |
How can I put it? | 0:13:33 | 0:13:35 | |
When I saw police, I knew it was trouble. | 0:13:35 | 0:13:38 | |
It's always the case of, the police are here. What are they here for? | 0:13:38 | 0:13:42 | |
They are coming to cause some form of trouble, | 0:13:42 | 0:13:44 | |
and that's how I saw it. That's how it's always been. | 0:13:44 | 0:13:47 | |
There's been a big, long-running theme over decades | 0:13:53 | 0:13:56 | |
about the police and their relationship | 0:13:56 | 0:13:58 | |
with the communities they serve. | 0:13:58 | 0:14:00 | |
We see a series of riots across urban Britain, | 0:14:00 | 0:14:03 | |
culminating in the Broadwater Farm riot in Tottenham in 1985. | 0:14:03 | 0:14:06 | |
Vicious, vicious rioting. | 0:14:06 | 0:14:09 | |
-NEWS REPORT: -On the night of October 6th 1985, | 0:14:09 | 0:14:12 | |
500 policemen faced petrol bombs, bottles, bricks, | 0:14:12 | 0:14:15 | |
machetes, axes, knives and guns. | 0:14:15 | 0:14:17 | |
More than 200 were injured. | 0:14:17 | 0:14:19 | |
Police Constable Keith Blakelock was hacked to death. | 0:14:19 | 0:14:23 | |
The killing of PC Blakelock in the 1985 riot on Broadwater Farm | 0:14:24 | 0:14:29 | |
was perhaps the most traumatic single event in the recent history | 0:14:29 | 0:14:32 | |
of the Metropolitan Police. | 0:14:32 | 0:14:34 | |
Here was a, by all accounts, | 0:14:34 | 0:14:36 | |
exemplary community beat officer hacked to death | 0:14:36 | 0:14:40 | |
in the most savage circumstances, his head almost severed. | 0:14:40 | 0:14:44 | |
There were all sorts of myths and beliefs and ideologies | 0:14:44 | 0:14:49 | |
around that event, and then, when, | 0:14:49 | 0:14:52 | |
after a farce of an original trial, at which fabricated evidence | 0:14:52 | 0:14:55 | |
led to the wrongful conviction of three people, | 0:14:55 | 0:14:58 | |
this only added to the soreness of the wound that Tottenham and | 0:14:58 | 0:15:03 | |
Broadwater Farm represented within the Metropolitan Police Service. | 0:15:03 | 0:15:07 | |
So, this block here was Tangmere, | 0:15:07 | 0:15:10 | |
and up on the first floor was the mezzanine floor. | 0:15:10 | 0:15:13 | |
It's where the few supermarkets and shops, | 0:15:14 | 0:15:18 | |
resources, that were available to this estate were actually based. | 0:15:18 | 0:15:21 | |
PC Blakelock came to his end down there. | 0:15:21 | 0:15:26 | |
So, for the Metropolitan Police Service, | 0:15:26 | 0:15:29 | |
that's what makes this estate a symbolic location. | 0:15:29 | 0:15:32 | |
It's a symbolic location of the | 0:15:35 | 0:15:37 | |
conflict between black communities and the police. | 0:15:37 | 0:15:40 | |
It's a place where so many past wrongs, | 0:15:40 | 0:15:43 | |
past wounds on both sides are stored up. | 0:15:43 | 0:15:46 | |
It's the powder keg waiting for the piece of tinder. | 0:15:46 | 0:15:49 | |
That's the context that you have to put Mark Duggan's death into. | 0:15:49 | 0:15:53 | |
There's very few angels on Broadwater Farm. | 0:15:53 | 0:15:57 | |
I've walked those corridors many a time | 0:15:57 | 0:16:00 | |
and I've not bumped into an angel. | 0:16:00 | 0:16:02 | |
So, you get young people who come together, | 0:16:02 | 0:16:05 | |
and because they've grown on an identifiable estate, | 0:16:05 | 0:16:08 | |
they sometimes get territorial. "This is my area." | 0:16:08 | 0:16:11 | |
So they become crews. They're not gangs. | 0:16:11 | 0:16:14 | |
Gangs are structured organisations, with a hierarchy, | 0:16:14 | 0:16:18 | |
a leadership, where they all have the same objective, | 0:16:18 | 0:16:21 | |
normally it's about money. | 0:16:21 | 0:16:23 | |
These are groups of kids who create a bond, | 0:16:23 | 0:16:26 | |
and they create a camaraderie, | 0:16:26 | 0:16:28 | |
but they're not gangsters. | 0:16:28 | 0:16:30 | |
Do I know any Mr Bigs in the community? | 0:16:32 | 0:16:36 | |
Maybe. Maybe. | 0:16:37 | 0:16:39 | |
It definitely weren't Mark. | 0:16:39 | 0:16:42 | |
I'm eight years senior to Mark, | 0:16:42 | 0:16:45 | |
so I have seen a lot more gangs before his time. | 0:16:45 | 0:16:49 | |
If I go back, 2003, | 0:16:49 | 0:16:53 | |
'04, '05, now we're talking about | 0:16:53 | 0:16:55 | |
a different generation of Tottenham Mandem. | 0:16:55 | 0:16:57 | |
What was going on then was shootings, kidnappings, tortures. | 0:16:57 | 0:17:01 | |
These are men that were walking with firearms. | 0:17:01 | 0:17:05 | |
Crime was being done, shots were fired in the air, bah-bah-bah! | 0:17:05 | 0:17:08 | |
Everybody run. Nobody would tell the police nothing. | 0:17:08 | 0:17:11 | |
You told the police, you were liable to get shot tomorrow. | 0:17:11 | 0:17:14 | |
The Tottenham Mandem - dead, prison, in church, right now. | 0:17:14 | 0:17:19 | |
So, Mark and his little friends on Broadwater Farm that grew up there | 0:17:19 | 0:17:23 | |
and that have had to carry the burden of PC Blakelock | 0:17:23 | 0:17:26 | |
all these years, and been criminalised because that's | 0:17:26 | 0:17:30 | |
where they were born and grown, | 0:17:30 | 0:17:32 | |
being styled up, as now, Tottenham Mandem - they're not. | 0:17:32 | 0:17:36 | |
Mark grew up in the aftermath of the PC Blakelock killing, | 0:17:37 | 0:17:41 | |
but he didn't spend his whole childhood on the estate. | 0:17:41 | 0:17:44 | |
We used to go to school on Broadwater Farm. | 0:17:44 | 0:17:47 | |
When he went into the big school, he didn't settle. | 0:17:47 | 0:17:50 | |
He wasn't bad. He was just...not conforming. | 0:17:50 | 0:17:53 | |
The change in him wasn't positive, the way I saw it, | 0:17:53 | 0:17:58 | |
so, I was there one day and I just said to him, | 0:17:58 | 0:18:00 | |
"Wouldn't you like to come and live in Manchester for a while?" | 0:18:00 | 0:18:03 | |
And he just said yeah. | 0:18:03 | 0:18:05 | |
He took school a bit more seriously | 0:18:05 | 0:18:08 | |
and wanted to get grades. | 0:18:08 | 0:18:12 | |
Then he returned back to London. | 0:18:12 | 0:18:14 | |
When Mark went back to London, him and Semone got together, | 0:18:14 | 0:18:18 | |
and then it wasn't long before they moved in. | 0:18:18 | 0:18:23 | |
Mark had a shop on the Farm, Broadwater Farm estate, | 0:18:23 | 0:18:28 | |
selling clothes. | 0:18:28 | 0:18:29 | |
He also done, like, club promoting. | 0:18:29 | 0:18:34 | |
And that's how he made his money. | 0:18:34 | 0:18:38 | |
He did everything late. He never partied until he was in his 20s, | 0:18:38 | 0:18:42 | |
because he was 20 when they had Kemani. | 0:18:42 | 0:18:44 | |
So, he just wanted to be a family man. | 0:18:44 | 0:18:47 | |
He just wanted to have kids and have a proper family. Um... | 0:18:47 | 0:18:51 | |
So, he didn't start partying, going out, | 0:18:51 | 0:18:53 | |
till maybe he was about 23, something like that. | 0:18:53 | 0:18:56 | |
Just kind of out in the clubs and stuff like that, | 0:18:56 | 0:18:58 | |
his face was popping up quite a lot, | 0:18:58 | 0:19:00 | |
and we kind of connected from there, | 0:19:00 | 0:19:02 | |
started talking about doing parties and stuff, | 0:19:02 | 0:19:05 | |
kind of built a relationship from there. | 0:19:05 | 0:19:07 | |
Mark and his friends called themselves the Star Gang, | 0:19:07 | 0:19:10 | |
but according to those who knew him, | 0:19:10 | 0:19:12 | |
this was just a name they used when they were out at the clubs | 0:19:12 | 0:19:15 | |
and parties, not a gang in the criminal sense. | 0:19:15 | 0:19:18 | |
He was a player. | 0:19:18 | 0:19:20 | |
SHE LAUGHS | 0:19:20 | 0:19:22 | |
OK. A player is a womaniser. | 0:19:22 | 0:19:27 | |
A gangster is somebody that goes around and hurts people. | 0:19:28 | 0:19:33 | |
He was a womaniser. | 0:19:33 | 0:19:35 | |
Not an angel. If you came to fight him, he would fight you, | 0:19:35 | 0:19:38 | |
but he's not like how they make out, like, | 0:19:38 | 0:19:41 | |
"Yeah, he rolled around with a gun all the time." | 0:19:41 | 0:19:44 | |
It's nothing like that. | 0:19:44 | 0:19:47 | |
INTERVIEWER: Do you think he rolled around with a gun ever? | 0:19:47 | 0:19:50 | |
Well, there was a gun in the car, they said, | 0:19:50 | 0:19:53 | |
so he must have rolled around a bit at some time. | 0:19:53 | 0:19:56 | |
That would be the million-dollar question, innit? | 0:19:56 | 0:19:58 | |
I haven't got a clue why he had a gun. There's tons of reasons why. | 0:19:58 | 0:20:03 | |
Like, he could have been transporting it. | 0:20:03 | 0:20:06 | |
He could have been delivering it. | 0:20:06 | 0:20:07 | |
That's one thing I couldn't speculate on. | 0:20:07 | 0:20:10 | |
Ultimately, he may have been a big crim, | 0:20:10 | 0:20:12 | |
he may not have been a big crim. | 0:20:12 | 0:20:14 | |
What's not in doubt is, on the day in question, | 0:20:14 | 0:20:16 | |
he's being followed because they think he's going to get a weapon, | 0:20:16 | 0:20:20 | |
and he does. | 0:20:20 | 0:20:22 | |
In 2011, Mark's sister Kay | 0:20:24 | 0:20:26 | |
discovered that he was associating with | 0:20:26 | 0:20:29 | |
someone who had a serious criminal past involving guns. | 0:20:29 | 0:20:33 | |
Mark called me up one day and he says, | 0:20:33 | 0:20:35 | |
"I'm with one of your bredrens, you know?" And I said, "My friend? | 0:20:35 | 0:20:38 | |
"Who's my friend that you're with?" | 0:20:38 | 0:20:40 | |
I thought it was a girl. | 0:20:40 | 0:20:42 | |
So, he said, "Kevin." | 0:20:42 | 0:20:44 | |
There are some more photos coming round, | 0:20:47 | 0:20:49 | |
these black-and-white ones, | 0:20:49 | 0:20:51 | |
which is a guy called Kevin Hutchinson-Foster. | 0:20:51 | 0:20:54 | |
Now, intelligence would suggest that he's got control of the firearms | 0:20:54 | 0:20:57 | |
and from nine o'clock this evening, there may well be a plan | 0:20:57 | 0:21:00 | |
for Duggan to somehow get those firearms from Hutchinson. | 0:21:00 | 0:21:05 | |
Mr Foster. | 0:21:05 | 0:21:06 | |
Kevin Hutchinson-Foster. | 0:21:07 | 0:21:10 | |
I've known that name for a long time. | 0:21:10 | 0:21:13 | |
He was a friend of my ex-partner. | 0:21:13 | 0:21:16 | |
He is known for gang-associated things, | 0:21:16 | 0:21:20 | |
so when Mark let me know that he was kind of associated with this guy, | 0:21:20 | 0:21:25 | |
I was immediately telling Mark | 0:21:25 | 0:21:27 | |
this man is notorious. | 0:21:27 | 0:21:29 | |
He's already in firearms, drugs, that world. | 0:21:29 | 0:21:34 | |
I don't know my little brother to be that... | 0:21:34 | 0:21:36 | |
For him to be saying he's going to be friends with him, | 0:21:36 | 0:21:39 | |
"You can't be his friend. You can't be. | 0:21:39 | 0:21:41 | |
"That's a whole different world from where you are. | 0:21:41 | 0:21:44 | |
"What's the connection?" "Football." | 0:21:44 | 0:21:46 | |
I know Kevin plays football, so that IS a connection. | 0:21:46 | 0:21:49 | |
I couldn't say it was a lie, because I couldn't see Mark being | 0:21:49 | 0:21:53 | |
connected with this guy in any other way. | 0:21:53 | 0:21:55 | |
Mark Duggan was not an angel. | 0:21:55 | 0:21:58 | |
He had a criminal record. | 0:21:58 | 0:21:59 | |
It's equally clear that he did not have a criminal record | 0:21:59 | 0:22:03 | |
for very serious offences, | 0:22:03 | 0:22:04 | |
or serious violent offences, most importantly, | 0:22:04 | 0:22:07 | |
and, crucially, he did not have a record | 0:22:07 | 0:22:09 | |
for being associated with or using firearms. | 0:22:09 | 0:22:12 | |
Now, the same is not true of the person who supplied | 0:22:12 | 0:22:15 | |
that weapon to him, and that man, Kevin Hutchinson-Foster, | 0:22:15 | 0:22:19 | |
appears to belong in a somewhat different category. | 0:22:19 | 0:22:22 | |
The intelligence at the moment is that Hutchinson | 0:22:22 | 0:22:24 | |
has got control of at least one firearm, | 0:22:24 | 0:22:26 | |
which he's going to pass to Mark Duggan, | 0:22:26 | 0:22:28 | |
possibly at some point this evening. | 0:22:28 | 0:22:31 | |
Boss, I'll hand back to you, then. | 0:22:31 | 0:22:32 | |
I'll hand over to you for the method. | 0:22:32 | 0:22:35 | |
Good afternoon. | 0:22:37 | 0:22:38 | |
I'm the V59 operational firearms commander... | 0:22:38 | 0:22:41 | |
As the police prepared to intercept him in possession of a gun | 0:22:41 | 0:22:45 | |
later that evening, Mark Duggan was in Tottenham | 0:22:45 | 0:22:48 | |
with his sister Paulette and partner Semone. | 0:22:48 | 0:22:51 | |
The last time I saw Mark was the Wednesday. | 0:22:51 | 0:22:54 | |
We was at Semone's house | 0:22:54 | 0:22:56 | |
and it was a nice vibe that day, because the sun was out, | 0:22:56 | 0:23:00 | |
we was in the garden, chilling. | 0:23:00 | 0:23:02 | |
At first, the three of us were just sitting there drinking, | 0:23:02 | 0:23:05 | |
and then I went home and changed and came back to Semone's | 0:23:05 | 0:23:07 | |
because we were going to go to a barbecue. | 0:23:07 | 0:23:10 | |
-It will be nice to have my brother with me. -I'll think about it. | 0:23:10 | 0:23:12 | |
What do you mean? Every time, he's, like, "I'll think about it." | 0:23:12 | 0:23:16 | |
'Semone went upstairs, | 0:23:16 | 0:23:17 | |
'and then it was just me and Mark left downstairs for about an hour.' | 0:23:17 | 0:23:22 | |
Me and him was, like, speaking about things like | 0:23:22 | 0:23:24 | |
the relationship that I was in, things that were happening | 0:23:24 | 0:23:27 | |
in his life, | 0:23:27 | 0:23:29 | |
'and things that his baby-mothers were doing. | 0:23:29 | 0:23:32 | |
'It was quite strange, because he was always aware that anything | 0:23:32 | 0:23:37 | |
'that he said to me, I'd say it back to Semone. | 0:23:37 | 0:23:39 | |
'So he wouldn't really go in depth.' | 0:23:39 | 0:23:41 | |
So, that heart-to-heart we had, I found it... It was quite moving. | 0:23:41 | 0:23:46 | |
-I'm going to tell her. -Listen to me, shut your mouth. | 0:23:46 | 0:23:49 | |
Whatever. Whatever. | 0:23:49 | 0:23:51 | |
Intelligence was coming in every... Regularly. | 0:23:54 | 0:23:57 | |
At the time that I deployed the surveillance team, | 0:23:57 | 0:24:01 | |
Mark Duggan looked like he may be the most likely, | 0:24:01 | 0:24:05 | |
but there was intelligence that it may not happen tonight, | 0:24:05 | 0:24:08 | |
but it still hadn't been confirmed. | 0:24:08 | 0:24:10 | |
So, I sent a surveillance team, | 0:24:10 | 0:24:12 | |
the directed surveillance, etc, was all in place, | 0:24:12 | 0:24:15 | |
so rather than just have them sitting at the police station, | 0:24:15 | 0:24:19 | |
I sent them to the address where Mark Duggan was. | 0:24:19 | 0:24:22 | |
SHOTS FIRING IN GAME | 0:24:26 | 0:24:29 | |
Hold on... | 0:24:31 | 0:24:32 | |
Look, the guy's behind you. | 0:24:32 | 0:24:34 | |
Look, see him there? Shoot him. Shoot him. | 0:24:34 | 0:24:37 | |
-PHONE RINGS -Hold on. Pause it. Pause it. | 0:24:37 | 0:24:40 | |
Yo. | 0:24:40 | 0:24:42 | |
The last time I saw Mark was on the Wednesday, | 0:24:42 | 0:24:45 | |
the day before he was shot. | 0:24:45 | 0:24:47 | |
He'd come round, because I had a party coming up on the weekend | 0:24:47 | 0:24:50 | |
and he wanted some tickets. | 0:24:50 | 0:24:51 | |
But there was just something he mentioned, | 0:24:51 | 0:24:53 | |
something about the police possibly following his car. His taxi. | 0:24:53 | 0:24:56 | |
But that paranoia is acceptable in our culture, | 0:24:56 | 0:25:01 | |
in our society, whatever, in our community, yeah? | 0:25:01 | 0:25:03 | |
You don't even really pay no mind to it, | 0:25:03 | 0:25:05 | |
because it's not unusual to be followed for no reason. | 0:25:05 | 0:25:09 | |
Shout me in the morning. Shout me in the morning. Yeah? | 0:25:09 | 0:25:14 | |
Bravo 22. We've got... | 0:25:32 | 0:25:34 | |
jumping in a car. | 0:25:34 | 0:25:36 | |
ENGINE STARTS | 0:25:36 | 0:25:38 | |
PHONE RINGS | 0:25:38 | 0:25:40 | |
Wagwan? | 0:25:40 | 0:25:42 | |
-POLICE RADIO: -Recording. | 0:25:42 | 0:25:44 | |
Responding... | 0:25:44 | 0:25:46 | |
I'm on the roads now, man. | 0:25:47 | 0:25:49 | |
-POLICE RADIO: -Their location... | 0:25:49 | 0:25:51 | |
Bravo 22, we think he's heading towards the Farm. | 0:25:53 | 0:25:56 | |
We've got a few cars in front of us. | 0:25:56 | 0:25:58 | |
SED11, as you may have heard, are the Met surveillance department. | 0:25:58 | 0:26:03 | |
They attempted to follow Mr Duggan on 3rd August, | 0:26:03 | 0:26:05 | |
but they lost him. They lost sight of him. | 0:26:05 | 0:26:08 | |
We're going to lose him. | 0:26:08 | 0:26:10 | |
Agh! | 0:26:10 | 0:26:11 | |
He's gone, guv. | 0:26:11 | 0:26:13 | |
I received intelligence that Mark Duggan, | 0:26:15 | 0:26:16 | |
at least at some stage on the 3rd, | 0:26:16 | 0:26:19 | |
was not going to be involved in criminality. | 0:26:19 | 0:26:21 | |
He was going to be involved in social activity that day. | 0:26:21 | 0:26:25 | |
The intelligence, at the time I receive it, I would say is reliable, | 0:26:25 | 0:26:29 | |
however, the people the intelligence is about aren't always as reliable | 0:26:29 | 0:26:32 | |
as the intelligence, if you see what I mean. | 0:26:32 | 0:26:35 | |
'He was just a normal gallis. | 0:26:40 | 0:26:42 | |
'That's what we'd use for a guy that has more than one woman. | 0:26:42 | 0:26:46 | |
'And he was a gallis.' | 0:26:46 | 0:26:49 | |
You're being a good girl tonight, ain't ya? | 0:26:49 | 0:26:51 | |
'At the time it happened, Shevea was two.' | 0:26:51 | 0:26:54 | |
Come to bed. | 0:26:54 | 0:26:56 | |
The night before Mark passed, he was with Shonel... | 0:26:56 | 0:27:00 | |
..making the final arrangements for Shevea's christening, | 0:27:02 | 0:27:06 | |
which was on the Sunday, that Mark never got to go to. | 0:27:06 | 0:27:09 | |
Going for a sleep, yeah? | 0:27:12 | 0:27:13 | |
'We planned to have her christened on 7th August, which was a Sunday. | 0:27:13 | 0:27:18 | |
'We were having a service at St Francis de Sales Church, | 0:27:18 | 0:27:22 | |
'and a little thing afterwards.' | 0:27:22 | 0:27:24 | |
Yeah, it's night-night. Daddy loves you, OK? | 0:27:24 | 0:27:28 | |
Having lost their target, the police stood down early. | 0:27:30 | 0:27:33 | |
The intelligence was, the intelligence picture, | 0:27:33 | 0:27:36 | |
if I'm remembering correctly, | 0:27:36 | 0:27:38 | |
was that this was probably going to happen the following night | 0:27:38 | 0:27:42 | |
at around about nine o'clock. | 0:27:42 | 0:27:44 | |
Now believing that Mark Duggan would receive a gun the next day, | 0:27:44 | 0:27:48 | |
the Trident, surveillance and firearms teams arrange to | 0:27:48 | 0:27:52 | |
come back on shift at 6pm the following evening. | 0:27:52 | 0:27:55 | |
I remember specifically, five past two, he left. | 0:27:59 | 0:28:02 | |
The cab had come and it was five past two. | 0:28:02 | 0:28:05 | |
He was fine. | 0:28:06 | 0:28:08 | |
He was telling me he was going to come back the day it happened. | 0:28:08 | 0:28:11 | |
He said he would see me later. | 0:28:11 | 0:28:13 | |
Yes, boss. Shoreditch, please, yeah? | 0:28:13 | 0:28:15 | |
I'm going to tell you where to go when we get there. Yeah? | 0:28:15 | 0:28:18 | |
Mark spent his last night at the home of his new partner, Precious. | 0:28:31 | 0:28:35 | |
I think the new love that he found was pushing him | 0:28:37 | 0:28:41 | |
into directions to be a man. | 0:28:41 | 0:28:43 | |
You know, you're a boy, you hang out on the street, | 0:28:43 | 0:28:46 | |
you're not doing anything, | 0:28:46 | 0:28:48 | |
you just play PlayStation. | 0:28:48 | 0:28:50 | |
So, now you've met this woman that | 0:28:50 | 0:28:51 | |
is in a nine-to-five job, going to work, | 0:28:51 | 0:28:53 | |
living a good life, he needed to be more. | 0:28:53 | 0:28:56 | |
RADIO ON | 0:29:06 | 0:29:09 | |
After Mark passed, we discovered that Mark had been in a relationship | 0:29:12 | 0:29:16 | |
with Precious for four months, and she was pregnant. | 0:29:16 | 0:29:21 | |
I remember... I think she said that he was in a bit of a mood | 0:29:24 | 0:29:27 | |
and she couldn't be dealing with him | 0:29:27 | 0:29:29 | |
so she said, "I just went and got a bath." | 0:29:29 | 0:29:32 | |
And he was getting ready to go. | 0:29:33 | 0:29:36 | |
She said, "When I came out the bath, he was all right. | 0:29:40 | 0:29:43 | |
"Normal." | 0:29:43 | 0:29:45 | |
TV ON | 0:29:45 | 0:29:47 | |
PHONE RINGS | 0:29:47 | 0:29:49 | |
Yo. | 0:29:53 | 0:29:54 | |
That's good. | 0:29:54 | 0:29:56 | |
Yeah, yeah, yeah. I'll come round soon. | 0:29:58 | 0:30:01 | |
I'll call you when I'm outside, innit? | 0:30:01 | 0:30:03 | |
I'll call you when I'm leaving. | 0:30:03 | 0:30:06 | |
All right. In a bit. | 0:30:08 | 0:30:10 | |
'He just asked to call a cab... and that was it.' | 0:30:10 | 0:30:14 | |
Hoxton Cars, how can I help? | 0:30:14 | 0:30:15 | |
Can I get a cab, please? Picking up from Micawber Court. | 0:30:15 | 0:30:19 | |
Micawber Court? And where are you going to? | 0:30:19 | 0:30:22 | |
-Vicarage Road. Leyton. -OK. Can I take your name, please? | 0:30:22 | 0:30:26 | |
-Mark. -Mark. -Have you got this number, yeah? | 0:30:26 | 0:30:30 | |
I have. He'll give you a call when he's outside. He's on his way. | 0:30:30 | 0:30:33 | |
All right, thanks. | 0:30:33 | 0:30:35 | |
PHONE RINGS | 0:30:36 | 0:30:38 | |
Yeah? | 0:30:41 | 0:30:42 | |
Their shift was due to start at 6pm, | 0:30:42 | 0:30:45 | |
but at around 5.20, Trident's intelligence handler, | 0:30:45 | 0:30:48 | |
who had come in early, received information that Mark Duggan | 0:30:48 | 0:30:52 | |
would be collecting a firearm imminently. | 0:30:52 | 0:30:54 | |
Guys, Duggan's on the move. I'd like to get eyes on him now. | 0:30:58 | 0:31:01 | |
-At Leyton, Vicarage Road. -Yeah, I know it, Skip. -Go. | 0:31:01 | 0:31:04 | |
'The team were still gauged for a 6pm start.' | 0:31:04 | 0:31:08 | |
It's very unpredictable. | 0:31:08 | 0:31:10 | |
Things change at the last minute, | 0:31:10 | 0:31:12 | |
and we have to respond quite quickly, as in this case. | 0:31:12 | 0:31:15 | |
PHONE RINGS | 0:31:22 | 0:31:24 | |
Hello? | 0:31:24 | 0:31:26 | |
Boss, Duggan's on the move. | 0:31:26 | 0:31:28 | |
When? | 0:31:28 | 0:31:29 | |
Wait for Firearms. | 0:31:29 | 0:31:31 | |
While he waited for the firearms team, | 0:31:31 | 0:31:34 | |
Trident's intelligence handler sent the unarmed surveillance officers | 0:31:34 | 0:31:38 | |
he did have available on ahead. | 0:31:38 | 0:31:40 | |
We need you eyes on Vicarage Road, Leyton, now. | 0:31:40 | 0:31:45 | |
PHONE RINGS | 0:31:48 | 0:31:50 | |
Hello. | 0:31:51 | 0:31:52 | |
Yeah, we did. | 0:31:52 | 0:31:54 | |
We will be down shortly, yeah? Thanks. Bye. | 0:31:54 | 0:31:57 | |
-See you later, then. -See you later. | 0:31:59 | 0:32:02 | |
Taxi, yeah? | 0:32:07 | 0:32:09 | |
What's happening, boss man? Are you all right? | 0:32:11 | 0:32:14 | |
-OK. Yeah. How are you doing? -It's hot. | 0:32:14 | 0:32:16 | |
'He was mostly speaking on his mobile. He was normal.' | 0:32:21 | 0:32:24 | |
As a normal person. Normal behaviour. | 0:32:24 | 0:32:28 | |
LINE RINGING | 0:32:28 | 0:32:30 | |
INDISTINCT CHATTER | 0:32:30 | 0:32:32 | |
-PHONE RINGS -Hang on a sec. -Who is it? -Mark. | 0:32:32 | 0:32:35 | |
I got the phone call from Mark to find out what I was cooking. | 0:32:35 | 0:32:38 | |
-Hello. -Yo, Sem. | 0:32:38 | 0:32:40 | |
You got my food? | 0:32:40 | 0:32:42 | |
I don't want to hear nothing else. Food, food. | 0:32:42 | 0:32:44 | |
That's all I'm calling you for right now, you know? | 0:32:44 | 0:32:47 | |
She's like, "We didn't cook nothing." | 0:32:47 | 0:32:49 | |
Then he was like, "Yes, you did." | 0:32:49 | 0:32:51 | |
She said, "Yeah, we did, but it's for us." | 0:32:51 | 0:32:53 | |
You're too greedy. Don't worry, you'll be fed. | 0:32:53 | 0:32:56 | |
I said, "How long are you going to be?" He said, "I'm on my way." | 0:32:56 | 0:32:59 | |
Mark saying "on my way" | 0:32:59 | 0:33:01 | |
is just...you know... | 0:33:01 | 0:33:02 | |
He's never on time for anything. | 0:33:02 | 0:33:05 | |
'So when he said "on his way", I said OK.' | 0:33:05 | 0:33:07 | |
OK, bye. | 0:33:07 | 0:33:09 | |
With the firearms officers now arriving, | 0:33:11 | 0:33:14 | |
Trident's intelligence handler asked a firearms leader | 0:33:14 | 0:33:17 | |
to brief his team and get on the road as quickly as possible. | 0:33:17 | 0:33:20 | |
We've got three unarmed officers on the ground. | 0:33:20 | 0:33:23 | |
We need CO19 to take over. | 0:33:23 | 0:33:25 | |
The objective now was to stop and arrest Duggan | 0:33:25 | 0:33:28 | |
in possession of the gun. | 0:33:28 | 0:33:31 | |
I made sure, I spoke to Victor 59, | 0:33:31 | 0:33:33 | |
made sure he was updated with intelligence, | 0:33:33 | 0:33:35 | |
made sure he gave his staff | 0:33:35 | 0:33:37 | |
the warnings that I'd given in the briefing the day before, | 0:33:37 | 0:33:40 | |
just to make sure they were aware of the firearms warnings. | 0:33:40 | 0:33:43 | |
Obviously, they're getting their equipment on, | 0:33:43 | 0:33:45 | |
so they were in the yard, so I left them to get ready. | 0:33:45 | 0:33:48 | |
Listen in, guys. A firearm is to be fired only as a last resort. | 0:33:48 | 0:33:51 | |
Other methods must have been tried and failed... | 0:33:51 | 0:33:54 | |
The previous night, it was the SCD11 surveillance team, | 0:33:54 | 0:33:57 | |
who, as mentioned in the briefing, | 0:33:57 | 0:34:00 | |
are armed for their own protection, | 0:34:00 | 0:34:01 | |
therefore they can respond to any threat posed to them. | 0:34:01 | 0:34:04 | |
On the 4th, it was unarmed officers. | 0:34:04 | 0:34:06 | |
I was concerned at this stage that they were trying to gain | 0:34:06 | 0:34:09 | |
surveillance control of a male who was attempting to source a firearm, | 0:34:09 | 0:34:13 | |
and I felt that we needed to be closer to them | 0:34:13 | 0:34:16 | |
to respond to any threat to them. | 0:34:16 | 0:34:18 | |
The firearms team now had to play catch-up to get six miles | 0:34:24 | 0:34:27 | |
across London to Vicarage Road in Leyton. | 0:34:27 | 0:34:30 | |
If the secret intelligence was correct, | 0:34:30 | 0:34:33 | |
the unarmed surveillance officers would soon be facing an armed man. | 0:34:33 | 0:34:38 | |
PHONE RINGS | 0:34:38 | 0:34:40 | |
Yo. | 0:34:42 | 0:34:43 | |
Yeah, I'm on my way to you now. | 0:34:43 | 0:34:45 | |
Before the shooting, the police, through their agencies, | 0:34:45 | 0:34:51 | |
thought they knew | 0:34:51 | 0:34:53 | |
who was going to supply the gun. | 0:34:53 | 0:34:56 | |
Kevin Hutchinson-Foster. | 0:34:56 | 0:35:00 | |
I am on your road now, yeah? | 0:35:00 | 0:35:02 | |
Do you want me to wait? | 0:35:02 | 0:35:05 | |
Now, Kevin Hutchinson-Foster was not unknown to the law. | 0:35:05 | 0:35:08 | |
He'd been in prison. | 0:35:08 | 0:35:11 | |
Hey, boss man, just pull up here on the left. | 0:35:11 | 0:35:14 | |
-In between... Just behind that... -Over here? | 0:35:14 | 0:35:17 | |
-Yeah, just here on the left. -OK. | 0:35:17 | 0:35:19 | |
The gun that was eventually transferred was a gun | 0:35:19 | 0:35:22 | |
that he himself had used previously. | 0:35:22 | 0:35:25 | |
A week before Duggan's death, Kevin Hutchinson-Foster had used it | 0:35:26 | 0:35:31 | |
to beat a man very badly about the head | 0:35:31 | 0:35:34 | |
in an argument over a woman in a hairdressing salon. | 0:35:34 | 0:35:37 | |
Now, he was caught on CCTV carrying out this assault. | 0:35:37 | 0:35:41 | |
He was somebody involved in armed crime, | 0:35:41 | 0:35:43 | |
somebody who had access to weapons, | 0:35:43 | 0:35:45 | |
somebody who was, therefore, you would think, | 0:35:45 | 0:35:48 | |
of a special interest to Operation Trident, | 0:35:48 | 0:35:50 | |
the Metropolitan Police unit that deals with gun crime, | 0:35:50 | 0:35:53 | |
and yet, he seems to have been this man of mystery. | 0:35:53 | 0:35:57 | |
-What's going on? -Cool, yeah? | 0:35:57 | 0:36:00 | |
They know he's got previous firearm charges, | 0:36:00 | 0:36:04 | |
been arrested for firearms offences, | 0:36:04 | 0:36:06 | |
and they know that he has got three handguns | 0:36:06 | 0:36:09 | |
and looking to put these three guns onto the streets. | 0:36:09 | 0:36:12 | |
Now, I would have thought common sense should dictate, | 0:36:12 | 0:36:15 | |
Mark's only going for one and he's transporting it, | 0:36:15 | 0:36:18 | |
this guy has got three, that the focus of the operation | 0:36:18 | 0:36:21 | |
should have changed to the major player. | 0:36:21 | 0:36:26 | |
You have to ask, why was nobody joining these dots? | 0:36:28 | 0:36:30 | |
Why was Kevin Hutchinson-Foster | 0:36:30 | 0:36:32 | |
not the principal target of a police operation? | 0:36:32 | 0:36:35 | |
My intelligence says that Mark Duggan is going to pick it up. | 0:36:35 | 0:36:38 | |
Let's follow Mark Duggan to where he's going to pick it up. | 0:36:38 | 0:36:41 | |
Why would I want to go and follow Kevin Hutchinson-Foster? | 0:36:41 | 0:36:45 | |
Were we to follow Hutchinson-Foster, | 0:36:45 | 0:36:47 | |
we would be following him blind, if you like. | 0:36:47 | 0:36:49 | |
We wouldn't know what it was he was doing. | 0:36:49 | 0:36:52 | |
I wasn't receiving any intelligence about Kevin Hutchinson-Foster, | 0:36:52 | 0:36:55 | |
other than that that I received about Mark Duggan. | 0:36:55 | 0:36:58 | |
By the time Mark Duggan arrived in Vicarage Road, | 0:36:59 | 0:37:02 | |
three undercover police units were in place. | 0:37:02 | 0:37:05 | |
But what happened next is disputed. | 0:37:05 | 0:37:08 | |
-Vicarage Road, Skip. Still no sign of him. -OVER RADIO: -OK. | 0:37:08 | 0:37:12 | |
There are two contradictory versions. | 0:37:12 | 0:37:16 | |
Well, it's a busy thoroughfare. | 0:37:17 | 0:37:19 | |
Numerous cars were going past me as I was sitting there. | 0:37:19 | 0:37:22 | |
At the time I saw it, | 0:37:22 | 0:37:23 | |
yeah, I must've been sitting there | 0:37:23 | 0:37:25 | |
for about 20 minutes or so, and I saw the minicab go past. | 0:37:25 | 0:37:29 | |
He was the only minicab that went past me, and I know it was | 0:37:29 | 0:37:32 | |
the only minicab that went past me, because nowadays | 0:37:32 | 0:37:34 | |
even black taxis have got a sticker in the rear window, | 0:37:34 | 0:37:37 | |
and that was the only cab that I saw that day. | 0:37:37 | 0:37:40 | |
Skip, I've got him. Duggan's in a cab, Vicarage Road. | 0:37:40 | 0:37:44 | |
Registration Romeo 3-4-3... | 0:37:44 | 0:37:46 | |
Only one of the undercover surveillance officers could | 0:37:46 | 0:37:49 | |
have seen the handover, | 0:37:49 | 0:37:50 | |
and he said that the taxi turned a corner and went out of sight. | 0:37:50 | 0:37:55 | |
Well, it was in a line of traffic. | 0:37:55 | 0:37:57 | |
It drove past me, he got to Burchell Road, | 0:37:57 | 0:38:01 | |
turned left out of my sight, | 0:38:01 | 0:38:04 | |
and reappeared approximately five minutes later. | 0:38:04 | 0:38:06 | |
The taxi driver disputed this. | 0:38:07 | 0:38:10 | |
I was on Vicarage Road, the corner of Vicarage and Burchell Road. | 0:38:16 | 0:38:22 | |
And I was parked in such that the traffic could pass by. | 0:38:23 | 0:38:27 | |
A person came to the car | 0:38:29 | 0:38:31 | |
then greeted him with, like, "hello" | 0:38:31 | 0:38:33 | |
or "salam alaikum", | 0:38:33 | 0:38:35 | |
and then was with him for about five minutes | 0:38:35 | 0:38:38 | |
and gave him a box. | 0:38:38 | 0:38:40 | |
And I don't think he was with him for more than about five minutes. | 0:38:40 | 0:38:44 | |
In evidence, the taxi's GPS system was examined and showed | 0:38:46 | 0:38:49 | |
the vehicle stayed on Vicarage Road. | 0:38:49 | 0:38:53 | |
I'd rather believe the independent witness and the GPS system, | 0:38:53 | 0:38:58 | |
so if the minicab didn't turn into Burchell Road, | 0:38:58 | 0:39:01 | |
those Trident officers in situ should have seen the handover, | 0:39:01 | 0:39:05 | |
and they should have at least got the other guy, | 0:39:05 | 0:39:08 | |
especially if they knew the other guy had another couple of guns. | 0:39:08 | 0:39:11 | |
Boss man, Tottenham. | 0:39:13 | 0:39:14 | |
We're asking, | 0:39:14 | 0:39:16 | |
what's the relationship between Operation Trident, | 0:39:16 | 0:39:19 | |
not CO19 officers who shot and killed Mark, | 0:39:19 | 0:39:22 | |
but Operation Trident and the person who supplied him with the firearm? | 0:39:22 | 0:39:27 | |
Skip, he's on the move. | 0:39:27 | 0:39:29 | |
-We all need to get behind him now. -We're on him. | 0:39:29 | 0:39:32 | |
The police say that they didn't see the handover, | 0:39:35 | 0:39:38 | |
but somehow they knew that when he left Vicarage Road, | 0:39:38 | 0:39:41 | |
Mark Duggan had a gun. | 0:39:41 | 0:39:43 | |
How they knew this has never been revealed. | 0:39:43 | 0:39:46 | |
I have been clear from the outset | 0:39:46 | 0:39:49 | |
that there are some aspects of this investigation | 0:39:49 | 0:39:52 | |
which we are not able to put into the public domain, | 0:39:52 | 0:39:54 | |
but it has been very important to me | 0:39:54 | 0:39:56 | |
that I have had access to all the relevant intelligence, | 0:39:56 | 0:39:59 | |
and what I'm able to say is that we are certain | 0:39:59 | 0:40:03 | |
that when Mark Duggan arrived at the scene at Ferry Lane, | 0:40:03 | 0:40:06 | |
he arrived in possession of the firearm, | 0:40:06 | 0:40:09 | |
the non-police-issue firearm that was found at the scene. | 0:40:09 | 0:40:13 | |
He collected that firearm en route, | 0:40:13 | 0:40:15 | |
and although no police officers saw the exchange, | 0:40:15 | 0:40:18 | |
saw him being given it, | 0:40:18 | 0:40:20 | |
the taxi driver who was driving Mark Duggan saw him receive | 0:40:20 | 0:40:24 | |
the shoebox in which we believe the gun was placed. | 0:40:24 | 0:40:28 | |
Whether they found out through phone taps or informants, | 0:40:29 | 0:40:32 | |
when Duggan left Vicarage Road, | 0:40:32 | 0:40:34 | |
the police now considered him armed and dangerous. | 0:40:34 | 0:40:37 | |
SIRENS WAIL | 0:40:37 | 0:40:40 | |
Around about six o'clock, I asked Zulu Zulu 17 if he could confirm | 0:40:40 | 0:40:45 | |
whether he believed Mark Duggan was in possession of a firearm, | 0:40:45 | 0:40:48 | |
and that he was in that vehicle, | 0:40:48 | 0:40:50 | |
and he confirmed that, | 0:40:50 | 0:40:52 | |
and I went to Amber. | 0:40:52 | 0:40:54 | |
All units, we are now Code Amber. Repeat, Code Amber. | 0:40:54 | 0:40:56 | |
Basically, going to Amber means that | 0:40:56 | 0:40:59 | |
I have authorised the interception of that vehicle, | 0:40:59 | 0:41:02 | |
under the direction of the operational firearms commander, | 0:41:02 | 0:41:05 | |
at the safest possible opportunity they can do it. | 0:41:05 | 0:41:08 | |
-Command team, go. -We're on. | 0:41:08 | 0:41:10 | |
SIRENS WAIL | 0:41:10 | 0:41:13 | |
Keeping the minicab in sight, three cars ahead. | 0:41:16 | 0:41:19 | |
-OVER RADIO: -Keep eyes on. Firearms are still en route. | 0:41:19 | 0:41:22 | |
With the unarmed surveillance officers keeping Duggan in sight, | 0:41:22 | 0:41:25 | |
it was now the job of the firearms team to catch up and stop him. | 0:41:25 | 0:41:29 | |
Hey, boss man, what, you selling this, yeah? | 0:41:36 | 0:41:39 | |
His mood was quite all right, and he asked me about selling my car, | 0:41:39 | 0:41:45 | |
because I had advertised the car. | 0:41:45 | 0:41:48 | |
He asked me about information regarding buying the car. | 0:41:48 | 0:41:52 | |
How about I give you just over half, yeah? | 0:41:52 | 0:41:54 | |
Hmm. We're getting closer. | 0:41:54 | 0:41:56 | |
THEY LAUGH | 0:41:56 | 0:41:58 | |
SIREN WAILS | 0:41:58 | 0:42:00 | |
It's never been established exactly when it happened, | 0:42:03 | 0:42:06 | |
but it IS known that Mark Duggan spotted at least | 0:42:06 | 0:42:10 | |
one of the Trident undercover surveillance vehicles. | 0:42:10 | 0:42:13 | |
Mark sent a text to lots of his friends via a BB on BlackBerry, | 0:42:13 | 0:42:19 | |
telling them that Trident had tried to jam him. | 0:42:19 | 0:42:23 | |
He didn't say the police, he didn't say the feds, he said Trident, | 0:42:23 | 0:42:27 | |
and in the black community, Trident are known as the gun police. | 0:42:27 | 0:42:31 | |
He has sent the text, he's looking for the car, doesn't see it, | 0:42:31 | 0:42:36 | |
but doesn't know that Trident have now called in the heavy mob. | 0:42:36 | 0:42:41 | |
Actually, there was a good five minutes before Red was called | 0:42:46 | 0:42:50 | |
that we had our eyes on the minicab, because it was caught | 0:42:50 | 0:42:53 | |
in very heavy traffic, | 0:42:53 | 0:42:55 | |
so I can remember the firearms officers were able | 0:42:55 | 0:42:57 | |
to identify exactly where it was, | 0:42:57 | 0:42:59 | |
because the surveillance officer's commentary on the radio | 0:42:59 | 0:43:04 | |
was excellent, and she was able to say | 0:43:04 | 0:43:07 | |
it's behind this particular vehicle, | 0:43:07 | 0:43:09 | |
three in front of my vehicle. We had time to sit behind it. | 0:43:09 | 0:43:13 | |
Yo. | 0:43:16 | 0:43:18 | |
Yes, but listen... | 0:43:19 | 0:43:21 | |
Anyway, I'm coming to the Farm now, innit, so... | 0:43:21 | 0:43:24 | |
You're going up against criminals who have access to firearms. | 0:43:24 | 0:43:27 | |
Obviously, we're trained to use firearms, | 0:43:27 | 0:43:30 | |
but there's definitely a bit of apprehension, nervousness, | 0:43:30 | 0:43:33 | |
because you want to perform at the best of your ability. | 0:43:33 | 0:43:36 | |
At this stage, we had our blue lights and sirens turned off. | 0:43:36 | 0:43:40 | |
However, at that stage, | 0:43:40 | 0:43:42 | |
we could have overtaken that queue of traffic and implemented the stop. | 0:43:42 | 0:43:45 | |
However, that would have been wholly inappropriate and dangerous. | 0:43:45 | 0:43:48 | |
Therefore, we waited for the lights to change, | 0:43:48 | 0:43:51 | |
vehicles peeled off left and right at the next set of lights, | 0:43:51 | 0:43:54 | |
and we then found ourselves in Forest Road, | 0:43:54 | 0:43:56 | |
and were able to move through the traffic to the Ferry Lane area, | 0:43:56 | 0:43:59 | |
which was the first safe place to stop the vehicle. | 0:43:59 | 0:44:02 | |
When we stop people, they have three options. | 0:44:05 | 0:44:08 | |
They can either comply, as I've explained, yes, hands up, | 0:44:08 | 0:44:11 | |
"Fair cop, guv," I suppose. | 0:44:11 | 0:44:12 | |
They can either escape, attempt an escape, | 0:44:12 | 0:44:15 | |
or they can fight their way out. So, once we put the stop in, | 0:44:15 | 0:44:19 | |
Mr Duggan still had those three options in place. | 0:44:19 | 0:44:22 | |
I was conscious of one woman on a pedal cycle, | 0:44:22 | 0:44:25 | |
who was coming up behind the minicab. | 0:44:25 | 0:44:27 | |
As the stop went in, I looked round, just to check that she | 0:44:27 | 0:44:29 | |
was not going to continue into the area | 0:44:29 | 0:44:32 | |
where the stop was happening. | 0:44:32 | 0:44:33 | |
ENGINES REV | 0:44:33 | 0:44:35 | |
Stop! | 0:44:35 | 0:44:36 | |
At the point where I was alongside the minicab, | 0:44:40 | 0:44:43 | |
somebody in my vehicle said something along the lines of, | 0:44:43 | 0:44:46 | |
"I think he's going to leg it." | 0:44:46 | 0:44:48 | |
TYRES SCREECH | 0:44:48 | 0:44:50 | |
SHOUTING | 0:44:50 | 0:44:52 | |
He's reaching! He's reaching! | 0:44:59 | 0:45:01 | |
TWO GUNSHOTS | 0:45:01 | 0:45:03 | |
At this point, | 0:45:11 | 0:45:13 | |
I've heard two gunshots, | 0:45:13 | 0:45:14 | |
and then, from the rear of his jacket, a load of feathers appear. | 0:45:14 | 0:45:18 | |
They were in the air behind him, and all around him, really. | 0:45:19 | 0:45:23 | |
There was quite a number of... Quite a large | 0:45:23 | 0:45:27 | |
plume of feathers. | 0:45:27 | 0:45:30 | |
SHOUTING | 0:45:32 | 0:45:35 | |
'I kind of know what a gun sounds like. | 0:45:35 | 0:45:38 | |
'I've never handled one myself, but I know what a gun sounds like.' | 0:45:38 | 0:45:41 | |
I just remember thinking, like, "That gun sounds scary." | 0:45:41 | 0:45:44 | |
It just sounded, like, expensive. Do you know what I mean? | 0:45:44 | 0:45:46 | |
All of a sudden, I heard two shots, or two loud bangs. Bang-bang. | 0:45:46 | 0:45:51 | |
I'm thinking it's my phone. | 0:45:51 | 0:45:53 | |
And one of my roommates running, coming to me, saying, | 0:45:53 | 0:45:56 | |
"Yo! There's shooting outside. Someone got shot." | 0:45:56 | 0:45:59 | |
SIREN WAILS | 0:45:59 | 0:46:02 | |
Although footage of the area where the shooting happened was | 0:46:04 | 0:46:07 | |
captured by passing buses, there was no CCTV of the actual moment, | 0:46:07 | 0:46:11 | |
and no mobile phone footage of the shooting has ever been found. | 0:46:11 | 0:46:16 | |
One of the challenges of this case from the outset | 0:46:17 | 0:46:20 | |
has been the lack of independent witnesses | 0:46:20 | 0:46:22 | |
and the lack of recordings of the event, | 0:46:22 | 0:46:25 | |
and for anyone who lives and works in London, | 0:46:25 | 0:46:27 | |
the idea that something major could | 0:46:27 | 0:46:29 | |
happen in a place like Tottenham and it wasn't captured on camera, | 0:46:29 | 0:46:31 | |
by either individuals with their phones or by CCTV, | 0:46:31 | 0:46:34 | |
seems really hard to believe, and it was equally hard for me | 0:46:34 | 0:46:38 | |
to get my head round that, as it has been for everybody else. | 0:46:38 | 0:46:41 | |
The incident was not captured by the data recorders | 0:46:41 | 0:46:44 | |
fitted to the police vehicles, | 0:46:44 | 0:46:46 | |
so the only direct accounts of the shooting itself are those of | 0:46:46 | 0:46:49 | |
the police officers, the taxi driver and one independent witness. | 0:46:49 | 0:46:54 | |
GUNSHOTS | 0:46:54 | 0:46:57 | |
Yes, he's jumped out at pace and, | 0:47:03 | 0:47:05 | |
initially, he's facing towards Whisky 42, | 0:47:05 | 0:47:08 | |
and then, at that time, I'm getting out of my vehicle, | 0:47:08 | 0:47:11 | |
and I take a couple of steps towards, and I've got my MP5 | 0:47:11 | 0:47:15 | |
in the off-aim ready position. | 0:47:15 | 0:47:17 | |
When he's moved towards the back of the rear of the minicab | 0:47:17 | 0:47:20 | |
and he's turned towards my colleagues, | 0:47:20 | 0:47:22 | |
because of not being able to see the right hand inside the jacket, | 0:47:22 | 0:47:26 | |
I've now got tunnel vision, if you want to call it, | 0:47:26 | 0:47:29 | |
towards his body now, excluding everything else, | 0:47:29 | 0:47:31 | |
concentrating solely on the shape of Mr Duggan in front of me. | 0:47:31 | 0:47:34 | |
The only way I can describe it is like a freeze-frame moment, | 0:47:34 | 0:47:38 | |
you know? It's like you've got Sky+ or a video recorder, | 0:47:38 | 0:47:42 | |
it's where you start pausing things, | 0:47:42 | 0:47:44 | |
and in my head, the world has stopped | 0:47:44 | 0:47:46 | |
because as he's turned to face me, | 0:47:46 | 0:47:49 | |
while I had lovely peripheral vision, | 0:47:49 | 0:47:51 | |
my focus turned immediately to what was in his hand. | 0:47:51 | 0:47:55 | |
As the subject set off in a sort of half-run towards me, | 0:47:56 | 0:47:59 | |
I saw him very quickly pull his right hand up and out of his jacket. | 0:47:59 | 0:48:03 | |
I can see the hand under the weapon, I can make out the trigger guard, | 0:48:03 | 0:48:08 | |
I can make out the barrel, and it's side on to his body, | 0:48:08 | 0:48:11 | |
and there's a black sock covering that weapon. | 0:48:11 | 0:48:14 | |
As he's drawn the gun, my threat assessment was | 0:48:14 | 0:48:17 | |
that it was an imminent threat to life, | 0:48:17 | 0:48:20 | |
because he was drawing that weapon in order to fire it at us. | 0:48:20 | 0:48:22 | |
If Mr Duggan had left the gun like this, I would have hoped he | 0:48:22 | 0:48:26 | |
would have dropped it, but because he's moved it | 0:48:26 | 0:48:28 | |
away from his body, | 0:48:28 | 0:48:30 | |
I now have an honest-held belief he's going to shoot me. | 0:48:30 | 0:48:33 | |
What I have then seen is his elbow, his right elbow, move out slightly. | 0:48:35 | 0:48:39 | |
It was minimal, yes, a few inches would probably be correct, | 0:48:39 | 0:48:42 | |
but it was enough to make me shout what I did next. | 0:48:42 | 0:48:44 | |
He's reaching! He's reaching! | 0:48:44 | 0:48:46 | |
Shots fired! Shots fired! | 0:48:50 | 0:48:52 | |
-Where's the gun? -His gun? -Where's the gun? -Where's the gun? | 0:48:54 | 0:48:57 | |
I keep running the moment through my head day in, day out, | 0:48:58 | 0:49:01 | |
and Mark Duggan had a gun. | 0:49:01 | 0:49:03 | |
He presented a threat to me, | 0:49:03 | 0:49:05 | |
and the only option I had was to defend myself and to open fire. | 0:49:05 | 0:49:09 | |
SHOUTING | 0:49:09 | 0:49:12 | |
Where's the gun? | 0:49:12 | 0:49:13 | |
I started shouting, "Where's the gun?" He was totally unresponsive | 0:49:13 | 0:49:16 | |
and limp, but I was convinced I'd find the gun on him or under him. | 0:49:16 | 0:49:20 | |
It's not here. Look that way. | 0:49:20 | 0:49:22 | |
I think it, obviously appreciating that | 0:49:22 | 0:49:26 | |
I only saw it for a split second, | 0:49:26 | 0:49:27 | |
in the manner in which it was drawn, and I don't see any details of it, | 0:49:27 | 0:49:31 | |
just that it was a gun-shaped object, effectively. | 0:49:31 | 0:49:34 | |
Keep your hands exactly where they are. | 0:49:34 | 0:49:37 | |
SIREN WAILS | 0:49:37 | 0:49:39 | |
I wasn't aware that I was the only person, | 0:49:39 | 0:49:41 | |
other than Victor 53, to see the gun. | 0:49:41 | 0:49:44 | |
In his initial statement, Whisky 70 made no mention of the gun. | 0:49:44 | 0:49:49 | |
It was very apparent within... | 0:49:50 | 0:49:52 | |
within a minute at most what had happened, | 0:49:52 | 0:49:55 | |
in that Victor 53 had shot Mr Duggan, | 0:49:55 | 0:49:58 | |
and the round had continued straight through and hit Whisky 42. | 0:49:58 | 0:50:01 | |
GUNSHOTS | 0:50:01 | 0:50:03 | |
It's something that I'll never forget, to be honest, | 0:50:03 | 0:50:06 | |
because he's a mate of mine, and I went over to him and, again, | 0:50:06 | 0:50:09 | |
the only way I can describe this is, his knees started to go. | 0:50:09 | 0:50:12 | |
I sort of called it an Elvis, | 0:50:12 | 0:50:14 | |
because his knees started to buckle under him. | 0:50:14 | 0:50:16 | |
His face was initially red, | 0:50:16 | 0:50:18 | |
but you could see the white just go down his face, | 0:50:18 | 0:50:21 | |
so I grabbed him and I put him down against the fence line, | 0:50:21 | 0:50:24 | |
telling him, "Man up," and a bit of cop humour, to be honest with you, | 0:50:24 | 0:50:29 | |
as I'm cutting his clothes off, | 0:50:29 | 0:50:31 | |
because I'm looking for a bullet wound now. | 0:50:31 | 0:50:33 | |
Touch wood, the round was in his radio, | 0:50:33 | 0:50:36 | |
and there was no obvious penetration in him. | 0:50:36 | 0:50:39 | |
I've satisfied myself that Whisky 42 has no life-threatening injuries, | 0:50:39 | 0:50:43 | |
so I've dealt with Whisky 42 | 0:50:43 | 0:50:46 | |
for around two minutes. | 0:50:46 | 0:50:47 | |
I've then gone back to Mark Duggan, | 0:50:47 | 0:50:49 | |
who's the casualty now, and he needs attention. | 0:50:49 | 0:50:52 | |
SIREN WAILS | 0:50:52 | 0:50:54 | |
Only one independent eyewitness to the actual shooting | 0:50:58 | 0:51:01 | |
ever came forward. | 0:51:01 | 0:51:03 | |
He lived in a block of flats directly opposite | 0:51:03 | 0:51:05 | |
to where the incident happened. | 0:51:05 | 0:51:07 | |
I heard tyres screeching, a couple of tyres screeching, | 0:51:08 | 0:51:11 | |
and then I heard shouting as well. | 0:51:11 | 0:51:14 | |
The shouting was either "put it down" or "get down". | 0:51:14 | 0:51:17 | |
Is it was one of those two. | 0:51:17 | 0:51:19 | |
I just started looking... Well, viewing what was going on. | 0:51:19 | 0:51:23 | |
I went to the window, stuck, like, half my body | 0:51:23 | 0:51:26 | |
out the window and then I started seeing everything, really. | 0:51:26 | 0:51:30 | |
He had a... | 0:51:30 | 0:51:31 | |
Well, it looked like a phone clutched in his hands. | 0:51:31 | 0:51:34 | |
I've said that from day one, and I will always say that. | 0:51:34 | 0:51:37 | |
It did look like a phone, | 0:51:37 | 0:51:39 | |
and he had his hands up, like that. | 0:51:39 | 0:51:41 | |
Above his shoulders. | 0:51:41 | 0:51:43 | |
Right near the face, like, you know... | 0:51:43 | 0:51:46 | |
The moment he got shot, | 0:51:46 | 0:51:48 | |
that's when I went inside and got my phone and started recording. | 0:51:48 | 0:51:53 | |
It was only about two seconds, three seconds at most, | 0:51:53 | 0:51:57 | |
getting the phone. | 0:51:57 | 0:52:00 | |
His body language was a bit like, "What's going on? | 0:52:00 | 0:52:04 | |
"Really?" | 0:52:04 | 0:52:05 | |
With his hands up, you know? | 0:52:05 | 0:52:07 | |
Independent experts were asked to investigate whether | 0:52:07 | 0:52:11 | |
Mark Duggan could have had his hands up when he was shot. | 0:52:11 | 0:52:15 | |
I'm a pathologist, so I examine the dead body, document the injuries, | 0:52:18 | 0:52:22 | |
but I also look at the scene of the death, | 0:52:22 | 0:52:25 | |
and the order of the shots matters | 0:52:25 | 0:52:27 | |
if you want to reconstruct the events, | 0:52:27 | 0:52:29 | |
because the body positions are very different | 0:52:29 | 0:52:32 | |
for the two shots. | 0:52:32 | 0:52:33 | |
Now, there is good evidence that the first shot was the shot that | 0:52:33 | 0:52:38 | |
struck the arm and the side of the chest, but didn't enter the chest. | 0:52:38 | 0:52:43 | |
For the bullet to pass in here and out here, | 0:52:43 | 0:52:47 | |
and to strike the side of the chest, | 0:52:47 | 0:52:50 | |
the arm has to be turned. | 0:52:50 | 0:52:51 | |
Now, that gunshot tore the fibres | 0:52:51 | 0:52:54 | |
for quite a distance up the muscle, | 0:52:54 | 0:52:57 | |
and that's a good indicator that the muscle was contracted | 0:52:57 | 0:53:00 | |
at the time, and the muscle is contracted when you bend your elbow. | 0:53:00 | 0:53:06 | |
And we have a police statement from two police witnesses that | 0:53:06 | 0:53:09 | |
Mark Duggan's right hand was across his waistband. | 0:53:09 | 0:53:12 | |
So we can corroborate that. | 0:53:12 | 0:53:14 | |
The bullet that went into the chest went through the clothing, | 0:53:17 | 0:53:21 | |
and, unusually, it went in on the inside of the left-front corner, | 0:53:21 | 0:53:27 | |
out on the outer side and then into the chest, | 0:53:27 | 0:53:31 | |
so the garment had to be twisted up to the right and inside out. | 0:53:31 | 0:53:36 | |
So, we have an imagery now of Mark Duggan being shot in the arm, | 0:53:36 | 0:53:42 | |
at the same time, his left hand was in his pocket, | 0:53:42 | 0:53:46 | |
his right hand along the waistband, and he reacts to that by... | 0:53:46 | 0:53:51 | |
..going forwards and raising his left arm. | 0:53:53 | 0:53:56 | |
It's not possible that he was in a position of surrendering, | 0:53:59 | 0:54:03 | |
with both hands raised at the time of the first shot, | 0:54:03 | 0:54:07 | |
because we know his right arm had to be down by his body | 0:54:07 | 0:54:11 | |
and bent at the elbow. | 0:54:11 | 0:54:13 | |
Armed police! Get out of the car! | 0:54:13 | 0:54:16 | |
They dragged me out of my car, | 0:54:16 | 0:54:20 | |
and they treat me like some kind of criminal. | 0:54:20 | 0:54:22 | |
Get out of the car. | 0:54:22 | 0:54:24 | |
'They dragged me with a very rough attitude, | 0:54:24 | 0:54:26 | |
'and then they laid me on the floor and handcuffed me at the back.' | 0:54:26 | 0:54:31 | |
-Keep them -BLEEP -there. | 0:54:31 | 0:54:33 | |
They ordered me. They ordered me not to look at...towards Mr Duggan. | 0:54:33 | 0:54:38 | |
Not to look at the victim and to look away. | 0:54:38 | 0:54:40 | |
It was quite a dangerous situation. | 0:54:40 | 0:54:43 | |
There was blood on his clothes, | 0:54:43 | 0:54:45 | |
and quite a few people were holding on to him, and his mouth was open. | 0:54:45 | 0:54:50 | |
-Don't you -BLEEP -look, or I will -BLEEP -shoot you. | 0:54:52 | 0:54:55 | |
Stop looking! | 0:54:55 | 0:54:57 | |
Yes, the one that was standing by my head said... | 0:54:57 | 0:55:00 | |
next to me, he had told me that he would shoot me. | 0:55:00 | 0:55:03 | |
He had a gun in his hand. | 0:55:03 | 0:55:06 | |
To me, it looked like these people had come out to hunt someone. | 0:55:06 | 0:55:09 | |
That's what it looked like to me. | 0:55:09 | 0:55:12 | |
One, two, three, four. One, two, three, four. | 0:55:12 | 0:55:15 | |
SIREN WAILS | 0:55:15 | 0:55:17 | |
I always carried around this pretty good compact camera | 0:55:19 | 0:55:22 | |
on the off-chance that, one day, | 0:55:22 | 0:55:25 | |
something might happen right in front of my eyes, | 0:55:25 | 0:55:27 | |
and I can just dig down there and get it, | 0:55:27 | 0:55:29 | |
so I decided at that point, right, | 0:55:29 | 0:55:31 | |
let's go and take some photographs of whatever it is going on. | 0:55:31 | 0:55:35 | |
I was there, just filming what was going on, | 0:55:36 | 0:55:41 | |
still trying to find out what happened. | 0:55:41 | 0:55:43 | |
"Did anyone see exactly what happened?" | 0:55:43 | 0:55:45 | |
"I didn't see it." This one saw it, that one didn't. | 0:55:45 | 0:55:48 | |
But everyone was, like, fixed on what was going on. | 0:55:48 | 0:55:51 | |
I remember seeing a group of officers as well trying | 0:55:51 | 0:55:54 | |
to resuscitate Mark Duggan. | 0:55:54 | 0:55:57 | |
But at that time, I never knew it was him, that's the thing. | 0:55:57 | 0:55:59 | |
At the time, I didn't know it was Mark, | 0:55:59 | 0:56:01 | |
nobody knew, do you know what I mean? | 0:56:01 | 0:56:03 | |
So, from that distance, I guess he's fair enough | 0:56:03 | 0:56:06 | |
where you might think he's a white dude, do you know what I mean? | 0:56:06 | 0:56:09 | |
And that's kind of generally where that came from. | 0:56:09 | 0:56:12 | |
People that were there were thinking, "Oh, some white dude. | 0:56:12 | 0:56:14 | |
"Might be an Albanian gangster. They've shot someone." | 0:56:14 | 0:56:17 | |
"Oh, at least it's not a black guy this time, innit?" | 0:56:17 | 0:56:19 | |
Do you know what I mean? It was that kind of thing. | 0:56:19 | 0:56:22 | |
The feeling that I had in viewing that scene | 0:56:23 | 0:56:28 | |
as I shot those pictures | 0:56:28 | 0:56:31 | |
was one of chaos. | 0:56:31 | 0:56:34 | |
I could see the way the policemen were looking at each other, | 0:56:36 | 0:56:41 | |
the way that they were talking to each other, | 0:56:41 | 0:56:43 | |
some of the body language that they gave off... | 0:56:43 | 0:56:46 | |
Can you start moving away, please, yeah? | 0:56:46 | 0:56:49 | |
The way that sometimes a police officer would start walking | 0:56:49 | 0:56:54 | |
one way but then flip around and walk the other way, | 0:56:54 | 0:56:57 | |
as if he didn't quite know whether he should do that or not. | 0:56:57 | 0:57:01 | |
Where's the gun? Where's the gun?! | 0:57:02 | 0:57:04 | |
After the shooting, | 0:57:06 | 0:57:07 | |
a gun was found on the green next to where the minicab was stopped. | 0:57:07 | 0:57:11 | |
Details of exactly where or when it was found were not recorded. | 0:57:11 | 0:57:17 | |
It took too long for that gun to be found. | 0:57:17 | 0:57:20 | |
No-one can tell me that 11 police officers can face an armed man, | 0:57:20 | 0:57:25 | |
that man gets shot, | 0:57:25 | 0:57:27 | |
and that gun not be found in a nanosecond, | 0:57:27 | 0:57:29 | |
because all 11 officers are trained to keep their eye | 0:57:29 | 0:57:33 | |
and keep that focus on that gun. | 0:57:33 | 0:57:36 | |
The biggest issue has been, how did that gun get there? | 0:57:37 | 0:57:41 | |
How did a gun get 14 feet over a fence, | 0:57:41 | 0:57:45 | |
and even more, and nobody saw how it got there, | 0:57:45 | 0:57:50 | |
and that has been the great mystery of this investigation. | 0:57:50 | 0:57:54 | |
There was also no agreement about who found the gun. | 0:57:54 | 0:57:58 | |
At the inquest, two officers each claim to have found it | 0:57:58 | 0:58:02 | |
independently of one another. | 0:58:02 | 0:58:05 | |
I turned to Romeo 31 who, at this stage, wasn't undertaking any | 0:58:05 | 0:58:08 | |
first aid or any other task and asked him to look for the firearm. | 0:58:08 | 0:58:12 | |
Once I've started working my way along the bushes, | 0:58:12 | 0:58:15 | |
occasionally, I think, lifting some up, | 0:58:15 | 0:58:17 | |
some of them a little bigger than others, | 0:58:17 | 0:58:19 | |
so I have a look behind them, then as I'm walking down, | 0:58:19 | 0:58:22 | |
I get to roughly where the wall is, | 0:58:22 | 0:58:25 | |
that's when I see out of the corner of my eye | 0:58:25 | 0:58:28 | |
something black lying in the grass. | 0:58:28 | 0:58:30 | |
Well, at some stage, I'm not sure exactly how long after it, | 0:58:33 | 0:58:37 | |
I was on the phone to the SIO | 0:58:37 | 0:58:39 | |
and I could hear one of the firearms officers | 0:58:39 | 0:58:42 | |
saying that they hadn't located the firearm, | 0:58:42 | 0:58:44 | |
and I remember thinking, | 0:58:44 | 0:58:46 | |
"I wonder if anyone's looked to the left of the wall where it happened." | 0:58:46 | 0:58:49 | |
And I just took a couple of steps down to the left, | 0:58:49 | 0:58:52 | |
there's a little alleyway there, | 0:58:52 | 0:58:54 | |
and the gun was just on the ground, on the grass. | 0:58:54 | 0:58:57 | |
Right there. | 0:58:57 | 0:58:59 | |
There is a problem with that. | 0:58:59 | 0:59:01 | |
None of the trained police officers see | 0:59:01 | 0:59:06 | |
a gun flying through the air on a sunny day | 0:59:06 | 0:59:11 | |
with crystal-clear vision. | 0:59:11 | 0:59:13 | |
It's just not seen. Can they REALLY have missed it? | 0:59:13 | 0:59:17 | |
I'm sure it would clear up a hell of a lot of stuff if I was able to say, | 0:59:17 | 0:59:21 | |
yes, I saw the gun fly through the air and it landed wherever. | 0:59:21 | 0:59:24 | |
But I didn't see it. | 0:59:24 | 0:59:26 | |
There was nothing obstructing my way, | 0:59:26 | 0:59:28 | |
but I didn't clearly see what happened to that gun. | 0:59:28 | 0:59:31 | |
No. I don't see anything go over the fence. | 0:59:31 | 0:59:34 | |
The medical evidence, | 0:59:34 | 0:59:36 | |
in terms of his wounds and his body position when he was shot, | 0:59:36 | 0:59:39 | |
would give an idea about the possibility | 0:59:39 | 0:59:41 | |
of him throwing the weapon. | 0:59:41 | 0:59:44 | |
The two police officers say there is a gun in Mark Duggan's hand. | 0:59:44 | 0:59:48 | |
But the gun ends up some distance away, | 0:59:50 | 0:59:52 | |
over five-foot railings. | 0:59:52 | 0:59:54 | |
Mark Duggan is facing the two police officers, | 0:59:55 | 0:59:58 | |
they are watching his right hand because they are looking for a gun. | 0:59:58 | 1:00:03 | |
And he ends up in a position, twisted, bent, | 1:00:03 | 1:00:08 | |
and now, he would have to throw the gun in that direction. | 1:00:08 | 1:00:13 | |
He would need to do it with a wounded arm | 1:00:13 | 1:00:16 | |
in which, because of the damage to the muscle, | 1:00:16 | 1:00:18 | |
he couldn't put his palm upright, | 1:00:18 | 1:00:20 | |
so he would have to throw it palm-down. | 1:00:20 | 1:00:23 | |
For me, it's inconceivable that, if he did achieve that, | 1:00:23 | 1:00:27 | |
it was done without the two police officers seeing it. | 1:00:27 | 1:00:30 | |
That leaves us with two possibilities. | 1:00:30 | 1:00:33 | |
First possibility is that Mark Duggan threw it there | 1:00:33 | 1:00:38 | |
before he exited the vehicle. | 1:00:38 | 1:00:40 | |
Second possibility is the police planted it. | 1:00:40 | 1:00:43 | |
There was allegations about police planting the weapon. | 1:00:43 | 1:00:46 | |
That's outside my area, I can't comment on that, | 1:00:46 | 1:00:49 | |
but it seems to me, | 1:00:49 | 1:00:51 | |
from the evidence of the police officers, | 1:00:51 | 1:00:53 | |
that the first sight they get of him, | 1:00:53 | 1:00:57 | |
the door is already open and he is exiting the vehicle, | 1:00:57 | 1:01:00 | |
so there was an opportunity for him to open the door, | 1:01:00 | 1:01:05 | |
throw the weapon and THEN step out | 1:01:05 | 1:01:09 | |
and that's what the jury concluded, | 1:01:09 | 1:01:12 | |
that's what I concluded. | 1:01:12 | 1:01:14 | |
The inquest jury decided that | 1:01:16 | 1:01:18 | |
it was only after Mark Duggan threw the gun that he was shot. | 1:01:18 | 1:01:22 | |
He's reaching, he's reaching! | 1:01:22 | 1:01:24 | |
TWO GUNSHOTS | 1:01:24 | 1:01:26 | |
TAPE REWINDS | 1:01:26 | 1:01:28 | |
The IPCC concluded that it was more likely | 1:01:28 | 1:01:31 | |
that Mark was shot as he was throwing the gun. | 1:01:31 | 1:01:33 | |
TWO GUNSHOTS | 1:01:33 | 1:01:36 | |
Shots fired, shots fired! | 1:01:36 | 1:01:38 | |
TAPE REWINDS | 1:01:38 | 1:01:39 | |
Neither version explains why there was no forensic evidence | 1:01:39 | 1:01:42 | |
connecting Mark Duggan to the gun. | 1:01:42 | 1:01:45 | |
Armed police, armed police! | 1:01:45 | 1:01:46 | |
TWO GUNSHOTS | 1:01:46 | 1:01:48 | |
Shots fired, shots fired! | 1:01:48 | 1:01:50 | |
If this guy had had a gun in his hand | 1:01:50 | 1:01:51 | |
when he was shot by the police officer... | 1:01:51 | 1:01:54 | |
There's no DNA, | 1:01:54 | 1:01:56 | |
there's no fingerprints. | 1:01:56 | 1:02:00 | |
It would turn out there was no gun residue, | 1:02:00 | 1:02:03 | |
there was just nothing connecting him | 1:02:03 | 1:02:06 | |
to ever have been holding the gun | 1:02:06 | 1:02:08 | |
and pointing it in the direction of a police officer | 1:02:08 | 1:02:11 | |
or waving it around when surrounded by the police. | 1:02:11 | 1:02:14 | |
In terms of the forensic evidence on the gun or not on the gun, | 1:02:14 | 1:02:18 | |
you can't explain why something ISN'T there. | 1:02:18 | 1:02:21 | |
You can ask the question, does the fact that it isn't there | 1:02:21 | 1:02:24 | |
mean absolutely this can't have happened? | 1:02:24 | 1:02:27 | |
So, does the lack of forensic evidence | 1:02:27 | 1:02:28 | |
mean that he couldn't have had it? | 1:02:28 | 1:02:30 | |
And the answer back to us, forensically, | 1:02:30 | 1:02:32 | |
has been no, it doesn't mean that. | 1:02:32 | 1:02:33 | |
We might have expected to find it, we didn't find it, | 1:02:33 | 1:02:35 | |
but there was nothing there that said, actually, | 1:02:35 | 1:02:38 | |
this couldn't have happened, if that makes sense. | 1:02:38 | 1:02:40 | |
Well, my understanding was that | 1:02:44 | 1:02:46 | |
the position of the gun was a pertinent and critical issue | 1:02:46 | 1:02:49 | |
as far as the rest of the deliberations of the inquest | 1:02:49 | 1:02:53 | |
because of suggestions as to how the gun may have got there. | 1:02:53 | 1:02:57 | |
We were specifically asked to track the movements, for example, | 1:02:57 | 1:03:02 | |
of the three people that had been seen moving to the grassed area. | 1:03:02 | 1:03:06 | |
R31, we indicate him as a yellow arrow. | 1:03:06 | 1:03:10 | |
Z51 is identified as a blue arrow | 1:03:10 | 1:03:13 | |
and V59 is identified by a pink or purple arrow. | 1:03:13 | 1:03:17 | |
I introduced this person "White Top" because I saw him on the footage. | 1:03:18 | 1:03:23 | |
He seemed to interact | 1:03:23 | 1:03:24 | |
with each of the three individuals at various times. | 1:03:24 | 1:03:27 | |
As a result of that, I was asked then to write another report | 1:03:27 | 1:03:31 | |
considering the movements of "White Top" | 1:03:31 | 1:03:34 | |
throughout the same footage. | 1:03:34 | 1:03:36 | |
My role, if you like, that I assumed then was to be checking on, | 1:03:36 | 1:03:43 | |
as I say, the scene as a whole, trying to make sure it's secure | 1:03:43 | 1:03:48 | |
and also making sure my colleagues were OK | 1:03:48 | 1:03:51 | |
and that would be those giving first aid to Mr Duggan. | 1:03:51 | 1:03:55 | |
All the other people within the scene | 1:03:55 | 1:03:58 | |
seem to be very focused in doing their own thing. | 1:03:58 | 1:04:01 | |
Now, I didn't know whether White Top | 1:04:01 | 1:04:04 | |
was coordinating activity or otherwise. | 1:04:04 | 1:04:07 | |
He has moved in from camera left, off-camera, | 1:04:07 | 1:04:11 | |
walks all the way across, interacts with other people, | 1:04:11 | 1:04:15 | |
and moves around the area as a whole. | 1:04:15 | 1:04:18 | |
That was the thing that highlighted him to me in the first place, | 1:04:18 | 1:04:21 | |
was he seemed to be touring the whole scene | 1:04:21 | 1:04:25 | |
rather than being focused in any one area. | 1:04:25 | 1:04:28 | |
When the commotion happened, | 1:04:30 | 1:04:32 | |
when they was doing CPR on Mr Duggan here, | 1:04:32 | 1:04:35 | |
because all the officers' backs was towards me, | 1:04:35 | 1:04:38 | |
all I could see was the officers' backs, | 1:04:38 | 1:04:41 | |
so that's when I ran back over to the green, where the handrail is. | 1:04:41 | 1:04:45 | |
An officer had gone into a car. | 1:04:45 | 1:04:47 | |
I think it was a... | 1:04:47 | 1:04:49 | |
It wasn't a boiler-suit policeman, it was a regular police, right? | 1:04:49 | 1:04:53 | |
He had taken the gun out of the car | 1:04:53 | 1:04:56 | |
and he placed it in, on a black cloth | 1:04:56 | 1:05:00 | |
in the palm of his hand, right? | 1:05:00 | 1:05:02 | |
The theory would be, then, | 1:05:02 | 1:05:06 | |
that one of the police officers went into the taxi | 1:05:06 | 1:05:09 | |
after Mark Duggan was shot, got the gun, | 1:05:09 | 1:05:11 | |
kept it on his person and then, | 1:05:11 | 1:05:13 | |
in a pretence of looking for the gun, then planted it. | 1:05:13 | 1:05:17 | |
He moves behind the minicab and then appears to bend down | 1:05:19 | 1:05:24 | |
and is obscured from view. | 1:05:24 | 1:05:27 | |
Whether he accesses the minicab, I can't confirm, | 1:05:27 | 1:05:31 | |
because I can't see him, I can't see him do that. | 1:05:31 | 1:05:34 | |
Whether he bent down | 1:05:34 | 1:05:36 | |
and communicated with one of the officers around Mark Duggan, | 1:05:36 | 1:05:41 | |
again, I cannot confirm that, because he is out of view. | 1:05:41 | 1:05:46 | |
When I went back round the minicab, it was at the point | 1:05:46 | 1:05:49 | |
where, I believe, someone has asked me to open up the extra Medikit. | 1:05:49 | 1:05:55 | |
I cannot be specific as to who it was, | 1:05:55 | 1:05:58 | |
somebody simply shouted for me to open up the second medic pack. | 1:05:58 | 1:06:02 | |
I can't... How can I put it? It happened, right? | 1:06:02 | 1:06:06 | |
I don't remember everything, but one thing I do remember | 1:06:06 | 1:06:09 | |
is that I saw an officer come out of the car with a gun. | 1:06:09 | 1:06:13 | |
Miss J has always maintained | 1:06:14 | 1:06:16 | |
that she saw an officer coming out of the minicab with a gun, | 1:06:16 | 1:06:19 | |
but there were inconsistencies in her accounts | 1:06:19 | 1:06:21 | |
to the inquest and the IPCC, | 1:06:21 | 1:06:24 | |
who concluded that her evidence was unreliable and contradictory. | 1:06:24 | 1:06:29 | |
There is no way you can be mistaken seeing a gun in Tottenham | 1:06:29 | 1:06:32 | |
in broad daylight! | 1:06:32 | 1:06:34 | |
If you're going to have the presence of mind | 1:06:36 | 1:06:38 | |
to think, "Oh, we need to plant this gun | 1:06:38 | 1:06:41 | |
"because it doesn't look good where it's been found," | 1:06:41 | 1:06:43 | |
it's hard for me to then think | 1:06:43 | 1:06:45 | |
you'd go through that process, but not have the presence of mind | 1:06:45 | 1:06:48 | |
to plant it somewhere useful to you. | 1:06:48 | 1:06:50 | |
Actually, where the gun was found | 1:06:50 | 1:06:52 | |
has caused huge problems for the police, | 1:06:52 | 1:06:55 | |
in terms of the plausibility and credibility of their accounts. | 1:06:55 | 1:06:58 | |
My team are very professional. | 1:06:58 | 1:07:02 | |
No, we did not plant any gun at any scene. | 1:07:02 | 1:07:05 | |
I find that highly offensive. | 1:07:05 | 1:07:07 | |
TWO GUNSHOTS | 1:07:09 | 1:07:12 | |
I was asked, actually, by the police | 1:07:13 | 1:07:16 | |
to produce a review | 1:07:16 | 1:07:19 | |
about the impact of emotion, | 1:07:19 | 1:07:23 | |
like being involved in a shooting incident, | 1:07:23 | 1:07:27 | |
how that impacts on memory. | 1:07:27 | 1:07:29 | |
Under most circumstances, you know, | 1:07:29 | 1:07:33 | |
police officers don't shoot people who are unarmed. | 1:07:33 | 1:07:38 | |
Occasionally, there is a sort of a perceptual distortion. | 1:07:38 | 1:07:43 | |
The person is lifting something and it's not a gun, | 1:07:43 | 1:07:47 | |
but something else that the police officer believes is a gun | 1:07:47 | 1:07:51 | |
and believes he is under threat. | 1:07:51 | 1:07:54 | |
We know that the police were told that Mark Duggan was dangerous | 1:07:54 | 1:07:58 | |
and that he was armed | 1:07:58 | 1:07:59 | |
and we know, as a fact, he did have a gun in the vehicle. | 1:07:59 | 1:08:03 | |
He was stopped by armed police and he did a runner | 1:08:04 | 1:08:09 | |
and he ran into an armed police officer | 1:08:09 | 1:08:12 | |
who was holding his gun in the shooting position. | 1:08:12 | 1:08:15 | |
At the same time, he was making some body movements | 1:08:15 | 1:08:18 | |
which could be interpreted as pulling a gun. | 1:08:18 | 1:08:21 | |
He has got his right hand across his waistband area | 1:08:21 | 1:08:26 | |
and, on the evidence of one of the police witnesses, | 1:08:26 | 1:08:29 | |
his left hand in his pocket, | 1:08:29 | 1:08:31 | |
as if he is fumbling for something | 1:08:31 | 1:08:33 | |
and he is using his right hand to assist from the outside. | 1:08:33 | 1:08:37 | |
The only thing that was found on his body was a mobile phone. | 1:08:37 | 1:08:42 | |
We don't know which pocket it was in. | 1:08:42 | 1:08:44 | |
The police have no record of that. | 1:08:44 | 1:08:46 | |
But the best bet is he had a mobile phone in his left pocket, | 1:08:46 | 1:08:50 | |
he was trying to get it out and, in that split second, | 1:08:50 | 1:08:54 | |
a police officer decided to fire. | 1:08:54 | 1:08:57 | |
He was wrong about the gun being in Duggan's hand, | 1:09:00 | 1:09:04 | |
but it's pretty hard to criticise that police officer | 1:09:04 | 1:09:07 | |
in all the circumstances. | 1:09:07 | 1:09:09 | |
The common cognitive distortion that is reported is time slowing down. | 1:09:10 | 1:09:17 | |
Everything seems to be like it's slow motion, | 1:09:17 | 1:09:20 | |
but it's likely to be a distortion. | 1:09:20 | 1:09:24 | |
It doesn't have to be that they are lying, | 1:09:24 | 1:09:26 | |
it means, when you look at memory, memory is fragile, | 1:09:26 | 1:09:30 | |
it is very easy to make mistakes. | 1:09:30 | 1:09:33 | |
As I was taking the photographs, | 1:09:36 | 1:09:37 | |
I was forming that idea that there was | 1:09:37 | 1:09:41 | |
something else going on there, | 1:09:41 | 1:09:44 | |
that there was that confusion, that chaos. | 1:09:44 | 1:09:48 | |
Those things together made me realise | 1:09:48 | 1:09:51 | |
that this was a big piece of news. | 1:09:51 | 1:09:54 | |
Some time between 6.00 and 6.30, a call comes into the newsdesk - | 1:09:55 | 1:10:01 | |
rare, because we are not normally the first port of call for people | 1:10:01 | 1:10:04 | |
with breaking news. | 1:10:04 | 1:10:06 | |
Someone said there had been a shooting in Tottenham | 1:10:06 | 1:10:09 | |
and he had some pictures. | 1:10:09 | 1:10:10 | |
I said, "Right, I'll start getting the pictures off the camera | 1:10:10 | 1:10:14 | |
"and I'll start figuring out a way of somehow getting them to you." | 1:10:14 | 1:10:18 | |
And I rang the Metropolitan Police Press Office. | 1:10:18 | 1:10:21 | |
At about 7.25, I get a call from a press officer | 1:10:21 | 1:10:25 | |
and I say to him, "Look, this is really serious, | 1:10:25 | 1:10:29 | |
"this is what we think is happening. | 1:10:29 | 1:10:31 | |
"Can you confirm what's happened?" | 1:10:31 | 1:10:34 | |
He said, "I don't know anything about it, I'll come back to you." | 1:10:34 | 1:10:37 | |
Five minutes later, nothing had happened, | 1:10:37 | 1:10:40 | |
I ring him again. | 1:10:40 | 1:10:42 | |
He then says to me, | 1:10:42 | 1:10:43 | |
"Yes, all I can tell you is there's been an exchange of fire. | 1:10:43 | 1:10:49 | |
"Someone is dead | 1:10:49 | 1:10:51 | |
"and a police officer has been taken to hospital, | 1:10:51 | 1:10:54 | |
"we believe he has been shot." | 1:10:54 | 1:10:57 | |
And I said, "So, there has been an exchange of gunfire? | 1:10:57 | 1:11:00 | |
"How is the police officer?" | 1:11:00 | 1:11:02 | |
"We've got no idea on his condition, that's all I know." | 1:11:02 | 1:11:05 | |
That was it. | 1:11:05 | 1:11:06 | |
At the same time, it occurred to me, if there had been a shooting, | 1:11:12 | 1:11:16 | |
the Independent Police Complaints Commission | 1:11:16 | 1:11:18 | |
would have to be notified, so I rang their duty press officer | 1:11:18 | 1:11:23 | |
and, almost word for word, he says exactly the same thing. | 1:11:23 | 1:11:26 | |
"We understand there's been an exchange of fire, | 1:11:26 | 1:11:29 | |
"police have returned fire, a police officer has been injured | 1:11:29 | 1:11:32 | |
"and has gone to hospital and someone has been killed. | 1:11:32 | 1:11:38 | |
"That's all we know at the moment." | 1:11:38 | 1:11:39 | |
And actually, in the end, | 1:11:39 | 1:11:41 | |
at 7.55 that night, in the closing headlines, | 1:11:41 | 1:11:47 | |
Krishnan Guru-Murthy, who was presenting at that time, says... | 1:11:47 | 1:11:50 | |
Breaking news, we're getting reports of | 1:11:50 | 1:11:52 | |
a shooting incident in North London. | 1:11:52 | 1:11:53 | |
It is understood that a young man has been killed. | 1:11:53 | 1:11:56 | |
Scotland Yard have told us shots were fired | 1:11:56 | 1:11:58 | |
and an officer has been taken to hospital. | 1:11:58 | 1:12:01 | |
The Independent Police Complaints Commission has also been informed. | 1:12:01 | 1:12:05 | |
The head of Trident at the time, Stuart Cundy, called me, | 1:12:08 | 1:12:11 | |
I think almost as soon he'd heard. | 1:12:11 | 1:12:13 | |
His duty was to inform me, as the chair of Trident, | 1:12:13 | 1:12:17 | |
that a Trident operation had gone... | 1:12:17 | 1:12:20 | |
you know, had ended in this way. | 1:12:20 | 1:12:23 | |
'The next I'd heard was looking at the reports that were coming in.' | 1:12:23 | 1:12:28 | |
Sejal, what more can you tell us? | 1:12:28 | 1:12:29 | |
Well, Mark, at about 6.15 this evening, | 1:12:29 | 1:12:32 | |
there was an exchange of gunfire, just beyond the second police cordon | 1:12:32 | 1:12:37 | |
that you may be able to see behind me. | 1:12:37 | 1:12:39 | |
During that exchange, a police officer was shot, | 1:12:39 | 1:12:43 | |
after which, firearms officers then opened fire | 1:12:43 | 1:12:47 | |
and shot a young man dead. | 1:12:47 | 1:12:49 | |
Now, that wasn't what I had had | 1:12:49 | 1:12:51 | |
reported to me by the head of Trident. | 1:12:51 | 1:12:53 | |
It was nothing like a shoot-out. | 1:12:53 | 1:12:55 | |
We were mortified, absolutely mortified, | 1:12:55 | 1:12:59 | |
Victor 53 in particular, | 1:12:59 | 1:13:02 | |
because at no time did Victor 53 or his colleagues | 1:13:02 | 1:13:06 | |
say that Mark Duggan had shot at them, | 1:13:06 | 1:13:09 | |
so it was very disappointing that no-one stepped up, perhaps, | 1:13:09 | 1:13:13 | |
from the Metropolitan Police Service to correct that | 1:13:13 | 1:13:16 | |
and speak to the Duggan family to correct that. | 1:13:16 | 1:13:18 | |
What it appears that happened | 1:13:18 | 1:13:20 | |
is that a member of staff, in a verbal briefing, | 1:13:20 | 1:13:22 | |
suggested there had been an exchange of shots | 1:13:22 | 1:13:24 | |
and that was clearly wrong. | 1:13:24 | 1:13:26 | |
It was never given out in any of our formal press releases, | 1:13:26 | 1:13:29 | |
it was never written down and therefore it took some time | 1:13:29 | 1:13:33 | |
for us to find out that it had happened | 1:13:33 | 1:13:35 | |
and we apologised for that at the time | 1:13:35 | 1:13:37 | |
and it is something we are very sorry for. | 1:13:37 | 1:13:39 | |
The IPCC put out that story and very quickly... | 1:13:49 | 1:13:53 | |
That was on August 4th, | 1:13:53 | 1:13:55 | |
and on August 5th, they were made aware that the bullet | 1:13:55 | 1:13:58 | |
that had gone into the officer's radio | 1:13:58 | 1:14:01 | |
was police issue, | 1:14:01 | 1:14:02 | |
so if they could be so quick to put out an erroneous story | 1:14:02 | 1:14:06 | |
that was obviously wrong, | 1:14:06 | 1:14:07 | |
you'd think that they should have, on August 5th, | 1:14:07 | 1:14:10 | |
said, "Excuse us, we now know that Mark Duggan did not shoot, | 1:14:10 | 1:14:16 | |
"we now know that there wasn't a shoot-out." | 1:14:16 | 1:14:19 | |
But they chose not to do it again, | 1:14:19 | 1:14:22 | |
leaving that taint and leaving that innuendo and that idea out there | 1:14:22 | 1:14:27 | |
in the British public's psyche that a dangerous gangster, | 1:14:27 | 1:14:31 | |
who would open fire on police officers, | 1:14:31 | 1:14:34 | |
had been killed on the streets of Tottenham. | 1:14:34 | 1:14:37 | |
The notion of misreporting began, | 1:14:37 | 1:14:40 | |
the notion of painting the victim... | 1:14:40 | 1:14:44 | |
And I say the word "victim" | 1:14:44 | 1:14:46 | |
in the sense that a man had lost his life, | 1:14:46 | 1:14:51 | |
but the notion that somehow... | 1:14:51 | 1:14:54 | |
that he was responsible for his own death, | 1:14:54 | 1:14:58 | |
all of that had begun. | 1:14:58 | 1:15:01 | |
We had no issues around | 1:15:01 | 1:15:03 | |
the legality and the reasons that we shot Mark Duggan, | 1:15:03 | 1:15:08 | |
but what we did have issues with | 1:15:08 | 1:15:11 | |
was that someone had said that he had fired at police when he hadn't | 1:15:11 | 1:15:15 | |
and that's when we wanted a senior officer to step up | 1:15:15 | 1:15:18 | |
and correct that false information. | 1:15:18 | 1:15:21 | |
Sadly, they didn't and, rightly or wrongly, | 1:15:23 | 1:15:27 | |
we made a decision and I phoned up Sky News and let them know | 1:15:27 | 1:15:31 | |
and said, "We need to correct this information." | 1:15:31 | 1:15:34 | |
The picture that they have of Mark, I don't even know how | 1:15:36 | 1:15:39 | |
they could use that picture to portray him as a gangster anyway | 1:15:39 | 1:15:41 | |
because they've cropped that picture and used that picture | 1:15:41 | 1:15:44 | |
like it's something bad that he was doing, | 1:15:44 | 1:15:47 | |
but that picture is him | 1:15:47 | 1:15:48 | |
at his daughter's graveside. | 1:15:48 | 1:15:49 | |
That was really depressing, | 1:15:49 | 1:15:51 | |
to know that this big industrial machine of the media | 1:15:51 | 1:15:55 | |
is going to powerplay these lies | 1:15:55 | 1:15:58 | |
until they become part of people's psyche, I guess. | 1:15:58 | 1:16:01 | |
Do you get what I'm trying to say? And as far as they are concerned, | 1:16:01 | 1:16:04 | |
that guy shot at police. | 1:16:04 | 1:16:06 | |
I got a phone call from his brother Marlon | 1:16:22 | 1:16:25 | |
to say there's been a shooting in Tottenham Hale | 1:16:25 | 1:16:30 | |
and he thinks it's Mark. | 1:16:30 | 1:16:32 | |
We both looked at one another and said, | 1:16:32 | 1:16:34 | |
"He can't be hurt because he's on his way here." | 1:16:34 | 1:16:36 | |
The phone rang and it was beside me and I saw it was Semone. | 1:16:36 | 1:16:40 | |
Then it rang off. | 1:16:41 | 1:16:42 | |
I went down to the scene and I said to the officer, | 1:16:46 | 1:16:52 | |
"I think my partner is there." | 1:16:52 | 1:16:55 | |
And he said, "Who's your partner?" | 1:16:55 | 1:16:57 | |
I said, "Mark Duggan." | 1:16:57 | 1:16:59 | |
I rang back Semone and she said that they were at the scene, | 1:16:59 | 1:17:04 | |
but she said some officers told them that somebody has been airlifted | 1:17:04 | 1:17:08 | |
to Whitechapel Hospital and it might be Mark, | 1:17:08 | 1:17:11 | |
so they should go there. | 1:17:11 | 1:17:12 | |
The rest of the family had all headed over to the hospital, | 1:17:12 | 1:17:15 | |
where they had been advised that Mark was going | 1:17:15 | 1:17:18 | |
in the helicopter, the air ambulance. | 1:17:18 | 1:17:21 | |
Only when they got there, to realise that Mark hadn't, | 1:17:21 | 1:17:23 | |
it was the officer that was there. | 1:17:23 | 1:17:25 | |
So we had to drive back to the scene. | 1:17:25 | 1:17:29 | |
Everything was taped off and we were trying to talk | 1:17:30 | 1:17:34 | |
and we were still getting no answers. | 1:17:34 | 1:17:36 | |
The police officer turned round and said to me, | 1:17:36 | 1:17:39 | |
"Well, the person that is laying on the floor is Indian." | 1:17:39 | 1:17:42 | |
So I was like, "Indian?" | 1:17:43 | 1:17:47 | |
"Yeah, so it can't be your brother," like that. | 1:17:47 | 1:17:50 | |
-SEMONE: -And then another officer came | 1:17:50 | 1:17:53 | |
and they took me round to the back of Tottenham Hale station. | 1:17:53 | 1:17:56 | |
I've showed them a picture | 1:17:56 | 1:17:58 | |
on my phone and I said, "This is what Mark looks like," | 1:17:58 | 1:18:01 | |
and then the other officer called that officer | 1:18:01 | 1:18:04 | |
that was talking to me and said, "Yeah." | 1:18:04 | 1:18:06 | |
I heard him say, "It is him." | 1:18:06 | 1:18:07 | |
At that point, when they said that, | 1:18:07 | 1:18:09 | |
I remember letting out a scream. | 1:18:09 | 1:18:11 | |
It felt like it came from the bottom of my stomach | 1:18:11 | 1:18:14 | |
and when I looked over at Semone, | 1:18:14 | 1:18:15 | |
her head was down and she was just sobbing. | 1:18:15 | 1:18:18 | |
She started to scream, my sister started to scream, | 1:18:18 | 1:18:21 | |
so I just...ran. | 1:18:21 | 1:18:23 | |
I just ran. | 1:18:24 | 1:18:26 | |
But everything just seemed to be going in slow motion at that time | 1:18:26 | 1:18:31 | |
and I was like, "OK..." | 1:18:31 | 1:18:33 | |
But by the time we came out of the train station, | 1:18:33 | 1:18:36 | |
it was just like everybody was just there, like... | 1:18:36 | 1:18:39 | |
I left the scene with Paulette | 1:18:53 | 1:18:56 | |
and I went to Pam's, Mark's mum. | 1:18:56 | 1:19:00 | |
And... | 1:19:02 | 1:19:05 | |
SEMONE EXHALES | 1:19:05 | 1:19:06 | |
It was just heartbreaking. | 1:19:06 | 1:19:08 | |
She was just oblivious, she didn't know anything. | 1:19:08 | 1:19:12 | |
I thought the police | 1:19:13 | 1:19:15 | |
would have contacted the parents before I got there | 1:19:15 | 1:19:18 | |
and that hadn't been done. | 1:19:18 | 1:19:21 | |
And then we are hearing it on the news, | 1:19:21 | 1:19:23 | |
we are all sitting there watching it on the news and... | 1:19:23 | 1:19:27 | |
It was just crazy, because we didn't have no answers. | 1:19:27 | 1:19:30 | |
Why? Why? Why was he shot? | 1:19:30 | 1:19:33 | |
How come he got shot? | 1:19:33 | 1:19:35 | |
How come no-one is telling us what's going on? | 1:19:35 | 1:19:39 | |
So, throughout the 4th, the Duggan family, | 1:19:41 | 1:19:43 | |
Mum and Dad, Bruno and Pam, are hearing all this on the TV | 1:19:43 | 1:19:48 | |
and I remember his mum saying she just kept on thinking to herself, | 1:19:48 | 1:19:52 | |
"As long as no-one comes the door | 1:19:52 | 1:19:55 | |
"and says it's true, | 1:19:55 | 1:19:57 | |
"then maybe it's not true, | 1:19:57 | 1:19:59 | |
"maybe there is some terrible mistake happening out there." | 1:19:59 | 1:20:02 | |
So they waited all the next day, | 1:20:02 | 1:20:04 | |
which was...the Friday, 5th August, | 1:20:04 | 1:20:09 | |
and nobody came, | 1:20:09 | 1:20:11 | |
so on the Saturday, | 1:20:11 | 1:20:13 | |
we decided to go to the police station | 1:20:13 | 1:20:15 | |
in the expectation that they would do what they had to do. | 1:20:15 | 1:20:19 | |
Let me be clear, if anybody gets killed, | 1:20:19 | 1:20:22 | |
murdered or simply dies on the streets of Britain, | 1:20:22 | 1:20:25 | |
the police service deliver the death message to the family. | 1:20:25 | 1:20:30 | |
We went to Tottenham police station and... | 1:20:30 | 1:20:32 | |
I would say it was a joke, | 1:20:34 | 1:20:36 | |
but because of the outcome, | 1:20:36 | 1:20:38 | |
you can't dismiss it as being a joke. | 1:20:38 | 1:20:40 | |
We are there, knocking at the police door. | 1:20:40 | 1:20:42 | |
This is a public police station and they've closed the door. | 1:20:42 | 1:20:44 | |
And we're saying, "Well, we are waiting for somebody | 1:20:44 | 1:20:46 | |
"to come and explain to us what has happened to Mark Duggan." | 1:20:46 | 1:20:49 | |
And then it took them hours to present somebody as the top officer, | 1:20:49 | 1:20:55 | |
but all he wanted to do was take Semone in the station | 1:20:55 | 1:20:59 | |
and help her to write a complaint | 1:20:59 | 1:21:00 | |
and we wasn't there to make a complaint, | 1:21:00 | 1:21:02 | |
we were there to get someone to go to the family home, | 1:21:02 | 1:21:06 | |
so that became unacceptable. | 1:21:06 | 1:21:07 | |
Every time one of us stepped up on the step, | 1:21:07 | 1:21:09 | |
they would say, "Could you step down?" | 1:21:09 | 1:21:10 | |
"We want to know if somebody is coming out." | 1:21:10 | 1:21:12 | |
"Somebody will be with you shortly." | 1:21:12 | 1:21:14 | |
"But we've been here two hours, we've been here three hours, | 1:21:14 | 1:21:17 | |
"four hours, five hours. | 1:21:17 | 1:21:18 | |
"You know what? We're going." | 1:21:18 | 1:21:20 | |
We just said, "OK, let's just take the kids away and leave," | 1:21:20 | 1:21:23 | |
and we did, we left peacefully. | 1:21:23 | 1:21:25 | |
I could say it was it was until I reached to Bruce Grove itself, | 1:21:25 | 1:21:30 | |
where the bridge was, and I looked back, I was like, | 1:21:30 | 1:21:33 | |
"Hold on a minute, is that car on fire? | 1:21:33 | 1:21:36 | |
SIRENS WAIL | 1:21:36 | 1:21:40 | |
If you look at other shootings, one way Duggan is different | 1:21:42 | 1:21:45 | |
is this is a shooting with real consequences. | 1:21:45 | 1:21:48 | |
They were the worst riots in modern English history. | 1:21:48 | 1:21:50 | |
People died in those riots. | 1:21:50 | 1:21:53 | |
The death was followed | 1:21:53 | 1:21:55 | |
by the most destructive riots in British history. | 1:21:55 | 1:21:58 | |
Inevitably, people had a very negative view of Mark Duggan. | 1:21:58 | 1:22:00 | |
I think the view of a lot of people was, | 1:22:00 | 1:22:03 | |
"Here's this guy, he actually shot at the police | 1:22:03 | 1:22:05 | |
"and, look, look what his mates have done now, | 1:22:05 | 1:22:07 | |
"they've torched London and other cities." | 1:22:07 | 1:22:09 | |
There was, therefore, I think, | 1:22:09 | 1:22:11 | |
very little sympathy for the broader issues, | 1:22:11 | 1:22:13 | |
about whether this should have happened in the first place. | 1:22:13 | 1:22:16 | |
The police never did go to the Duggan home | 1:22:16 | 1:22:19 | |
to inform his parents of their son's death. | 1:22:19 | 1:22:21 | |
The family had to wait two-and-a-half years | 1:22:23 | 1:22:25 | |
to receive the official verdict. | 1:22:25 | 1:22:27 | |
Today his family heard an inquest jury conclude | 1:22:27 | 1:22:31 | |
that his killing by police was lawful. | 1:22:31 | 1:22:34 | |
We came for justice today, | 1:22:34 | 1:22:36 | |
we don't feel that we're leaving with justice, | 1:22:36 | 1:22:38 | |
we feel we are leaving with a grave injustice. | 1:22:38 | 1:22:42 | |
Even if a police officer is wrong - | 1:22:42 | 1:22:44 | |
so in this case, he shot, claiming Duggan definitely had a gun | 1:22:44 | 1:22:48 | |
and he didn't have a gun, according to the jury verdict - | 1:22:48 | 1:22:52 | |
even if that is the case, it's lawful. | 1:22:52 | 1:22:55 | |
Lawful doesn't mean you were correct in what you said, | 1:22:57 | 1:22:59 | |
it means that you didn't break any laws in what you did. | 1:22:59 | 1:23:02 | |
To me, that lawful killing verdict is a huge pain and a huge reflection | 1:23:05 | 1:23:12 | |
of the relationship that there is | 1:23:12 | 1:23:16 | |
between the police and the black community, | 1:23:16 | 1:23:18 | |
where nobody has been brought to justice, | 1:23:18 | 1:23:21 | |
where nobody has able to account for what happened. | 1:23:21 | 1:23:24 | |
It is almost as though, as the community would often say, | 1:23:24 | 1:23:28 | |
that police are able to act with impunity, | 1:23:28 | 1:23:31 | |
something that has been historic | 1:23:31 | 1:23:33 | |
and something that just hasn't gone away. | 1:23:33 | 1:23:36 | |
For the police, the lawful killing inquest verdict | 1:23:38 | 1:23:42 | |
and the IPCC report which followed | 1:23:42 | 1:23:44 | |
have closed the book on the death of Mark Duggan, | 1:23:44 | 1:23:48 | |
but for his friends and family, | 1:23:48 | 1:23:50 | |
not being able to see the secret intelligence | 1:23:50 | 1:23:53 | |
means that they cannot move on. | 1:23:53 | 1:23:56 | |
They want to sit in court and reel off | 1:23:56 | 1:23:58 | |
all this fictional...criminal history that belonged to him, | 1:23:58 | 1:24:04 | |
but yet you cannot tell us, factually, | 1:24:04 | 1:24:08 | |
why Mark was under surveillance, | 1:24:08 | 1:24:10 | |
why you were following him. | 1:24:10 | 1:24:12 | |
What was he doing? | 1:24:12 | 1:24:13 | |
You say you know, but you can't tell us. | 1:24:13 | 1:24:16 | |
I actually thought, for a little while, | 1:24:16 | 1:24:19 | |
coming up to the verdict, | 1:24:19 | 1:24:21 | |
when the Met really believed they were going to lose | 1:24:21 | 1:24:23 | |
and they did believe they were going to lose, | 1:24:23 | 1:24:25 | |
there was a time when it appeared | 1:24:25 | 1:24:28 | |
that maybe even they wanted to find a way | 1:24:28 | 1:24:31 | |
to ensure this didn't happen again. | 1:24:31 | 1:24:33 | |
But they won the verdict | 1:24:34 | 1:24:36 | |
and we are as far apart now as we probably have ever been. | 1:24:36 | 1:24:41 | |
Even for some of those who investigated the case, | 1:24:42 | 1:24:45 | |
a sense of unease remains. | 1:24:45 | 1:24:47 | |
What we are trying to do is search for the truth | 1:24:47 | 1:24:51 | |
and it's not very satisfying | 1:24:51 | 1:24:53 | |
when you put so much effort into searching for the truth | 1:24:53 | 1:24:55 | |
and you can't be absolutely certain that you've found it. | 1:24:55 | 1:24:57 | |
It leaves that sense of kind of, you know, | 1:24:57 | 1:24:59 | |
is there something out there? | 1:24:59 | 1:25:01 | |
So I understand why people want to find it. | 1:25:01 | 1:25:04 | |
Am I optimistic? | 1:25:04 | 1:25:06 | |
In all honesty, probably not. | 1:25:06 | 1:25:07 | |
It may be that, in years to come, we will learn more | 1:25:07 | 1:25:11 | |
about what really went wrong and why this, | 1:25:11 | 1:25:14 | |
to my mind, avoidable death took place. | 1:25:14 | 1:25:17 | |
And if we do, maybe there will be some sort of catharsis, | 1:25:17 | 1:25:21 | |
as has finally happened with the Hillsborough inquest. | 1:25:21 | 1:25:25 | |
So far, all the publicity about Duggan doesn't even begin to address | 1:25:25 | 1:25:31 | |
the fundamental issues about intelligence. | 1:25:31 | 1:25:35 | |
My whole point at the inquest was this need never have happened. | 1:25:35 | 1:25:40 | |
I see Victor 53 on a regular basis now, as a friend, | 1:25:41 | 1:25:45 | |
and there is not a day or a moment that I've spent with him | 1:25:45 | 1:25:50 | |
over the last four years or so... | 1:25:50 | 1:25:52 | |
..that has ever led me to believe | 1:25:54 | 1:25:56 | |
anything other than he told the truth | 1:25:56 | 1:25:58 | |
and that he did the right thing. | 1:25:58 | 1:26:01 | |
Does he regret shooting Mark Duggan? | 1:26:02 | 1:26:05 | |
No...because he did his job, | 1:26:05 | 1:26:09 | |
he did his job that day and he believed that Mark Duggan | 1:26:09 | 1:26:12 | |
was a dangerous threat to him, his colleagues and the public. | 1:26:12 | 1:26:17 | |
Are you going to sit in front of me and my family | 1:26:19 | 1:26:21 | |
and tell me that you're happy with the way it went, | 1:26:21 | 1:26:25 | |
that's the best outcome that we could have had there? | 1:26:25 | 1:26:30 | |
My brother's dead. | 1:26:30 | 1:26:32 | |
His children can't see him any more. | 1:26:34 | 1:26:37 | |
His brothers and sisters can't see him any more. | 1:26:37 | 1:26:40 | |
His mum, who has been torn completely apart, | 1:26:40 | 1:26:44 | |
can't see him any more. | 1:26:44 | 1:26:46 | |
His dad, who gave up on life because of it, | 1:26:46 | 1:26:50 | |
can't see him any more. | 1:26:50 | 1:26:51 | |
Really and truly, it's for the kids now. | 1:27:00 | 1:27:01 | |
It's for closure for them kids. You know? | 1:27:01 | 1:27:07 | |
And it's not ever going to be a closure for me, | 1:27:07 | 1:27:09 | |
never in a million years, it will never be a closure. | 1:27:09 | 1:27:13 | |
Never. Because they still took my son's life. | 1:27:13 | 1:27:16 | |
This is Mark Duggan's daughter. | 1:27:17 | 1:27:20 | |
And this is Kahliya, this is another one of Mark Duggan's daughters. | 1:27:20 | 1:27:24 | |
And they just want to say a quick little word | 1:27:24 | 1:27:27 | |
on behalf of the family. | 1:27:27 | 1:27:29 | |
So I'm going to hand over. | 1:27:29 | 1:27:31 | |
I'd like to say a poem from... that I made up. | 1:27:31 | 1:27:34 | |
He went away without farewell | 1:27:34 | 1:27:36 | |
He said goodbye to none | 1:27:36 | 1:27:38 | |
But Heaven's gate was open wide | 1:27:38 | 1:27:40 | |
And a loving voice said, "Come" | 1:27:40 | 1:27:42 | |
Beside his grave we often stand | 1:27:42 | 1:27:44 | |
Our hearts are tired and sore | 1:27:44 | 1:27:45 | |
But through the gloom there comes the words, | 1:27:45 | 1:27:48 | |
"Not dead, just gone before." | 1:27:48 | 1:27:50 | |
RIP, Daddy. | 1:27:50 | 1:27:51 | |
CHEERING | 1:27:51 | 1:27:54 | |
-Well done, baby, well done! -That was really beautiful! | 1:27:54 | 1:27:57 |