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Today on Crime And Punishment, | 0:00:02 | 0:00:03 | |
a fatal stabbing in Birmingham caught on camera. | 0:00:03 | 0:00:06 | |
I just lifted the t-shirt and I could see the blood was pouring down. | 0:00:06 | 0:00:10 | |
And drugs behind bars. | 0:00:10 | 0:00:13 | |
Here at Bristol Prison, they're clamping down on an age-old problem. | 0:00:13 | 0:00:17 | |
Hello and welcome to Crime And Punishment. | 0:00:34 | 0:00:38 | |
The way police catch criminals today has changed dramatically | 0:00:38 | 0:00:41 | |
since the Queen came to the throne 60 years ago. | 0:00:41 | 0:00:44 | |
Back then, a crime with no witnesses and no forensic evidence | 0:00:44 | 0:00:48 | |
often went unsolved. | 0:00:48 | 0:00:50 | |
But that's not the case today - as we're about to see in a film | 0:00:50 | 0:00:53 | |
that tells the story of the shocking murder of 19-year-old Jay Sudra. | 0:00:53 | 0:00:59 | |
This is the actual CCTV footage that was taken just moments before | 0:01:01 | 0:01:06 | |
21-year-old Jay Sudra lost his life. | 0:01:06 | 0:01:08 | |
Jay is taking his last steps. | 0:01:11 | 0:01:14 | |
20 seconds later, he was attacked with a knife. | 0:01:14 | 0:01:17 | |
The youth in the white t-shirt is following him, | 0:01:17 | 0:01:19 | |
intent on violence. | 0:01:19 | 0:01:21 | |
Within seconds, Jay has been fatally stabbed in the chest. | 0:01:21 | 0:01:24 | |
This is Jay's story | 0:01:26 | 0:01:27 | |
and the story of how his killer was brought to justice | 0:01:27 | 0:01:30 | |
using technology that would not have been available 60 years ago. | 0:01:30 | 0:01:34 | |
At his 18th birthday celebrations with his family, | 0:01:42 | 0:01:45 | |
Jay had everything to look forward to, enjoying his music | 0:01:45 | 0:01:48 | |
and planning to study design at university. | 0:01:48 | 0:01:51 | |
Happy birthday, Jay. Cheers! | 0:01:51 | 0:01:53 | |
A perfect son. But the following year proved tragic. | 0:01:55 | 0:02:00 | |
Just three months later, his father died. | 0:02:00 | 0:02:03 | |
At 18, Jay became the bedrock of his family. | 0:02:03 | 0:02:06 | |
Jay was a lovely son. | 0:02:09 | 0:02:11 | |
A very caring brother and a very caring uncle as well. | 0:02:12 | 0:02:19 | |
He would do anything for anybody. He was good. He was a lovely kid. | 0:02:20 | 0:02:26 | |
And, as if their father's death wasn't enough to cope with, | 0:02:27 | 0:02:31 | |
soon after, his sister Sonya | 0:02:31 | 0:02:33 | |
lost her own 37-year-old husband to cancer. | 0:02:33 | 0:02:36 | |
Jay became a father figure to her two young children. | 0:02:36 | 0:02:40 | |
You don't expect your little brother to be taken away from you | 0:02:40 | 0:02:44 | |
so soon, especially the way he was taken. | 0:02:44 | 0:02:47 | |
Every day is difficult and people say it gets easier, | 0:02:48 | 0:02:52 | |
but I think it gets harder. | 0:02:52 | 0:02:54 | |
It's when you walk into this house. | 0:02:57 | 0:02:59 | |
Even if he's not in the particular room that you walk into, | 0:02:59 | 0:03:04 | |
you know he is either upstairs, he's doing something, | 0:03:04 | 0:03:08 | |
just coming into the gates, the front of the house, you know? | 0:03:08 | 0:03:11 | |
He's not there any more, and you just miss him all the time. | 0:03:11 | 0:03:14 | |
There are certain times when he just pops into your head, | 0:03:14 | 0:03:18 | |
you'll hear a song or somebody will look like him, dress like him. | 0:03:18 | 0:03:22 | |
It's just constant, just miss him constantly. | 0:03:23 | 0:03:26 | |
For Varsha, Jay's last night began as usual. | 0:03:34 | 0:03:39 | |
I was in the kitchen because he told me | 0:03:39 | 0:03:41 | |
to go cook him a few things which he liked. | 0:03:41 | 0:03:44 | |
After 20 past, I heard the bell. | 0:03:44 | 0:03:48 | |
So I said, "Oh, that's Jay, I'd better hurry up and open the door." | 0:03:48 | 0:03:52 | |
As I went there, near the door, it was him | 0:03:54 | 0:03:57 | |
and I heard as if he was in pain or something. | 0:03:57 | 0:04:00 | |
I thought, "God, why is he making that noise?" | 0:04:00 | 0:04:04 | |
But then I opened the door and he could hardly say anything to me. | 0:04:06 | 0:04:10 | |
He was just... I was shocked as well, and he just stood there. | 0:04:10 | 0:04:15 | |
I said, "What's happened to you?" | 0:04:15 | 0:04:18 | |
At this stage, Varsha had no idea how seriously hurt her son was, | 0:04:19 | 0:04:23 | |
but her screams alerted neighbours. | 0:04:23 | 0:04:25 | |
They didn't know what had happened to him. | 0:04:44 | 0:04:47 | |
Although Jay had managed to get himself home, | 0:04:47 | 0:04:50 | |
he was fatally injured. | 0:04:50 | 0:04:51 | |
I just lifted the t-shirt and I could see the blood pouring down. | 0:04:51 | 0:04:55 | |
So we said, "Jay, Jay, don't go to sleep. | 0:04:59 | 0:05:04 | |
"Just wake up, keep waking up, the ambulance people will be coming. | 0:05:04 | 0:05:09 | |
"And they'll help you." | 0:05:09 | 0:05:10 | |
But I think while he was in my arms, he actually died. | 0:05:13 | 0:05:18 | |
Jay had died from a single stab wound to the heart. | 0:05:21 | 0:05:24 | |
It was the start of a major murder investigation. | 0:05:24 | 0:05:29 | |
Detective Inspector Paul Joyce was in charge. | 0:05:29 | 0:05:32 | |
We have what we call the golden hours, | 0:05:32 | 0:05:35 | |
which is a period of time when we really need to focus very closely | 0:05:35 | 0:05:40 | |
on what is likely to take us in the right direction | 0:05:40 | 0:05:43 | |
in terms of, is it CCTV evidence? | 0:05:43 | 0:05:48 | |
Is it fast-track actions around forensics admissions? | 0:05:48 | 0:05:51 | |
Will it be house enquiries, will that lead us to potential offenders? | 0:05:51 | 0:05:55 | |
So really it has been focused in the early stages on exactly that. | 0:05:55 | 0:05:59 | |
When we initially attended the scene, | 0:06:02 | 0:06:04 | |
hundreds of metres of ground had been taped off | 0:06:04 | 0:06:07 | |
and was being guarded by police officers at the time. | 0:06:07 | 0:06:10 | |
The reason for that is to keep the scene area | 0:06:10 | 0:06:13 | |
as sterile as possible and uncontaminated. | 0:06:13 | 0:06:16 | |
So any forensics seizures are uncontaminated | 0:06:16 | 0:06:19 | |
and worth more evidentially. | 0:06:19 | 0:06:22 | |
What we also do in terms of the traditional policing tactics | 0:06:22 | 0:06:24 | |
is stuff we've always done - we look for witnesses. | 0:06:24 | 0:06:27 | |
We knock on doors and we speak to people, | 0:06:27 | 0:06:29 | |
we speak to the media and we ask them to help us. | 0:06:29 | 0:06:32 | |
But there were no obvious leads. | 0:06:34 | 0:06:36 | |
There were no eyewitnesses to this crime, | 0:06:36 | 0:06:39 | |
there wasn't anybody anywhere who had seen the incident take place. | 0:06:39 | 0:06:44 | |
And what we know now is that it was an extremely quick incident, | 0:06:44 | 0:06:47 | |
it was over within a matter of seconds. | 0:06:47 | 0:06:50 | |
So the challenges were nobody had seen or heard anything, | 0:06:50 | 0:06:53 | |
there were no known motives at that time. | 0:06:53 | 0:06:55 | |
More from Paul Joyce and his team later, | 0:06:57 | 0:07:00 | |
as they make what could be a crucial breakthrough | 0:07:00 | 0:07:02 | |
in the hunt for Jay's killer. | 0:07:02 | 0:07:05 | |
Bristol Prison, like many others, | 0:07:07 | 0:07:09 | |
is working hard to break the cycle of drug addiction and crime. | 0:07:09 | 0:07:13 | |
A high proportion of all prisoners | 0:07:13 | 0:07:15 | |
have committed drug-related offences. | 0:07:15 | 0:07:18 | |
But breaking the habit, inside or out, is never easy. | 0:07:18 | 0:07:21 | |
The percentage of offenders who turn up at Bristol Prison's gates | 0:07:26 | 0:07:29 | |
with a drug or alcohol addiction is staggering. | 0:07:29 | 0:07:33 | |
A prison like this will receive around 2,500 new prisoners a year, | 0:07:33 | 0:07:39 | |
and from that 2,500, | 0:07:39 | 0:07:42 | |
over half will need some sort of service in substance misuse. | 0:07:42 | 0:07:46 | |
We have had to up our game in terms of treatment and support | 0:07:46 | 0:07:50 | |
and how we actually tackle something that is causing such | 0:07:50 | 0:07:52 | |
a massive impact on communities. | 0:07:52 | 0:07:54 | |
They came up with IDTS, | 0:07:56 | 0:07:57 | |
the Integrated Drug Treatment Scheme, also known as Drug Services. | 0:07:57 | 0:08:02 | |
It's a new approach designed to rehabilitate prisoners off drugs, | 0:08:02 | 0:08:06 | |
which in turn reduces crime. | 0:08:06 | 0:08:07 | |
And it works. It works well. | 0:08:07 | 0:08:10 | |
Drug-related crime in Bristol is now down by up to 40% | 0:08:10 | 0:08:15 | |
and it's believed the scheme has played a massive part in the reduction. | 0:08:15 | 0:08:18 | |
We will endeavour to treat | 0:08:18 | 0:08:20 | |
and interact with everybody who comes in with a substance issue. | 0:08:20 | 0:08:24 | |
Lee was using hard drugs and prison had been a familiar place for him. | 0:08:24 | 0:08:29 | |
But this time he has been on the IDTS scheme. | 0:08:29 | 0:08:31 | |
If I can go out, get myself a job | 0:08:31 | 0:08:34 | |
where I have to get up at 6 in the morning, go to work - | 0:08:34 | 0:08:38 | |
I like building, you see - go to work all day, | 0:08:38 | 0:08:41 | |
six till four, come home and have some tea, | 0:08:41 | 0:08:43 | |
have mess around with my little boy | 0:08:43 | 0:08:44 | |
and then I'm just going to want to go to bed. | 0:08:44 | 0:08:46 | |
I won't have time to go out with... | 0:08:46 | 0:08:48 | |
I don't call them my mates, I call them associates, | 0:08:48 | 0:08:51 | |
the people I was hanging out with before. | 0:08:51 | 0:08:53 | |
I've got to cut them loose. | 0:08:53 | 0:08:55 | |
Lee arrived here just five months ago with the type of story | 0:08:55 | 0:08:58 | |
the staff are used to hearing. | 0:08:58 | 0:09:01 | |
There's my mum, my dad, four sisters, two brothers, | 0:09:01 | 0:09:04 | |
so that makes seven of us. | 0:09:04 | 0:09:05 | |
We had a good upbringing, really. | 0:09:05 | 0:09:07 | |
Up until I was 14, 15, and then I was causing so much trouble at home | 0:09:08 | 0:09:13 | |
and there were so many of us that I was put into care. | 0:09:13 | 0:09:17 | |
I got myself kicked out of school at 16 and it just led to drugs, | 0:09:17 | 0:09:24 | |
crime, police stations, prison. | 0:09:24 | 0:09:26 | |
What I know now, if I knew it then, I would lead a totally different life. | 0:09:26 | 0:09:33 | |
So, how does drug services help people like Lee | 0:09:35 | 0:09:38 | |
turn their life around? | 0:09:38 | 0:09:40 | |
They have a whole wing of the prison to themselves, C Wing. | 0:09:40 | 0:09:43 | |
As well as prison staff, there are doctors, nurses, councillors | 0:09:43 | 0:09:47 | |
and detox experts, | 0:09:47 | 0:09:48 | |
who all work to target the care efficiently under one roof. | 0:09:48 | 0:09:53 | |
After an initial assessment, they are taken up to C3's landing, | 0:09:53 | 0:09:56 | |
also called the stabilisation unit. | 0:09:56 | 0:10:00 | |
We house them on these wings here. | 0:10:01 | 0:10:04 | |
They come in overnight, they may well have been to court last night, | 0:10:04 | 0:10:07 | |
they may have been using illicit drugs on the streets | 0:10:07 | 0:10:10 | |
yesterday, so when they come here they are usually very confused, | 0:10:10 | 0:10:14 | |
mixed up, unstable, sometimes really difficult to talk to. | 0:10:14 | 0:10:18 | |
Staff remain vigilant for any signs of violence or suicide, | 0:10:18 | 0:10:22 | |
and may prescribe medication to help with the prisoner's detox. | 0:10:22 | 0:10:26 | |
-Are you feeling OK? Are you OK? -Yeah. | 0:10:26 | 0:10:30 | |
Bit by bit over the next few days new arrivals are enticed to | 0:10:30 | 0:10:35 | |
join in with the other prisoners on rehabilitation programs. | 0:10:35 | 0:10:38 | |
We're going to try to entice them out of their cell into groups | 0:10:38 | 0:10:40 | |
where they will meet other guys and feel better for being out | 0:10:40 | 0:10:43 | |
of their cell, and engage with us in a positive way. | 0:10:43 | 0:10:45 | |
The length of time it takes a prisoner to stabilise | 0:10:45 | 0:10:48 | |
can vary a great deal. | 0:10:48 | 0:10:50 | |
You'd have thought that the harder the drug, the longer it would take, | 0:10:50 | 0:10:53 | |
but it's surprising which addiction proves the most difficult. | 0:10:53 | 0:10:57 | |
The hardest challenge my staff have is stabilising people who | 0:10:57 | 0:11:00 | |
have alcohol abuse. | 0:11:00 | 0:11:01 | |
We would expect the stabilisation of somebody on alcohol to run | 0:11:01 | 0:11:04 | |
from anywhere up to three to four weeks, | 0:11:04 | 0:11:06 | |
whereas stabilisation of most other drugs we expect an average | 0:11:06 | 0:11:09 | |
of 5 to 10 days before they progress to the rest of the unit. | 0:11:09 | 0:11:11 | |
The prisoners' detox is one thing, but to keep them from spiralling | 0:11:11 | 0:11:16 | |
back into drug use once they're released, takes a lot more work. | 0:11:16 | 0:11:20 | |
A little later, | 0:11:20 | 0:11:21 | |
we'll see the next stage in the battle to fight drug addiction. | 0:11:21 | 0:11:25 | |
Keeping drugs out of prison and off the streets is a huge challenge. | 0:11:28 | 0:11:32 | |
One of the best detectors of illicit drugs is a dog's nose. | 0:11:32 | 0:11:36 | |
Sniffer dogs, introduced in the 1970s, have been a huge success. | 0:11:36 | 0:11:41 | |
So who breeds and trains them? | 0:11:41 | 0:11:42 | |
Dogs destined for a life in the police used to be donated | 0:11:42 | 0:11:47 | |
by the public, or were provided by rescue centres | 0:11:47 | 0:11:49 | |
like Battersea Dogs' Home. | 0:11:49 | 0:11:51 | |
Now, some police forces like the West Midlands are breeding | 0:11:51 | 0:11:54 | |
their own specialist dogs. | 0:11:54 | 0:11:56 | |
We couldn't rely on the temperament of any of the dogs | 0:12:02 | 0:12:04 | |
when we were getting donation dogs. | 0:12:04 | 0:12:06 | |
We wanted certain characteristics that we breed for now. | 0:12:06 | 0:12:09 | |
And you've got some dogs out here, tell me who you've got. | 0:12:09 | 0:12:12 | |
You've got Jet, he is 30 months old, | 0:12:12 | 0:12:15 | |
German Shepherd from Czechoslovakian bloodlines. | 0:12:15 | 0:12:18 | |
We've got Russell, the rottweiler. | 0:12:18 | 0:12:20 | |
-He's yours. -He is living with me currently at the moment. | 0:12:20 | 0:12:23 | |
May is an 11-month-old, a German Shepherd, | 0:12:23 | 0:12:26 | |
and on the end is Pippa, who is six and a half months. | 0:12:26 | 0:12:29 | |
And these are quite a way through their training, | 0:12:29 | 0:12:32 | |
because you start pretty much as soon as they're born. | 0:12:32 | 0:12:34 | |
Straight away we look at socialisation with the dogs, | 0:12:34 | 0:12:36 | |
getting them confident with people, with different environments | 0:12:36 | 0:12:40 | |
and surroundings, and starting basic play work with little rags | 0:12:40 | 0:12:43 | |
and balls on a rope, just getting the dogs to respond to you. | 0:12:43 | 0:12:46 | |
-Clever puppy! -OK, so it starts right at the beginning. | 0:12:46 | 0:12:50 | |
Do you want to show me how it's done? | 0:12:50 | 0:12:52 | |
Yes, I'll show you a toy first and then we'll work on the sleeves. | 0:12:52 | 0:12:56 | |
Initially, we were getting Jet to bark for this pillow. | 0:12:56 | 0:12:59 | |
Once he's barking and settling, and not interfering with me, | 0:12:59 | 0:13:02 | |
we reward him with a bite on the pillow. | 0:13:02 | 0:13:04 | |
If you're standing still, a police dog's not allowed to bite you. | 0:13:04 | 0:13:07 | |
And for people at home, they are barking because they can see | 0:13:07 | 0:13:10 | |
all the equipment, and that's what they are trained for. | 0:13:10 | 0:13:12 | |
They're barking at us as people working, and the equipment as well. | 0:13:12 | 0:13:16 | |
-This is a big game, it's lots of fun. -Go on, then, you play the game. | 0:13:16 | 0:13:21 | |
Speak, speak, speak, speak, speak, speak. Hold. | 0:13:22 | 0:13:25 | |
All we do, we want a firm bite on there. | 0:13:28 | 0:13:31 | |
No movement, just patting him, letting him win it. | 0:13:31 | 0:13:34 | |
He's working that, bit of tension, then we let him win it and run round. | 0:13:34 | 0:13:39 | |
Brilliant, he's had the pillow, been rewarded for it. | 0:13:41 | 0:13:45 | |
The next one, this is what would happen in real life. | 0:13:45 | 0:13:48 | |
Initially, with a young dog, we do it off the arm. | 0:13:49 | 0:13:52 | |
Because he's already on the sleeve, | 0:13:52 | 0:13:54 | |
I'll get him settled from barking again, and when I move, | 0:13:54 | 0:13:58 | |
he will bark, and as soon as I move, he'll attach himself to the sleeve. | 0:13:58 | 0:14:04 | |
So we'll get him settled again. | 0:14:04 | 0:14:07 | |
Speak, speak, speak, speak, speak, speak, speak. Hey! | 0:14:10 | 0:14:13 | |
And again, he's holding really steady. | 0:14:16 | 0:14:19 | |
Would that go through somebody's sleeve if you didn't have that on? | 0:14:19 | 0:14:22 | |
Yes, definitely. | 0:14:22 | 0:14:23 | |
Unfortunately. We don't want the dogs to create any damage, | 0:14:25 | 0:14:28 | |
we just want to detain a person. | 0:14:28 | 0:14:30 | |
-But damage presumably does happen. -It does happen occasionally. | 0:14:30 | 0:14:33 | |
And they are trained to go for arms, not other parts. | 0:14:33 | 0:14:36 | |
They will go for other parts later on, but it's what's on offer. | 0:14:36 | 0:14:39 | |
Sometimes people kick out at the dogs, | 0:14:39 | 0:14:41 | |
so we get our dogs used to leg movement around them - | 0:14:41 | 0:14:44 | |
hand movement, if somebody was going to strike the dog, | 0:14:44 | 0:14:47 | |
they would fix on the arm. | 0:14:47 | 0:14:49 | |
That is amazing. There he goes. Well done, Jet. | 0:14:49 | 0:14:53 | |
Obviously, they can be quite terrifying. They're scaring me. | 0:14:53 | 0:14:56 | |
They are all police dogs and they have got a job to do, | 0:14:56 | 0:15:00 | |
but we breed... The main thing is social ability in our dogs. | 0:15:00 | 0:15:03 | |
The majority of them are very sociable. | 0:15:03 | 0:15:05 | |
OK, I know they want to go and play and work with you, | 0:15:05 | 0:15:08 | |
so I'm going to leave you and I'm going to walk to a safe distance! | 0:15:08 | 0:15:11 | |
-And Russell, goodbye. He's your favourite, isn't he? -He is at the moment. Thank you. | 0:15:11 | 0:15:15 | |
19-year-old Jay Sudra was murdered just yards from home. | 0:15:17 | 0:15:22 | |
As we've seen, a CCTV camera recorded the horrific crime, | 0:15:22 | 0:15:25 | |
but the image of the perpetrator was too blurred to make a positive ID. | 0:15:25 | 0:15:29 | |
But thanks to 21st-century technology, | 0:15:29 | 0:15:31 | |
Paul Joyce and his team are beginning to close in on the killer. | 0:15:31 | 0:15:36 | |
As lead detective on the Jay Sudra murder, | 0:15:39 | 0:15:41 | |
Paul Joyce's first job was to piece together his last walk home. | 0:15:41 | 0:15:46 | |
He'd been to work on that evening. | 0:15:46 | 0:15:48 | |
In fact, it was his first late shift he'd ever done. | 0:15:48 | 0:15:52 | |
It was a nice summer's evening, | 0:15:52 | 0:15:54 | |
he was dressed in a casual shirt uniform for the shop where he worked. | 0:15:54 | 0:15:58 | |
He was using public transport at the time. | 0:15:58 | 0:16:00 | |
This is the station where he got off the train after his night at work. | 0:16:02 | 0:16:06 | |
He only had a journey of about 15 minutes to walk in this direction. | 0:16:06 | 0:16:10 | |
Somewhere in those 15 minutes, his attacker struck, | 0:16:10 | 0:16:13 | |
but they have no clues as to why. | 0:16:13 | 0:16:16 | |
Traditional forensics, which would have been all they had | 0:16:16 | 0:16:19 | |
60 years ago, revealed virtually nothing. | 0:16:19 | 0:16:21 | |
There were forensics submissions like nails scrapings, | 0:16:23 | 0:16:26 | |
like the deceased's clothing, and following the search | 0:16:26 | 0:16:29 | |
we actually recovered a knife we believe to be the murder weapon | 0:16:29 | 0:16:33 | |
from a drain. Again, they were all forensically tested | 0:16:33 | 0:16:36 | |
and not found to be of any use to the investigation. | 0:16:36 | 0:16:40 | |
Potentially, the loss of blood from the deceased may have | 0:16:42 | 0:16:45 | |
contaminated other key evidence like DNA, like fingerprints. | 0:16:45 | 0:16:48 | |
We will never know if that is the case. | 0:16:48 | 0:16:51 | |
But the investigators did have one stroke of luck, | 0:16:51 | 0:16:54 | |
and it was to prove crucial. | 0:16:54 | 0:16:56 | |
It was really clear to me that early on in this investigation | 0:16:59 | 0:17:02 | |
it would be based around CCTV evidence. | 0:17:02 | 0:17:05 | |
We were extremely fortunate in the very early stages to find | 0:17:05 | 0:17:09 | |
some CCTV that showed us part of the incident, | 0:17:09 | 0:17:12 | |
showed us the victim being followed by his attacker, and this was | 0:17:12 | 0:17:16 | |
from both commercial CCTV and some CCTV from a residential premises. | 0:17:16 | 0:17:21 | |
Jay was 150 metres away from home listening to music, | 0:17:23 | 0:17:27 | |
oblivious to the man behind him. | 0:17:27 | 0:17:28 | |
The footage shows the man speed up, he covers his face and moves in. | 0:17:28 | 0:17:33 | |
The initial CCTV that showed us | 0:17:34 | 0:17:36 | |
the attacker wasn't enough to facially identify the perpetrator. | 0:17:36 | 0:17:41 | |
However, what it did show was the attacker was male, | 0:17:41 | 0:17:44 | |
it also showed us what he was wearing, | 0:17:44 | 0:17:47 | |
and, in this instance, he had a distinctive T-shirt on | 0:17:47 | 0:17:50 | |
which showed different colouring on the sleeve and shoulder. | 0:17:50 | 0:17:54 | |
Clearly, that for us was quite significant. | 0:17:54 | 0:17:57 | |
The police set about widening their search. | 0:18:00 | 0:18:02 | |
The next decision was to devise a strategy around recovering | 0:18:02 | 0:18:06 | |
further CCTV in the whole area of Erdington, and specifically | 0:18:06 | 0:18:10 | |
around potential escape routes. | 0:18:10 | 0:18:12 | |
That's exactly what we did. | 0:18:12 | 0:18:14 | |
We looked at a certain radius | 0:18:14 | 0:18:16 | |
and recovered all CCTV within that radius. | 0:18:16 | 0:18:19 | |
In fact, we recovered in excess of 45 separate CCTV sites | 0:18:19 | 0:18:24 | |
in the days leading from that. | 0:18:24 | 0:18:26 | |
They were looking for more images of the man they had seen following Jay, | 0:18:26 | 0:18:30 | |
and they had to establish a timeline for his movements. | 0:18:30 | 0:18:34 | |
During the course of the investigation, | 0:18:34 | 0:18:36 | |
we recovered thousands of hours of CCTV. | 0:18:36 | 0:18:39 | |
We have to make some very strict decisions around what we're | 0:18:39 | 0:18:43 | |
going to view, how long for and exactly what | 0:18:43 | 0:18:45 | |
we are trying to identify from that viewing. | 0:18:45 | 0:18:48 | |
Eventually, they were able to trace this man's movements | 0:18:48 | 0:18:51 | |
on the fatal night. | 0:18:51 | 0:18:52 | |
He was picked up on camera at a fast-food restaurant with friends. | 0:18:52 | 0:18:56 | |
The next click I move on to will show the same group of people | 0:18:56 | 0:19:00 | |
leaving the fast-food restaurant, and here they are just here. | 0:19:00 | 0:19:04 | |
There is our offender there, | 0:19:04 | 0:19:06 | |
again drawing the attention to the dark sleeves. | 0:19:06 | 0:19:09 | |
I'm moving on now to the point where our offender | 0:19:10 | 0:19:14 | |
has walked down the high street. This is him now with an associate, | 0:19:14 | 0:19:17 | |
and he is about to stand at this bus stop and wait for the bus | 0:19:17 | 0:19:20 | |
to arrive, which is the 11A bus which takes him towards home. | 0:19:20 | 0:19:23 | |
What this next clip shows is our man getting onto the bus, | 0:19:25 | 0:19:29 | |
and you see him quite distinctively, you can recognise him facially, | 0:19:29 | 0:19:33 | |
and he takes a seat at the back of the bus. | 0:19:33 | 0:19:35 | |
This next clip is extremely important. | 0:19:35 | 0:19:38 | |
What this shows us is our offender is sat here, | 0:19:38 | 0:19:42 | |
he is having some dialogue with another male on the bus, | 0:19:42 | 0:19:46 | |
and it's very relevant now that you can see the dark under the arms, | 0:19:46 | 0:19:50 | |
the distinctive logo here, | 0:19:50 | 0:19:51 | |
and the pattern of walking is extremely unique, really. | 0:19:51 | 0:19:55 | |
They also enlisted the help of an image analyst | 0:19:55 | 0:19:58 | |
to match up the clearer pictures with the blurred pictures | 0:19:58 | 0:20:01 | |
of the man they had seen accosting Jay. | 0:20:01 | 0:20:04 | |
The sole purpose of the exercise is to conduct a comparison which | 0:20:04 | 0:20:08 | |
allows me to provide a level of support for the fact that | 0:20:08 | 0:20:14 | |
person on the bus, who is accepted to be the suspect, | 0:20:14 | 0:20:18 | |
is indeed the person that actually attacked the victim. | 0:20:18 | 0:20:22 | |
Clive focused on the t-shirt the attacker was wearing. | 0:20:22 | 0:20:26 | |
Colour is always difficult when we're looking at CCTV footage, | 0:20:26 | 0:20:29 | |
purely because of the way an individual's eyes | 0:20:29 | 0:20:32 | |
can interpret colour differently, | 0:20:32 | 0:20:35 | |
and that TV systems can be setup to display different colours. | 0:20:35 | 0:20:38 | |
So we frequently revert to grey scales | 0:20:38 | 0:20:41 | |
and talk about tone rather than colour. | 0:20:41 | 0:20:43 | |
Man A, the offender, | 0:20:45 | 0:20:47 | |
was clearly wearing a t-shirt with short sleeves. | 0:20:47 | 0:20:51 | |
The yellow arrow depicts the dark sleeves and the red arrow | 0:20:51 | 0:20:57 | |
depicts an area of darker tone in the centre of the chest. | 0:20:57 | 0:21:01 | |
When we compare that with Man B, our suspect, you can clearly see | 0:21:01 | 0:21:06 | |
there is a similarity in the form of the shirt as well as | 0:21:06 | 0:21:11 | |
the dark tone of the sleeves and the feature of the logo on the chest. | 0:21:11 | 0:21:15 | |
The CCTV footage had more secrets to reveal. Bit by bit, | 0:21:16 | 0:21:20 | |
Clive pieced together all the evidence that linked | 0:21:20 | 0:21:24 | |
the man on the bus with the man who attacked Jay. | 0:21:24 | 0:21:27 | |
We'll return to discover how | 0:21:27 | 0:21:29 | |
the attacker's distinctive way of walking | 0:21:29 | 0:21:31 | |
provided another vital clue in the investigation. | 0:21:31 | 0:21:34 | |
It's horrific enough to be the victim of a crime, but to have to | 0:21:35 | 0:21:39 | |
then go and point out your attacker only adds to the stress and upset. | 0:21:39 | 0:21:44 | |
Once, the only option was an identity parade like this one. | 0:21:44 | 0:21:48 | |
-Number six. -Number six is the one, did you hear that? | 0:21:48 | 0:21:51 | |
But now, there's a high tech alternative. | 0:21:51 | 0:21:54 | |
Hi, Frank. Nice to see you. Now, if I was a suspect coming in here, | 0:21:54 | 0:21:59 | |
what's the procedure? What would you be doing with me? | 0:21:59 | 0:22:02 | |
First thing, sort the paperwork out. Make sure it all agrees. | 0:22:02 | 0:22:05 | |
Next, offer you an alternative top. | 0:22:05 | 0:22:09 | |
-Why? -It's compulsory, | 0:22:09 | 0:22:11 | |
because you may have something on which was used in the crime scene. | 0:22:11 | 0:22:14 | |
So I've got to offer you something that isn't. | 0:22:14 | 0:22:16 | |
You have a little wardrobe in here! There are glasses in here too. | 0:22:16 | 0:22:22 | |
So would I be able to put these on? | 0:22:22 | 0:22:24 | |
Only if you were normally wearing them. | 0:22:24 | 0:22:27 | |
So, just to make that clear, if I wasn't wearing | 0:22:27 | 0:22:29 | |
a pair of glasses, I couldn't put a pair of glasses on for the picture. | 0:22:29 | 0:22:33 | |
-I wouldn't suggest that. -What if I had a tattoo? | 0:22:33 | 0:22:35 | |
We would try and do it here, | 0:22:35 | 0:22:38 | |
but probably it would be done with technical bits at the house. | 0:22:38 | 0:22:41 | |
OK so I might be taken up. | 0:22:41 | 0:22:43 | |
So, have I got anything distinctive on me or would I just be OK? | 0:22:43 | 0:22:46 | |
-No, you're fine. -What do I do then? -Just take a seat over there. | 0:22:46 | 0:22:51 | |
Usually the holiday snaps, but slightly different! | 0:22:51 | 0:22:55 | |
Just slightly different. | 0:22:55 | 0:22:56 | |
AUTOMATED VOICE: Please press the button, | 0:22:56 | 0:22:59 | |
then prepare to hear the instructions. | 0:22:59 | 0:23:01 | |
-Look to the right now. Look to the front now. -OK. | 0:23:01 | 0:23:08 | |
So that's the end of the procedure for me, | 0:23:08 | 0:23:10 | |
there is my picture, what happens to it now? | 0:23:10 | 0:23:12 | |
That goes straight to the house. | 0:23:12 | 0:23:14 | |
I'm here with Paul - Paul, what's your role? | 0:23:15 | 0:23:18 | |
My role is to compile identification parades for West Midlands Police. | 0:23:18 | 0:23:22 | |
-Which is exactly what you've done for me today. -It is. | 0:23:22 | 0:23:26 | |
How have you gone about that? | 0:23:26 | 0:23:28 | |
We've received your image, I then put your details into a search criteria, | 0:23:28 | 0:23:33 | |
where I put your age, your hair colour, your build. | 0:23:33 | 0:23:37 | |
That then brings back matches which are similar. | 0:23:37 | 0:23:39 | |
-What sort of search is it? -It's a national database that we use here. | 0:23:39 | 0:23:45 | |
-It's brought back 667 matches. -667 people look like me in Britain? | 0:23:45 | 0:23:50 | |
-They do. -Who are they? Who are these people? | 0:23:50 | 0:23:52 | |
These are all volunteers and they are on the national database. | 0:23:52 | 0:23:56 | |
So there would be a line-up of nine for a witness. | 0:23:56 | 0:23:59 | |
-This is very different to the old system, isn't it? -It is, yes. | 0:23:59 | 0:24:02 | |
The old system was a lot like live identification parades | 0:24:02 | 0:24:06 | |
where the witness would go and see a lineup | 0:24:06 | 0:24:09 | |
and there would be confrontation, maybe, with the suspect. | 0:24:09 | 0:24:12 | |
Here, the witness is going to a private room, seeing each | 0:24:12 | 0:24:15 | |
individual video and they can view the video as many times as they want. | 0:24:15 | 0:24:19 | |
-So there's a lot less pressure on the witness. -Definitely, yes. | 0:24:19 | 0:24:23 | |
And they're far more relaxed to be able to focus on the nine. | 0:24:23 | 0:24:26 | |
And they're not faced with the person who may have committed the crime. | 0:24:26 | 0:24:30 | |
So how quickly can you put this together? | 0:24:30 | 0:24:32 | |
We can only turn a parade around within one hour from first receiving the image. | 0:24:32 | 0:24:36 | |
-Have you got my video there? -I have. Shall we have a look? | 0:24:36 | 0:24:39 | |
So, a witness would see this and then eight other videos. | 0:24:39 | 0:24:42 | |
That's correct. | 0:24:42 | 0:24:44 | |
Thanks, Paul. | 0:24:44 | 0:24:46 | |
We're going to meet three men, all police officers from the same family | 0:24:50 | 0:24:54 | |
with a joint experience that spans nearly 100 years. | 0:24:54 | 0:24:57 | |
There's Arthur, who joined the Metropolitan Police in 1913, | 0:24:57 | 0:25:01 | |
his grandson, Bill, who joined Staffordshire Police in 1963, and | 0:25:01 | 0:25:06 | |
great-grandson James, who currently serves with West Midlands Police. | 0:25:06 | 0:25:10 | |
This film starts with the words of PC Arthur Holland in 1913. | 0:25:10 | 0:25:14 | |
"Well, I must tell you I am now a policeman, and what a fine chap, too! | 0:25:16 | 0:25:21 | |
"Fancy me in uniform! | 0:25:21 | 0:25:23 | |
"I'll get my mug sketched the first opportunity I get, | 0:25:23 | 0:25:26 | |
"and then you'll see for yourself." | 0:25:26 | 0:25:28 | |
A mug sketch, is that a photo? A photograph? | 0:25:28 | 0:25:31 | |
You've got that old photograph of him, haven't you? | 0:25:31 | 0:25:34 | |
That could well be the photograph he's referring to in his letters. | 0:25:34 | 0:25:39 | |
That's right. | 0:25:39 | 0:25:41 | |
It was 1913 when PC Arthur Holland | 0:25:41 | 0:25:43 | |
had his mug sketched for the family to see. | 0:25:43 | 0:25:46 | |
Nearly one century on, his grandson, a former policeman, | 0:25:46 | 0:25:49 | |
and great-grandson, a serving policeman, | 0:25:49 | 0:25:52 | |
are reliving his experience. | 0:25:52 | 0:25:54 | |
Back then, unmarried police officers lived in lodgings. | 0:25:54 | 0:25:57 | |
"I am now in lodgings, and I tell you they are lodgings, too! | 0:25:57 | 0:26:01 | |
"I'm with four of my pals from Peel house as well as three more, | 0:26:01 | 0:26:06 | |
"so there's a happy family." | 0:26:06 | 0:26:08 | |
Even when Bill joined the force in 1963, | 0:26:08 | 0:26:11 | |
young recruits lived in lodgings. | 0:26:11 | 0:26:13 | |
Whereabouts were your lodgings, Dad? | 0:26:13 | 0:26:16 | |
Well, my first lodgings were in a multi-storey block of flats. | 0:26:16 | 0:26:21 | |
I can remember one day when I was on nights my bedroom door opened, | 0:26:21 | 0:26:25 | |
and my landlady brought in a load of ladies from the house | 0:26:25 | 0:26:29 | |
to look at the policeman in bed! | 0:26:29 | 0:26:32 | |
Bill and James began their police careers | 0:26:35 | 0:26:37 | |
not in London like Arthur but in an old mining town near Birmingham. | 0:26:37 | 0:26:42 | |
Today, they are pounding the same streets again. | 0:26:42 | 0:26:44 | |
Years ago, I can remember walking along here with my truncheon | 0:26:44 | 0:26:51 | |
strap hanging down, and the superintendent was driving past | 0:26:51 | 0:26:56 | |
and stopped and said it looked too aggressive | 0:26:56 | 0:26:59 | |
to have your truncheon strap hanging down, you shouldn't do it. | 0:26:59 | 0:27:04 | |
-Right. -So what they'd make of it now when you have | 0:27:04 | 0:27:08 | |
stab vests and all the equipment you carry! | 0:27:08 | 0:27:10 | |
Bill started in the force in the early '60s. | 0:27:10 | 0:27:13 | |
Nearly 50 years on, it's a world away from the policing Jim does now. | 0:27:13 | 0:27:17 | |
I think there's certain parts of the job which are quite | 0:27:19 | 0:27:23 | |
similar in respect to upholding the law, arresting people, | 0:27:23 | 0:27:27 | |
doing general police duties. | 0:27:27 | 0:27:30 | |
But I think that in modern times there are certain aspects | 0:27:32 | 0:27:35 | |
which he'd have great difficulty coming to terms with, really. | 0:27:35 | 0:27:39 | |
ASBOs, for a start - unheard-of in the '60s. | 0:27:39 | 0:27:42 | |
Now, Anti-Social Behaviour Orders | 0:27:42 | 0:27:45 | |
are an everyday part of modern language and life. | 0:27:45 | 0:27:48 | |
We are en route to a lady who has reported some antisocial behaviour | 0:27:50 | 0:27:55 | |
inside a block of flats. | 0:27:55 | 0:27:56 | |
It got so bad that we secured two antisocial behaviour | 0:27:58 | 0:28:04 | |
injunctions taking out against the resident of the block of flats | 0:28:04 | 0:28:07 | |
and his former partner. | 0:28:07 | 0:28:11 | |
Both of them create an absolute misery for the other residents | 0:28:11 | 0:28:16 | |
who live in the block of flats. Hello, it's Jim. You all right? | 0:28:16 | 0:28:21 | |
Ultimately, we want him out the block of flats, don't we? | 0:28:21 | 0:28:26 | |
That will be that. | 0:28:26 | 0:28:28 | |
If he's not a resident here, that's the problem solved, isn't it? | 0:28:28 | 0:28:31 | |
In his day, Bill did some things that would never happen now. | 0:28:31 | 0:28:34 | |
When my dad was in service, he was chasing an armed criminal | 0:28:34 | 0:28:38 | |
up the motorway with a hostage and a bundle of cash and a firearm. | 0:28:38 | 0:28:42 | |
He was unarmed with his colleague on the traffic department. | 0:28:42 | 0:28:47 | |
In this modern day and age, that certainly wouldn't happen. | 0:28:47 | 0:28:51 | |
And for Arthur, cars weren't for chasing, they were for dodging. | 0:28:51 | 0:28:55 | |
"There's a lot to see in the streets, plenty of life and traffic - | 0:28:55 | 0:29:00 | |
"too much at times, especially when you want to cross the road." | 0:29:00 | 0:29:04 | |
Little did Arthur know that in the early '70s, | 0:29:05 | 0:29:07 | |
his grandson would work on the traffic division | 0:29:07 | 0:29:11 | |
and drive the first car over the world famous Spaghetti Junction. | 0:29:11 | 0:29:14 | |
REPORTER: 'You can see why they call it Spaghetti Junction. | 0:29:20 | 0:29:23 | |
'The engineers point out that, unlike a plate of spaghetti, | 0:29:23 | 0:29:27 | |
'it stands up and is highly planned.' | 0:29:27 | 0:29:29 | |
I declare this motorway open! | 0:29:29 | 0:29:32 | |
'We were the first vehicle over the junction. | 0:29:34 | 0:29:38 | |
'But there was a lot of national interest on it, | 0:29:39 | 0:29:42 | |
'so to be first over that was quite an experience.' | 0:29:42 | 0:29:46 | |
If they know where they're going, if they drive according | 0:29:46 | 0:29:50 | |
to motorway standards, that is they know what they are doing, | 0:29:50 | 0:29:52 | |
and they are able to read the signs, they will have no problem at all. | 0:29:52 | 0:29:56 | |
I have vivid memories of what he used to say, | 0:29:56 | 0:29:59 | |
and being a traffic officer for my dad was a large part of his career. | 0:29:59 | 0:30:04 | |
If ever there were anything that was on the top section | 0:30:05 | 0:30:09 | |
that was an accident, I didn't like that. | 0:30:09 | 0:30:13 | |
Bill was also there when the police started to formalise the way | 0:30:13 | 0:30:16 | |
they dealt with public order offenses. | 0:30:16 | 0:30:18 | |
West Midlands police introduced special training | 0:30:18 | 0:30:22 | |
for some of its officers. | 0:30:22 | 0:30:24 | |
Bill took part and was sent to help Merseyside police | 0:30:25 | 0:30:28 | |
deal with the riots in 1981. | 0:30:28 | 0:30:31 | |
I can see a lot of parallels | 0:30:35 | 0:30:37 | |
with when my dad first joined and when I joined. | 0:30:37 | 0:30:40 | |
Perish the thought, going into a riot situation | 0:30:41 | 0:30:44 | |
with a flimsy plastic visor over your normal police helmet | 0:30:44 | 0:30:48 | |
just seems absurd. | 0:30:48 | 0:30:49 | |
Now we obviously have crash helmets, flameproof suits, body armour, | 0:30:49 | 0:30:54 | |
stab proof vests. | 0:30:54 | 0:30:56 | |
For PC Arthur in 1913, | 0:30:56 | 0:30:59 | |
dealing with civil disorder was an altogether more civilised affair. | 0:30:59 | 0:31:03 | |
"I was listening to a suffragette last night at top of Regency Street. | 0:31:05 | 0:31:09 | |
"Talk about tongue! There was plenty of that. | 0:31:09 | 0:31:12 | |
"She didn't half give it votes for women." | 0:31:12 | 0:31:14 | |
After the Great War, | 0:31:17 | 0:31:18 | |
waves of industrial unrest rippled through Europe. | 0:31:18 | 0:31:21 | |
Many workers were in dispute, including the police. | 0:31:21 | 0:31:25 | |
Their pay matched that of an unskilled labourer, | 0:31:25 | 0:31:27 | |
so when they downed truncheons, Arthur joined them. | 0:31:27 | 0:31:30 | |
It led to the end of his career. | 0:31:30 | 0:31:33 | |
Those who went on strike, including my grandfather, | 0:31:33 | 0:31:36 | |
were required to resign their posts. | 0:31:36 | 0:31:39 | |
Arthur was dismissed on 1 August 1919, | 0:31:40 | 0:31:43 | |
after five years as a policeman. | 0:31:43 | 0:31:45 | |
As it was then, as it is now, it is against the law for police officers | 0:31:45 | 0:31:50 | |
to strike and he paid the price with his career. | 0:31:50 | 0:31:54 | |
Arthur's career in the police force ended prematurely, | 0:31:57 | 0:32:01 | |
but his inspiration lives on through his family. | 0:32:01 | 0:32:03 | |
When a murder happens, it is often front-page news. | 0:32:08 | 0:32:11 | |
Then, it begins to be forgotten. | 0:32:11 | 0:32:13 | |
But away from the headlines, the police work goes on. | 0:32:13 | 0:32:16 | |
The team working on the Jay Sudra killing is closing in. | 0:32:16 | 0:32:19 | |
First, they have to link the youth seen on the bus CCTV | 0:32:19 | 0:32:22 | |
to the one following Jay on his last journey home. | 0:32:22 | 0:32:27 | |
In the hunt for Jay Sudra's killer, | 0:32:29 | 0:32:31 | |
Clive's painstaking work on the CCTV images eventually link | 0:32:31 | 0:32:35 | |
this very clear image | 0:32:35 | 0:32:36 | |
to the man caught on camera following and attacking Jay. | 0:32:36 | 0:32:41 | |
And not only did they have a picture of his face, | 0:32:44 | 0:32:46 | |
this man also had a very distinctive walk. | 0:32:46 | 0:32:49 | |
Just like the man following Jay. | 0:32:49 | 0:32:51 | |
One of the things we saw | 0:32:53 | 0:32:55 | |
when viewing the imagery was that the suspect actually moved | 0:32:55 | 0:32:59 | |
with a foot pattern that seemed to be quite pointed out. | 0:32:59 | 0:33:04 | |
Using the yellow arrows to demonstrate | 0:33:04 | 0:33:06 | |
general direction of movement | 0:33:06 | 0:33:08 | |
and the red arrow the broadness of the movement of the foot | 0:33:08 | 0:33:12 | |
out splaying as he walked, | 0:33:12 | 0:33:14 | |
it was clearly evident on the imagery of Man B as he was walking | 0:33:14 | 0:33:18 | |
that he demonstrated the same general mannerism. | 0:33:18 | 0:33:21 | |
And in this case, we were able to view Man A over | 0:33:21 | 0:33:24 | |
a period of CCTV footage where it became evident that he tended | 0:33:24 | 0:33:29 | |
to walk with his toes splayed out quite widely. | 0:33:29 | 0:33:32 | |
Over a series of frames, we were able to assess his general | 0:33:32 | 0:33:36 | |
direction of movement and the angle in this case of his left foot, | 0:33:36 | 0:33:41 | |
and the angle tended to be consistent throughout that period of footage. | 0:33:41 | 0:33:45 | |
It was a Charlie Chaplin-style walk. | 0:33:45 | 0:33:47 | |
Paul had this very clear image to show, | 0:33:47 | 0:33:50 | |
but as yet he did not have a name in the frame. | 0:33:50 | 0:33:52 | |
He decided to release it to the press and put out an appeal. | 0:33:52 | 0:33:56 | |
At that stage, we didn't have any suspects, | 0:33:56 | 0:33:59 | |
and the reason for the appeal | 0:33:59 | 0:34:01 | |
was to enlist the help of the community where it took place. | 0:34:01 | 0:34:04 | |
Watching the footage of Jay's final moments | 0:34:04 | 0:34:06 | |
was very difficult for the family. | 0:34:06 | 0:34:08 | |
It wasn't nice because we knew that was Jay's last steps, | 0:34:08 | 0:34:12 | |
his last breaths. | 0:34:12 | 0:34:14 | |
It was hard, it was really difficult to watch. | 0:34:14 | 0:34:17 | |
Before I saw it, I could just picture him walking home, | 0:34:17 | 0:34:21 | |
his head down, minding his own business, | 0:34:21 | 0:34:24 | |
listening to his music, thinking to himself, | 0:34:24 | 0:34:27 | |
"Oh, I'll go home, play guitar and spend time with my mum." | 0:34:27 | 0:34:31 | |
That's the person Jay was. | 0:34:31 | 0:34:33 | |
The press appeal gave the police the breakthrough they needed. | 0:34:33 | 0:34:37 | |
As a direct result, a 15-year-old handed himself over to the police. | 0:34:37 | 0:34:42 | |
His name was Lamah Prince. | 0:34:42 | 0:34:44 | |
He admitted to being the man on the bus, | 0:34:44 | 0:34:46 | |
but refused to say anything else to the detectives. | 0:34:46 | 0:34:50 | |
There was still more work for them to do, and most of that work was | 0:34:50 | 0:34:53 | |
gathering evidence made available through modern technology. | 0:34:53 | 0:34:57 | |
It was also clear to me as the officer in charge of the case | 0:35:00 | 0:35:04 | |
that everything we did in every decision we made | 0:35:04 | 0:35:07 | |
needed to really be in support of that CCTV evidence. | 0:35:07 | 0:35:10 | |
What we did in order to achieve that was looked for opportunities | 0:35:10 | 0:35:13 | |
with telephones, analysis and computers, to really try to | 0:35:13 | 0:35:18 | |
support any dialogue that took place after the actual incident | 0:35:18 | 0:35:21 | |
between the offender and his associates or family members. | 0:35:21 | 0:35:25 | |
Cell site technology which tracks mobile phone signals helped | 0:35:25 | 0:35:30 | |
to place him in the right area, and, on top of that, | 0:35:30 | 0:35:34 | |
analysis of the 15-year-old's computer confirmed that, | 0:35:34 | 0:35:37 | |
in the days following the killing, | 0:35:37 | 0:35:38 | |
he had been researching all the news put out about it. | 0:35:38 | 0:35:41 | |
With all the evidence gathered, | 0:35:41 | 0:35:43 | |
Lamah Prince appeared in court to face a murder charge. | 0:35:43 | 0:35:46 | |
That was a real tough two weeks at the court every day, | 0:35:49 | 0:35:53 | |
really draining, listening to everything. | 0:35:53 | 0:35:57 | |
At the end of every day, we would ask the police | 0:35:57 | 0:35:59 | |
and the officers, how do you think it's going to go? | 0:35:59 | 0:36:02 | |
They'd say, we don't know. | 0:36:02 | 0:36:04 | |
But at the end of those two weeks, | 0:36:04 | 0:36:05 | |
Prince was sentenced to life to serve a minimum of 14 years, | 0:36:05 | 0:36:10 | |
well over the statutory minimum at his age. | 0:36:10 | 0:36:13 | |
A great result for the police in a case that could never have | 0:36:13 | 0:36:16 | |
been solved 60 years ago. | 0:36:16 | 0:36:18 | |
In my opinion, | 0:36:18 | 0:36:19 | |
and owing to the great significance | 0:36:19 | 0:36:21 | |
placed on the CCTV during this investigation, | 0:36:21 | 0:36:24 | |
I don't believe we would have had a successful | 0:36:24 | 0:36:26 | |
outcome had we not had the help and support | 0:36:26 | 0:36:30 | |
and the technical advice from the imagery analyst. | 0:36:30 | 0:36:34 | |
This case was extremely emotive for all concerned, | 0:36:36 | 0:36:39 | |
and I know it really touched the hearts of lots of people | 0:36:39 | 0:36:42 | |
involved in the investigation, right through to our press team, | 0:36:42 | 0:36:48 | |
and some really experienced police officers were also very touched | 0:36:48 | 0:36:51 | |
by Jay, by the warmth offered to us from his family. | 0:36:51 | 0:36:55 | |
When he was sentenced, when a jury stood up and said they found him | 0:36:59 | 0:37:04 | |
guilty of murder, that was just the best possible result | 0:37:04 | 0:37:09 | |
we could have got, because we were scared | 0:37:09 | 0:37:11 | |
he was going to get manslaughter. | 0:37:11 | 0:37:13 | |
For him to get murder, justice has been done. | 0:37:13 | 0:37:18 | |
Amazing police work and a really brave family. | 0:37:26 | 0:37:30 | |
In Bristol, as we've heard, | 0:37:33 | 0:37:35 | |
they have a successful drugs rehabilitation programme. | 0:37:35 | 0:37:38 | |
Once prisoners are stabilised, it's time to move them on, | 0:37:38 | 0:37:42 | |
but at all times, they are carefully monitored. | 0:37:42 | 0:37:45 | |
OK, one sample kit. | 0:37:45 | 0:37:46 | |
What I would like you to do now if you can is give me a urine sample, | 0:37:46 | 0:37:50 | |
please, as much as you can, but a minimum of below that line there. | 0:37:50 | 0:37:54 | |
Thank you very much. | 0:37:54 | 0:37:56 | |
Benji takes part in voluntary drug tests, | 0:37:56 | 0:38:00 | |
but also undergoes mandatory tests like this one, something | 0:38:00 | 0:38:03 | |
all prisoners must do at Bristol in full view of the officers. | 0:38:03 | 0:38:07 | |
And he's happy to do it because it proves he's stayed off the drugs | 0:38:07 | 0:38:10 | |
and is something he's proud of. | 0:38:10 | 0:38:12 | |
You know the results will come back to me, | 0:38:12 | 0:38:14 | |
you'll get a sheet on the Tuesday night | 0:38:14 | 0:38:16 | |
-and a certificate on Wednesday morning. Thank you. -Cheers, mate. | 0:38:16 | 0:38:21 | |
Benji has been through the IDTS, or drug services unit, on C Wing. | 0:38:21 | 0:38:27 | |
Its methods are designed not just to get prisoners off drugs | 0:38:27 | 0:38:29 | |
while they are inside, but to get them to stay off them | 0:38:29 | 0:38:33 | |
-when they are living back in the community. -Are you lot OK? -Yes. | 0:38:33 | 0:38:37 | |
Come on, lads, lock the doors. Let's go. | 0:38:39 | 0:38:41 | |
After new prisoners have finished this stint detoxing | 0:38:41 | 0:38:44 | |
in the stabilisation unit, they moved to C1's landing, AKA Recovery. | 0:38:44 | 0:38:49 | |
Down here, they get involved in drug | 0:38:49 | 0:38:51 | |
and alcohol group work for an hour in the mornings, | 0:38:51 | 0:38:55 | |
they can do the sports and games courses, go outside on the Astroturf. | 0:38:55 | 0:39:00 | |
A bit of circuit training, just build up momentum. | 0:39:04 | 0:39:07 | |
They're down here for about 28 days, we have to keep people moving on | 0:39:07 | 0:39:10 | |
because there's always people coming in. | 0:39:10 | 0:39:12 | |
The purpose of recovery is for prisoners to regain their weight, | 0:39:12 | 0:39:17 | |
get healthier and to begin to look to the future without drugs. | 0:39:17 | 0:39:20 | |
When you are a drug user, you tend to be quite insulated, so the people | 0:39:20 | 0:39:25 | |
you mix with are all drug users, so it becomes a small, insular circle. | 0:39:25 | 0:39:29 | |
By using sport, we break that circle, | 0:39:29 | 0:39:31 | |
so when they go outside they mix with people who use the gym, and | 0:39:31 | 0:39:34 | |
they have another circle of friends apart from the drug-using friends. | 0:39:34 | 0:39:38 | |
And this approach is proved to work. | 0:39:38 | 0:39:41 | |
Since we set up this project, there has not been a single member | 0:39:41 | 0:39:45 | |
of people engaged in this who have tested positive for drugs in prison. | 0:39:45 | 0:39:49 | |
So it is a massive, massive thing that has happened. | 0:39:49 | 0:39:53 | |
Once prisoners have completed their 28 days of assessment on C1, | 0:39:54 | 0:39:57 | |
they move to B Wing. | 0:39:57 | 0:39:59 | |
This is B Wing. When prisoners have finished detox | 0:39:59 | 0:40:02 | |
and gone through the 28-day psychosocial module, | 0:40:02 | 0:40:05 | |
a lot of them come here. | 0:40:05 | 0:40:07 | |
It's known as the voluntary drug testing unit, | 0:40:07 | 0:40:10 | |
because when they're on here, they sign up to a contract where | 0:40:10 | 0:40:13 | |
they agree to be voluntary drug tested at any time. | 0:40:13 | 0:40:16 | |
Staying off drugs on B Wing brings benefits. | 0:40:16 | 0:40:19 | |
Prisoners are given single cells and not having to share is a big bonus. | 0:40:19 | 0:40:23 | |
Also, they work every day either in a job or in a class. | 0:40:23 | 0:40:28 | |
We have to start thinking about how we get people | 0:40:28 | 0:40:31 | |
back into the lifestyle that you and I would live, | 0:40:31 | 0:40:33 | |
and that is getting up in the morning, going to work, doing | 0:40:33 | 0:40:37 | |
a day's work, coming back at night and maybe then going to the gym. | 0:40:37 | 0:40:40 | |
It's important we get them back into mainstream education | 0:40:40 | 0:40:44 | |
within the establishment, or mainstream employment. | 0:40:44 | 0:40:47 | |
Throughout their time in prison, | 0:40:47 | 0:40:49 | |
close ties are made with probation staff and drug workers | 0:40:49 | 0:40:51 | |
from many different agencies in the community, so on release | 0:40:51 | 0:40:55 | |
there will be continued support from familiar faces. | 0:40:55 | 0:40:58 | |
There are a lot of things here that, if you want it, that is, | 0:40:58 | 0:41:02 | |
you can achieve. | 0:41:02 | 0:41:06 | |
The way I'm feeling, this is the final step in my journey. | 0:41:06 | 0:41:09 | |
When I get out this time, I'm on nine-month's licence, | 0:41:09 | 0:41:13 | |
probation in here have started working on me now, | 0:41:13 | 0:41:16 | |
I am hoping to work when I am out. That's what I want. | 0:41:16 | 0:41:18 | |
The Bristol Prison team has won awards for its work. | 0:41:18 | 0:41:22 | |
They have helped reduce crime in the city by a considerable amount, | 0:41:22 | 0:41:25 | |
and violence in the prison itself has also dropped off steeply | 0:41:25 | 0:41:28 | |
since they started the scheme. | 0:41:28 | 0:41:30 | |
Ultimately, we never lose touch with reducing reoffending, | 0:41:30 | 0:41:33 | |
we never lose touch with the fact that this will benefit | 0:41:33 | 0:41:36 | |
our local community in the city of Bristol by sending people back | 0:41:36 | 0:41:39 | |
out with that sense of value and a fresh set of addictions, if you like. | 0:41:39 | 0:41:45 | |
If that is just scoring a goal in football, | 0:41:45 | 0:41:47 | |
then it's a better addiction than crack cocaine. | 0:41:47 | 0:41:50 | |
That's all from us on Crime And Punishment for now, | 0:41:54 | 0:41:56 | |
we'll see you next time. | 0:41:56 | 0:41:58 | |
Subtitles by Red Bee Media Ltd | 0:42:08 | 0:42:12 |