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Today on Crime And Punishment, a motorist who joins the 2,000 a year who end up in prison | 0:00:02 | 0:00:06 | |
when they learn the hard way that drink and drugs | 0:00:06 | 0:00:08 | |
don't go with driving. | 0:00:08 | 0:00:10 | |
And an all-night booze-up leads to a violent family fight | 0:00:10 | 0:00:14 | |
and a trip to the custody suite. | 0:00:14 | 0:00:17 | |
-All of you stay there. -Calm down, mate. | 0:00:17 | 0:00:19 | |
In 1952, when the Queen came to the throne, | 0:00:36 | 0:00:39 | |
the phrase "social media" didn't exist. | 0:00:39 | 0:00:42 | |
Now she even has her own Facebook page. | 0:00:42 | 0:00:44 | |
And the police can't afford to ignore Facebook or Twitter either. | 0:00:44 | 0:00:49 | |
Hi there, can you ask her to come to the door? | 0:00:50 | 0:00:53 | |
SHOUTING AND SHRIEKING | 0:00:53 | 0:00:55 | |
Why are you giving me duff details? | 0:00:55 | 0:00:57 | |
Policing our cities never stops, day and night, | 0:00:57 | 0:01:00 | |
right around the clock. | 0:01:00 | 0:01:02 | |
He smelt of some alcohol, he's provided a positive breath test. | 0:01:02 | 0:01:05 | |
In Birmingham South, Bournville Police Station is the nerve centre of operations. | 0:01:07 | 0:01:12 | |
So he was located outside the premises, yes? | 0:01:12 | 0:01:15 | |
Everyone arrested ends up here | 0:01:15 | 0:01:17 | |
and it's been like that for the last 60 years. | 0:01:17 | 0:01:21 | |
But today is a bit different. | 0:01:21 | 0:01:23 | |
For the next 24 hours, each detail of what goes on in this Bournville Station | 0:01:23 | 0:01:27 | |
will be recorded on Twitter, for a special police Tweet-a-thon. | 0:01:27 | 0:01:32 | |
It's a modern-day attempt to involve the surrounding community in what goes on at their local nick. | 0:01:32 | 0:01:37 | |
It all kicked off at 7am. | 0:01:37 | 0:01:40 | |
Darren Colley is the communications officer | 0:01:46 | 0:01:49 | |
who's doing the tweeting. | 0:01:49 | 0:01:50 | |
This morning, we've had various incidents. | 0:01:50 | 0:01:53 | |
Everything ranging from a drive-off at a petrol station... | 0:01:53 | 0:01:57 | |
We've had parking problems, where a vehicle has been causing an obstruction. | 0:01:57 | 0:02:01 | |
Officers have gone out and ticketed that vehicle. | 0:02:01 | 0:02:03 | |
We've had some fail-to-appear warrants | 0:02:03 | 0:02:05 | |
where officers have been at a premises, arresting people who've failed to appear | 0:02:05 | 0:02:09 | |
for issues such as shop theft, criminal damage, assault, | 0:02:09 | 0:02:14 | |
all of which is being relayed to our followers. | 0:02:14 | 0:02:16 | |
Sergeant Vanessa Eyles and her team are about to serve | 0:02:18 | 0:02:22 | |
one of those arrest warrants and bring in the person | 0:02:22 | 0:02:25 | |
who's failed to appear at court. | 0:02:25 | 0:02:26 | |
The warrant was issued by the courts | 0:02:26 | 0:02:29 | |
just four days ago, because this woman failed to appear | 0:02:29 | 0:02:33 | |
for a matter of theft which was connected to what we called a domestic-related incident. | 0:02:33 | 0:02:40 | |
First, they need to get into the woman's flat. | 0:02:40 | 0:02:43 | |
Hello, you all right? It's nothing to worry about, | 0:02:43 | 0:02:46 | |
we're trying to get to a flat above the bookies. How do we get there? | 0:02:46 | 0:02:50 | |
-At the front, there's some wooden gates. -Yes. | 0:02:50 | 0:02:52 | |
You've got to go through those gates. | 0:02:52 | 0:02:54 | |
OK, thank you for the information about the dog. | 0:02:57 | 0:03:00 | |
Apparently they've got a dog. | 0:03:00 | 0:03:01 | |
One of the blokes said, "HE'S got a dog" so there's a male here as well. | 0:03:01 | 0:03:05 | |
KNOCK AT DOOR, DOG BARKS | 0:03:05 | 0:03:08 | |
Hello, sorry to bother you. | 0:03:10 | 0:03:11 | |
OK...nice and calm! | 0:03:11 | 0:03:13 | |
-Is -BLEEP -home? -She is, yeah. | 0:03:13 | 0:03:17 | |
-She is. -Hi, are you all right? | 0:03:17 | 0:03:19 | |
Do you want to take the dog away? | 0:03:19 | 0:03:22 | |
The dog seems harmless, but to be on the safe side, he's locked away. | 0:03:22 | 0:03:25 | |
The woman is soon found. | 0:03:25 | 0:03:28 | |
She's arrested on the fail-to-appear for a theft charge warrant, | 0:03:31 | 0:03:35 | |
and she's brought out to the police van. | 0:03:35 | 0:03:38 | |
Hopefully this message will go out to the community of Birmingham South | 0:03:38 | 0:03:42 | |
that we do execute our warrants, | 0:03:42 | 0:03:44 | |
and reinforces that people need to comply with bail conditions | 0:03:44 | 0:03:48 | |
and abide by those instructions given by the courts. | 0:03:48 | 0:03:52 | |
And Darren makes sure the arrest gets tweeted. | 0:03:54 | 0:03:57 | |
Police emergency? Hello, Amber. | 0:04:03 | 0:04:06 | |
You've got a report of a stabbing. How many patients, please? | 0:04:06 | 0:04:09 | |
One patient, male, 18 years. | 0:04:09 | 0:04:14 | |
In the control room, emergency calls are coming in thick and fast. | 0:04:14 | 0:04:18 | |
And it's their responsibility to dispatch officers on the ground to each job. | 0:04:18 | 0:04:23 | |
Darren Basterfield and James Debuse from the local policing unit | 0:04:23 | 0:04:27 | |
are out in a patrol car. They head for the house, | 0:04:27 | 0:04:31 | |
knowing they could be walking into a dangerous situation. | 0:04:31 | 0:04:33 | |
They arrive to a scene of chaos. | 0:04:49 | 0:04:52 | |
If you just want to come outside for us. | 0:04:52 | 0:04:54 | |
-Is the dog OK? What's happened? What's happened? -I don't know. | 0:04:54 | 0:04:58 | |
-Who's called us? Who's called us? -Me. -What's happened? | 0:04:58 | 0:05:03 | |
I stabbed him in there. | 0:05:03 | 0:05:05 | |
Right, who's been stabbed? | 0:05:05 | 0:05:07 | |
Where have you been stabbed? | 0:05:07 | 0:05:09 | |
Show me, lift your top up? | 0:05:09 | 0:05:11 | |
-I'm all right. -Turn round. Where's the knife? | 0:05:11 | 0:05:15 | |
-I'm all right. -Where's the knife? | 0:05:15 | 0:05:17 | |
It seems the people in the house have been drinking all night, ending up in a fracas | 0:05:17 | 0:05:21 | |
where a young man has got a minor injury from a knife | 0:05:21 | 0:05:25 | |
wielded by his girlfriend. | 0:05:25 | 0:05:26 | |
Where did you say you stabbed him? | 0:05:30 | 0:05:32 | |
Whereabouts? Top of the arm? | 0:05:32 | 0:05:35 | |
The officers are trying to calm things down. | 0:05:49 | 0:05:51 | |
They want to keep the two people involved away from each other. | 0:05:51 | 0:05:54 | |
Just step outside here so I can search you. | 0:05:54 | 0:05:57 | |
-Have you got anything in your pockets? -No. | 0:05:57 | 0:06:00 | |
But just as things seem to be under control, | 0:06:00 | 0:06:03 | |
the injured man's family, who live around the corner, get wind of what's happened | 0:06:03 | 0:06:08 | |
and turn up outside. We'll see later how things go from bad to worse. | 0:06:08 | 0:06:12 | |
SHRIEKING | 0:06:12 | 0:06:13 | |
-On the ground! -Get off her! -Stay there. | 0:06:13 | 0:06:17 | |
Politicians may be calling for prisoners to be made to work harder | 0:06:20 | 0:06:23 | |
whilst they're inside, but the problem is, | 0:06:23 | 0:06:26 | |
how do you get work for the prison workshops | 0:06:26 | 0:06:28 | |
when there isn't enough to go round on the outside? | 0:06:28 | 0:06:31 | |
The idea is to provide hard work in prison | 0:06:31 | 0:06:37 | |
so that prisoners will be doing something productive | 0:06:37 | 0:06:40 | |
instead of doing nothing... | 0:06:40 | 0:06:41 | |
For Kenneth Clarke, | 0:06:41 | 0:06:42 | |
the business of prisons is to stop re-offending. | 0:06:42 | 0:06:45 | |
He believes the way to do it is to get prisoners to work | 0:06:45 | 0:06:48 | |
40 hours a week and learn to live a normal life. | 0:06:48 | 0:06:51 | |
It's not rocket science, actually! | 0:06:51 | 0:06:54 | |
At Bristol, the new policy is already under way. | 0:06:54 | 0:06:57 | |
It's important for prisoners to work while they're in prison | 0:06:57 | 0:07:00 | |
so they have something meaningful to do to take up their time here. | 0:07:00 | 0:07:04 | |
But also so they build the essential skills they need | 0:07:04 | 0:07:07 | |
to move into employment when they get released. We give them the opportunity for rehabilitation. | 0:07:07 | 0:07:12 | |
Work's not easy to find, even beyond the gate. | 0:07:12 | 0:07:14 | |
So it's a big job, tempting companies to use prison labour. | 0:07:14 | 0:07:18 | |
OK? | 0:07:18 | 0:07:19 | |
It's Nikki Secker, the prison's head of business development, | 0:07:19 | 0:07:22 | |
who has to bring in the contracts to keep the workshops working. | 0:07:22 | 0:07:26 | |
Today, she's holding an open day for local firms. | 0:07:26 | 0:07:28 | |
What we're now offering is a commercially viable solution | 0:07:28 | 0:07:32 | |
in terms of your own business models. | 0:07:32 | 0:07:34 | |
That's what we're going to be able to demonstrate. | 0:07:34 | 0:07:36 | |
Next, the honoured guests are taken on a tour of the prison's workshops. | 0:07:36 | 0:07:41 | |
It's absolutely critical they should like what they see. | 0:07:41 | 0:07:44 | |
Previously, when we'd approach businesses, | 0:07:44 | 0:07:46 | |
we were very much going and asking for something. | 0:07:46 | 0:07:50 | |
We were asking | 0:07:50 | 0:07:51 | |
for a commercial company to offer employment opportunities on release. | 0:07:51 | 0:07:54 | |
That's the major shift because we're now saying, | 0:07:54 | 0:07:57 | |
"Yes, I'd still like you to take on X offenders on release | 0:07:57 | 0:08:02 | |
"but also, what I can do is offer a very competitive solution to your business needs." | 0:08:02 | 0:08:08 | |
We want to employ more prisoners and generate more revenue | 0:08:08 | 0:08:11 | |
and deliver more skills. And we can't do that on our own. | 0:08:11 | 0:08:13 | |
But even in a recession, there is still work that is so labour-intensive | 0:08:13 | 0:08:18 | |
that British businesses can't afford to do it in the UK. | 0:08:18 | 0:08:21 | |
Typically, it might be being done in the Far East | 0:08:21 | 0:08:23 | |
so it'll be assembly work | 0:08:23 | 0:08:25 | |
that because of our cost structure in the UK, | 0:08:25 | 0:08:28 | |
generally is migrated elsewhere. | 0:08:28 | 0:08:31 | |
Earning money to pay back to victims | 0:08:35 | 0:08:38 | |
instead of dreaming of creating more victims in future crime. | 0:08:38 | 0:08:43 | |
But there's another side to Ken Clarke's agenda. | 0:08:43 | 0:08:46 | |
It's not just about making offenders employable | 0:08:46 | 0:08:49 | |
by giving them work inside the prisons, | 0:08:49 | 0:08:51 | |
it's making them employable on the outside. | 0:08:51 | 0:08:54 | |
Current figures suggest that almost 75% of ex-offenders have no work. | 0:08:54 | 0:08:59 | |
They need to find someone who's willing to give them a job. | 0:08:59 | 0:09:03 | |
Adam Chaim is one of more than 150 former prisoners | 0:09:03 | 0:09:07 | |
who are working for the Timpson shoe-repair and key-cutting chain. | 0:09:07 | 0:09:11 | |
It's a family business and managing director James Timpson is sure | 0:09:11 | 0:09:15 | |
that employing ex-offenders makes business sense. | 0:09:15 | 0:09:18 | |
We've got dozens of superstars we've recruited from prison. | 0:09:18 | 0:09:21 | |
What we find is they're confident, they're bright, | 0:09:21 | 0:09:24 | |
they have a real urge to prove | 0:09:24 | 0:09:27 | |
to people they deserve a chance and they're going to make a success of their life. | 0:09:27 | 0:09:32 | |
But what about the risks? | 0:09:32 | 0:09:35 | |
The advantage I have when I recruit an ex-offender | 0:09:35 | 0:09:37 | |
is I know what I'm getting because I know their full history, | 0:09:37 | 0:09:40 | |
I get the full chapter and verse so I know what I'm dealing with, | 0:09:40 | 0:09:45 | |
rather than people lying on their application form | 0:09:45 | 0:09:47 | |
which, I'm afraid, is all too common. | 0:09:47 | 0:09:49 | |
Since we've been recruiting ex-offenders, | 0:09:49 | 0:09:51 | |
we've doubled the number of shops, we've doubled our profits | 0:09:51 | 0:09:54 | |
and the number of people we employ. | 0:09:54 | 0:09:56 | |
Putting all that together, I believe it's good for our business. | 0:09:56 | 0:10:00 | |
James Timpson is so convinced of the benefits of employing ex-offenders | 0:10:00 | 0:10:04 | |
that he, together with business leaders like Richard Branson, | 0:10:04 | 0:10:08 | |
signed a joint letter to the Financial Times on the subject. | 0:10:08 | 0:10:12 | |
Adam Chaim would agree with every word. | 0:10:22 | 0:10:25 | |
You start off emptying bins and sweeping the floor and build up | 0:10:25 | 0:10:29 | |
to a level... I'm happy with shop manager, or a bit higher than that. | 0:10:29 | 0:10:34 | |
I'll be happy running my own shop. You can go up and up and up. | 0:10:34 | 0:10:37 | |
But all of these benefits to businesses, to society, | 0:10:37 | 0:10:40 | |
and to ex-offenders, will come only if enough offenders learn how to work when they're inside, | 0:10:40 | 0:10:46 | |
which brings us back to Bristol. | 0:10:46 | 0:10:48 | |
I think it's very positive for the prisoners, for business. | 0:10:48 | 0:10:52 | |
I believe the business model that's been developed is very strong. | 0:10:52 | 0:10:57 | |
What I've seen is that each prison differs in what they can offer. | 0:10:57 | 0:11:00 | |
Bristol has been brilliant in showing us | 0:11:00 | 0:11:04 | |
what they give back to prison inmates. | 0:11:04 | 0:11:07 | |
But likewise, it gives them an opportunity to find work | 0:11:07 | 0:11:11 | |
and get a vocational skill which will help them. | 0:11:11 | 0:11:14 | |
I think the day's been a great success, | 0:11:14 | 0:11:16 | |
we've opened people's eyes to the fact the prison service has dramatically changed. | 0:11:16 | 0:11:20 | |
And the prison's marketing efforts have paid off. | 0:11:20 | 0:11:23 | |
Since the open day, two new contracts - one for making tables | 0:11:23 | 0:11:27 | |
and another for recycling - are in discussion. | 0:11:27 | 0:11:30 | |
Mr Clarke will be delighted. | 0:11:30 | 0:11:33 | |
When there's an incident on the road and someone is hurt, | 0:11:36 | 0:11:39 | |
the first job of the police is to make the area safe | 0:11:39 | 0:11:42 | |
and get the traffic moving again. | 0:11:42 | 0:11:43 | |
In some cases, what starts as an accident location | 0:11:43 | 0:11:46 | |
becomes the scene of a crime. | 0:11:46 | 0:11:49 | |
West Midlands Police Collision Investigation Unit | 0:11:50 | 0:11:53 | |
was set up in 2010. If they get called to a car accident, | 0:11:53 | 0:11:57 | |
it means it's so serious that someone is likely to die as a result of it, | 0:11:57 | 0:12:02 | |
or at the very least, someone's life will be changed forever by it. | 0:12:02 | 0:12:06 | |
The CCTV footage you're about to see will make you think twice | 0:12:06 | 0:12:10 | |
before ever breaking the speed limit. | 0:12:10 | 0:12:12 | |
It's shocking but it provided vital evidence for the police. | 0:12:12 | 0:12:17 | |
It shows the precise moment when a woman was hit by a car. | 0:12:17 | 0:12:21 | |
On Christmas Eve, 2010, this 23-year-old woman was walking home | 0:12:22 | 0:12:27 | |
from work. | 0:12:27 | 0:12:29 | |
She was hit by a drunk driver doing nearly 60 miles an hour | 0:12:31 | 0:12:35 | |
on an icy residential street. | 0:12:35 | 0:12:38 | |
She survived the impact but is still receiving treatment for serious head injuries. | 0:12:39 | 0:12:44 | |
This is the story of the investigation | 0:12:46 | 0:12:48 | |
and how modern technology brought the driver to justice. | 0:12:48 | 0:12:52 | |
Graham Harrison from the West Midlands Police Collision Investigation Unit | 0:12:57 | 0:13:01 | |
was in charge of the case. | 0:13:01 | 0:13:03 | |
The road had been closed by our colleagues from the local area. | 0:13:05 | 0:13:09 | |
I could see straight away there was a body lying in the road, | 0:13:09 | 0:13:13 | |
being attended to by a number of paramedics and doctors. | 0:13:13 | 0:13:16 | |
There was a vehicle parked, a silver VW Golf, in the middle of the road, | 0:13:16 | 0:13:21 | |
at a sort of 70-degree angle, which was obviously the collision vehicle | 0:13:21 | 0:13:26 | |
because I could see apparent damage to the front of it. | 0:13:26 | 0:13:28 | |
At this stage, it seemed unlikely the woman would survive. | 0:13:28 | 0:13:32 | |
Graham began gathering evidence for what he believed would become a fatal accident. | 0:13:32 | 0:13:38 | |
We're looking for skid marks, damage to the vehicle itself, road surface, | 0:13:38 | 0:13:44 | |
basically anything we can find, debris that might give you an idea | 0:13:44 | 0:13:47 | |
of where the person had been stood when the vehicle collided with them. | 0:13:47 | 0:13:51 | |
20, 25 years ago, | 0:13:51 | 0:13:53 | |
officers would come down to a scene such as this with tape measures | 0:13:53 | 0:13:57 | |
and they'd do what we call "chain and offset". Measure across the road and along a datum line, | 0:13:57 | 0:14:01 | |
write it all down and go back to the office and like a draughtsman, | 0:14:01 | 0:14:05 | |
then draw a plan to scale. | 0:14:05 | 0:14:08 | |
These days, we have advanced surveying equipment | 0:14:08 | 0:14:11 | |
which allows us to set the gear up, | 0:14:11 | 0:14:13 | |
and then go along and do hundreds of points, | 0:14:13 | 0:14:17 | |
then feed it into a computer and it will provide us with a scale plan | 0:14:17 | 0:14:21 | |
that's accurate to millimetres. | 0:14:21 | 0:14:24 | |
And from the very start, it was clear that CCTV footage | 0:14:24 | 0:14:28 | |
would play a vital role in the investigation. | 0:14:28 | 0:14:30 | |
Back in the 1980s, you were very pleased if you got a VHS video | 0:14:30 | 0:14:34 | |
with a blurry image on it. | 0:14:34 | 0:14:36 | |
These days, with digital imagery recording systems, | 0:14:36 | 0:14:40 | |
one of the first questions we're asking is how many frames there are per second. | 0:14:40 | 0:14:44 | |
You can work things out if you know the timings. | 0:14:44 | 0:14:47 | |
On this occasion, fortunately, everything was being recorded on a digital recorder. | 0:14:47 | 0:14:51 | |
As well as having the footage, one man saw the whole thing. | 0:14:53 | 0:14:57 | |
Patrick Baggott was taking his children to the circus | 0:14:58 | 0:15:02 | |
as a Christmas treat. He was driving carefully | 0:15:02 | 0:15:05 | |
because of the freezing conditions. | 0:15:05 | 0:15:07 | |
It was a real bad cold snap. | 0:15:07 | 0:15:10 | |
My son was sitting there | 0:15:11 | 0:15:12 | |
and the other little fellow was in his seat at the back. | 0:15:12 | 0:15:16 | |
As you can see, the size of the road, | 0:15:16 | 0:15:18 | |
and it was like pure ice. As I drove down here, | 0:15:18 | 0:15:23 | |
I've seen the girl on my left-hand side walking towards me. | 0:15:23 | 0:15:26 | |
Patrick had to swerve to avoid another car | 0:15:26 | 0:15:29 | |
coming in the opposite direction. | 0:15:29 | 0:15:31 | |
This is the point here now where I've had to slide to move over to the side | 0:15:31 | 0:15:35 | |
as he was bombing up there, flying really, basically. | 0:15:35 | 0:15:39 | |
The next few minutes will stay with him forever. | 0:15:39 | 0:15:43 | |
I looked in the mirror. That's when I've seen her flying through the air. | 0:15:43 | 0:15:46 | |
Patrick stopped to see if he could do anything. | 0:15:48 | 0:15:51 | |
Only a few months before, one of his best friends had been knocked down | 0:15:51 | 0:15:55 | |
and killed by a car. | 0:15:55 | 0:15:56 | |
As I got out, I slipped a little bit, | 0:15:56 | 0:15:58 | |
gone running up towards him, told him he was driving...called him a few more choice words, | 0:15:58 | 0:16:04 | |
and then told him he was driving way too fast. | 0:16:04 | 0:16:07 | |
And with that, he started crying. I said, "Is she all right?" | 0:16:07 | 0:16:11 | |
He says, "I think so." | 0:16:11 | 0:16:12 | |
With the CCTV footage, a clear eyewitness account, | 0:16:14 | 0:16:18 | |
and precise measurements from the scene, | 0:16:18 | 0:16:20 | |
Graham could begin to piece together what had happened. | 0:16:20 | 0:16:24 | |
Time now for our second look at Bournville Police Station, | 0:16:31 | 0:16:34 | |
where they're still recording the day's events on the web. | 0:16:34 | 0:16:37 | |
Things are hotting up as they try to sort out a domestic incident that's spilled onto the street. | 0:16:37 | 0:16:42 | |
Ladies, go home and we'll bring him to you. | 0:16:43 | 0:16:47 | |
On a housing estate in Birmingham, there's a real rumpus going on. | 0:16:50 | 0:16:54 | |
The mother and two sisters of the young man attacked by his girlfriend | 0:16:54 | 0:16:58 | |
have turned up and start pitching in. | 0:16:58 | 0:17:00 | |
Joe, Joe, who are they? | 0:17:00 | 0:17:02 | |
What you doing? What you doing? | 0:17:02 | 0:17:05 | |
Joe! Who are they? | 0:17:05 | 0:17:08 | |
James has taken hold of the older sister's arm | 0:17:08 | 0:17:11 | |
to keep her away from her brother. | 0:17:11 | 0:17:12 | |
Joe, stand still, mate, stand still. | 0:17:12 | 0:17:15 | |
The officers are doing their best to keep things calm | 0:17:15 | 0:17:18 | |
but all members of the family have lost their tempers | 0:17:18 | 0:17:21 | |
and the youngest sister has decided to take it out on the police. | 0:17:21 | 0:17:25 | |
-Get the -BLEEP -off. -There's a dirty -BLEEP. | 0:17:25 | 0:17:29 | |
AGGRESSIVE SHOUTING | 0:17:32 | 0:17:34 | |
Meanwhile, the young man has decided to show the police previous wounds | 0:17:34 | 0:17:37 | |
he's allegedly sustained from his clearly rocky relationship. | 0:17:37 | 0:17:42 | |
-Get off her! -Stay there, all of you, stay there. | 0:17:42 | 0:17:45 | |
The young sister is handcuffed and led away. | 0:17:45 | 0:17:49 | |
Her brother has now broken down in tears over his girlfriend. | 0:17:49 | 0:17:52 | |
Of course, that's just his side of the story. | 0:18:02 | 0:18:04 | |
It's escalated from being a domestic-type incident, | 0:18:04 | 0:18:07 | |
both parties have had a few drinks, | 0:18:07 | 0:18:09 | |
even though it's only just gone 11 in the morning. | 0:18:09 | 0:18:12 | |
Obviously, family members are very agitated, | 0:18:12 | 0:18:15 | |
getting involved and making matters ten times worse, so... | 0:18:15 | 0:18:19 | |
The young man has said he doesn't want to go to hospital to be checked over. | 0:18:20 | 0:18:24 | |
For his own safety, he'll be taken to his other sister's house, | 0:18:24 | 0:18:27 | |
well away from the area. | 0:18:27 | 0:18:30 | |
The younger sister is taken off to the police station to be questioned. | 0:18:30 | 0:18:34 | |
Darren keeps the Twitter followers informed of the disturbance. | 0:18:36 | 0:18:41 | |
Superintendent Peter Blackburn is doing his rounds of the station. | 0:18:46 | 0:18:51 | |
Just for today, he'll be sending a record of all his activities to Darren to be tweeted. | 0:18:51 | 0:18:56 | |
I'm just going to the custody block next | 0:18:56 | 0:18:59 | |
to review what prisoners we've got down there, | 0:18:59 | 0:19:03 | |
to see if there's anyone I need to authorise to be in detention longer than 24 hours. | 0:19:03 | 0:19:07 | |
I drop in there to see how things are going. | 0:19:07 | 0:19:09 | |
This will be automatically picked up by Darren over here. | 0:19:09 | 0:19:12 | |
He'll be able to re-tweet that, send it back out to all the followers | 0:19:12 | 0:19:16 | |
for Birmingham South. | 0:19:16 | 0:19:17 | |
Everyone who's arrested on Pete's patch gets brought into custody. | 0:19:27 | 0:19:32 | |
We need to try and establish the truth, basically. | 0:19:32 | 0:19:35 | |
So we have to interview the people, and a lot of the times, | 0:19:35 | 0:19:38 | |
people don't tell us the truth so we try and find evidence to establish whether they're guilty or not. | 0:19:38 | 0:19:43 | |
All the evidence capture is done here, so we do DNA, | 0:19:43 | 0:19:48 | |
if someone's reported or charged, | 0:19:48 | 0:19:50 | |
and we also do photographs and we do fingerprints as well. | 0:19:50 | 0:19:54 | |
What's important to mention is not everybody who comes here is guilty | 0:19:55 | 0:19:59 | |
so we treat everybody fairly and transparently. | 0:19:59 | 0:20:03 | |
Just being checked in is our young woman who went for the police officer in the street. | 0:20:03 | 0:20:09 | |
She's much calmer now. | 0:20:09 | 0:20:10 | |
So she tried pushing past you in order to get to... | 0:20:10 | 0:20:13 | |
Anything being said at the time? | 0:20:15 | 0:20:18 | |
She'll be thoroughly searched before being taken to the cells. | 0:20:19 | 0:20:23 | |
Farham Din is the arresting officer. | 0:20:23 | 0:20:25 | |
She's pushed past me and that was clearly an act of antagonisation. | 0:20:25 | 0:20:31 | |
In an effort to keep her where she was, | 0:20:31 | 0:20:33 | |
at a safe distance from the other officer, | 0:20:33 | 0:20:35 | |
she's then pushed me up against the side wall. | 0:20:35 | 0:20:39 | |
Once that's happened, I've arrested her | 0:20:39 | 0:20:42 | |
on the suspicion of assaulting a constable. | 0:20:42 | 0:20:44 | |
She's then continued to be verbally abusive towards us | 0:20:44 | 0:20:47 | |
and the other officers. A small struggle has taken place, | 0:20:47 | 0:20:50 | |
she's been handcuffed and taken away. | 0:20:50 | 0:20:53 | |
Once it gets physical, you've got no choice but to get hands-on | 0:20:53 | 0:20:56 | |
and make them understand what they've done is wrong. | 0:20:56 | 0:21:00 | |
The day's moving on and the cells are filling up. | 0:21:07 | 0:21:10 | |
The Tweet-a-thon log records everything. | 0:21:10 | 0:21:12 | |
60 years ago, no-one could have imagined this kind of instant communication would be possible. | 0:21:12 | 0:21:18 | |
As darkness falls, another operation swings into action. | 0:21:18 | 0:21:23 | |
We'll be out on the road with them as the Tweet-a-thon continues. | 0:21:23 | 0:21:27 | |
60 years ago, there were only 1,100 female prisoners in the system. | 0:21:32 | 0:21:38 | |
Now, that number has quadrupled. | 0:21:38 | 0:21:39 | |
And the number of women officers working in prisons has grown even faster. | 0:21:39 | 0:21:44 | |
I'd like to introduce you to Lorna and Nikki. | 0:21:44 | 0:21:47 | |
First question, do I address you by your first names, or Ma'am or Miss? | 0:21:47 | 0:21:52 | |
-Lorna's fine for me. -Nikki's fine for me! | 0:21:52 | 0:21:54 | |
Good, I wanted to get it out of the way. Nikki, tell me what it's like | 0:21:54 | 0:21:58 | |
being a female prisoner officer in a male jail. | 0:21:58 | 0:22:02 | |
I think the most important thing, for any individual, | 0:22:02 | 0:22:06 | |
is how they work, it's irrelevant what sex they are, male or female. | 0:22:06 | 0:22:10 | |
It's what skills you bring to the job | 0:22:10 | 0:22:12 | |
and that's the most important thing. You want people from a wide range | 0:22:12 | 0:22:16 | |
of society. We just happen to be two of those people. | 0:22:16 | 0:22:18 | |
Lorna, do you find you get a different reaction to some of the male officers or is that a myth? | 0:22:18 | 0:22:24 | |
No, I'd say it's definitely a myth. I agree with Nikki, it's about | 0:22:24 | 0:22:28 | |
the skills you bring to the job - the attitude, the values | 0:22:28 | 0:22:32 | |
and how you treat people who are in prison. | 0:22:32 | 0:22:34 | |
If you treat people with respect, you'll get respect back. It really is as simple as that. | 0:22:34 | 0:22:38 | |
I'm sure a lot of women who are watching think, | 0:22:38 | 0:22:41 | |
"Wow, it's a scary job, it's quite an intimidating job to do." | 0:22:41 | 0:22:44 | |
Do you feel scared when you walk up and down the wings? | 0:22:44 | 0:22:47 | |
No, absolutely not and it goes back to that previous comment | 0:22:47 | 0:22:50 | |
about treating people with respect. It's about having great relationships | 0:22:50 | 0:22:53 | |
with the staff you work with but also good relationships with prisoners. | 0:22:53 | 0:22:57 | |
People used to say to me, "It must be a really scary job" | 0:22:57 | 0:23:00 | |
but I'd say to them, I feel safer walking down the wing of a prison | 0:23:00 | 0:23:03 | |
than walking down the street at night sometimes. | 0:23:03 | 0:23:05 | |
And Nikki, you'd agree with that? | 0:23:05 | 0:23:07 | |
Yes. I think the difference is, when you're in an establishment, | 0:23:07 | 0:23:11 | |
we know the risks and we manage the risks | 0:23:11 | 0:23:14 | |
so we're far more in control of the environment | 0:23:14 | 0:23:16 | |
which results in it being far safer than the outside community, where you can't control those risks | 0:23:16 | 0:23:20 | |
and you're not even aware of what they are a lot of the time. | 0:23:20 | 0:23:23 | |
Thank you for your time, lovely to meet you. | 0:23:23 | 0:23:26 | |
I might just call you Ma'am and Ma'am, out of respect! | 0:23:26 | 0:23:29 | |
-Please not. -Yes, don't. | 0:23:30 | 0:23:33 | |
Earlier, we saw West Midlands collision investigator | 0:23:36 | 0:23:39 | |
Graham Harrison collecting evidence at the scene | 0:23:39 | 0:23:42 | |
of a serious road accident in Birmingham. | 0:23:42 | 0:23:44 | |
Now he's got to put it all together to find out exactly what happened. | 0:23:44 | 0:23:49 | |
When a young woman was run over by a car and almost killed | 0:23:50 | 0:23:54 | |
on Christmas Eve, 2010, Graham Harrison, | 0:23:54 | 0:23:58 | |
from the West Mids Police Collision Investigation Unit, had the job | 0:23:58 | 0:24:02 | |
of putting together a picture of exactly what had occurred. | 0:24:02 | 0:24:06 | |
As well as an eyewitness account, | 0:24:06 | 0:24:08 | |
he had CCTV footage from four different cameras. | 0:24:08 | 0:24:12 | |
Looking at camera one, you see the pedestrian appear | 0:24:12 | 0:24:16 | |
from the bottom left-hand corner of the screen, | 0:24:16 | 0:24:19 | |
and start to cross the road. | 0:24:19 | 0:24:21 | |
She gets to over three-quarters of the way across | 0:24:21 | 0:24:26 | |
when you see Mr Shanahan's car come into view from the left-hand side | 0:24:26 | 0:24:30 | |
and collide with her. At this point, it's already lost control. | 0:24:30 | 0:24:35 | |
It's going sidewards down the street. | 0:24:35 | 0:24:38 | |
Looking at camera number five, | 0:24:38 | 0:24:39 | |
you can see she gets flung down the road surface towards us. | 0:24:39 | 0:24:44 | |
As you click through, you actually see she slides down the road, | 0:24:44 | 0:24:49 | |
and actually out of camera shot, she slides so far. | 0:24:49 | 0:24:54 | |
This all happens in less than ten seconds. | 0:24:54 | 0:24:57 | |
Graham can click through the recording frame by frame to find | 0:24:57 | 0:25:01 | |
the precise point of impact. | 0:25:01 | 0:25:03 | |
You can actually see the car touching the pedestrian's leg. | 0:25:03 | 0:25:07 | |
So from this, we can pinpoint the exact point of the collision. | 0:25:07 | 0:25:12 | |
You can then work out how fast the car was travelling when it hit the pedestrian. | 0:25:12 | 0:25:15 | |
Four clear skid marks at the site of the crash provided more evidence. | 0:25:17 | 0:25:21 | |
We can measure those, using surveying equipment | 0:25:21 | 0:25:24 | |
and a prism. And then later on, we can take those measurements, | 0:25:24 | 0:25:28 | |
apply equations of motion to them and they will tell us how fast | 0:25:28 | 0:25:33 | |
the vehicle was travelling at the start of those skid marks. | 0:25:33 | 0:25:37 | |
It was down to old-fashioned maths to work out the speed the car was travelling when it hit the woman. | 0:25:37 | 0:25:43 | |
The figures were checked and double-checked | 0:25:43 | 0:25:45 | |
by the collision team. There was no doubt | 0:25:45 | 0:25:47 | |
that the driver was way over the speed limit. | 0:25:47 | 0:25:51 | |
We can prove at the start of the skid marks | 0:25:51 | 0:25:54 | |
that he was doing not less than 57 miles an hour. | 0:25:54 | 0:25:56 | |
He's then skidded, lost a bit of speed and actually collided | 0:25:56 | 0:26:00 | |
at about 40 miles an hour. | 0:26:00 | 0:26:02 | |
As well as the tyre marks, the position of every piece of debris is recorded. | 0:26:03 | 0:26:09 | |
From this data collected at the crash site, | 0:26:09 | 0:26:11 | |
computer software can recreate a detailed picture of the incident. | 0:26:11 | 0:26:16 | |
So you've got the skid marks, | 0:26:17 | 0:26:19 | |
and the computer tells it to put it in as skid marks, | 0:26:19 | 0:26:22 | |
all the various cars, showing which direction they were facing, | 0:26:22 | 0:26:25 | |
the debris field, and you can highlight the different types of debris there were with colours. | 0:26:25 | 0:26:31 | |
And the red mark at the end which shows where she came to rest. | 0:26:31 | 0:26:37 | |
And this can then produce an animated version of the crash. | 0:26:38 | 0:26:41 | |
You can look at it from any angle you wish. | 0:26:41 | 0:26:44 | |
So, as you can see, the skid marks are already laid down on the road, | 0:26:44 | 0:26:50 | |
to give an idea of what's going to happen. | 0:26:50 | 0:26:52 | |
She starts to cross the road, | 0:26:52 | 0:26:55 | |
the vehicle comes into sight, | 0:26:55 | 0:26:58 | |
and follows the skid marks exactly, | 0:26:58 | 0:27:01 | |
and the blood spot shows where she ended up. | 0:27:01 | 0:27:04 | |
With all the evidence gathered and processed, | 0:27:08 | 0:27:10 | |
Laurence Shanahan appeared in court to face charges of dangerous driving. | 0:27:10 | 0:27:16 | |
On top of the speeding, he also had well over the limit of alcohol | 0:27:16 | 0:27:20 | |
in his blood. | 0:27:20 | 0:27:22 | |
Had the woman died, the driver could have served up to 14 years | 0:27:22 | 0:27:26 | |
in prison. | 0:27:26 | 0:27:28 | |
Under current legislation, the maximum is dangerous driving which is two years. | 0:27:28 | 0:27:32 | |
He received a 16-month prison sentence and a four-year driving ban. | 0:27:32 | 0:27:37 | |
The young woman is recovering but will still have to undergo | 0:27:39 | 0:27:42 | |
months of surgery. | 0:27:42 | 0:27:44 | |
If he'd been doing 20 miles an hour, he wouldn't have even hit her. | 0:27:44 | 0:27:47 | |
When you're driving a car, it's a lethal weapon, half a tonne of metal. | 0:27:47 | 0:27:52 | |
You've got to concentrate on the job in hand, | 0:27:52 | 0:27:54 | |
you've got to be aware of what you're doing and what others are doing, | 0:27:54 | 0:27:57 | |
not thinking about what you'll do at the end of the journey, you've got to keep your mind on the job. | 0:27:57 | 0:28:02 | |
Here in the control room at Birmingham Central Police Station, | 0:28:05 | 0:28:08 | |
they don't just deal with CCTV, | 0:28:08 | 0:28:10 | |
they take non-emergency calls from the public. | 0:28:10 | 0:28:12 | |
The man who knows all about it is Inspector Andy Bridgewater. | 0:28:12 | 0:28:15 | |
Tell us a little, you've got a new service, haven't you? 101. | 0:28:15 | 0:28:18 | |
-What is it? -101 is hopefully a memorable number | 0:28:18 | 0:28:21 | |
that people can use as an alternative to 999 if it's not an emergency. | 0:28:21 | 0:28:26 | |
What kind of things | 0:28:26 | 0:28:27 | |
should they call 999 for and then, what's the difference? | 0:28:27 | 0:28:30 | |
If there's a crime in action, if you're witnessing a crime unfold, | 0:28:30 | 0:28:33 | |
you're a witness to something happening there and then, | 0:28:33 | 0:28:36 | |
that's an emergency, they should phone 999. | 0:28:36 | 0:28:39 | |
-And 101? -101 is if there's an ongoing issue | 0:28:39 | 0:28:43 | |
or a crime that's already happened that you need to report, | 0:28:43 | 0:28:46 | |
then we can tailor the best police response to that | 0:28:46 | 0:28:48 | |
-and it might not be an immediate one. -I know you get time-wasting calls, | 0:28:48 | 0:28:53 | |
what sort of examples have you had here? | 0:28:53 | 0:28:55 | |
Er, a recent one was a gentleman phoned to say | 0:28:55 | 0:28:58 | |
his brother hadn't invited him to a wedding. He abused the 999 system | 0:28:58 | 0:29:02 | |
-by calling us for that. -He called 999 because he hadn't been invited to his brother's wedding? -Yeah! | 0:29:02 | 0:29:07 | |
-That's not the end of it, is it? -No, it's not. | 0:29:07 | 0:29:09 | |
Very common calls are people contacting us on 999 | 0:29:09 | 0:29:12 | |
to say they've run out of credit on their phone! | 0:29:12 | 0:29:15 | |
Clearly, that clogs up the emergency network | 0:29:15 | 0:29:18 | |
and stops real emergencies getting through and will hamper our response. | 0:29:18 | 0:29:22 | |
The other thing you've noticed is there's a generational issue. | 0:29:22 | 0:29:25 | |
-Perhaps the older generation don't even call for emergencies, is that right? -Yeah. | 0:29:25 | 0:29:29 | |
There certainly are people who don't want to bother us with stuff. | 0:29:29 | 0:29:33 | |
Clearly, if your house is getting broken into, | 0:29:33 | 0:29:35 | |
-that's the kind of thing the police should be responding to immediately. -Quite right. Thank you. | 0:29:35 | 0:29:40 | |
Over the past 40 minutes or so, | 0:29:43 | 0:29:46 | |
we've been watching the work of one police station in Birmingham | 0:29:46 | 0:29:49 | |
as they mount a 24-hour Tweet-a-thon | 0:29:49 | 0:29:51 | |
on the social network site Twitter. | 0:29:51 | 0:29:53 | |
Darkness is falling and it's moving into its closing stages. | 0:29:53 | 0:29:56 | |
There's still plenty to tell their thousands of followers. | 0:29:56 | 0:30:00 | |
It's just another night at Bournville Police Station. | 0:30:07 | 0:30:10 | |
Officers are going about their duties. | 0:30:10 | 0:30:12 | |
However, tonight, everything they do is being tweeted | 0:30:12 | 0:30:16 | |
on the West Mids Police website. | 0:30:16 | 0:30:18 | |
It's the most up-to-date way for the police to keep in touch with the public. | 0:30:18 | 0:30:22 | |
I know from my own 15-year-old daughter, it's a part of daily life, | 0:30:22 | 0:30:26 | |
particularly for younger people. | 0:30:26 | 0:30:28 | |
If their phone breaks or doesn't work, or they drop it, | 0:30:28 | 0:30:30 | |
it's like part of their life, part of their body's been cut off! | 0:30:30 | 0:30:34 | |
We're here to police the community and represent them, protect them. | 0:30:34 | 0:30:38 | |
If we don't move with the times and communicate in a way | 0:30:38 | 0:30:41 | |
that the community are communicating, we'll get left behind. | 0:30:41 | 0:30:44 | |
An operation has been set up on one of the main roads out of Birmingham. | 0:30:54 | 0:30:58 | |
It's all part of their drink-drive campaign. | 0:30:58 | 0:31:01 | |
We're working with force traffic, they're out in the road stopping the vehicles for us. | 0:31:02 | 0:31:07 | |
They're picking half a dozen vehicles randomly | 0:31:07 | 0:31:09 | |
and directing them onto the forecourt here | 0:31:09 | 0:31:12 | |
where officers are speaking to the drivers and making them aware of what we're doing. | 0:31:12 | 0:31:16 | |
We're also looking at doing voluntary breath tests with people, | 0:31:18 | 0:31:21 | |
whether it be a passenger or the driver. | 0:31:21 | 0:31:24 | |
If they've had a drink, they may want to know what their limits are. | 0:31:24 | 0:31:27 | |
It's an opportunity for them to go through the procedure voluntarily. | 0:31:27 | 0:31:31 | |
I'll tell you when to stop, OK? | 0:31:31 | 0:31:33 | |
As they check this car, they get a strong smell of cannabis coming from it. | 0:31:37 | 0:31:42 | |
It's enough to warrant a search of both driver and passenger. | 0:31:42 | 0:31:47 | |
It seems history may repeat itself as the police have found two bags | 0:31:54 | 0:31:57 | |
of marijuana. But that's not all. | 0:31:57 | 0:32:00 | |
We recovered a small amount of herbal cannabis from the car. | 0:32:00 | 0:32:04 | |
And the passenger's got a lock knife on him as well, | 0:32:04 | 0:32:08 | |
which is an offensive weapon. | 0:32:08 | 0:32:11 | |
There are more offensive weapons in the back of the car. | 0:32:13 | 0:32:16 | |
Keith Bennett and drugs dog H have been called in. | 0:32:16 | 0:32:20 | |
We use this type of dog because they're so agile | 0:32:20 | 0:32:24 | |
and they're the right size to use in vehicles. | 0:32:24 | 0:32:27 | |
You can see he's extremely enthusiastic, energetic | 0:32:27 | 0:32:30 | |
and he can get into the smallest of areas. | 0:32:30 | 0:32:33 | |
H makes short work of the small car. | 0:32:40 | 0:32:44 | |
I'm happy with that. | 0:32:44 | 0:32:45 | |
An officer's done a physical, we've put the dog in, | 0:32:45 | 0:32:48 | |
we're happy the car's now clear and there's no further drugs inside. | 0:32:48 | 0:32:53 | |
The driver and passenger are arrested and taken to the station. | 0:32:53 | 0:32:56 | |
It's all added to the Twitter log. | 0:32:56 | 0:32:59 | |
The operation continues. This man tested clear | 0:32:59 | 0:33:03 | |
but it was extremely close. | 0:33:03 | 0:33:06 | |
I'm interested from the point of view of having had a beer at lunchtime | 0:33:06 | 0:33:09 | |
that you can come out and I've still got something in the system, | 0:33:09 | 0:33:13 | |
which...I wouldn't have given it a thought. | 0:33:13 | 0:33:15 | |
I mean, I wouldn't have had a beer after work and come out | 0:33:15 | 0:33:18 | |
under any circumstance this time of the year, so very, very surprising. | 0:33:18 | 0:33:23 | |
The legal limit is 35 micrograms of alcohol. | 0:33:23 | 0:33:26 | |
Anyone over that will be taken back to the station. | 0:33:26 | 0:33:29 | |
This man has blown way over the limit. | 0:33:29 | 0:33:32 | |
Come over to the van. | 0:33:32 | 0:33:34 | |
The guy says he's had alcohol the last two hours, | 0:33:39 | 0:33:43 | |
he smelt of alcohol and has provided a positive breath test. | 0:33:43 | 0:33:46 | |
At the roadside, he's blown a reading of 52. | 0:33:46 | 0:33:48 | |
Legal limit is 35 so anything over 35, we can arrest them and take them back to the police station. | 0:33:48 | 0:33:54 | |
At the police station, if they blow over 40, | 0:33:54 | 0:33:57 | |
they'll be offered a blood test or a blood option. | 0:33:57 | 0:33:59 | |
If they blow between 40 and 50, that is. | 0:33:59 | 0:34:01 | |
Anything over 50, it's a charge and go to court in a week or so. | 0:34:01 | 0:34:06 | |
By the end of the night, the operation has had good results. | 0:34:06 | 0:34:11 | |
A very successful day. We've had just under 200 cars stopped today. | 0:34:11 | 0:34:15 | |
We've had four prisoners in - two for drink-drive | 0:34:15 | 0:34:19 | |
and we've had two in for offensive weapons and drugs as well. | 0:34:19 | 0:34:22 | |
The public appear happy too with the crackdown. | 0:34:22 | 0:34:26 | |
It's a very good campaign | 0:34:26 | 0:34:28 | |
where we can find out the people who don't know what are the penance of drinking and driving. | 0:34:28 | 0:34:33 | |
I'm a GP myself so I would definitely encourage it. | 0:34:33 | 0:34:36 | |
It's nice and high-profile so people can see what's going on. | 0:34:36 | 0:34:40 | |
It makes people stop and think. | 0:34:40 | 0:34:41 | |
A very good idea, yes. | 0:34:41 | 0:34:43 | |
You shouldn't drink and drive, should you! | 0:34:43 | 0:34:46 | |
The 24 hours are up. Thanks to the Tweet-a-thon, there's a complete record | 0:34:50 | 0:34:54 | |
of everything that has gone through Bournville Police Station. | 0:34:54 | 0:34:58 | |
270 calls for help, 24 arrests, 200 tweets. | 0:34:58 | 0:35:03 | |
The number of police Twitter followers has also gone up to 4,000. | 0:35:03 | 0:35:08 | |
It's a busy place, it doesn't stop, it runs 24 hours a day | 0:35:08 | 0:35:11 | |
and we've got police officers coming in and out of here continually, | 0:35:11 | 0:35:15 | |
all doing different sorts of roles but the one thing in common with all of them is to make a difference | 0:35:15 | 0:35:20 | |
and to protect the community and work with them. | 0:35:20 | 0:35:23 | |
These fantastic-looking cars were on parade in 1954 for an inspection | 0:35:31 | 0:35:36 | |
by the newly crowned Queen Elizabeth II. | 0:35:36 | 0:35:39 | |
And amazingly, this magnificent beast is still on the road. | 0:35:39 | 0:35:43 | |
BELL RINGS | 0:35:43 | 0:35:45 | |
What a fantastic car, what a fantastic noise! Thank you! | 0:35:46 | 0:35:49 | |
This was one of the original police cars, it's a Wolseley. | 0:35:49 | 0:35:53 | |
Steve knows lots about these kind of cars. | 0:35:53 | 0:35:55 | |
Tell me, what were its defining features? | 0:35:55 | 0:36:00 | |
Obviously the big illuminated Wolseley badge on the grille, | 0:36:00 | 0:36:03 | |
-which terrified the public. -Did it? | 0:36:03 | 0:36:05 | |
They'd drive up behind them and they'd be really worried? | 0:36:05 | 0:36:08 | |
Yes, if you saw one of those in your rear-view mirror, | 0:36:08 | 0:36:11 | |
-you'd know you were being followed by the police. -When were these used? | 0:36:11 | 0:36:14 | |
-From 1953 to about 1958, '59, around then. -A beautiful car. | 0:36:14 | 0:36:19 | |
Were they fast or not? | 0:36:19 | 0:36:22 | |
We wouldn't think so today but then, '53, about 80 miles an hour. | 0:36:22 | 0:36:26 | |
-They eventually had to be replaced because of the speed issues? -Yes. | 0:36:26 | 0:36:30 | |
To something which I prefer even more than that. | 0:36:30 | 0:36:32 | |
-This is a beautiful car, a Daimler Dart. -Yes. | 0:36:32 | 0:36:36 | |
Why did these come into service? | 0:36:36 | 0:36:37 | |
The Met Police in particular had a problem with a group called Cafe Racers | 0:36:37 | 0:36:43 | |
which were basically rockers who'd soup up their motorbikes | 0:36:43 | 0:36:48 | |
and they'd race from the local cafe, the Ace Cafe in North London in particular, | 0:36:48 | 0:36:52 | |
around a series of roundabouts, and get back to the cafe. | 0:36:52 | 0:36:57 | |
They'd put a piece of music on the jukebox... | 0:36:57 | 0:37:00 | |
They had to get back to the cafe before the record finished. | 0:37:00 | 0:37:04 | |
This, how fast did it go? | 0:37:04 | 0:37:05 | |
-120 miles an hour. -Gosh. | 0:37:05 | 0:37:07 | |
You'd never imagine a police officer driving this kind of car now | 0:37:07 | 0:37:11 | |
because, for a start, it's convertible! | 0:37:11 | 0:37:14 | |
Yes, and they had to drive them with the hood down. | 0:37:14 | 0:37:18 | |
And then this came into being, didn't it? | 0:37:18 | 0:37:21 | |
-Yes, the panda car. -The panda car, look at it! -The original panda. | 0:37:21 | 0:37:24 | |
Sky blue. Why did we call them pandas if they were sky blue? | 0:37:24 | 0:37:27 | |
When these were first introduced in 1965, | 0:37:27 | 0:37:30 | |
all the photos in the papers were in black and white. | 0:37:30 | 0:37:33 | |
A journalist coined the expression they looked like pandas. | 0:37:33 | 0:37:36 | |
And it stuck ever since. | 0:37:36 | 0:37:38 | |
Walk us through it. I mean, it's tiny for starters. | 0:37:38 | 0:37:42 | |
We had one when I was growing up, with three kids in the back. | 0:37:42 | 0:37:45 | |
-How do you put criminals in the back of this? -Well, we did. | 0:37:45 | 0:37:49 | |
Minis were the first pandas I ever drove. | 0:37:49 | 0:37:52 | |
And we used to put prisoners in the back. | 0:37:52 | 0:37:54 | |
Let's have a listen to the siren on this one as well. | 0:37:54 | 0:37:57 | |
Slightly different, with the two tones. | 0:37:57 | 0:37:59 | |
TWO-TONE SIREN BLARES | 0:37:59 | 0:38:02 | |
That's straight out of a film, isn't it? | 0:38:04 | 0:38:06 | |
So those obviously had their particular purpose. | 0:38:06 | 0:38:09 | |
-And then we got quite a different looking car, didn't we? -Yes. | 0:38:09 | 0:38:13 | |
This is a Jaguar XJ6, from 1983, '84. | 0:38:13 | 0:38:18 | |
This was one of the standard motorway patrol cars for the whole of the UK. | 0:38:18 | 0:38:22 | |
We had the panda, we know why that was named. | 0:38:22 | 0:38:25 | |
This was called "a jam sandwich". | 0:38:25 | 0:38:27 | |
Yes, for obvious reasons, you don't need to explain it, do you? | 0:38:27 | 0:38:31 | |
But it was a sort of standard livery for most UK forces, | 0:38:31 | 0:38:34 | |
-up to the mid-1990s. -Presumably a nice car to drive. | 0:38:34 | 0:38:36 | |
-Was it reliable? -It wasn't the most reliable car on the road. | 0:38:36 | 0:38:41 | |
When it was going... | 0:38:41 | 0:38:43 | |
SIREN WAILS | 0:38:43 | 0:38:44 | |
-..it was lovely to drive. -They are more reliable now? -Certainly are. | 0:38:44 | 0:38:47 | |
Here comes the modern version. Ooh! | 0:38:47 | 0:38:51 | |
Thank you very much, Steve. | 0:38:51 | 0:38:53 | |
-So, yes, straight into 2012. Hi, Neil, thank you very much. -Hi. | 0:38:53 | 0:38:57 | |
Ooh, that's very loud. | 0:38:57 | 0:38:59 | |
I'll let you get out, shall I? | 0:38:59 | 0:39:02 | |
-Nice piece of kit? -Thank you. -Yeah? Nice piece of kit? | 0:39:02 | 0:39:05 | |
It is, definitely. | 0:39:05 | 0:39:06 | |
Talk us through it. It's a Jaguar, it's very fast, isn't it? | 0:39:06 | 0:39:09 | |
It is, yes. Jaguar XF 3-litre, about 150, 160 miles an hour. | 0:39:09 | 0:39:12 | |
150 miles an hour. How does it feel, driving at that speed? | 0:39:12 | 0:39:17 | |
It's comfy. We've all done courses to be able to drive at that speed. | 0:39:17 | 0:39:20 | |
Of course, nobody's allowed to do that. | 0:39:20 | 0:39:22 | |
Tell us about other things, we've got cameras, all sorts of kit on it. | 0:39:22 | 0:39:27 | |
It's fitted with automatic number-plate recognition that reads all the vehicles that pass us. | 0:39:27 | 0:39:33 | |
OK, so there's a camera there. | 0:39:33 | 0:39:35 | |
And from there, the shots go into your computer. | 0:39:35 | 0:39:38 | |
Correct, they come up on the computer screen and give us the information on vehicles that pass us | 0:39:38 | 0:39:43 | |
and tell us if they're required, | 0:39:43 | 0:39:45 | |
no insurance or criminals using them on a regular basis. | 0:39:45 | 0:39:47 | |
-What's your favourite bit about the car? -It's nice, comfy and quiet! | 0:39:47 | 0:39:51 | |
-Would you like one of those though? -They do look nice! -Thanks very much. | 0:39:51 | 0:39:55 | |
Can we have the sirens on and everything? | 0:39:55 | 0:39:58 | |
SIREN WAILS | 0:39:59 | 0:40:01 | |
Subtitles by Red Bee Media Ltd | 0:40:14 | 0:40:17 |