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This is The Real Hustle... best-ever cons. | 0:00:06 | 0:00:11 | |
Since 2006, Jess, Alex and Paul | 0:00:13 | 0:00:18 | |
have travelled the world, from the streets of the UK | 0:00:18 | 0:00:21 | |
to the beaches of Ibiza and the bright lights of Las Vegas. | 0:00:21 | 0:00:27 | |
The team have exposed over 280 scams, and shown the extremes | 0:00:27 | 0:00:32 | |
to which conmen will go to get what they're after. | 0:00:32 | 0:00:35 | |
-Stop there, police. -What? | 0:00:36 | 0:00:39 | |
On tonight's show, we'll reveal the top ten best-ever cons as voted for by you on the Real Hustle website. | 0:00:39 | 0:00:46 | |
Have your favourites made it? Keep watching to find out. | 0:00:46 | 0:00:51 | |
In at 10... | 0:01:28 | 0:01:30 | |
So I wanna know whose idea was it for us | 0:01:31 | 0:01:35 | |
to do one of the most complicated pickpocketing sequences we've ever done in the middle of London. | 0:01:35 | 0:01:40 | |
-It was our idea. -Yeah, it was ours. | 0:01:40 | 0:01:43 | |
The thing that makes it really difficult | 0:01:43 | 0:01:46 | |
is we have to make sure that the cameras can see us when we actually hit the marks. | 0:01:46 | 0:01:50 | |
So we're gonna pick our marks' pockets | 0:01:50 | 0:01:52 | |
and along come the Hare Krishnas, Japanese tourists, buses. | 0:01:52 | 0:01:55 | |
Eventually, we manage to get it right. | 0:01:55 | 0:01:58 | |
This is the three-way pickpocket. | 0:01:58 | 0:02:01 | |
London's Piccadilly Circus is always crowded and with crowds come plenty of wallets, | 0:02:02 | 0:02:07 | |
purses, music players, phones and cameras, all designed to fit easily into pockets and bags. | 0:02:07 | 0:02:13 | |
But for the hustlers, they're just as easily taken out again. | 0:02:13 | 0:02:18 | |
This is their most intricate pickpocket scam yet. The three-way lift. | 0:02:18 | 0:02:23 | |
Our hustlers are in position either side of a busy crossing. | 0:02:25 | 0:02:30 | |
Jess and Alex are stationed on the left of the junction. | 0:02:30 | 0:02:33 | |
Paul is operating alone on the right. | 0:02:33 | 0:02:36 | |
And when the lights go green, they all cross with the rest of the pedestrians. | 0:02:36 | 0:02:41 | |
Watch carefully. | 0:02:41 | 0:02:43 | |
And in less than 30 seconds, they're up by £800 in wallets and phones. | 0:02:45 | 0:02:51 | |
No-one saw them do it, but you can. | 0:02:51 | 0:02:53 | |
Remember that Jess and Alex are positioned together on the left. | 0:02:57 | 0:03:01 | |
The girl with the dark hair in front of them is the target. | 0:03:01 | 0:03:05 | |
While Jess acts as a human shield to prevent anyone nearby seeing, | 0:03:05 | 0:03:09 | |
Alex makes swift work of stealing this woman's phone. | 0:03:09 | 0:03:14 | |
So far, they've got a phone worth £150. | 0:03:14 | 0:03:17 | |
Not bad, but there's a lot more going on here. | 0:03:17 | 0:03:20 | |
Let's rewind back to the start. | 0:03:20 | 0:03:22 | |
Jess is also working with Paul, who's on the other side. | 0:03:24 | 0:03:27 | |
Paul has identified his mark, the girl to his left. | 0:03:31 | 0:03:35 | |
He's after the contents of her pocket. | 0:03:35 | 0:03:38 | |
Another phone. | 0:03:41 | 0:03:43 | |
For the moment she's unaware, but Paul still has to get rid | 0:03:44 | 0:03:47 | |
of the stolen property quickly and that's where Jess comes in. | 0:03:47 | 0:03:51 | |
As they cross, he deftly hands the goods to his accomplice. | 0:03:51 | 0:03:54 | |
The stolen phone joins Alex's in Jess' bag and she melts into the crowd before anything's been missed. | 0:03:54 | 0:04:01 | |
So far, they've lifted belongings worth £270. | 0:04:01 | 0:04:06 | |
But there was also one more, much bigger steal going on. | 0:04:06 | 0:04:09 | |
Let's rewind for the third and final lift. | 0:04:09 | 0:04:12 | |
Back in first positions. | 0:04:12 | 0:04:14 | |
Alex identifies the third victim, the man wearing the lilac shirt stood to Paul's right. | 0:04:14 | 0:04:22 | |
As Paul puts a mobile phone into Jess' bag, Alex is unusually clumsy. | 0:04:22 | 0:04:27 | |
I'm so sorry. Are you all right? | 0:04:27 | 0:04:28 | |
As he bangs into the mark, Alex dips the man's wallet from his jacket, | 0:04:28 | 0:04:34 | |
immediately passes it off to Paul and the three-way lift is complete. | 0:04:34 | 0:04:39 | |
So that's two mobile phones and a wallet full of cash and credit cards | 0:04:39 | 0:04:44 | |
in one beautifully-choreographed steal. | 0:04:44 | 0:04:47 | |
-My phone's missing. -There's nothing there. I used to have a wallet in there. | 0:04:50 | 0:04:54 | |
Money, some credit cards, driver's licence. | 0:04:54 | 0:04:57 | |
He came directly at me, bumped straight into me... | 0:04:57 | 0:05:00 | |
Oh, I'm so sorry, are you all right? | 0:05:00 | 0:05:02 | |
It was only after I'd crossed the road I thought | 0:05:02 | 0:05:04 | |
there's something wrong here, I've lost my wallet. | 0:05:04 | 0:05:07 | |
At nine... | 0:05:14 | 0:05:15 | |
I'll never forget this scam, | 0:05:17 | 0:05:20 | |
cos I got to drive one of my favourite cars, the Porsche GT3, | 0:05:20 | 0:05:23 | |
and I remember being told when you get in it, | 0:05:23 | 0:05:26 | |
drive somewhere round the corner, park it, just be safe. | 0:05:26 | 0:05:29 | |
As I was driving, I looked down, | 0:05:29 | 0:05:31 | |
and there was this big, shiny red button. I thought, I wonder what that does? | 0:05:31 | 0:05:34 | |
I was tempted but I didn't press it and when we're talking to the guy afterwards, he said, | 0:05:34 | 0:05:39 | |
"That was a nitro button. Had you pressed that, the whole of Vegas would have heard you | 0:05:39 | 0:05:43 | |
"and you would have probably died by crashing somewhere." | 0:05:43 | 0:05:46 | |
And naturally, mine didn't go to plan at all, but... we always try and figure a way out. | 0:05:46 | 0:05:51 | |
This is the valet distraction. | 0:05:51 | 0:05:54 | |
Valet parking is becoming more common all over the world. | 0:05:57 | 0:06:00 | |
Instead of parking yourself, you hand your keys to a valet and get a ticket. | 0:06:00 | 0:06:05 | |
The valet parks your car for you and returns it when you need it. | 0:06:05 | 0:06:09 | |
The hustlers have targeted this restaurant because it has a large car park, | 0:06:09 | 0:06:14 | |
meaning that the valets can leave their posts for as long as five minutes to park a car. | 0:06:14 | 0:06:19 | |
Alex and Paul arrive in these old bangers, but if all goes to plan, | 0:06:22 | 0:06:26 | |
they'll soon be swapping them for something a little more bling. | 0:06:26 | 0:06:29 | |
Good evening. | 0:06:40 | 0:06:41 | |
Thank you very much. | 0:06:43 | 0:06:44 | |
Not bad. | 0:06:49 | 0:06:50 | |
Take care of that. She's a classic. | 0:06:53 | 0:06:56 | |
Their cars are parked, but there's a problem. | 0:06:58 | 0:07:02 | |
The post is still manned and the other valets will be back in about four minutes. | 0:07:02 | 0:07:07 | |
Here's Jess - problem solved. | 0:07:10 | 0:07:13 | |
Excuse me. Sorry to bother you. | 0:07:18 | 0:07:20 | |
I just wondered if you could help me, please. My key doesn't work. | 0:07:20 | 0:07:24 | |
Do you think you just come and have a little look for me? | 0:07:24 | 0:07:27 | |
I can't get home. | 0:07:27 | 0:07:29 | |
It's just up here. | 0:07:29 | 0:07:32 | |
I'm pressing it like that... | 0:07:32 | 0:07:33 | |
With the post unmanned, a couple of new valets step into cover. | 0:07:33 | 0:07:38 | |
-Tuck yourself in. -Yeah. -You're a disgrace to the valet profession. | 0:07:38 | 0:07:42 | |
Do you think so? | 0:07:42 | 0:07:44 | |
It's just the silver one just here, just parked here. | 0:07:44 | 0:07:47 | |
With their blazers and badges on, the boys look the real deal. | 0:07:49 | 0:07:54 | |
Jess is deliberately using the wrong key fob to buy Alex and Paul some time. | 0:07:56 | 0:08:01 | |
Is it the way you point it, maybe? | 0:08:01 | 0:08:04 | |
If Alex and Paul are going to get their new cars, | 0:08:05 | 0:08:07 | |
then it's got to happen before the real valets return. They're in luck. | 0:08:07 | 0:08:13 | |
How you doing? Go ahead and self park, sir. Go ahead and self park. Thank you. | 0:08:16 | 0:08:20 | |
Paul doesn't think the people carrier is up to scratch. | 0:08:20 | 0:08:23 | |
Oh! | 0:08:23 | 0:08:25 | |
I really wanna get in. I'm cold. | 0:08:25 | 0:08:27 | |
Two more minutes. | 0:08:27 | 0:08:29 | |
If no-one comes, we're gonna have to call it off. | 0:08:29 | 0:08:32 | |
Maybe this will suit them better - a Porsche. | 0:08:36 | 0:08:41 | |
Hi. | 0:08:44 | 0:08:46 | |
Good evening. | 0:08:48 | 0:08:50 | |
Alex hands her a ticket. | 0:08:51 | 0:08:53 | |
And he's off. | 0:08:58 | 0:09:00 | |
Thanks to a blazer and badge combination, he's landed himself a £95,000 motor. | 0:09:00 | 0:09:07 | |
Unless another car comes soon, Paul's going to be driving home in his old Mercury Tracer. | 0:09:13 | 0:09:19 | |
This is more like it - a top of the range Cadillac Escalade. | 0:09:19 | 0:09:26 | |
Disaster - he's self-parking. | 0:09:27 | 0:09:30 | |
Paul is forced to think on his feet and approaches the driver. | 0:09:30 | 0:09:35 | |
Hey, sir, how are you? | 0:09:40 | 0:09:42 | |
We do have a private party in tonight, but with a car like this, | 0:09:42 | 0:09:45 | |
I can put it right up front. How does that sound? | 0:09:45 | 0:09:49 | |
You want to drive it, we'll hold the keys for you. It's OK. | 0:09:50 | 0:09:54 | |
If Paul can get the keys, he's home and dry. | 0:09:54 | 0:09:57 | |
He directs him to the safest spot. | 0:10:03 | 0:10:07 | |
Jess can't keep the valet for much longer, so Paul needs to get a move on. | 0:10:12 | 0:10:17 | |
Perfect. | 0:10:18 | 0:10:20 | |
I'll look after those. | 0:10:20 | 0:10:22 | |
Don't worry about it, it's perfectly safe there. | 0:10:22 | 0:10:25 | |
With the car keys in Paul's possession, it's about to be stolen for the third time. | 0:10:25 | 0:10:29 | |
All Paul has to do is wait until he's inside the restaurant. | 0:10:29 | 0:10:34 | |
As Paul flees in his brand-new Cadillac that's worth over £50,000, | 0:10:44 | 0:10:48 | |
Jess uses the genuine key fob in her pocket to open her car. | 0:10:48 | 0:10:52 | |
Oh! What did you do? | 0:10:52 | 0:10:54 | |
And then leaves to meet up with Alex and Paul. | 0:10:54 | 0:10:58 | |
The valet returns to his post after playing the Good Samaritan, | 0:10:59 | 0:11:04 | |
unaware that two top of the range cars have been stolen whilst his back was turned. | 0:11:04 | 0:11:09 | |
Things are about to get worse for the valets. | 0:11:50 | 0:11:53 | |
Here's the Porsche owner. | 0:11:53 | 0:11:56 | |
The valet brings over the car that matches his ticket. | 0:12:05 | 0:12:09 | |
But it's no Porsche, it's Alex's old banger. | 0:12:09 | 0:12:14 | |
That's because Alex gave them the valet ticket for his old Honda. | 0:12:14 | 0:12:18 | |
Enjoy your evening. | 0:12:18 | 0:12:20 | |
What was supposed to be a romantic meal out for these couples | 0:12:56 | 0:13:01 | |
has turned into an eye-wateringly expensive evening. | 0:13:01 | 0:13:05 | |
The truck was parked here because he likes to keep it close where he can see it. | 0:13:05 | 0:13:08 | |
So needless to say, when we came out, he was looking for his truck | 0:13:08 | 0:13:12 | |
which is not in immediate eyesight... Which could happen, it could have been moved. | 0:13:12 | 0:13:16 | |
He enquires with these gentlemen here, a new shift of valet guys. | 0:13:16 | 0:13:22 | |
So we're waiting for the police. | 0:13:22 | 0:13:25 | |
Someone jacked it or something's going on. | 0:13:25 | 0:13:27 | |
I don't know. | 0:13:27 | 0:13:30 | |
You guys found my car? | 0:13:30 | 0:13:31 | |
Going crazy. | 0:13:36 | 0:13:38 | |
At eight... | 0:13:43 | 0:13:47 | |
You know, I get asked about this scam a lot | 0:13:47 | 0:13:49 | |
and what everybody wants to know is did Jess slap me as hard as it looked? | 0:13:49 | 0:13:53 | |
-And...you did, didn't you? -I did, | 0:13:53 | 0:13:56 | |
and I quite enjoyed it. | 0:13:56 | 0:13:57 | |
Yeah, it's essential to cover the switch. | 0:13:57 | 0:14:00 | |
The harder she hits you the more cover I get, so we had to rehearse it quite a lot | 0:14:00 | 0:14:04 | |
just to make sure she got the technique down. | 0:14:04 | 0:14:07 | |
This is the slap swindle. | 0:14:07 | 0:14:10 | |
A flashy designer watch is the ultimate status symbol, but they don't come cheap. | 0:14:10 | 0:14:16 | |
A top of the range model can cost several thousand pounds. | 0:14:16 | 0:14:19 | |
The hustlers are in Birmingham's jewellery quarter with more than just window shopping in mind. | 0:14:19 | 0:14:26 | |
-Pleased with the Rolex, right? -Yeah. -Rolex. | 0:14:26 | 0:14:29 | |
A very expensive watch. | 0:14:29 | 0:14:30 | |
To pull off this scam, all our hustlers need to be in on the action. | 0:14:30 | 0:14:34 | |
Let's go and buy you a birthday present. | 0:14:34 | 0:14:37 | |
This is the slap swindle. | 0:14:37 | 0:14:39 | |
-Hello. -Alex and Jess, posing as a couple, arrive at a jeweller's stall. | 0:14:42 | 0:14:47 | |
They're shopping for a present for Jess. | 0:14:47 | 0:14:50 | |
Hello. If there's anything you want to have a look at... | 0:14:50 | 0:14:52 | |
-I like girly... -You like girly? | 0:14:52 | 0:14:55 | |
-Well, what about something like that? -No, but I like girly ones, he likes really posh ones. | 0:14:55 | 0:15:00 | |
They can't agree on what kind of watch to buy and begin to argue. | 0:15:00 | 0:15:04 | |
Well, try that on. Seeing as I'm getting it for you, why don't you try that on? | 0:15:04 | 0:15:06 | |
-No, I don't want to. -It's personal. | 0:15:06 | 0:15:09 | |
The assistant politely tries to help them out. | 0:15:09 | 0:15:12 | |
It's a small shop with no other sales staff on duty | 0:15:12 | 0:15:15 | |
and they're about to make her life increasingly difficult. | 0:15:15 | 0:15:19 | |
Yeah, but I think it's about time we moved on with this stuff, and, anyway, | 0:15:19 | 0:15:21 | |
if I'm buying it for you I've gotta like it as well, all right? | 0:15:21 | 0:15:24 | |
There's a pinky one there similar to that. | 0:15:24 | 0:15:26 | |
They're every shop assistant's worst nightmare. | 0:15:26 | 0:15:30 | |
As the disagreement continues, a customer arrives. | 0:15:30 | 0:15:35 | |
Another hustler. | 0:15:35 | 0:15:37 | |
You can wear pink with most things, though, can't you? | 0:15:37 | 0:15:39 | |
-A nice primary colour. -Yeah. | 0:15:39 | 0:15:42 | |
Are you ok, sir? | 0:15:42 | 0:15:44 | |
Yeah, I am just now. | 0:15:44 | 0:15:46 | |
I think I'll have a quick little look, thank you. | 0:15:46 | 0:15:48 | |
-Yes, of course, with pleasure. -That's nice there. | 0:15:48 | 0:15:50 | |
But it's for a 14-year-old girl, Mandy. | 0:15:50 | 0:15:52 | |
-If there's anything you want to have a look at I'll get out. -Thank you. | 0:15:52 | 0:15:55 | |
I think I'll have a look at the Omega, please. | 0:15:55 | 0:15:58 | |
-Omega? -Yeah. | 0:15:58 | 0:16:00 | |
Sparks continue to fly and the heated argument is getting out of control. | 0:16:00 | 0:16:05 | |
All around Birmingham, right, it's cloudy... | 0:16:05 | 0:16:08 | |
Yes. | 0:16:09 | 0:16:10 | |
Trying to ignore the commotion on the other side of the shop, | 0:16:12 | 0:16:16 | |
Paul asks to try on a top-of-the-range watch. | 0:16:16 | 0:16:18 | |
Playboy thing. | 0:16:18 | 0:16:20 | |
-That's the... -Yeah, but that's what I like, that. | 0:16:20 | 0:16:22 | |
Second-hand, yeah? | 0:16:24 | 0:16:26 | |
-Yes, second-hand. -Well, I'm sorry. | 0:16:26 | 0:16:28 | |
It's 1,200, which is a good price. | 0:16:28 | 0:16:30 | |
-It's worth £1,200. -I'm not interested in a watch like that. | 0:16:30 | 0:16:34 | |
-All right, OK. -I buy what my mum would wear. | 0:16:34 | 0:16:36 | |
The disturbance is distracting the shop assistant. | 0:16:36 | 0:16:38 | |
Look at the one that you like. | 0:16:38 | 0:16:40 | |
-You guys can size it for me? -Yes, of course. | 0:16:40 | 0:16:41 | |
-I'll pick something, you pay for it. -What I just said to you... | 0:16:41 | 0:16:44 | |
-I'm not getting that one. -A bit of class or something. | 0:16:44 | 0:16:47 | |
Excuse me, do you mind? | 0:16:47 | 0:16:49 | |
-All right, mate. Easy, relax. -See what I mean, you're just embarrassing. | 0:16:49 | 0:16:52 | |
Stop trying to look like a footballer's wife, for God's sake. | 0:16:52 | 0:16:54 | |
I've had it with you, will you stop trying to make me into somebody I'm not?! | 0:16:54 | 0:16:59 | |
Will you calm down? We are in public. I'm sorry. Will you calm down? | 0:16:59 | 0:17:02 | |
-Will you stop trying to make me into something I'm not? -Are you OK? | 0:17:02 | 0:17:03 | |
Just calm down, all right? | 0:17:05 | 0:17:06 | |
After handing the watch back, Paul promises to return when the shop is quieter. | 0:17:06 | 0:17:11 | |
Are you not going to have a look at one of these? | 0:17:11 | 0:17:14 | |
-No, I don't want... -The argument has lost the assistant a possible sale. | 0:17:14 | 0:17:17 | |
-I'm so sorry. -OK. | 0:17:17 | 0:17:19 | |
Paul leaves the shop to get away from all the aggravation. | 0:17:19 | 0:17:22 | |
You're not going to have a watch. | 0:17:22 | 0:17:24 | |
Jess and Alex finally take the argument outside. | 0:17:24 | 0:17:27 | |
I'm so sorry. | 0:17:27 | 0:17:29 | |
Surprised and flustered by the row, when the manager returns, | 0:17:32 | 0:17:37 | |
the assistant can't wait to tell him all about the argument. | 0:17:37 | 0:17:40 | |
I had a fella...and a girl come in. | 0:17:40 | 0:17:42 | |
She wanted sort of a girly watch, very pretty girl. | 0:17:42 | 0:17:44 | |
-Right. Yeah. -Then a fella rang the bell, let him in. | 0:17:44 | 0:17:48 | |
Said, "Can I have a look round?" I said, "Yes, of course." | 0:17:48 | 0:17:51 | |
He said, "Is that a Rolex?" I said, "Yes." | 0:17:51 | 0:17:54 | |
-Rolex. -Showing it to him, and all of a sudden, biggest barney I've ever heard in me life. | 0:17:54 | 0:18:00 | |
Stop trying to look like a footballer's wife for God... | 0:18:00 | 0:18:03 | |
-I've had it with you! -Anyway, the fella said, "Do you mind?" And they're still carrying on. | 0:18:03 | 0:18:09 | |
-While the customer... -Yes, he said, "Would you mind?" | 0:18:09 | 0:18:12 | |
She can't believe what's just happened, but there's an even bigger shock in store. | 0:18:12 | 0:18:17 | |
-That isn't the same watch, this is a copy. -You are joking? | 0:18:17 | 0:18:20 | |
The £1,200 watch has turned into a cheap fake. | 0:18:20 | 0:18:25 | |
-I didn't leave him, Gary. -No, it's all right. | 0:18:25 | 0:18:28 | |
So how was it done? | 0:18:28 | 0:18:31 | |
Alex and Jess enter the shop first. | 0:18:31 | 0:18:33 | |
They'll be providing the distraction. | 0:18:33 | 0:18:35 | |
If you're like 12. | 0:18:35 | 0:18:37 | |
As planned, their bickering gets the assistant's full attention. | 0:18:37 | 0:18:42 | |
-Let me see that. -Meanwhile, outside, Paul hides the fake watch up his sleeve, | 0:18:42 | 0:18:46 | |
and Alex subtly gives him the signal to enter the shop. | 0:18:46 | 0:18:51 | |
I just don't want you getting | 0:18:51 | 0:18:54 | |
-something that's like... -Paul knows exactly what he wants, the watch that matches his cheap fake. | 0:18:54 | 0:18:59 | |
The arguing couple are an irresistible distraction, | 0:18:59 | 0:19:03 | |
and the concerned assistant can't help but watch. | 0:19:03 | 0:19:06 | |
This is all Paul needs. | 0:19:06 | 0:19:09 | |
Excuse me, do you mind? | 0:19:09 | 0:19:12 | |
-All right, mate, easy. -When he asked them to quieten down, it's a signal that he's ready to make his move. | 0:19:12 | 0:19:16 | |
Stop trying to look like a footballer's wife, for God's... | 0:19:18 | 0:19:22 | |
Watch carefully as Paul brings the fake watch out of his sleeve. | 0:19:22 | 0:19:25 | |
He's swapped his dodgy £50 fake for the real deal and walks away with a profit of over £1,000. | 0:19:30 | 0:19:38 | |
My eyes don't go from a customer. | 0:19:38 | 0:19:40 | |
I just...it was when I heard the slap and the shouting... | 0:19:40 | 0:19:45 | |
He already turned round. | 0:19:45 | 0:19:47 | |
I just must have gone like that. | 0:19:47 | 0:19:49 | |
A split second. I am still shaken. | 0:19:49 | 0:19:53 | |
Due to a tie, we have joint sixth. | 0:19:57 | 0:20:02 | |
It's really hard to do these scams when someone's panicking or upset, you just feel incredibly guilty. | 0:20:02 | 0:20:08 | |
-You had the easy job. -No, it wasn't that easy. | 0:20:08 | 0:20:11 | |
All I remember from that day is having to leg it through a crowded shopping arcade, down the escalators, | 0:20:11 | 0:20:17 | |
through doors, just to make it to the van in time for you to call. | 0:20:17 | 0:20:20 | |
-I had the hard job. -This is the bag and pin snatch. | 0:20:20 | 0:20:24 | |
Alex, Jess and Paul arrive at the service entrance | 0:20:24 | 0:20:29 | |
of a large London shopping arcade. | 0:20:29 | 0:20:33 | |
-All right? -Let's go. | 0:20:33 | 0:20:35 | |
They make their way to the cafe area on the second floor, a suitable hunting ground for our team. | 0:20:35 | 0:20:40 | |
-See you later. -Bye. | 0:20:40 | 0:20:42 | |
They split up to take up their positions for today's scam, the bag and pin snatch. | 0:20:42 | 0:20:48 | |
Alex and Jess are pretending to be tourists, whilst keeping an eye out for a suitable victim. | 0:20:48 | 0:20:53 | |
They have chosen this woman, and it's her handbag that's the target. | 0:20:53 | 0:20:59 | |
The bag is gonna be snatched, but that's only half the plan. | 0:20:59 | 0:21:02 | |
The stakes are much higher, as you will soon see. | 0:21:02 | 0:21:06 | |
Alex and Jess wait for an opportunity to make their move | 0:21:06 | 0:21:10 | |
while Paul watches proceedings from the back of the cafe. | 0:21:10 | 0:21:13 | |
This is their chance. | 0:21:13 | 0:21:15 | |
The woman's friend leaves the table and the mark is now alone and vulnerable. | 0:21:15 | 0:21:19 | |
-I've gotta go. -OK. No problem. -Are you coming too? | 0:21:19 | 0:21:23 | |
Yeah, I come too. | 0:21:23 | 0:21:25 | |
But when will I see you? When I come back? | 0:21:25 | 0:21:28 | |
Does your number work here? | 0:21:28 | 0:21:30 | |
Yeah, no, hang on, we take one photo, OK? | 0:21:30 | 0:21:33 | |
-One second. Excuse me, can you take a photo? -Sure. | 0:21:33 | 0:21:38 | |
Alex and Jess distract the mark and manoeuvre her into turning her back on her handbag. | 0:21:38 | 0:21:42 | |
Like this. | 0:21:42 | 0:21:45 | |
There's Paul, he's going in for the steal. | 0:21:45 | 0:21:49 | |
-Have to put it on here. One second. I think it's like this, OK. -Thank you. | 0:21:49 | 0:21:57 | |
Instead of doing a runner, Paul takes a seat near the mark's table. | 0:21:57 | 0:22:01 | |
Alex and Jess have their photo, but the mark turns back to realise her bag is gone. | 0:22:01 | 0:22:08 | |
Out of sight of the mark, Alex has to get somewhere fast. | 0:22:08 | 0:22:11 | |
I've gotta go to the van. Bye. | 0:22:11 | 0:22:12 | |
Sorry. | 0:22:19 | 0:22:21 | |
The mark is distressed. | 0:22:21 | 0:22:23 | |
You OK? | 0:22:26 | 0:22:28 | |
Paul talks to her, but she doesn't suspect that her handbag is less | 0:22:32 | 0:22:35 | |
than two metres away in Paul's briefcase. This is the big hit. | 0:22:35 | 0:22:40 | |
The team are gonna try and fool the mark into giving them her card pin as well as her personal details. | 0:22:40 | 0:22:46 | |
Do you have anything valuable in it? | 0:22:46 | 0:22:49 | |
-Do you have like bank cards or anything? -I have my bank cards, my phone, my iPod, everything. | 0:22:49 | 0:22:52 | |
-What bank are you with? -Barclays. -I work for Barclays. | 0:22:52 | 0:22:55 | |
-You do? -Yeah, let's cancel your bank cards, have a seat, don't worry, have a seat. | 0:22:55 | 0:22:58 | |
Alex wants to sound like he's in a call centre and not in a | 0:22:58 | 0:23:03 | |
cab of a van, so he plays in a sound effect CD of office noise. | 0:23:03 | 0:23:06 | |
All right, that's the bank call centre there, speak to them, cancel your cards, OK? | 0:23:06 | 0:23:11 | |
-Hello? -My bag has just been stolen and I have everything in my bag. | 0:23:11 | 0:23:18 | |
I'm very sorry to hear about that, but I can certainly assist you with this call. | 0:23:18 | 0:23:22 | |
-Yeah please. -Do you know your account number and sort code? | 0:23:22 | 0:23:26 | |
I think it's... Oh, yeah, | 0:23:26 | 0:23:31 | |
My sort code is... | 0:23:31 | 0:23:34 | |
With the help of the sound effects, Alex has convinced the mark that he's a bank call centre operator | 0:23:34 | 0:23:40 | |
and she dutifully gives him her bank details. | 0:23:40 | 0:23:43 | |
-OK. Now I need your full name and your postcode, please. -It's Michelle... | 0:23:43 | 0:23:49 | |
She still has no idea it was Paul who took her handbag and is hiding it in his case on the next table. | 0:23:49 | 0:23:55 | |
OK. Now, I've got the card details here. | 0:23:55 | 0:23:58 | |
It doesn't look like anyone's tried to use it, so it's a good job you called us straight away. | 0:23:58 | 0:24:02 | |
Now the last thing I need from you in order to cancel your card is your four digit pin number. | 0:24:02 | 0:24:07 | |
Now, I can't take this off you myself cos we're not allowed to take pin | 0:24:07 | 0:24:10 | |
numbers, so I'm going to have to put you through to the automated service, OK? | 0:24:10 | 0:24:14 | |
OK, thanks. | 0:24:14 | 0:24:16 | |
Alex now plays back a message from Jess recorded earlier. | 0:24:16 | 0:24:20 | |
'After the tone, please enter your four digit pin number followed by the hash key.' | 0:24:20 | 0:24:26 | |
Alex records the tones, which could easily be decoded later to reveal the pin. | 0:24:29 | 0:24:36 | |
'Your card has now been cancelled. Thank you for calling. Goodbye.' | 0:24:36 | 0:24:42 | |
The mark is grateful to the Good Samaritan. | 0:24:42 | 0:24:45 | |
All right, yeah. | 0:24:45 | 0:24:47 | |
But Paul's walking away with her handbag. Worse still, she thinks her account | 0:24:47 | 0:24:51 | |
is now safe whereas in reality, the real hustlers have done enough to completely empty her finances. | 0:24:51 | 0:24:58 | |
I can pretty much carry my whole life in my handbag anyway. | 0:25:01 | 0:25:04 | |
My cards and oh, man, everything, so the person on the phone, that's just a whole scam? Everything's a scam. | 0:25:04 | 0:25:11 | |
Then they're just gonna get all my details, then, aren't they, | 0:25:11 | 0:25:13 | |
and just...then they can do whatever they want. | 0:25:13 | 0:25:16 | |
Argh, well, thank goodness it's only you this time. Oh, no. | 0:25:16 | 0:25:22 | |
Joint sixth. | 0:25:27 | 0:25:29 | |
Course the most important thing about this scam is cracker jack timing, you've gotta be right on the | 0:25:29 | 0:25:35 | |
button and we rehearsed it to death, but I think when we were done we got it down to less than a second. | 0:25:35 | 0:25:40 | |
It was really good as well because I knew that I was gonna win every single time. | 0:25:40 | 0:25:44 | |
I actually started to convince myself that I was really, really good at playing blackjack. | 0:25:44 | 0:25:48 | |
-You're a very lucky girl. -I am indeed. This is switching the shoe. | 0:25:48 | 0:25:52 | |
Alex and Paul have got hot dates, and they're treating them to a night at the casino. | 0:26:02 | 0:26:07 | |
But it's not romance they're after, it's money. | 0:26:07 | 0:26:10 | |
Blackjack is often dealt from a shoe that holds multiple decks. | 0:26:15 | 0:26:18 | |
If you can predict the cards' order, you'll make some serious cash, | 0:26:18 | 0:26:23 | |
and that's exactly what the hustlers plan to do. | 0:26:23 | 0:26:27 | |
They're going to switch the casino shoe for one of their own, | 0:26:27 | 0:26:31 | |
and there's only one way to do this, that's right under the dealer's nose in the middle of this busy casino | 0:26:31 | 0:26:37 | |
which is covered by 24 hour surveillance. | 0:26:37 | 0:26:40 | |
This scam requires the largest team the hustlers | 0:26:42 | 0:26:45 | |
have ever put together for what could be their biggest ever pay day. | 0:26:45 | 0:26:49 | |
All the players at the table are part of the team, and they each have a vital role to play. | 0:26:49 | 0:26:55 | |
-Oh! -Paul's date has the duplicate shoe hidden in her handbag... | 0:26:55 | 0:27:02 | |
which earlier she smuggled into the casino. | 0:27:02 | 0:27:04 | |
Yeah! | 0:27:04 | 0:27:06 | |
The team play a few rounds of blackjack. | 0:27:06 | 0:27:10 | |
-How much I've lost in the last round... -I told you she said that. | 0:27:10 | 0:27:15 | |
-Justice, mate. -With everyone settled, the duplicate shoe is passed under the table to Alex. | 0:27:15 | 0:27:21 | |
Here it is again from under the table. | 0:27:24 | 0:27:28 | |
This woman's job is crucial. | 0:27:35 | 0:27:37 | |
She has to block the view of this man, the pit boss who is responsible for spotting cheats. | 0:27:37 | 0:27:44 | |
Now Alex has the shoe, all they need is for the dealer to look away from the table. | 0:27:44 | 0:27:50 | |
Steph, what are you doing? | 0:27:50 | 0:27:52 | |
You can't go in there. God, you're so silly. Don't go in there. | 0:27:52 | 0:27:56 | |
They're supposed to be here. | 0:27:56 | 0:27:58 | |
What are you doing? | 0:27:58 | 0:28:00 | |
And it's done. | 0:28:02 | 0:28:04 | |
They've switched the shoe. | 0:28:04 | 0:28:06 | |
But what actually happened? | 0:28:06 | 0:28:09 | |
Alex signals to the guys at the end of the table to change some cash for chips. | 0:28:09 | 0:28:14 | |
It's a cue for these girls to cos a distraction. | 0:28:14 | 0:28:18 | |
Steph, what are you doing? You can't go in there. | 0:28:18 | 0:28:20 | |
Acting drunk, one girl enters the casino pit, which is strictly off limits to members of the public. | 0:28:20 | 0:28:27 | |
They draw the pit boss away from the table. | 0:28:27 | 0:28:29 | |
The dealer only looks away for a second, but that's all it takes. | 0:28:29 | 0:28:34 | |
We're gonna get in so much trouble. We're getting kicked out. | 0:28:34 | 0:28:39 | |
Whilst the dealer is distracted, Paul snatches the casino shoe and passes it to his date. | 0:28:39 | 0:28:44 | |
Alex instantly replaces it with their own shoe. | 0:28:44 | 0:28:48 | |
And the casino shoe is put back in the handbag. | 0:28:50 | 0:28:54 | |
No wonder Alex is looking pleased with himself. | 0:28:54 | 0:28:56 | |
With the shoe now switched, the hustlers can play with their own decks and are guaranteed to win big. | 0:28:56 | 0:29:03 | |
But with possible surveillance footage, plus the shoe in the bag | 0:29:03 | 0:29:06 | |
as evidence, the boys need to make a sharp exit and allow the final member of the team to clean up. | 0:29:06 | 0:29:13 | |
And here she is. It's Jess and an accomplice. | 0:29:13 | 0:29:18 | |
That's me done. Thank you. | 0:29:18 | 0:29:21 | |
Let's get out of here. As quickly as possible before we get arrested. | 0:29:21 | 0:29:26 | |
Please can I get in on this? | 0:29:26 | 0:29:29 | |
All the players at the table now know the exact order of the cards. | 0:29:29 | 0:29:32 | |
If the spare chair gets filled, one of the team will leave so the card order remains the same. | 0:29:32 | 0:29:37 | |
Even if security rewind the tapes Jess can't be connected with the shoe switch. | 0:29:37 | 0:29:41 | |
The first hand out and what a surprise, Jess hits two blackjacks. | 0:29:41 | 0:29:47 | |
Thank you very much. | 0:29:47 | 0:29:49 | |
-Who'd have thought it? Two more blackjacks. -I'm a lucky girl. | 0:29:54 | 0:30:01 | |
Those green chips are worth 25 each, and the black ones 100. | 0:30:01 | 0:30:06 | |
As the next few hands are played, Jess's winning streak continues and | 0:30:06 | 0:30:12 | |
the other members of the team are not doing badly either. | 0:30:12 | 0:30:17 | |
You looking at my chips? | 0:30:17 | 0:30:21 | |
-Well, yeah. -Look good, don't they? | 0:30:21 | 0:30:24 | |
-Very nice. -That stack of chips won't go unnoticed for long by | 0:30:24 | 0:30:27 | |
casino security, and so Jess needs to get out of there sharp. | 0:30:27 | 0:30:31 | |
I'm done, are you done? | 0:30:31 | 0:30:34 | |
-I'm gonna have a problem carrying these. -If she can escape in time, | 0:30:34 | 0:30:39 | |
she'll have virtually emptied the dealer's tray and made hundreds of thousands of dollars for the team. | 0:30:39 | 0:30:44 | |
Let's get our night started. | 0:30:44 | 0:30:46 | |
That's for you, cheers. | 0:30:46 | 0:30:48 | |
Good luck, boys. Enjoy yourself. Bye. | 0:30:48 | 0:30:52 | |
Mission accomplished. | 0:30:52 | 0:30:54 | |
We've got to the halfway stage. | 0:30:58 | 0:31:00 | |
At number ten, the hustler who's made hundreds of | 0:31:00 | 0:31:03 | |
pounds just by crossing the road, in the three way lift. | 0:31:03 | 0:31:07 | |
Oh, I'm so sorry, are you all right? | 0:31:07 | 0:31:09 | |
At number nine, thanks to a jacket and badge, Alex | 0:31:09 | 0:31:12 | |
and Paul stole the cars of their dreams in the valet distraction. | 0:31:12 | 0:31:17 | |
Number eight. | 0:31:17 | 0:31:19 | |
Alex and Jess's domestic distracted this assistant just long enough for | 0:31:19 | 0:31:23 | |
Paul to gain a new Rolex in the slap swindle. | 0:31:23 | 0:31:28 | |
Joint 6th, a good deed led to this lady loosing almost every penny | 0:31:28 | 0:31:33 | |
she owns in the bag and pin snatch. | 0:31:33 | 0:31:35 | |
-Steph, what you doing? -And with the largest team they've ever assembled, | 0:31:35 | 0:31:39 | |
the hustlers make their biggest ever score in this shoe switch. | 0:31:39 | 0:31:43 | |
Now it's time to see which cons made your top five. | 0:31:43 | 0:31:47 | |
You know, when we first started this show, I really never thought I'd end | 0:31:51 | 0:31:55 | |
up dressed as a sheikh, walking out of a jewellery store, with thousands of dollars worth of jewels. | 0:31:55 | 0:32:02 | |
Just never thought I'd reach that stage. | 0:32:02 | 0:32:04 | |
Well, you know, when we were in the bathroom and I was waiting | 0:32:04 | 0:32:06 | |
for my cue to come out and it was for you to shout my name, Fatima. | 0:32:06 | 0:32:09 | |
I just couldn't walk out cos I was just giggling so much, cos I just | 0:32:09 | 0:32:11 | |
thought the whole situation was just absurd. This is mystery millionaire. | 0:32:11 | 0:32:18 | |
This jeweller has come to an hotel suite to make an important delivery. | 0:32:21 | 0:32:27 | |
-Doing good. -Stand there, please. | 0:32:37 | 0:32:40 | |
Warm day. | 0:32:40 | 0:32:42 | |
-Would you please? -Too hot for this. | 0:32:42 | 0:32:44 | |
Put it on the table. | 0:32:46 | 0:32:48 | |
The jewels are laid out. | 0:32:53 | 0:32:55 | |
How you doing, sir? | 0:33:09 | 0:33:12 | |
Good afternoon. | 0:33:12 | 0:33:13 | |
Thank you for coming down, I'm Sheikh Khalil. | 0:33:13 | 0:33:15 | |
So why is Alex dressed as a sheikh? | 0:33:15 | 0:33:18 | |
To find out the answer, we need to go back 24 hours. | 0:33:18 | 0:33:22 | |
The cast for this scam are... | 0:33:22 | 0:33:27 | |
Yes, please. | 0:33:38 | 0:33:41 | |
May I see this ring, please? | 0:33:41 | 0:33:43 | |
-Yes, we would like to have this ring. -OK. | 0:33:49 | 0:33:53 | |
We can pay for this now, Mr Crook. | 0:33:53 | 0:33:56 | |
Alex hands over a cloned credit card to pay for the ring. | 0:33:56 | 0:34:00 | |
Justin. | 0:34:02 | 0:34:04 | |
Would you like to run this through? | 0:34:04 | 0:34:06 | |
This is the convincer. | 0:34:07 | 0:34:09 | |
The jeweller now believes that Alex is an affluent Arab. | 0:34:09 | 0:34:12 | |
I'd like to look at the one with the ruby, I like rubies. You like rubies? | 0:34:12 | 0:34:16 | |
Of course she does. Especially if they're free. | 0:34:21 | 0:34:24 | |
There you are. This is ruby and diamond and 18ct yellow gold. | 0:34:24 | 0:34:30 | |
This is very, very nice. | 0:34:30 | 0:34:32 | |
OK, there's also a matching set of earrings. | 0:34:32 | 0:34:35 | |
A broach, with rubies, diamonds and diamond ring also matches this set. | 0:34:35 | 0:34:42 | |
This is all 80,000. | 0:34:42 | 0:34:44 | |
A very fair price. OK. I would like to purchase this. | 0:34:44 | 0:34:47 | |
What I would like is, I would like these delivered to my suite tomorrow afternoon. | 0:34:47 | 0:34:52 | |
-Cash will be waiting there for you. -That's fine. | 0:34:52 | 0:34:54 | |
We will be there at 2pm. | 0:34:54 | 0:34:56 | |
Well, that was easy. | 0:35:01 | 0:35:02 | |
So, now you know why Alex is posing as Sheikh Khalil. | 0:35:04 | 0:35:08 | |
Thank you, this is wonderful. | 0:35:08 | 0:35:10 | |
He shows the jeweller the money. | 0:35:10 | 0:35:12 | |
I have the money here. | 0:35:12 | 0:35:14 | |
What I would like to do is, I would like to get my wife to try, I'm just going to get this. | 0:35:14 | 0:35:20 | |
One second, please. | 0:35:20 | 0:35:22 | |
Fatima? | 0:35:22 | 0:35:24 | |
Like to try in the sun, if you come this way. | 0:35:28 | 0:35:31 | |
Mr Crook, pass me the necklace, please. | 0:35:31 | 0:35:35 | |
Thank you. | 0:35:38 | 0:35:40 | |
-You like it? -Yes. -OK. | 0:35:40 | 0:35:43 | |
Maybe we should try it on without. | 0:35:43 | 0:35:45 | |
One moment. My wife has to take the headscarf, if you accompany Mr Crook just outside, he will wait with you. | 0:35:45 | 0:35:51 | |
Not wanting to cause offence, and being unsure of cultural | 0:35:51 | 0:35:54 | |
differences, the jeweller follows Paul out of the room. | 0:35:54 | 0:35:59 | |
With the jeweller separated from his merchandise, Alex and Jess gather up the gems. | 0:36:06 | 0:36:12 | |
Jess slips into the adjoining room with the jewels and the money, | 0:36:23 | 0:36:29 | |
stashing them safely on the trolley before changing out of her disguise. | 0:36:29 | 0:36:35 | |
Alex brings Paul back into the suite. | 0:36:35 | 0:36:38 | |
Mr Crook, the telephone is ringing, can you come, please? | 0:36:38 | 0:36:42 | |
One second, please. | 0:36:42 | 0:36:44 | |
Fatima, are you ok? | 0:36:44 | 0:36:47 | |
The jeweller is left in the corridor, believing that he is covering the only exit. | 0:36:49 | 0:36:54 | |
And now to put the final part of the plan into action. | 0:36:57 | 0:37:01 | |
The jeweller turns and sees a couple of waiters leaving a room. | 0:37:22 | 0:37:27 | |
But what he doesn't see is his 80,000 worth of gems leaving with them. | 0:37:27 | 0:37:33 | |
Sir? | 0:37:44 | 0:37:45 | |
Hello? | 0:37:47 | 0:37:49 | |
Excuse me? | 0:37:57 | 0:37:58 | |
Hello? Hello? | 0:38:00 | 0:38:03 | |
Hello? Hello? | 0:38:06 | 0:38:10 | |
Hello? Hello? | 0:38:11 | 0:38:15 | |
In at four. | 0:39:07 | 0:39:09 | |
I still can't get over how well this one worked. | 0:39:11 | 0:39:13 | |
At one point there was a queue of people coming over to my stall and I | 0:39:13 | 0:39:17 | |
felt so bad for you two in the back, you must have been so, so busy. | 0:39:17 | 0:39:19 | |
We were incredibly busy, back there. | 0:39:19 | 0:39:21 | |
-Yeah and one of us was doing all the wrapping cos you did no wrapping at all. -I was packing the boxes. | 0:39:21 | 0:39:26 | |
Besides, you're clearly much better with ribbons and bows than I am. | 0:39:26 | 0:39:30 | |
This is free gift wrapping. | 0:39:30 | 0:39:33 | |
It's Christmas time, the season of goodwill to all men. | 0:39:33 | 0:39:38 | |
And within the great festive spirit, the busy shopper is often treated to | 0:39:38 | 0:39:42 | |
such delights as this free gift wrap service. | 0:39:42 | 0:39:45 | |
Unfortunately, this one is run by... | 0:39:45 | 0:39:49 | |
How can I help you? | 0:39:49 | 0:39:51 | |
We'll have that wrapped for you. | 0:39:51 | 0:39:53 | |
Our hustlers have managed to erect a makeshift marquee | 0:39:53 | 0:39:55 | |
next to the Santa's grotto in this shopping centre. | 0:39:55 | 0:39:58 | |
Yes, what would you like gift wrapped? Oh, lovely. | 0:39:58 | 0:40:02 | |
Jess is happy taking shoppers' Christmas gifts to pass onto her busy | 0:40:02 | 0:40:05 | |
helpers who offer a very quick but unconventional gift wrapping service. | 0:40:05 | 0:40:10 | |
It's some beauty products. | 0:40:10 | 0:40:12 | |
The boys waste no time in un-wrapping the box and | 0:40:12 | 0:40:14 | |
removing the expensive contents, replacing them with a little festive present of their own. | 0:40:14 | 0:40:20 | |
Hello. Sorry. | 0:40:20 | 0:40:22 | |
While Jess receives more gifts, Alex and Paul neatly gift | 0:40:22 | 0:40:24 | |
wrap the satsuma-filled cosmetic box, which will be returned to the unknowing victim. | 0:40:24 | 0:40:30 | |
Tie a false knot. | 0:40:30 | 0:40:33 | |
Thank you very much. OK I'll see you in a bit. | 0:40:33 | 0:40:35 | |
Bye. | 0:40:35 | 0:40:37 | |
Hi. You all right there? | 0:40:37 | 0:40:40 | |
-We're doing a free gift wrap today, takes about 20 minutes. -OK. | 0:40:42 | 0:40:44 | |
That's lovely. | 0:40:44 | 0:40:46 | |
-Is that all right? -Yeah, no that's absolutely fine. | 0:40:46 | 0:40:49 | |
Can you bring like lots in like if I was to buy loads? | 0:40:49 | 0:40:52 | |
That shouldn't actually be a problem. | 0:40:52 | 0:40:53 | |
If you just wanna pop back in 20 minutes, it'll be absolutely no problem. OK? | 0:40:53 | 0:40:57 | |
-Excellent, thank you. -See you in a bit, bye. | 0:40:57 | 0:41:00 | |
-What have you got? -What did we get? | 0:41:00 | 0:41:01 | |
-Toys! -Toys! | 0:41:01 | 0:41:03 | |
The boys weigh each gift as soon as it comes in before replacing the | 0:41:03 | 0:41:06 | |
contents with an equally weighted stash from their own festive store. | 0:41:06 | 0:41:12 | |
This time round it's wrapping paper, oranges and wood chippings. | 0:41:14 | 0:41:18 | |
-Hello. How are you? -Fine, thank you. | 0:41:20 | 0:41:22 | |
-Have you got a few gifts there? -Yeah. | 0:41:22 | 0:41:24 | |
Oh, nice I like it. | 0:41:24 | 0:41:26 | |
Next through the door is a toaster and to weigh down the box some oranges and potatoes. | 0:41:26 | 0:41:32 | |
That doesn't feel like a toaster. | 0:41:35 | 0:41:37 | |
Potatoes rattle a bit too much to make a convincing toaster so Paul | 0:41:37 | 0:41:41 | |
-and Alex decide to pad it out with some straw. -Feels like a toaster. | 0:41:41 | 0:41:44 | |
Feels like a toaster. | 0:41:44 | 0:41:46 | |
Bingo. Another one gets wrapped. | 0:41:46 | 0:41:50 | |
Hello, how are you? | 0:41:50 | 0:41:52 | |
Realising a good offer when she sees one, this mark has returned with another gift to be wrapped. | 0:41:52 | 0:41:59 | |
Nice. Thank you very much, I'll see you in a bit. Bye. | 0:41:59 | 0:42:01 | |
This time, it's an expensive digital camera. | 0:42:01 | 0:42:04 | |
Ooooh! | 0:42:04 | 0:42:07 | |
And the boys seem to think that an orange, | 0:42:07 | 0:42:08 | |
potato and a piece of coal are a fair swap for a digital camera. | 0:42:08 | 0:42:15 | |
They weigh it, pad it, wrap it and give it back to Jess. | 0:42:15 | 0:42:19 | |
-Jess. -Hello. | 0:42:19 | 0:42:21 | |
One by one, our happy shoppers return to collect their | 0:42:21 | 0:42:24 | |
freshly wrapped gifts ready to place under the Christmas tree. | 0:42:24 | 0:42:28 | |
There you go, Maggie, thank you very much. Have a lovely Christmas. | 0:42:28 | 0:42:29 | |
There you go. Is that ok for you? | 0:42:29 | 0:42:32 | |
Meanwhile, Alex and Paul are busy packing up their newly acquired | 0:42:32 | 0:42:36 | |
Christmas presents in their Santa sacks. | 0:42:36 | 0:42:39 | |
There we go, is that ok for you? | 0:42:39 | 0:42:41 | |
Thank you very much. Have a lovely Christmas. | 0:42:41 | 0:42:43 | |
-OK. -Bye. | 0:42:43 | 0:42:45 | |
With the shopping centre winding down, the team call it a day and shut up shop. | 0:42:45 | 0:42:50 | |
The hustlers leave with their Santa sacks full of stolen presents, | 0:42:54 | 0:42:58 | |
and, as for the victims, they won't discover what's taken place until Christmas day. | 0:42:58 | 0:43:03 | |
These hustlers are far happier to receive than to give during the season of goodwill. | 0:43:03 | 0:43:08 | |
Due to another tie, we have joint second. | 0:43:13 | 0:43:16 | |
This scam worked so, so well, but it was just so uncomfortable | 0:43:16 | 0:43:20 | |
for me cos I was sat in a tiny little box for over two hours. | 0:43:20 | 0:43:24 | |
You know, the thing that really got to me was while we were building it, while Jess was still getting in | 0:43:24 | 0:43:29 | |
and out of the box, people were trying to use the machine, we were turning them away. | 0:43:29 | 0:43:32 | |
But you know, that shows you how convincing the box was. | 0:43:32 | 0:43:35 | |
This is called the cash machine con. | 0:43:35 | 0:43:38 | |
In the UK there are around 100 withdrawals from cash points every | 0:43:38 | 0:43:42 | |
second, and that high demand means that cash machines are springing up in shops, pubs and on the street. | 0:43:42 | 0:43:50 | |
We're all used to protecting our pin number from prying eyes, but what if | 0:43:50 | 0:43:54 | |
the whole machine is designed to hustle money from your bank account and into the pockets of con men? | 0:43:54 | 0:44:01 | |
This is the cash machine con. | 0:44:01 | 0:44:05 | |
That's lovely. | 0:44:10 | 0:44:12 | |
-Yeah. -This is good, isn't it? | 0:44:12 | 0:44:14 | |
In the den, the boys assemble the fake cash machine... | 0:44:14 | 0:44:17 | |
-I'm gonna hook this up to the computer. -Yeah. | 0:44:17 | 0:44:19 | |
-And then tap the screen from here and also here. -Camera. | 0:44:19 | 0:44:22 | |
-Camera here. -That's perfect. | 0:44:22 | 0:44:24 | |
..making sure every last detail looks authentic. | 0:44:24 | 0:44:27 | |
You hit the space bar, enter your pin, you get the pin from the keyboard there. | 0:44:27 | 0:44:32 | |
Please wait while we process your request, just wait as long as you want. | 0:44:32 | 0:44:37 | |
Right, come on, let's go. | 0:44:39 | 0:44:40 | |
Once the paint's dry, the hustlers assemble the plywood cash point | 0:44:40 | 0:44:44 | |
and place it in a spot with plenty of passing pedestrians. | 0:44:44 | 0:44:48 | |
But each time they put their card in, it's rejected. | 0:44:52 | 0:44:56 | |
The reason's simple - normal cash machines are supposed | 0:44:56 | 0:45:00 | |
to be full of money, but this one's designed to hide a hustler. | 0:45:00 | 0:45:03 | |
-Thank you. -Thank you. | 0:45:03 | 0:45:05 | |
Oh. | 0:45:05 | 0:45:07 | |
-All right? -Yeah. | 0:45:07 | 0:45:09 | |
-That's fine. -Bye. -Watch fingers. | 0:45:09 | 0:45:12 | |
Inside the cramped box, Jess has the laptop which controls | 0:45:16 | 0:45:20 | |
the display screen of the cash machine and a magnetic card reader | 0:45:20 | 0:45:24 | |
able to copy bank card details. | 0:45:24 | 0:45:26 | |
It's also equipped with a small camera to record pin number entries. | 0:45:26 | 0:45:32 | |
She doesn't have long to wait. | 0:45:32 | 0:45:34 | |
It only takes a few minutes for an unsuspecting victim to approach the machine. | 0:45:34 | 0:45:39 | |
As soon as he inserts his card, Jess springs into action. | 0:45:39 | 0:45:45 | |
While she quickly processes the card in the laptop, | 0:45:45 | 0:45:48 | |
Paul keeps watch outside, just in case the mark realises | 0:45:48 | 0:45:51 | |
the box is dodgy. | 0:45:51 | 0:45:53 | |
Jess quickly pokes the mark's card back out of the machine. | 0:45:55 | 0:45:59 | |
Frustrated that the cash point's not working, | 0:46:02 | 0:46:05 | |
he goes in search of another ATM, unaware that he's just been scammed. | 0:46:05 | 0:46:09 | |
Even though the cash point only appeared | 0:46:09 | 0:46:12 | |
in the street a few minutes ago, it takes just seconds for another mark to try to withdraw money. | 0:46:12 | 0:46:18 | |
Again, Jess takes the card and changes the display | 0:46:18 | 0:46:22 | |
to ask for a pin number. | 0:46:22 | 0:46:24 | |
Jess now has enough information to clone her card, clear out her bank | 0:46:24 | 0:46:28 | |
account, and go on a shopping spree at the mark's expense. | 0:46:28 | 0:46:32 | |
Another unsatisfied customer. | 0:46:35 | 0:46:39 | |
She's got her work cut out just keeping up. | 0:46:44 | 0:46:48 | |
In a very short time, this scam can earn the hustlers tens of thousands of pounds. | 0:46:50 | 0:46:55 | |
After just two hours, | 0:47:00 | 0:47:02 | |
the hustlers have collected the account information | 0:47:02 | 0:47:05 | |
and pin numbers of 25 unsuspecting card holders. | 0:47:05 | 0:47:08 | |
It told me after I'd put my card in, that it was unable to dispense cash. | 0:47:10 | 0:47:14 | |
It looks normal, all the functions, buttons. | 0:47:14 | 0:47:16 | |
I gave it a kick cos it had no money, it was solid. | 0:47:16 | 0:47:19 | |
I cannot see how anyone would know my pin number. | 0:47:19 | 0:47:21 | |
Is it not a real cash machine? | 0:47:21 | 0:47:23 | |
What a twit I look. | 0:47:23 | 0:47:25 | |
You could draw anything out me bank. | 0:47:25 | 0:47:27 | |
I could have been cleaned out then. | 0:47:27 | 0:47:28 | |
I could have been absolutely cleaned out. Oh dear. | 0:47:28 | 0:47:32 | |
While this cash machine never gives you any money, it does pay out a tidy sum to the scam artists. | 0:47:33 | 0:47:39 | |
And before anyone rumbles them, all they have to do is pack it up and move it to a street corner near you. | 0:47:39 | 0:47:45 | |
Joint second. | 0:47:51 | 0:47:52 | |
I'll always remember this scam, because it's the first one | 0:47:53 | 0:47:56 | |
the three of us did together. | 0:47:56 | 0:47:57 | |
I remember being so nervous before thinking "what if this goes wrong?" | 0:47:57 | 0:48:01 | |
"What if that goes wrong?" But it just went so well, it couldn't have gone any better. | 0:48:01 | 0:48:06 | |
Remember how much we rehearsed? It was early days | 0:48:06 | 0:48:08 | |
so we rehearsed every single eventuality. | 0:48:08 | 0:48:11 | |
What happens if this happens, and of course what happened on the day? | 0:48:11 | 0:48:14 | |
Something we hadn't rehearsed. This is the Jewellery Shop Scam. | 0:48:14 | 0:48:19 | |
The hustlers have selected a small high street jewellers as the perfect place to stage this scam. | 0:48:21 | 0:48:26 | |
Unbeknown to the shop staff, our hidden cameras had been placed | 0:48:27 | 0:48:31 | |
inside to cover the following action. | 0:48:31 | 0:48:34 | |
Jess enters the shop first, looking well-dressed and respectable. | 0:48:34 | 0:48:38 | |
-Hiya. -Hi. | 0:48:38 | 0:48:40 | |
-Oh, it's so cold. -I know, its horrible today. | 0:48:40 | 0:48:42 | |
I'm looking for a necklace. | 0:48:42 | 0:48:44 | |
She approaches the counter and talks to the staff about wanting to buy a new necklace. | 0:48:44 | 0:48:48 | |
Silver. | 0:48:48 | 0:48:50 | |
Definitely... | 0:48:50 | 0:48:52 | |
Alex comes into the shop shortly after. | 0:48:52 | 0:48:56 | |
He is apparently just another browsing shopper. | 0:48:56 | 0:48:59 | |
And where's the third member of our team? | 0:48:59 | 0:49:01 | |
Paul is outside, ready to step in on cue. | 0:49:01 | 0:49:05 | |
Got a nice one here. | 0:49:05 | 0:49:07 | |
After some browsing, they show Jess a necklace that takes her fancy. | 0:49:07 | 0:49:10 | |
Yeah, that's the sort of length. | 0:49:10 | 0:49:12 | |
-Yes. -How much is this one? | 0:49:12 | 0:49:14 | |
-It's quite expensive, actually. -Oh. | 0:49:14 | 0:49:17 | |
£624. | 0:49:19 | 0:49:23 | |
The necklace is worth around £600, which is a suitable bit of swag for this scam. | 0:49:23 | 0:49:28 | |
Jess seems happy with the choice, and says she'll buy it. | 0:49:28 | 0:49:32 | |
One, two, three, | 0:49:32 | 0:49:34 | |
four, that's a hundred. | 0:49:34 | 0:49:38 | |
One, two, three, four. | 0:49:38 | 0:49:41 | |
As she finishes counting the notes, Alex sweeps in. | 0:49:41 | 0:49:44 | |
-OK, stop there, police. -What? -Walthamstow Police. | 0:49:44 | 0:49:48 | |
Tracey, I'm placing you under arrest for deception and fraud. | 0:49:48 | 0:49:51 | |
Leave that money, let my colleague in. | 0:49:51 | 0:49:53 | |
Flashing the fake police badge, he arrests Jess for passing counterfeit money. | 0:49:53 | 0:49:58 | |
-Will the shopkeepers buy his act? -We've been following her all day. | 0:49:58 | 0:50:01 | |
There's been counterfeit cash. | 0:50:01 | 0:50:04 | |
She's been passing it off for jewellers. | 0:50:04 | 0:50:08 | |
Can I have a look? | 0:50:09 | 0:50:10 | |
-Yeah, go ahead. -The shocked shopkeepers have bought his line and the hook and sinker too. | 0:50:10 | 0:50:17 | |
The hustlers insist the cash is forged and must be bagged as evidence. | 0:50:17 | 0:50:21 | |
In fact, it's the gang's own hustled bank roll and it's not forged at all. | 0:50:21 | 0:50:25 | |
Has to all go in for evidence for her. | 0:50:25 | 0:50:28 | |
I'm afraid that's part of the evidence as well now. | 0:50:28 | 0:50:30 | |
You will get it back obviously. | 0:50:30 | 0:50:32 | |
And there it is, Alex the fake copper has convinced the shop keeper to bag up the £600 necklace as well. | 0:50:32 | 0:50:39 | |
If I could ask you just to pop that in here. | 0:50:39 | 0:50:42 | |
-Thank you. -It's all going to plan. | 0:50:42 | 0:50:45 | |
With the necklace bagged, the scam is complete. | 0:50:45 | 0:50:48 | |
Our team of hustlers have cleverly choreographed a theft worth £600 from right under their noses. | 0:50:48 | 0:50:54 | |
-Bitch! You could have cost me my job, you know that? -Yeah. | 0:50:54 | 0:50:57 | |
-The hustlers leave the shop claiming to be off to the police station. -OK. | 0:50:59 | 0:51:05 | |
I'll be back in an hour. I'm going to take a full statement from you. | 0:51:05 | 0:51:08 | |
Obviously it will go down as evidence for her, yeah? | 0:51:08 | 0:51:11 | |
Had this been a real scam, it would have been the last time the shopkeepers ever saw their necklace. | 0:51:11 | 0:51:18 | |
Here it is - the scam you voted the Real Hustle's best ever con. | 0:51:26 | 0:51:31 | |
You know, the hardest part about this wasn't switching the till in and out, | 0:51:32 | 0:51:37 | |
it was carrying that thing into the store and then back out again. | 0:51:37 | 0:51:39 | |
Especially after it was filled with money. It weighed a tonne. | 0:51:39 | 0:51:43 | |
Remember after we set it up, it was quiet to begin with, and then it got really busy | 0:51:43 | 0:51:47 | |
and there was loads of people trying to pay at this fake till. | 0:51:47 | 0:51:50 | |
And we had to struggle for a quiet time to pack it all up and leave. | 0:51:50 | 0:51:55 | |
-It was too successful. -It was! This is the fake till. | 0:51:55 | 0:51:59 | |
It's the Christmas rush, and to cope with the high demand | 0:52:01 | 0:52:04 | |
shops have to employ additional staff and open extra tills. | 0:52:04 | 0:52:09 | |
So under these perfect conditions, | 0:52:09 | 0:52:11 | |
the boys are gonna see if they can replicate a scam that happened in a London department store. | 0:52:11 | 0:52:17 | |
This is one of the toughest scams the hustlers have attempted. | 0:52:20 | 0:52:24 | |
The store is patrolled by security guards and management. | 0:52:24 | 0:52:28 | |
If the boys get recognised, the game's up. | 0:52:28 | 0:52:31 | |
They split up and Alex, who is gonna play the role of the till assistant, needs to look the part. | 0:52:31 | 0:52:37 | |
And where better to get your outfit from than the store itself? | 0:52:37 | 0:52:42 | |
He simply changes into his new uniform in an unmanned changing room. | 0:52:42 | 0:52:48 | |
Meanwhile, Paul heads to a cashier's desk at the back of the store | 0:52:48 | 0:52:52 | |
that they know won't be in use. But what's Paul got in the bag? | 0:52:52 | 0:52:55 | |
It's a fully functioning cashier till with a twist. | 0:52:56 | 0:53:00 | |
Earlier in the day the boys bought a cheap portable cash till | 0:53:01 | 0:53:05 | |
and programmed it to print out receipts with the store's name. | 0:53:05 | 0:53:09 | |
-Please call again. -Please don't call the police. | 0:53:09 | 0:53:12 | |
Whilst Alex is making sure he looks the part, Paul is setting up a PDA with a card reader attached to it | 0:53:12 | 0:53:18 | |
which will record the details of any bank card that is swiped at the bogus till. | 0:53:18 | 0:53:23 | |
The till is up and running and ready for Alex. | 0:53:23 | 0:53:27 | |
They've gone unnoticed and now, as far as anyone is concerned, | 0:53:27 | 0:53:32 | |
Alex is just another cashier and Paul stays close to keep an eye out for security guards. | 0:53:32 | 0:53:38 | |
They've given themselves a few hours to get as much money as possible | 0:53:38 | 0:53:42 | |
and it's not long before their first customer approaches. | 0:53:42 | 0:53:45 | |
So how many have you got? Four. | 0:53:45 | 0:53:48 | |
That's 24, please. | 0:53:50 | 0:53:52 | |
Oh, buy one, get one free - I didn't see the sticker there. OK, well, that's...£12. | 0:53:52 | 0:53:56 | |
The instant Alex has opened the till a queue of people has formed. | 0:53:56 | 0:54:01 | |
-Thank you very much. -Alex makes sure he takes off the security tags. | 0:54:01 | 0:54:06 | |
If a customer sets off the alarm, his cover could be blown. | 0:54:06 | 0:54:10 | |
This man wants to pay by credit card. This is great news for Alex. | 0:54:10 | 0:54:14 | |
He skims it in the card reader that Paul attached earlier | 0:54:14 | 0:54:17 | |
-which then records all of the man's card details. -It's a new card. | 0:54:17 | 0:54:21 | |
-Have you authorised it already? -Yeah, I have. | 0:54:21 | 0:54:23 | |
He then pretends that the card reader doesn't work | 0:54:23 | 0:54:25 | |
and asks the man if he can pay in cash, a double whammy. | 0:54:25 | 0:54:30 | |
Alex and Paul now have the details to clone this man's card | 0:54:30 | 0:54:34 | |
and potentially clean out his bank account. | 0:54:34 | 0:54:37 | |
Ready for my next customer, please. Thank you. | 0:54:37 | 0:54:39 | |
Over the next hour the guys totally clean up. | 0:54:40 | 0:54:44 | |
Getting numerous credit card details, bank account details, | 0:54:44 | 0:54:48 | |
cheques and cash transactions. | 0:54:48 | 0:54:51 | |
All the while, Paul is vigilantly keeping an eye out for security guards or anything suspicious. | 0:54:53 | 0:55:00 | |
This lady wants to pay by cheque - that's perfectly fine by Alex. | 0:55:00 | 0:55:04 | |
He can hand her his pen, and then ask for a cheque guarantee card, | 0:55:04 | 0:55:08 | |
which he swipes through the card reader to obtain her bank details. | 0:55:08 | 0:55:12 | |
She doesn't question the fact you don't need to do this when taking a cheque. | 0:55:12 | 0:55:17 | |
And the same goes for this gentleman. | 0:55:17 | 0:55:19 | |
He hands over his cheque guarantee card, Alex swipes it and has now got all his details. | 0:55:19 | 0:55:25 | |
This one? | 0:55:25 | 0:55:26 | |
-Or this one? -Go away. | 0:55:28 | 0:55:31 | |
Another credit card followed by more cash. | 0:55:34 | 0:55:37 | |
They've been here an hour and a half and Paul is getting itchy feet. | 0:55:37 | 0:55:41 | |
-The longer they stay, the higher the risk of getting caught. -What do you think? Another 5 minutes? | 0:55:41 | 0:55:46 | |
-Another 5 minutes. -Make sure I can still lift that thing off the desk. | 0:55:46 | 0:55:49 | |
Yeah, no, we're doing good. Let's give it another 5. | 0:55:49 | 0:55:51 | |
Over the next 5 minutes, the guys get another 5 customers... | 0:55:56 | 0:56:00 | |
-Thanks very much. Bye-bye. -..until Paul decides to call it a day. | 0:56:00 | 0:56:05 | |
This is the final run. | 0:56:09 | 0:56:11 | |
Alex must get out of his clothes and Paul has to get the till out of the shop without being spotted. | 0:56:11 | 0:56:18 | |
They've made it with a grand total of £1,860 and 15 swiped credit cards. | 0:56:33 | 0:56:41 | |
Our hustlers have pulled off the fake till scam. | 0:56:41 | 0:56:44 | |
So, those were the cons which you voted the best ever. | 0:56:48 | 0:56:53 | |
Remember, wherever you are or whoever you're with, if it sounds too good to be true... | 0:56:53 | 0:56:58 | |
it probably is. | 0:56:58 | 0:57:00 |