Browse content similar to Episode 10. Check below for episodes and series from the same categories and more!
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This is The Real Hustle: New Recruits. | 0:00:02 | 0:00:05 | |
The hustlers are back and this time they've brought in two new faces | 0:00:05 | 0:00:09 | |
to help them with their scams. | 0:00:09 | 0:00:11 | |
New recruits Polly and Jazz... | 0:00:11 | 0:00:14 | |
..join original hustlers Paul, Jess and Alex. | 0:00:15 | 0:00:20 | |
Working together as a team, they'll carry out scams | 0:00:20 | 0:00:24 | |
that are more cunning and devious than ever before. | 0:00:24 | 0:00:28 | |
On tonight's show, | 0:00:28 | 0:00:30 | |
can Adele Silva and the hustlers really sell this guy | 0:00:30 | 0:00:33 | |
the Forth Railway Bridge? | 0:00:33 | 0:00:35 | |
I don't know who you guys are. I don't know these girls. | 0:00:35 | 0:00:38 | |
So I can't do it. | 0:00:38 | 0:00:39 | |
And Alex challenges someone that's a bit too smart. | 0:00:39 | 0:00:43 | |
Right, you're fired, thank you. | 0:00:43 | 0:00:46 | |
The hustlers have invited celebrity friends | 0:01:28 | 0:01:31 | |
to help them with their scams. | 0:01:31 | 0:01:33 | |
They'll be thrown in at the deep end. No training and no practice. | 0:01:33 | 0:01:37 | |
Just straight in. | 0:01:37 | 0:01:39 | |
Today's celebrity guest hustler is an actress who's | 0:01:39 | 0:01:42 | |
appeared in Emmerdale, EastEnders and Hell's Kitchen, Adele Silva. | 0:01:42 | 0:01:47 | |
I really haven't got a clue what to expect. | 0:01:51 | 0:01:55 | |
I'm actually quite nervous. | 0:01:55 | 0:01:57 | |
I keep expecting, like, someone to pop out, | 0:01:57 | 0:02:00 | |
or, like, an explosion or something. | 0:02:00 | 0:02:02 | |
How am I going to feel about taking someone's money? Oh, I don't know. | 0:02:02 | 0:02:06 | |
I don't like that. | 0:02:06 | 0:02:07 | |
But I suppose we give it back to them so it's not too bad. | 0:02:07 | 0:02:10 | |
Adele knows nothing about today's scam. | 0:02:10 | 0:02:13 | |
She's just been told to take a short walk along a pier. | 0:02:13 | 0:02:15 | |
-Nice to meet you. -I'm Paul. How are you? -Good, thank you. | 0:02:17 | 0:02:21 | |
Why do you think you're here? | 0:02:21 | 0:02:22 | |
-I haven't got a clue. -Well, a little history lesson. | 0:02:22 | 0:02:25 | |
There was a conman called Count Victor Lustig about 100 years ago. | 0:02:25 | 0:02:29 | |
He sold the Eiffel Tower to six businessmen for scrap. | 0:02:29 | 0:02:33 | |
He was actually copying a scam by a guy called | 0:02:33 | 0:02:36 | |
George C Parker, who was the first guy to sell the Brooklyn Bridge. | 0:02:36 | 0:02:39 | |
So, any guesses why we're here? | 0:02:39 | 0:02:41 | |
-We're going to try and sell that? -We're going to sell that. | 0:02:41 | 0:02:45 | |
-Not all of it. We'll just sell a little piece. -OK, cool. | 0:02:45 | 0:02:48 | |
How much do you think they can get for two grand? | 0:02:48 | 0:02:51 | |
-I don't know. -About this much. | 0:02:51 | 0:02:53 | |
Adele will play an essential role in one of the hustlers' | 0:02:53 | 0:02:57 | |
biggest scams in 'A Bridge Too Far'. | 0:02:57 | 0:02:59 | |
It's a beautiful sunny day on the waterfront, | 0:03:01 | 0:03:04 | |
but it's going to turn more gloomy, especially for this guy, | 0:03:04 | 0:03:08 | |
who's about to become the mark. | 0:03:08 | 0:03:10 | |
He enters a bar near the Forth Railway Bridge. | 0:03:15 | 0:03:18 | |
Unfortunately, he chooses a seat that's within scamming range of a hustler. | 0:03:21 | 0:03:27 | |
Hello? I was just texting you. Are you nearly here? | 0:03:29 | 0:03:33 | |
Excuse me. Do you know what this road is called? | 0:03:33 | 0:03:37 | |
I think it's Edinburgh Road. Are you nearly here? | 0:03:38 | 0:03:42 | |
All right then, hun. Bye. Bye. Do you live round here? | 0:03:42 | 0:03:46 | |
Where? Earshire? | 0:03:46 | 0:03:49 | |
It's your accent. Sorry. | 0:03:49 | 0:03:50 | |
Come and sit here so I can speak to you. | 0:03:50 | 0:03:54 | |
My friend's a little bit late so I need someone to talk to anyway. | 0:03:54 | 0:03:57 | |
That's a bit more cosy. | 0:03:57 | 0:03:59 | |
The ice is broken and Jess pumps the mark for some local knowledge. | 0:03:59 | 0:04:03 | |
I'm investing in some of the bridge, the Forth Bridge. | 0:04:03 | 0:04:06 | |
So is it quite a popular bridge then? | 0:04:06 | 0:04:08 | |
Is it? I'm buying, like, I don't really know, | 0:04:10 | 0:04:13 | |
I'm having a meeting later, buying part of it. | 0:04:13 | 0:04:15 | |
Like, yeah. Like, investing in it. | 0:04:15 | 0:04:18 | |
So I said well I want to, obviously, come up and see it. | 0:04:18 | 0:04:21 | |
It's time for Adele to make her entrance to apply a double charm offensive. | 0:04:21 | 0:04:26 | |
It's a wee bit chilly along that front. | 0:04:26 | 0:04:28 | |
Hello, did you find your sharpener? | 0:04:28 | 0:04:30 | |
-Yeah, I did. Are you all right? -Yes, good, thanks. How are you? | 0:04:30 | 0:04:33 | |
I'm just finding out... This is my cousin Katie. | 0:04:33 | 0:04:36 | |
-So what are your names? -I'm Scott. This is Matt. -Scott and Matt. | 0:04:36 | 0:04:39 | |
Katie, Susie. | 0:04:39 | 0:04:40 | |
I was telling them about the bridge because | 0:04:40 | 0:04:42 | |
we're both doing it and it's just really exciting | 0:04:42 | 0:04:45 | |
because I don't really know much about the bridge. Where was it? | 0:04:45 | 0:04:48 | |
Oh, where was that whatsit? | 0:04:48 | 0:04:50 | |
Oh, it was in that thing, like, the little prospectus. | 0:04:50 | 0:04:54 | |
The hotel had it. | 0:04:54 | 0:04:56 | |
-Was it in that newspaper? -Erm, in that paper, yeah. Erm... | 0:04:56 | 0:04:59 | |
Adele's job is to bring up an article in the local paper | 0:04:59 | 0:05:01 | |
that will explain the event the girls are here to attend. | 0:05:01 | 0:05:04 | |
What's your local paper? | 0:05:04 | 0:05:06 | |
-Is it, like, a... not like a Star, a Gazette? -Yeah, yeah! | 0:05:07 | 0:05:10 | |
Do you have a Star? | 0:05:10 | 0:05:13 | |
-Oh, thank you. -Is there one up there? | 0:05:13 | 0:05:15 | |
Being a true gent, the mark tries to track down today's paper. | 0:05:15 | 0:05:20 | |
He's in luck. There's a copy on the bar. | 0:05:20 | 0:05:22 | |
Oh, there we go. | 0:05:24 | 0:05:25 | |
Thank you. Is there a supplement in there? | 0:05:25 | 0:05:28 | |
This is the bridge thing we're talking about. | 0:05:28 | 0:05:30 | |
Sure enough, in the supplement, there's an article | 0:05:30 | 0:05:34 | |
all about the Forth Bridge and its exclusive owners' club. | 0:05:34 | 0:05:38 | |
-Yeah. -Yeah. | 0:05:44 | 0:05:46 | |
-But that authentic looking article isn't all that it seems. -Would you two like a drink? | 0:05:46 | 0:05:50 | |
Because, whilst Jess was chatting up the mark, | 0:05:51 | 0:05:55 | |
it was time for a bit of Jazz. | 0:05:55 | 0:05:57 | |
JAZZ MUSIC | 0:05:57 | 0:05:59 | |
He planted the supplement in a copy of the paper whilst all | 0:06:01 | 0:06:05 | |
the attention was on his fellow hustlers. | 0:06:05 | 0:06:07 | |
An article in a local paper is a powerful convincer, | 0:06:07 | 0:06:11 | |
even if it's completely faked by the hustlers. | 0:06:11 | 0:06:15 | |
Whilst Jess gets the drinks in, | 0:06:15 | 0:06:18 | |
Adele explains more about the Forth Bridge Owners' Club. | 0:06:18 | 0:06:22 | |
Susie's mum and dad, um, were approached about it. | 0:06:22 | 0:06:25 | |
But you have to be invited. | 0:06:25 | 0:06:28 | |
So it's quite exclusive. And you get, like, a plaque and, like... | 0:06:28 | 0:06:31 | |
Oh my God! | 0:06:31 | 0:06:33 | |
So Adele and Jess have been selected to become bridge owners. | 0:06:33 | 0:06:36 | |
They're here for a boat trip to find out more. | 0:06:36 | 0:06:39 | |
Before they've even finished their drinks, | 0:06:39 | 0:06:42 | |
here comes the man from the Bridge Trust to pick up the girls. | 0:06:42 | 0:06:45 | |
It's Alex. | 0:06:45 | 0:06:46 | |
-Susie? -Hello. -And Katie? -Nice to meet you. -Nice to meet you. | 0:06:46 | 0:06:49 | |
-Nice to meet you. -Hello, are you good? -Yeah, good, thank you. | 0:06:49 | 0:06:52 | |
Good, good. Sorry, are these your guests as well? | 0:06:52 | 0:06:55 | |
I thought these were your guests that you... | 0:06:55 | 0:06:59 | |
What are you two doing this afternoon? | 0:06:59 | 0:07:01 | |
-Fancy a champagne boat trip? -Would you like to come? My parents actually dropped out. | 0:07:01 | 0:07:05 | |
We're going to have a drink by the pier, | 0:07:05 | 0:07:09 | |
and a little bite to eat and then we'll hop on the boat. | 0:07:09 | 0:07:12 | |
-Yeah, you're absolutely fine. -Shall we just drink up? -Sure. | 0:07:14 | 0:07:17 | |
I think we're ready to go. Excellent. | 0:07:17 | 0:07:19 | |
A boat trip and a free champagne lunch with two beautiful girls. | 0:07:19 | 0:07:23 | |
How could he possibly say no? | 0:07:23 | 0:07:26 | |
Alex leads the mark and the girls out of the hotel to a waiting car | 0:07:26 | 0:07:31 | |
to chauffeur them for their afternoon of excitement. | 0:07:31 | 0:07:35 | |
This guy can't believe his luck. | 0:07:35 | 0:07:38 | |
They arrive at a restaurant to be met by Polly, who introduces them | 0:07:38 | 0:07:42 | |
to Rob Marks, head of the Forth Bridge Trust. | 0:07:42 | 0:07:45 | |
-Hi. Hello. -Take a seat anywhere. | 0:07:45 | 0:07:48 | |
-How are you? I'm Rob. Nice to meet you. -Nice to meet you. | 0:07:48 | 0:07:52 | |
-And you're Susie? -Yeah. | 0:07:52 | 0:07:55 | |
Paul welcomes his unexpected guests. | 0:07:55 | 0:07:57 | |
-I'm Scott. Nice to meet you. -Nice to meet you. -I'm Matt. -Rob. | 0:07:57 | 0:08:01 | |
How are you? Have a seat. | 0:08:01 | 0:08:02 | |
But sadly no-one is going out to sea today. | 0:08:02 | 0:08:05 | |
So, erm, I have to start with some bad news. | 0:08:07 | 0:08:09 | |
-The boat journey just can't happen today. -It's not happening? -Yeah. -Why not? | 0:08:09 | 0:08:13 | |
From my point of view, | 0:08:13 | 0:08:15 | |
I have the worst sea legs of anybody you've ever met. | 0:08:15 | 0:08:18 | |
The only thing worse is if I get the helicopter. | 0:08:18 | 0:08:20 | |
Shame. But they can still enjoy a meal with the ladies. | 0:08:20 | 0:08:23 | |
But first Paul wants to tell them more about how the bridge ownership works. | 0:08:23 | 0:08:27 | |
I know you know a little bit about it, but just so you fully understand | 0:08:27 | 0:08:31 | |
what you're getting into, there's an ancient deed on this property. | 0:08:31 | 0:08:34 | |
You couldn't have one owner. | 0:08:34 | 0:08:36 | |
And so one of the benefits of that is that we basically | 0:08:36 | 0:08:38 | |
have ownership of the bridge split between multiple people. | 0:08:38 | 0:08:42 | |
Obviously there is a large ownership which maintains the bridge. | 0:08:42 | 0:08:46 | |
So the bridge is divided into lots of small sections, | 0:08:46 | 0:08:48 | |
each one being owned by a different individual. | 0:08:48 | 0:08:52 | |
And every one of them earns an annual income from railway tolls. | 0:08:52 | 0:08:56 | |
The dividends that you get paid are usually in excess | 0:08:56 | 0:08:59 | |
-of £3,000 per year. -Wow! | 0:08:59 | 0:09:02 | |
-So you, like, made it back, like, within a year? -Instantly? | 0:09:02 | 0:09:05 | |
Within a year. | 0:09:05 | 0:09:06 | |
But because you're joining us now, and because the dividend is | 0:09:06 | 0:09:09 | |
paid regardless of how long you've been in the programme, | 0:09:09 | 0:09:13 | |
-you get it next month. -Oh! Oh my God! | 0:09:13 | 0:09:17 | |
Even though Adele and Jess are only just buying in for £2,000 each, | 0:09:19 | 0:09:23 | |
they'll still receive this year's dividend of £3,000. | 0:09:23 | 0:09:26 | |
You make £1,000, but you've got to remember that | 0:09:26 | 0:09:29 | |
this is for your life, OK. | 0:09:29 | 0:09:31 | |
-You can't transfer it. -Yeah. -When you die, it gets passed on, we sell it to someone else. | 0:09:31 | 0:09:35 | |
But the club comes with very strict rules. | 0:09:35 | 0:09:38 | |
-And how long have you known each other? -We're cousins. | 0:09:38 | 0:09:41 | |
-So you're related. -Yeah. | 0:09:41 | 0:09:42 | |
-Why? Is that a problem? -It is a little bit of a problem. | 0:09:42 | 0:09:46 | |
You can't have two members of the same family, direct family. | 0:09:46 | 0:09:49 | |
-We're cousins, though. -It's not, like, immediate. | 0:09:49 | 0:09:53 | |
Technically, that would mean that only one of you can purchase. | 0:09:53 | 0:09:57 | |
Oh, no! | 0:09:57 | 0:09:59 | |
-I'm going to make a phone call. -OK. | 0:09:59 | 0:10:01 | |
-Could you explain everything for me, please? -Yes, I will do. | 0:10:01 | 0:10:05 | |
Paul leaves Alex to explain the problem. | 0:10:05 | 0:10:07 | |
The problem we have here is that there are very strict rules. | 0:10:07 | 0:10:11 | |
It's only owned by individuals. | 0:10:11 | 0:10:13 | |
So you being related is a major problem. | 0:10:13 | 0:10:15 | |
So between you, you have to decide who would buy | 0:10:15 | 0:10:19 | |
because only one of you can buy. | 0:10:19 | 0:10:22 | |
Only one of the cousins will be able to invest today. | 0:10:22 | 0:10:26 | |
The other is disqualified. | 0:10:26 | 0:10:29 | |
The other problem that we have is that | 0:10:29 | 0:10:32 | |
we have a press call in about an hour. | 0:10:32 | 0:10:36 | |
They're going to photograph the two new buyers. | 0:10:36 | 0:10:39 | |
We cannot stand up in front of them and say, "Well, we've only got one." | 0:10:39 | 0:10:42 | |
-Can we not just pretend? -No. | 0:10:42 | 0:10:44 | |
We're talking about the national press here. We cannot just pretend. | 0:10:44 | 0:10:49 | |
The trust can't just sell the one section today. | 0:10:49 | 0:10:52 | |
It has to be both available sections or the deal is off. It's a disaster. | 0:10:52 | 0:10:57 | |
I need for you to find, or to come up with, | 0:10:57 | 0:11:01 | |
somebody to buy that second section of the bridge. | 0:11:01 | 0:11:04 | |
You can't come up with anyone? | 0:11:04 | 0:11:06 | |
Well, I'm going to go out and just have a word right now. | 0:11:06 | 0:11:09 | |
So I'm going to let you think about it. I'll be back in two minutes. | 0:11:09 | 0:11:12 | |
-Gentlemen, apologies. -Yeah, that's OK. | 0:11:12 | 0:11:14 | |
The girls will only be able to salvage the deal | 0:11:14 | 0:11:17 | |
if they can find someone to buy the other section. | 0:11:17 | 0:11:20 | |
I don't know what to do. | 0:11:20 | 0:11:22 | |
No, absolutely no-one. | 0:11:22 | 0:11:23 | |
My heart's, like, going der-der-der-der-der! | 0:11:25 | 0:11:28 | |
He doesn't know anyone up here. No-one, no. | 0:11:30 | 0:11:33 | |
What about you? | 0:11:35 | 0:11:37 | |
Honestly, because if we can't get someone, this won't even happen for us. | 0:11:37 | 0:11:41 | |
He's not the mentally interested. This scam is going nowhere. | 0:11:45 | 0:11:49 | |
Paul and Alex return to ramp up the pressure. | 0:11:51 | 0:11:54 | |
I don't know anyone in Scotland. Apart from these two, that we just met. | 0:11:56 | 0:12:00 | |
No offence to you, it's not feasible unless... You live in Edinburgh? | 0:12:00 | 0:12:04 | |
It's all or nothing as Paul gives the hard sell. | 0:12:04 | 0:12:08 | |
From your point of view, if you were to take this up today, | 0:12:08 | 0:12:13 | |
it pays off for the rest of your life. | 0:12:13 | 0:12:16 | |
If you can get a hold of the money today and be there tonight, | 0:12:16 | 0:12:20 | |
then we'll sign the whole thing over to you. | 0:12:20 | 0:12:22 | |
That bridge will have your name on it next month. | 0:12:22 | 0:12:25 | |
Absolutely. | 0:12:28 | 0:12:30 | |
The mark goes outside to phone a family member for advice. | 0:12:30 | 0:12:33 | |
The chance to make £3,000 a year for life, for just £2,000, is surely too good to pass up. | 0:12:36 | 0:12:43 | |
The mark has made his decision. | 0:12:49 | 0:12:53 | |
Good. | 0:12:53 | 0:12:54 | |
Yeah. | 0:12:58 | 0:12:59 | |
And we don't know who you are. | 0:13:01 | 0:13:03 | |
Well, I understand that. | 0:13:06 | 0:13:08 | |
This is... I mean, listen, if it was possible for you to do it, | 0:13:12 | 0:13:15 | |
it would have been a real drop in the ocean for us, to be honest. | 0:13:15 | 0:13:19 | |
So that's that. They say their goodbyes. | 0:13:19 | 0:13:22 | |
The hustlers tell the mark about the new investors' meeting later, | 0:13:22 | 0:13:27 | |
in case he changes his mind. | 0:13:27 | 0:13:30 | |
But, right now, it's mark one, hustlers nil. | 0:13:30 | 0:13:34 | |
When hustlers go out, they don't bring money, they bring prop bets. | 0:13:42 | 0:13:47 | |
The proposition bet only has one rule | 0:13:49 | 0:13:52 | |
and that's that the hustler always wins. | 0:13:52 | 0:13:55 | |
Polly is out on the town and she's not planning to buy the drinks. | 0:14:01 | 0:14:05 | |
So, basically, I've got a challenge for you, OK. | 0:14:05 | 0:14:09 | |
I want you to try and get that 5p from under the glass without | 0:14:11 | 0:14:14 | |
touching the glass or pushing it over or moving the glass at all. | 0:14:14 | 0:14:19 | |
-If you can do it, I'll buy each one of you a drink. -Right, OK. | 0:14:19 | 0:14:22 | |
-If you can't, you've got to buy me a drink. -OK. | 0:14:22 | 0:14:24 | |
-So, you up for the challenge? -ALL: Yeah. | 0:14:24 | 0:14:26 | |
So, there are two 2p coins supporting a glass. | 0:14:26 | 0:14:30 | |
Polly's friends need to remove the 5p piece | 0:14:30 | 0:14:34 | |
lying right in the middle, but there's no moving and no touching. | 0:14:34 | 0:14:38 | |
No chance! | 0:14:38 | 0:14:39 | |
-Can't touch the glass and I can't knock it over? -Yeah. | 0:14:39 | 0:14:43 | |
That's impossible! I'm thinking, take the 2ps out. | 0:14:43 | 0:14:47 | |
-Do you want to give it a whirl? -Right, OK. -Try and get that 5p out. | 0:14:47 | 0:14:52 | |
You moved the glass! | 0:14:55 | 0:14:57 | |
-I have no idea. -No idea. What about you, Ben? | 0:14:57 | 0:15:00 | |
-Erm... -Just go crazy! -Just go crazy? | 0:15:00 | 0:15:03 | |
-The glass is moving. -Yeah, the glass is moving. | 0:15:03 | 0:15:07 | |
-Do you want another go? -No. -So do you give up? -Give up. | 0:15:07 | 0:15:11 | |
OK, so if I can get that 5p out from under the glass, without | 0:15:11 | 0:15:14 | |
moving the glass or knocking it over, you're going to buy me a drink, yeah? | 0:15:14 | 0:15:18 | |
Unfortunately, yeah! | 0:15:18 | 0:15:19 | |
CLEARS THROAT OK. | 0:15:19 | 0:15:22 | |
-LAUGHTER -No! | 0:15:24 | 0:15:25 | |
Here we go! | 0:15:27 | 0:15:29 | |
I was close! | 0:15:31 | 0:15:33 | |
5p's out! | 0:15:33 | 0:15:35 | |
The secret is in the napkin. Polly scratches the fabric near the glass. | 0:15:35 | 0:15:41 | |
This makes the 5p coin move about | 0:15:41 | 0:15:43 | |
and limbo-dance its way to freedom. | 0:15:43 | 0:15:46 | |
And that means one free drink. | 0:15:46 | 0:15:48 | |
-The drinks are on us then. -I'll have a gin and tonic, please, boys. | 0:15:48 | 0:15:53 | |
Earlier today, Adele Silva and Jess convinced this mark | 0:16:00 | 0:16:05 | |
that a section of the Forth Railway Bridge is for sale. | 0:16:05 | 0:16:08 | |
Yeah, I was just telling them about the bridge because we're both doing it. | 0:16:09 | 0:16:13 | |
The hustlers did everything they could to convince him to invest. | 0:16:13 | 0:16:17 | |
What about you? | 0:16:17 | 0:16:19 | |
We'll sign the whole thing over to you. That bridge will have your name on it. | 0:16:19 | 0:16:22 | |
But he was too suspicious. | 0:16:22 | 0:16:24 | |
And we don't know who you are. | 0:16:26 | 0:16:28 | |
Could this scam already be over in 'A Bridge Too Far', part two. | 0:16:31 | 0:16:37 | |
It's several hours after the lunch meeting and the hustlers | 0:16:42 | 0:16:47 | |
are waiting patiently in a function room of the waterfront hotel. | 0:16:47 | 0:16:51 | |
Alex and Paul have got suitably dressed for this auspicious occasion, | 0:16:51 | 0:16:55 | |
but it could all be for nothing without a mark. | 0:16:55 | 0:16:58 | |
Against all odds, the mark and his friend have returned, | 0:17:00 | 0:17:03 | |
but that doesn't mean he'll have changed his mind about investing in the bridge. | 0:17:03 | 0:17:08 | |
Polly is waiting for them in reception and leads them | 0:17:08 | 0:17:12 | |
upstairs to the meeting room. | 0:17:12 | 0:17:15 | |
Everyone's up here. | 0:17:15 | 0:17:17 | |
We'll send you a copy. We'll send you a copy. Ah, gentlemen, come in. | 0:17:17 | 0:17:22 | |
We have dressed for the occasion. Come in, have a seat. | 0:17:22 | 0:17:25 | |
Hi, Scott, how are you? You're still nervous, aren't you? | 0:17:25 | 0:17:29 | |
Have a seat. | 0:17:32 | 0:17:34 | |
By the look on the mark's face, | 0:17:34 | 0:17:36 | |
he's still not sure the deal is genuine. | 0:17:36 | 0:17:39 | |
Mm-hm. | 0:17:43 | 0:17:44 | |
Well, look, we've got all night to talk about it, OK. | 0:17:48 | 0:17:51 | |
What we need to do is, we need to do this part first. | 0:17:51 | 0:17:55 | |
I can't hold the press much longer so I think we've got about ten, 15 minutes | 0:17:55 | 0:17:59 | |
and that gives us enough time to do the paperwork. | 0:17:59 | 0:18:02 | |
They're all being held in a conference room next door. | 0:18:03 | 0:18:07 | |
So there's a room full of press waiting to photograph | 0:18:07 | 0:18:11 | |
the new owners of the bridge. | 0:18:11 | 0:18:13 | |
The pressure is making the mark feel even more uncomfortable. | 0:18:13 | 0:18:17 | |
Yeah, absolutely. | 0:18:17 | 0:18:20 | |
We totally understand and we also totally appreciate | 0:18:20 | 0:18:22 | |
your time and also your consideration right now, | 0:18:22 | 0:18:25 | |
because we totally understand that this has been sprung on you. | 0:18:25 | 0:18:28 | |
Let's have a nice evening, put your money in the safe. You'll meet some interesting people tonight. | 0:18:28 | 0:18:32 | |
Adele does her part by handing over £2,000 in cash. | 0:18:32 | 0:18:36 | |
She's the other investor in the bridge today. | 0:18:36 | 0:18:39 | |
Alex counts out the cash, making sure the mark gets a good look. | 0:18:39 | 0:18:43 | |
There are two sections available here. | 0:18:43 | 0:18:45 | |
There's section number 583 and there's section number 347. | 0:18:45 | 0:18:49 | |
-OK. -Ah, bless you. | 0:18:51 | 0:18:52 | |
OK, 347 or 583? | 0:18:52 | 0:18:54 | |
-347, yeah. -347. | 0:18:54 | 0:18:57 | |
Adele signs the title deeds and Alex shows her | 0:19:00 | 0:19:03 | |
a photograph of her very own piece of the Forth Bridge. | 0:19:03 | 0:19:07 | |
This is for you to keep now. That's the actual section that you have. | 0:19:07 | 0:19:11 | |
-Is it? -Yeah. -Do you actually know? | 0:19:11 | 0:19:13 | |
-It's actually on the third part over there. -Oh, wow! | 0:19:13 | 0:19:17 | |
That means you have 583. That is actually going to go up on the bridge | 0:19:17 | 0:19:21 | |
with your name here, in the centre. | 0:19:21 | 0:19:23 | |
Seeing the shiny plaque brings home to the mark what he could soon own. | 0:19:23 | 0:19:27 | |
Paul seizes on the moment to put on the pressure. | 0:19:27 | 0:19:31 | |
Basically, what this says is... it states that you've purchased | 0:19:31 | 0:19:34 | |
the rights to this deed for the period of your lifetime. | 0:19:34 | 0:19:38 | |
But will the mark go for it? | 0:19:38 | 0:19:40 | |
-Yep. -Bingo! | 0:19:41 | 0:19:43 | |
Despite all his misgivings, | 0:19:43 | 0:19:45 | |
the mark gets out £2,000 in crisp Scottish banknotes. | 0:19:45 | 0:19:50 | |
If I could ask you to... | 0:19:51 | 0:19:54 | |
Alex counts out the cash as the mark signs the paperwork. | 0:19:54 | 0:19:58 | |
He's now the proud owner of section 583 of the Forth Railway Bridge. | 0:19:58 | 0:20:04 | |
Now for the press conference. | 0:20:06 | 0:20:09 | |
The mark wasn't expecting to have his photograph taken so Polly suggests a wardrobe change. | 0:20:09 | 0:20:14 | |
I'm going to get you a jacket, is that OK? | 0:20:14 | 0:20:17 | |
Just so you look a little smart. | 0:20:17 | 0:20:20 | |
Rob, we really must go. We really must. | 0:20:20 | 0:20:22 | |
-If you guys wait here, I'm going to go and get your jackets. -OK. | 0:20:22 | 0:20:25 | |
-We'll do the ladies first, but you obviously need to be in the picture as you're the big boss. -OK. | 0:20:25 | 0:20:31 | |
Alex is keen to take Adele to meet the press first. | 0:20:31 | 0:20:34 | |
Just going to start the photographs. | 0:20:34 | 0:20:36 | |
Right, ladies, if you let me do the talking and...uh, very good. | 0:20:36 | 0:20:41 | |
Hello, there. How are you? | 0:20:41 | 0:20:43 | |
CAMERAS CLICK | 0:20:43 | 0:20:44 | |
VOICES CALL OUT | 0:20:44 | 0:20:46 | |
The mark can hear the noisy press pack outside. | 0:20:46 | 0:20:50 | |
But he's still not sure about what's just happened. | 0:20:52 | 0:20:55 | |
After all, he's just handed £2,000 to people he's only just met. | 0:20:55 | 0:20:59 | |
Here we go. You'll look nice and smart. | 0:21:07 | 0:21:11 | |
I'll just put them here for you. | 0:21:11 | 0:21:14 | |
Polly returns with the smart jackets. | 0:21:14 | 0:21:17 | |
She leaves the mark and his mate to spruce themselves up. | 0:21:17 | 0:21:20 | |
Try them on for size. I'll be back in two secs. | 0:21:20 | 0:21:22 | |
Before long, the mark is getting anxious. | 0:21:32 | 0:21:35 | |
He can't take it any longer and heads off to find the hustlers | 0:21:43 | 0:21:48 | |
and all those journalists. | 0:21:48 | 0:21:50 | |
They can hear the press scrum, but bizarrely, there's nobody there. | 0:21:52 | 0:21:56 | |
There are no journalists, and the hustlers are long gone. | 0:22:03 | 0:22:07 | |
The mark's been left two grand out of pocket and all he has to | 0:22:07 | 0:22:11 | |
show for it is a sick feeling in his stomach and a second-hand jacket. | 0:22:11 | 0:22:15 | |
Here's what the mark didn't see. | 0:22:22 | 0:22:25 | |
Jazz was waiting on the stairs outside the room for his cue. | 0:22:27 | 0:22:31 | |
As soon as Paul led the girls out, he pressed play on a tape deck | 0:22:31 | 0:22:36 | |
with press noises the hustlers had recorded themselves. | 0:22:36 | 0:22:40 | |
A couple of flashes from Jazz's camera completed the illusion | 0:22:42 | 0:22:46 | |
and the tape was left running as the hustlers made their getaway. | 0:22:46 | 0:22:50 | |
And, of course, all those certificates and plaques | 0:22:52 | 0:22:56 | |
were just knocked up by the hustlers | 0:22:56 | 0:22:57 | |
to make the Forth Bridge Trust seem believable. | 0:22:57 | 0:23:02 | |
I was suspicious the whole time. I was, to be honest. | 0:23:02 | 0:23:05 | |
I'm quite gutted that I didn't stick to my gut instinct, to be honest. | 0:23:05 | 0:23:09 | |
These guys disappear into the night and you never see them ever again. | 0:23:09 | 0:23:14 | |
Well, it went really well, but I just felt so sorry for him. | 0:23:14 | 0:23:18 | |
Obviously the part of me is thinking, "Come on", for the show, | 0:23:18 | 0:23:21 | |
but then the other part of me is thinking, like, "No, don't!" | 0:23:21 | 0:23:24 | |
So I kind of have come out of it with mixed feelings, thinking, | 0:23:24 | 0:23:28 | |
"Oh, I feel really sorry for him." | 0:23:28 | 0:23:30 | |
Offering somebody a once-in-a-lifetime opportunity | 0:23:31 | 0:23:35 | |
is a very effective way to hook a mark. | 0:23:35 | 0:23:38 | |
Who wouldn't want to own a piece of an iconic landmark and | 0:23:38 | 0:23:41 | |
receive a guaranteed income from it for the rest of their lives? | 0:23:41 | 0:23:44 | |
You should never feel pressured into investing money before you've had a chance | 0:23:44 | 0:23:48 | |
to check out who you're dealing with and what you're buying. | 0:23:48 | 0:23:51 | |
If the offer is genuine, then the sellers won't mind waiting for you to do your research | 0:23:51 | 0:23:56 | |
and this could save you a whole lot of grief and money. | 0:23:56 | 0:23:59 | |
So that's another series of backbreaking scamming completed. | 0:24:09 | 0:24:13 | |
After all that hard work, the hustlers deserve to put their feet up. | 0:24:17 | 0:24:22 | |
Alex, you've got lovely legs from here! | 0:24:22 | 0:24:25 | |
Because, if they don't get their rest, things start going wrong. | 0:24:25 | 0:24:29 | |
Simple things, like opening doors. | 0:24:35 | 0:24:37 | |
Awesome(!) | 0:24:37 | 0:24:39 | |
Fabulous(!) We're on the television and nothing is working. | 0:24:40 | 0:24:44 | |
-Can you hear me? -Opening shirts. | 0:24:44 | 0:24:47 | |
-Can you help me undo this, please? -Yeah, yeah, yeah. | 0:24:47 | 0:24:50 | |
Or closing the lift doors during a high-speed getaway. | 0:24:50 | 0:24:53 | |
Jess pushes close. | 0:24:55 | 0:24:57 | |
Jess pushes open. | 0:24:57 | 0:24:59 | |
Alex pushes close. | 0:24:59 | 0:25:01 | |
Jess pushes open. | 0:25:01 | 0:25:03 | |
Alex pushes open. | 0:25:03 | 0:25:05 | |
Jess holds open. | 0:25:05 | 0:25:07 | |
PA: Doors opening. | 0:25:07 | 0:25:09 | |
And finally! | 0:25:09 | 0:25:12 | |
Even hustlers lose their way. | 0:25:12 | 0:25:15 | |
Erm, do you know where Piccadilly Circus is? | 0:25:15 | 0:25:17 | |
-Yeah, it's about 600 miles south of here. -Oh, OK, I'll start walking! | 0:25:17 | 0:25:21 | |
-I'm looking for Carlton Road. -Carlton Road? -Yeah. | 0:25:23 | 0:25:26 | |
And, sometimes, even the most nimble fingers get caught. | 0:25:26 | 0:25:29 | |
Is it? I mean, we're here, aren't we? | 0:25:29 | 0:25:32 | |
-All right, don't even bother, mate, you -BLEEP BLEEP. | 0:25:32 | 0:25:36 | |
Polly and Jazz are the new recruits, nothing if not stylish and slick. | 0:25:38 | 0:25:43 | |
I need to transfer all that data onto this USB stick. Your nails look nice, by the way. | 0:25:43 | 0:25:48 | |
Thanks. | 0:25:48 | 0:25:50 | |
That was smooth. | 0:25:50 | 0:25:53 | |
# I'm a hustler, baby! # | 0:25:53 | 0:25:54 | |
Guys, ready when you are. | 0:25:54 | 0:25:57 | |
-Put the stick in. -Put the stick in. | 0:25:57 | 0:26:00 | |
-OK, give me one sec. This is quite a little fiddly -BLEEP. | 0:26:00 | 0:26:03 | |
-Oh my God! -It's like a fish. -His hands are so sweaty. | 0:26:03 | 0:26:06 | |
Polly also has a tiny hustling dog. | 0:26:06 | 0:26:09 | |
-They're going to be here in two seconds, OK? -OK, mm-hm. | 0:26:09 | 0:26:12 | |
Are you ready, Coco, to do your acting role? Are you ready, gorgeous? | 0:26:12 | 0:26:16 | |
The hustlers are happy to work with animals, children and celebrities. | 0:26:16 | 0:26:21 | |
The celeb guests are the very essence of sophistication. | 0:26:21 | 0:26:26 | |
Each celebrity has their own tactics, coming on the show. | 0:26:27 | 0:26:32 | |
Joe Swash, for example, came with an open mind. | 0:26:32 | 0:26:36 | |
I haven't got any stratessy, stratessy, er, stratesy. Any stratest... | 0:26:36 | 0:26:39 | |
-I haven't, what's the... -Strategy. -Stratessy. Strat... | 0:26:39 | 0:26:42 | |
-Have you got a plan? -I haven't got any plans for today, no. | 0:26:42 | 0:26:45 | |
Yeah, I think I've done some blags in my day. | 0:26:45 | 0:26:49 | |
Got extras here. | 0:26:49 | 0:26:50 | |
When it comes to handing out hustling advice, | 0:26:52 | 0:26:55 | |
it's probably best to leave it to the professionals. | 0:26:55 | 0:26:58 | |
OK, fellas, and three, two, one. | 0:26:58 | 0:27:02 | |
This scam works because people tie camera... They don't tie them. They hang them. | 0:27:02 | 0:27:08 | |
When the mark then goes over to help Polly, | 0:27:08 | 0:27:10 | |
he feels obliged to return the... the... to return the... | 0:27:10 | 0:27:15 | |
This scam works because people hang a camera around their neck and forget about it. | 0:27:17 | 0:27:22 | |
CREW LAUGH | 0:27:22 | 0:27:23 | |
Favour? | 0:27:24 | 0:27:25 | |
Let's just forget about it. Yeah, let's forget about it. | 0:27:25 | 0:27:29 | |
This is a scam that happened to a friend of ours, who knew nothing. | 0:27:29 | 0:27:33 | |
Start again. | 0:27:33 | 0:27:35 | |
-I'd run out of air. -Just shut the door and... Just shut the door. | 0:27:35 | 0:27:40 | |
Just shut the door, send them on their way and then say... | 0:27:40 | 0:27:44 | |
Open the door, say "Go away" and then shut it. | 0:27:44 | 0:27:47 | |
And sometimes, even the hustlers are outsmarted. | 0:27:47 | 0:27:51 | |
You've got to get the coins to switch places, | 0:27:51 | 0:27:55 | |
without the bottle falling over, and you can't touch the bottle. | 0:27:55 | 0:28:00 | |
That's very good. A round of... | 0:28:08 | 0:28:10 | |
A round of drinks for Katie. | 0:28:10 | 0:28:13 | |
Right, you're fired, thank you. | 0:28:13 | 0:28:15 | |
The hustlers will be back, but for now, | 0:28:19 | 0:28:22 | |
if you want to know more about how the show is made, go to... | 0:28:22 | 0:28:28 | |
Subtitles by Red Bee Media Ltd | 0:28:35 | 0:28:38 | |
E-mail [email protected] | 0:28:38 | 0:28:41 |