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This is The Real Hustle: New Recruits. | 0:00:02 | 0:00:05 | |
The hustlers are back. And this time, | 0:00:05 | 0:00:07 | |
they've brought in two new faces to help them with their scams - | 0:00:07 | 0:00:11 | |
new recruits Polly and Jazz. | 0:00:11 | 0:00:14 | |
They'll join original hustlers Paul, Jess and Alex. | 0:00:14 | 0:00:20 | |
Working together as a team, | 0:00:21 | 0:00:23 | |
they'll carry out scams that are more cunning and devious than ever before. | 0:00:23 | 0:00:28 | |
On tonight's show... | 0:00:28 | 0:00:30 | |
A mark is taken for the ride of his life. | 0:00:30 | 0:00:33 | |
-That's not what you were driving. -Eh? | 0:00:33 | 0:00:35 | |
Jazz pops his cork. | 0:00:35 | 0:00:38 | |
Worked up a sweat after that! | 0:00:38 | 0:00:40 | |
And these guys have a terrible day out in the country. | 0:00:42 | 0:00:46 | |
They've scammed us, boys, big time. | 0:00:46 | 0:00:48 | |
The hustlers have invited celebrity friends to help them with their scams. | 0:01:31 | 0:01:35 | |
They'll be thrown in at the deep end - no training, and no practice, just straight in. | 0:01:35 | 0:01:40 | |
Today's celebrity guest hustler is former EastEnders wheeler-dealer | 0:01:43 | 0:01:47 | |
and King Of the Jungle, Joe Swash. | 0:01:47 | 0:01:49 | |
I don't know what to expect today. Everything's been a little bit secretive. | 0:01:53 | 0:01:57 | |
It's early, it's quite far from my house. | 0:01:57 | 0:02:01 | |
It's in the middle of nowhere. It's quite beautiful as well, coming from the city. | 0:02:01 | 0:02:05 | |
But I don't know what to expect. I'm hoping that it's nothing involving big members of the public, | 0:02:05 | 0:02:10 | |
you know, that might attack me, or might chase me. | 0:02:10 | 0:02:14 | |
Joe is about to get his hustle briefing | 0:02:14 | 0:02:17 | |
from a shifty man in a field. | 0:02:17 | 0:02:19 | |
-Hello. -Hello, mate. -I'm Joe. -Good to meet you. -Nice to see you. | 0:02:19 | 0:02:24 | |
-This isn't exactly the classic backdrop for a scam. -No, it ain't. It's quite beautiful, to be fair. | 0:02:24 | 0:02:30 | |
-It's very nice. We're not going to steal cows. -No livestock? | 0:02:30 | 0:02:33 | |
-They're hard to shift, that's the problem. We're going to hijack something. -Hijack something?! | 0:02:33 | 0:02:38 | |
-Sounds exciting! -We're con artists. We're not going to use shotguns. | 0:02:38 | 0:02:42 | |
-We'll get someone to give us the keys. -Just hand the keys over? | 0:02:42 | 0:02:45 | |
But not only that, we're going to make sure that exactly what we want is what we get. | 0:02:45 | 0:02:50 | |
Next question is, what is it we're going to hijack? | 0:02:50 | 0:02:52 | |
-You want to find out? -I'm dying to find out! -Come on, I'll show you. | 0:02:52 | 0:02:57 | |
Joe's going to get a taste of the criminal life in... | 0:02:57 | 0:02:59 | |
The Hijack. | 0:02:59 | 0:03:01 | |
For the first part of the hustle, Joe has been paired with Alex. | 0:03:03 | 0:03:06 | |
They've driven to a local shopping precinct in the outskirts of London. | 0:03:06 | 0:03:10 | |
Their target is a TV sales and rental shop. | 0:03:10 | 0:03:14 | |
-That's the place. -Right, OK. | 0:03:14 | 0:03:16 | |
-I'll let you go in first. -Shall I just go in now, yeah? | 0:03:16 | 0:03:19 | |
Yeah. Two minutes. I'll be right behind you. | 0:03:19 | 0:03:21 | |
Joe is being sent in first, all by himself. | 0:03:24 | 0:03:27 | |
Hello, how are you? Em, just, the telly in the front window - is that available? | 0:03:36 | 0:03:41 | |
This is the mark. | 0:03:41 | 0:03:43 | |
We've been let down by a company that was going to give us loads of tellies. | 0:03:43 | 0:03:47 | |
We only need them for 24 hours. I've got a list of the sizes. | 0:03:47 | 0:03:52 | |
-Maybe...maybe 10? You've got 10 in stock? -Yeah. Not here. | 0:03:52 | 0:03:55 | |
-We've got them down our factory. Let me see what's down there. -All right, thank you. | 0:03:55 | 0:04:00 | |
So here's the story. | 0:04:00 | 0:04:03 | |
Joe's claiming to work for a film company that's been let down by a supplier. | 0:04:03 | 0:04:08 | |
He needs to persuade the mark to hire him 10 flat-screen TVs for a shoot. | 0:04:08 | 0:04:12 | |
See your best bet? Have you got a little while? | 0:04:13 | 0:04:16 | |
Can you pop down to Isleworth to see our man? | 0:04:16 | 0:04:19 | |
No. We're in such a rush. We've got people running round everywhere... | 0:04:19 | 0:04:22 | |
-Well the man that deals with it's in Isleworth. -OK. -Which isn't far. -Right. | 0:04:22 | 0:04:26 | |
I've just come back. Took me five minutes. | 0:04:26 | 0:04:28 | |
Joe seems to be struggling to persuade the mark. | 0:04:28 | 0:04:31 | |
Time for Alex to make his entrance. | 0:04:32 | 0:04:35 | |
-And the fella that's down at Isleworth... -He deals with it. | 0:04:36 | 0:04:40 | |
-And how far is that from here? -Five minutes. -Five minutes. | 0:04:40 | 0:04:44 | |
-How are you doing? Did you get one? -The one at the front, that's not available. | 0:04:44 | 0:04:48 | |
-The one at the front's not available. -Is it not? -And a lot of them, he hasn't got the boxes. | 0:04:48 | 0:04:52 | |
OK, well we need... Did my colleague explain to you we're a bit stuck? | 0:04:52 | 0:04:56 | |
-If he pops down to Isleworth, which is where they are... -Right. | 0:04:56 | 0:05:00 | |
Yeah? The guy that deals with film rental is down there. | 0:05:00 | 0:05:03 | |
For this scam to work, | 0:05:03 | 0:05:05 | |
Alex and Joe need to persuade the mark to give them TVs from this shop. | 0:05:05 | 0:05:09 | |
They don't want to go off to a depot to deal with the press department, | 0:05:09 | 0:05:13 | |
who will be much tougher to convince. | 0:05:13 | 0:05:15 | |
-I've got a van that's coming here. -It's five minutes away in a car. -Right, and they will have... | 0:05:15 | 0:05:20 | |
So you could go down there, sort it out. When your man gets here, get him to go and collect them. | 0:05:20 | 0:05:25 | |
-And there's no way you can get them here? -It's five minutes away, man. | 0:05:25 | 0:05:28 | |
-But I've booked... If I keep changing lorries around... -I'm sorry... -If I keep reorganising... | 0:05:28 | 0:05:33 | |
-I'm trying to save you time... -I know, but I don't have the authority to reorganise the van. | 0:05:33 | 0:05:37 | |
Do you see what I mean? That's my problem. That's my problem with my boss! | 0:05:37 | 0:05:43 | |
-What's the name of your company? -TRH Films. | 0:05:43 | 0:05:46 | |
-And have we dealt with you before? -I don't think so, no. | 0:05:46 | 0:05:49 | |
He's not convinced. | 0:05:49 | 0:05:51 | |
But they're about to face a potentially catastrophic problem. | 0:05:51 | 0:05:55 | |
I don't know. I don't live too far from here. I live about... | 0:05:59 | 0:06:03 | |
-half an hour, 40 minutes from here. -What, in Chiswick? -Yeah. | 0:06:03 | 0:06:07 | |
If the mark recognises Joe as a TV star, | 0:06:07 | 0:06:11 | |
his cover will be blown, and the scam will be over. | 0:06:11 | 0:06:13 | |
You know what, I've got a lot of friends that live round here. | 0:06:13 | 0:06:17 | |
I've probably, I probably when I was younger, I used to knock around here. | 0:06:17 | 0:06:21 | |
Yeah. You've probably chased me off a few times! | 0:06:21 | 0:06:25 | |
Likely story! But it seems to have worked. | 0:06:25 | 0:06:28 | |
Yeah. Soon as I've got payment, they'll be wrapping them up and putting them on the van. | 0:06:30 | 0:06:34 | |
-Lovely! -Perfect. -They're 120 quid each. -Lovely, I've got a card. | 0:06:34 | 0:06:39 | |
So now, they just have to pay 1,200 quid for the day's rental. | 0:06:39 | 0:06:43 | |
All right there? | 0:06:51 | 0:06:53 | |
-The PIN number's rejected. -Which card have you got there? | 0:06:55 | 0:06:59 | |
-Who's Alexis Conran? -That's the wrong card! | 0:06:59 | 0:07:02 | |
I haven't... I didn't pick up the production card. I've picked up... | 0:07:02 | 0:07:07 | |
-Phone him, make sure... -No, no, no. I'll phone him. -Sorry about this. | 0:07:07 | 0:07:11 | |
Actually, Joe put the wrong PIN in on purpose. | 0:07:11 | 0:07:14 | |
These guys have no intention of paying for the TVs. | 0:07:14 | 0:07:17 | |
Yeah, Susie? Listen, we've got the tellies. | 0:07:17 | 0:07:20 | |
Alex pretends to phone his boss for advice. | 0:07:20 | 0:07:23 | |
She can pay you cash before a television steps off the van. | 0:07:24 | 0:07:29 | |
I know, I appreciate that. What I would suggest is, if you come with us... | 0:07:31 | 0:07:35 | |
No, we're not... No, we can't do that. | 0:07:35 | 0:07:38 | |
-Listen, you're two guys that come in off the street asking for 10 televisions... -I appreciate that. | 0:07:38 | 0:07:43 | |
-I am not going to do anything till I've got paid. -I absolutely appreciate that. | 0:07:43 | 0:07:48 | |
-But they're not going to leave your sight, at all. -They all say that. | 0:07:48 | 0:07:52 | |
-I'm not saying you are! -You're going to be exactly next to them. | 0:07:52 | 0:07:55 | |
This is...I'm doing my best here to try and make it work. | 0:07:55 | 0:07:59 | |
How am I going to suddenly magic somebody out of the air? | 0:07:59 | 0:08:02 | |
-Who's coming - who's bringing the tellies? -Could you... -Can't we give him an extra score... | 0:08:02 | 0:08:07 | |
Could you come with us? You? | 0:08:07 | 0:08:08 | |
You'd have to pay me a lot of money. | 0:08:10 | 0:08:12 | |
-I'll pay you... -How much would it cost to have you for the next...? | 0:08:12 | 0:08:16 | |
We'll pay you for the day. And we'll get you a cab back. | 0:08:16 | 0:08:19 | |
-200 quid, for you. Agreed. -Lovely. | 0:08:22 | 0:08:26 | |
Bingo. The offer is too good to refuse. | 0:08:26 | 0:08:29 | |
Thank you, mate. | 0:08:30 | 0:08:32 | |
-Nice one. -Sweet. | 0:08:32 | 0:08:33 | |
Alex and Joe leave behind the drop-off address, and head off. | 0:08:36 | 0:08:40 | |
The booked delivery truck will be turning up shortly. | 0:08:40 | 0:08:43 | |
But in the meantime, the mark has spotted something out of place in the shop. | 0:08:43 | 0:08:48 | |
It's a laptop bag, seemingly left behind by Alex. How careless of him(!) | 0:08:48 | 0:08:53 | |
The mark phones a contact number on the bag, using a hands-free set. | 0:08:53 | 0:08:57 | |
Half an hour later, a truck turns up to pick up all those TVs. | 0:09:04 | 0:09:08 | |
So what are the hustlers up to? | 0:09:09 | 0:09:11 | |
The TVs are in a genuine delivery truck, | 0:09:11 | 0:09:15 | |
operated by a genuine delivery company. | 0:09:15 | 0:09:17 | |
And they're being looked after by a very suspicious mark from the TV rental shop. | 0:09:17 | 0:09:22 | |
One thing's for sure - he won't let anyone else get their hands on the TVs | 0:09:25 | 0:09:29 | |
until he's seen cold, hard cash. | 0:09:29 | 0:09:32 | |
-At least, that's what -he -thinks! | 0:09:32 | 0:09:34 | |
-You didn't see the sign? -Do you have glasses? Did you not see that I was coming out? | 0:09:36 | 0:09:40 | |
When hustlers go out, they don't bring money - they bring prop bets. | 0:09:53 | 0:09:57 | |
Challenges designed to win or lose a drink. | 0:09:57 | 0:10:01 | |
But a proposition bet only has one rule | 0:10:01 | 0:10:03 | |
and that's that the hustler always wins. | 0:10:03 | 0:10:06 | |
New boy Jazz is out on the town and he needs another drink. | 0:10:09 | 0:10:14 | |
What we've got here is...bottle, cork and a 5p piece. | 0:10:14 | 0:10:19 | |
What I'm going to do is put the 5p in the bottle... | 0:10:19 | 0:10:24 | |
the cork in the top. Just clean it so you can see it all. | 0:10:24 | 0:10:30 | |
What you have to do is get the 5p out before the cork. | 0:10:30 | 0:10:34 | |
-So the 5p out before the cork? -The 5p out before the cork. | 0:10:34 | 0:10:38 | |
It sounds impossible. | 0:10:38 | 0:10:39 | |
The challenge is to get the 5p piece out of the bottle before the cork. | 0:10:39 | 0:10:44 | |
Can it really be done? | 0:10:44 | 0:10:45 | |
There's no way you can get the 5p out without the cork. | 0:10:47 | 0:10:51 | |
-There is a way. -There is a way. -There is a way. | 0:10:51 | 0:10:54 | |
It's not a trick bottle. A normal bottle. | 0:10:55 | 0:10:58 | |
-The only thing I can think of is smashing the bottle, but that's not OK. -No. | 0:10:58 | 0:11:03 | |
-Health and safety issues with that. -Just take the cork out? | 0:11:03 | 0:11:06 | |
-No, because the cork will come out first. -Stumped. -That's stumped us. | 0:11:06 | 0:11:10 | |
-Giving up? -Yeah. | 0:11:10 | 0:11:12 | |
If I can do it, you'll buy me a drink, both of you, yeah? | 0:11:12 | 0:11:15 | |
-Yes. -Yes, yes? OK. Good, good. | 0:11:15 | 0:11:18 | |
-All right. So what we do is, you have to get the cork in first. -Why didn't we think of that? | 0:11:18 | 0:11:23 | |
It's a tricky one, but when it works, it's very good. | 0:11:23 | 0:11:28 | |
God! Worked up a sweat after that. | 0:11:28 | 0:11:30 | |
OK. So now... | 0:11:30 | 0:11:33 | |
5p first before the cork. | 0:11:33 | 0:11:35 | |
Now what we have to do is get the cork out. | 0:11:35 | 0:11:38 | |
Use this beautiful white silk hankie. | 0:11:38 | 0:11:41 | |
-Put it in. -I will be very impressed. -If we can get this out? | 0:11:43 | 0:11:47 | |
-All right. Well, I'll give it a go. -Especially with the napkin. | 0:11:47 | 0:11:51 | |
Here we go. | 0:11:56 | 0:11:58 | |
-And the cork comes out. -Well done. | 0:12:00 | 0:12:03 | |
Easy when you know how. | 0:12:03 | 0:12:05 | |
First, Jazz pushes the cork into the bottle. | 0:12:05 | 0:12:09 | |
-He can then shake out the 5p coin. -5p first before the cork. | 0:12:09 | 0:12:13 | |
And that handkerchief wasn't just there to mop his brow. | 0:12:13 | 0:12:17 | |
He uses it to snag the cork inside the bottle. | 0:12:17 | 0:12:22 | |
A firm tug and pop. One free drink. | 0:12:22 | 0:12:24 | |
-Make it a wine. -Wine? -Yeah? Perfect. | 0:12:24 | 0:12:27 | |
Jess is sitting on her own in a country pub. | 0:12:34 | 0:12:38 | |
Not like her to be short of male attention | 0:12:38 | 0:12:41 | |
and having to buy her own drinks. | 0:12:41 | 0:12:43 | |
Actually, she's here waiting for this guy - the mark, | 0:12:43 | 0:12:48 | |
clutching a big wedge of money. | 0:12:48 | 0:12:51 | |
Jess is going to take him for the test drive. | 0:12:51 | 0:12:54 | |
Hello. Hi, I'm Susie. You all right, love? Nice to meet you. | 0:13:00 | 0:13:03 | |
The mark's made an appointment to see a classic car Jess is selling. | 0:13:03 | 0:13:07 | |
Being the law-abiding citizen she is, | 0:13:07 | 0:13:10 | |
she first makes sure that his licence is in order. | 0:13:10 | 0:13:13 | |
I need to check your points. How many you got? | 0:13:13 | 0:13:16 | |
None? Well done. | 0:13:16 | 0:13:17 | |
Formalities out of the way, it's time to look at the car. | 0:13:17 | 0:13:20 | |
-There it is under a rain cover. -Can you give me a hand to take this off? | 0:13:26 | 0:13:30 | |
The 1971 MGB sports car is in excellent nick. | 0:13:35 | 0:13:39 | |
Thank you. If you want to shove that just in the back there. | 0:13:42 | 0:13:45 | |
Finally, the test drive. | 0:13:49 | 0:13:52 | |
I took someone on a little drive earlier and we just... | 0:13:52 | 0:13:55 | |
The mark's chomping at the bit to take this little beauty for a spin. | 0:13:55 | 0:13:59 | |
I've only had it since last summer. My boyfriend bought it for me. | 0:14:01 | 0:14:06 | |
So I've driven it, you know, bits and bobs, but not a lot. | 0:14:06 | 0:14:10 | |
The test drive is over and everything seems to have gone well. | 0:14:28 | 0:14:32 | |
Still worried about the rain, Jess insists on putting the canvas cover back on the car. | 0:14:39 | 0:14:44 | |
Can you help me with this cover again? | 0:14:44 | 0:14:46 | |
Just cos I don't know what the weather's like in Scotland. | 0:14:46 | 0:14:50 | |
And until it's sold, I just want to make sure it's... | 0:14:50 | 0:14:53 | |
It stays perfect. | 0:14:53 | 0:14:55 | |
Finally, they go back inside to discuss the deal. | 0:15:01 | 0:15:05 | |
-How was that? Was that OK? -Yeah. -Right, I've got to go. | 0:15:13 | 0:15:16 | |
There's the keys. I've got all this paperwork for you now. | 0:15:16 | 0:15:20 | |
This is the MoT certificate and service history. | 0:15:20 | 0:15:22 | |
This is everything you could possibly need to know about the car. | 0:15:22 | 0:15:25 | |
That's everything that's happened in the past, all papers. Anything to do with this car is in this folder. | 0:15:25 | 0:15:31 | |
Jess has certainly got all her paperwork in order. | 0:15:31 | 0:15:33 | |
The mark can rest assured the car's been well looked after. | 0:15:33 | 0:15:36 | |
Just one thing left to do. | 0:15:36 | 0:15:39 | |
-And that's pay for it. -You've got, like, a whole year on that. -Great. | 0:15:40 | 0:15:44 | |
Em, that's a little invoice. Are you going to pay now? | 0:15:44 | 0:15:49 | |
There goes that wedge of cash. | 0:15:50 | 0:15:52 | |
Right. Are you going to count this out in front of me, so I don't have to do it? | 0:15:54 | 0:15:57 | |
The mark's paying £1,800, and at that price, | 0:16:00 | 0:16:03 | |
the vintage sports car is an absolute steal. | 0:16:03 | 0:16:07 | |
This is good. I hate counting money - especially with these nails! | 0:16:07 | 0:16:11 | |
Are you happy with everything? Have you got any questions? | 0:16:11 | 0:16:14 | |
If there's anything you need to know, just give me a ring. I'll pop that in there for you. | 0:16:14 | 0:16:19 | |
Your keys. | 0:16:20 | 0:16:21 | |
OK? I'm going to shoot. is everything OK, yeah? | 0:16:22 | 0:16:25 | |
OK, have a great day, boys. Any problems, just give me a call, yeah? | 0:16:25 | 0:16:28 | |
-See you later. -See you later. -Oh, I've got to go out this way. | 0:16:28 | 0:16:32 | |
He's got the keys, and all the paperwork. | 0:16:34 | 0:16:38 | |
Of course, he wants to take another look at that beautiful classic car. | 0:16:38 | 0:16:43 | |
In a matter of minutes, the car is turned from a well-preserved classic | 0:17:11 | 0:17:16 | |
into a crappy old rust bucket. | 0:17:16 | 0:17:18 | |
So, what really happened? | 0:17:22 | 0:17:23 | |
There wasn't one car, but two. Both with the same plates. | 0:17:26 | 0:17:30 | |
Once the hustlers had found the old banger, | 0:17:30 | 0:17:32 | |
-they bought an identical car in good nick. -Wow. | 0:17:32 | 0:17:35 | |
-It's an MG? -It's the same make. -Yeah? -Brilliant. | 0:17:35 | 0:17:38 | |
Back in a minute. | 0:17:38 | 0:17:40 | |
It was no accident that there were traffic cones in the car park. | 0:17:40 | 0:17:44 | |
It looks like they've reserved me a spot. | 0:17:44 | 0:17:46 | |
They'd been left to make sure the spaces around the car | 0:17:46 | 0:17:49 | |
-were kept clear. -Perfect. | 0:17:49 | 0:17:51 | |
Are you going to count this out in front of me, so I don't have to do it? | 0:17:53 | 0:17:57 | |
And Jess wasn't working alone. | 0:17:57 | 0:18:00 | |
There were plenty of hustlers at work here today. | 0:18:00 | 0:18:03 | |
Paul got into the hustle van, and as soon as the mark was distracted with the paperwork, | 0:18:03 | 0:18:08 | |
he pulled the van in front of the window, blocking the view. | 0:18:08 | 0:18:11 | |
The lemon was in the car-park the whole time. | 0:18:13 | 0:18:16 | |
Alex and Jazz just pushed it into place next to the sports car. | 0:18:21 | 0:18:25 | |
Your keys. | 0:18:28 | 0:18:30 | |
And that rain cover meant the mark wasn't able to tell the difference | 0:18:31 | 0:18:35 | |
until it was too late. | 0:18:35 | 0:18:37 | |
I'm going to shoot. Is everything OK, yeah? OK. Have a great day, boys. | 0:18:37 | 0:18:41 | |
The two vehicles drove off in perfect synchronisation, | 0:18:43 | 0:18:47 | |
making the switch completely invisible from inside the pub. | 0:18:47 | 0:18:51 | |
And off they drove, with the sports car and the money, | 0:18:54 | 0:18:57 | |
stopping only to pick Jess up round the back. | 0:18:57 | 0:19:00 | |
This is a classic bait-and-switch scam. | 0:19:09 | 0:19:12 | |
The mark thinks they're buying a good car, but drive home a lemon. | 0:19:12 | 0:19:15 | |
We've made the differences between the two cars immediately obvious. | 0:19:15 | 0:19:19 | |
But when this scam happens for real, | 0:19:19 | 0:19:21 | |
you may not know that the car you now own | 0:19:21 | 0:19:24 | |
is not the one you took for a test drive. | 0:19:24 | 0:19:27 | |
It may be unsafe to drive, and you could end up paying with your life. | 0:19:27 | 0:19:31 | |
Don't let the seller leave | 0:19:31 | 0:19:33 | |
until you've taken full possession of whatever you're buying. | 0:19:33 | 0:19:36 | |
And don't carry out the transaction in some random pub in the middle of nowhere. | 0:19:36 | 0:19:40 | |
Instead, go to the seller's home or place of business. | 0:19:40 | 0:19:44 | |
That way, if there's a problem, you know where to find them. | 0:19:44 | 0:19:47 | |
Earlier today, actor Joe Swash helped persuade a TV rental shop | 0:19:55 | 0:19:58 | |
to hire out ten flat-screen TVs for a film shoot. | 0:19:58 | 0:20:02 | |
We only need these... We've been let down from another company | 0:20:02 | 0:20:05 | |
that was going to give us loads of tellies. | 0:20:05 | 0:20:08 | |
We only need them for 24 hours. | 0:20:08 | 0:20:11 | |
When the card payment failed, they agreed to pay cash on delivery. | 0:20:11 | 0:20:14 | |
She can pay you cash before a television steps off the van. | 0:20:14 | 0:20:19 | |
The TVs were loaded onto a truck from a genuine delivery firm, booked for a pick-up over the phone. | 0:20:20 | 0:20:26 | |
The suspicious mark is now riding along with the TVs to the film location in... | 0:20:27 | 0:20:32 | |
The Hijack: Part Two. | 0:20:32 | 0:20:34 | |
They arrive at the driveway to the film location. | 0:20:39 | 0:20:42 | |
-But it seems to be blocked... -Are you blind? | 0:20:42 | 0:20:44 | |
What the hell do you think you're doing? | 0:20:44 | 0:20:46 | |
..by two cars, two squabbling women, and two yappy little dogs. | 0:20:46 | 0:20:51 | |
-Do you have glasses? Did you not see that I was coming out? -What were you doing there? | 0:20:51 | 0:20:56 | |
-The rule is you wait... -Do you know the Highway Code? | 0:20:56 | 0:21:00 | |
In fact, this whole scene has been staged for the truck's benefit. | 0:21:00 | 0:21:05 | |
The hustlers knew exactly when they'd be arriving, | 0:21:05 | 0:21:09 | |
thanks to that laptop bag left behind by Alex. | 0:21:09 | 0:21:12 | |
It actually contains a smart phone, with a tracking app enabled. | 0:21:13 | 0:21:18 | |
Paul watched their progress on a laptop, | 0:21:18 | 0:21:20 | |
and signalled the others as soon as they were arriving. | 0:21:20 | 0:21:24 | |
They'll be here soon. | 0:21:24 | 0:21:26 | |
The two cars were then pushed into place, | 0:21:29 | 0:21:31 | |
and a broken headlamp added the finishing touch. | 0:21:31 | 0:21:33 | |
So now, they're at the right delivery address, but can't get up the drive. | 0:21:36 | 0:21:42 | |
Luckily, there's a country gent on hand to help the driver with a diversion. | 0:21:42 | 0:21:47 | |
Straight up here, first left, and left again. | 0:21:47 | 0:21:50 | |
All right. Cheers, guys, sorry about that. | 0:21:50 | 0:21:52 | |
Look, it's all right, we've got insurance! | 0:21:52 | 0:21:54 | |
-As soon as they're out of sight... -My mother warned me about people like you! -Really? -Shut up! | 0:21:54 | 0:21:58 | |
Jazz legs it to the next part of the scam. He's only got moments to get there and change. | 0:21:58 | 0:22:03 | |
As planned, the driver is now forced to take a back route | 0:22:05 | 0:22:08 | |
down a country lane, through the middle of fields. | 0:22:08 | 0:22:11 | |
This is the back road into the location. | 0:22:15 | 0:22:18 | |
But the path through the fields is so narrow | 0:22:18 | 0:22:21 | |
the driver decides to reverse down it. | 0:22:21 | 0:22:24 | |
He's faced with a very disturbing sight in his mirrors. | 0:22:24 | 0:22:28 | |
The road is blocked by three men in biohazard suits. | 0:22:28 | 0:22:32 | |
And one latecomer, Jazz, who's made it just in time. | 0:22:32 | 0:22:36 | |
Whoa, whoa, whoa! Whoa! | 0:22:38 | 0:22:41 | |
The drivers and the TV shop employee get out. | 0:22:42 | 0:22:45 | |
All right? Stand here, guys. Over here. | 0:22:47 | 0:22:49 | |
You didn't see the sign? | 0:22:50 | 0:22:53 | |
There's no sign down there? Are you sure? | 0:22:53 | 0:22:56 | |
There was a sign, conveniently obscured by a fence. | 0:22:56 | 0:23:00 | |
Do you want to stop spraying? These guys don't have any breath equipment. | 0:23:02 | 0:23:06 | |
Along with the hustlers is Joe. | 0:23:08 | 0:23:10 | |
He's also wearing a mask, so the mark doesn't recognise him. | 0:23:10 | 0:23:14 | |
-Do you know what foot-and-mouth is? -Yeah. | 0:23:14 | 0:23:16 | |
You've put your foot in your mouth here. Come on. | 0:23:16 | 0:23:19 | |
You'll have to clean your shoes and your tyres before we let you out of here. | 0:23:19 | 0:23:23 | |
All right, follow me. | 0:23:23 | 0:23:24 | |
Clean these tyres, will you? | 0:23:24 | 0:23:26 | |
They've got no choice but to follow Paul's order. | 0:23:29 | 0:23:33 | |
Step inside. | 0:23:35 | 0:23:37 | |
Very sorry - this'll take about half an hour. | 0:23:37 | 0:23:41 | |
We're going to have to drive it backwards for you anyway through a tyre wash. | 0:23:41 | 0:23:46 | |
What kind of kit is in here? What is it? Well, it does to me. | 0:23:48 | 0:23:51 | |
Though this guy still refuses to let the truck out of his sight. | 0:23:51 | 0:23:55 | |
I need you in here, or I'll have to call the police. | 0:23:55 | 0:23:58 | |
We'll be here till two in the morning. It's up to you. | 0:23:58 | 0:24:01 | |
Then fair enough. OK. | 0:24:01 | 0:24:02 | |
Are you guys happy with that? | 0:24:03 | 0:24:06 | |
Well, he's only going to drive it backwards to there, sir. | 0:24:06 | 0:24:08 | |
-He'll put a tyre wash on the ground. -OK. | 0:24:08 | 0:24:10 | |
-OK, all right. -Paul's talked him round. | 0:24:10 | 0:24:13 | |
Do you want to wash your own shoes? | 0:24:14 | 0:24:17 | |
I can have these washed for you, or you can wash them yourself. | 0:24:17 | 0:24:20 | |
You want us to do it? All right, fair enough. | 0:24:20 | 0:24:23 | |
OK, can you drop those in there for me, please? | 0:24:23 | 0:24:26 | |
Right, you won't get those mixed up? And those as well. | 0:24:26 | 0:24:30 | |
Paul leaves with their shoes, | 0:24:30 | 0:24:32 | |
pretending to talk to his colleagues on the way. | 0:24:32 | 0:24:34 | |
OK, you want to take these? | 0:24:34 | 0:24:36 | |
In fact, it's the signal for Jazz to do a runner. | 0:24:37 | 0:24:40 | |
And for Alex and Joe to get into the van. | 0:24:40 | 0:24:44 | |
Before the marks know what's happened, | 0:24:52 | 0:24:55 | |
the hustlers, the van and the ten TVs are gone. | 0:24:55 | 0:24:58 | |
Get on the old bill, man. | 0:25:32 | 0:25:34 | |
They've scammed us, boy - big time. | 0:25:36 | 0:25:38 | |
The marks are left standing in a field, shoeless and clueless. | 0:25:44 | 0:25:50 | |
I came haring out the tent when I heard it go. | 0:25:52 | 0:25:54 | |
And saw it going, and I came back to the guys, I said, "We've been scammed." | 0:25:54 | 0:25:59 | |
-And I said to you, "Get your keys and lock it." -Yeah, I know. Yeah. | 0:25:59 | 0:26:02 | |
He said, "No, they've got to move it anyway." | 0:26:02 | 0:26:05 | |
I was suspicious when they came in the shop. I hate thieves, I just hate thieves. | 0:26:05 | 0:26:10 | |
You know, there's no need for them. | 0:26:10 | 0:26:12 | |
I just hate thieves. | 0:26:12 | 0:26:14 | |
The most stressful moment for me was going into the shop. | 0:26:14 | 0:26:17 | |
He didn't seem like the most... gullible fella in the world. | 0:26:17 | 0:26:21 | |
He wanted to know where we were taking them, what we were taking them for. | 0:26:21 | 0:26:25 | |
So I had to think on my feet a bit. | 0:26:25 | 0:26:27 | |
There's always an element of trust in human beings. | 0:26:27 | 0:26:30 | |
So, as long as that's there, people are always going to take advantage of that. | 0:26:30 | 0:26:35 | |
This scam happens so fast that the marks never get a chance | 0:26:35 | 0:26:38 | |
to stop and really think about what's going on. | 0:26:38 | 0:26:41 | |
A last-minute order from a film crew seems reasonable, | 0:26:41 | 0:26:44 | |
and when faced with officials in biohazard suits, | 0:26:44 | 0:26:47 | |
most people are going to do what they're told. | 0:26:47 | 0:26:49 | |
People in biohazard suits, policemen, | 0:26:49 | 0:26:51 | |
council officials in uniform - they're authority figures. | 0:26:51 | 0:26:55 | |
But it doesn't stop us from challenging them, | 0:26:55 | 0:26:58 | |
and saying, "OK, fine. I see what you're saying, but show me some ID." | 0:26:58 | 0:27:02 | |
And if you're uncertain, challenge that ID every single time. | 0:27:02 | 0:27:06 | |
If you want to know more about how the show is made, | 0:27:13 | 0:27:17 | |
go to: | 0:27:17 | 0:27:19 | |
Subtitles by Red Bee Media Ltd | 0:27:26 | 0:27:29 | |
E-mail [email protected] | 0:27:29 | 0:27:32 |