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This is The Real Hustle: New Recruits. | 0:00:02 | 0:00:05 | |
The hustlers are back, and this time, | 0:00:05 | 0:00:07 | |
they've brought in two new faces to help them with their scams. | 0:00:07 | 0:00:11 | |
New recruits Polly and Jazz. | 0:00:11 | 0:00:14 | |
They'll join original hustlers Paul, Jess and Alex. | 0:00:16 | 0:00:21 | |
Working as a team, they'll carry out scams that are more cunning and devious than ever before. | 0:00:21 | 0:00:28 | |
On tonight's show: | 0:00:28 | 0:00:30 | |
Ex-copper Rav Wilding gets a taste of the criminal life. | 0:00:30 | 0:00:34 | |
I know you want to count it but it's all there, mate. | 0:00:34 | 0:00:37 | |
-Jess finally snaps. -Snap it in the middle but don't actually break it. | 0:00:37 | 0:00:41 | |
Hang on a minute. | 0:00:41 | 0:00:42 | |
And these guys will never use free Wi-Fi again. | 0:00:42 | 0:00:46 | |
I feel violated, almost. | 0:00:46 | 0:00:47 | |
The hustlers have invited celebrity friends to help with their scams. | 0:01:29 | 0:01:34 | |
They'll be thrown in at the deep end. No training or practice, just straight in. | 0:01:34 | 0:01:40 | |
Today's celebrity guest hustler is former police detective | 0:01:43 | 0:01:46 | |
and presenter of Crimewatch, Rav Wilding. | 0:01:46 | 0:01:50 | |
I don't know if I'd make a good hustler. I'd like to think I would | 0:01:50 | 0:01:53 | |
because my time in the police, obviously I've seen people get hustled themselves for real. | 0:01:53 | 0:01:59 | |
I'd probably be able to do it but until we put it to the test, I just don't know. | 0:01:59 | 0:02:04 | |
I definitely think if I hustle someone, I'll feel guilty. I'm actually dreading that. | 0:02:04 | 0:02:10 | |
Rav has been told to go to a Central London landmark and wait for instructions. | 0:02:13 | 0:02:18 | |
Lucky for him, he brought an umbrella. | 0:02:20 | 0:02:22 | |
Here comes Alex to fill him in. | 0:02:24 | 0:02:26 | |
Come with me. | 0:02:28 | 0:02:30 | |
-How are you? -Yeah, good. | 0:02:30 | 0:02:32 | |
So, you've been a policeman, you present Crimewatch. | 0:02:33 | 0:02:37 | |
What we're going to do today is put you on the other side of the law. | 0:02:37 | 0:02:42 | |
We're doing a scam that was done in New Jersey a couple of years ago. | 0:02:44 | 0:02:47 | |
It had the police fooled, | 0:02:47 | 0:02:49 | |
but it also fooled some of the criminal underworld as to how it was done. | 0:02:49 | 0:02:53 | |
-I'm intrigued. -You're intrigued? -Yeah, bring it on. -Let's go. | 0:02:53 | 0:02:57 | |
The good cop will have to turn bad cop in: | 0:02:57 | 0:03:00 | |
This is the mark. | 0:03:09 | 0:03:10 | |
He's on his way to a corporate office complex for a meeting. | 0:03:10 | 0:03:14 | |
He's expecting to meet a PR manager | 0:03:14 | 0:03:17 | |
who's selling props from a major film shoot. | 0:03:17 | 0:03:19 | |
And he's in no doubt he's come to the right place | 0:03:19 | 0:03:23 | |
because he walks straight into a press scrum. | 0:03:23 | 0:03:26 | |
Suzy, can you give us one look, please? > | 0:03:26 | 0:03:29 | |
It looks like a celebrity starlet is trying to avoid a prying photographer. | 0:03:29 | 0:03:34 | |
Suzy, this way. Thank you. | 0:03:34 | 0:03:35 | |
Actually, nothing is quite what it seems. | 0:03:38 | 0:03:40 | |
The starlet is Jess, the paparazzo is Jazz and the chauffeur is Alex. | 0:03:40 | 0:03:46 | |
The little scene has been staged purely for the mark's benefit, | 0:03:46 | 0:03:50 | |
who now thinks PR man Paul must be the real deal. | 0:03:50 | 0:03:53 | |
I'm Rob. Nice to meet you. Come on upstairs. | 0:03:53 | 0:03:56 | |
Paul takes the mark into the office building. | 0:03:56 | 0:03:58 | |
They head upstairs to sort out the purchase. | 0:03:58 | 0:04:00 | |
Don't let it fool you. | 0:04:02 | 0:04:04 | |
We don't have phones that work yet but it's all good. | 0:04:04 | 0:04:07 | |
As they settle in, Paul has some bad news. | 0:04:08 | 0:04:11 | |
So, you're here about the Netbooks from the Indian production. | 0:04:11 | 0:04:18 | |
I have to tell you, I'm afraid they haven't arrived yet. | 0:04:18 | 0:04:22 | |
So the mark is here to buy a laptop that's being sold off with other props from a film shoot. | 0:04:22 | 0:04:26 | |
The only problem is the laptop hasn't turned up yet. | 0:04:26 | 0:04:31 | |
I'd love to do something for you. I've got something coming in. | 0:04:31 | 0:04:35 | |
Maybe Paul can offer him another computer instead. | 0:04:35 | 0:04:38 | |
There's a BBC production that's using Apple computers, that type of thing. | 0:04:38 | 0:04:43 | |
Won't be released for about a month or so. | 0:04:44 | 0:04:46 | |
Before they can discuss alternate arrangements, | 0:04:46 | 0:04:50 | |
another customer turns up. | 0:04:50 | 0:04:51 | |
It's Rav, who's also here to buy something. | 0:04:51 | 0:04:55 | |
Have you got a minute, Jack? | 0:04:55 | 0:04:56 | |
Er... I'm a bit early. Do you want me to hang on? | 0:04:56 | 0:05:00 | |
Do you mind waiting for five minutes? Let me take care of this | 0:05:00 | 0:05:03 | |
and we'll see what we can do for you. | 0:05:03 | 0:05:05 | |
I feel bad you've come all this way. Give me a few minutes. Sorry, guys. | 0:05:05 | 0:05:10 | |
Paul asks the mark to wait outside while he deals with Rav. | 0:05:10 | 0:05:14 | |
Rav is here to buy some jewellery, also left over from the film. | 0:05:14 | 0:05:18 | |
Good news. They've sent double. It's 18-22 carat. | 0:05:18 | 0:05:23 | |
Rav and Paul talk loud enough for the mark to overhear. | 0:05:23 | 0:05:27 | |
I've got 15, Rob. You know that. And I'm going away in the morning. | 0:05:27 | 0:05:30 | |
Can you get another 15 out? | 0:05:30 | 0:05:32 | |
Not cash, I can't. | 0:05:33 | 0:05:34 | |
-Can you split it? -No. | 0:05:34 | 0:05:37 | |
But Paul's got more goods than Rav can afford to buy. | 0:05:37 | 0:05:41 | |
If only there was someone else nearby with money in his pocket. | 0:05:41 | 0:05:44 | |
Who are these geezers? Are they yours? | 0:05:44 | 0:05:46 | |
-They've come to buy a couple of Netbooks. -What do you reckon? | 0:05:46 | 0:05:51 | |
Let me ask. I'm not usually in the habit of asking guys to buy that. | 0:05:51 | 0:05:57 | |
-Um... you guys brought money for the Netbooks? -Yep. | 0:05:57 | 0:06:01 | |
Would you like to make some money today? | 0:06:01 | 0:06:03 | |
Probably double your cash, if you're interested. | 0:06:04 | 0:06:07 | |
It's probably nothing you'd want to keep but you could sell it on. | 0:06:07 | 0:06:10 | |
What do you think? | 0:06:10 | 0:06:12 | |
Come on in and I'll tell you. | 0:06:14 | 0:06:15 | |
Jack, grab that chair over there. Pull it over. | 0:06:15 | 0:06:18 | |
Paul has a little business proposition for the mark. | 0:06:18 | 0:06:22 | |
Even without that cheap laptop, he might be able to make this meeting worth his while. | 0:06:22 | 0:06:26 | |
At this company we represent a lot of artists for press reasons, | 0:06:26 | 0:06:30 | |
but we also represent productions, and Jack is here to pick up something | 0:06:30 | 0:06:34 | |
because a company just made an Indian movie on the South Bank. | 0:06:34 | 0:06:37 | |
They had a massive amount of gold and the excess is here. | 0:06:37 | 0:06:41 | |
I've got double what I was expecting. | 0:06:41 | 0:06:43 | |
The prop manager told me it's 18 carat, so it's very good gold. | 0:06:43 | 0:06:47 | |
You can melt it and make about four grand. | 0:06:47 | 0:06:50 | |
If you sell it wholesale, you can get about five for it. | 0:06:50 | 0:06:53 | |
If you've got £1,500 you're going to make about a grand at least. | 0:06:53 | 0:06:57 | |
If you're interested, if not, then I'm sorry. I can't split it up. | 0:06:57 | 0:07:01 | |
I've got to sell it all in one package and give them the money. | 0:07:01 | 0:07:05 | |
So Paul is offering some cut-price gold left over from a film shoot, | 0:07:05 | 0:07:09 | |
which could be a nice little earner for the mark. | 0:07:09 | 0:07:11 | |
-Can I have a look? -Yeah, let me go get it and have a look at it. | 0:07:11 | 0:07:15 | |
He goes to get the jewellery, leaving Rav to persuade the mark | 0:07:15 | 0:07:18 | |
that he can trust PR man Paul. | 0:07:18 | 0:07:19 | |
I've worked with him loads. He's all right. | 0:07:19 | 0:07:22 | |
Yeah, loads. The cars especially. | 0:07:25 | 0:07:27 | |
He's all right. He's all legit but he can't take it to the jewellers | 0:07:27 | 0:07:31 | |
cos he's got to register himself and stuff which he doesn't do. | 0:07:31 | 0:07:34 | |
But let's have a look at the first bit. | 0:07:34 | 0:07:36 | |
Get someone in here and test it. | 0:07:40 | 0:07:42 | |
It's my money as much as yours. | 0:07:42 | 0:07:44 | |
I'm not going to put my money into it unless... you know what I mean? | 0:07:44 | 0:07:48 | |
Sure. Yeah, yeah. | 0:07:48 | 0:07:50 | |
If it's genuine and they say what it's worth, if they say it's worth five grand... | 0:07:50 | 0:07:54 | |
Paul's back with the goods. | 0:07:55 | 0:07:57 | |
It certainly looks like authentic gold. | 0:07:57 | 0:08:00 | |
I can weigh it, but I would highly recommend you test it. | 0:08:00 | 0:08:06 | |
You could weigh it, it wouldn't mean anything to me. | 0:08:06 | 0:08:08 | |
-Absolutely. -As nobody here is an expert in gold, | 0:08:08 | 0:08:11 | |
maybe they should arrange for a professional to examine it. | 0:08:11 | 0:08:15 | |
Paul helpfully supplies a local business directory. | 0:08:15 | 0:08:19 | |
You guys want to bring somebody in? Just have them invoice me - I will take it out of my commission. | 0:08:19 | 0:08:24 | |
Why don't you choose someone? | 0:08:24 | 0:08:26 | |
They would come here and value that? But we choose who it is? | 0:08:26 | 0:08:30 | |
It is down to the mark and his friends to arrange the test. That way, it is all above board. | 0:08:30 | 0:08:34 | |
But will he really make that call? | 0:08:37 | 0:08:39 | |
Just any goldsmith at all. | 0:08:39 | 0:08:41 | |
A goldsmith would do? Right. | 0:08:41 | 0:08:42 | |
-He has picked up the phone book... -It has to be today, mate. | 0:08:42 | 0:08:46 | |
-What are you doing this afternoon? -I'm not doing anything after five. | 0:08:46 | 0:08:50 | |
And he puts in a call to a jewellery company. | 0:08:54 | 0:08:56 | |
Six o'clock? | 0:08:58 | 0:08:59 | |
He arranges for a callout appointment to test | 0:09:01 | 0:09:03 | |
the quality of the gold later that afternoon. | 0:09:03 | 0:09:06 | |
So, what's the name of the company? | 0:09:06 | 0:09:08 | |
BLEEP | 0:09:08 | 0:09:11 | |
All right, I won' ask you for the cash just now. | 0:09:11 | 0:09:14 | |
I will trust you for it. But these stay with me. | 0:09:14 | 0:09:17 | |
Listen, I don't want to chase you, but I need to get some lunch before it kicks off this afternoon. | 0:09:17 | 0:09:22 | |
So, how will the hustlers separate this man from his money? | 0:09:23 | 0:09:27 | |
They might be able to fool the layman, but they will never fool | 0:09:27 | 0:09:30 | |
the professional gold test. | 0:09:30 | 0:09:32 | |
Or will they? | 0:09:32 | 0:09:34 | |
When hustlers go out, they don't bring money, they bring prop bets. | 0:09:43 | 0:09:48 | |
Challenges designed to win or lose a drink. | 0:09:48 | 0:09:51 | |
But a proposition bet only has one rule. | 0:09:51 | 0:09:54 | |
And that's that the hustler always wins. | 0:09:54 | 0:09:58 | |
Jess is out on the town and has made some new acquaintances. | 0:10:01 | 0:10:05 | |
Someone is going to have to get the next round in. | 0:10:05 | 0:10:08 | |
And Jess is going to make sure it's not her. | 0:10:08 | 0:10:11 | |
I have a challenge for you. I need you to help me set it up. Are you going to help me? | 0:10:11 | 0:10:15 | |
-Yeah. -OK. I have some cocktail sticks here. | 0:10:15 | 0:10:20 | |
There's four of us, I need five, so I will do two and you do one each. | 0:10:20 | 0:10:23 | |
There you go, there's one, | 0:10:23 | 0:10:25 | |
two, three, four, I have got five. | 0:10:25 | 0:10:27 | |
Snap it in the middle, but don't actually break it. | 0:10:27 | 0:10:30 | |
I want it to be as close to the middle as possible. | 0:10:30 | 0:10:33 | |
Can you all do that with your cocktail sticks? Don't snap it completely in half. | 0:10:33 | 0:10:38 | |
Give me your cocktail sticks. I've got five here, I'll put them | 0:10:38 | 0:10:41 | |
together to make, like, a 10-point star. | 0:10:41 | 0:10:45 | |
Like that. Now, I am going to pick one of you to do this. I am going to pick you. | 0:10:45 | 0:10:52 | |
-Really? -The challenge is, I have a 10-point star there. Without touching the cocktail sticks, | 0:10:52 | 0:10:59 | |
I want you to turn that 10-point star into a five-point star. | 0:10:59 | 0:11:03 | |
If you can do that, I will buy you a drink. | 0:11:03 | 0:11:08 | |
-If you can't do it, you have to get a round in for everyone. Deal? -Yeah, deal. -Excellent. | 0:11:08 | 0:11:13 | |
So, to win a drink, Jess's new friends need to turn | 0:11:14 | 0:11:17 | |
this 10-point star into a five-point star. | 0:11:17 | 0:11:21 | |
The only thing is, they can't actually touch the toothpicks. | 0:11:21 | 0:11:24 | |
-Go for it. -Without touching them? | 0:11:24 | 0:11:27 | |
Yeah. | 0:11:27 | 0:11:29 | |
-Can you blow them? -If that's what you want to do! | 0:11:29 | 0:11:32 | |
You can try, have a go. | 0:11:32 | 0:11:34 | |
You can do what you want without touching the cocktail sticks. | 0:11:34 | 0:11:37 | |
OK, I can't think of anything else to try. | 0:11:37 | 0:11:40 | |
OK, that's not a five-pointed star! | 0:11:43 | 0:11:46 | |
You have three cocktail sticks left. You just blew them off the table. That's fine. | 0:11:46 | 0:11:50 | |
-I'm going to set these up. That's roughly how they were before. -Yeah. | 0:11:50 | 0:11:55 | |
OK. Now, I said you couldn't touch them, | 0:11:55 | 0:11:57 | |
I didn't say you couldn't use anything. I am going to use a little bit of water. | 0:11:57 | 0:12:01 | |
-Oh! -No way! | 0:12:06 | 0:12:09 | |
HE LAUGHS Come on! | 0:12:10 | 0:12:12 | |
That's actually amazing. | 0:12:12 | 0:12:13 | |
It seems impossible, unless you know how. | 0:12:17 | 0:12:21 | |
A couple of drops of water make the wood in the toothpicks swell up, | 0:12:21 | 0:12:24 | |
straightening them out to form a five-pointed star. | 0:12:24 | 0:12:28 | |
Thank you very much. | 0:12:28 | 0:12:30 | |
Well, I'll have a Chardonnay. | 0:12:30 | 0:12:32 | |
OK. I'll have to go and get one. | 0:12:32 | 0:12:34 | |
A bar in a trendy suburb of London. | 0:12:45 | 0:12:47 | |
People are going about their business, enjoying drinks, | 0:12:47 | 0:12:51 | |
relaxing, and using the free Wi-Fi network. | 0:12:51 | 0:12:54 | |
But this customer is not off duty. It's new recruit Polly and it looks like she is here on business, | 0:12:55 | 0:13:01 | |
in Taking The Biscuit. | 0:13:01 | 0:13:04 | |
This lady has just become her first mark. | 0:13:04 | 0:13:07 | |
Hi there. I wonder if you could help me do a bit of market research | 0:13:07 | 0:13:11 | |
and do an online survey for me. It is just about what you buy when you shop and stuff. | 0:13:11 | 0:13:17 | |
You can put anything in your basket, you don't have to buy anything. | 0:13:17 | 0:13:20 | |
But just, you know, have fun. It's basically to see what people buy. It's all about that, really. | 0:13:20 | 0:13:25 | |
-Is that cool? -I just have to get this out. -Fantastic. | 0:13:25 | 0:13:29 | |
What's your e-mail? | 0:13:29 | 0:13:30 | |
So, Polly is carrying out some market research. | 0:13:30 | 0:13:33 | |
She sends the mark an e-mail, with details of an internet survey. | 0:13:33 | 0:13:37 | |
All the lady has to do is log in to a few online shopping and social networking sites, | 0:13:37 | 0:13:42 | |
then fill out the survey, rating how user-friendly they are. | 0:13:42 | 0:13:45 | |
Thanks. See you in a bit. | 0:13:45 | 0:13:49 | |
Other people with laptops are also asked to take part. | 0:13:49 | 0:13:54 | |
-It just requires an e-mail? -Yeah, yeah. | 0:13:54 | 0:13:56 | |
-Just saying how you feel... -That would be fantastic. | 0:13:56 | 0:14:00 | |
So, spend a few minutes browsing the internet, | 0:14:00 | 0:14:03 | |
then fill in a few questions. | 0:14:03 | 0:14:05 | |
What could possibly go wrong? | 0:14:05 | 0:14:07 | |
After leaving the bar, the marks were shown some computer printouts. | 0:14:16 | 0:14:20 | |
This is my Hotmail account, | 0:14:20 | 0:14:23 | |
which has all my private e-mails in there. | 0:14:23 | 0:14:25 | |
-Hang on a minute. -That was on your Twitter, wasn't it? | 0:14:25 | 0:14:30 | |
That was on my Twitter. | 0:14:30 | 0:14:32 | |
Those printouts should look familiar. | 0:14:32 | 0:14:35 | |
They are of the web pages the marks had just logged in to, | 0:14:35 | 0:14:38 | |
using their confidential logins and passwords. | 0:14:38 | 0:14:42 | |
BLEEP! | 0:14:42 | 0:14:43 | |
I would like to know how you did that, that is quite scary. | 0:14:43 | 0:14:47 | |
So, what really just happened? | 0:14:47 | 0:14:50 | |
-Just reply to the e-mail and just say... -Yeah, yeah. | 0:14:50 | 0:14:53 | |
Polly wasn't interested in market surveys. | 0:14:55 | 0:14:59 | |
The hustlers were just trying to get the marks to visit sites that required them | 0:14:59 | 0:15:03 | |
to login to private accounts. But even without the bogus survey, | 0:15:03 | 0:15:07 | |
this scam could happen to anyone using open Wi-Fi, anywhere. | 0:15:07 | 0:15:12 | |
What the marks didn't notice was another computer user on the other side of the room. | 0:15:12 | 0:15:18 | |
It was Jazz. And he was interested in just one thing. | 0:15:18 | 0:15:22 | |
Cookies. | 0:15:22 | 0:15:24 | |
A cookie is a computer file that is like a key for websites. | 0:15:24 | 0:15:28 | |
When a user logs in to an account, | 0:15:28 | 0:15:30 | |
they provide their username and password. | 0:15:30 | 0:15:33 | |
These details are often encrypted, | 0:15:33 | 0:15:36 | |
so they are very hard for criminals to intercept. | 0:15:36 | 0:15:39 | |
This is sent from their laptop to the Wi-Fi connection, | 0:15:39 | 0:15:42 | |
and then on to the website. | 0:15:42 | 0:15:44 | |
But then, the website sends back a cookie that is saved | 0:15:44 | 0:15:48 | |
onto the user's laptop. The cookie basically means the laptop has already logged in with | 0:15:48 | 0:15:53 | |
the correct password, and it doesn't need to log in again. | 0:15:53 | 0:15:57 | |
But the cookie is normally unencrypted. | 0:15:57 | 0:15:59 | |
Jazz was running a freely available piece of software that allowed him | 0:15:59 | 0:16:04 | |
to make a copy of the cookie as it was being sent to the mark's laptop. | 0:16:04 | 0:16:09 | |
And once it was saved onto his computer, | 0:16:09 | 0:16:12 | |
he could just visit the same site as the mark and was allowed straight into their account. | 0:16:12 | 0:16:17 | |
No login and no password required. | 0:16:17 | 0:16:20 | |
I feel quite... What's the right word? | 0:16:20 | 0:16:22 | |
What's the right word? Violated, almost. | 0:16:22 | 0:16:26 | |
You know? Not brilliant! | 0:16:26 | 0:16:29 | |
The hustlers just added items to the marks' Amazon checkout baskets | 0:16:31 | 0:16:35 | |
and used their Twitter accounts to post bogus tweets. | 0:16:35 | 0:16:39 | |
I have just been scammed by The Real Hustle! | 0:16:39 | 0:16:43 | |
THEY LAUGH | 0:16:43 | 0:16:45 | |
But if this had been a genuine criminal attack, | 0:16:45 | 0:16:47 | |
the results could have been devastating. | 0:16:47 | 0:16:49 | |
Criminals with access to your logged-in accounts | 0:16:49 | 0:16:52 | |
could potentially hijack your shopping session, | 0:16:52 | 0:16:55 | |
add stuff to your shopping cart. | 0:16:55 | 0:16:57 | |
Worst case scenario, the criminal gets hold of your e-mail account, for example, | 0:16:57 | 0:17:02 | |
they could send any e-mail in your name, they could | 0:17:02 | 0:17:05 | |
instruct people to change your delivery address, set up bank accounts in your name. | 0:17:05 | 0:17:09 | |
You think of your worst nightmare, they could at least get the ball rolling on that with your e-mail. | 0:17:09 | 0:17:14 | |
If you own a Wi-Fi device, you're probably always looking for a free hotspot. | 0:17:17 | 0:17:22 | |
Remember, you could be sharing that hotspot with anyone. | 0:17:22 | 0:17:25 | |
In this case, we accessed a couple of low-risk websites, | 0:17:25 | 0:17:27 | |
but real criminals could be eavesdropping on your most private conversations. | 0:17:27 | 0:17:31 | |
Can you give us one look, please? | 0:17:37 | 0:17:39 | |
Earlier in the day, a mark arrived at a PR company to buy a second-hand laptop. | 0:17:39 | 0:17:44 | |
But his luck was out. | 0:17:44 | 0:17:46 | |
Sorry, I'm afraid that hasn't arrived yet. | 0:17:46 | 0:17:48 | |
Instead, guest hustler Rav offered the mark the chance to join him | 0:17:48 | 0:17:53 | |
in buying some gold at a rock-bottom price. | 0:17:53 | 0:17:55 | |
If you melt it, you will make about four grand. | 0:17:55 | 0:17:57 | |
But if you sell it wholesale, you could get about five for it. | 0:17:57 | 0:18:01 | |
The mark agreed to get the gold tested by a genuine jeweller. | 0:18:01 | 0:18:06 | |
If it turns out to be high quality, he stands to make a nice profit. | 0:18:06 | 0:18:10 | |
In: All That Glitters Part Two. | 0:18:12 | 0:18:14 | |
It's early evening when the mark and his mate return to the PR company offices. | 0:18:20 | 0:18:25 | |
Paul brings them back upstairs and gets out the gold chains, ready for inspection. | 0:18:28 | 0:18:35 | |
And right on time, here comes Rav, along with the jeweller. | 0:18:35 | 0:18:40 | |
-Hi. All right, fellas? -Have a seat. | 0:18:40 | 0:18:44 | |
So this is what we've got. | 0:18:44 | 0:18:46 | |
She's brought along a professional gold testing kit. | 0:18:46 | 0:18:49 | |
It contains bottles of acid that are used to determine how many carats, or how pure, the gold really is. | 0:18:49 | 0:18:56 | |
Are you able to tell us whether it's 18 or... | 0:18:56 | 0:18:59 | |
Fake would be bad. | 0:19:03 | 0:19:04 | |
Rather than check them all, which you're welcome to do, | 0:19:07 | 0:19:11 | |
I'd just pick which ones you want to test. | 0:19:11 | 0:19:13 | |
If these chains are really 22 carat gold as Paul has promised, | 0:19:13 | 0:19:17 | |
they'll be worth thousands of pounds. | 0:19:17 | 0:19:19 | |
Lads, if you just want to pick a couple at random. | 0:19:19 | 0:19:22 | |
I'm picking this one. It's quite thick. | 0:19:22 | 0:19:25 | |
Thick and chunky, isn't it? | 0:19:25 | 0:19:27 | |
If this is cheap gold, the acid should make it change colour, | 0:19:44 | 0:19:49 | |
but it stays the same. That means it's higher than nine carat. | 0:19:49 | 0:19:53 | |
But that's still a long way from the 22 carats Paul has promised. | 0:19:53 | 0:19:58 | |
That's even better. | 0:20:13 | 0:20:15 | |
So what's the value of that? | 0:20:15 | 0:20:17 | |
The gold is worth even more than expected. | 0:20:17 | 0:20:20 | |
No colour change means this isn't 22, but 24 carats. | 0:20:20 | 0:20:23 | |
That's 99.9 % pure gold. | 0:20:23 | 0:20:27 | |
-Can I look at that one to make sure? Is that all right? -Yeah, yeah. | 0:20:27 | 0:20:31 | |
Rav wants to test another chain, just to be sure. | 0:20:31 | 0:20:34 | |
Do you have anything to compare the tests with, by the way? | 0:20:37 | 0:20:40 | |
The mark's still being cautious. | 0:20:40 | 0:20:43 | |
-A nine carat gold. -Likely we're not going to see it. | 0:20:43 | 0:20:46 | |
THEY LAUGH | 0:20:46 | 0:20:48 | |
I don't want to see one. I'm happy with those 24s. | 0:20:48 | 0:20:51 | |
-You guys have a gold chain or anything? -Don't wear jewellery. | 0:20:51 | 0:20:54 | |
They'll have to rely on the jeweller's word. | 0:20:54 | 0:20:57 | |
If there's no colour change again, this whole batch must be 24 carats. | 0:20:57 | 0:21:02 | |
Nothing. I can't see anything. | 0:21:13 | 0:21:15 | |
-What about the... -Can you see anything, mate? I can't. | 0:21:17 | 0:21:20 | |
-So that's the same grade of gold? -Yeah. | 0:21:22 | 0:21:25 | |
24 is as high as it goes, right? | 0:21:25 | 0:21:27 | |
Definitely. | 0:21:27 | 0:21:29 | |
He takes a closer look to reassure himself. | 0:21:29 | 0:21:32 | |
Careful, careful. | 0:21:32 | 0:21:34 | |
Job done. The jeweller packs away the kit and says goodbye. | 0:21:38 | 0:21:42 | |
-Pleasure meeting you. -Bye-bye. Thanks for coming over. | 0:21:42 | 0:21:45 | |
So what's really going on? | 0:21:45 | 0:21:47 | |
Are the hustlers going to sell the mark pure gold at a fraction of the market price? | 0:21:48 | 0:21:52 | |
That's yours, that's yours. | 0:21:52 | 0:21:55 | |
Not a chance. Because those chains are anything but 24 carat gold. | 0:21:55 | 0:22:01 | |
So how did they fool not just the mark but also the gold tester? | 0:22:02 | 0:22:06 | |
That's where the other hustlers came in. | 0:22:08 | 0:22:11 | |
Their roles didn't end with the paparazzi scramble earlier on. | 0:22:11 | 0:22:15 | |
As the mark was getting the hard sell from Paul... | 0:22:15 | 0:22:18 | |
18 carat or better which means it's good gold. | 0:22:18 | 0:22:20 | |
..Jess and Jazz were waiting for their cue in a nearby hotel room. | 0:22:20 | 0:22:25 | |
Listen, I'm absolutely fine. You guys want to bring somebody in? | 0:22:25 | 0:22:29 | |
The mark really did choose a genuine jeweller from the phone book, | 0:22:29 | 0:22:33 | |
but the hustlers made a second appointment with the same company for mid-afternoon. | 0:22:33 | 0:22:37 | |
-Hi. -Nice to meet you. I'm Suzy. Come in. Thanks for coming. | 0:22:37 | 0:22:41 | |
Jess and Jazz also had some gold they wanted testing in their room. | 0:22:41 | 0:22:46 | |
Yeah. | 0:22:49 | 0:22:50 | |
But the hustlers weren't interested in getting a proper valuation. | 0:22:50 | 0:22:54 | |
It was all an excuse for Jazz to get close enough to film the exact | 0:22:54 | 0:22:59 | |
make and model of testing kit with a concealed camera. | 0:22:59 | 0:23:03 | |
All right, I've got it, Polly. | 0:23:08 | 0:23:09 | |
-Yes? -Right. This is the gold kit she's using. | 0:23:09 | 0:23:13 | |
Armed with this footage, the hustlers were able to pick out | 0:23:13 | 0:23:17 | |
an identical test kit with exactly the same plastic bottles. | 0:23:17 | 0:23:20 | |
It's this one? | 0:23:20 | 0:23:22 | |
Empty this acid. | 0:23:22 | 0:23:23 | |
They emptied out the acid and replaced it with water | 0:23:23 | 0:23:26 | |
and a touch of food colouring to make it match. | 0:23:26 | 0:23:29 | |
Even the cheapest gold won't change colour | 0:23:30 | 0:23:33 | |
if you test it with water instead of acid. | 0:23:33 | 0:23:35 | |
But how did those bottles get into the jeweller's hands? | 0:23:35 | 0:23:40 | |
When she arrived at the office building that evening, she had to go through security. | 0:23:46 | 0:23:51 | |
The security guard just happened to be another hustler. | 0:23:51 | 0:23:54 | |
I'm going to have to take you through security and have a quick look in your bag. | 0:23:54 | 0:23:57 | |
It gave Alex an excuse to go through her bags. | 0:23:57 | 0:24:01 | |
All he needed then was a little distraction. | 0:24:01 | 0:24:04 | |
-What is this? -It's a gold testing kit. | 0:24:04 | 0:24:06 | |
That's where Rav came in. | 0:24:06 | 0:24:09 | |
Are you here to assess the gold? | 0:24:09 | 0:24:11 | |
Brilliant, I'm Jack, how are you doing? | 0:24:11 | 0:24:14 | |
Whilst he distracted the jeweller, | 0:24:14 | 0:24:16 | |
Alex replaced the acid bottles with ones containing water. | 0:24:16 | 0:24:19 | |
I'm one of the ones that's called you today. | 0:24:19 | 0:24:22 | |
You're going to do us a to make sure everything's OK. | 0:24:22 | 0:24:24 | |
-Is that all right? -Yes. -Brilliant. | 0:24:24 | 0:24:26 | |
That seems to be in order, I'll put that back in. | 0:24:26 | 0:24:29 | |
-There you go. -Brilliant, thanks a lot. -Thank you. | 0:24:29 | 0:24:32 | |
Rav took her upstairs. | 0:24:32 | 0:24:34 | |
Despite all the trickery, | 0:24:34 | 0:24:35 | |
the hustlers still weren't sure they'd be able to fool the jeweller. | 0:24:35 | 0:24:39 | |
So Paul asked her to test the chains in private before the mark arrived. | 0:24:39 | 0:24:45 | |
We're told it was 18 and above. | 0:24:45 | 0:24:47 | |
It hasn't changed colour at all, which means it's 24 carat. | 0:24:47 | 0:24:50 | |
-Right. -Once he was sure he would get the result he needed, | 0:24:50 | 0:24:53 | |
he asked her to wait until his potential customer returned | 0:24:53 | 0:24:57 | |
and then repeat the test for his benefit. | 0:24:57 | 0:24:59 | |
So now it's down to business. | 0:25:00 | 0:25:04 | |
Paul weighs out the chains to work out how much gold they're dealing with. | 0:25:04 | 0:25:08 | |
What do we have there? We have 167... | 0:25:08 | 0:25:11 | |
55. | 0:25:11 | 0:25:12 | |
He checks the current market rate on the internet. | 0:25:14 | 0:25:18 | |
That works out as 4,043... and 45. | 0:25:18 | 0:25:23 | |
The chains are worth more than four grand at the scrap metal rate, | 0:25:23 | 0:25:27 | |
but they'll be able to sell them for much more than that. | 0:25:27 | 0:25:31 | |
If you want to go ahead, what I'll do is split that into two halves, | 0:25:31 | 0:25:34 | |
you guys get first choice. | 0:25:34 | 0:25:36 | |
If the mark buys half of the gold for 1,500 quid, | 0:25:36 | 0:25:40 | |
he's guaranteed to make a very nice profit when he sells it on. | 0:25:40 | 0:25:44 | |
Rav leads the way by getting his money out. | 0:25:44 | 0:25:48 | |
If it's off, you know you won't be back. | 0:25:54 | 0:25:56 | |
But will the mark also buy the jewellery from someone he's only just met? | 0:25:56 | 0:26:01 | |
Yep. | 0:26:01 | 0:26:03 | |
The hustlers have a sale. | 0:26:03 | 0:26:05 | |
Perfect. | 0:26:05 | 0:26:06 | |
The mark leaves, thinking he's made an excellent investment. | 0:26:08 | 0:26:12 | |
In fact, those chains are worth tens, not thousands of pounds. | 0:26:12 | 0:26:17 | |
He's about to find out that all that glitters is not 24-carat gold. | 0:26:17 | 0:26:23 | |
In the test, all of the sudden it just, there we go. | 0:26:23 | 0:26:26 | |
It never clicked to think, oh, could just be water. | 0:26:26 | 0:26:29 | |
Yes. | 0:26:29 | 0:26:30 | |
Don't know really, now. | 0:26:32 | 0:26:34 | |
After witnessing both sides, I think I'll stick exactly where I was, | 0:26:34 | 0:26:38 | |
on the right side of the law and that is where I intend to stay. | 0:26:38 | 0:26:41 | |
When I saw them handing over their own cash, it was awful. | 0:26:41 | 0:26:44 | |
It wasn't 20 quid, we're talking a lot of money. I felt awful. | 0:26:44 | 0:26:47 | |
When this scam first happened in America, it totally baffled the authorities. | 0:26:50 | 0:26:54 | |
The only possible explanation was that the jeweller was in on it | 0:26:54 | 0:26:58 | |
but that wasn't the case. | 0:26:58 | 0:27:00 | |
This is what makes this scam work so well. | 0:27:00 | 0:27:03 | |
The mark themselves can pick a jeweller | 0:27:03 | 0:27:05 | |
that they trust and know to be genuine and they will still lose their money. | 0:27:05 | 0:27:09 | |
Just as in our case the jeweller was real, the test was real, | 0:27:09 | 0:27:13 | |
but the gold certainly wasn't. | 0:27:13 | 0:27:16 | |
People should say to themselves, when I got up this morning, did I mean to go out | 0:27:16 | 0:27:20 | |
and buy gold chains or jewellery from a complete stranger? | 0:27:20 | 0:27:24 | |
This was a really professional con, | 0:27:24 | 0:27:26 | |
but underlying it was a deal that looks too good to be true | 0:27:26 | 0:27:30 | |
and it wasn't true. | 0:27:30 | 0:27:31 | |
If you want to know more about how the show is made... | 0:27:38 | 0:27:42 | |
Subtitles by Red Bee Media Ltd | 0:27:50 | 0:27:52 |