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Making The Real Hustle is one of the most challenging jobs in television. | 0:00:02 | 0:00:06 | |
Con games are a matter of trial and error | 0:00:06 | 0:00:09 | |
and we've had a fair share of both. | 0:00:09 | 0:00:11 | |
People often ask, "Is every scam successful? | 0:00:11 | 0:00:13 | |
"Are we ever recognised? | 0:00:13 | 0:00:16 | |
"Or have we been caught red-handed?" | 0:00:16 | 0:00:18 | |
And the answer is... | 0:00:18 | 0:00:20 | |
yes...yes... | 0:00:20 | 0:00:23 | |
and sometimes. | 0:00:23 | 0:00:25 | |
In this show, we're going to reveal what happens when scams go wrong. | 0:00:25 | 0:00:30 | |
On tonight's show, not one but two guest hustlers | 0:00:30 | 0:00:34 | |
get caught up in a crazy con gone wrong. | 0:00:34 | 0:00:36 | |
-Want to buy some stamps, mate? -Mate, I'm a massive fan! | 0:00:36 | 0:00:39 | |
Looks like Alex needs to go back to card trick school... | 0:00:39 | 0:00:43 | |
-BLEEP! -..and this mark is well and truly busted. | 0:00:43 | 0:00:48 | |
At any point, did you have any inkling that you were on a TV show? | 0:00:48 | 0:00:51 | |
Every week, celebrities up for the challenge | 0:01:25 | 0:01:28 | |
were invited to join the hustlers | 0:01:28 | 0:01:30 | |
to see if they could cut it as con artists. | 0:01:30 | 0:01:32 | |
Our stars featured in lots of successful scams across the series | 0:01:32 | 0:01:37 | |
but some of them didn't QUITE go to plan. | 0:01:37 | 0:01:39 | |
In fact, some cons went so wrong | 0:01:39 | 0:01:41 | |
that a couple of the most famous guest hustlers | 0:01:41 | 0:01:44 | |
didn't even make it on to the show. | 0:01:44 | 0:01:46 | |
One of the stars was undefeated world champion boxer Joe Calzaghe. | 0:01:48 | 0:01:52 | |
Helps, in boxing you have to use a lot of mind games | 0:01:52 | 0:01:56 | |
and try to trick your opponent to believe you are more confident. | 0:01:56 | 0:01:59 | |
So, hopefully, I can use some of them qualities today | 0:01:59 | 0:02:03 | |
in what I'm going to do, you know? | 0:02:03 | 0:02:05 | |
I'm just going to enjoy this day and just do my best and, hopefully, | 0:02:05 | 0:02:08 | |
it's going to work! | 0:02:08 | 0:02:10 | |
HE LAUGHS | 0:02:10 | 0:02:11 | |
At first, things went normally for Joe | 0:02:11 | 0:02:15 | |
as he met up with Paul for the traditional Hustle briefing | 0:02:15 | 0:02:17 | |
but little did he know, things were soon to go horribly wrong. | 0:02:17 | 0:02:21 | |
-All right? -How are you doing? Good to meet you. Welcome to Glasgow. | 0:02:21 | 0:02:24 | |
It's good to be here. | 0:02:24 | 0:02:25 | |
Not the greatest part of Glasgow, but it has character. | 0:02:25 | 0:02:27 | |
You're going to have a fight. | 0:02:27 | 0:02:29 | |
-Am I? -Well, actually, you're not. None of us are going to fight you! | 0:02:29 | 0:02:32 | |
It's going to be a fight between a very dodgy pawnbroker, | 0:02:32 | 0:02:35 | |
a fine arts dealer - a very sophisticated type of guy - | 0:02:35 | 0:02:38 | |
-and in the middle's going to be you. -OK. -All right. | 0:02:38 | 0:02:42 | |
-Let's take a walk. Really good to meet you. -Good to meet you too. | 0:02:42 | 0:02:45 | |
-Listen, if there's a problem, anything kicks off. -Yeah? | 0:02:45 | 0:02:47 | |
-You're on your own! -OK! -JOE LAUGHS | 0:02:47 | 0:02:50 | |
So far, so good. | 0:02:50 | 0:02:51 | |
Hopefully Joe won't be pulling any punches today | 0:02:51 | 0:02:54 | |
in The Stamp Collector. | 0:02:54 | 0:02:56 | |
For the first part of this scam, | 0:02:56 | 0:02:59 | |
the Hustlers were operating in a luxury hotel in the city centre. | 0:02:59 | 0:03:03 | |
Joe is playing the part of an eccentric stamp collector, | 0:03:03 | 0:03:06 | |
Mr Phillips. | 0:03:06 | 0:03:08 | |
To avoid him being recognised, | 0:03:08 | 0:03:09 | |
the Hustlers brought along a cunning disguise - | 0:03:09 | 0:03:13 | |
fake facial hair. Check. | 0:03:13 | 0:03:15 | |
Fake leg brace. Check. | 0:03:15 | 0:03:17 | |
And a wheelchair. Check. | 0:03:17 | 0:03:19 | |
Joe and Polly waited in the Hustle Van as Alex got into position. | 0:03:20 | 0:03:24 | |
He was posing as a well-heeled businessman | 0:03:27 | 0:03:30 | |
selling off a top of the range laptop. | 0:03:30 | 0:03:32 | |
Can I get you gentlemen a drink? | 0:03:32 | 0:03:33 | |
And this guy was here to buy, making him the mark. | 0:03:33 | 0:03:37 | |
But this scam's about to go horribly wrong before it even gets started. | 0:03:38 | 0:03:42 | |
Take two. | 0:03:47 | 0:03:49 | |
This time, this guy's the mark. | 0:03:49 | 0:03:51 | |
Can I get you a drink? Would you like something to drink? | 0:03:53 | 0:03:55 | |
Could I have a glass of water? Something like that. | 0:03:55 | 0:03:57 | |
-Can I have a Diet Coke? -Diet Coke and a glass of water? | 0:03:57 | 0:03:59 | |
OK, I'll just get those for you. | 0:03:59 | 0:04:01 | |
He thinks he's here to do a bit of business with Alex | 0:04:01 | 0:04:04 | |
but this scam is actually about buying a rare vintage stamp. | 0:04:04 | 0:04:07 | |
I was going to ask you a favour. | 0:04:07 | 0:04:09 | |
I'm meant to be having a meeting here with another person, | 0:04:09 | 0:04:12 | |
I'm buying a stamp. | 0:04:12 | 0:04:13 | |
-Do you know anything about stamps? -My dad collects them, actually. | 0:04:13 | 0:04:16 | |
Really?! | 0:04:16 | 0:04:17 | |
Oops, that could be a bit of a problem! | 0:04:17 | 0:04:20 | |
Alex pushes on regardless. | 0:04:20 | 0:04:22 | |
Well, I've been in collectables and things like that for years | 0:04:22 | 0:04:25 | |
but I've never dabbled in stamps until recently, | 0:04:25 | 0:04:28 | |
where we, kind of, realised there's a lot of, | 0:04:28 | 0:04:30 | |
you know, some of them are worth a lot of money. | 0:04:30 | 0:04:33 | |
So, erm, this guy who's coming, he's got one of these. | 0:04:33 | 0:04:36 | |
So, apart from selling off computers, | 0:04:36 | 0:04:39 | |
Alex is also dabbling in the vintage stamp world | 0:04:39 | 0:04:41 | |
and he's also here to meet a well-known collector | 0:04:41 | 0:04:44 | |
who's selling an extremely rare stamp. | 0:04:44 | 0:04:47 | |
-Ten years ago it went for almost 20,000. -Yeah. -£20,000. | 0:04:47 | 0:04:52 | |
So, I've been dying to get my hands on one and he's got one. | 0:04:52 | 0:04:55 | |
But he's going to be here any minute | 0:04:55 | 0:04:57 | |
and I don't want him to think that I've...gone away. | 0:04:57 | 0:05:00 | |
He's in a wheelchair, he's got a broken leg. He's Mr Phillips. | 0:05:00 | 0:05:03 | |
If he comes in, would you let him know I'll be back in five minutes? | 0:05:03 | 0:05:05 | |
-Five or ten minutes. -Yeah, no bother at all. | 0:05:05 | 0:05:08 | |
Yeah, but listen, I'll pop off, so, | 0:05:08 | 0:05:10 | |
-I don't want to keep you guys too long. -No problem. -Cheers. | 0:05:10 | 0:05:13 | |
Alex heads off to get the laptop, | 0:05:13 | 0:05:15 | |
leaving the mark to look out for the eccentric stamp collector. | 0:05:15 | 0:05:19 | |
-Oh, a -BLEEP -stamp collector! | 0:05:19 | 0:05:21 | |
But hang on a minute. | 0:05:21 | 0:05:23 | |
SCOTTISH ACCENT: "Oh, aye, my dad collect stamps! Oh, a Penny Red, I know all about that!" | 0:05:28 | 0:05:33 | |
-Well? -Guess what his dad does. -I know, we just heard. | 0:05:34 | 0:05:37 | |
The mark's recognised Alex. | 0:05:40 | 0:05:42 | |
Sadly, Joe Calzaghe didn't get to deliver the knockout punch | 0:05:44 | 0:05:48 | |
and the scam went nowhere. | 0:05:48 | 0:05:50 | |
The producer broke the bad news. | 0:05:50 | 0:05:53 | |
What? | 0:05:53 | 0:05:54 | |
Oh, really?! | 0:05:55 | 0:05:56 | |
Anybody want some stamps? | 0:05:56 | 0:05:57 | |
Keep watching to find out if the Hustlers did finally manage | 0:05:57 | 0:06:01 | |
to sell someone that priceless stamp. | 0:06:01 | 0:06:03 | |
Because of the success of The Real Hustle | 0:06:03 | 0:06:06 | |
and the fact that it's been going for 11 series, | 0:06:06 | 0:06:08 | |
what we just saw isn't the only time the Hustlers were recognised or rumbled. | 0:06:08 | 0:06:13 | |
-Do you know him? -No, I think I recognise him. | 0:06:13 | 0:06:15 | |
Oh, really? | 0:06:15 | 0:06:17 | |
-I think I recognise you also, though. -Really? | 0:06:17 | 0:06:20 | |
All right then, love. | 0:06:20 | 0:06:21 | |
Have you got any, like, cash on you that you could give to me? HE LAUGHS | 0:06:21 | 0:06:26 | |
-Where's your friends? -Oh, go away! SHE LAUGHS | 0:06:26 | 0:06:29 | |
-I know your face! -You know my face? | 0:06:29 | 0:06:31 | |
-The Hustle, yeah? -OK. Ha-ha! -Sorry. | 0:06:31 | 0:06:33 | |
Thanks anyway. Thank you. | 0:06:33 | 0:06:35 | |
-You look like the girl from The Real Hustle. -Oh, everyone says that. -Aye. | 0:06:35 | 0:06:38 | |
After hundreds of scams, | 0:06:40 | 0:06:41 | |
recognition became a real problem for the Hustlers | 0:06:41 | 0:06:44 | |
and they had to come up with clever ways of keeping their identity secret. | 0:06:44 | 0:06:48 | |
Over the years, Paul, Alex and Jess had to become masters of disguise. | 0:06:48 | 0:06:53 | |
They've played fake sheiks, hippy-dippy stallholders, | 0:06:53 | 0:06:57 | |
high rollers, security men, mechanics, | 0:06:57 | 0:07:00 | |
the long arm of the law and dodgy down and outs. | 0:07:00 | 0:07:03 | |
They've even resorted to dressing up as animals to avoid being rumbled. | 0:07:03 | 0:07:08 | |
And Jess, well, she's been blonde, dark, curly, | 0:07:08 | 0:07:12 | |
jet-set and veiled. | 0:07:12 | 0:07:15 | |
In fact, she's been everything from a cleaner to a WAG. | 0:07:15 | 0:07:18 | |
With stints as a barmaid, a charity worker and a cat in between. | 0:07:18 | 0:07:21 | |
Mistress of the quick-change, she's even been pregnant a few times. | 0:07:23 | 0:07:27 | |
Now, THAT'S above and beyond the call of duty - even for a Hustler! | 0:07:27 | 0:07:32 | |
When Hustlers go out, they don't take money... | 0:07:41 | 0:07:43 | |
they take prop bets. | 0:07:43 | 0:07:45 | |
The proposition bet has only one rule | 0:07:46 | 0:07:49 | |
and that's that the Hustler always wins. | 0:07:49 | 0:07:52 | |
Action! | 0:07:53 | 0:07:55 | |
Yeah, they might always win but sometimes, just sometimes, | 0:07:55 | 0:08:00 | |
it didn't always go exactly as planned. | 0:08:00 | 0:08:02 | |
LIGHTER CLICKING | 0:08:02 | 0:08:04 | |
-Come on! -So embarrassing! -THEY LAUGH | 0:08:04 | 0:08:07 | |
So...? SHE LAUGHS | 0:08:07 | 0:08:09 | |
Here's some bits they didn't want you to see. | 0:08:09 | 0:08:12 | |
So, I've got a test of skill. | 0:08:12 | 0:08:14 | |
You've got to balance the 50p on your finger, your index finger. | 0:08:14 | 0:08:17 | |
Now, you got to get the card out from under the 50p | 0:08:17 | 0:08:21 | |
without the 50 falling to the table. | 0:08:21 | 0:08:24 | |
You can only use one finger, right? | 0:08:24 | 0:08:27 | |
Anybody can do this, I'll buy them a drink. | 0:08:27 | 0:08:30 | |
Cos this is hard! | 0:08:30 | 0:08:32 | |
Ready? | 0:08:32 | 0:08:33 | |
Just say, "action". | 0:08:33 | 0:08:34 | |
Action. | 0:08:34 | 0:08:35 | |
BLEEP | 0:08:39 | 0:08:40 | |
BLEEP | 0:08:41 | 0:08:42 | |
Look how elegantly and beautifully I handle these. It's like... | 0:08:42 | 0:08:45 | |
All right. What d'you say? | 0:08:45 | 0:08:48 | |
Paul Daniels. Oh, right! | 0:08:48 | 0:08:49 | |
-That's the most insulting thing anybody's ever said to me! -THEY LAUGH | 0:08:49 | 0:08:52 | |
Whoops! | 0:08:52 | 0:08:54 | |
BLEEP | 0:08:54 | 0:08:55 | |
I do want to sip that but it's got bubbles in it. | 0:08:55 | 0:08:58 | |
-It's a bit dangerous, I'll be like... -SHE HICCUPS | 0:08:58 | 0:09:01 | |
Of course, I needn't mention the fact that | 0:09:01 | 0:09:03 | |
if I do get it you have to go BLEEP mental! | 0:09:03 | 0:09:05 | |
-Yeah! -You know it, of course we will. | 0:09:05 | 0:09:08 | |
Take 27. OK, ready? | 0:09:10 | 0:09:13 | |
THEY CHEER AND LAUGH | 0:09:13 | 0:09:15 | |
I didn't notice! | 0:09:15 | 0:09:17 | |
-I'm just going to sit there until one of you gets me a whisky! -Amazing! | 0:09:17 | 0:09:21 | |
Thank you. | 0:09:21 | 0:09:22 | |
Earlier, in The Stamp Collector, filming had to be abandoned | 0:09:32 | 0:09:34 | |
when two marks recognised Alex. | 0:09:34 | 0:09:37 | |
Weeks of research and planning went down the drain | 0:09:37 | 0:09:40 | |
and guest Hustler Joe Calzaghe didn't even make it out of the van. | 0:09:40 | 0:09:45 | |
And that wasn't the first time they tried it. | 0:09:45 | 0:09:47 | |
Here's what happened a few weeks earlier with another special guest. | 0:09:47 | 0:09:51 | |
That time, it was this guy who was the mark. | 0:09:51 | 0:09:54 | |
Apologies for the delay. | 0:09:54 | 0:09:56 | |
Luckily, he didn't recognise Alex so the next part of the scam kicked in. | 0:09:56 | 0:10:01 | |
He'd come to pick up a laptop. | 0:10:01 | 0:10:03 | |
Alex told him he had to pop out to collect it, | 0:10:03 | 0:10:05 | |
but asked the mark to keep a lookout for someone else he was due to meet | 0:10:05 | 0:10:10 | |
- a stamp collector. | 0:10:10 | 0:10:12 | |
Yep, that's right, in a wheelchair. Funny, that. And here he comes. | 0:10:12 | 0:10:16 | |
In fact, it's someone even more likely to be recognised than the Hustlers. | 0:10:18 | 0:10:22 | |
It's only Sid Owen! | 0:10:22 | 0:10:23 | |
EASTENDERS THEME PLAYS | 0:10:23 | 0:10:25 | |
Excuse me! | 0:10:25 | 0:10:26 | |
I thought, being in Scotland, maybe they don't watch EastEnders as much, | 0:10:26 | 0:10:30 | |
and everywhere I went, I just got recognised, so I thought, | 0:10:30 | 0:10:33 | |
"How the hell am I going to convince people that I'm someone else?" | 0:10:33 | 0:10:36 | |
Because I don't want to let anyone down. | 0:10:36 | 0:10:39 | |
So, fingers crossed that I get it done so we don't have to work this afternoon! | 0:10:39 | 0:10:44 | |
Is it Ian Steele, Daisy? Ian Steele? | 0:10:44 | 0:10:47 | |
Yes! Your name? | 0:10:50 | 0:10:52 | |
Oh, hi. How are you? | 0:10:55 | 0:10:57 | |
The crazy disguise worked a treat. | 0:10:57 | 0:10:59 | |
The mark didn't suspect a thing, so finally, | 0:10:59 | 0:11:02 | |
it was all systems go, for... | 0:11:02 | 0:11:04 | |
Stamp Collector, Part two. | 0:11:04 | 0:11:06 | |
For the meantime, let's join in, as everyone is waiting for Alex to come back. | 0:11:07 | 0:11:11 | |
So, are you into stamps? | 0:11:13 | 0:11:14 | |
No, no, not at all. | 0:11:14 | 0:11:15 | |
That's handy! | 0:11:16 | 0:11:18 | |
This is my favourite, look at this. Think this is worth a few thousand. | 0:11:18 | 0:11:22 | |
See the blue one? | 0:11:22 | 0:11:23 | |
Oh, look. It says 1966, as well. | 0:11:23 | 0:11:26 | |
World Cup, you know. | 0:11:26 | 0:11:28 | |
The mark's looking fairly bemused, as our next character turns up. | 0:11:28 | 0:11:33 | |
It's Paul, in a faintly ludicrous porkpie hat, | 0:11:33 | 0:11:36 | |
posing as a rival stamp dealer. | 0:11:36 | 0:11:38 | |
Ah, how are you, Robbie? | 0:11:38 | 0:11:40 | |
-Good to see you. -Hi, there. You all right? | 0:11:40 | 0:11:42 | |
He obviously has a good relationship with Mr Phillips, | 0:11:42 | 0:11:45 | |
and it turns out he's also here to buy a particular stamp. | 0:11:45 | 0:11:48 | |
But it seems like it's the same stamp Alex is interested in. | 0:11:49 | 0:11:52 | |
-Is this it? -We've got the goods here. -Can I? | 0:11:52 | 0:11:56 | |
You've got some money for me, have you? | 0:11:56 | 0:11:58 | |
You know, I spoke to someone. I think I can probably move it. | 0:12:02 | 0:12:04 | |
Really? | 0:12:04 | 0:12:07 | |
Probably looking at about a grand to you. | 0:12:07 | 0:12:09 | |
-A grand? -Yeah. | 0:12:09 | 0:12:10 | |
Right. | 0:12:10 | 0:12:12 | |
OK. | 0:12:13 | 0:12:14 | |
Paul's already offering a lot of cash for it, | 0:12:14 | 0:12:17 | |
and he seems keen to close the deal quickly. | 0:12:17 | 0:12:19 | |
I'm happy to close it now. You want to do it now? | 0:12:21 | 0:12:23 | |
-That's why I'm here, yeah. -All right. | 0:12:23 | 0:12:25 | |
-We do have another meeting, though. -Right. -With Ian. | 0:12:25 | 0:12:28 | |
-You should talk to Ian, as well. -He'll be coming back. | 0:12:28 | 0:12:30 | |
He's on his way, isn't he? | 0:12:30 | 0:12:31 | |
Well, he should be. He shouldn't be too long. | 0:12:31 | 0:12:33 | |
Polly reminds Mr Phillips that he's here to sell their stamp to Alex, not Paul, | 0:12:33 | 0:12:37 | |
who's just happened to wander right into the middle of their meeting. | 0:12:37 | 0:12:40 | |
PHONE RINGS | 0:12:40 | 0:12:42 | |
Right on cue, the mark's phone rings. It's Alex. | 0:12:43 | 0:12:46 | |
'I'm just checking in, really. Has Mr Phillips arrived?' | 0:12:46 | 0:12:51 | |
Yes, he's here just now, yes, and a colleague's arrived as well. | 0:12:51 | 0:12:56 | |
'Oh. Who's that?' | 0:12:56 | 0:12:59 | |
A chap called Rob. | 0:12:59 | 0:13:01 | |
'Oh, OK. | 0:13:01 | 0:13:04 | |
'That's not good for me, cos obviously he's a competitor, and he is quite a shark.' | 0:13:04 | 0:13:08 | |
The mark tells him that Mr Phillips has arrived, | 0:13:08 | 0:13:11 | |
but there's someone else here too, and he seems to be muscling in on the deal. | 0:13:11 | 0:13:15 | |
Ian, hi. | 0:13:17 | 0:13:18 | |
'I was just wondering if you could meet us on The Grill On The Corner.' | 0:13:18 | 0:13:22 | |
Well, that would be nice, yeah, yeah. | 0:13:22 | 0:13:24 | |
'Let's meet on The Grill On The Corner in half an hour, shall we? | 0:13:24 | 0:13:28 | |
Perfect. OK. | 0:13:28 | 0:13:29 | |
'Thank you.' | 0:13:29 | 0:13:31 | |
-Hello? -'Thank you, Gary, and apologies again.' | 0:13:33 | 0:13:35 | |
OK, that's no problem. Cheers. Bye. | 0:13:35 | 0:13:38 | |
Seems like Alex can't make it back to the hotel quickly enough | 0:13:38 | 0:13:41 | |
and has asked Mr Phillips to meet him in a nearby restaurant. | 0:13:41 | 0:13:44 | |
The mark agrees to go along so he can finally pick up that laptop. | 0:13:44 | 0:13:48 | |
Paul's not invited, but tags along anyway. | 0:13:49 | 0:13:53 | |
Truth is, he's here to make sure the mark comes along for the next part of the scam. | 0:13:53 | 0:13:56 | |
So, the mark and Mr Phillips are at the restaurant, waiting for Alex. | 0:14:02 | 0:14:06 | |
Dodgy dealer Paul is still hanging about like a bad smell, | 0:14:06 | 0:14:09 | |
desperate to nab the stamp from under Alex's nose. | 0:14:09 | 0:14:12 | |
If you want to do the deal right now, I can go to 1,500. | 0:14:13 | 0:14:16 | |
I think I should just wait for Ian. | 0:14:16 | 0:14:19 | |
He ups his offer to £1,500, but Mr Phillips is still keen to wait for Alex. | 0:14:19 | 0:14:25 | |
After all, he's a gentleman of his word, and that's only fair. | 0:14:25 | 0:14:30 | |
And here comes Alex. | 0:14:30 | 0:14:32 | |
-Hey, how are you doing? -Ian? -Yes. | 0:14:32 | 0:14:34 | |
Apologising yet again to the mark for the delayed laptop, | 0:14:35 | 0:14:39 | |
he then gets straight down to his other business | 0:14:39 | 0:14:42 | |
- buying that very rare stamp. | 0:14:42 | 0:14:44 | |
-Can I see the..? -Yes. | 0:14:44 | 0:14:46 | |
This is the one that I enquired about. | 0:14:46 | 0:14:49 | |
Yeah, that's the one that I'd very much like. | 0:14:49 | 0:14:52 | |
Can I ask what you're interested in paying him? | 0:14:52 | 0:14:55 | |
I would say I'm happy to make you an offer here of 1,500, if that's... | 0:14:55 | 0:15:00 | |
-1,500? -Yeah. | 0:15:00 | 0:15:01 | |
The stamp's a cracker, and he's happy to offer £1,500, matching Paul's offer. | 0:15:01 | 0:15:06 | |
Well, hold on. | 0:15:06 | 0:15:08 | |
That's the same offer I made while we were waiting for you, wherever you were. | 0:15:08 | 0:15:12 | |
Well, I had to go out on business that I have with these gentlemen, | 0:15:12 | 0:15:16 | |
so, you know, 1,500 would be the deal. | 0:15:16 | 0:15:20 | |
-I could do it cash. -I can do it cash. | 0:15:20 | 0:15:23 | |
-You can do cash? -Absolutely. | 0:15:23 | 0:15:25 | |
Well, cash is good for me. | 0:15:25 | 0:15:27 | |
It's all getting a bit ugly now. | 0:15:27 | 0:15:29 | |
In fact, Paul starts an all-out bidding war | 0:15:29 | 0:15:32 | |
and pulls out a massive wad of cash. | 0:15:32 | 0:15:34 | |
If you're serious about selling... | 0:15:34 | 0:15:36 | |
-Well, I've come here to see you, haven't I? -Yeah. | 0:15:36 | 0:15:38 | |
I can give you 3,000 in cash. | 0:15:40 | 0:15:42 | |
Right, OK. | 0:15:43 | 0:15:45 | |
Today. | 0:15:45 | 0:15:47 | |
And that's it. | 0:15:47 | 0:15:48 | |
He ups his offer to three grand, which he puts in an envelope. | 0:15:48 | 0:15:51 | |
All right. Could I just ask, with all due respect, | 0:15:51 | 0:15:54 | |
because I feel that I set up this meeting, and it's been hijacked a little bit. | 0:15:54 | 0:15:58 | |
I agree, but we've done a lot of business together over the years. | 0:15:58 | 0:16:01 | |
OK, and we've never done any business. | 0:16:01 | 0:16:03 | |
And there's plenty more business to come. Can you give us a couple of minutes? Is that OK? | 0:16:03 | 0:16:07 | |
You've got three grand, yeah? | 0:16:07 | 0:16:09 | |
-Well, look. My money's on the table. -Right, OK. | 0:16:09 | 0:16:11 | |
Just give us a minute. Let me talk to Ian. | 0:16:13 | 0:16:17 | |
-I don't know this guy, but my money's always been good. -OK. -OK. -Cool. | 0:16:17 | 0:16:21 | |
Paul then goes outside, leaving a very stunned table. | 0:16:22 | 0:16:25 | |
-That was a bit intense, I thought. -Yeah, well, he's a bit pushy, isn't he? | 0:16:25 | 0:16:30 | |
Alex now goes in for the kill. | 0:16:30 | 0:16:33 | |
-I think three grand's a very good offer. -Right. | 0:16:33 | 0:16:35 | |
But I don't think you might realise the value of what you have. | 0:16:35 | 0:16:40 | |
-Sounds interesting. -It is interesting. | 0:16:42 | 0:16:44 | |
Do you know what the last one of these which came at auction sold, | 0:16:44 | 0:16:48 | |
and it was sold in about 1990? | 0:16:48 | 0:16:51 | |
-No. -OK. As you can see, it's got the same cancellation mark, | 0:16:51 | 0:16:55 | |
which is what makes these of high value. | 0:16:55 | 0:16:59 | |
-This fetched £19,500. -Wow. | 0:16:59 | 0:17:01 | |
So, I don't want to see you enter into a business deal | 0:17:01 | 0:17:04 | |
where you're going to lose a lot of money. | 0:17:04 | 0:17:07 | |
Right. What's the bottom line? | 0:17:07 | 0:17:09 | |
If this sold for 20,000 in 1990, | 0:17:09 | 0:17:12 | |
it is not illogical to presume that we could get 30,000. | 0:17:12 | 0:17:15 | |
30,000, yeah. | 0:17:15 | 0:17:17 | |
So, if I give you 1,500 today, | 0:17:17 | 0:17:21 | |
and I give you 15% of the sale price, | 0:17:21 | 0:17:25 | |
then you stand to make considerably more than £3,000. | 0:17:25 | 0:17:28 | |
Yeah, but I need cash. | 0:17:30 | 0:17:31 | |
Mr Phillips likes Alex's deal, | 0:17:31 | 0:17:33 | |
but is adamant he wants three grand in cash | 0:17:33 | 0:17:37 | |
before he leaves the restaurant. | 0:17:37 | 0:17:39 | |
But you do realise that what I'm offering you is a little bit more, right? | 0:17:39 | 0:17:42 | |
But that's what I've come for. | 0:17:42 | 0:17:44 | |
OK, erm... | 0:17:44 | 0:17:46 | |
Alex only has 1,500 quid. | 0:17:46 | 0:17:49 | |
Where on Earth could he get another grand and a half at such short notice? | 0:17:49 | 0:17:53 | |
Can you give me two minutes? | 0:17:53 | 0:17:55 | |
Well, the gentleman here, he still wants three grand. | 0:17:57 | 0:17:59 | |
Alex now turns his full attention to the mark. | 0:17:59 | 0:18:02 | |
What I was going to ask - I have 1,500. | 0:18:02 | 0:18:05 | |
I believe you carry 1,500 as well? | 0:18:05 | 0:18:08 | |
That's the cash he's brought for the laptop. | 0:18:08 | 0:18:10 | |
If I can get an advance payment, so to speak, | 0:18:10 | 0:18:14 | |
and I'll make it worth your while. | 0:18:14 | 0:18:17 | |
I'll offer you 5% of the sale price. | 0:18:17 | 0:18:20 | |
How much would you like? | 0:18:24 | 0:18:26 | |
10%? | 0:18:26 | 0:18:28 | |
This guy drives a hard bargain. | 0:18:29 | 0:18:31 | |
10%. I know I can get a lot of money for that stamp. | 0:18:34 | 0:18:38 | |
Well, I know what I like, and I like what I see right now. | 0:18:38 | 0:18:42 | |
OK, we've struck a deal. We're going to give you 3,000 cash. OK. | 0:18:42 | 0:18:47 | |
So the scam has gone to plan. | 0:18:47 | 0:18:50 | |
The mark hasn't recognised the hustlers or Sid Owen, | 0:18:50 | 0:18:53 | |
and he's just handed over all that cash for his share of a worthless stamp. | 0:18:53 | 0:18:57 | |
But this scam hasn't gone to plan. | 0:18:59 | 0:19:01 | |
In fact, something has just gone terribly wrong. | 0:19:01 | 0:19:04 | |
Something even the hustlers weren't expecting. | 0:19:04 | 0:19:08 | |
Alex takes a closer look at the mark's cash. | 0:19:08 | 0:19:13 | |
It's clear from his face that he knows something isn't quite right. | 0:19:15 | 0:19:19 | |
Can someone help us? | 0:19:19 | 0:19:20 | |
Oh, sure, yeah. | 0:19:20 | 0:19:22 | |
But, ever the professional, he puts the money away and leaves together with Polly and Sid. | 0:19:22 | 0:19:27 | |
But, on his way out, he's talking to the show's producers over his radio mic. | 0:19:27 | 0:19:32 | |
Guys, that money looked, that looked faked, that money, OK. | 0:19:32 | 0:19:36 | |
I think we're being done by him right now. | 0:19:36 | 0:19:39 | |
-That is fake money that he gave us. -Is it? | 0:19:39 | 0:19:41 | |
The producer goes over to speak to the hustlers and examine the money. | 0:19:41 | 0:19:45 | |
ALEX: We've been given paper. This guy's doing something. | 0:19:45 | 0:19:47 | |
I looked at him straight in the face and he smiled. | 0:19:47 | 0:19:50 | |
That is paper. | 0:19:50 | 0:19:51 | |
There's no question. It's all fake. | 0:19:51 | 0:19:54 | |
But what on Earth was going on in what turned out to be the strangest scam | 0:19:54 | 0:19:58 | |
in 11 series of The Real Hustle? | 0:19:58 | 0:20:01 | |
Had the mark been unlucky at the cash machine, | 0:20:01 | 0:20:04 | |
or could he be trying to hustle the hustlers? | 0:20:04 | 0:20:08 | |
Alex, Paul and the show's producers went in to find out. | 0:20:08 | 0:20:12 | |
How did you get this? | 0:20:12 | 0:20:13 | |
Where did you print this? | 0:20:14 | 0:20:16 | |
Gary, we suspect you know you're being filmed for a TV show. | 0:20:20 | 0:20:23 | |
The objective of the show is to take your money | 0:20:23 | 0:20:26 | |
and then give it back to you. | 0:20:26 | 0:20:28 | |
Everything you gave us was fake money. | 0:20:28 | 0:20:30 | |
If I asked you to look at this marked note, | 0:20:30 | 0:20:33 | |
would you say it's a genuine note? | 0:20:33 | 0:20:35 | |
You'd think that was a real hologram, there? | 0:20:37 | 0:20:39 | |
You realise why we're asking you these questions, because it's legally a very murky area for us | 0:20:42 | 0:20:47 | |
to be seen to be handling fake... | 0:20:47 | 0:20:50 | |
I mean, instantly, when I saw this... | 0:20:50 | 0:20:52 | |
That's why I looked at you for a brief second, and you, kind of, had a little twinkle in your eye. | 0:20:52 | 0:20:57 | |
That was instantly fake, to me. | 0:20:58 | 0:21:00 | |
Paul gives the mark the benefit of the doubt. | 0:21:01 | 0:21:03 | |
Everybody completely understands this has all caught you a little bit off-guard, | 0:21:03 | 0:21:07 | |
because the idea was we would leave you, | 0:21:07 | 0:21:10 | |
you would find out that you'd bought a rubbish stamp that wasn't worth anything, | 0:21:10 | 0:21:13 | |
and everybody was gone, and then we'd come back and we'd give you your money back. | 0:21:13 | 0:21:17 | |
But because you've given us that, it's kind of changed from being a TV show | 0:21:17 | 0:21:21 | |
to being a bit of a problem for us. | 0:21:21 | 0:21:23 | |
I just need you to understand that, when you handed over illegal money, right, | 0:21:23 | 0:21:28 | |
and believe you, me, we've tried to use counterfeit cash as good as this one, | 0:21:28 | 0:21:32 | |
and we're not allowed to use it on the show. | 0:21:32 | 0:21:34 | |
The mark's still looking puzzled, but Paul lays it on the line. | 0:21:34 | 0:21:38 | |
This is exactly the kind of thing we try and teach people not to take. | 0:21:38 | 0:21:41 | |
So we're kind of, in a way, trying to protect you. | 0:21:41 | 0:21:44 | |
So tell me what was going on and then we'll understand. | 0:21:47 | 0:21:51 | |
Right. | 0:21:59 | 0:22:00 | |
So he claimed he'd smelled a rat all along. | 0:22:00 | 0:22:02 | |
Seems like he simply didn't believe a second-hand laptop | 0:22:02 | 0:22:06 | |
could be worth such a high asking price. | 0:22:06 | 0:22:08 | |
Thinking the deal was well dodgy from the start, | 0:22:08 | 0:22:12 | |
rather than hand over genuine cash, | 0:22:12 | 0:22:14 | |
he decided to use a pile of fake notes he brought with him, | 0:22:14 | 0:22:17 | |
just in case he was being ripped off. | 0:22:17 | 0:22:20 | |
At any point, did you have any inkling that you were on a TV show? | 0:22:20 | 0:22:23 | |
Can I see that? | 0:22:24 | 0:22:25 | |
And it turned out that it wasn't only the mark who was being cautious. | 0:22:26 | 0:22:30 | |
He later claimed in a national newspaper | 0:22:30 | 0:22:32 | |
that his 13-year-old daughter thought the setup was bogus all along, | 0:22:32 | 0:22:36 | |
warning her dad, "It sounds like you're on The Real Hustle." | 0:22:36 | 0:22:39 | |
Of course, Alex and Paul were more than aware that it can be | 0:22:41 | 0:22:44 | |
a criminal offence to be in possession of counterfeit banknotes. | 0:22:44 | 0:22:48 | |
The event was reported to the police, | 0:22:48 | 0:22:50 | |
but despite carrying out a series of enquiries, in the end, | 0:22:50 | 0:22:53 | |
it was decided there was no case to answer. | 0:22:53 | 0:22:56 | |
So, did the mark hustle the hustlers? | 0:22:57 | 0:23:00 | |
Not this time. | 0:23:00 | 0:23:01 | |
So, scamming unsuspecting marks out of their hard-earned cash can be a very risky business | 0:23:09 | 0:23:15 | |
and things don't always go to plan. | 0:23:15 | 0:23:18 | |
Even well-seasoned con artists like the real hustlers get it wrong sometimes. | 0:23:18 | 0:23:22 | |
-Have you got money on you as well? -Yes. | 0:23:22 | 0:23:25 | |
-Put your money in here as well, and then you can just look after it altogether, is that OK? -Yeah. | 0:23:25 | 0:23:29 | |
This scam relied on Jess sneakily switching an envelope | 0:23:29 | 0:23:32 | |
full of the mark's cash with one stuffed with newspaper. | 0:23:32 | 0:23:35 | |
Her bag had been expertly doctored with magnets for the con, | 0:23:35 | 0:23:38 | |
but the eagle-eyed mark noticed poor Jess fumbling with the bag, | 0:23:38 | 0:23:43 | |
and it wasn't long before she was rumbled. | 0:23:43 | 0:23:46 | |
Excuse me! | 0:23:46 | 0:23:47 | |
Sorry, someone's going to come and talk to you. You're actually on a TV show! | 0:23:47 | 0:23:51 | |
The key to this scam working was Alex managing to persuade the mark | 0:23:52 | 0:23:56 | |
to let him borrow her mobile phone. | 0:23:56 | 0:23:58 | |
Not a massive ask, but despite Alex's best efforts, | 0:23:58 | 0:24:01 | |
she was having none of it. | 0:24:01 | 0:24:03 | |
Two seconds to call and let them know where I am? | 0:24:03 | 0:24:05 | |
-I've got no money on that. -Or I can send a text, is that all right? | 0:24:05 | 0:24:08 | |
I've got no money on it, that's the only thing. I would let you. | 0:24:08 | 0:24:11 | |
-Can I try? -No, I've got no money on it. | 0:24:11 | 0:24:15 | |
She admitted afterwards, however, that she'd had credit on her mobile all along. | 0:24:18 | 0:24:22 | |
She just didn't trust Alex. Quite right, too. | 0:24:22 | 0:24:26 | |
Excuse me, I've just found this ring. | 0:24:27 | 0:24:29 | |
It doesn't happen often, but sometimes random marks just happen to be too well connected. | 0:24:29 | 0:24:34 | |
In this scam, Jess was claiming she'd found a diamond ring outside this shop. | 0:24:34 | 0:24:40 | |
Unfortunately, it turned out this guy was mates with the owner. | 0:24:40 | 0:24:44 | |
I know Jay. Jay's my friend, who's friends with the manager. | 0:24:44 | 0:24:46 | |
Oh, really? | 0:24:46 | 0:24:48 | |
He even offered to call him. | 0:24:48 | 0:24:49 | |
Oh, wow. Oh, what, you've got their number? | 0:24:49 | 0:24:52 | |
That's definitely not what Jess was hoping to hear. | 0:24:52 | 0:24:55 | |
In this con, the unsuspecting mark thought he'd come to buy a cheap telly. | 0:24:55 | 0:24:59 | |
Well, give him a call. | 0:24:59 | 0:25:00 | |
But before he knew what was happening, | 0:25:00 | 0:25:03 | |
he was being offered the deal of a lifetime. | 0:25:03 | 0:25:05 | |
A fabulous £60,000 Aston Martin for just five grand. | 0:25:05 | 0:25:10 | |
Everything had gone without a hitch and the hustlers were hiding upstairs | 0:25:10 | 0:25:14 | |
when Paul suddenly remembered he'd forgotten one tiny thing he was meant to do. | 0:25:14 | 0:25:19 | |
When it comes to handing out hustling advice, | 0:25:36 | 0:25:38 | |
it's probably best to leave it to the professionals. | 0:25:38 | 0:25:41 | |
The fake commerse... | 0:25:41 | 0:25:44 | |
And although it goes o...goes oh, it goes ooh! | 0:25:44 | 0:25:48 | |
It's natural to want to help a damsel in distresh, but... distresh! | 0:25:48 | 0:25:51 | |
Make sure you understand | 0:25:51 | 0:25:52 | |
where the people are coming from, | 0:25:52 | 0:25:54 | |
which could be... | 0:25:54 | 0:25:56 | |
..Never Never Land. | 0:25:56 | 0:25:57 | |
Right, I'll do it again! | 0:25:57 | 0:25:58 | |
A quick call to the... | 0:25:58 | 0:25:59 | |
So, the best adv... | 0:26:00 | 0:26:03 | |
That alone should send alarm bells ring...bl-blah. | 0:26:03 | 0:26:05 | |
If you're ever offered... | 0:26:05 | 0:26:07 | |
BLEEP | 0:26:07 | 0:26:08 | |
What's happened here is someone's parted with money to a complete stranger. | 0:26:08 | 0:26:11 | |
-I think. I can't remember what the -BLEEP -they've done, actually! Have they? | 0:26:11 | 0:26:14 | |
It's very difficult not to remai... not to... No. No, no. Go back! | 0:26:14 | 0:26:19 | |
So, that's that. This is The Real Hustle. | 0:26:25 | 0:26:29 | |
The original real hustlers... | 0:26:32 | 0:26:34 | |
..and new recruits Polly and Jazz have scammed their last marks, for now. | 0:26:38 | 0:26:43 | |
# Are you ready? | 0:26:43 | 0:26:45 | |
# Are you ready? | 0:26:47 | 0:26:49 | |
# Are you ready? | 0:26:49 | 0:26:50 | |
# Do you know? | 0:26:50 | 0:26:52 | |
# Or feel it too? | 0:26:52 | 0:26:54 | |
# Are you ready? | 0:26:54 | 0:26:55 | |
# Do you know? | 0:26:55 | 0:26:57 | |
# Or feel it too? | 0:26:57 | 0:26:59 | |
# Are you ready? | 0:26:59 | 0:27:01 | |
# I got to show | 0:27:01 | 0:27:02 | |
# I feel this for you | 0:27:02 | 0:27:05 | |
# I feel this for you | 0:27:05 | 0:27:12 | |
# I feel this for you | 0:27:33 | 0:27:35 | |
# I feel this for you | 0:27:35 | 0:27:39 | |
# I feel this for you | 0:27:39 | 0:27:40 | |
And remember, if it sounds too good to be true, it probably is. | 0:27:42 | 0:27:46 | |
If you want to know more about how this show is made, go to.... | 0:27:52 | 0:27:57 | |
Subtitles by Red Bee Media Ltd | 0:28:20 | 0:28:23 |