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This is The Real Hustle: Celebrity Scammers. | 0:00:02 | 0:00:05 | |
In this series, the hustlers carry out scams that are bigger, | 0:00:05 | 0:00:09 | |
tougher and more devious than ever before. | 0:00:09 | 0:00:12 | |
With the help of their celebrity friends, | 0:00:12 | 0:00:16 | |
hustlers, Alex, Jess and Paul | 0:00:16 | 0:00:18 | |
pull off the riskiest scams of all - | 0:00:18 | 0:00:21 | |
long cons. | 0:00:21 | 0:00:24 | |
intricate webs of lies and deception | 0:00:24 | 0:00:26 | |
designed to separate the unwary from their money. | 0:00:26 | 0:00:30 | |
On tonight's show, guest hustler Matt Willis feels the pressure... | 0:00:32 | 0:00:36 | |
I really, really (BLEEP) my pants. | 0:00:36 | 0:00:38 | |
-My hands were trembling. -..Jess is quids in... | 0:00:38 | 0:00:41 | |
That's awesome. | 0:00:41 | 0:00:44 | |
..and this guy has a seriously bad day at work. | 0:00:44 | 0:00:47 | |
If you do not put at least £200 into that envelope, | 0:00:47 | 0:00:51 | |
you're going to lose all of your files. | 0:00:51 | 0:00:54 | |
The hustlers have invited celebrity friends | 0:01:30 | 0:01:33 | |
to help them carry out their long cons. | 0:01:33 | 0:01:36 | |
They'll be thrown in at the deep end, no training and no practice, | 0:01:36 | 0:01:41 | |
just straight into the scam. | 0:01:41 | 0:01:44 | |
This week's celebrity guest hustler is ex-Busted legend | 0:01:44 | 0:01:49 | |
And former king of the jungle Matt Willis. | 0:01:49 | 0:01:52 | |
Matt has no idea what will be expected of him today. | 0:01:56 | 0:01:59 | |
He's just been told to wait on a park bench | 0:01:59 | 0:02:01 | |
and to keep his eyes open for a hustler. | 0:02:01 | 0:02:04 | |
-Hello, mate. -Hello, mate. How you feeling? | 0:02:12 | 0:02:15 | |
-You all right? -Not too bad. -Good. | 0:02:15 | 0:02:17 | |
You ever seen anybody go in and rob a jewellery store? | 0:02:17 | 0:02:20 | |
-No. -Well, what we're going to do is we're going to put up a little charade and | 0:02:20 | 0:02:25 | |
then go in and check the security. | 0:02:25 | 0:02:26 | |
-And it's a pretty secure place. OK? -Right, yeah. | 0:02:26 | 0:02:29 | |
So you're going to pretend that you work for the security company, | 0:02:29 | 0:02:33 | |
-OK? -OK. | 0:02:33 | 0:02:34 | |
So Matt's going to be taking part in a jewellery-shop heist. | 0:02:34 | 0:02:37 | |
In a few minutes, he'll accompany Alex into this store, | 0:02:37 | 0:02:42 | |
where they'll be posing as employees of an alarm company. | 0:02:42 | 0:02:46 | |
Right... Yeah, this is pretty full on. | 0:02:46 | 0:02:48 | |
All right, you're now officially a security engineer. | 0:02:48 | 0:02:51 | |
-Fantastic. -Come on. | 0:02:51 | 0:02:53 | |
I think it's very, very ambitious. I can't believe we're going to do it. | 0:02:53 | 0:02:57 | |
To rob a jewellery store is probably the hardest you could possibly do. | 0:02:57 | 0:03:02 | |
This is the jewellery-store heist. | 0:03:02 | 0:03:06 | |
One very nervous rock star and Alex head for the store, | 0:03:08 | 0:03:12 | |
armed with ID badges, clipboards and a beanie hat disguise for Matt. | 0:03:12 | 0:03:17 | |
They need to be completely believable as security engineers. | 0:03:17 | 0:03:21 | |
Hi there. | 0:03:30 | 0:03:33 | |
Don't seem to be being robbed. | 0:03:33 | 0:03:36 | |
We're from (BLEEP) Alarms. Your alarm's showing up as going off. | 0:03:36 | 0:03:39 | |
Obviously, it's not. Well, there must be some malfunction. | 0:03:39 | 0:03:42 | |
Is everything all right? Has it gone off? Have you reset it? | 0:03:42 | 0:03:46 | |
No? Would you mind resetting it for us? | 0:03:48 | 0:03:50 | |
Because then we can get it.... | 0:03:50 | 0:03:51 | |
Cos, as I said, down our end it's flashing. | 0:03:51 | 0:03:56 | |
The success or failure of the scam now rests on Matt's shoulders. | 0:03:56 | 0:04:00 | |
This is his one chance to use the camera on his clipboard | 0:04:00 | 0:04:04 | |
to record the shop's security code as it's typed in. | 0:04:04 | 0:04:08 | |
Bit of a lucky break. | 0:04:09 | 0:04:11 | |
The mark needs his glasses to type in the alarm code, | 0:04:11 | 0:04:14 | |
so Matt has a few precious moments to line up his shot. | 0:04:14 | 0:04:18 | |
Yeah. | 0:04:20 | 0:04:22 | |
Nothing like the good old fake ID badge. | 0:04:23 | 0:04:26 | |
Yeah, as I said, | 0:04:26 | 0:04:27 | |
it's happened before once or twice with our people. | 0:04:27 | 0:04:32 | |
Everything all right? | 0:04:36 | 0:04:38 | |
-Fine. -Matt's done it. | 0:04:41 | 0:04:44 | |
The hustlers now have a recording of the security PIN code for the store. | 0:04:44 | 0:04:48 | |
But that's only half of the equation. | 0:04:48 | 0:04:50 | |
Over to Alex to seal the deal. | 0:04:50 | 0:04:52 | |
The other thing we need to talk to you about is we're upgrading | 0:04:52 | 0:04:55 | |
most of our customers, their locks and their keys. | 0:04:55 | 0:04:59 | |
What they're bringing in now is these new keys | 0:04:59 | 0:05:02 | |
that are going to have chips in them, | 0:05:02 | 0:05:04 | |
and the chips will be married to the lock, | 0:05:04 | 0:05:06 | |
and we'd like to send you a quote for that. | 0:05:06 | 0:05:08 | |
So do you mind if I have a look at your locks and see? | 0:05:08 | 0:05:12 | |
I'm just going to have a look, | 0:05:12 | 0:05:15 | |
and just a quick look at the keys | 0:05:15 | 0:05:16 | |
to see if we can put the chips on 'em. | 0:05:16 | 0:05:19 | |
Will this guy really let Alex take a look at the shop's keys? | 0:05:20 | 0:05:24 | |
Nothing in the back, just those ones. Yeah, that's no problem. | 0:05:24 | 0:05:29 | |
Alex seems to have convinced him. | 0:05:29 | 0:05:31 | |
He's off to the back office to get them. | 0:05:31 | 0:05:33 | |
Oh, right. | 0:05:35 | 0:05:36 | |
Here's the other part of the puzzle. | 0:05:36 | 0:05:38 | |
Alex uses his camera to film the shop's two front-door keys next to a concealed 50p coin. | 0:05:38 | 0:05:43 | |
It's now possible for specialist software to analyse the key shape | 0:05:43 | 0:05:48 | |
and known dimension of the coin and produce blueprints | 0:05:48 | 0:05:51 | |
for a duplicate key. | 0:05:51 | 0:05:52 | |
That's fine. | 0:05:52 | 0:05:53 | |
Thanks very much! | 0:05:55 | 0:05:56 | |
Matt's doing his bit by keeping the mark distracted. | 0:05:56 | 0:05:59 | |
And that's the only thing you use to come in and out? | 0:05:59 | 0:06:03 | |
OK. That's interesting. OK, so we'll send a quote in as soon as we can. | 0:06:04 | 0:06:07 | |
Thank you. I'm sorry about that. | 0:06:07 | 0:06:09 | |
I'll give you a call if there's a problem down there. | 0:06:09 | 0:06:12 | |
All the best. Cheers. Thank you. | 0:06:12 | 0:06:14 | |
So that's the first part of the scam complete, | 0:06:14 | 0:06:16 | |
and thanks to Matt's contribution, | 0:06:16 | 0:06:18 | |
the hustlers now have the alarm code in addition to the key measurements. | 0:06:18 | 0:06:23 | |
They'll be coming back to that jeweller's later tonight. | 0:06:23 | 0:06:26 | |
But so will the mark. | 0:06:26 | 0:06:28 | |
What you doing in here? | 0:06:28 | 0:06:31 | |
I found some blood. There's quite a considerable amount of blood. | 0:06:31 | 0:06:34 | |
(BLEEP) all over the place. | 0:06:34 | 0:06:35 | |
-Oh, (BLEEP). -No! | 0:06:35 | 0:06:38 | |
When hustlers go out, they don't bring money. | 0:06:50 | 0:06:53 | |
They go armed with prop bets. | 0:06:53 | 0:06:55 | |
The customers in this bar are about to be made an offer that's hard to refuse - | 0:06:58 | 0:07:03 | |
win or lose a drink over a simple wager. | 0:07:03 | 0:07:05 | |
-But a prop bet only has one rule. -Do you give up? | 0:07:09 | 0:07:12 | |
And that's that the hustler always wins. | 0:07:12 | 0:07:15 | |
To the bar! Drinks, please. | 0:07:15 | 0:07:17 | |
-Thank you. -Oh, no! | 0:07:17 | 0:07:19 | |
Jess is out on the town but doesn't intend to pay for her own drinks. | 0:07:19 | 0:07:23 | |
-OK, so it's a challenge, and we'll do it for a round of drinks. -OK. | 0:07:23 | 0:07:27 | |
If you can do it, I'll buy you all drinks. Isn't that generous? | 0:07:27 | 0:07:30 | |
-That's good. No pressure(!) -No pressure, otherwise you buy me and | 0:07:30 | 0:07:35 | |
-the boys a drink. You ready? -I'm in. -OK six coins. Yeah? | 0:07:35 | 0:07:38 | |
Just put them out like a little T. | 0:07:38 | 0:07:41 | |
-OK. -They're not trick coins or anything like that. | 0:07:41 | 0:07:45 | |
-OK. -What you have to do is rearrange them somehow | 0:07:45 | 0:07:48 | |
so that you've got two lines of four. | 0:07:48 | 0:07:51 | |
-Two lines of four? -Yeah, out of those six coins. -All right. | 0:07:51 | 0:07:54 | |
So to win a drink, the bar goer just needs to make two lines of four coins. But there's a problem. | 0:07:54 | 0:08:01 | |
There are only six coins in total on the table. It seems impossible. | 0:08:01 | 0:08:06 | |
OK... Erm... I don't know. | 0:08:09 | 0:08:12 | |
Do you know? | 0:08:17 | 0:08:18 | |
It's got to be like the noughts and crosses, where... | 0:08:18 | 0:08:21 | |
Do you know? | 0:08:21 | 0:08:23 | |
That's a no, because you're pretending like you think you do. | 0:08:23 | 0:08:26 | |
It's not going to happen. | 0:08:29 | 0:08:31 | |
-Do you give up? -Don't give up, man. | 0:08:31 | 0:08:34 | |
-Let's see the real trick. -OK! -You ready? | 0:08:34 | 0:08:37 | |
-You give up? -Yeah. -I'll show you how it's done for a round of drinks. | 0:08:37 | 0:08:40 | |
-Oh, OK. -So, I'm going to set up how it was before now. | 0:08:40 | 0:08:43 | |
-OK. -I'll take this one and place it just there. One, two, three, four. | 0:08:43 | 0:08:49 | |
One, two, three, four! | 0:08:49 | 0:08:51 | |
-Like it. I like it. -That's awesome. -Thanks! | 0:08:51 | 0:08:54 | |
The only way to win this challenge with just six coins | 0:08:54 | 0:08:58 | |
is to count two of the coins twice. | 0:08:58 | 0:09:01 | |
Jess just places one coin on top of another where the lines cross, | 0:09:01 | 0:09:04 | |
-making two lines of four coins each. -You got me. -Thanks. | 0:09:04 | 0:09:09 | |
-And he owes us a round of drinks. -Take my hand, bring me my drink! | 0:09:09 | 0:09:13 | |
-Right, OK. -Thank you. Bye! | 0:09:13 | 0:09:15 | |
It's an ordinary working day in a busy London hotel. | 0:09:27 | 0:09:32 | |
The cafe inside is frequented by visitors and businesspeople. | 0:09:32 | 0:09:36 | |
This guy is dressed for a meeting, | 0:09:38 | 0:09:40 | |
but in just a few moments he's going to have anything | 0:09:40 | 0:09:43 | |
but business on his mind as his whole world is turned upside down. | 0:09:43 | 0:09:49 | |
This is the high-speed hijack. | 0:09:49 | 0:09:53 | |
OK. | 0:09:54 | 0:09:56 | |
The mark is doing some work on his laptop | 0:09:56 | 0:09:59 | |
when something unexpected pops up on the screen. | 0:09:59 | 0:10:03 | |
There's a countdown clock with a message telling him all his | 0:10:08 | 0:10:11 | |
files will be deleted if he doesn't enter the correct unlock code. | 0:10:11 | 0:10:16 | |
And if that hasn't freaked him out enough, this will. | 0:10:16 | 0:10:21 | |
PHONE RINGS | 0:10:21 | 0:10:23 | |
Hello? | 0:10:36 | 0:10:38 | |
You've just activated a virus on your laptop. | 0:10:38 | 0:10:41 | |
How much is it worth to get your files back? | 0:10:41 | 0:10:46 | |
Erm... don't know. | 0:10:46 | 0:10:49 | |
-How much do you have? -Nothing. | 0:10:49 | 0:10:52 | |
You want to lose your files? | 0:10:52 | 0:10:54 | |
-I can activate it from here. -I haven't got any cash on me. | 0:10:54 | 0:10:57 | |
If you do not put at least £200 | 0:10:57 | 0:11:00 | |
into that envelope and hand it to a courier within 15 minutes, | 0:11:00 | 0:11:04 | |
you're going to lose all of your files. | 0:11:04 | 0:11:07 | |
Do you want the code? Yes or no? | 0:11:07 | 0:11:09 | |
Well, I want the code, but I don't have any money on me. | 0:11:09 | 0:11:12 | |
The mark is clearly shocked, but if he doesn't have the money, | 0:11:12 | 0:11:16 | |
there's not much he can do. | 0:11:16 | 0:11:17 | |
-Do you want me to hang up on you? -No. | 0:11:17 | 0:11:21 | |
Do you want your files? Yes or no? | 0:11:21 | 0:11:23 | |
Yes. I haven't got any cash on me. | 0:11:23 | 0:11:26 | |
He's been put in an impossible situation. | 0:11:26 | 0:11:29 | |
He'd better think about getting hold of some cash. | 0:11:29 | 0:11:32 | |
I'm going to call you back in five minutes. If you don't have cash, you will not get the code. | 0:11:32 | 0:11:37 | |
OK. OK, bye. | 0:11:37 | 0:11:39 | |
-Rob? -The panicked mark puts in a call to his boss. | 0:11:39 | 0:11:42 | |
Oh, my God. Well, basically, this is what happened. | 0:11:42 | 0:11:45 | |
I've clicked on Budget Report, this thing's come up and it says, "Enter unlock code". | 0:11:45 | 0:11:50 | |
There was an envelope on the seat next to me and saying "Answer the phone now". | 0:11:50 | 0:11:54 | |
So, this guy rung and it said that if I don't give him £200 | 0:11:54 | 0:11:57 | |
in 15 minutes he's going to delete everything on the computer. | 0:11:57 | 0:12:00 | |
The boss tells him to protect the work files and pay | 0:12:00 | 0:12:03 | |
whatever the mysterious man on the phone is demanding. | 0:12:03 | 0:12:06 | |
OK. OK, I will do. OK. | 0:12:06 | 0:12:09 | |
Bye. | 0:12:09 | 0:12:11 | |
Hand shaking, he calls back the stranger. | 0:12:11 | 0:12:14 | |
-Do you want the code? Yes or no? -Yes, please. | 0:12:14 | 0:12:17 | |
-What money do you have? -I can... | 0:12:17 | 0:12:19 | |
I'll have to get it out. | 0:12:19 | 0:12:21 | |
So he really doesn't have any money on him. | 0:12:21 | 0:12:24 | |
But if he wants to save his important business data, he'd better get some fast. | 0:12:24 | 0:12:29 | |
You've only got ten minutes left. | 0:12:29 | 0:12:31 | |
Now, where's a cash point when you need one? | 0:12:38 | 0:12:40 | |
Do you have the money? Yes or no? | 0:12:57 | 0:13:00 | |
So he's got the money. | 0:13:00 | 0:13:02 | |
Now what? | 0:13:02 | 0:13:04 | |
In the foyer, you will see a courier. | 0:13:04 | 0:13:07 | |
You will put the phone and £200 | 0:13:07 | 0:13:09 | |
into the envelope and give it to the courier. | 0:13:09 | 0:13:11 | |
Give him everything. He will give you a package with the code in it. | 0:13:14 | 0:13:18 | |
With time running out on the clock, the mark does as he's told. | 0:13:19 | 0:13:23 | |
He hands the envelope containing the phone and the money to the waiting courier. | 0:13:23 | 0:13:28 | |
In return, he gets a different envelope containing the code. | 0:13:28 | 0:13:32 | |
He then wastes no time punching it in and saving the files on his computer. | 0:13:32 | 0:13:37 | |
That's one relieved but bewildered young man trying to catch his breath | 0:13:40 | 0:13:44 | |
and wondering what on earth just happened. | 0:13:44 | 0:13:47 | |
The answer lies in a good deed he did for a complete stranger just a little earlier that morning. | 0:13:47 | 0:13:54 | |
As he was sitting in the cafe, the mark was completely unaware | 0:13:56 | 0:13:59 | |
he'd caught the eye of a lady who was also here on business, | 0:13:59 | 0:14:03 | |
but of a more criminal kind. | 0:14:03 | 0:14:05 | |
Jess was here looking for a mark with a laptop connected to the internet. | 0:14:05 | 0:14:10 | |
As she approached the mark from behind, | 0:14:15 | 0:14:18 | |
Jess secretly slipped the envelope with the phone on to the next seat, within earshot but out of his sight. | 0:14:18 | 0:14:24 | |
Sorry, I've just seen you've got the internet. Do you mind if I just check my train times on it? | 0:14:24 | 0:14:29 | |
-Erm, that's fine. -Is that OK? -Yeah, that's fine. | 0:14:29 | 0:14:32 | |
Thank you. Cheers. My train's been delayed | 0:14:32 | 0:14:34 | |
by about three hours, so do you mind if I...? | 0:14:34 | 0:14:36 | |
-Oh, yeah, that's fine. -Thank you. | 0:14:36 | 0:14:38 | |
She turned the laptop so he couldn't see the screen. | 0:14:38 | 0:14:41 | |
-Where you going? -Brighton. -Three hours is a long delay just for Brighton. | 0:14:41 | 0:14:45 | |
It's ridiculous, isn't it? | 0:14:45 | 0:14:46 | |
And she wasn't really interested in travel information. | 0:14:46 | 0:14:50 | |
She actually visited a website set up by the hustlers and downloaded | 0:14:50 | 0:14:54 | |
a piece of software, a virus set to activate a couple of minutes later. | 0:14:54 | 0:14:59 | |
Oh, I don't know if I've just taken your thing away. | 0:14:59 | 0:15:02 | |
I've only got an hour to wait. That's great. | 0:15:02 | 0:15:04 | |
-Thank you very much. -No problem. | 0:15:04 | 0:15:06 | |
-Cheers. -And with that, the mark's fate was sealed. | 0:15:06 | 0:15:12 | |
As Jess left the building... | 0:15:12 | 0:15:15 | |
another hustler was keeping a keen eye on the mark, waiting for the virus screen to pop up. | 0:15:15 | 0:15:21 | |
PHONE RINGS | 0:15:23 | 0:15:25 | |
-Hello? -You just activated a virus on your laptop. | 0:15:34 | 0:15:37 | |
Paul disguised his voice with an easily-available | 0:15:37 | 0:15:40 | |
Smartphone application, and the race against the clock was on. | 0:15:40 | 0:15:45 | |
On his way out to get cash, | 0:15:45 | 0:15:46 | |
the mark didn't notice the courier already waiting in reception. | 0:15:46 | 0:15:50 | |
And on his return, he didn't have time to question him, | 0:15:52 | 0:15:55 | |
because he was too worried about unlocking the computer. | 0:15:55 | 0:15:59 | |
Just as well, because this is no ordinary courier. | 0:15:59 | 0:16:03 | |
It was Alex, and he didn't even need a bike, | 0:16:05 | 0:16:09 | |
because he was here with Jess in the hustle van. | 0:16:09 | 0:16:13 | |
A few moments later, Paul also joined the party, | 0:16:13 | 0:16:17 | |
and along with the mark's £200 they were gone. | 0:16:19 | 0:16:22 | |
When I saw the fact that it was in an envelope, that's when I really started to panic. | 0:16:22 | 0:16:26 | |
It was company records on there, and I thought if I'd have lost them then | 0:16:26 | 0:16:30 | |
I certainly would have been fired, yeah. | 0:16:30 | 0:16:33 | |
I just didn't really have time to think properly. | 0:16:33 | 0:16:35 | |
It was all quite time pressurised. | 0:16:35 | 0:16:38 | |
In this scam, Jess used her charms to infect the mark's laptop, | 0:16:40 | 0:16:44 | |
but normally a virus would arrive on an e-mail. | 0:16:44 | 0:16:47 | |
Be warned, that e-mail could be made to look | 0:16:47 | 0:16:49 | |
like it comes from somebody that you already know and trust. | 0:16:49 | 0:16:53 | |
It would then lock out your computer completely or it would encrypt all of your files, | 0:16:53 | 0:16:58 | |
forcing you to pay the ransom if you wanted to retrieve all your data. | 0:16:58 | 0:17:02 | |
What you have here is potentially disastrous. All your personal data, all your company data can be hacked. | 0:17:02 | 0:17:08 | |
If somebody asks you for money because they've hacked into your | 0:17:08 | 0:17:11 | |
computer, the first thing you should do is dial 999 and get the police to come. | 0:17:11 | 0:17:15 | |
You are the victim of extortion. | 0:17:15 | 0:17:17 | |
Get the police there quickly. | 0:17:17 | 0:17:19 | |
Earlier today, | 0:17:28 | 0:17:29 | |
Matt Willis entered a jeweller's dressed as a security engineer | 0:17:29 | 0:17:33 | |
and secretly filmed the shop worker | 0:17:33 | 0:17:35 | |
entering his alarm code. | 0:17:35 | 0:17:37 | |
Do you mind if I have a look at your keys to see if we can put the chips on them? | 0:17:37 | 0:17:41 | |
Meanwhile, Alex got video footage of the front-door keys, | 0:17:41 | 0:17:44 | |
giving him all the information he needed to get duplicates made. | 0:17:44 | 0:17:47 | |
So, we'll send a quote in as soon as we can. | 0:17:47 | 0:17:50 | |
But any good jewellers | 0:17:50 | 0:17:51 | |
keep their valuables locked in a safe overnight, | 0:17:51 | 0:17:54 | |
so what are the hustlers planning? | 0:17:54 | 0:17:56 | |
And what lies in store for guest hustler Matt in... | 0:17:56 | 0:18:01 | |
the jewellery store heist part two? | 0:18:01 | 0:18:04 | |
It's several hours since Matt and Alex visited the store. | 0:18:07 | 0:18:11 | |
All the shops on this high street have closed for the night, | 0:18:11 | 0:18:15 | |
but there's an official-looking security man | 0:18:15 | 0:18:18 | |
from the local council keeping an eye on things. | 0:18:18 | 0:18:21 | |
Nobody gives him a second glance as he lets himself into the jewellery store with the front-door keys. | 0:18:25 | 0:18:31 | |
And the burglar alarm is no obstacle, | 0:18:37 | 0:18:39 | |
as he knows the PIN code to disarm it, | 0:18:39 | 0:18:42 | |
thanks to Matt's footage recorded earlier. | 0:18:42 | 0:18:45 | |
Now that Paul is safely in the shop, he takes a minute | 0:18:45 | 0:18:49 | |
to rig some hidden cameras in the back rooms. | 0:18:49 | 0:18:52 | |
He's all set. | 0:18:52 | 0:18:55 | |
Paul will now make a phone call | 0:18:55 | 0:18:57 | |
to the last person in the world you would expect... | 0:18:57 | 0:18:59 | |
Hi there. Am I speaking to the owner/operator of Mercedes Jewellery? | 0:18:59 | 0:19:04 | |
-..the store's manager. -Hi, my name's Officer Marks. | 0:19:04 | 0:19:07 | |
I'm from the council security project. | 0:19:07 | 0:19:10 | |
I'm at your store. I found the front door open | 0:19:10 | 0:19:12 | |
and the inside gate open, and all the lights are on. | 0:19:12 | 0:19:16 | |
Everything seems to be in order, but if you could come down | 0:19:16 | 0:19:20 | |
and perhaps lock up, I would advise it. | 0:19:20 | 0:19:23 | |
All right, thank you. Thank you. Bye. | 0:19:23 | 0:19:25 | |
It may seem that Paul asking the shop supervisor to join him | 0:19:25 | 0:19:28 | |
during the scam is a bad idea, but the hustlers have a plan. | 0:19:28 | 0:19:35 | |
Whilst the second hustler of the day | 0:19:35 | 0:19:37 | |
helps himself to the complimentary chocolates, | 0:19:37 | 0:19:40 | |
one very agitated supervisor is racing back to the shop. | 0:19:40 | 0:19:43 | |
Who are you? Your name? | 0:19:53 | 0:19:55 | |
Lloyd...? Campbell? | 0:19:56 | 0:19:58 | |
Mr Campbell? | 0:19:58 | 0:19:59 | |
-Come on in. -What you doing in here? | 0:20:00 | 0:20:02 | |
Well, we found the place wide open. | 0:20:02 | 0:20:04 | |
-Why are the lights on? -It's not wide open. | 0:20:04 | 0:20:06 | |
-See this chair? -Eh? | 0:20:06 | 0:20:07 | |
This chair here had this jammed open, and that was just sitting wide open. | 0:20:07 | 0:20:11 | |
The police have been called. They're saying it's scenes of crime. | 0:20:11 | 0:20:16 | |
It doesn't look like anything's happened, to be honest. | 0:20:16 | 0:20:18 | |
I've had a little walk through. | 0:20:18 | 0:20:20 | |
Is there anything missing in the back, or...? | 0:20:20 | 0:20:22 | |
All of these lights were on. | 0:20:24 | 0:20:26 | |
This door was open. There's a lock at the top there. | 0:20:26 | 0:20:29 | |
Oh, there we go. | 0:20:29 | 0:20:31 | |
No, I'm council security. | 0:20:31 | 0:20:33 | |
Yeah they're on their way. Are Scenes of Crime on their way, or what? | 0:20:33 | 0:20:37 | |
They certainly are. | 0:20:37 | 0:20:40 | |
In face, Alex and Matt have been waiting just down the road, | 0:20:40 | 0:20:44 | |
parked out of view, since Paul arrived. | 0:20:44 | 0:20:47 | |
As the mark already met them earlier, | 0:20:47 | 0:20:49 | |
they mustn't be recognised or the scam will be blown. | 0:20:49 | 0:20:53 | |
But these forensic outfits give them the perfect excuse to cover their faces. | 0:20:53 | 0:20:58 | |
Here they are. | 0:20:59 | 0:21:01 | |
-Hi there. -Hi. How are you? -All right. | 0:21:08 | 0:21:10 | |
-Hello. -Is Officer Richards there? | 0:21:10 | 0:21:12 | |
-He's on his way. -He thinks there's nothing taken. | 0:21:12 | 0:21:15 | |
So I don't know if you want to go ahead or not. | 0:21:15 | 0:21:17 | |
Oh, that's handy. | 0:21:17 | 0:21:19 | |
-Yeah. -We'll do a sweep. | 0:21:19 | 0:21:20 | |
What time did you lock up? | 0:21:20 | 0:21:21 | |
OK. How many entrances? How many exits? | 0:21:23 | 0:21:26 | |
That's Alex recording evidence on camera, | 0:21:26 | 0:21:29 | |
and Matt is starting to dust for prints. | 0:21:29 | 0:21:32 | |
Is there another entrance to here? | 0:21:32 | 0:21:35 | |
There's a side door. Is that OK? | 0:21:35 | 0:21:37 | |
Is the side door all right? | 0:21:37 | 0:21:38 | |
Anything here that could have been taken? | 0:21:41 | 0:21:43 | |
The safes? | 0:21:46 | 0:21:48 | |
That's right, the safe. | 0:21:48 | 0:21:51 | |
That's what the hustlers have come here for. | 0:21:51 | 0:21:54 | |
They may have let themselves in the front door, | 0:21:54 | 0:21:56 | |
but only the mark has the code to get inside several inches | 0:21:56 | 0:22:00 | |
of solid, reinforced metal. | 0:22:00 | 0:22:02 | |
He makes sure to block everyone's view of the key pad. | 0:22:02 | 0:22:05 | |
All as it should be, full of money and jewellery. | 0:22:05 | 0:22:10 | |
It seems like the hustlers have missed their chance to get the safe's code. | 0:22:10 | 0:22:15 | |
Wrong. That's no | 0:22:15 | 0:22:17 | |
ordinary camera Alex is holding. | 0:22:17 | 0:22:20 | |
It's actually an infrared heat-sensitive camera. | 0:22:20 | 0:22:23 | |
Now the mark is out of the room, | 0:22:23 | 0:22:25 | |
Alex takes a closer look at the safe door. | 0:22:25 | 0:22:28 | |
He can see the heat signature of the mark's fingers on the key pad. | 0:22:28 | 0:22:33 | |
The position and the intensity of the white dots tell him which keys have been pushed and in which order. | 0:22:33 | 0:22:39 | |
But it's not much use with the mark standing right next to him. | 0:22:41 | 0:22:45 | |
Excuse me, Mr Campbell, is this supposed to be | 0:22:47 | 0:22:50 | |
-on the floor over here? -What's that? | 0:22:50 | 0:22:52 | |
Over to Paul and Matt to distract him. | 0:22:52 | 0:22:55 | |
Everything in the window is in place, | 0:22:55 | 0:22:57 | |
-but on the floor... -This is Alex's chance, but he's got to be quick. | 0:22:57 | 0:23:03 | |
It's the only thing out of place? | 0:23:03 | 0:23:04 | |
Punches in the code and gets to work. | 0:23:04 | 0:23:07 | |
It's weird. They didn't even use that to hold this open. | 0:23:10 | 0:23:13 | |
But then, disaster. The mark is coming straight back. | 0:23:13 | 0:23:18 | |
Alex is up to his elbows in the safe. | 0:23:18 | 0:23:21 | |
Matt is dusting for prints in the doorway. | 0:23:21 | 0:23:24 | |
He's now the only person stopping the mark walking through. | 0:23:24 | 0:23:28 | |
If Alex gets caught with his hands in the safe, | 0:23:28 | 0:23:31 | |
this scam will turn very ugly. | 0:23:31 | 0:23:33 | |
Done. | 0:23:36 | 0:23:38 | |
Now to get out of here. | 0:23:38 | 0:23:41 | |
Matt's role is crucial for the getaway. | 0:23:41 | 0:23:45 | |
He's going to turn this jeweller's | 0:23:45 | 0:23:48 | |
into an even more serious crime scene. | 0:23:48 | 0:23:51 | |
He heads into the back room armed with a bottle of fake blood, which he sprays around the bathroom. | 0:23:51 | 0:23:56 | |
Now to report his gruesome discovery. | 0:24:05 | 0:24:07 | |
-I told him this door was open. -It was actually... -I found some blood. | 0:24:07 | 0:24:11 | |
There's quite a considerable amount of blood back here. | 0:24:11 | 0:24:14 | |
-We need to get a detective. We need the blood test kits, as well. -Where? | 0:24:14 | 0:24:19 | |
Through there. Bathroom. | 0:24:19 | 0:24:21 | |
This is no longer just a break-in. | 0:24:21 | 0:24:25 | |
All this blood calls for a full forensic lock-down of the scene of crime. | 0:24:25 | 0:24:29 | |
(BLEEP) What do you want to do about that? | 0:24:37 | 0:24:40 | |
-Well, we need to get the blood kit, sir. -Don't touch anything. | 0:24:40 | 0:24:44 | |
The first step in securing any forensic evidence is to take everyone's fingerprints... | 0:24:44 | 0:24:50 | |
We need to get the blood kits. That's the first thing we need to deal with. | 0:24:50 | 0:24:53 | |
Also, we need to fingerprint yourself and the gentleman, | 0:24:53 | 0:24:56 | |
just to... Then we start dusting. | 0:24:56 | 0:24:58 | |
..though the mark doesn't seem too thrilled at the idea. | 0:25:00 | 0:25:04 | |
I will get you the ID. I'll need to get... | 0:25:07 | 0:25:10 | |
Don't forget your ID, yeah? | 0:25:10 | 0:25:11 | |
Alex and Matt go out to the van to get their fingerprinting kit, | 0:25:14 | 0:25:17 | |
taking with them the entire contents of the safe. | 0:25:17 | 0:25:21 | |
The mark is back in the office, | 0:25:21 | 0:25:24 | |
so Paul takes his chance to get out and into the van. | 0:25:24 | 0:25:29 | |
In a matter of seconds, these scene-of-crime officers | 0:25:32 | 0:25:36 | |
have left the crime scene. | 0:25:36 | 0:25:37 | |
(BLEEP). I can't believe that. | 0:25:40 | 0:25:44 | |
What the (BLEEP) hell? | 0:25:55 | 0:25:57 | |
Suddenly all on his own, the mark phones the store's owner again. | 0:25:57 | 0:26:01 | |
Hello? Hello, Lloyd? | 0:26:05 | 0:26:06 | |
I've had (BLEEP) people all over the place. | 0:26:07 | 0:26:10 | |
(BLEEP) people in white suits come in here. | 0:26:10 | 0:26:12 | |
Oh, you're joking? | 0:26:12 | 0:26:14 | |
No. No, they claimed to be Old Bill, but... | 0:26:14 | 0:26:16 | |
-Everything all right here? -I've just looked in there. -And...? | 0:26:22 | 0:26:25 | |
The owner naturally wants to make sure all his well with his safe. | 0:26:25 | 0:26:29 | |
-Oh, (BLEEP). -Oh, no! | 0:26:29 | 0:26:31 | |
No! I don't believe that. I just opened it up meself. | 0:26:31 | 0:26:36 | |
It was all in there! | 0:26:36 | 0:26:38 | |
I (BLEEP) knew they weren't the Old Bill. I knew it. | 0:26:38 | 0:26:41 | |
You've just been scammed. You've been scammed. | 0:26:41 | 0:26:44 | |
How the (BLEEP) did they get in? | 0:26:47 | 0:26:50 | |
-The safe's... -Yeah, I've just opened the safe | 0:26:50 | 0:26:53 | |
and what was in the safe is now not in the safe. | 0:26:53 | 0:26:56 | |
Money and jewellery. Yeah. | 0:26:56 | 0:26:58 | |
Lots of. | 0:26:58 | 0:27:00 | |
My heart is literally still racing through my chest. | 0:27:00 | 0:27:03 | |
I could feel it beating against my T-shirt. | 0:27:03 | 0:27:06 | |
I really, really (BLEEP) my pants, you know? | 0:27:06 | 0:27:08 | |
Like, I mean, I really started to really get really scared. | 0:27:08 | 0:27:11 | |
My hands were trembling. | 0:27:11 | 0:27:13 | |
They got into the door, | 0:27:13 | 0:27:14 | |
and then me and Alex were in there and Alex was getting stuff out. | 0:27:14 | 0:27:17 | |
He started to walk back towards me! | 0:27:17 | 0:27:20 | |
I was, like, "Oh, my God, he's going to walk in here!" | 0:27:20 | 0:27:23 | |
And they told me, like, "If he comes near, you've got to | 0:27:23 | 0:27:25 | |
"not let him get in the room until Alex can | 0:27:25 | 0:27:28 | |
"get the case together," so I was, like, "Man, am I going | 0:27:28 | 0:27:31 | |
to have to tell this guy he cannot come in here?" | 0:27:31 | 0:27:33 | |
The mark is faced with a very convincing situation here | 0:27:35 | 0:27:38 | |
and is given no time to think things through. | 0:27:38 | 0:27:41 | |
Always protect your alarm code. | 0:27:41 | 0:27:43 | |
Never enter it in the presence of strangers | 0:27:43 | 0:27:45 | |
and never let anyone handle your keys that you don't know and trust. | 0:27:45 | 0:27:49 | |
And if a stranger is standing in the middle of your locked-up store, | 0:27:49 | 0:27:53 | |
then you should be dialling 999. | 0:27:53 | 0:27:55 | |
Subtitles by Red Bee Media Ltd | 0:28:14 | 0:28:17 | |
Email [email protected] | 0:28:17 | 0:28:20 |