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This is The Real Hustle - Celebrity Scammers. | 0:00:02 | 0:00:05 | |
In this series, the hustlers carry out scams that are bigger, tougher and more devious than ever before. | 0:00:05 | 0:00:12 | |
With the help of their celebrity friends, | 0:00:12 | 0:00:15 | |
hustlers Alex, Jess and | 0:00:15 | 0:00:19 | |
Paul pull off the riskiest scams of all. | 0:00:19 | 0:00:23 | |
Long cons. Intricate webs of lies and deception designed to separate the unwary from their money. | 0:00:23 | 0:00:30 | |
On tonight's show, TV presenter Zoe Salmon feels the pressure | 0:00:34 | 0:00:37 | |
as she becomes a guest hustler. | 0:00:37 | 0:00:39 | |
Alex tries not to blow it. | 0:00:42 | 0:00:44 | |
Right. You sort of jam it in. | 0:00:44 | 0:00:46 | |
And Jess comes over all mystical. | 0:00:46 | 0:00:49 | |
I just think maybe she just taps into a part of her mind | 0:00:49 | 0:00:52 | |
that not everyone else can. | 0:00:52 | 0:00:53 | |
The hustlers have invited celebrity friends to help them carry out their long cons. | 0:01:31 | 0:01:36 | |
They'll be thrown in at the deep end. | 0:01:36 | 0:01:38 | |
No training and no practise. | 0:01:38 | 0:01:41 | |
Just straight in to the scam. | 0:01:41 | 0:01:44 | |
This week's celebrity guest hustler is former Blue Peter presenter and star of Dancing On Ice, Zoe Salmon. | 0:01:44 | 0:01:52 | |
I have no idea what to expect. | 0:01:54 | 0:01:57 | |
I am 100% clueless. I know that | 0:01:57 | 0:02:00 | |
I'm here for a hustle. I don't have any details at all. | 0:02:00 | 0:02:03 | |
I've never done anything like this before and I think I could be | 0:02:03 | 0:02:06 | |
quite good at it. We'll have to wait and see. | 0:02:06 | 0:02:09 | |
Zoe has been told to wait at this bus stop. | 0:02:11 | 0:02:13 | |
But she's not using public transport. | 0:02:13 | 0:02:16 | |
Instead, she's getting a lift from Alex... | 0:02:16 | 0:02:20 | |
-Hello. -How are you? | 0:02:20 | 0:02:21 | |
..who's going to give her a hustle briefing. | 0:02:21 | 0:02:25 | |
Right. I'm just going to pull up here. | 0:02:27 | 0:02:29 | |
You and I are going to go and have a look at a car that's for sale. | 0:02:29 | 0:02:33 | |
-Right. -OK. | 0:02:33 | 0:02:35 | |
But we're not actually going to buy it. What we're going to do is we're going to mess with it a little bit. | 0:02:35 | 0:02:40 | |
-Right. -You know what this is? -No. | 0:02:40 | 0:02:44 | |
This is a VIN plate. And so is this. | 0:02:44 | 0:02:47 | |
Right. | 0:02:47 | 0:02:49 | |
A VIN plate is bolted on to the frame of every car | 0:02:49 | 0:02:51 | |
and carries the official chassis number of the vehicle. | 0:02:51 | 0:02:53 | |
Now, you are going to put this fake VIN plate | 0:02:53 | 0:02:57 | |
over the real VIN plate of the car, whilst I distract | 0:02:57 | 0:03:02 | |
-the person who's selling it, OK? -OK. | 0:03:02 | 0:03:04 | |
So, Zoe and Alex are going to pose as a couple and view the car that's for sale. | 0:03:04 | 0:03:10 | |
Alex will do what he can to distract the owner, | 0:03:10 | 0:03:13 | |
but Zoe's going to have to cover the car's ID plates with fakes. | 0:03:13 | 0:03:16 | |
There's your VIN plate there. | 0:03:16 | 0:03:18 | |
Alex points out the ones on his own car. | 0:03:18 | 0:03:20 | |
There's one here. | 0:03:20 | 0:03:22 | |
One in the doorframe and one on the dashboard. | 0:03:22 | 0:03:25 | |
So you can just go over it. | 0:03:25 | 0:03:26 | |
But if she gets caught, this scam won't be going anywhere. | 0:03:26 | 0:03:30 | |
If you don't put those VIN plates on, | 0:03:30 | 0:03:32 | |
we can't proceed. | 0:03:32 | 0:03:34 | |
-Yeah. -OK? | 0:03:34 | 0:03:36 | |
I got it. Speed is key as well. | 0:03:36 | 0:03:38 | |
-I will do it. -OK. | 0:03:38 | 0:03:40 | |
This is The Double Whammy. | 0:03:41 | 0:03:43 | |
-All right, you've got your things? -I've got the essentials. | 0:03:44 | 0:03:48 | |
-So Kate, Ian. -Kate, Ian. OK. Let's do it. | 0:03:48 | 0:03:53 | |
There's no turning back now. | 0:03:53 | 0:03:54 | |
-Let's go. Let's go buy a car. -Let's do that. I fancy a car today. | 0:03:54 | 0:03:59 | |
Alex gives Zoe a camera disguised | 0:03:59 | 0:04:01 | |
as a phone to capture her handiwork. | 0:04:01 | 0:04:04 | |
Oh, hi there. I'm Ian and this is Kate. | 0:04:12 | 0:04:15 | |
We've come to have a look at the car. | 0:04:15 | 0:04:17 | |
I think it was Max, was it? | 0:04:17 | 0:04:19 | |
Oh, right. Would it be all right to have a quick look at it? Thank you. | 0:04:21 | 0:04:25 | |
What do you think? Baby seat at the back? Pram? | 0:04:25 | 0:04:28 | |
-Yeah. -Or are we not thinking that far ahead? | 0:04:28 | 0:04:30 | |
No, no, I think it's good. I think we should look at the boot for that. | 0:04:30 | 0:04:34 | |
Oh, thank you. Thanks very much. | 0:04:34 | 0:04:37 | |
The mark may be keeping warm inside the doorway, | 0:04:37 | 0:04:40 | |
but she's also keeping a very close eye on these potential buyers. | 0:04:40 | 0:04:44 | |
Just have a sit in. | 0:04:44 | 0:04:46 | |
It's going to make it tough for Zoe to carry out her task. | 0:04:46 | 0:04:48 | |
-Yeah. -How many years old? | 0:04:50 | 0:04:54 | |
Alex needs to keep the mark busy. | 0:04:57 | 0:04:59 | |
Oh, actually I'm dying for a... If I can give these to you? | 0:04:59 | 0:05:01 | |
Do you mind if I use your bathroom? Sorry. | 0:05:01 | 0:05:03 | |
He now has her attention. | 0:05:05 | 0:05:06 | |
Would you mind showing me? I don't want to get lost. | 0:05:06 | 0:05:09 | |
Can Zoe use this distraction to stick on the fake VIN plates? | 0:05:09 | 0:05:12 | |
WOMAN: Up the stairs. You can see it as you go to the top. | 0:05:12 | 0:05:14 | |
ALEX: OK and is it first door, second door? | 0:05:14 | 0:05:17 | |
-As you go in, you can see it as you go up the stairs. -OK. -Just there. -Sorry. -That's OK. | 0:05:17 | 0:05:21 | |
The first plate in the doorframe is on. The mark is back at the door, keeping an eye on Zoe. | 0:05:21 | 0:05:27 | |
The second plate is going to be even trickier. | 0:05:27 | 0:05:30 | |
Can I ask you, do you know how many years your son has had the car? | 0:05:30 | 0:05:35 | |
Alex is still keeping the mark busy, but Zoe's going to have to be quick. | 0:05:35 | 0:05:40 | |
Cos I was just wondering if he's had all the log books from the very beginning or if he's had...? | 0:05:40 | 0:05:44 | |
I can try and contact him for you. | 0:05:44 | 0:05:47 | |
You can have a word. | 0:05:47 | 0:05:48 | |
OK, um... OK. | 0:05:48 | 0:05:50 | |
It's done. Zoe has successfully completed part one of the scam. | 0:05:50 | 0:05:54 | |
Now, they just have to make their excuses and leave. | 0:05:54 | 0:05:57 | |
I mean, it looks great inside. | 0:05:57 | 0:05:59 | |
But, you know, sometimes it's hard to tell, isn't it? | 0:05:59 | 0:06:04 | |
-We can't buy it today. -Yeah. -But we thought we'd come and have a look. | 0:06:04 | 0:06:07 | |
I'll give Max a call and I can ask him all the questions. | 0:06:07 | 0:06:09 | |
Cheers. That's all right. | 0:06:09 | 0:06:12 | |
Thanks a lot. Bye. Have a nice day. | 0:06:12 | 0:06:15 | |
She wouldn't just... She sort of kept looking out. | 0:06:17 | 0:06:20 | |
You must have been very quick. | 0:06:20 | 0:06:22 | |
Yeah. I kept looking back. I was pretending I was feeling the dashboard. | 0:06:22 | 0:06:26 | |
Like, making sure it was nice quality. | 0:06:26 | 0:06:28 | |
-The one on the door, you did that straight away? -Yeah, I did it instantly. -Well done, you. | 0:06:28 | 0:06:32 | |
Later that day, some genuine prospective buyers turn up at the house. | 0:06:35 | 0:06:40 | |
This guy obviously knows his stuff and is giving the vehicle a thorough going-over. | 0:06:43 | 0:06:48 | |
It's essential to the scam that he doesn't discover Zoe's fake VIN plates. | 0:06:48 | 0:06:52 | |
After 15 minutes of careful checking, the man seems happy with the car, and they all head inside. | 0:06:55 | 0:07:01 | |
Looks like the owner could have a sale. | 0:07:01 | 0:07:04 | |
Before long, the deal is done and the new owners drive off in their vehicle. | 0:07:06 | 0:07:10 | |
-But they don't get very far before running into an unexpected road block. -Stop one second, sir. | 0:07:12 | 0:07:18 | |
But this is no ordinary checkpoint | 0:07:18 | 0:07:19 | |
because these bogus Department For Transport officials | 0:07:19 | 0:07:23 | |
are actually Zoe and Alex. | 0:07:23 | 0:07:25 | |
-Keep coming. -Yup, you're good. | 0:07:25 | 0:07:27 | |
They got changed into fluorescent jackets and hats as soon as the buyers went into the house. | 0:07:27 | 0:07:34 | |
And with their official-looking gear, they're about to ruin this couple's afternoon. | 0:07:34 | 0:07:39 | |
Can you step out of the car? | 0:07:39 | 0:07:41 | |
There's nothing to worry about. | 0:07:41 | 0:07:44 | |
We're from the Department For Transport. | 0:07:44 | 0:07:47 | |
We're the Department For Transport... | 0:07:47 | 0:07:50 | |
Here comes the bombshell. | 0:07:50 | 0:07:51 | |
You just purchased this car from a few doors down, didn't you? | 0:07:51 | 0:07:56 | |
We've been monitoring that place, | 0:07:56 | 0:07:58 | |
they have been selling cars that have not been quite legit. | 0:07:58 | 0:08:02 | |
So that's one gob-smacked mark stopped in his tracks. | 0:08:02 | 0:08:05 | |
That's coming right off. | 0:08:05 | 0:08:07 | |
But this scam isn't called The Double Whammy for nothing. | 0:08:07 | 0:08:10 | |
I will have to take your fingerprints. | 0:08:10 | 0:08:12 | |
When hustlers go out, they don't bring money, | 0:08:26 | 0:08:29 | |
they go armed with prop bets. | 0:08:29 | 0:08:31 | |
The customers in this bar are about to be made an offer that's hard to refuse. | 0:08:34 | 0:08:38 | |
Win or lose a drink over a simple wager. | 0:08:39 | 0:08:42 | |
-But a prop bet only has one rule. -Do you give up? | 0:08:45 | 0:08:48 | |
And that's that the hustler always wins. | 0:08:48 | 0:08:51 | |
-To the bar! -Drinks, please! Thank you. | 0:08:51 | 0:08:55 | |
Alex has made some new friends and fancies a free drink. | 0:08:55 | 0:08:59 | |
OK, so we're all low on drinks, so what I suggest is if you can't do this next challenge, | 0:08:59 | 0:09:05 | |
you guys have got to buy a round of drinks. OK? | 0:09:05 | 0:09:08 | |
So, we're going to use this glass and we're going to use... | 0:09:08 | 0:09:11 | |
It's not what you think, it's not what you think. | 0:09:11 | 0:09:15 | |
Hang on. | 0:09:16 | 0:09:17 | |
Right, here we go. I'm going to tie a knot into this. | 0:09:18 | 0:09:21 | |
Right, OK. So, here's the challenge - | 0:09:21 | 0:09:24 | |
you've got to use this balloon to pick up this glass. | 0:09:24 | 0:09:28 | |
You cannot touch the glass | 0:09:28 | 0:09:31 | |
and you can only hold the balloon right at the very top | 0:09:31 | 0:09:35 | |
where the knot is. Also, when I say lift the glass, I mean lift it. | 0:09:35 | 0:09:38 | |
So the bet is to lift the glass clear off the table using the balloon, | 0:09:38 | 0:09:43 | |
which can only be held by the very end. | 0:09:43 | 0:09:46 | |
-OK, Helen. -Only the top? | 0:09:46 | 0:09:49 | |
Only the top. You've got to pick that glass up. | 0:09:49 | 0:09:51 | |
I assume you do that? | 0:09:51 | 0:09:54 | |
Yeah, and sort of jam it in. | 0:09:54 | 0:09:56 | |
I really can't do it. | 0:09:56 | 0:09:58 | |
-I've got a couple of ideas. -Oh, God. Here we go. | 0:09:58 | 0:10:02 | |
Right. Can I undo the balloon? | 0:10:02 | 0:10:04 | |
-No. -Pierce the balloon in... -No. | 0:10:04 | 0:10:07 | |
You're actually touching the glass now. | 0:10:07 | 0:10:14 | |
Very good though. I'll give you a packet of crisps or something. | 0:10:14 | 0:10:19 | |
-You ready for the answer? -Please. -Otherwise, we'll be here all day. | 0:10:19 | 0:10:22 | |
I'm going to use something. | 0:10:22 | 0:10:24 | |
-Ready? -Yeah. | 0:10:27 | 0:10:28 | |
-Sinead's still puzzled. -I'm really puzzled. | 0:10:30 | 0:10:33 | |
-Oh, my god! -Here we go. Picking up the glass | 0:10:41 | 0:10:44 | |
by touching the balloon only from the end. | 0:10:44 | 0:10:47 | |
Oh, my god! | 0:10:47 | 0:10:48 | |
Now, you got to admit, that's something you don't see every day. | 0:10:48 | 0:10:52 | |
I'm using that. I am using that! | 0:10:53 | 0:10:56 | |
Here's how it works. | 0:10:56 | 0:10:58 | |
The lit match burns up the oxygen in the glass, | 0:10:58 | 0:11:01 | |
creating low pressure, which sucks in the balloon. | 0:11:01 | 0:11:04 | |
The two are then wedged together so tightly, | 0:11:04 | 0:11:07 | |
the glass can be lifted right off the table. | 0:11:07 | 0:11:09 | |
Drinks, please! Thank you. | 0:11:09 | 0:11:12 | |
This upmarket street has got a brand new resident - | 0:11:24 | 0:11:27 | |
a mysterious raven-haired lady who can seemingly contact the spirit world | 0:11:27 | 0:11:31 | |
and tell her customers intimate details of their lives. | 0:11:31 | 0:11:37 | |
Her name is Jess, but in spiritual circles she's known only as Madame Suzie. | 0:11:37 | 0:11:43 | |
This is The Phony Psychic Scam. | 0:11:43 | 0:11:46 | |
Madame Suzie's shop is decked out in authentic-looking spiritual gear. | 0:11:48 | 0:11:54 | |
All she needs now are some customers, ready to take a journey into the unknown. | 0:11:54 | 0:11:59 | |
-Hi, I'm Suzie. -Let's see if Madame Suzie knows her stuff. | 0:11:59 | 0:12:04 | |
I was watching you when you came in. I'm going to give you a free reading. | 0:12:04 | 0:12:08 | |
I'm not going to charge you for it, | 0:12:08 | 0:12:10 | |
but if you think you've learnt something, then you can give me what you think. | 0:12:10 | 0:12:14 | |
-OK. -But if you've not learnt anything then you don't pay anything. | 0:12:14 | 0:12:18 | |
No money up front? She must be very confident about her friends in the spirit world. | 0:12:18 | 0:12:22 | |
Let the psychic predictions begin. | 0:12:22 | 0:12:26 | |
You Cypriot? | 0:12:26 | 0:12:28 | |
-Yeah. -Yeah. | 0:12:28 | 0:12:31 | |
Not a bad start, but that could have been a lucky guess. | 0:12:31 | 0:12:34 | |
Getting an image, it's quite white. | 0:12:34 | 0:12:37 | |
That's not your favourite colour, then? | 0:12:37 | 0:12:40 | |
No. It's not a place, but it is a place. It's... | 0:12:40 | 0:12:43 | |
..like Alaska or something. | 0:12:45 | 0:12:48 | |
Somewhere very cold, but it's not the place. | 0:12:48 | 0:12:50 | |
It's... For some reason, the word Alaska means a lot. | 0:12:50 | 0:12:54 | |
-My dog's called Alaska. -And is he white? Is he a white dog? | 0:12:54 | 0:12:57 | |
-Yeah. -That's it, the white dog Alaska. -Yeah. | 0:12:57 | 0:13:00 | |
Madame Suzie's predictions seem to be right on the money. | 0:13:00 | 0:13:03 | |
-Got a lot of unconditional love for you. -Really? -Yeah. | 0:13:03 | 0:13:06 | |
-He's with you now, thinking about you. -Oh, hope so. -Yeah? | 0:13:06 | 0:13:11 | |
You've got another half. Ever heard of that cartoon, Dennis the Menace? | 0:13:12 | 0:13:16 | |
Yeah. Oh, my god. His nickname is Menace. | 0:13:16 | 0:13:20 | |
-Yeah? -Yeah. | 0:13:20 | 0:13:21 | |
Without any prompting, Jess knows private details of this girl's life. | 0:13:21 | 0:13:26 | |
And she's not the only one to be amazed. | 0:13:26 | 0:13:29 | |
Can I have your hand, please? | 0:13:29 | 0:13:31 | |
I noticed... I've got a very good healing sensation from them. | 0:13:31 | 0:13:36 | |
It may be that you're going to be a doctor or something. | 0:13:36 | 0:13:39 | |
Are you studying like medicine? Or... | 0:13:39 | 0:13:41 | |
-Yeah. -Spot on once again. | 0:13:41 | 0:13:43 | |
I could tell by your hand straight away. | 0:13:43 | 0:13:46 | |
When I'm looking at you, though, it's almost like I'm on stage. | 0:13:46 | 0:13:50 | |
It's something that you need to do, it's like your job. You provide some sort of entertainment. | 0:13:50 | 0:13:55 | |
Does that make sense to you? | 0:13:55 | 0:13:57 | |
It's downright unnatural. | 0:13:57 | 0:13:59 | |
Looks like you do something quite dangerous. | 0:13:59 | 0:14:04 | |
That's funny, I just saw a motorbike go past then and I just... I felt something. Do you ride motorbikes? | 0:14:04 | 0:14:09 | |
I just got a feeling then. Did you hear that motorbike? | 0:14:09 | 0:14:12 | |
-She should be burnt as a witch! -Is that accurate? | 0:14:12 | 0:14:15 | |
You sound very accurate. Quite shocking. | 0:14:15 | 0:14:18 | |
I can see a J round your neck. I think maybe you have a son or something. | 0:14:18 | 0:14:23 | |
Like, Joe or something? | 0:14:23 | 0:14:26 | |
Joe? John? | 0:14:26 | 0:14:27 | |
-My son's name is Joel. -Joel. Joel. | 0:14:27 | 0:14:30 | |
The marks are so impressed, | 0:14:30 | 0:14:32 | |
they're happy to pay for their psychic readings. | 0:14:32 | 0:14:34 | |
-Change that? £40? -Whatever you think. | 0:14:34 | 0:14:37 | |
-Thank you. -Thank you very much for that. -You take care of yourself. -OK. | 0:14:37 | 0:14:40 | |
There's no doubt, they've met someone with awesome spiritual powers. | 0:14:40 | 0:14:45 | |
It was weird, that's all I can say. | 0:14:45 | 0:14:48 | |
Sometimes you hear people saying it's a load of rubbish, | 0:14:48 | 0:14:51 | |
but everything I heard was like, "Wow, how did she know that?" | 0:14:51 | 0:14:54 | |
I just think maybe she just taps into a part of her mind that not everyone else can, | 0:14:54 | 0:14:58 | |
and it's just something that you're probably born with. | 0:14:58 | 0:15:01 | |
In fact, Jess's powers have nothing to do with spirits and crystal balls. | 0:15:01 | 0:15:07 | |
She actually got all her information from her customers old mobile phones. And here's how... | 0:15:07 | 0:15:13 | |
The hustlers have set up a mobile phone recycling service. | 0:15:15 | 0:15:19 | |
Donate your old handset and they'll give £50 to charity. | 0:15:19 | 0:15:23 | |
Though there are many honest recycling schemes, this one definitely isn't. | 0:15:23 | 0:15:29 | |
What the hustlers are after is data. | 0:15:29 | 0:15:32 | |
People don't realise quite how much information is left on an old handset. | 0:15:32 | 0:15:36 | |
Contact names, numbers, photos or personal text messages. | 0:15:36 | 0:15:41 | |
And unscrupulous hustlers can use this information for all kinds of criminal fraud. | 0:15:41 | 0:15:47 | |
To demonstrate the inside knowledge this gives them, | 0:15:47 | 0:15:50 | |
the hustlers invited the owners of some donated phones for the psychic reading. | 0:15:50 | 0:15:55 | |
And Jess wasn't really communicating with the spirit world. | 0:15:55 | 0:16:00 | |
She was getting her information from Alex who was sitting in the next room. | 0:16:00 | 0:16:04 | |
And she didn't have to look into the crystal ball, | 0:16:04 | 0:16:07 | |
just above the mark's heads, where Alex was feeding her the information on an LED display. | 0:16:07 | 0:16:13 | |
I think maybe you have a son or something? | 0:16:13 | 0:16:16 | |
I can see a J round your neck, I think that's a name. | 0:16:16 | 0:16:20 | |
Like Joe or something? John? | 0:16:20 | 0:16:23 | |
-My son's name is Joel. -Joel? Joel. | 0:16:23 | 0:16:25 | |
It's like you do something quite dangerous? That's funny, | 0:16:25 | 0:16:30 | |
I just saw a motorbike go past and I felt something. Do you ride motorbikes? | 0:16:30 | 0:16:34 | |
-Yes. -I just got a feeling, did you hear that motorbike? | 0:16:34 | 0:16:37 | |
Ever heard of that cartoon Dennis the Menace? | 0:16:39 | 0:16:41 | |
-Yeah. Oh, my god. His nickname is Menace. -Yeah? -Yeah. | 0:16:41 | 0:16:46 | |
Turns out this psychic is more PHONY than most. | 0:16:46 | 0:16:50 | |
So, everything she told me today was from... ? | 0:16:52 | 0:16:55 | |
Speechless. Don't know what to say. Wow, I'm shocked. | 0:16:57 | 0:17:00 | |
It's like identity fraud, isn't it? | 0:17:00 | 0:17:04 | |
Could be messages, contacts, probably my house address if I put it there. | 0:17:04 | 0:17:09 | |
My PIN for my bank account. | 0:17:09 | 0:17:13 | |
So, she's a fraud? Actually, that's out of order! You can't put anything on your phone! | 0:17:13 | 0:17:19 | |
New technology is leaving us increasingly open to crimes like identity theft, | 0:17:19 | 0:17:24 | |
and Jess' little psychic act has proven | 0:17:24 | 0:17:26 | |
that something as simple as a SIM card in a mobile phone | 0:17:26 | 0:17:30 | |
could tell someone much more than you'd like them to know. | 0:17:30 | 0:17:34 | |
Remember, there's a large amount of information stored on these devices, | 0:17:34 | 0:17:38 | |
so treat them exactly like you would your passport or your drivers licence. | 0:17:38 | 0:17:43 | |
If a mobile phone has just been left in a drawer, | 0:17:43 | 0:17:46 | |
people think that because it's not been turned on for six months, | 0:17:46 | 0:17:49 | |
all the data will be gone. That's not the case. | 0:17:49 | 0:17:52 | |
Everything that was stored will still be there - | 0:17:52 | 0:17:54 | |
all the contact details, call records, photographs and other data left on the phone. | 0:17:54 | 0:17:59 | |
If you do want to get rid of an old mobile phone, | 0:17:59 | 0:18:01 | |
the way to do it is to A) smash it to pieces, | 0:18:01 | 0:18:03 | |
which obviously isn't very environmentally friendly, | 0:18:03 | 0:18:06 | |
or B) factory reset the data on the phone. | 0:18:06 | 0:18:08 | |
It ensures that nobody will be able to use your data for nefarious means. | 0:18:08 | 0:18:12 | |
Hi, there. We've come to have a look at the car. | 0:18:22 | 0:18:25 | |
Earlier, Alex and TV presenter Zoe Salmon viewed a car for sale. | 0:18:25 | 0:18:29 | |
-Do you mind if I use your bathroom? -Whilst Alex distracted the owner, | 0:18:29 | 0:18:33 | |
Zoe covered the car's ID plates with fakes. | 0:18:33 | 0:18:36 | |
Later, some real customers came and bought the car. | 0:18:37 | 0:18:40 | |
But the proud owners didn't get very far | 0:18:40 | 0:18:43 | |
because they were immediately flagged down | 0:18:43 | 0:18:46 | |
by two bogus Department For Transport officials | 0:18:46 | 0:18:49 | |
-and told their car is stolen. -We've been monitoring that place. | 0:18:49 | 0:18:53 | |
They have been selling cars that have not been quite legit. | 0:18:53 | 0:18:56 | |
This is The Double Whammy, part two. | 0:18:56 | 0:19:00 | |
We'd like to have a look at this car, all right? | 0:19:00 | 0:19:03 | |
The mark's struggling to believe that the friendly lady he bought the car from sold him a dodgy motor. | 0:19:04 | 0:19:09 | |
If you come with me, I'll show you what I mean. | 0:19:09 | 0:19:12 | |
-He's going to need some persuading. -They usually... | 0:19:12 | 0:19:15 | |
Yeah, that looks to me... You haven't touched this, have you? | 0:19:15 | 0:19:19 | |
That's where Zoe's VIN plates come in. | 0:19:19 | 0:19:21 | |
-Can you just check that one for me? -It's coming right off. -That's coming right off? | 0:19:21 | 0:19:25 | |
-Yeah, mm-hmm. -You see, that's what happens... | 0:19:25 | 0:19:28 | |
Alex and Zoe peel off the fake plates in full view of the mark | 0:19:28 | 0:19:32 | |
who now has no doubt that the car is stolen. | 0:19:32 | 0:19:34 | |
And his woes are about to double because here's the rest of the Hustle team. | 0:19:36 | 0:19:41 | |
OK, we're good. Can you just pull in... | 0:19:41 | 0:19:43 | |
-I've got the footage. -OK. | 0:19:43 | 0:19:44 | |
-Just pull in. -Paul and Jess have gathered some very incriminating evidence of their own. | 0:19:44 | 0:19:49 | |
Excuse me, sir. | 0:19:51 | 0:19:52 | |
Can I have you confirm that this is you on the video? | 0:19:52 | 0:19:55 | |
Sure enough, that's a video of the marks viewing the vehicle. | 0:19:57 | 0:20:02 | |
So, that's you there? | 0:20:02 | 0:20:04 | |
They've obviously been caught up in a major surveillance operation. | 0:20:04 | 0:20:08 | |
Actually, it's just something filmed by Jess and Paul who staked out the car all day, | 0:20:08 | 0:20:14 | |
hoping that someone would buy it. | 0:20:14 | 0:20:16 | |
She won't, no. | 0:20:20 | 0:20:22 | |
We've got someone, don't worry. | 0:20:22 | 0:20:24 | |
With the marks now convinced, it's time to separate them from their purchase. | 0:20:24 | 0:20:28 | |
Who's got the keys, the gentleman? | 0:20:28 | 0:20:30 | |
Zoe needs to take physical possession of the keys and the car. | 0:20:30 | 0:20:35 | |
If you want to get in there, we'll turn that round. | 0:20:35 | 0:20:37 | |
Yes, yes. | 0:20:39 | 0:20:40 | |
Sir, what we want to do now... | 0:20:42 | 0:20:44 | |
Zoe's got the car, but this scam isn't over yet. | 0:20:44 | 0:20:48 | |
You come with us, my colleague there has got the car. | 0:20:48 | 0:20:51 | |
Can you give me a moment to approach her? | 0:20:51 | 0:20:53 | |
I'm going to go and get the money, check it and give the money directly to you. | 0:20:53 | 0:20:57 | |
These marks still don't seem too convinced, so the hustlers are going to have to move fast. | 0:20:57 | 0:21:02 | |
Sorry about the inconvenience, but it's better than losing your money. | 0:21:02 | 0:21:06 | |
Paul and Jess head off to have a word with the seller. | 0:21:06 | 0:21:10 | |
They're going to tell the whole surveillance story all over again, but with a major twist. | 0:21:14 | 0:21:19 | |
Here comes The Double Whammy. | 0:21:19 | 0:21:23 | |
Hi, there. How are you? My name's Robert Marks. | 0:21:24 | 0:21:27 | |
I'm an officer from the Department For Transport. | 0:21:27 | 0:21:29 | |
We've been watching somebody that bought a car from you in the last 20 minutes. | 0:21:29 | 0:21:33 | |
We've stopped them, we believe they've passed counterfeit money. | 0:21:33 | 0:21:37 | |
This time round, the hustlers are saying that the buyers are the criminals. | 0:21:37 | 0:21:42 | |
My colleagues are bringing them in, | 0:21:42 | 0:21:44 | |
but I'd like to make sure that it is counterfeited, if that's OK? Just come out and check the monitor. | 0:21:44 | 0:21:49 | |
I want you to confirm the person that bought the vehicle. | 0:21:49 | 0:21:52 | |
You've just got to agree that these are the same people. | 0:21:56 | 0:21:59 | |
I know. They're bringing your car back right now, so don't worry. | 0:21:59 | 0:22:03 | |
Your car's safe, don't worry. | 0:22:03 | 0:22:05 | |
These are the people that came to the door, | 0:22:05 | 0:22:08 | |
you can confirm that? | 0:22:08 | 0:22:09 | |
Jess and Paul show the same footage recorded earlier. | 0:22:09 | 0:22:13 | |
Don't worry. You're not the first person to fall for this. | 0:22:13 | 0:22:16 | |
That's why we're here, so... | 0:22:16 | 0:22:17 | |
And once again, the black van and hi-tech equipment | 0:22:17 | 0:22:20 | |
make the story completely believable. | 0:22:20 | 0:22:22 | |
My colleague has your car there. | 0:22:22 | 0:22:25 | |
Across the road, Alex has pulled up with the couple sitting in his car, | 0:22:25 | 0:22:30 | |
and guest-hustler Zoe is sitting right behind in the confiscated vehicle. Her role isn't over yet. | 0:22:30 | 0:22:36 | |
At this close range, the buyers can see the seller and vice versa, | 0:22:38 | 0:22:43 | |
each thinking that the other is the crook. | 0:22:43 | 0:22:45 | |
What I'd like to do is check the cash. | 0:22:45 | 0:22:47 | |
I'm also going to take your fingerprints, only just to... | 0:22:47 | 0:22:50 | |
-Get them mixed up. -Now for the money. | 0:22:50 | 0:22:53 | |
Paul needs to convince the mark that these notes are counterfeit. | 0:22:53 | 0:22:57 | |
Now, these ones will be real, | 0:22:57 | 0:23:00 | |
these ones will all be fake. | 0:23:00 | 0:23:02 | |
Real ones turn black, fake ones turn green. See? | 0:23:05 | 0:23:07 | |
Sure enough, a green line means these notes in the middle must be fakes. | 0:23:09 | 0:23:14 | |
Fake money. | 0:23:14 | 0:23:16 | |
Yeah, that's a real one. | 0:23:16 | 0:23:19 | |
You can always tell. | 0:23:19 | 0:23:20 | |
The ones on top turn black, so they are genuine notes. | 0:23:20 | 0:23:24 | |
Paul's going to have to take them all in as evidence. | 0:23:24 | 0:23:27 | |
This is their money, which is probably going to cost them a lot more than they think. | 0:23:27 | 0:23:32 | |
But how did Paul manage to make this real money look like it was mostly fake? | 0:23:32 | 0:23:37 | |
Easy. That wasn't a counterfeit testing pen he was using, it was just a felt tip, | 0:23:37 | 0:23:44 | |
and he switched the green one for a black one halfway through. | 0:23:44 | 0:23:48 | |
You know what? Just cos I want to be absolutely sure. | 0:23:48 | 0:23:51 | |
So, Zoe's in the confiscated car and Paul has the money. | 0:23:51 | 0:23:57 | |
The hustlers are almost done, but first, Paul wants to take the mark's fingerprints. | 0:23:57 | 0:24:02 | |
OK, just roll it on there once. Not too hard, just softly. | 0:24:02 | 0:24:06 | |
And then just here, please. | 0:24:06 | 0:24:08 | |
To the buyers, this looks like she's finally getting her comeuppance from the law. | 0:24:08 | 0:24:12 | |
But it's really to make sure she has to go inside the house. | 0:24:12 | 0:24:17 | |
-Do we have those wipes, to take the ink off? -You know what, I don't. | 0:24:17 | 0:24:20 | |
What will she do with all that ink on her hands? | 0:24:20 | 0:24:24 | |
Do you want to go in and just give your hands a quick wash? | 0:24:24 | 0:24:27 | |
Give your hands a little wash. | 0:24:27 | 0:24:30 | |
With the seller out of the way, it's time for Zoe's big moment. | 0:24:30 | 0:24:36 | |
She has to drive off in the confiscated car. | 0:24:36 | 0:24:39 | |
Now for the hustlers to make their own getaways. | 0:24:42 | 0:24:46 | |
My colleague will take you from here, if you'd go and join him? | 0:24:46 | 0:24:49 | |
Alex tells the buyers that they're going to get the cash back, | 0:24:49 | 0:24:52 | |
they just need to walk across the road to Paul to collect it. | 0:24:52 | 0:24:55 | |
So one mark is inside the house, | 0:24:55 | 0:24:58 | |
the others are crossing the road. | 0:24:58 | 0:25:00 | |
Time for a quick exit. | 0:25:00 | 0:25:02 | |
The car, the money and the hustlers are all gone. | 0:25:17 | 0:25:21 | |
Leaving some very confused marks to come face to face and wonder what on earth just happened. | 0:25:21 | 0:25:26 | |
It quickly becomes clear their two stories don't add up. | 0:25:39 | 0:25:43 | |
They said the car was stolen. They pulled stickers off the car | 0:25:43 | 0:25:46 | |
and said this lady was part of the gang they'd been watching. | 0:25:46 | 0:25:50 | |
This man and woman came out and said, "There's a couple just bought a car." | 0:25:50 | 0:25:55 | |
-I said, "Yes, fine." And they said, "They've handed you counterfeit money." -What?! | 0:25:55 | 0:25:59 | |
They're rip-off merchants, they stole the car and the bloody money! | 0:25:59 | 0:26:03 | |
I did look at his badge and it didn't say VOSA or anything like that written on it. | 0:26:03 | 0:26:07 | |
So, I must admit, I was a little bit suspicious, | 0:26:07 | 0:26:10 | |
but when they had all the video camera stuff in the back of the car, | 0:26:10 | 0:26:13 | |
-you think, "Well, that's obviously genuine stuff." -Yeah, yeah. | 0:26:13 | 0:26:18 | |
So, how was it for Zoe? | 0:26:18 | 0:26:20 | |
Do you know what? I was actually quite impressed with how it went. We totally, totally hustled them. | 0:26:20 | 0:26:25 | |
I actually began to feel a bit sorry for them | 0:26:25 | 0:26:28 | |
because I just thought "Aw," you know, | 0:26:28 | 0:26:30 | |
"Just say that was my parents," and he said, "We were trying to save some money, | 0:26:30 | 0:26:34 | |
"if you go into a car dealership it's more expensive." | 0:26:34 | 0:26:37 | |
I was like, "There, there," I started to feel a bit... | 0:26:37 | 0:26:39 | |
This is a classic example of social compliance - | 0:26:41 | 0:26:45 | |
seeing a fluorescent jacket and assuming that the person wearing it is in a position of authority. | 0:26:45 | 0:26:50 | |
When given the opportunity to get their money back, | 0:26:50 | 0:26:53 | |
or their car back, they're very happy to go along with all the instructions that we give them. | 0:26:53 | 0:26:58 | |
The final convincer is pointing the marks out to each other, each thinking the other is the scammer. | 0:26:58 | 0:27:04 | |
That keeps them focused on something else, whilst the real scammers get away with the car and the cash. | 0:27:04 | 0:27:10 | |
Whenever you're confronted by a figure of authority, | 0:27:10 | 0:27:13 | |
if you think there's any doubt whatsoever, ask for their ID. | 0:27:13 | 0:27:17 | |
Don't be afraid to say you want to ring their office and check. | 0:27:17 | 0:27:20 | |
If they're genuine people, they won't mind you checking up on them. | 0:27:20 | 0:27:23 | |
If not, they'll back off very quickly. | 0:27:23 | 0:27:26 | |
Showing somebody some marks on video footage means absolutely nothing. | 0:27:26 | 0:27:30 | |
We've all got video cameras, we've all got phones with cameras in these days. | 0:27:30 | 0:27:34 | |
It's very easy to produce concocted evidence | 0:27:34 | 0:27:37 | |
that really needs to be challenged properly. | 0:27:37 | 0:27:39 | |
Subtitles by Red Bee Media Ltd | 0:27:52 | 0:27:56 | |
E-mail [email protected] | 0:27:56 | 0:27:59 |