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This is the Real Hustle - Celebrity Scammers. | 0:00:02 | 0:00:04 | |
In this series, the hustlers carry out scams that are bigger, tougher and more devious than ever before. | 0:00:04 | 0:00:09 | |
With the help of their celebrity friends, hustlers Alex, Jess and Paul | 0:00:09 | 0:00:17 | |
pull off the riskiest scams of all - | 0:00:17 | 0:00:19 | |
long cons. | 0:00:19 | 0:00:21 | |
Intricate webs of lies and deception designed to separate the unwary from their money. | 0:00:21 | 0:00:27 | |
On tonight's show, Liberty X star Kelli Young cleans up as a guest hustler. | 0:00:30 | 0:00:35 | |
I was really scared, I just didn't want to screw it up. | 0:00:35 | 0:00:38 | |
Everything would have fallen apart. | 0:00:38 | 0:00:40 | |
-Jess coins it in... -Oh! All right, clever clogs! | 0:00:40 | 0:00:44 | |
And these guys are having a very taxing day. | 0:00:44 | 0:00:46 | |
-I've just been basically rinsed of everything. -Oh, my god. | 0:00:46 | 0:00:51 | |
The hustlers have invited celebrity friends to help them carry out their long cons. | 0:01:29 | 0:01:33 | |
They'll be thrown in at the deep end - no training and no practice, just straight into the scam. | 0:01:33 | 0:01:40 | |
This week's celebrity guest hustler is Pop Stars contestant and ex-Liberty X member Kelli Young. | 0:01:44 | 0:01:49 | |
I'm just trying to be brave and pep myself up to be brave and just go for whatever comes my way. | 0:01:51 | 0:01:56 | |
I know that I'll be in the hands of some real experienced hustlers | 0:01:56 | 0:02:00 | |
as well, who'll be able to help me with the hustle, so I'm up for it. | 0:02:00 | 0:02:04 | |
-Bring it on. -Kelli has been told to travel to a mainline train station and to keep an eye out | 0:02:04 | 0:02:12 | |
-for a black van. -Hello. -In you come. | 0:02:12 | 0:02:17 | |
-Hi. -Come in. -Hi. -How are you doing? | 0:02:17 | 0:02:20 | |
Fine, how are you guys? | 0:02:20 | 0:02:22 | |
-Are you ready to hustle? -I think I am. | 0:02:22 | 0:02:24 | |
Time to find out what the hustlers have in store for Kelli, as Alex and | 0:02:24 | 0:02:28 | |
Jess drive to today's location and give her a hustle briefing. | 0:02:28 | 0:02:33 | |
OK, so today, Kelli, we are going to be putting someone in a situation... | 0:02:33 | 0:02:38 | |
-OK. -..where they're going to be responsible for a very valuable item. | 0:02:38 | 0:02:42 | |
-Right. -OK? | 0:02:42 | 0:02:43 | |
We're also going to make them feel responsible for damaging that item. | 0:02:43 | 0:02:47 | |
So today it's not as glamorous as what you're used to. | 0:02:47 | 0:02:50 | |
But you're going to be, along with me, a cleaner! | 0:02:50 | 0:02:53 | |
-Oh! -So we've got these lovely jumpers for you... -Right... | 0:02:53 | 0:02:58 | |
So, Kelli and Jess will be posing as professional cleaners, hired to prepare a house for a photo shoot. | 0:02:58 | 0:03:03 | |
Alex is the photographer for a home interiors magazine, | 0:03:03 | 0:03:08 | |
and Paul is an art dealer who hires out paintings for photo shoots. | 0:03:08 | 0:03:13 | |
Together they're planning to make a lot of money from some unfortunate mark in...Done and Dusted. | 0:03:14 | 0:03:22 | |
I'm going to leave the keys in here and I'm going to go in disguise. | 0:03:22 | 0:03:27 | |
-Oh, where's he gone? -Wow. -Where's he gone? -That's amazing. -And I shall see you on the other side. | 0:03:27 | 0:03:32 | |
Kelli has just moments to prepare for her role in the sting, | 0:03:32 | 0:03:36 | |
as Alex heads off to pay a visit to the mark just around the corner. | 0:03:36 | 0:03:39 | |
Alex has arranged to borrow this house as a location for an interior | 0:03:40 | 0:03:44 | |
design magazine photo shoot. | 0:03:44 | 0:03:46 | |
If the photos get published, the homeowner will get a whopping fee of £5,000. | 0:03:46 | 0:03:53 | |
Hello. | 0:03:55 | 0:03:56 | |
-Hi there, Ian Steel, photographer. -Oh, right, hi! | 0:03:56 | 0:04:00 | |
-Hi, and you are? -I'm Laura. | 0:04:00 | 0:04:01 | |
-Laura, nice to meet you. -This isn't my house, I'm kind of here just to let you in! | 0:04:01 | 0:04:05 | |
Fine, thank you - you're looking after the place for us, yeah? | 0:04:05 | 0:04:08 | |
-I am. -This isn't the mark's home. | 0:04:08 | 0:04:10 | |
She's a friend of the owner and has agreed to supervise the photo shoot. | 0:04:10 | 0:04:14 | |
She'll be even more vigilant that nothing happens to the place on her watch. | 0:04:14 | 0:04:19 | |
Is it OK to have a look, a quick look around? | 0:04:19 | 0:04:21 | |
-Of course, yes. -OK. -Do what you need to do. | 0:04:21 | 0:04:24 | |
-Just going to... I've also got a cleaning company coming. -OK. | 0:04:24 | 0:04:27 | |
-Make sure everything's clean, because obviously these pictures are for a house magazine. -Yes. | 0:04:27 | 0:04:32 | |
Whilst Alex is being given the grand tour, Jess helps Kelli | 0:04:32 | 0:04:35 | |
transform herself from glamorous pop star into a professional cleaner. | 0:04:35 | 0:04:39 | |
This isn't really a look Kelli is used to - not so much leather catsuit as leather chamois. | 0:04:39 | 0:04:45 | |
Next, the van gets a bit of a makeover, too. | 0:04:45 | 0:04:49 | |
Do you want to go pop that one round the other side? | 0:04:49 | 0:04:51 | |
-Yeah. -A few matching signs later and the transformation is complete. | 0:04:51 | 0:04:55 | |
-You ready? -Yes. -Yeah? | 0:04:55 | 0:04:56 | |
-Do we look like cleaners? -Think so. | 0:04:56 | 0:04:58 | |
All they need now is a house. | 0:04:58 | 0:05:01 | |
Alex has had a good look round, taking the opportunity to install | 0:05:04 | 0:05:08 | |
some hidden cameras inside the house. | 0:05:08 | 0:05:10 | |
Everything's looking good for the photo shoot, but there's | 0:05:10 | 0:05:13 | |
one element in this room the photographer isn't happy with. | 0:05:13 | 0:05:17 | |
Only problem I'm looking at now is this. | 0:05:17 | 0:05:23 | |
I think we definitely need to have something on there, but I can't use that, cos that's probably... | 0:05:23 | 0:05:28 | |
-Copyright. -Yeah, bought from a shop and it's copyright. | 0:05:28 | 0:05:32 | |
-I'll tell you what I can do. -Mmm-hm. | 0:05:32 | 0:05:33 | |
Could have something brought in. | 0:05:33 | 0:05:36 | |
There's a guy who's very close to here who does, that's what he does, he lets out works of art - and he's | 0:05:36 | 0:05:42 | |
got something I know the magazine have tried to photograph before. | 0:05:42 | 0:05:46 | |
-The more I can make the shot attractive... -Yeah. | 0:05:46 | 0:05:49 | |
-I know it's a lot of money for these shots. -Benefits you and these guys. -Yeah. | 0:05:49 | 0:05:52 | |
It sounds like a good idea - getting a painting that the magazine is | 0:05:52 | 0:05:56 | |
interested in practically guarantees the photos will be published and everyone will get paid. | 0:05:56 | 0:06:01 | |
The thing is, you'd have to call them, because I don't have anything to do with that. | 0:06:01 | 0:06:04 | |
-OK. -If I gave you his number, would you give a call? | 0:06:04 | 0:06:07 | |
-I could give him a call. -Brilliant. -Yes. | 0:06:07 | 0:06:09 | |
Because... Hang on, I think I've got his... I know he's based... | 0:06:09 | 0:06:12 | |
Oh, that that's him. | 0:06:12 | 0:06:13 | |
-This is Robert Marks, that's his mobile. -Mm-hmm. | 0:06:13 | 0:06:16 | |
-So if you want to give him a call... -Yeah, I'll call him. | 0:06:16 | 0:06:19 | |
And do I have to pay for this now or...? | 0:06:19 | 0:06:21 | |
-I don't... -Or how does it work? | 0:06:21 | 0:06:23 | |
-He'll explain. I'm not quite sure how he does that. -Right, OK. -Because I never get involved. | 0:06:23 | 0:06:27 | |
The mark is happy to assist, and makes the call. | 0:06:27 | 0:06:30 | |
-Rob Marks... -Hi, Robert, my name's Laura, | 0:06:31 | 0:06:34 | |
I've got Ian Steel with me at the moment, he's taking photographs of a friend's house. | 0:06:34 | 0:06:39 | |
-'Uh-huh...' -And we have a wall in the kitchen that's already got a picture on, | 0:06:39 | 0:06:43 | |
but it's copyright - I was wondering if you've got anything like a portrait? | 0:06:43 | 0:06:47 | |
Yeah, I told him I was down here - where are you? | 0:06:47 | 0:06:51 | |
Basingstoke. | 0:06:51 | 0:06:52 | |
Yeah, I do have something - in fact I'm at a house very close by, | 0:06:52 | 0:06:55 | |
so I have something that I could definitely swap out for you. | 0:06:55 | 0:06:59 | |
Who'd have thought it? | 0:06:59 | 0:07:00 | |
Paul is just around the corner, and will lend her a painting. | 0:07:00 | 0:07:03 | |
The one he's got in mind is worth £10,000. | 0:07:03 | 0:07:06 | |
How long do you need it for? | 0:07:06 | 0:07:08 | |
-How long do we want it for? -Oh, about an hour. -About an hour? | 0:07:08 | 0:07:12 | |
I wouldn't want to charge you rental for that, but I do need a deposit. | 0:07:12 | 0:07:16 | |
It'll be about £500. | 0:07:16 | 0:07:18 | |
So there's no hire charge for the £10,000 painting. | 0:07:18 | 0:07:21 | |
Just a £500 deposit. | 0:07:21 | 0:07:23 | |
-Thank you, bye. -Bye-bye. | 0:07:23 | 0:07:25 | |
Is £10,000 enough? | 0:07:25 | 0:07:27 | |
Is that how much it's worth? Well, he's got, he's got very good things! | 0:07:27 | 0:07:31 | |
She barely has time to hang up the phone before the cleaning team arrives. | 0:07:31 | 0:07:36 | |
This is the first time Kelli will meet the mark, who, given her age, will no doubt be aware of Liberty X. | 0:07:36 | 0:07:43 | |
-Oh, that might be them. -If Kelli gets recognised, it's game over. | 0:07:43 | 0:07:47 | |
-Hello. -Hello. | 0:07:47 | 0:07:48 | |
Hi, are you expecting some cleaners? | 0:07:48 | 0:07:50 | |
-Hi, girls. -Hi. -Hello. -How you doing? | 0:07:50 | 0:07:52 | |
Come in, let me show you... | 0:07:52 | 0:07:54 | |
Alex takes the girls through the rooms that will feature in the magazine. | 0:07:54 | 0:07:58 | |
And then pops out to pick up his equipment. | 0:08:00 | 0:08:02 | |
-Looking round people's houses! -Yeah! -Jess and Kelli get to work | 0:08:05 | 0:08:09 | |
around the house. They're planning to really clean up, in more ways than one. | 0:08:09 | 0:08:12 | |
Time for our next visitor on this busy afternoon. | 0:08:14 | 0:08:17 | |
Art dealer Paul has just pulled up outside to drop off the painting the mark ordered over the phone. | 0:08:17 | 0:08:23 | |
There's someone coming to your door... | 0:08:23 | 0:08:26 | |
-Hello. -Hi, there, I'm Rob Marks. | 0:08:29 | 0:08:31 | |
-Hello, come in. -Hi, what's your name? | 0:08:31 | 0:08:33 | |
-Laura. -Nice to meet you. | 0:08:33 | 0:08:35 | |
-Come in. -Down here? | 0:08:35 | 0:08:37 | |
Can I have you hold that for just a second? | 0:08:40 | 0:08:42 | |
-OK. -Be very careful. | 0:08:42 | 0:08:43 | |
The mark is clearly uncomfortable handling such an expensive painting, | 0:08:43 | 0:08:47 | |
but Paul doesn't give her a chance to refuse. | 0:08:47 | 0:08:51 | |
-Right. -Do all the windows first. -Yeah, OK. | 0:08:51 | 0:08:53 | |
Oh, yeah, it's a Rodney. Very popular right now. | 0:08:57 | 0:09:00 | |
-Yeah. I need a deposit of 500. -Yes, that's fine. | 0:09:02 | 0:09:05 | |
-I won't charge you for the hour or anything like that. -Brilliant. | 0:09:05 | 0:09:08 | |
If you want it for a few days, I would... Perfect. | 0:09:08 | 0:09:10 | |
-All right? -Great. | 0:09:10 | 0:09:12 | |
Paul takes the £500 deposit and heads off. | 0:09:12 | 0:09:14 | |
Tell Ian I say hi, and he owes me a drink. | 0:09:14 | 0:09:17 | |
-Yeah, no worries! -A very stiff drink. | 0:09:17 | 0:09:19 | |
-Thank you. -Bye. Bye-bye. | 0:09:19 | 0:09:20 | |
For the time being, his work is done. | 0:09:20 | 0:09:23 | |
The success of this scam is now in Kelli's hands. | 0:09:23 | 0:09:27 | |
So, one house, two cleaners and a £10,000 painting. | 0:09:27 | 0:09:34 | |
What could possibly go wrong? | 0:09:34 | 0:09:35 | |
When hustlers go out, they don't bring money. | 0:09:47 | 0:09:49 | |
They go armed with prop bets. | 0:09:49 | 0:09:52 | |
-Right... -But a prop bet only has one rule. | 0:09:52 | 0:09:55 | |
-Do you give up? -And that's that the hustler always wins. | 0:09:55 | 0:09:59 | |
-Ah! -Drinks, please. | 0:09:59 | 0:10:01 | |
Oh, no! | 0:10:01 | 0:10:03 | |
Jess fancies a drink, but plans to make her new friends pay for it. | 0:10:03 | 0:10:07 | |
So I've got a challenge for you. | 0:10:07 | 0:10:09 | |
-Come on then. -Yes, well I've got 10 £2 coins here, I'm going to line | 0:10:09 | 0:10:14 | |
them up here so that they form a little arrow, like that, yes? | 0:10:14 | 0:10:19 | |
And as you can see, the arrow's pointing that way. | 0:10:19 | 0:10:23 | |
So for a round of drinks, your challenge is, by only moving | 0:10:23 | 0:10:28 | |
-three of the coins, you have to make the arrow point that way. -OK... | 0:10:28 | 0:10:32 | |
So to get out of buying a drink, this guy needs to make the triangle point in the opposite direction. | 0:10:32 | 0:10:38 | |
The only catch is that he can only move three coins. | 0:10:38 | 0:10:42 | |
Seems quite easy, don't it? I can think I can do this. | 0:10:42 | 0:10:45 | |
Have a little, have a little, have a little go. | 0:10:45 | 0:10:48 | |
So look we'll go one there... | 0:10:48 | 0:10:50 | |
-Mm-hmm. -There's one already though, isn't it? | 0:10:50 | 0:10:54 | |
Two, three. | 0:10:54 | 0:10:55 | |
-No, go on. Give us another go. -Go on, have another go. | 0:10:55 | 0:10:57 | |
Give us another go! | 0:10:57 | 0:10:59 | |
Come on dude, you can do this. | 0:10:59 | 0:11:00 | |
I've been robbed, mate, cos I ain't got a...! Oh, one... Two... | 0:11:00 | 0:11:07 | |
-Tricky, it's tricky, it's tricky. No, I give up, give up - go on. -Give up? Shall I show you how it's done? | 0:11:07 | 0:11:12 | |
-Go on, show us how it's done. -I'll show you how it's done. | 0:11:12 | 0:11:15 | |
That arrow's pointing that way. | 0:11:15 | 0:11:17 | |
-Yes. -You need to move three coins so the arrow points that way. | 0:11:17 | 0:11:20 | |
-Go on. -So, one, two, three... | 0:11:20 | 0:11:22 | |
One... Ah! All right, clever clogs! | 0:11:22 | 0:11:27 | |
-Yeah, I know! -This bet seems tough at first, but once you know how it's done, it's a piece of cake. | 0:11:27 | 0:11:32 | |
One coin moves around to make the top of the triangle, and these two swap sides to become the base. | 0:11:32 | 0:11:39 | |
So you go get the drinks! Ha-ha! | 0:11:39 | 0:11:42 | |
Ah! | 0:11:42 | 0:11:44 | |
Who wouldn't like to get some free money? That's the question | 0:11:56 | 0:11:59 | |
Jess and Paul would like to find the answer to today. | 0:11:59 | 0:12:02 | |
They've come to this suburban office, where they'll be making people happy | 0:12:02 | 0:12:06 | |
by offering to give them cash - large sums of completely free cash. | 0:12:06 | 0:12:11 | |
And they want nothing in return - | 0:12:11 | 0:12:13 | |
well, almost nothing. | 0:12:13 | 0:12:15 | |
This...is the tax man scam. | 0:12:15 | 0:12:19 | |
These visitors have received a letter | 0:12:19 | 0:12:21 | |
asking one of them to come for an interview at a regional tax centre. | 0:12:21 | 0:12:25 | |
I need to get you to fill out a couple of forms before you go in to see Mr Marks... | 0:12:25 | 0:12:31 | |
You don't ignore an invitation from the tax man, so they're here bang on time to meet officer Rob Marks. | 0:12:31 | 0:12:38 | |
Claire, do you want to come on through? | 0:12:38 | 0:12:40 | |
Yes. | 0:12:40 | 0:12:42 | |
Mr Marks - this is Claire Peters, and here are her details for you. | 0:12:45 | 0:12:49 | |
-Thank you. -You're welcome. Take a seat. | 0:12:49 | 0:12:51 | |
-Thank you. -Hi. -Hi. -OK... | 0:12:51 | 0:12:53 | |
We're processing refunds, but part of the process is we call | 0:12:53 | 0:12:58 | |
some people in just to check they are who they say they are, and... | 0:12:58 | 0:13:01 | |
-Oh, OK, yeah. -You know, it's just perfectly normal. | 0:13:01 | 0:13:04 | |
The tax officer looks up the mark's records to make sure all is in order. | 0:13:04 | 0:13:08 | |
We are showing an overpayment here, and it looks like you're entitled to | 0:13:08 | 0:13:13 | |
-£1,222.27 has been overpaid by you. -Oh, my god! | 0:13:13 | 0:13:19 | |
The news is great - she's due a refund in excess of £1,200. | 0:13:19 | 0:13:24 | |
And this tax man is full of nothing but good news. | 0:13:24 | 0:13:28 | |
The amount here is £1,222.27 overcharged. | 0:13:28 | 0:13:35 | |
It's nice to give people good news! | 0:13:35 | 0:13:37 | |
-Mmm. -£1,222 over, | 0:13:37 | 0:13:41 | |
which you'll be pleased to know we have to give you back. | 0:13:41 | 0:13:44 | |
-Yeah! -OK? | 0:13:44 | 0:13:46 | |
Everybody who enters this room unexpectedly becomes a bit more well-off. | 0:13:46 | 0:13:51 | |
But how do they actually get their money? | 0:13:51 | 0:13:53 | |
There's two ways we can pay it to you. | 0:13:53 | 0:13:55 | |
We can pay you by cheque, usually takes about three months - | 0:13:55 | 0:13:59 | |
or directly into your bank account. | 0:13:59 | 0:14:01 | |
The marks can get paid by cheque - but that will take three long months to process. | 0:14:02 | 0:14:08 | |
Or they can have that juicy refund paid straight into their bank account in a matter of days. | 0:14:08 | 0:14:13 | |
-It's a no-brainer. -You know, if you want it quickly... | 0:14:13 | 0:14:16 | |
-Yeah, that's what I would do. -Oh, yeah, I know - I'll do that. | 0:14:17 | 0:14:21 | |
Everyone opts for the speedy bank transfer, and Paul is only too happy to oblige. | 0:14:21 | 0:14:26 | |
But there's one tiny catch... | 0:14:26 | 0:14:28 | |
I need you just to fill that out. | 0:14:28 | 0:14:31 | |
He's going to need some bank details. | 0:14:31 | 0:14:34 | |
The marks don't think twice about handing over their information. | 0:14:34 | 0:14:37 | |
Paul just verifies the information they've given on his official tax refund computer. | 0:14:46 | 0:14:52 | |
And everything seems to be in order. | 0:14:52 | 0:14:54 | |
Right looks like that'll be in before...December 18th. | 0:14:54 | 0:15:00 | |
-Lovely. -All right? | 0:15:00 | 0:15:02 | |
-Thanks for coming down. -OK. | 0:15:02 | 0:15:04 | |
Don't spend it until you've got it, my advice! | 0:15:04 | 0:15:06 | |
I'll try! | 0:15:06 | 0:15:08 | |
-Thank you very much. -Thank you very much. -Take care, Claire, bye. -Bye. | 0:15:08 | 0:15:12 | |
Like all the others, she's never going to see a penny of that refund. | 0:15:12 | 0:15:15 | |
In fact the only person likely to be making money from this transaction is Paul. | 0:15:15 | 0:15:20 | |
He's now got all the details he would need to clean out their bank accounts. | 0:15:20 | 0:15:24 | |
Now this is hard... | 0:15:24 | 0:15:27 | |
That would be enough of a shock, but for these marks, things could turn out even worse. | 0:15:27 | 0:15:33 | |
Because Jess was doing some data collection of her own. | 0:15:33 | 0:15:37 | |
When she composed the official-looking letter asking the marks to come for the interview, she | 0:15:37 | 0:15:43 | |
added that they should bring several forms of ID to prove their name and address. | 0:15:43 | 0:15:47 | |
Excellent. I'm just going to go and make a quick copy of these. | 0:15:49 | 0:15:52 | |
-And then I'll be straight back. Are you OK with those forms, yeah? -Yes. | 0:15:52 | 0:15:56 | |
-There you go. -And while the marks dutifully filled in forms... | 0:15:56 | 0:15:59 | |
-I've brought a bit of everything for you. -Oh, nice. | 0:15:59 | 0:16:02 | |
..Jess was taking photos of: | 0:16:02 | 0:16:04 | |
-All done. -Together with their banking details, the hustlers now have enough information | 0:16:11 | 0:16:16 | |
to commit identity fraud, get new ID, take out loans and even sell the data on the black market. | 0:16:16 | 0:16:22 | |
-Thank you very much. -All right, take care, bye. | 0:16:22 | 0:16:25 | |
A simple con with a potentially devastating result for the victims. | 0:16:25 | 0:16:28 | |
They could take my identity! | 0:16:28 | 0:16:30 | |
My heart is beating like crazy! | 0:16:30 | 0:16:32 | |
I've just been basically...been rinsed of everything. | 0:16:32 | 0:16:36 | |
-Oh, my god. -Bloody hell. | 0:16:36 | 0:16:41 | |
Everything was so official! Offices, secretary, there was everything! | 0:16:41 | 0:16:47 | |
Who wouldn't mind receiving money they weren't expecting? | 0:16:47 | 0:16:50 | |
Now this is our real world version of one of the most popular online scams. | 0:16:50 | 0:16:56 | |
You'll be asked to put in your bank details, your name, your address. | 0:16:56 | 0:16:59 | |
But of course now those details are available to the highest bidder online. | 0:16:59 | 0:17:03 | |
The Inland Revenue will never send out e-mails asking for personal information. | 0:17:03 | 0:17:08 | |
If you are ever asked for any personal details or credit card | 0:17:08 | 0:17:11 | |
information, then make sure you know exactly who you're dealing with. | 0:17:11 | 0:17:15 | |
This is a very well-known, very effective sting that's happened to lots and lots of people. | 0:17:15 | 0:17:20 | |
Before you know it they'll be sucking money out of your account. | 0:17:20 | 0:17:23 | |
If you're invited somewhere, check, make sure it's a proper tax office, | 0:17:23 | 0:17:27 | |
make the phone calls, do your homework. | 0:17:27 | 0:17:29 | |
Earlier today, Liberty X star Kelli Young dressed as a professional cleaner. | 0:17:38 | 0:17:42 | |
-Hello, hi. -Hello. -And along with Jess, entered a house to prepare it for a photo shoot. | 0:17:42 | 0:17:48 | |
Can't use that, because that's probably a copyright. | 0:17:48 | 0:17:50 | |
Photographer Alex then asked the mark to | 0:17:50 | 0:17:53 | |
phone art dealer Paul to hire an expensive painting for the shoot. | 0:17:53 | 0:17:56 | |
Paul left with a £500 deposit, | 0:17:59 | 0:18:03 | |
but if all goes according to plan, the mark will soon be handing over | 0:18:03 | 0:18:07 | |
more, much more - in Done and Dusted Part II. | 0:18:07 | 0:18:11 | |
£10,000 they said that was worth. | 0:18:13 | 0:18:14 | |
-What, that? -Yeah. -Really? | 0:18:14 | 0:18:17 | |
It's a little later, and the mark still can't believe | 0:18:17 | 0:18:20 | |
that she's got such a valuable piece of art on the kitchen wall. | 0:18:20 | 0:18:24 | |
Can you do me a favour actually? | 0:18:24 | 0:18:25 | |
-Yes. -Could you take that sheet, could you just cover that up? | 0:18:25 | 0:18:28 | |
-Cover...? -Just cover the picture up, maybe just drape that over... | 0:18:28 | 0:18:32 | |
-It won't. Just tuck it behind or something. -I'm so terrified! | 0:18:32 | 0:18:36 | |
Understandably, the mark isn't keen on touching the painting again, but | 0:18:36 | 0:18:40 | |
it's essential to the scam that she personally covers it with the sheet. | 0:18:40 | 0:18:44 | |
OK, that's not going to fall? | 0:18:44 | 0:18:45 | |
No, that's fine, looks fine. | 0:18:45 | 0:18:47 | |
It's now down to Kelli to carry out the most important and risky part of the scam. | 0:18:47 | 0:18:52 | |
-Can I just borrow you for a second? -Yeah. -Thank you, I just need some advice on this living room. | 0:18:52 | 0:18:56 | |
Jess leads the mark | 0:18:56 | 0:18:58 | |
well away from the kitchen and into the living room. | 0:18:58 | 0:19:00 | |
Kelli will have to act fast as this is her only window of opportunity. | 0:19:00 | 0:19:04 | |
Hidden in her cleaning bucket is a solvent spray designed to dissolve oil paint. | 0:19:04 | 0:19:11 | |
Her job is to ruin that painting. | 0:19:11 | 0:19:13 | |
But the longer she leaves it, the greater the danger of being caught red-handed. | 0:19:13 | 0:19:18 | |
She's barely got a squirt out before everything falls apart. | 0:19:22 | 0:19:27 | |
At least I know... | 0:19:27 | 0:19:28 | |
The mark and Jess are still having an in-depth conversation | 0:19:28 | 0:19:32 | |
about windows, but Kelli really needs to get a move on with that sheet. | 0:19:32 | 0:19:36 | |
The painting is back on the wall again, | 0:19:41 | 0:19:43 | |
but the tiny spray of solvent won't be anywhere near enough to ruin it. | 0:19:43 | 0:19:47 | |
She's going to have to give it another go. | 0:19:47 | 0:19:50 | |
And as she does so, she comes within a fraction | 0:19:59 | 0:20:02 | |
of a second of being caught, but the scam that was on the brink of falling apart is now back on track. | 0:20:02 | 0:20:08 | |
A little later, photographer Alex makes his return. | 0:20:08 | 0:20:14 | |
Hello. | 0:20:14 | 0:20:15 | |
-Hi there, how's it all going? -We have art! -You have art? Excellent. | 0:20:15 | 0:20:18 | |
Oh, no, I'm sure you'll be fine. | 0:20:24 | 0:20:26 | |
Alex naturally wants to have a good look at this magnificent work of art. | 0:20:26 | 0:20:31 | |
Er, OK. | 0:20:33 | 0:20:36 | |
-It's... -It's probably more your thing to... | 0:20:36 | 0:20:38 | |
The only thing I'm sort of looking at is... Yeah. | 0:20:38 | 0:20:43 | |
Look closer, | 0:20:45 | 0:20:46 | |
like it's bubbling. | 0:20:46 | 0:20:47 | |
-Oh. -Do you see what I mean? -Yeah. -Got a bin in here? | 0:20:47 | 0:20:50 | |
The girls haven't sprayed anything on it, I haven't touched it. | 0:20:50 | 0:20:54 | |
It looks like it's bubbling before our eyes. | 0:20:54 | 0:20:56 | |
-Sort of wet. Yeah. -Like getting worse. | 0:20:56 | 0:20:58 | |
Suzie - have a look at this, you guys didn't start cleaning the windows or anything...? | 0:20:58 | 0:21:02 | |
-No, they had done those and then... -Just about here. Just about here it looks a little bit... | 0:21:02 | 0:21:07 | |
Oh, my god. What's that? | 0:21:07 | 0:21:08 | |
But this was covered before you guys started cleaning? | 0:21:08 | 0:21:11 | |
-Yeah - you put the sheet on it, didn't you? -Yes. | 0:21:11 | 0:21:13 | |
Who covered it? | 0:21:13 | 0:21:14 | |
-That sheet. -I popped it over. -What sheet did you use? | 0:21:14 | 0:21:17 | |
This has got... | 0:21:18 | 0:21:20 | |
-That's not what we used in that industrial place, is it? -Yeah. | 0:21:20 | 0:21:23 | |
-It's got it on it, hasn't it? -Shit. | 0:21:23 | 0:21:25 | |
So the mark thinks that the sheet she used to cover the £10,000 painting was soaked in a solvent. | 0:21:25 | 0:21:30 | |
No, no, no, no, no. | 0:21:30 | 0:21:31 | |
-It is, you can smell it, look, smell it. -And to make matters worse... | 0:21:31 | 0:21:35 | |
DOORBELL RINGS | 0:21:35 | 0:21:37 | |
-Oh, who's that? -Oh, my gosh - are you kidding? | 0:21:37 | 0:21:40 | |
Art dealer Paul has come back to the house earlier than expected, having received a text from Alex. | 0:21:40 | 0:21:45 | |
-I'm really sorry, I need to take that painting back. -OK, come in. | 0:21:45 | 0:21:48 | |
I've got the owner, she was a bit set on that one I'm afraid. | 0:21:48 | 0:21:51 | |
-I'm really sorry, I have got to take it back. -Hey, Rob, how are you? | 0:21:51 | 0:21:54 | |
Why do you need to take it back? | 0:21:54 | 0:21:56 | |
Well, she needs it and she was really happy with that one so... | 0:21:56 | 0:21:59 | |
I don't know what's happened cos I've just got here, | 0:21:59 | 0:22:01 | |
but I'm pretty sure that that area is not meant to be like that. | 0:22:01 | 0:22:04 | |
-Jesus. What happened? -I don't know, I... | 0:22:04 | 0:22:09 | |
We covered it, but I... | 0:22:09 | 0:22:11 | |
I think what's happened is that the cover that we've used had some industrial cleaning fluid on it. | 0:22:11 | 0:22:18 | |
You know it's ruined, right? | 0:22:18 | 0:22:20 | |
-Who covered it up? -I popped it over, | 0:22:20 | 0:22:23 | |
but I did not touch it, I was terrified, I didn't even want to put it on, I was... | 0:22:23 | 0:22:26 | |
Yeah, she was terrified. | 0:22:26 | 0:22:28 | |
Well, it's scraped here, we've got, I mean, the painting's blistering here... | 0:22:28 | 0:22:32 | |
Rob - do you have anything else we can put up there? | 0:22:32 | 0:22:35 | |
-I mean... -Well, you must be insured? | 0:22:35 | 0:22:38 | |
Yeah, but you know, the excess on something like this is £2,000. | 0:22:38 | 0:22:41 | |
Paul does have insurance for the painting, but he isn't prepared to cough up for the excess. | 0:22:41 | 0:22:46 | |
-The artist is... -It's our sheet we can call up our boss and see if we're insured. | 0:22:46 | 0:22:50 | |
-Because we've got insurance. -You want another painting? | 0:22:50 | 0:22:53 | |
-But you've got to take it? -Shall we call our boss? | 0:22:53 | 0:22:55 | |
-Call your boss. -I'll call him. -Find out if you're covered. -Yes. | 0:22:55 | 0:22:58 | |
I need the excess on this, I mean I really, really do. | 0:22:58 | 0:23:01 | |
Kelly and Jess head outside to make a phone call, supposedly to the boss of the cleaning company. | 0:23:01 | 0:23:06 | |
Well, if I don't get the pictures in, these guys don't get paid. | 0:23:06 | 0:23:09 | |
Well, it's eight minutes to five on Friday, I need to put a call in to the insurance now. | 0:23:09 | 0:23:14 | |
-Laura... -Meanwhile Alex takes the mark into the living room for a quiet chat. | 0:23:14 | 0:23:20 | |
Listen, I know this guy, I know him, he's a little bit upset. | 0:23:20 | 0:23:25 | |
Yeah, but the thing is, I need to put a painting there. If... | 0:23:27 | 0:23:30 | |
-we get him to give us another painting, I know I can get you that, the pictures sold. -Mm-hmm. | 0:23:30 | 0:23:35 | |
So if these guys can cover it, I think we should cover it and get him to bring us another painting ASAP. | 0:23:35 | 0:23:42 | |
-Mm-hmm. -He'll pay it. | 0:23:42 | 0:23:43 | |
What was that? | 0:23:43 | 0:23:45 | |
He'll pay it. | 0:23:45 | 0:23:46 | |
-He'll pay it, yeah. -He'll pay it? -Yeah! | 0:23:46 | 0:23:49 | |
He says he'll come down with the cash but he can't get down till eight o'clock. | 0:23:49 | 0:23:53 | |
OK, let's go and see Rob, let's go and see Rob. | 0:23:53 | 0:23:56 | |
So the cleaning company will pay the £2,000 excess, but Kelli's boss can't get | 0:23:56 | 0:24:00 | |
here for a couple of hours, and if Paul doesn't get paid straightaway, there'll be no replacement painting. | 0:24:00 | 0:24:06 | |
I'm sorry but I need to leave here with cash. | 0:24:06 | 0:24:08 | |
-All right, well, you guys... -OK. -..pack up, look... -And that means | 0:24:08 | 0:24:12 | |
no photo shoot fee for the mark's friend - the homeowner. | 0:24:12 | 0:24:15 | |
-I've got a deadline... -Do you have 2,000, and I'll do the switch and then at least I'm covered? | 0:24:15 | 0:24:20 | |
Do you know what, if I had two thousand cash on me now... | 0:24:20 | 0:24:23 | |
-Huh! -If only someone else could cover the excess until the cleaning boss arrives. | 0:24:23 | 0:24:26 | |
-Do you have £2,000? -No! | 0:24:26 | 0:24:29 | |
-I'm a hairdresser! -What was that money we had earlier, I mean...? | 0:24:29 | 0:24:33 | |
-How about the owner? -That is for the builder, who's meant to be coming. | 0:24:33 | 0:24:36 | |
Is it enough? Because they're going to bring the money to you, then at least you're covered. | 0:24:36 | 0:24:41 | |
-There's not £2,000 in there. -No, not yet. | 0:24:41 | 0:24:43 | |
The mark does actually have some money, left by the homeowner, to pay a tradesman's bill. | 0:24:43 | 0:24:47 | |
-But will she hand it over? -What do you want us to do? | 0:24:47 | 0:24:49 | |
Well, it seems to me that the only thing we can sort out would be if what we have available... | 0:24:49 | 0:24:54 | |
-If there is enough in here... -Yeah. -..what do I do when the builder comes knocking on the door? | 0:24:54 | 0:24:58 | |
Tell him to come back at eight. | 0:24:58 | 0:25:00 | |
Tell him to come back after eight, because you'll have cash then. | 0:25:00 | 0:25:03 | |
-And I will get that replaced then. -Yeah. | 0:25:03 | 0:25:05 | |
What I'll do is, I'll leave that piece with you just now, I'll get | 0:25:05 | 0:25:08 | |
-the other piece. And I'll bring it back. -How much do you have here? | 0:25:08 | 0:25:11 | |
She's gone for it, and the hustlers will happily take however much is in the envelope. | 0:25:11 | 0:25:16 | |
Going to have to, actually, sorry, going to have to go, is everything OK? | 0:25:16 | 0:25:20 | |
-He will. He will. -Take care. | 0:25:22 | 0:25:24 | |
As the girls leave, Alex helps count out the cash. | 0:25:24 | 0:25:28 | |
-1,500 exactly. -No! | 0:25:28 | 0:25:31 | |
Added to the deposit, that makes two grand for a couple of hours' work. | 0:25:31 | 0:25:35 | |
So Kelli and Jess are gone - time for the other hustlers to get the replacement painting. | 0:25:35 | 0:25:40 | |
So Laura, I'm going to be here in two minutes. | 0:25:40 | 0:25:43 | |
They haven't left any buckets or anything like that downstairs, have they? Have a quick look. | 0:25:43 | 0:25:47 | |
-OK. -Brilliant. | 0:25:47 | 0:25:49 | |
Well, I mean, the piece I have in the back is particularly... | 0:25:49 | 0:25:52 | |
Is it? It's not another Rodney is it? | 0:25:52 | 0:25:54 | |
-It's another Rodney, yeah. -Cos he's rubbish. | 0:25:54 | 0:25:56 | |
I sprayed it once and then the painting came off. | 0:25:56 | 0:26:00 | |
I was panicking, couldn't work out how to get it back on the wall. | 0:26:00 | 0:26:03 | |
I was really scared, I just didn't want to screw it up and I didn't want Laura | 0:26:03 | 0:26:07 | |
to see me fiddling with it, because then everything would have fallen apart. | 0:26:07 | 0:26:11 | |
We convinced her that our guy was going to come back with the cash later on. | 0:26:11 | 0:26:15 | |
But I think once everybody left the house, I'm sure she must have felt like, oh, my god, I've just handed | 0:26:15 | 0:26:20 | |
over £2,000, and what if this guy doesn't turn up? | 0:26:20 | 0:26:23 | |
You will not believe the dramas...! | 0:26:24 | 0:26:27 | |
The mark has been on her own for a little while now, and puts in a call to her friend. | 0:26:27 | 0:26:31 | |
OK, £500 deposit to the man for this painting, | 0:26:31 | 0:26:35 | |
that, hold on, is worth £10,000. | 0:26:35 | 0:26:38 | |
The guy who brought the painting over obviously needs some money for the excess for his insurance, so I've | 0:26:38 | 0:26:44 | |
given him £1,500 out of that other money. Yes. | 0:26:44 | 0:26:50 | |
The guy from the cleaning company is paying for it, so he's going to bring £2,000 over here at eight o'clock. | 0:26:50 | 0:26:56 | |
Of course, she's never getting any money back from the cleaning company. | 0:26:56 | 0:27:00 | |
And that painting is definitely no masterpiece. | 0:27:00 | 0:27:04 | |
In fact, it was worthless all along. | 0:27:04 | 0:27:07 | |
I gave him the deposit and then I did give them some money to, erm, | 0:27:07 | 0:27:12 | |
for the insurance thing or something. | 0:27:12 | 0:27:15 | |
You just kind of do it, don't you? | 0:27:15 | 0:27:17 | |
Cos this poor guy, his £10,000 painting. | 0:27:17 | 0:27:21 | |
The guys that came in and just seemed like that's what they just did every single day. | 0:27:21 | 0:27:26 | |
In this scam, the mark's been offered a great sum of money to take | 0:27:29 | 0:27:32 | |
part in a photo shoot, so she's more than likely to go along with any requests that the photographer has. | 0:27:32 | 0:27:38 | |
When the painting gets damaged, she doesn't really | 0:27:38 | 0:27:40 | |
think twice of handing over the money for it, because after all, | 0:27:40 | 0:27:43 | |
she's going to be getting all the money back from the cleaning company a few hours later. | 0:27:43 | 0:27:47 | |
Whenever you're asked to pay money in order to receive more money, alarm bells should be ringing. | 0:27:47 | 0:27:52 | |
And always be very, very careful of who you let into your home. | 0:27:52 | 0:27:55 | |
Find out for yourself that they are who they say they are. | 0:27:55 | 0:27:59 | |
Subtitles by Red Bee Media Ltd | 0:28:05 | 0:28:08 | |
E-mail [email protected] | 0:28:08 | 0:28:10 |