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North Yorkshire, the largest county in England and Wales - | 0:00:02 | 0:00:06 | |
from seaside resorts like Scarborough to the historic city of York. | 0:00:06 | 0:00:10 | |
It just offers you everything that policing could offer you. | 0:00:10 | 0:00:13 | |
You work the cities, you work the rural areas. | 0:00:13 | 0:00:16 | |
6,000 miles of some of Britain's most scenic | 0:00:16 | 0:00:19 | |
and most unforgiving roads. | 0:00:19 | 0:00:21 | |
We've got three casualties of the vehicle that's there in front of us. | 0:00:21 | 0:00:26 | |
The traffic cops here deal with among the highest number | 0:00:26 | 0:00:29 | |
of serious collisions per person than anywhere in the UK. | 0:00:29 | 0:00:32 | |
Roundabout, the wrong way, wrong way. | 0:00:32 | 0:00:34 | |
Tonight, runaways... | 0:00:36 | 0:00:38 | |
Come back here! Hey! | 0:00:38 | 0:00:40 | |
It doesn't really matter. | 0:00:40 | 0:00:42 | |
Occasionally, people blow, don't they? | 0:00:42 | 0:00:44 | |
A roadside haul... | 0:00:44 | 0:00:46 | |
I'd say there's maybe about a kilo and a half in weight in there. | 0:00:46 | 0:00:49 | |
And a major investigation into a tragic accident. | 0:00:49 | 0:00:52 | |
The update that I've just got over the radio as well | 0:00:52 | 0:00:55 | |
from the hospital is that there is now a fatal accident. | 0:00:55 | 0:00:59 | |
Welcome to North Yorkshire, | 0:00:59 | 0:01:00 | |
a vast area stretching the traffic cops to the limit. | 0:01:00 | 0:01:04 | |
Covering 3,200 square miles, | 0:01:19 | 0:01:22 | |
North Yorkshire's traffic cops have the biggest beat in England. | 0:01:22 | 0:01:28 | |
Coordinating the cops on the road is the Force Control Room in York. | 0:01:28 | 0:01:34 | |
Yeah, do you want to pass details on? | 0:01:34 | 0:01:36 | |
This centre receives and processes all calls to North Yorkshire Police, | 0:01:36 | 0:01:41 | |
around 900 every 24 hours. | 0:01:41 | 0:01:44 | |
The pressure is on Controllers like Dave Hopkinson to | 0:01:46 | 0:01:49 | |
maximise police resources. | 0:01:49 | 0:01:51 | |
You've always got things running through your mind. | 0:01:51 | 0:01:53 | |
Most of the time it's "Where's my nearest unit? | 0:01:53 | 0:01:57 | |
"What units do I need there? | 0:01:57 | 0:01:59 | |
"What areas do I need to consider closing off?" | 0:01:59 | 0:02:01 | |
Trying to think one step ahead, so you're constantly looking at the bigger scenario. | 0:02:01 | 0:02:05 | |
It's 5pm and 15 miles north, | 0:02:05 | 0:02:09 | |
TC Steve Kiwi Gardner of the North Yorkshire Road Policing Group | 0:02:09 | 0:02:12 | |
is at Harrogate police station at the start of a shift. | 0:02:12 | 0:02:16 | |
An urgent call comes through from the Force Control Room. | 0:02:19 | 0:02:22 | |
Come in, urgent. | 0:02:25 | 0:02:27 | |
Sounds serious. | 0:02:32 | 0:02:33 | |
It's a report of a collision involving a motorcyclist on the A59, | 0:02:33 | 0:02:37 | |
five miles west of town. | 0:02:37 | 0:02:39 | |
The complicating factor is it's on a stretch of road closed | 0:02:41 | 0:02:44 | |
due to an earlier accident. | 0:02:44 | 0:02:46 | |
It sounds like a knock-on effect from the traffic | 0:02:46 | 0:02:50 | |
congestion from that bump has caused another RTA further back, | 0:02:50 | 0:02:56 | |
involving a motorcyclist who is now unconscious. | 0:02:56 | 0:03:01 | |
The road is a major arterial route east to west between Harrogate | 0:03:03 | 0:03:08 | |
and Skipton. | 0:03:08 | 0:03:09 | |
Um, there is no alternative route. | 0:03:09 | 0:03:13 | |
It does sound serious at this point in time. | 0:03:13 | 0:03:16 | |
We're really fortunate to live in a rural county | 0:03:16 | 0:03:19 | |
and some of the roads in our county have a major | 0:03:19 | 0:03:24 | |
attraction to motorcyclists from all over the country. | 0:03:24 | 0:03:27 | |
These long country roads are also badly affected by the elements. | 0:03:27 | 0:03:31 | |
The weather conditions are really deteriorating right now | 0:03:31 | 0:03:34 | |
and it's going dark very, very quickly, so it makes you | 0:03:34 | 0:03:37 | |
wonder why a motorcyclist goes out in these conditions. | 0:03:37 | 0:03:40 | |
Kiwi knows just how dangerous bad weather can be for bikers. | 0:03:41 | 0:03:45 | |
Being a motorcyclist myself, yeah, it's scary. | 0:03:45 | 0:03:50 | |
Very, very wet roads, um, heavy downpours - | 0:03:50 | 0:03:54 | |
motorcycles don't have any protection at all. | 0:03:54 | 0:03:56 | |
So once you're involved in a bump, | 0:03:58 | 0:04:00 | |
if it involves a motorcyclist, it's potential serious. | 0:04:00 | 0:04:03 | |
He arrives to find a local police team already on the scene. | 0:04:03 | 0:04:07 | |
Er, we've got people already closing the road here. That's great. | 0:04:08 | 0:04:13 | |
As the only available traffic officer, | 0:04:13 | 0:04:15 | |
it falls on Kiwi's shoulders to begin the investigation. | 0:04:15 | 0:04:19 | |
My role initially is almost a management role. | 0:04:19 | 0:04:23 | |
The police take control of any scene, | 0:04:23 | 0:04:25 | |
no matter what other emergency services are there. | 0:04:25 | 0:04:29 | |
Kiwi receives an update from one of the first officers to | 0:04:29 | 0:04:32 | |
arrive at the scene, a local firearms cop. | 0:04:32 | 0:04:34 | |
-There's another accident that way, is there? -Yeah, we've been to that one. -What's the status of that one? | 0:04:34 | 0:04:39 | |
-They're all right. -They got minor injuries or anything? | 0:04:39 | 0:04:41 | |
-Yeah, minor injuries. -OK. -A bit of a back injury. -Right. | 0:04:41 | 0:04:44 | |
Then that one came and you got this one shouted and the paramedics came across to us | 0:04:44 | 0:04:47 | |
and said the information they've got is the bike's had a right big clout and is possibly fatal, | 0:04:47 | 0:04:52 | |
-so that's why we've come to this one straightaway. -Sure. | 0:04:52 | 0:04:55 | |
The rider in is in a critical condition. | 0:04:55 | 0:04:57 | |
I could see oxygen bottles there and I knew that that was not a place for me to be. | 0:04:57 | 0:05:03 | |
They had that under control. | 0:05:03 | 0:05:05 | |
We've got two ambulances at scene. | 0:05:05 | 0:05:07 | |
Looks like the casualty's just entering one at the moment. | 0:05:07 | 0:05:11 | |
Likely to prove the full callout, please. | 0:05:11 | 0:05:14 | |
Full callout is what we use for Collision Investigation Unit, | 0:05:14 | 0:05:18 | |
to have them to the scene. | 0:05:18 | 0:05:20 | |
It sort of ups the ante, really, on our investigation. | 0:05:20 | 0:05:24 | |
This severely damaged motorbike will be a key piece of evidence. | 0:05:24 | 0:05:29 | |
It is a Triumph Daytona, er, 575 triple. | 0:05:30 | 0:05:34 | |
Can you do a postcode check and see that it's registered to that address? Over. | 0:05:34 | 0:05:38 | |
We have a term in our job | 0:05:39 | 0:05:41 | |
we call the golden hour and in the first hour after an accident, | 0:05:41 | 0:05:44 | |
we can actually gather a lot of evidence. | 0:05:44 | 0:05:47 | |
Each accident scene that we attend are entirely different | 0:05:47 | 0:05:50 | |
and there are clues left at the scene, like a... | 0:05:50 | 0:05:52 | |
like a crime scene that you might see on a movie. | 0:05:52 | 0:05:55 | |
Another vital piece of evidence will be | 0:05:55 | 0:05:58 | |
the testimony from the driver of the car the motorcycle hit. | 0:05:58 | 0:06:02 | |
Does anyone know where the driver of this Honda is, please? | 0:06:02 | 0:06:04 | |
-Yeah. -In the car - that way? | 0:06:04 | 0:06:07 | |
-In the van. -In the van. OK. | 0:06:07 | 0:06:10 | |
Hello, there. | 0:06:11 | 0:06:13 | |
-Can you tell us what happened? -WOMAN SOBS | 0:06:13 | 0:06:15 | |
The husband of the lady driving the silver Honda was driving this blue van with his wife following behind. | 0:06:15 | 0:06:22 | |
They'd been asked to pull over by the police because of the accident ahead. | 0:06:22 | 0:06:26 | |
After waiting for some time, they tried to do a U-turn in the road. | 0:06:26 | 0:06:29 | |
As they did so, the bike collided with the Honda. | 0:06:30 | 0:06:34 | |
Both husband and wife claim the bike had no lights on. | 0:06:34 | 0:06:37 | |
At that point, um, my ears pricked up to the gentleman telling me | 0:06:38 | 0:06:43 | |
that the motorcycle approached with no lights on. | 0:06:43 | 0:06:46 | |
Most motorcycles run with the headlights on full-time | 0:06:46 | 0:06:50 | |
and it's impossible to turn them off. | 0:06:50 | 0:06:52 | |
Right, OK. | 0:06:52 | 0:06:53 | |
As well as investigating the couple's claim that the bike's | 0:06:53 | 0:06:56 | |
light was off, Kiwi also needs to establish | 0:06:56 | 0:06:59 | |
if the driver should have seen the rider prior to the impact. | 0:06:59 | 0:07:02 | |
The driver says she indicated and checked the road was clear in both | 0:07:03 | 0:07:07 | |
directions but as she made a U-turn, the rider appeared from nowhere. | 0:07:07 | 0:07:12 | |
Everyone sees an accident differently. | 0:07:13 | 0:07:16 | |
They describe things differently and they judge speeds differently. | 0:07:16 | 0:07:20 | |
But to get that initial account is important to me. | 0:07:20 | 0:07:25 | |
Can you find that lorry driver? | 0:07:25 | 0:07:26 | |
Can you find where he was when the accident happened? | 0:07:26 | 0:07:28 | |
-The bike overtook him. -Right. | 0:07:28 | 0:07:31 | |
-He is a cracking witness, then. -Yeah, yeah. | 0:07:31 | 0:07:33 | |
We need all his details and we want the statement tonight if we can. | 0:07:33 | 0:07:36 | |
Now Kiwi has to piece together the facts behind the collision | 0:07:36 | 0:07:39 | |
and whether anyone WAS at fault. | 0:07:39 | 0:07:41 | |
Back in the Force Control Room in York, | 0:07:45 | 0:07:47 | |
the collision is one of many incidents being handled tonight. | 0:07:47 | 0:07:52 | |
As well as coordinating the police response, | 0:07:52 | 0:07:55 | |
Controller Dave Hopkinson also tracks the movements of known criminals. | 0:07:55 | 0:07:59 | |
He monitors information from the county's many automatic | 0:07:59 | 0:08:03 | |
number plate recognition - or ANPR - cameras. | 0:08:03 | 0:08:07 | |
ANPR is a very good piece of kit that we've got. | 0:08:07 | 0:08:11 | |
There's various cameras plotted throughout the Force. | 0:08:11 | 0:08:14 | |
They will read every numberplate of vehicles that go past. | 0:08:14 | 0:08:16 | |
If there's a vehicle that is of interest to ourselves, | 0:08:16 | 0:08:19 | |
that will flag up on my computer system here. | 0:08:19 | 0:08:23 | |
From there, I can then read the numberplate, see the information | 0:08:23 | 0:08:25 | |
held on it and pass it out to the other officers in the area. | 0:08:25 | 0:08:30 | |
TC Martin Hayes of North Yorkshire Roads Policing Group | 0:08:30 | 0:08:33 | |
is on patrol near Wetherby, when ANPR flags up a wanted vehicle. | 0:08:33 | 0:08:38 | |
Monitored. | 0:08:44 | 0:08:46 | |
Martin is one of the nearest units. | 0:08:46 | 0:08:48 | |
There's intelligence regarding that vehicle | 0:08:48 | 0:08:51 | |
that it may be involved in a theft from the Leeds area. | 0:08:51 | 0:08:54 | |
It's a silver Volkswagen Caddy van. | 0:08:54 | 0:08:57 | |
ANPR is probably one of the best pieces of equipment to come out | 0:08:57 | 0:09:00 | |
in the last few decades. | 0:09:00 | 0:09:02 | |
The key thing for us is to get there is quickly as possible, | 0:09:02 | 0:09:06 | |
to apprehend any offenders but also prevent them | 0:09:06 | 0:09:10 | |
from destroying or disposing of any evidence. | 0:09:10 | 0:09:13 | |
Martin transferred from the Metropolitan Police to the | 0:09:14 | 0:09:17 | |
North Yorkshire Force ten years ago. | 0:09:17 | 0:09:19 | |
When I was telling people I was moving to North Yorkshire, | 0:09:19 | 0:09:23 | |
I was abused for going off to deal with badger baiting, | 0:09:23 | 0:09:28 | |
sheep rustling and carrot theft. | 0:09:28 | 0:09:31 | |
But there's more to this patch than rural crime. | 0:09:31 | 0:09:33 | |
There's an undercurrent of criminality that most normal | 0:09:33 | 0:09:36 | |
people will never see but it's out there on the roads, | 0:09:36 | 0:09:39 | |
and that's what we're out trying to catch. | 0:09:39 | 0:09:41 | |
Martin joins the A(M) south of Wetherby, | 0:09:44 | 0:09:47 | |
at least two miles from where the van was last spotted. | 0:09:47 | 0:09:50 | |
It's at the point now where the A1 splits, | 0:09:51 | 0:09:53 | |
so it's going towards the M1 towards Leeds. | 0:09:53 | 0:09:58 | |
Ah, there he is. | 0:09:58 | 0:09:59 | |
A police Land Rover is already on the van's tail. | 0:09:59 | 0:10:03 | |
MUFFLED RADIO CONTACT | 0:10:03 | 0:10:05 | |
When challenged to stop, | 0:10:05 | 0:10:06 | |
the driver in front of the Land Rover puts his foot down. | 0:10:06 | 0:10:09 | |
It's quite clear from his actions that he has no intention of stopping | 0:10:11 | 0:10:15 | |
for us, and for all intents and purposes, we're now into a pursuit. | 0:10:15 | 0:10:20 | |
As the runaway driver's speed rapidly increases, so does the | 0:10:20 | 0:10:23 | |
risk of it causing a collision. | 0:10:23 | 0:10:25 | |
We were certainly 100 miles an hour plus, I think, by this point. | 0:10:27 | 0:10:31 | |
Martin takes over as the lead vehicle. | 0:10:31 | 0:10:34 | |
There's all sorts going on in your mind at the time. | 0:10:34 | 0:10:37 | |
First and foremost, is there is a sense of danger | 0:10:37 | 0:10:40 | |
but we're trained to drive at that speed. | 0:10:40 | 0:10:43 | |
The idea is to prevent him getting off the motorway network, | 0:10:43 | 0:10:46 | |
to keep him on the biggest, widest road we possibly can, | 0:10:46 | 0:10:49 | |
away from as many members of the public as we can. | 0:10:49 | 0:10:52 | |
The last place we want him going is into town. | 0:10:52 | 0:10:55 | |
The van veers onto the hard shoulder. | 0:10:55 | 0:10:58 | |
What he's doing there is extremely dangerous. | 0:10:58 | 0:11:01 | |
If there is an unlit broken-down vehicle further along that road, | 0:11:01 | 0:11:04 | |
at the speed he was travelling at, the results would be catastrophic. | 0:11:04 | 0:11:09 | |
SIREN | 0:11:09 | 0:11:11 | |
Has he just thrown something out? | 0:11:13 | 0:11:15 | |
He appears to have thrown something out, possibly at junction 42, 41. | 0:11:15 | 0:11:19 | |
-RADIO: -'Are you still there?' -Yeah, I'm lead vehicle, single crew, TPAC trained. | 0:11:21 | 0:11:26 | |
Safe to continue. Can we have authority for TPAC, please? | 0:11:26 | 0:11:29 | |
TPAC, or Tactical Pursuit And Containment, | 0:11:29 | 0:11:32 | |
is a strategy to try and box the van in and bring it to a stop. | 0:11:32 | 0:11:35 | |
But then - roadworks. | 0:11:46 | 0:11:48 | |
Motorways are always a dangerous place | 0:11:48 | 0:11:50 | |
but now we're down to one lane, plus the hard shoulder. | 0:11:50 | 0:11:53 | |
The danger level is increased greatly. | 0:11:53 | 0:11:55 | |
My concern at that point was | 0:11:55 | 0:11:57 | |
do I have to consider calling this off now? | 0:11:57 | 0:12:01 | |
In the last ten years, | 0:12:01 | 0:12:02 | |
194 fatalities have occurred during police pursuits. | 0:12:02 | 0:12:07 | |
Martin continues his pursuit and when the lanes | 0:12:07 | 0:12:10 | |
open out again, the van looks for an escape route. | 0:12:10 | 0:12:13 | |
Pursuit monitored. It's junction 44. | 0:12:13 | 0:12:17 | |
It's off, off, off to A639 towards Leeds. | 0:12:17 | 0:12:21 | |
Roundabout ahead, three options. | 0:12:21 | 0:12:22 | |
Standby, standby. | 0:12:22 | 0:12:24 | |
Now heading off the motorway, | 0:12:24 | 0:12:26 | |
what the driver does next is even more dangerous. | 0:12:26 | 0:12:30 | |
Roundabout, runway, runway. | 0:12:30 | 0:12:33 | |
Onto the dual carriageway, standby. | 0:12:33 | 0:12:36 | |
'Their focus is on getting away | 0:12:36 | 0:12:37 | |
'and they'll do anything at their means to do so.' | 0:12:37 | 0:12:40 | |
Without a doubt, the consequences of a head-on collision at dual | 0:12:40 | 0:12:44 | |
carriageway speeds, it's guaranteed there would be a fatality in that. | 0:12:44 | 0:12:49 | |
With Martin under pressure to continue the pursuit without | 0:12:49 | 0:12:52 | |
putting anyone else at risk... | 0:12:52 | 0:12:53 | |
..on the A59 west of Harrogate, TC Steve Kiwi Gardner is dealing with | 0:12:56 | 0:13:02 | |
the aftermath of a major collision that's left a young motorcyclist | 0:13:02 | 0:13:06 | |
critically injured. | 0:13:06 | 0:13:08 | |
Paramedics are taking the biker for further treatment to hospital. | 0:13:08 | 0:13:12 | |
So how do I feel? | 0:13:12 | 0:13:13 | |
It's sad but it's also something that as a traffic officer, | 0:13:13 | 0:13:17 | |
you've got to try and contain those feelings and move on. | 0:13:17 | 0:13:21 | |
We have to have an internal mechanism that will, um, | 0:13:21 | 0:13:26 | |
try and preserve and protect our own sanity, | 0:13:26 | 0:13:29 | |
our own well-being for our families' sakes, anyway. | 0:13:29 | 0:13:32 | |
Sometimes it's more difficult than others. | 0:13:32 | 0:13:35 | |
The biker hit the Honda doing a U-turn | 0:13:35 | 0:13:38 | |
and despite the claim that the bike had no lights on, | 0:13:38 | 0:13:40 | |
it's unclear who, if anyone, is to blame for the collision. | 0:13:40 | 0:13:44 | |
The questions that we need to ask as investigating officers now is | 0:13:44 | 0:13:48 | |
was the motorcyclist there to be seen, | 0:13:48 | 0:13:50 | |
and was the driver turning round, cut straight in front | 0:13:50 | 0:13:53 | |
of the motorcyclist, or was the motorcyclist wearing dark | 0:13:53 | 0:13:57 | |
clothing without a light on, in dusk, and not there to be seen? | 0:13:57 | 0:14:00 | |
That's our number one role, is to produce evidence to see | 0:14:01 | 0:14:05 | |
if anybody's done anything wrong. | 0:14:05 | 0:14:07 | |
Most accidents involve um, someone making an error, so it's our job to | 0:14:07 | 0:14:13 | |
find out which driver made the error and how severe was that error. | 0:14:13 | 0:14:16 | |
Kiwi needs witnesses to help establish exactly what's happened. | 0:14:18 | 0:14:22 | |
Did you see anything? | 0:14:22 | 0:14:24 | |
The witness tells him that they | 0:14:24 | 0:14:26 | |
spotted the bike ten minutes earlier driving at high speed. | 0:14:26 | 0:14:30 | |
You're fantastic witnesses. | 0:14:30 | 0:14:32 | |
We want you to stay here for the meantime, if you can, please. | 0:14:32 | 0:14:36 | |
Please. Thank you very much. | 0:14:36 | 0:14:38 | |
We've found three separate witnesses now, that have seen the | 0:14:38 | 0:14:42 | |
motorcyclist at some point, um, but further before the accident scene. | 0:14:42 | 0:14:47 | |
And they've all stated that he's been going flat out. | 0:14:47 | 0:14:52 | |
As Kiwi talks to the witnesses, | 0:14:52 | 0:14:54 | |
Forensic Collision Investigator Steve Kirkbright arrives. | 0:14:54 | 0:14:58 | |
I'd finished duty for the day. | 0:14:58 | 0:15:00 | |
Because of the nature of our Force and the size of the area, | 0:15:00 | 0:15:03 | |
we also do an on-call system. | 0:15:03 | 0:15:04 | |
I'd gone home, I'd taken the dogs out for a walk. | 0:15:04 | 0:15:06 | |
I think we were just at the point of discussing | 0:15:06 | 0:15:09 | |
what we were going to do for tea and the phone went. | 0:15:09 | 0:15:12 | |
Steve's served 30 years in North Yorkshire Police, | 0:15:12 | 0:15:15 | |
including 14 as a crash investigator, | 0:15:15 | 0:15:18 | |
dealing with serious road incidents across the county. | 0:15:18 | 0:15:22 | |
His job is to bring a methodical approach to investigating the crash scene. | 0:15:22 | 0:15:27 | |
My mother would tell you that logic, puzzles | 0:15:28 | 0:15:31 | |
and things like that have always been a fascination to me. | 0:15:31 | 0:15:34 | |
I'm turning up at the end of an event | 0:15:34 | 0:15:38 | |
and I have to work backwards through time. | 0:15:38 | 0:15:41 | |
I might take over 100 photographs - the damage to the cars, | 0:15:41 | 0:15:44 | |
the position the vehicles are in, | 0:15:44 | 0:15:46 | |
where the casualty came to rest, | 0:15:46 | 0:15:48 | |
marks on the road surface, tyre marks, | 0:15:48 | 0:15:51 | |
scrape marks, where the glass has ended up out of the car - | 0:15:51 | 0:15:55 | |
we'd form conclusions from factual evidence. | 0:15:55 | 0:15:59 | |
What are you thinking? | 0:15:59 | 0:16:00 | |
The bike's gone over the top. The bike's gone sideways. | 0:16:00 | 0:16:04 | |
-So it is a... -There's no scrapes to where the bike goes. | 0:16:04 | 0:16:07 | |
And there's nothing across the verge for the rider. | 0:16:07 | 0:16:09 | |
-Yeah, yeah, yeah, OK. -The bike's gone over the top. -Right. | 0:16:09 | 0:16:13 | |
What angle are you putting the car on, then, in the turn, | 0:16:13 | 0:16:15 | |
-do you think? -All of that? -Yeah. | 0:16:15 | 0:16:17 | |
It's the other side window, yeah? | 0:16:19 | 0:16:21 | |
Here. Right, OK. | 0:16:21 | 0:16:23 | |
So it's an angular blow, it's not a direct hit? Yeah. | 0:16:23 | 0:16:26 | |
It's 10pm. | 0:16:26 | 0:16:28 | |
This A road has been closed for more than four hours, | 0:16:28 | 0:16:31 | |
causing major disruption between Harrogate and Skipton. | 0:16:31 | 0:16:34 | |
It can be a difficult thing for the public to understand, | 0:16:34 | 0:16:38 | |
when they're sat in a tailback on a diversion but there is a responsibility. | 0:16:38 | 0:16:43 | |
We will take our time. | 0:16:43 | 0:16:45 | |
At best, I tend to deal with conditions that involve | 0:16:45 | 0:16:48 | |
life-changing injuries. At worst, people are dead. | 0:16:48 | 0:16:50 | |
We will apply as much resources and skill as if somebody had been murdered. | 0:16:50 | 0:16:56 | |
Shaun's going to jack up road closure. | 0:16:56 | 0:16:59 | |
-And we'll have to reconstruct... -Do some timings for that. | 0:16:59 | 0:17:02 | |
Like we did on that last one. | 0:17:02 | 0:17:03 | |
-Brilliant. -Bring that unmarked BMW and work it out. | 0:17:04 | 0:17:07 | |
OK, nice one. | 0:17:07 | 0:17:09 | |
When Steve has gathered the evidence he needs, | 0:17:09 | 0:17:12 | |
everything from the crash scene will be removed. | 0:17:12 | 0:17:15 | |
It's too early to give a full picture of what's happened. | 0:17:16 | 0:17:19 | |
We'll do a full mechanical examination of the three vehicles involved, | 0:17:19 | 0:17:22 | |
the blue van, the Honda and the motorcycle, | 0:17:22 | 0:17:24 | |
check that there is no defects with any of them, | 0:17:24 | 0:17:27 | |
do a reconstruction of the line of damage, and see what the | 0:17:27 | 0:17:31 | |
motor vehicles tell us towards the story of what's happened here tonight. | 0:17:31 | 0:17:35 | |
With the collision team in control of the scene, | 0:17:35 | 0:17:38 | |
Kiwi's focus now turns to the driver, | 0:17:38 | 0:17:41 | |
who needs to provide a formal interview back at the station. | 0:17:41 | 0:17:44 | |
If you're feeling unwell at any point in time, | 0:17:44 | 0:17:46 | |
just let us know, won't you? | 0:17:46 | 0:17:48 | |
Obviously, you've been through a massive shock today. | 0:17:48 | 0:17:52 | |
'She is very, very traumatised. In shock, almost.' | 0:17:54 | 0:17:57 | |
If you don't feel well, just let me know, all right? | 0:17:59 | 0:18:02 | |
'She's in absolute pieces.' | 0:18:06 | 0:18:08 | |
Total concern for the other rider. | 0:18:08 | 0:18:10 | |
That's quite common with people I deal with. | 0:18:10 | 0:18:12 | |
They're always asking for updates on the welfare of the other | 0:18:12 | 0:18:16 | |
drivers involved. | 0:18:16 | 0:18:18 | |
The driver's account will be key in determining the events that | 0:18:18 | 0:18:22 | |
led up to the collision. | 0:18:22 | 0:18:23 | |
15 miles south, PC Martin Hayes is still pursuing a wanted van | 0:18:32 | 0:18:36 | |
heading out of North Yorkshire towards Leeds. | 0:18:36 | 0:18:39 | |
It's at B648 towards Leeds. | 0:18:41 | 0:18:43 | |
Stand by for direction at next roundabout. | 0:18:43 | 0:18:46 | |
The van dumps something on the motorway and desperate to escape, | 0:18:46 | 0:18:50 | |
the driver is becoming increasingly reckless as he races into the city. | 0:18:50 | 0:18:54 | |
He sailed through a red light like it wasn't even there. | 0:19:00 | 0:19:03 | |
All he cares about is getting way. | 0:19:03 | 0:19:05 | |
Romeo 1-8 is now the lead vehicle. | 0:19:05 | 0:19:07 | |
Martin may have support in place but during a high-speed pursuit, | 0:19:07 | 0:19:12 | |
it's his judgement that counts. | 0:19:12 | 0:19:13 | |
There is an element of the thrill of the chase | 0:19:13 | 0:19:15 | |
but you have to be aware of any possibility of what | 0:19:15 | 0:19:19 | |
we refer to as red mist setting in, | 0:19:19 | 0:19:20 | |
where the pursuit becomes a personal challenge between you and the | 0:19:20 | 0:19:24 | |
vehicle you're chasing, and safety becomes a secondary concern. | 0:19:24 | 0:19:28 | |
That's when you should be stopping. | 0:19:28 | 0:19:30 | |
In the mazy outskirts of the city, Martin and the other | 0:19:40 | 0:19:44 | |
pursuing cops are in danger of losing their target. | 0:19:44 | 0:19:47 | |
He's given us the slip and we've somewhat lost him. | 0:19:53 | 0:19:56 | |
It is the proverbial needle in a haystack now. | 0:19:58 | 0:20:01 | |
The cops have lost the van but the trail has not gone cold. | 0:20:12 | 0:20:17 | |
There's still whatever was dumped on the motorway. | 0:20:17 | 0:20:20 | |
I do believe that would explain the failure to stop. | 0:20:32 | 0:20:36 | |
Likewise, I'm going to depart Leeds and head back to North Yorkshire. | 0:20:38 | 0:20:43 | |
Back at base, Martin meets TC Smith, | 0:20:47 | 0:20:49 | |
who was in the Land Rover during the chase. | 0:20:49 | 0:20:53 | |
He has quite a haul. | 0:20:53 | 0:20:56 | |
I would say there's probably... | 0:20:56 | 0:20:59 | |
Probably a kilo and a half in weight in there, roughly speaking. | 0:20:59 | 0:21:02 | |
I would think that some had blown into the grass, but that's | 0:21:02 | 0:21:06 | |
what was down the hard shoulder and running to the gully, so... | 0:21:06 | 0:21:09 | |
I've used my best talents as Mrs Mop and picked it all up. | 0:21:09 | 0:21:12 | |
Have you got a bag for this | 0:21:12 | 0:21:14 | |
because this is the box that stinks of cannabis. | 0:21:14 | 0:21:16 | |
It was a good result to take that amount of drugs off the street. | 0:21:16 | 0:21:20 | |
Rough value, I think, | 0:21:20 | 0:21:21 | |
is somewhere in the region of £5,500 to £6,000, possibly more. | 0:21:21 | 0:21:25 | |
The cannabis and the box are important evidence that could | 0:21:25 | 0:21:28 | |
lead to the van driver. | 0:21:28 | 0:21:30 | |
With it being sort of shiny cardboard, | 0:21:30 | 0:21:32 | |
there's a fairly good prospect of getting some fingerprints off it. | 0:21:32 | 0:21:36 | |
That would be the ideal. | 0:21:38 | 0:21:39 | |
News comes in that the van has been found abandoned in Leeds. | 0:21:39 | 0:21:43 | |
There should be enough forensic evidence to link | 0:21:43 | 0:21:46 | |
somebody to the vehicle and with the footage from our cars, hopefully | 0:21:46 | 0:21:49 | |
we have enough evidence there to prosecute them | 0:21:49 | 0:21:52 | |
for driving offences, drug offences... | 0:21:52 | 0:21:54 | |
Who knows what else we might find? | 0:21:54 | 0:21:56 | |
If you could remove drugs from the equation, | 0:21:56 | 0:21:59 | |
you would remove a large portion of crime. | 0:21:59 | 0:22:01 | |
Most crime is committed by people who are doing so | 0:22:01 | 0:22:05 | |
to fund a drug habit. | 0:22:05 | 0:22:07 | |
While the van driver escapes justice tonight, | 0:22:07 | 0:22:10 | |
this is a case that won't end here. | 0:22:10 | 0:22:12 | |
The job doesn't stop now, just because the pursuit's over. | 0:22:12 | 0:22:15 | |
There's inquiries that can be made to trace people that | 0:22:15 | 0:22:18 | |
were in the vehicle and that's the main thing for us, really. | 0:22:18 | 0:22:21 | |
The pursuit's over, but those inquiries now commence. | 0:22:21 | 0:22:25 | |
17 miles north-west at Harrogate Police Station, | 0:22:29 | 0:22:34 | |
TC Steve Kiwi Gardner is continuing his investigation | 0:22:34 | 0:22:38 | |
with the driver of a car | 0:22:38 | 0:22:39 | |
involved in a serious collision with a motorbike. | 0:22:39 | 0:22:43 | |
While the driver waits to be interviewed, | 0:22:43 | 0:22:45 | |
control room staff pass on some tragic news. | 0:22:45 | 0:22:49 | |
The update that I've just got over the radio as well | 0:22:49 | 0:22:52 | |
from the hospital is that there's now a fatal accident. | 0:22:52 | 0:22:55 | |
Kiwi's investigation has become even more serious. | 0:22:57 | 0:23:01 | |
There's a possibility that the driver of the car has | 0:23:01 | 0:23:05 | |
committed an offence of driving without due care and attention, | 0:23:05 | 0:23:08 | |
but now that the motorcyclist has died, that offence ramps | 0:23:08 | 0:23:12 | |
straight up to death by driving without due care and attention. | 0:23:12 | 0:23:15 | |
So it's quite a serious offence. | 0:23:15 | 0:23:17 | |
Well, it is an extremely serious offence. | 0:23:17 | 0:23:19 | |
Two factors will determine whether or not the rider was clearly | 0:23:19 | 0:23:23 | |
visible - the motorcycle's speed and whether its lights were on. | 0:23:23 | 0:23:28 | |
There's no way you can ride a motorcycle without a headlight. | 0:23:28 | 0:23:31 | |
-No. -Automatically. | 0:23:31 | 0:23:33 | |
And they both said that there was no headlight on the bike. | 0:23:33 | 0:23:37 | |
It might be the case that when she started to turn | 0:23:37 | 0:23:41 | |
and she looked down the road, the motorcycle wasn't there | 0:23:41 | 0:23:45 | |
because it was going so fast, | 0:23:45 | 0:23:47 | |
it was actually over the brow of the hill, around the corner. | 0:23:47 | 0:23:50 | |
It is also possible that she were following her husband, | 0:23:50 | 0:23:52 | |
who's had that same turn, she's more looking at what he's doing | 0:23:52 | 0:23:56 | |
and where he's going, than looking down the road at a motorcycle | 0:23:56 | 0:23:59 | |
coming towards her very quickly. | 0:23:59 | 0:24:01 | |
In our job, there's no more important investigation than | 0:24:01 | 0:24:04 | |
to be able to account to a family how and why their loved one died. | 0:24:04 | 0:24:09 | |
I feel sorry for both parties. | 0:24:09 | 0:24:12 | |
I feel sorry for a family, now, | 0:24:12 | 0:24:14 | |
that's got to suffer that bereavement. And I feel sorry for, | 0:24:14 | 0:24:16 | |
you know, what seems like a split second in her life, | 0:24:16 | 0:24:22 | |
is now going to have a knock-on effect for the rest of her life. | 0:24:22 | 0:24:26 | |
-I need to caution you, OK, before we start. -Yes. | 0:24:26 | 0:24:31 | |
And that is that you do not have to say anything, | 0:24:31 | 0:24:35 | |
but it may harm your defence if you do not mention, | 0:24:35 | 0:24:38 | |
when questioned, something which you may later rely on in court. | 0:24:38 | 0:24:41 | |
Anything that you do say may be given in evidence. | 0:24:41 | 0:24:43 | |
We're constantly monitoring her signs, her speech. | 0:24:43 | 0:24:47 | |
If she took any downturn whatsoever, we would stop the interview | 0:24:47 | 0:24:53 | |
and continue it another day. | 0:24:53 | 0:24:56 | |
The key question for Kiwi, now, | 0:24:56 | 0:24:58 | |
is could the driver have seen the bike before she decided to U-turn? | 0:24:58 | 0:25:02 | |
The driver insists she looked in both directions | 0:25:02 | 0:25:05 | |
and it was clear as she crossed the road. | 0:25:05 | 0:25:08 | |
Then she describes the rider looming into vision from out of nowhere. | 0:25:08 | 0:25:12 | |
And the sound of the collision. | 0:25:12 | 0:25:14 | |
I know that road very, very well | 0:25:15 | 0:25:18 | |
and I was very aware that that was a straight | 0:25:18 | 0:25:21 | |
piece of road and, so, while she's describing her U-turn, it became | 0:25:21 | 0:25:28 | |
a worry to me that she couldn't see a motorcyclist coming towards her. | 0:25:28 | 0:25:32 | |
That makes sense. | 0:25:32 | 0:25:33 | |
I don't think I have any further questions, at this time. | 0:25:33 | 0:25:36 | |
It's been an extremely traumatic night. | 0:25:36 | 0:25:39 | |
Tomorrow, the collision investigation team will | 0:25:40 | 0:25:43 | |
determine whether the driver could and should have seen the bike. | 0:25:43 | 0:25:47 | |
North Yorkshire stretches over 100 miles, | 0:25:57 | 0:26:00 | |
from the Pennine Hills in the west, to the North Sea coast in the east. | 0:26:00 | 0:26:04 | |
To cover such a vast area, | 0:26:05 | 0:26:08 | |
many of the traffic cops here work single crewed. | 0:26:08 | 0:26:11 | |
It's 11am and TC Mark Gonella, of Scarborough Roads Policing | 0:26:11 | 0:26:16 | |
Group, is on patrol in the county's biggest coastal town. | 0:26:16 | 0:26:20 | |
Scarborough's built up on a community of people, | 0:26:20 | 0:26:23 | |
people that have lived in this area for years. | 0:26:23 | 0:26:25 | |
It's a beautiful area. | 0:26:25 | 0:26:27 | |
Last Sunday, you could drive along the seafront in Scarborough | 0:26:27 | 0:26:30 | |
with the sun rising, you know, how lucky am I? | 0:26:30 | 0:26:34 | |
I wouldn't change it. | 0:26:34 | 0:26:36 | |
At 11.15, York control room receives a report of a collision | 0:26:36 | 0:26:40 | |
in the Barrowcliff housing estate, on the edge of Scarborough. | 0:26:40 | 0:26:43 | |
Yeah, do you want to pass the details on? | 0:26:43 | 0:26:45 | |
Mark is the nearest officer. | 0:26:45 | 0:26:49 | |
What've you got? | 0:26:49 | 0:26:51 | |
Yeah, I can start heading that way, I'm not far. | 0:27:03 | 0:27:06 | |
SIREN WAILS | 0:27:06 | 0:27:08 | |
It appears that a vehicle | 0:27:08 | 0:27:10 | |
has possibly crashed into a stationary car. | 0:27:10 | 0:27:13 | |
And there was some talk of the driver may well have | 0:27:13 | 0:27:16 | |
been on his phone at the time. | 0:27:16 | 0:27:18 | |
Across the UK, | 0:27:18 | 0:27:19 | |
one in three accidents happen within a mile of home. | 0:27:19 | 0:27:23 | |
In such a residential area, | 0:27:23 | 0:27:25 | |
it's possible that someone involved will live close by. | 0:27:25 | 0:27:28 | |
Mark arrives to find neighbours moving a car to the | 0:27:28 | 0:27:31 | |
side of the road. | 0:27:31 | 0:27:33 | |
His job is to find out if anyone's at fault. | 0:27:33 | 0:27:35 | |
Right, this may well be it. | 0:27:35 | 0:27:38 | |
-RADIO: -Go ahead. | 0:27:38 | 0:27:39 | |
Hello! Are you involved? | 0:27:43 | 0:27:47 | |
-Where are you going, are you the driver? -No. | 0:27:47 | 0:27:50 | |
-Are you driver? Can you come back? Hang on! -Two seconds. | 0:27:50 | 0:27:54 | |
No, no, not two seconds. Hey! Come back here! | 0:27:54 | 0:27:57 | |
-No, my husband was in the car with me. -Right, OK, you were driving? | 0:27:57 | 0:28:01 | |
-Yeah. -Yeah, yeah, well, | 0:28:01 | 0:28:02 | |
I don't want you running off while I want to talk to you. | 0:28:02 | 0:28:05 | |
No, I was just getting my husband, because he was sat in the car with me. | 0:28:05 | 0:28:08 | |
'The initial thought for me is, I hardly ever go to an accident where | 0:28:08 | 0:28:11 | |
'I've got someone running away from the scene, specifically, the driver. | 0:28:11 | 0:28:14 | |
'That's the alarm bells for me.' | 0:28:14 | 0:28:16 | |
'What's this person hiding?' | 0:28:16 | 0:28:17 | |
Why do they want to get away? Should they have been driving? | 0:28:17 | 0:28:21 | |
It seems the driver has bumped another car, just outside her home. | 0:28:21 | 0:28:24 | |
-Is this your car, is it? -Yeah. | 0:28:24 | 0:28:26 | |
-Are there any witnesses to what happened? -We were all witnesses. | 0:28:26 | 0:28:29 | |
What I'll do, I'll get you... | 0:28:29 | 0:28:31 | |
-Can you just sit in my car for two seconds? -Yeah. | 0:28:31 | 0:28:33 | |
Just one of you witnesses, can I just have one of you, please? | 0:28:33 | 0:28:36 | |
All of a sudden, | 0:28:36 | 0:28:37 | |
an irate husband adds to the chaos Mark has to deal with. | 0:28:37 | 0:28:40 | |
What's going on with all this? | 0:28:40 | 0:28:42 | |
Right, don't come down here and start having an attitude with me. | 0:28:42 | 0:28:44 | |
-I'm not having an attitude, all these people and all these cameras. -OK, all right. | 0:28:44 | 0:28:48 | |
-Do you know what I mean? -Were you in the car? -Yeah. -I'll speak to you in a minute. | 0:28:48 | 0:28:51 | |
-I want to speak to the driver of the car. -Right. -First, all right? | 0:28:51 | 0:28:54 | |
He's agitated, isn't he? I've got to try and keep him calm, because you don't know | 0:28:54 | 0:28:58 | |
how he's going to react, what's he going to do? | 0:28:58 | 0:29:00 | |
I don't want you getting excited. | 0:29:00 | 0:29:01 | |
-I'm not excited, obviously, it's just... -Is that your house up there? -Yeah. -Yeah. | 0:29:01 | 0:29:05 | |
Why don't you go up there and I'll come and talk to you in a minute. | 0:29:05 | 0:29:08 | |
-Come and sit yourself in here, all right? -Yeah. | 0:29:08 | 0:29:10 | |
Don't press any of my buttons. | 0:29:10 | 0:29:12 | |
Finally, Mark can get an account from one of the bystanders. | 0:29:12 | 0:29:16 | |
Did you witness it? | 0:29:16 | 0:29:18 | |
-She was coming down here. -Right. | 0:29:18 | 0:29:20 | |
The lady's car, here, was, basically, on the road, here. | 0:29:20 | 0:29:23 | |
-Did you see why it skimmed it, why it hit it? -No. | 0:29:23 | 0:29:27 | |
I think the car did move a little bit like that, | 0:29:27 | 0:29:29 | |
a bit off-balance, so... | 0:29:29 | 0:29:31 | |
-Right, was she doing anything in the car? -No, no, no. Just normal. | 0:29:31 | 0:29:34 | |
-You saw the driver? -Yeah. -Cos someone said she was on her phone. | 0:29:34 | 0:29:37 | |
-No, no, she wasn't. -No driver on the phone? -No, no, no. | 0:29:37 | 0:29:40 | |
-I saw it, as clear as day. She was on no phone. -Right. | 0:29:40 | 0:29:43 | |
You pop over there, I'll have a chat with this young lady. | 0:29:43 | 0:29:47 | |
-Hey up, right. -Hiya. | 0:29:47 | 0:29:49 | |
-What's happened? -Basically, I was just north driving... -Yeah. | 0:29:49 | 0:29:55 | |
And I don't know, I don't know what happened, it just bumped that car. | 0:29:55 | 0:29:58 | |
But why did you just bump that car? | 0:29:58 | 0:30:01 | |
There's got to be a reason that you bumped it. | 0:30:02 | 0:30:04 | |
I must've been too close. | 0:30:04 | 0:30:07 | |
Well... | 0:30:07 | 0:30:08 | |
How did you not see the car on the road? | 0:30:08 | 0:30:11 | |
Well, I did see it, but I was checking that side as well, | 0:30:13 | 0:30:16 | |
cos there was kids on the side of the road. | 0:30:16 | 0:30:17 | |
I was looking out of that mirror. | 0:30:17 | 0:30:19 | |
-Cos there was kids on the road and, obviously... -Right. | 0:30:19 | 0:30:22 | |
There's something about the driver's account that isn't ringing | 0:30:22 | 0:30:25 | |
true with Mark. | 0:30:25 | 0:30:26 | |
Most people I deal with, they know what's happened, the story | 0:30:26 | 0:30:31 | |
sort of flows and she's putting too much thought into it for me. | 0:30:31 | 0:30:36 | |
I think I'm taking it with a pinch of salt at that time. | 0:30:36 | 0:30:39 | |
-I'll be honest, someone said that you were on the phone. -I wasn't on the phone. | 0:30:39 | 0:30:43 | |
-Were you on your phone at the time of the collision? -No, I wasn't on my phone. | 0:30:43 | 0:30:46 | |
-Have you got your phone with you? -My phone's there. | 0:30:46 | 0:30:48 | |
My phone's been on charge in the car, I've just unplugged it. | 0:30:48 | 0:30:50 | |
So, were you doing anything with your phone? | 0:30:50 | 0:30:53 | |
I wasn't doing anything with my phone. | 0:30:53 | 0:30:56 | |
My son's just phoned my daughter to say, obviously, | 0:30:56 | 0:30:59 | |
I won't be going, cos of what's happened. | 0:30:59 | 0:31:01 | |
-And who did you ring before that? -That's my husband. | 0:31:01 | 0:31:04 | |
-Where was -BLEEP -sat? | 0:31:04 | 0:31:06 | |
In the... | 0:31:06 | 0:31:08 | |
He was sat in the back and my husband was sat in the front. | 0:31:08 | 0:31:12 | |
Right, OK. | 0:31:12 | 0:31:14 | |
So, why did he phone you? | 0:31:14 | 0:31:17 | |
To... Obviously, cos of my daughter. | 0:31:17 | 0:31:21 | |
I was going to see my daughter. | 0:31:21 | 0:31:23 | |
-Right, but he was in the car with you? -Yeah. | 0:31:23 | 0:31:25 | |
It's unravelling, you know, as she's talking. | 0:31:25 | 0:31:30 | |
She's not thinking quickly enough to try and cover her tracks | 0:31:30 | 0:31:35 | |
and there's a lot of questions, now, running round in my head. | 0:31:35 | 0:31:38 | |
Why would he phone you, if he was in the car with you? | 0:31:38 | 0:31:40 | |
No, cos he got out the car. | 0:31:40 | 0:31:43 | |
After I'd bumped it. | 0:31:43 | 0:31:45 | |
It doesn't ring right, does it? | 0:31:46 | 0:31:48 | |
Well, that's what happened. | 0:31:48 | 0:31:51 | |
Unable to establish if the driver was on the phone, | 0:31:51 | 0:31:54 | |
Mark suspects she may have been committing other offences. | 0:31:54 | 0:31:58 | |
I think police officers join the police | 0:31:58 | 0:32:01 | |
because they're that way inclined. | 0:32:01 | 0:32:02 | |
You're nosey, you want to ask questions, you want to find | 0:32:02 | 0:32:05 | |
things out, go slightly under that surface and dig that much deeper. | 0:32:05 | 0:32:08 | |
-Have you got a driving licence? -I've got a provisional. | 0:32:08 | 0:32:12 | |
Right, OK, where are your L-plates? | 0:32:12 | 0:32:14 | |
In the boot. | 0:32:16 | 0:32:18 | |
-Has your partner got a full UK driving licence? -Yeah. | 0:32:18 | 0:32:21 | |
-He's fully comp. -Was he supervising you then? -Yeah. | 0:32:21 | 0:32:25 | |
-And you're on the insurance? -No, I'm not, no. | 0:32:25 | 0:32:28 | |
-So you're not insured either? -No. -OK. | 0:32:28 | 0:32:30 | |
I've got to caution you that you do not have to say anything, | 0:32:30 | 0:32:33 | |
but it may harm your defence if you do not mention, when questioned, | 0:32:33 | 0:32:36 | |
something which you later rely on in court | 0:32:36 | 0:32:38 | |
and anything you do say may be given in evidence. | 0:32:38 | 0:32:40 | |
It's estimated that, every year, 35,000 learner | 0:32:40 | 0:32:43 | |
drivers are prosecuted for not displaying L-plates. | 0:32:43 | 0:32:46 | |
It's important that you put L-plates on a car, | 0:32:46 | 0:32:49 | |
because everybody else, then, knows you're a learner driver. | 0:32:49 | 0:32:52 | |
Everybody else treats you with that little bit more understanding, | 0:32:52 | 0:32:57 | |
don't they? | 0:32:57 | 0:32:59 | |
The driver's husband has returned to his damaged car. | 0:32:59 | 0:33:03 | |
Can you not drive it? | 0:33:03 | 0:33:05 | |
Don't drive it for us, mate. | 0:33:07 | 0:33:09 | |
Can I just have the ignition keys? | 0:33:11 | 0:33:13 | |
-Have you got your keys? -Yeah, I've got them. | 0:33:13 | 0:33:15 | |
-OK, can I have the keys? -I'll just put them away. | 0:33:15 | 0:33:17 | |
-No, no, no, come here. -They're my keys. -Right, come here. | 0:33:17 | 0:33:19 | |
-They're my keys. -Come here! | 0:33:19 | 0:33:21 | |
-Yeah, I will, let me... -Right, listen. -Yeah? | 0:33:21 | 0:33:24 | |
851, can I have another unit, please? | 0:33:24 | 0:33:26 | |
-Right. -But they're my keys. -Right, listen to me. -Yeah. | 0:33:26 | 0:33:29 | |
OK, I'm not going to argue with you. | 0:33:29 | 0:33:30 | |
I'm not going to argue with you, I'm just saying, they're my keys. | 0:33:30 | 0:33:33 | |
And I'm not going to get stupid, all right? | 0:33:33 | 0:33:36 | |
-Were you driving that... -It's my property. -Right. | 0:33:36 | 0:33:38 | |
-Listen to me. -Yeah, I am listening, but... | 0:33:38 | 0:33:40 | |
-RADIO BLEEPS -I'm in order, but I could do with a unit, please. | 0:33:40 | 0:33:43 | |
-I understand what you're saying. -Hang on. | 0:33:43 | 0:33:45 | |
Policing in North Yorkshire is very different to Manchester or the Met. | 0:33:45 | 0:33:48 | |
You haven't got that backup, maybe 20 seconds, a minute away, | 0:33:48 | 0:33:53 | |
so, maybe, that's why I deal with people in a different way. | 0:33:53 | 0:33:56 | |
-What I don't want to do... -Yeah, I know. -Hang on, hang on. | 0:33:56 | 0:33:58 | |
-What I don't want to do... At the moment, we're down here. -Yeah. | 0:33:58 | 0:34:02 | |
-I don't want us to end up, up there. -Yeah, it escalates. | 0:34:02 | 0:34:05 | |
-I want to inspect the car. -Yeah, sound. | 0:34:05 | 0:34:07 | |
-I need to check the car. -Yeah, sound. -I want the keys. | 0:34:07 | 0:34:09 | |
You're not going to wander off with the keys. | 0:34:09 | 0:34:11 | |
-You've just tried starting it... -Yeah, so... -Hang on. | 0:34:11 | 0:34:13 | |
He's excitable, he's upset. | 0:34:13 | 0:34:16 | |
The last thing I want is fighting with people. | 0:34:16 | 0:34:18 | |
60 miles southwest, TC Steve Kiwi Gardner, of the Road Policing | 0:34:23 | 0:34:28 | |
Group, is patrolling the A61, between Harrogate and Ripon. | 0:34:28 | 0:34:34 | |
Yeah, thank you. | 0:34:34 | 0:34:37 | |
Yeah, I'm a born and bred Kiwi. | 0:34:37 | 0:34:38 | |
I was in the police in New Zealand, that's where I started my career. | 0:34:38 | 0:34:43 | |
There's not a great deal of difference in police in New Zealand. | 0:34:43 | 0:34:46 | |
We wear a very similar uniform, a lot of our case law | 0:34:46 | 0:34:50 | |
is from British courts, so we have a lot of similarities. | 0:34:50 | 0:34:54 | |
Except for the weather. | 0:34:54 | 0:34:55 | |
It's 1.30pm and a call comes in. | 0:34:55 | 0:34:58 | |
The sergeant's just shouted up, Paul Cording. | 0:34:58 | 0:35:01 | |
He's trying to get a car stopped just in the next village | 0:35:01 | 0:35:04 | |
along from here. And it's failing to stop for him. | 0:35:04 | 0:35:06 | |
At this point in time, we don't know why. | 0:35:06 | 0:35:09 | |
But we're actually quite local for it. | 0:35:09 | 0:35:11 | |
I'm just trying to picture where he is at the moment. | 0:35:11 | 0:35:14 | |
The words "failed to stop" prick up any traffic officer's ears. | 0:35:14 | 0:35:17 | |
I listened to the location and realised, very quickly, that we | 0:35:17 | 0:35:23 | |
were within a close proximity of that "fail to stop" vehicle. | 0:35:23 | 0:35:27 | |
SIRENS BLARE | 0:35:27 | 0:35:28 | |
Just two miles east, Sergeant Paul Cording | 0:35:28 | 0:35:30 | |
of North Yorkshire Roads Policing Group | 0:35:30 | 0:35:32 | |
is in pursuit of the fleeing Vauxhall. | 0:35:32 | 0:35:35 | |
Paul had spotted the car a few moments earlier | 0:35:49 | 0:35:52 | |
and signalled it to stop. | 0:35:52 | 0:35:54 | |
I only wanted to speak to the driver about his speed. | 0:35:54 | 0:36:00 | |
And one thing's led to another. | 0:36:00 | 0:36:03 | |
Why he's failing to stop at this stage, | 0:36:03 | 0:36:05 | |
that's the million dollar question. | 0:36:05 | 0:36:08 | |
Making his way to the area, Kiwi listens in on the police radio, | 0:36:10 | 0:36:14 | |
planning to cut the driver off at the next village. | 0:36:14 | 0:36:17 | |
As Kiwi listens to Paul's updates, it's soon apparent there's | 0:36:21 | 0:36:25 | |
something very odd about this countryside chase. | 0:36:25 | 0:36:28 | |
Unusually, for this type of pursuit, the speeds were quite low. | 0:36:33 | 0:36:37 | |
This chap's slowing down for all of the junctions, taking a wide berth | 0:36:37 | 0:36:41 | |
with a pedestrian jogger, he's not actually doing anything dangerous. | 0:36:41 | 0:36:46 | |
Moments later, the driver suddenly slows to a stop. | 0:36:54 | 0:36:57 | |
Stop there. | 0:36:57 | 0:36:59 | |
'I pulled up to the near side of this vehicle, | 0:36:59 | 0:37:01 | |
'made eye contact with the driver, he was indicating to me that he | 0:37:01 | 0:37:04 | |
wasn't going to stop and he wasn't going to get out of his vehicle, | 0:37:04 | 0:37:07 | |
by some mouthed words and gesticulations with his hands. | 0:37:07 | 0:37:11 | |
It was a little bit of a strange one. | 0:37:12 | 0:37:15 | |
As the car sets off again, Paul stays on the driver's tail, | 0:37:15 | 0:37:19 | |
while Kiwi's playing catch-up. | 0:37:19 | 0:37:21 | |
This is the village of Stavely now, where he was two villages ago. | 0:37:21 | 0:37:25 | |
Copgrove's one mile away from where we are, he's only just gone | 0:37:25 | 0:37:28 | |
through Copgrove. | 0:37:28 | 0:37:30 | |
We're about a mile behind him now. | 0:37:30 | 0:37:33 | |
I, personally, | 0:37:33 | 0:37:35 | |
cycle, off-duty, around this area, so I know all the little back roads. | 0:37:35 | 0:37:39 | |
And I'm trying to picture the direction the sergeant's | 0:37:39 | 0:37:42 | |
travelling in, so that I can either get ahead of him | 0:37:42 | 0:37:46 | |
with a stinger or I can assist him with a boxing in. | 0:37:46 | 0:37:50 | |
That's not good. | 0:38:04 | 0:38:06 | |
The fact that he was going towards Copgrove, | 0:38:06 | 0:38:08 | |
he's obviously done a big loop. | 0:38:08 | 0:38:10 | |
So, I've been trying to play catch-up, | 0:38:10 | 0:38:12 | |
he's actually come back round, behind us. | 0:38:12 | 0:38:15 | |
It's the most bizarre pursuit I think I've ever been involved in. | 0:38:15 | 0:38:18 | |
'This driver is just playing games with us here.' | 0:38:18 | 0:38:21 | |
With the runaway driver now on his second lap of the area, | 0:38:21 | 0:38:25 | |
other units have been called in to assist. | 0:38:25 | 0:38:27 | |
Kiwi's headed towards the location, but he's half a loop behind us. | 0:38:32 | 0:38:36 | |
We've just come from down there, he's just come through here. | 0:38:36 | 0:38:40 | |
Oh, you're joking! | 0:38:42 | 0:38:44 | |
Argh, I can't believe we've had to loop back round again. | 0:38:46 | 0:38:49 | |
It's completely cat and mouse at the moment. | 0:38:49 | 0:38:52 | |
We've got, now, three vehicles, all in different locations, | 0:38:52 | 0:38:54 | |
all about a mile apart. | 0:38:54 | 0:38:56 | |
I can't believe it. | 0:38:56 | 0:38:59 | |
Driving round in circles. | 0:38:59 | 0:39:01 | |
'By this point, I was completely frustrated, because I'm' | 0:39:01 | 0:39:03 | |
turning around and playing catch-up again, so the distance is widening. | 0:39:03 | 0:39:08 | |
At last, Kiwi catches sight of the Vauxhall. | 0:39:16 | 0:39:19 | |
He's at the bottom of this hill now. | 0:39:19 | 0:39:22 | |
He's over there. | 0:39:22 | 0:39:23 | |
But, as he reaches the scene... | 0:39:23 | 0:39:26 | |
..Paul and the other pursuing vehicles have made the arrest. | 0:39:29 | 0:39:33 | |
Actually, mate, whoever was following me, | 0:39:34 | 0:39:40 | |
I wasn't trying to outrun you, | 0:39:40 | 0:39:42 | |
I was letting you keep up and we were just playing a game. Big deal. | 0:39:42 | 0:39:48 | |
Right, this is what I've got to say, you're under arrest | 0:39:48 | 0:39:51 | |
on suspicion of failing to stop and also dangerous driving. | 0:39:51 | 0:39:53 | |
When you stopped me, it wasn't failure to stop, | 0:39:53 | 0:39:55 | |
you'd actually stopped me where I live. | 0:39:55 | 0:39:57 | |
I just thought I'd take you on a wild goose chase. | 0:39:57 | 0:40:00 | |
Good fun, though. Not bad. | 0:40:00 | 0:40:02 | |
'It was a needless pursuit, almost as if it were a game.' | 0:40:02 | 0:40:04 | |
Which, for me, is a ridiculous statement, | 0:40:04 | 0:40:07 | |
cos it could quite easily put people's lives at risk. | 0:40:07 | 0:40:11 | |
For no apparent reason. | 0:40:11 | 0:40:13 | |
The question the cops need to answer now, is why? | 0:40:13 | 0:40:16 | |
60 miles east, traffic cop Mark Gonella has questions of his own, | 0:40:23 | 0:40:27 | |
dealing with a minor collision on an estate in Scarborough. | 0:40:27 | 0:40:30 | |
The driver has a provisional licence, | 0:40:30 | 0:40:32 | |
but wasn't showing L-plates. She has no insurance | 0:40:32 | 0:40:35 | |
and is claiming her husband was in the car supervising. | 0:40:35 | 0:40:38 | |
-I'm investigating a collision. -Well, a scrape, yeah. | 0:40:38 | 0:40:42 | |
-Nothing significant, but... -It's an accident. -Yeah, yeah, yeah. | 0:40:42 | 0:40:44 | |
We don't want to get silly about it. | 0:40:44 | 0:40:46 | |
Mark has his hands full trying to calm the driver's husband down. | 0:40:46 | 0:40:49 | |
-At the moment, I don't think she's insured to be driving that car. -Yeah. | 0:40:49 | 0:40:53 | |
And I don't think she's got a driving licence that allows | 0:40:53 | 0:40:55 | |
-her to drive the car. -Yeah, she does have a provisional. | 0:40:55 | 0:40:58 | |
Yeah, exactly, so she shouldn't be driving it without L-plates on. | 0:40:58 | 0:41:00 | |
So, at the moment, no insurance, no licence. | 0:41:00 | 0:41:03 | |
-I want to chat to her. -Right. -It's not the end of the world, all right? -Yeah. | 0:41:03 | 0:41:06 | |
Right, can I go, officer, please? | 0:41:06 | 0:41:07 | |
You're going to go in the house, aren't you? All right, | 0:41:07 | 0:41:10 | |
I'm going to come and see you in there in a minute, | 0:41:10 | 0:41:12 | |
once I'm finished with your young lady. | 0:41:12 | 0:41:14 | |
The backup Mark requested arrives. | 0:41:14 | 0:41:16 | |
And they're here, brilliant, thank you. | 0:41:16 | 0:41:18 | |
Cheers, mate. Husband's just a bit of a silly one. | 0:41:20 | 0:41:24 | |
Could just do with one... | 0:41:24 | 0:41:25 | |
I don't need three, but just one hanging around, | 0:41:25 | 0:41:28 | |
just in case he comes out and decides he wants to be a silly boy. | 0:41:28 | 0:41:31 | |
With the husband in the house and backup on the scene, | 0:41:31 | 0:41:34 | |
Mark can get to the bottom of the driver's story. | 0:41:34 | 0:41:38 | |
Right. | 0:41:38 | 0:41:40 | |
It seems really odd to me that you've had a collision here, | 0:41:40 | 0:41:46 | |
-30 metres from your house, you've phoned -BLEEP, -eh? | 0:41:46 | 0:41:51 | |
That seems odd, to phone someone that's in the car with you. | 0:41:51 | 0:41:54 | |
The scenario at the moment is you're driving otherwise than in accordance | 0:41:54 | 0:41:59 | |
with the licence, because you haven't got L-plates on the car. | 0:41:59 | 0:42:02 | |
You've got no insurance, cos you're not on the insurance policy. | 0:42:02 | 0:42:05 | |
If he's not sat in the car with you, it doesn't change that at all. | 0:42:05 | 0:42:09 | |
If he is sat in the car with you, then he commits an offence of | 0:42:09 | 0:42:12 | |
allowing you to drive that car with no insurance | 0:42:12 | 0:42:15 | |
and he'll be prosecuted for that offence. | 0:42:15 | 0:42:17 | |
If he wasn't in the car with you, don't talk him | 0:42:17 | 0:42:20 | |
into getting himself into even more trouble. | 0:42:20 | 0:42:22 | |
'My thoughts are, "I just want the truth."' | 0:42:22 | 0:42:26 | |
And I don't want people prosecuted when they don't need to be. | 0:42:26 | 0:42:29 | |
I don't want people at court when they don't need to be. | 0:42:29 | 0:42:33 | |
It's just waiting for that honesty and that's what I want. | 0:42:33 | 0:42:36 | |
Maybe I'm old-fashioned. | 0:42:36 | 0:42:38 | |
Be honest with me. | 0:42:38 | 0:42:39 | |
This is your 30 seconds that I'm going to give you, | 0:42:39 | 0:42:42 | |
while I dig in there, to think about what you're going to tell me. | 0:42:42 | 0:42:44 | |
Cos I will dig further and I will get witnesses. | 0:42:44 | 0:42:47 | |
Is that fair? | 0:42:47 | 0:42:49 | |
'I think that silence is a brilliant tool. You can sit there with someone | 0:42:52 | 0:42:59 | |
'and you can ask a question and don't say anything else. | 0:42:59 | 0:43:03 | |
'That silence just, maybe, puts them in a position where' | 0:43:03 | 0:43:07 | |
they feel they've got to say something. | 0:43:07 | 0:43:10 | |
Tell me what happened. Were you by yourself? | 0:43:13 | 0:43:16 | |
-Yeah. -Right. | 0:43:16 | 0:43:18 | |
-No-one else in the car with you? -No. | 0:43:18 | 0:43:21 | |
Why did you lie? | 0:43:21 | 0:43:23 | |
Cos I didn't want my husband to get into trouble. | 0:43:30 | 0:43:32 | |
What I want is honesty, all right? | 0:43:32 | 0:43:37 | |
At the end of the day, | 0:43:37 | 0:43:38 | |
I'm not going to turn a blind eye to what you're doing. | 0:43:38 | 0:43:41 | |
You are going to get prosecuted, | 0:43:41 | 0:43:43 | |
because you can't be out here doing this. | 0:43:43 | 0:43:46 | |
You can't drive a car with no insurance. | 0:43:46 | 0:43:49 | |
You can't just do what you're doing. | 0:43:49 | 0:43:52 | |
-It's wrong, isn't it? -Mm. | 0:43:52 | 0:43:54 | |
You're putting, not only yourself, but everybody else, | 0:43:54 | 0:43:57 | |
at risk by driving that car. | 0:43:57 | 0:44:01 | |
Is that not fair? | 0:44:01 | 0:44:03 | |
-Yeah, I understand. -It's really bad. | 0:44:03 | 0:44:06 | |
For me, you've got to have a massive reality check. | 0:44:07 | 0:44:11 | |
Mark has one matter left to sort out, the husband. | 0:44:11 | 0:44:15 | |
I just hope that people, when they leave me, actually think, | 0:44:15 | 0:44:19 | |
"I was dealt with as fairly as I could have been there." | 0:44:19 | 0:44:21 | |
At the end of the day, he's shook my hand, | 0:44:21 | 0:44:23 | |
he's happy with the outcome, he's got his car still and he's going | 0:44:23 | 0:44:26 | |
to resolve it with the other party as to the damage they've caused. | 0:44:26 | 0:44:29 | |
So, you can't ask for more than that, really. | 0:44:29 | 0:44:32 | |
Yeah, I'm going to prosecute people, of course I am. | 0:44:32 | 0:44:34 | |
Yes, I'm going to arrest people. Yes, I'm going to fight with people. | 0:44:34 | 0:44:37 | |
But I try and deal with them fairly. | 0:44:37 | 0:44:40 | |
Back in Ferrensby, Paul and Kiwi still have no idea why | 0:44:46 | 0:44:51 | |
a driver led them on a low-speed, wild goose chase. | 0:44:51 | 0:44:54 | |
I haven't resisted anything, have I? | 0:44:54 | 0:44:57 | |
So, quite clearly, I'm not resisting, I'm not a danger, | 0:44:57 | 0:45:00 | |
I just can't be arsed to stop for you. | 0:45:00 | 0:45:02 | |
I just couldn't be arsed to get a ticking off from you guys. | 0:45:02 | 0:45:06 | |
I just can't be arsed. | 0:45:06 | 0:45:09 | |
Was I drinking or something? No, I wasn't. | 0:45:09 | 0:45:11 | |
-I'm just -BLEEP -with you, -BLEEP -with life, -BLEEP -with everything. | 0:45:11 | 0:45:16 | |
Doesn't really matter, occasionally people blow, don't they? | 0:45:16 | 0:45:19 | |
You don't have to have been drinking or be the wrong side of the law, | 0:45:19 | 0:45:22 | |
-just get -BLEEP -off with everything. | 0:45:22 | 0:45:26 | |
It's quite strange. I mean, I overheard him | 0:45:26 | 0:45:28 | |
say he's had a tough couple of weeks at work or whatever. | 0:45:28 | 0:45:31 | |
I don't really know. It's all a bit odd. | 0:45:31 | 0:45:35 | |
Colleague PC Mark Mullins searches the car for any clues to the | 0:45:35 | 0:45:38 | |
driver's behaviour. | 0:45:38 | 0:45:39 | |
There's nothing blatantly obvious, Paul, there's no smell of weed or that. | 0:45:39 | 0:45:43 | |
-He's got a couple of bags of this stuff you can buy on the internet. -Right. | 0:45:43 | 0:45:46 | |
A breath test comes up blank as well. | 0:45:46 | 0:45:48 | |
-I'm satisfied that that is zero. -Thank you. | 0:45:48 | 0:45:51 | |
-Have you taken anything else at all today? -No. | 0:45:51 | 0:45:53 | |
I bought some legal highs to take back at mine, | 0:45:53 | 0:45:55 | |
but I haven't taken them. | 0:45:55 | 0:45:57 | |
-They obviously were in the car... -Yeah, yeah. | 0:45:57 | 0:45:59 | |
-..but you haven't had any now? -No, no, no. | 0:45:59 | 0:46:02 | |
-Would you class yourself as white, British? -Yes. | 0:46:02 | 0:46:04 | |
Excellent, all right. | 0:46:04 | 0:46:06 | |
We'll speak to you a bit later in relation to what's gone on, OK? | 0:46:06 | 0:46:10 | |
With the driver on his way to Harrogate Police Station, Kiwi | 0:46:10 | 0:46:13 | |
and Mark are piecing together what happened in the chase. | 0:46:13 | 0:46:16 | |
I was en route to Boroughbridge, in the right place, at the right time. | 0:46:16 | 0:46:22 | |
Got to the Copgrove turn off, turn right, | 0:46:22 | 0:46:26 | |
as he's already come past that location, back towards Staveley. | 0:46:26 | 0:46:29 | |
This is like when we go out for a drink, Kiwi's nearest the bar, | 0:46:29 | 0:46:33 | |
-but he's always last to get to it. -LAUGHTER | 0:46:33 | 0:46:36 | |
-Hello, Mark speaking. -He's got a point. | 0:46:36 | 0:46:39 | |
Liar! | 0:46:39 | 0:46:41 | |
If you can't take the mickey out of yourself, then it's not worth being in this job. | 0:46:41 | 0:46:46 | |
Later, at Harrogate Station, Mark books in the driver. | 0:46:46 | 0:46:49 | |
Is there anything in your pockets that might harm me or anybody else? | 0:46:49 | 0:46:52 | |
-No, no, no. -Anything that you shouldn't have at all? -No. | 0:46:52 | 0:46:56 | |
The reasons why he chose to ignore the cops are still no clearer. | 0:46:56 | 0:47:00 | |
How are you feeling at the moment? | 0:47:00 | 0:47:03 | |
Well, the reason I didn't stop is cos I didn't care, so, yeah, | 0:47:03 | 0:47:08 | |
so, I don't care. | 0:47:08 | 0:47:10 | |
I understand that, sir, but... | 0:47:10 | 0:47:12 | |
Well, whatever you've got to do, guys. | 0:47:12 | 0:47:15 | |
You know, you have to deal with people. | 0:47:15 | 0:47:17 | |
He's had a bad day at work, he's had a bad day at the office, | 0:47:17 | 0:47:20 | |
he's had a bad day at home. | 0:47:20 | 0:47:22 | |
You do have sympathy with people, but, ultimately, if that's | 0:47:22 | 0:47:26 | |
happening in your life, should you be on a road driving a car? | 0:47:26 | 0:47:30 | |
A tonne lump of metal, at great speeds, | 0:47:30 | 0:47:33 | |
that can cause a lot of damage to people. | 0:47:33 | 0:47:36 | |
You're in this one, it's got glass on the front. | 0:47:36 | 0:47:39 | |
I'll just put some lights on for you, for now. | 0:47:39 | 0:47:42 | |
The man is going to be placed in a cell, | 0:47:42 | 0:47:44 | |
whilst the cops make further inquiries. | 0:47:44 | 0:47:46 | |
-We won't keep you any longer than necessary, OK? -That's fine. | 0:47:46 | 0:47:49 | |
No, I did wrong, I know. | 0:47:49 | 0:47:51 | |
-We'll sort it, OK? -All right, thank you. -No bother. | 0:47:51 | 0:47:56 | |
He's been compliant, no bother at all. | 0:47:56 | 0:47:59 | |
Just strange behaviour on the road. | 0:47:59 | 0:48:02 | |
30 miles away, in Thirsk, collision investigator Steve Kirkbright | 0:48:07 | 0:48:12 | |
is searching for the cause of a fatal motorcycle accident. | 0:48:12 | 0:48:15 | |
Motorcycle's ended up over there. | 0:48:15 | 0:48:18 | |
The driver of a Honda was doing a U-turn during bad weather | 0:48:18 | 0:48:22 | |
when the bike collided. | 0:48:22 | 0:48:24 | |
Steve is briefing the team, who will help investigate | 0:48:24 | 0:48:27 | |
if someone was at fault. | 0:48:27 | 0:48:29 | |
The Honda's just out of sight, bottom right photograph. | 0:48:29 | 0:48:31 | |
We're trying to paint the picture for them, | 0:48:31 | 0:48:33 | |
so they know what they're going to deal with. | 0:48:33 | 0:48:35 | |
No marks on the road surface from the Honda on the left | 0:48:35 | 0:48:39 | |
of the photograph, going to the right of the photograph, | 0:48:39 | 0:48:42 | |
which is where the rider and bike end up. | 0:48:42 | 0:48:45 | |
Until we get to... | 0:48:45 | 0:48:46 | |
See, there, number one, that's what's left of the glass sunroof. | 0:48:46 | 0:48:51 | |
I think it comes over the top of the car, lands and slides there. | 0:48:51 | 0:48:55 | |
Steve needs to unravel | 0:48:55 | 0:48:57 | |
whether the Honda driver should've seen the bike coming, whether | 0:48:57 | 0:49:00 | |
the rider was at fault or whether it was a combination of the two. | 0:49:00 | 0:49:04 | |
The driver was adamant the bike's headlight was off, | 0:49:05 | 0:49:09 | |
but new evidence has emerged. | 0:49:09 | 0:49:11 | |
It turned out, a patrol car at the collision, | 0:49:11 | 0:49:14 | |
further down the road into Harrogate had actually | 0:49:14 | 0:49:17 | |
caught the motorcycle passing on the onboard camera. | 0:49:17 | 0:49:21 | |
Which showed the motorcyclist headlight to be on. | 0:49:21 | 0:49:24 | |
The next thing Steve needs to establish is how clear the driver's | 0:49:26 | 0:49:29 | |
line of sight was in the direction the bike was approaching from. | 0:49:29 | 0:49:33 | |
If you consider it's happening here, | 0:49:33 | 0:49:36 | |
I've extended my plan all the way back here. | 0:49:36 | 0:49:41 | |
As that Honda's sat looking, you can see, | 0:49:41 | 0:49:44 | |
you're raised from Harrogate, you can see down to Harrogate. | 0:49:44 | 0:49:47 | |
We've got a witness that says the motorcyclist had his headlight on. | 0:49:49 | 0:49:53 | |
Motorcyclist is there to be seen. | 0:49:53 | 0:49:56 | |
A further examination of the scene by Steve confirmed the rider had | 0:49:58 | 0:50:02 | |
to be 347 metres away from the Honda before his headlight was | 0:50:02 | 0:50:07 | |
visible and travelling in excess of 170mph to be | 0:50:07 | 0:50:12 | |
out of sight of the driver. | 0:50:12 | 0:50:14 | |
Testing has shown that the manoeuvre undertaken, having done it | 0:50:14 | 0:50:18 | |
five times, works out with an average time of 4.34 seconds. | 0:50:18 | 0:50:24 | |
Therefore, the motorcyclist can't travel from out of sight. | 0:50:24 | 0:50:29 | |
But he was there to be seen. | 0:50:29 | 0:50:31 | |
He was within the length of road that she could look down | 0:50:31 | 0:50:35 | |
and have view of. | 0:50:35 | 0:50:37 | |
Steve's findings will be compared to those of an independent expert, | 0:50:37 | 0:50:41 | |
to help the court determine if anyone is to blame for the accident. | 0:50:41 | 0:50:45 | |
One other explanation could be a combination of the rider's | 0:50:47 | 0:50:50 | |
initial speed and the principle of motion camouflage, | 0:50:50 | 0:50:54 | |
which may have rendered the rider invisible to the Honda driver. | 0:50:54 | 0:50:58 | |
As a motorcyclist himself, | 0:51:01 | 0:51:03 | |
Steve knows the attraction of North Yorkshire's roads. | 0:51:03 | 0:51:06 | |
I live in Thirsk. If I pull my motorcycle out the garage | 0:51:08 | 0:51:10 | |
and turn left, I'm in the Dales. | 0:51:10 | 0:51:13 | |
If I turn right, I've got the North York Moors. It's a pleasure. | 0:51:13 | 0:51:16 | |
It's the ability to escape. | 0:51:16 | 0:51:18 | |
But, having worked these roads for 30 years, he also knows the dangers. | 0:51:18 | 0:51:23 | |
The problem is that there can be unforgiving roads as well. | 0:51:23 | 0:51:26 | |
In North Yorkshire, I know the history of every bend. | 0:51:26 | 0:51:29 | |
I'll be prompted by a bunch of flowers, which over a year | 0:51:29 | 0:51:33 | |
I've watched die and fade and suddenly be replaced by a new bunch. | 0:51:33 | 0:51:37 | |
And will remember that it's somebody's birthday | 0:51:37 | 0:51:40 | |
and that that's Mum and Dad have been back to that scene. | 0:51:40 | 0:51:43 | |
And then watch, over the following year, them die off again. | 0:51:43 | 0:51:47 | |
The investigation moves to a workshop in Harrogate, where | 0:51:47 | 0:51:50 | |
he can scour the vehicles involved for clues to the biker's speed. | 0:51:50 | 0:51:54 | |
Potentially, a contributing factor to the crash. | 0:51:54 | 0:51:57 | |
We're just going to try and position the motorcycle, | 0:51:57 | 0:51:59 | |
just for my benefit, | 0:51:59 | 0:52:03 | |
upright, as it would be when it was ridden. | 0:52:03 | 0:52:06 | |
And just see if it fits together like a piece of jigsaw. | 0:52:06 | 0:52:09 | |
It may, it may not. | 0:52:09 | 0:52:11 | |
Right, drop it down a bit. Drop the back. | 0:52:11 | 0:52:15 | |
Keep dropping it, Kenny. | 0:52:15 | 0:52:17 | |
Hold it there! | 0:52:19 | 0:52:21 | |
Brilliant, thank you. | 0:52:25 | 0:52:28 | |
It just helps us form a picture of the mechanics of the collision. | 0:52:28 | 0:52:32 | |
Those last milliseconds, as the two undamaged vehicles come | 0:52:32 | 0:52:36 | |
together, what makes them end up in this state. | 0:52:36 | 0:52:40 | |
You think, a tenth of a second before the motorcycle hit | 0:52:40 | 0:52:43 | |
that car, that car was in perfect condition and so was the motorcycle. | 0:52:43 | 0:52:48 | |
A tenth of a second after the collision, | 0:52:48 | 0:52:51 | |
you're looking at that damage there. | 0:52:51 | 0:52:53 | |
Steve needs to rule out faulty brakes as being | 0:52:53 | 0:52:55 | |
the cause of the collision. | 0:52:55 | 0:52:57 | |
If you look at the disc brakes, they're not rusty. | 0:52:57 | 0:52:59 | |
If you don't use your brakes for a long time, | 0:52:59 | 0:53:04 | |
it builds up a surface layer of rust. | 0:53:04 | 0:53:07 | |
The fact that they're clean says to me that the | 0:53:07 | 0:53:09 | |
brakes have been working. | 0:53:09 | 0:53:11 | |
The workshop investigation takes a team of three people 12 hours | 0:53:11 | 0:53:15 | |
to complete. | 0:53:15 | 0:53:16 | |
But Steve has no doubt about its importance. | 0:53:16 | 0:53:19 | |
Somebody's died, | 0:53:19 | 0:53:22 | |
it's got to be investigated as far as we possibly can. | 0:53:22 | 0:53:26 | |
Because the motorcyclist isn't here to explain what happened | 0:53:26 | 0:53:29 | |
and what he did. | 0:53:29 | 0:53:31 | |
It's finding the balance between using science | 0:53:31 | 0:53:34 | |
and remembering that you're dealing with people's loved ones. | 0:53:34 | 0:53:37 | |
Anybody in our unit, | 0:53:37 | 0:53:39 | |
we'll see more violent deaths in a year than the whole of the CID will. | 0:53:39 | 0:53:44 | |
Just from the nature of the job. | 0:53:44 | 0:53:47 | |
You have to find a way of being able to go home and deal with that. | 0:53:47 | 0:53:52 | |
The best evidence Steve has to determined the bike's speed is | 0:53:52 | 0:53:55 | |
the result of the impact. | 0:53:55 | 0:53:58 | |
Damage to both the forks. | 0:53:58 | 0:53:59 | |
The fork rigs are bent backwards towards the engine, | 0:53:59 | 0:54:03 | |
they're twisted and the wheel's deformed within the lower mounting. | 0:54:03 | 0:54:10 | |
So, it's all starting to tell a story about the amount | 0:54:11 | 0:54:14 | |
of force that's been applied to here. | 0:54:14 | 0:54:17 | |
This is the frame of the motorcycle, this is the main structure. | 0:54:17 | 0:54:20 | |
Everything else is built around that central frame. | 0:54:20 | 0:54:23 | |
If you look here, the frame has actually snapped there. | 0:54:23 | 0:54:26 | |
'I need to look at those cracks and work out | 0:54:26 | 0:54:28 | |
'whether they've been caused in the impact' | 0:54:28 | 0:54:31 | |
or whether it was a pre-existing crack, which has led to | 0:54:31 | 0:54:35 | |
a failure, which has led to the motorcyclist losing control. | 0:54:35 | 0:54:40 | |
We don't make assumptions. | 0:54:40 | 0:54:42 | |
It's not that it's rusted and deformed, | 0:54:42 | 0:54:45 | |
it's been a physical blow that's done it. | 0:54:45 | 0:54:47 | |
As a rough guide, with a speed limit of 60, somebody travelling at | 0:54:47 | 0:54:51 | |
or about that speed limit, you might start to get cracks in the frame. | 0:54:51 | 0:54:55 | |
On this occasion, the motorcycle hasn't only cracked, but had parted. | 0:54:55 | 0:54:59 | |
As a rule of thumb, within the office, | 0:54:59 | 0:55:01 | |
if the frame's snapped, it's 60 plus. | 0:55:01 | 0:55:04 | |
60 mile an hour or thereabouts. | 0:55:04 | 0:55:06 | |
When you consider that the speed limit on that road | 0:55:06 | 0:55:08 | |
is 60mph, | 0:55:08 | 0:55:11 | |
and that the rider may have braked before the impact, | 0:55:11 | 0:55:14 | |
that would suggest that the approach of the motorcycle | 0:55:14 | 0:55:17 | |
was in excess of the speed limit. | 0:55:17 | 0:55:20 | |
So, while Steve's report concludes the motorbike probably | 0:55:20 | 0:55:23 | |
had its lights on and was there to be seen, | 0:55:23 | 0:55:26 | |
an alternative explanation, offered by an independent expert, | 0:55:26 | 0:55:29 | |
suggested the rider was travelling at speed | 0:55:29 | 0:55:32 | |
and possibly invisible to the Honda driver. | 0:55:32 | 0:55:35 | |
It's now up to the courts to decide who, | 0:55:39 | 0:55:41 | |
if anyone, was to blame for this collision. | 0:55:41 | 0:55:44 | |
But, whatever the verdict, | 0:55:44 | 0:55:46 | |
there's no undoing what has been a terrible tragedy for all involved. | 0:55:46 | 0:55:51 | |
What you need to visualise is somebody throwing a pebble | 0:55:51 | 0:55:54 | |
into a perfectly still pond and the ripples going out to that pond. | 0:55:54 | 0:55:59 | |
The closer you are to the centre of the pond, if it's your son | 0:55:59 | 0:56:02 | |
that's been killed in a road accident, the greater effect. | 0:56:02 | 0:56:05 | |
But the ripples go on. | 0:56:05 | 0:56:07 | |
This gentleman had work colleagues that he didn't turn up to | 0:56:07 | 0:56:10 | |
work for, family around the world that have been informed | 0:56:10 | 0:56:16 | |
in a phone call, partners, friends, | 0:56:16 | 0:56:20 | |
the driver of the other vehicle. | 0:56:20 | 0:56:24 | |
It can have massive effects | 0:56:24 | 0:56:26 | |
and ripples that go on for years and years and years. | 0:56:26 | 0:56:29 | |
At York Crown Court, | 0:56:43 | 0:56:45 | |
a jury of 12 found the Honda driver who collided with the motorcyclist | 0:56:45 | 0:56:49 | |
on the A59 not guilty of causing death by careless driving, | 0:56:49 | 0:56:53 | |
by a unanimous verdict. | 0:56:53 | 0:56:57 | |
The occupants of the van that dumped over | 0:56:57 | 0:56:59 | |
a kilogram of cannabis on the A1 and escaped into Leeds have not | 0:56:59 | 0:57:03 | |
been identified and are still at large. | 0:57:03 | 0:57:06 | |
The learner driver who bumped another car close to her home | 0:57:06 | 0:57:09 | |
on a Scarborough estate was banned from driving for six months | 0:57:09 | 0:57:13 | |
and fined £110 for driving otherwise in accordance with | 0:57:13 | 0:57:17 | |
a licence and no insurance. | 0:57:17 | 0:57:20 | |
And the driver who led the cops on a country lane wild goose chase | 0:57:20 | 0:57:23 | |
was fined £100 and disqualified for six months, | 0:57:23 | 0:57:26 | |
for failing to stop and driving without due care. | 0:57:26 | 0:57:29 |