The Eichmann Show


The Eichmann Show

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This programme contains some strong language and scenes which some viewers may find upsetting

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September 2nd 1945. The war is over. 50 million dead, including six million murdered Jews.

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As leading Nazis are captured, one name slowly rises to the top

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of the most wanted list -

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Adolf Eichmann, the SS officer accused of planning

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the Final Solution to the Jewish Question.

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It will take the Israeli secret service 15 years to track him down

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to his hiding place in Argentina.

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On 11th May 1960,

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a man living under the name Ricardo Clement is kidnapped

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and taken to a safe house in Buenos Aires to be interrogated.

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What is your name? Your name.

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What is your SS number?

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Your name.

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-ON TAPE:

-'Eichmann.'

-Say it.

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'Eichmann. Eichmann.'

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Say it.

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My name is Adolf Eichmann.

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SPEAKS IN HEBREW

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In capturing the man...

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in capturing the man responsible...

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..responsible for the execution of the final solution of the Jewish problem,

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you have done something truly extraordinary.

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Eichmann will be judged in Israel.

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To tell the world...no, to show the world, show the world

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what the Nazis did...

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to show the world what the Nazis did to the Jewish people.

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Let's use television to do this. Let's use television to do this.

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Only television can do this.

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And...

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in granting permission for Capital Cities

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to film the trial of Eichmann on Israeli soil...

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..you will become a part of

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the most important television event in history - past, present and...

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Yeah, why not? ..future.

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The Prime Minister will see you now.

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-Prime Minister.

-PHONE RINGS

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-'Mr Hurwitz?'

-Speaking.

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'Milton Fruchtman. I'd like to talk to you about a job.'

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You do know no-one's hiring me right now?

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'Yes, but I'd like to change that.

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'Adolf Eichmann, it's going to be the trial of the century.

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'How would you like to film it?'

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The papers call him a monster.

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Sure. Because monsters sell more papers.

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This says you're officially off the blacklist.

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Yeah, well...it's the unofficial ones you need to worry about.

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-You're working on the trial?

-Yes.

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We should have put a bullet in his head in Buenos Aires and left him there.

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Welcome to Israel.

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Thank you.

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Leo Hurwitz?

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Well, you're holding a sign that says Leo Hurwitz, so I guess.

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-Pleasure to meet you, Mr Hurwitz.

-Leo.

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I'm Perry, as in Como.

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A pleasure to meet you, Perry.

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-How was the flight?

-I managed to get some work done.

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Lucky you. Coming over was my first time on a plane.

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Puked so much they locked me in a toilet till we touched down.

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That's great, Perry.

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Without cameras we can't film.

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We have to find a way. Of course I'm going to tell him.

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We're working around the clock

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-to make sure that...

-KNOCK ON DOOR

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He's arrived.

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Yeah, I'm literally about to offer him my hand to shake.

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We'll talk later.

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-Leo.

-Milton.

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Leo Hurwitz, I cannot tell you how relieved I am

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-to finally have you here. You have cases?

-In the car.

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-Drop them off at the hotel, would you, Perry?

-Sure.

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I say hotel, it's not really a hotel as we would know it,

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but it's clean, they have rooms, serve food.

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Meet Judy, my secretary.

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-Hi.

-And Alan, my production assistant.

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You join us from a kibbutz, right, where you've been working on...

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A small documentary.

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And, if I'm being completely honest, a particularly beautiful girl.

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-But, yeah, mainly the documentary.

-It's a pleasure to meet you, Alan.

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-Alan, have the team meet us in the courtroom in ten minutes.

-Right.

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How's that looking?

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That's excellent.

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We should talk about that.

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Come and meet David.

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Leo, I'd like you to meet our lawyer, David Arad.

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David, we finally have our director.

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-Mr Hurwitz.

-Leo, please.

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It's wonderful to meet you at last.

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You got a problem, David'll fix it in five different ways -

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one of which may or may not involve the use of a gun.

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Most issues can generally be resolved by understanding the position of the other.

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-The issue with the judges, however...

-There's an issue?

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Milton, there's an issue with the judges?

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As you know, we have a contract

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with the Israeli government to film this trial.

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But there is a condition.

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The three trial judges must give their permission.

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And we don't have permission?

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Yesterday they came to inspect the cameras.

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-And...?

-And they found them too loud and too visible.

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-I flew 5,500 miles and you don't have permission to film?

-Yet.

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Yet. I find that so reassuring(!)

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Look, I know this is a shock, but right now we need to press on.

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Come.

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Leo, this is Ron and Roy, our terrific Marconi engineers from England.

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-Terrific's perhaps overstating the point, but...

-We're well-trained

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-and at your disposal, Mr Hurwitz.

-Leo, please.

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We're having a bit of trouble with the contrast.

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Well, that's not really going to be an issue unless we find invisible cameras.

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Come on, I'll show you the courtroom.

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-Thank you, gentlemen. Carry on.

-Thanks.

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The court will be connected to the control room

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by cables running between the two roofs.

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So, in addition to the trial being relayed live

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to Israelis in the streets, there is also going to be

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live coverage every day on the radio.

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What about television, Milton?

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We don't even know if we're going to be able to film.

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What alternative do we have?

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-Well...

-I'm glad you're so positive.

-What else would I be?

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The press room.

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We got phones, telex, typewriters, a direct feed to the courtroom

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allowing hundreds of people, from reporters to philosophers,

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to scrutinise, decipher and judge

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every inch of your footage as it unfolds.

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-If there is any footage.

-There has to be footage, and there will be.

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-C'mon, let's meet your cameramen.

-My cameramen?

-Here we go.

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Milton, I pick my own team.

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-Jesus, it's a theatre.

-Ah...

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Mr Hurwitz is here, so I'll bring him over. ..Leo.

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I'd like to introduce you to your camera operators.

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This is Rolf, Yaakov, Millek, and Fred.

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On behalf of my colleagues, I'd like to welcome you to our country.

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It's a great honour for us

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to work with the distinguished director of such documentaries

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as Native Land and the anti-fascist masterpiece Strange Victory.

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It's a pleasure to meet you gentlemen...

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It's shameful that an artist of your stature and humanity

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should be blacklisted by the House Un-American Activities Committee.

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It's frightening what these guys know.

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They even knew I worked with Rita Hayworth.

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These gentlemen are the creme de la creme of the Israeli film industry.

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-Yeah, well, they'll need to be.

-Milton, your taxi's here.

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Thank you. Excuse me.

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It's a pleasure to meet you, gentlemen.

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You'll like the Israeli press attache.

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He's like the sphinx, only Jewish.

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-Thanks, Judy.

-We don't have time for PR, Milton.

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This isn't PR. We have a contract with the Israeli government.

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They're concerned the judges won't ever give us permission to film.

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And what if they don't?

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If they don't, Capital Cities lose the half million dollars

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they've spent on the production,

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37 countries we promised footage to will never see the Eichmann trial

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and, well, our names become the punchline

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to an industry joke told for decades to come.

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Why are we meeting the Israeli press secretary at an Arab cafe?

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Because the coffee is out of this world.

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The newspapers describe this as the trial of the century,

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but my superiors see it as something far more important.

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They see this trial as an opportunity for a Jewish Nuremberg.

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Survivors of the genocide are very often

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held in low regard here in Israel,

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as if they were complicit

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in the crimes that they endured.

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Israel and the world

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needs to hear what happened to them

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from the mouths of the survivors.

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So...we will broadcast it live on Israeli radio,

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but it is essential that the world must also see it

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in their homes on their television screens.

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You said you could film this trial.

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So the judges must give us their approval.

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Your superiors couldn't quietly insist the judges give it?

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Unlike Nazi Germany, Israel does not undermine or compromise

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the independence of its judiciary.

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We've done all we can to address the judges' concerns.

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-Clearly not.

-Well, we're working on it.

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In the meantime, you leave us in a very difficult position.

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The decision to televise was a very great gamble.

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Now it must pay off. Many necks are on the line.

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Are you talking to other companies about taking over the production?

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We would be unwise not to have a fallback, would we not?

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However you do it, the trial must be filmed.

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You have three days.

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-Three?

-You told me five.

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Three days, gentlemen.

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Mmm.

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You should try the honey cake, it is the best in Jerusalem.

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In the control room, you said... What did you say?

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Milton, I'm so tired I can't remember what I said 20 seconds ago,

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-let alone an hour ago.

-You said

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something about a invisible camera.

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Leo, that's it.

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That is it. We hide the cameras from view.

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We make them part of the fabric of the courtroom.

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Put them in the wall?

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Yeah, then put a window in the wall so they can see through.

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-All right.

-No, this could work.

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-So the cameras need to be able to move.

-OK, fine.

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Jesus, we're going to need

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every carpenter and plasterer in Jerusalem for this.

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And we've got three days to do it in.

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Just here on the left, please.

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Leo...get some sleep.

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I may feel well enough to get the first plane back to New York.

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See you tomorrow.

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-Yes?

-Hurwitz.

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Ah, yes, Mr Horowitz.

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Hurwitz.

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As I said. You are tired, yes?

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Very.

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-You are Jewish?

-Uh-huh.

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All Jews sleep well in Jerusalem, Mr Horowitz.

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Hurwitz.

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'Gentlemen, as you know, the judges will be returning in two days,

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'and when they do, we need to be working as a team.

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'Because if we fail to get permission,

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'well, we'll all be going home.

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'I believe that in my absence you've been familiarised with

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'the technical aspects of our television cameras.'

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Those cameras must now become extensions of your own eyes,

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so that you can become extensions of mine.

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Right, right, right. OK, stop.

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'Now, we have three days to become a team.'

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To act...to act...to act as one.

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All right, let's give this a shot, shall we?

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'As you film, I will edit directly onto a master tape.'

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I'm going to need 100% of your concentration.

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Ready, camera two.

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This is going to be mentally and physically challenging.

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Most likely the most interesting thing you ever do.

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Got it.

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Take two.

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Our objective is to use images to reveal the events of that courtroom.

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Ready on the auditorium. And cue.

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Take two... Take three.

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Good.

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The camera bridges distance.

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Better... 'It will show detail...'

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Take four. '..of Eichmann's face, his hands...' Take one.

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'..the expressions of the judges, the counsel.'

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Camera one on the judges' bench. Thank you, nice and smooth.

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Take two. Take two, take two.

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OK, stop. Stop. Stop.

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I need you to switch immediately.

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'I want shots of Eichmann as he speaks and reacts

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'to things said and done at the court.'

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Let's go again, gentlemen, until we get this running smooth like water.

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'Feelings that he may try and mask emotionally may manifest themselves

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'in a way that he cannot physically suppress.'

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You want us to climb into the glass box with Eichmann

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-and ask, "What kind of man are you?"

-Exactly.

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Gentlemen, I don't believe in monsters,

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but I do believe that men are responsible for monstrous deeds.

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What transformed this ordinary man into someone who was capable

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of sending hundreds and thousands of children to their death

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while going home every evening and kissing his own children goodnight?

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A human being like any one of us.

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He is not like us.

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I am not Eichmann, Mr Hurwitz.

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Under the right circumstances,

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anyone is capable of fascist behaviour.

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Not...I.

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Yaakov, anyone is capable.

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Not...I.

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PHONE RINGS

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Fruchtman.

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'Mr Fruchtman, listen carefully.

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'You will close production down and leave Israel immediately.'

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Who is this?

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The trial of Obersturmbannfuhrer Eichmann will not be allowed to take place.

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'If you don't leave, Mr Fruchtman, your wife, your children -

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'I will kill them all.'

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PHONE RINGS

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-Hello.

-Honey...I won't make it home for supper tonight.

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-'I have some things to run through here.'

-OK.

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-How are the kids?

-The kids? Fine.

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How are things there? How's Leo getting on?

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He's putting them through their paces.

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-'How are you?'

-Fine. We're good.

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-'The kids?'

-Yeah, the kids are good.

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-'How's the apartment?'

-The apartment? In what sense?

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Generally.

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I think the apartment's fine, Milton.

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You want me to go and ask it?

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You have got these calls before?

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I received a few in New York

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when it was announced that I was to produce this show.

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A couple of crank letters to Capital Cities office. Nazi bullshit.

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Should I warn my people?

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It would alarm them unnecessarily.

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I will add to the security presence in your building.

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And my family?

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-I will take care of it.

-How?

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By taking care of it.

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I want to talk to you about your cameraman, Millek.

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OK, gentlemen... and lady, ssh, thank you.

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As some of you may know,

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this afternoon we learnt that the Israeli authorities have revoked

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their permission for Millek to operate in the courtroom.

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-Why?

-I am a member of the Israeli Communist Party

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who may, in their mind, wish to attack Eichmann.

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Who in their right mind wouldn't want to attack the bastard?

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-Doesn't mean they will.

-I might jump from my box with a knife between my teeth.

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All right, thank you, thank you, thank you.

0:18:050:18:07

I have tried to explain at great length

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that Millek has no desire to attack Eichmann

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and every desire to see him stand trial for his crimes.

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But to no avail.

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So, tomorrow morning I start looking for a replacement cameraman

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and hope to find someone by lunchtime tomorrow.

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Meanwhile, Millek will work alongside Leo in the control room.

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Excuse me.

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Did he say control room?

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Leo?

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We can't just accept this stupid decision about Millek.

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Their paranoia is through the roof, as we know, so you and me,

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we bite several bullets and get on with what we're here to do.

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Do you want me to tell you what it was like

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-being blacklisted for ten years under McCarthy?

-Be my guest.

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Then I can tell you how difficult it was to hire you

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when everyone said don't, precisely because you'd been blacklisted.

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Jesus, you getting me?

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Look...

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..I know there were easier names you could have gone to.

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-Good names.

-Mm-hm, but not the best name.

0:19:130:19:16

We'll talk to them about Millek,

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but right now our focus has to be on the judges coming, first thing.

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Without them we're screwed anyway.

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I'm going to go back in.

0:19:250:19:27

Milton...

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..when the judges come tomorrow,

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bring them straight to the courtroom.

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Don't mention the cameras.

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We will sell this.

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CAR HORN BLASTS

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HE SIGHS WITH RELIEF

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It's the judges. They'll be here in two minutes.

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They're on their way. Ready?

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As ready as we'll ever be.

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'Gentlemen, as you know, the scale of this operation is unprecedented.

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'But, as I said to the Prime Minister,'

0:21:170:21:19

this trial is a unique global event.

0:21:190:21:22

Work is clearly taking place. We are here to re-examine the cameras.

0:21:220:21:26

But you do not appear to have prepared for us.

0:21:260:21:28

The cameras are not present.

0:21:280:21:30

Gentlemen, would you follow me?

0:21:300:21:33

-Alan, could you run the VT, please?

-Of course.

0:21:420:21:45

Gentlemen, as some of you may know,

0:21:450:21:48

we will be sending nightly video packages to over 30 countries.

0:21:480:21:52

The scale of this operation is...

0:21:520:21:55

You were filming us? From where? I don't understand.

0:21:550:21:58

We've taken the cameras out of the courtroom and we've hidden them.

0:21:580:22:01

But how they will see in?

0:22:010:22:04

We've rebuilt the walls of the courtroom

0:22:050:22:07

to create space to hide our cameras.

0:22:070:22:10

We've built slits into the walls which the cameras can track along,

0:22:100:22:13

giving a range of positions from which to film.

0:22:130:22:16

The slits are covered with chicken wire

0:22:190:22:21

-to reflect the courtroom lights.

-This way, please.

0:22:210:22:23

This enables the camera to see through the wire into the court

0:22:230:22:27

while still being masked from sight.

0:22:270:22:29

We hope that this has addressed all of your concerns.

0:22:300:22:33

If the judges say no cameras a second time?

0:22:390:22:43

There won't be a third.

0:22:430:22:46

-Well, even to get this far...

-No,

0:22:460:22:48

there's no consolation prize, Eva.

0:22:480:22:50

I'll be the guy who dropped

0:22:500:22:51

the Eichmann show.

0:22:510:22:52

They'll hang me out to dry.

0:22:520:22:54

I'll have to send you out to work

0:22:560:22:58

on the streets to support us.

0:22:580:22:59

KNOCK AT DOOR

0:23:020:23:03

Get dressed. Wait with the children.

0:23:050:23:07

-What?

-Just do it.

-KNOCKING

0:23:070:23:09

KNOCKING CONTINUES

0:23:100:23:12

Who is it?

0:23:120:23:13

KNOCKS AGAIN Milton, what's happening?

0:23:160:23:18

Who's there?

0:23:180:23:20

David Landor.

0:23:200:23:21

I hope I'm not disturbing you.

0:23:310:23:33

Please...

0:23:340:23:35

KNOCK ON DOOR

0:23:480:23:50

Leo?

0:23:500:23:51

If you're asleep, wake up. Leo!

0:23:510:23:53

What's happening?

0:23:530:23:55

Read.

0:23:550:23:56

"Where there is no publicity, there is no justice.

0:24:000:24:03

"It keeps the judge himself, while trying, under trial.

0:24:030:24:07

"The security of security is publicity."

0:24:070:24:10

We did it. We're going to film the trial

0:24:100:24:13

of Obersturmbannfuhrer Adolf Eichmann, Nazi Party number 889895,

0:24:130:24:17

SS number 45326. Christ, Leo, this is really happening.

0:24:170:24:21

It's great.

0:24:220:24:23

HE EXHALES

0:24:230:24:25

I left Eva in the bath.

0:24:260:24:28

Right.

0:24:280:24:30

-See you later.

-Right.

0:24:310:24:33

I'm standing in front of the building

0:24:530:24:55

where in only a few hours' time

0:24:550:24:57

what is being described as the trial of the century will begin

0:24:570:25:01

and the eyes of the world will fall upon Adolf Eichmann,

0:25:010:25:05

the Nazi responsible for organising

0:25:050:25:08

the mass murder of six million European Jews.

0:25:080:25:12

It isn't only Eichmann who will be on trial

0:25:120:25:14

over the next few days and weeks.

0:25:140:25:16

The state of Israel will also be under intense scrutiny

0:25:160:25:19

as it attempts to mount a fair trial

0:25:190:25:22

of the man tasked with destroying the Jewish people.

0:25:220:25:25

This city, this country, the entire world,

0:25:250:25:29

is under a state of heightened anticipation.

0:25:290:25:32

The stakes could not be higher.

0:25:320:25:34

'In televising this trial, the state of Israel hopes to show

0:25:370:25:41

'many of its own people across the world the full horror of what befell

0:25:410:25:46

'those of their faith who lived in Europe through the Nazi era.

0:25:460:25:51

'Israel hopes to impart to a new generation an understanding

0:25:510:25:55

'of the cunning cruelty employed by the Nazis to lure their people

0:25:550:25:59

'to their deaths through the lie they were being sent to work camps.

0:25:590:26:04

'And it is also seeking to impress on the consciousness of humanity

0:26:050:26:09

'that these crimes, which have no precedent in the entire history

0:26:090:26:13

'of man on Earth, were committed in an enlightened age,

0:26:130:26:17

'on Jews this time,

0:26:170:26:19

'but could be committed against others in the future.

0:26:190:26:22

'To show the world that, in the end,

0:26:220:26:25

'this is a crime that affects every one of us.'

0:26:250:26:28

All right, gentlemen. This is it.

0:26:340:26:37

Moment of truth.

0:26:390:26:40

-What are you thinking at this precise moment?

-Hmm?

0:26:450:26:48

Of everything that could go wrong.

0:26:480:26:50

DOOR ENTRY BUZZES

0:26:560:26:57

All right, gentlemen, rehearsal is over.

0:27:050:27:08

Camera three, ready.

0:27:100:27:12

Take three.

0:27:130:27:15

Camera four, ready.

0:27:150:27:16

CLERK INSTRUCTS COURT

0:27:160:27:18

Stay on the bench for the judges.

0:27:240:27:26

Camera four, ready.

0:27:370:27:38

On Eichmann. Take four.

0:27:390:27:40

Adolf Eichmann, rise.

0:27:400:27:42

You are accused before this court according to the indictment

0:27:440:27:47

which includes 15 counts...

0:27:470:27:49

Wide on the auditorium.

0:27:490:27:51

Adolf, son of Adolf Karl Eichmann, is accused hereby, first count.

0:27:510:27:57

Nature of offence - crime against the Jewish people.

0:27:570:28:01

Particulars of the offence -

0:28:010:28:03

the accused, together with others during the period of 1936...

0:28:030:28:08

-Take two.

-..to 1945 caused the killings of millions of Jews

0:28:080:28:12

in his capacity as the person responsible for the execution

0:28:120:28:16

of the Nazi plan for the physical extermination of the Jews,

0:28:160:28:20

known as the Final Solution of the Jewish Problem.

0:28:200:28:23

Here ends the first count brought against you.

0:28:230:28:27

Close on Eichmann.

0:28:270:28:29

CHARGES READ OUT

0:28:290:28:33

Adolf Eichmann,

0:28:330:28:35

do you plead guilty or not guilty to count one of the indictment?

0:28:350:28:39

SPEAKS IN GERMAN

0:28:390:28:41

TRANSLATOR: In the spirit of the indictment, not guilty.

0:28:410:28:45

And now the most important trial of the 20th century begins.

0:28:460:28:49

TRANSLATOR: In the spirit of the indictment, I am not guilty.

0:28:530:28:58

..crime against humanity.

0:28:580:29:00

In the spirit of the indictment, I am not guilty.

0:29:000:29:03

In the spirit of the indictment, I am not guilty.

0:29:070:29:10

Take four.

0:29:110:29:14

-Take two.

-Do you plead guilty or not guilty

0:29:140:29:18

to count 15 of the indictment?

0:29:180:29:20

SPEAKS IN GERMAN

0:29:200:29:23

TRANSLATION: In the spirit of the indictment, not guilty.

0:29:230:29:27

-NEWSREEL:

-At the conclusion of the afternoon's sessions,

0:29:310:29:34

the important job begins of distributing the tapes

0:29:340:29:37

of the day's proceedings around the world.

0:29:370:29:40

Copies of the tapes are required by broadcasters

0:29:400:29:42

in New York, London, Paris, Berlin, Sydney.

0:29:420:29:46

Then to the shipping, not by ship, but by air, of course.

0:29:460:29:51

It is sent by one of the many airplanes

0:29:510:29:53

departing daily from Lod Airport,

0:29:530:29:55

90 minutes fast driving from Jerusalem.

0:29:550:29:58

Then directly onto the television screens in all our homes

0:29:590:30:03

in this exciting new age of mass media.

0:30:030:30:05

When I first arrived, I had doubts that we'd make the beginning

0:30:110:30:14

of this day, let alone the end.

0:30:140:30:16

But thanks to your hard work, we did it. And...

0:30:160:30:20

CHORUS OF APPROVAL

0:30:200:30:21

..I very much appreciate it.

0:30:210:30:22

But just how tired and exhausted you feel right now

0:30:230:30:27

is an indicator of how big the job at hand is.

0:30:270:30:30

We have a tremendous responsibility.

0:30:300:30:32

In showing this trial to the world, we invite them

0:30:320:30:36

to ask not only how Eichmann did it, but why?

0:30:360:30:40

-But great work today, then. And a toast to good work.

-To good work.

0:30:440:30:48

-ALL:

-Good work.

0:30:480:30:50

HE STRUMS GENTLY

0:30:540:30:55

# I know a song, it goes like this Do you know it too?

0:30:570:31:00

# Oh, yes, I do, yes, I do It goes one, two, three, four... #

0:31:000:31:05

DOOR OPENS

0:31:070:31:08

SINGING CONTINUES INSIDE

0:31:080:31:09

Whenever I see you outside of the control room, you're always looking around.

0:31:170:31:21

What are you looking for, Leo?

0:31:220:31:23

I'm just trying to understand this place.

0:31:270:31:29

It's one and a half million people trying to stay alive.

0:31:290:31:32

Don't you think it's ironic that, if it wasn't for Eichmann

0:31:360:31:39

and the Nazis, we wouldn't even be having this conversation?

0:31:390:31:42

The idea of Israel existed long before Eichmann and his associates.

0:31:420:31:45

The idea, but not the reality.

0:31:450:31:47

I do not write history, Leo.

0:31:490:31:50

Before I came here, I went to see a friend in Brooklyn,

0:31:530:31:56

the editor of the Jerusalem Post,

0:31:560:31:58

and I talked to him about writing a weekly editorial

0:31:580:32:02

of the Eichmann trial to try and promote

0:32:020:32:05

conversation between Israelis about the...

0:32:050:32:08

nature of fascism.

0:32:080:32:09

It's an idea worth being vigilant about, wouldn't you say?

0:32:110:32:14

And did your friend take you up on your kind offer?

0:32:160:32:18

He was embarrassed by it.

0:32:210:32:22

Are you really so surprised?

0:32:240:32:26

There's too much to contend with in the present to keep looking back.

0:32:260:32:29

But my point is, fascism didn't die when Hitler blew his brains out.

0:32:290:32:33

Wherever people set up house, fascism can exist.

0:32:340:32:37

Israel is a newborn calf, Leo,

0:32:390:32:41

still struggling to its feet.

0:32:410:32:42

All in good time.

0:32:420:32:44

You were in Auschwitz, weren't you?

0:32:480:32:50

Yes.

0:32:520:32:53

As a survivor, what do you think of Eichmann when you look at him?

0:32:550:32:58

I should get back inside.

0:33:050:33:06

The wind is picking up.

0:33:080:33:09

# ..Four, five, six, seven, eight! #

0:33:190:33:21

One more for the boss!

0:33:210:33:23

# I know a ditty Do you know it too?

0:33:230:33:26

# Oh, yes, I do, yes, I do It goes one, two, three, four... #

0:33:260:33:30

Morning, guys.

0:33:370:33:38

Oh, don't you look lovely? Mmm!

0:33:400:33:42

They know where we live.

0:33:590:34:00

OK.

0:34:010:34:02

You two?

0:34:020:34:04

Go and play in your room.

0:34:040:34:05

Come on, up.

0:34:050:34:07

Thank you.

0:34:070:34:09

Eva, the police have a security detail outside.

0:34:120:34:15

How good are they if it didn't stop this?

0:34:150:34:18

What if it had been a bomb? This isn't the first time, Milton.

0:34:180:34:21

They're just trying to frighten me into pulling the production.

0:34:210:34:24

How can you be sure it's just intended to frighten you

0:34:240:34:27

-and not to warn against worse to come?

-I can't.

0:34:270:34:29

If you want me to stop, I'll stop.

0:34:290:34:31

And give the bastards

0:34:330:34:34

the satisfaction?

0:34:340:34:35

I'll see you later.

0:34:420:34:43

Hey...

0:34:460:34:47

..I love you.

0:34:510:34:52

Go to work.

0:34:540:34:56

On behalf of us all, Attorney General, do not fuck this up.

0:35:350:35:38

I'm nervous for him.

0:35:380:35:39

Does he seem nervous?

0:35:390:35:41

Well, he does have the eyes of the world on him.

0:35:410:35:43

Start wide on Hausner, take three.

0:35:460:35:50

And zoom in as he begins.

0:35:530:35:55

HAUSNER SPEAKS HEBREW

0:35:550:35:56

TRANSLATOR: When I stand before you, the judges of Israel,

0:35:560:35:59

in this court to accuse Adolf Eichmann...

0:35:590:36:04

Take one.

0:36:040:36:05

..I do not stand alone.

0:36:050:36:07

Shouldn't he go in tighter on Hausner?

0:36:070:36:09

We need to establish him as a main character.

0:36:090:36:11

I'm not directing a soap opera, Milton.

0:36:110:36:13

It's evident that he's a main character.

0:36:130:36:16

Here with me at this moment stand six million prosecutors,

0:36:160:36:23

but, alas, they cannot rise

0:36:230:36:28

to level the finger of accusation

0:36:280:36:32

in the direction of the glass dock

0:36:320:36:35

and cry out, "J'accuse,"

0:36:350:36:37

against the man who sits there.

0:36:370:36:40

Because their ashes have been piled up in the mounds of Auschwitz

0:36:420:36:47

and the fields of Treblinka,

0:36:470:36:50

or spilled into the rivers of Poland.

0:36:500:36:52

And their graves are scattered

0:36:530:36:56

throughout the length and breadth of Europe.

0:36:560:36:58

Their blood cries to heaven,

0:36:580:37:03

but their voice cannot be heard.

0:37:030:37:06

Thus it falls to me to be their mouthpiece

0:37:100:37:15

and to deliver the heinous accusation in their name.

0:37:150:37:21

Early this morning, Adolf Eichmann...

0:37:290:37:33

Whoever you are, wherever you live, whatever you do,

0:37:330:37:36

remember April 1961.

0:37:360:37:39

The month the Cold War got hot in Cuba

0:37:390:37:42

and men finally defied gravity to blast into space.

0:37:420:37:46

The solar system got a whole lot nearer,

0:37:460:37:48

but the chance of peace, light years further away.

0:37:480:37:51

Contrary to what you believe, we see real and widespread interest.

0:37:540:37:58

Thank you, Frank, thank you.

0:37:580:37:59

How can Eichmann compare with, say, Gagarin?

0:37:590:38:03

People bore of spectacle very quickly.

0:38:030:38:05

I think it's ridiculous to compare the two.

0:38:050:38:07

But isn't your problem

0:38:070:38:08

that people may choose to watch one over the other?

0:38:080:38:11

Why would they? They're entirely unrelated.

0:38:110:38:12

You don't think one represents the dark past

0:38:120:38:15

and the other our glittering future?

0:38:150:38:17

My wife is right.

0:38:170:38:19

Very little can compete as a spectacle

0:38:190:38:21

with the first man in space.

0:38:210:38:23

Also, isn't it inherently ridiculous to try one man

0:38:230:38:26

for the deaths of six million?

0:38:260:38:28

I'd be inclined to agree with that.

0:38:280:38:30

Then why else should people watch?

0:38:300:38:32

To learn.

0:38:320:38:33

Excuse me.

0:38:350:38:36

Let's go.

0:38:390:38:40

-Goodnight, Leo. See you tomorrow.

-Goodnight.

0:38:400:38:43

-Don't stay up too late.

-I won't.

-See you in the morning.

0:38:430:38:46

Hey...

0:38:460:38:47

you're not letting them get to you, are you?

0:38:470:38:49

I just don't need the distraction.

0:38:490:38:51

-This is bullshit.

-Maybe.

0:38:510:38:52

What, you think they have a point?

0:38:520:38:54

We only have control over how we film the trial,

0:38:540:38:56

not how the network sells it to the public.

0:38:560:38:58

Once the excitement of seeing a real-life Nazi on trial goes away,

0:38:580:39:01

who's to say we won't lose the audience, hmm?

0:39:010:39:03

-See you in the morning.

-Yeah.

0:39:040:39:06

Er, Scotch, please.

0:39:100:39:12

..would not be used on the Western Front.

0:39:130:39:16

And accompanied by Bandi Grosz, on Eichmann's orders...

0:39:170:39:23

David...

0:39:290:39:30

..they can't all be watching Gagarin.

0:39:310:39:34

No. He isn't and she isn't.

0:39:340:39:36

Most called away to cover Gagarin have not returned.

0:39:360:39:39

And those that have are following developments in Cuba.

0:39:390:39:43

My children have a longer attention span.

0:39:430:39:46

Journalists, they're like magpies, Mr Fruchtman.

0:39:460:39:49

They're quickly drawn to the shiniest object

0:39:490:39:51

in their field of vision.

0:39:510:39:53

You promised the Prime Minister an audience.

0:39:550:39:58

Hausner has just spent three days delivering a dry-as-dust lecture

0:39:590:40:03

on Israel's right to put Eichmann on trial.

0:40:030:40:05

-He's boring the shit out of me.

-Well...

0:40:050:40:07

Are you surprised that people are going?

0:40:070:40:09

Is there nothing we can do to make his oration more compelling?

0:40:090:40:12

Off the top of my head, just one - tell him to stop.

0:40:120:40:16

'While his agents in Kistarcsa loaded 1,200 Jews into a deportation train

0:40:180:40:23

'and sent it on its way.'

0:40:230:40:24

Whatever you have planned for today,

0:40:260:40:28

scrap it and think of something better.

0:40:280:40:29

Shoot tighter, cut quicker - whatever you do, add more pace.

0:40:290:40:32

-Milton...

-Gagarin and the Bay of Pigs are killing us.

0:40:320:40:34

We need to respond.

0:40:340:40:35

We are responding - by holding our nerve.

0:40:350:40:37

We can die holding that, Leo. No-one's fucking watching.

0:40:370:40:40

Listen, you hired me because of my experience.

0:40:400:40:42

That's what I'm trying to give you.

0:40:420:40:44

That would be enough in a perfect world.

0:40:440:40:46

But it's not perfect, Leo.

0:40:460:40:47

It's a world with a Russian in space

0:40:470:40:49

and counter-revolutionaries running amok on a Cuban beach.

0:40:490:40:52

We need to compete with that.

0:40:520:40:53

But we can't.

0:40:530:40:54

Not until the witness testimony starts to come in.

0:40:540:40:57

What if we've lost everyone by then?

0:40:570:40:59

Milton, I need my producer to be visibly calm.

0:41:010:41:04

We all know you're anxious, and none of us needs to see it.

0:41:040:41:07

We've got your back, trust us.

0:41:070:41:09

When the witness testimony starts, the audience will come back.

0:41:090:41:12

Mm-hm. And what if they don't?

0:41:120:41:14

Then you hired the wrong guy.

0:41:140:41:16

In the building where Eichmann is being tried,

0:41:160:41:19

the Israelis are trying to place before the conscience of the world

0:41:190:41:25

the full facts of how the Nazis and Germany

0:41:250:41:29

tried literally to exterminate

0:41:290:41:31

millions of the Jewish people in Europe.

0:41:310:41:34

HE SPEAKS OWN LANGUAGE

0:41:340:41:37

INTERPRETER: We heard how the people were told to go to the bathhouse.

0:41:460:41:51

Take one.

0:41:510:41:52

They all passed through the door into a long corridor.

0:41:520:41:56

We did not know exactly what was happening.

0:41:560:41:58

We were in the basement, in the cellar.

0:41:580:42:01

But there were SS men with great sticks,

0:42:010:42:04

and they beat the people and forced them to board the trucks.

0:42:040:42:09

But do you know now what these trucks were?

0:42:090:42:12

Yes, now I know what they were.

0:42:120:42:15

They were trucks where people were locked up inside

0:42:150:42:20

and then gas was piped into the trucks.

0:42:200:42:25

Gas was piped into the trucks.

0:42:250:42:28

Stay in close on Eichmann.

0:42:310:42:32

Copy.

0:42:320:42:34

'What happened to you on the next day?'

0:42:340:42:37

We, five of us, were taken from the cellar.

0:42:370:42:43

More people were put into the trucks.

0:42:430:42:45

We heard screams from the trucks, and the engine began working

0:42:450:42:51

and the gas flowed in.

0:42:510:42:53

Then the shouts died off.'

0:42:530:42:55

Take three.

0:42:550:42:56

And on the following day,

0:42:560:42:59

you yourself went to work in the wood

0:42:590:43:01

and saw what was taking place with your own eyes.

0:43:010:43:04

There were 25 people there, and they were all digging pits.

0:43:060:43:10

Ever seen anything like this?

0:43:100:43:12

Never.

0:43:130:43:15

HE SPEAKS OWN LANGUAGE

0:43:160:43:18

You dug graves, and then the trucks...a truck arrived,

0:43:200:43:24

on one of those trucks...

0:43:240:43:26

When the trucks arrived we still were not permitted to approach them.

0:43:300:43:34

We had to wait until the truck had stopped for a few moments -

0:43:340:43:37

two or three minutes.

0:43:370:43:39

And fumes were...coming out of the trucks,

0:43:390:43:44

and we had to wait.

0:43:440:43:45

And then five or six people opened the doors

0:43:450:43:49

and...take the bodies and place them near the pits,

0:43:490:43:55

right near the trenches.

0:43:550:43:56

Were the people dead?

0:43:590:44:01

All completely dead. No-one was alive any more.

0:44:010:44:06

And, in the third truck, some bodies arrived whom you knew?

0:44:060:44:11

This was after I had been working there for some time,

0:44:140:44:18

when all the people of my town came.

0:44:180:44:22

And who was amongst them?

0:44:220:44:24

My wife and my two children.

0:44:260:44:29

My wife and my two children.

0:44:310:44:34

And you saw them whilst they were being removed from the truck?

0:44:350:44:40

HE SPEAKS OWN LANGUAGE

0:44:410:44:44

I lay near my wife and two children and I...

0:44:440:44:50

wanted them to shoot me.

0:44:500:44:52

Have you ever heard anything like it?

0:45:170:45:19

We should eat.

0:45:230:45:24

CHATTERING

0:45:390:45:41

Still bored?

0:45:430:45:44

No, it's tremendous that it's having this impact.

0:46:210:46:23

It helps that Servatius isn't going to cross-examine...

0:46:250:46:28

Sorry, no, no. No...

0:46:280:46:30

What's that?

0:46:300:46:31

I don't know what is this.

0:46:310:46:33

VOICES ECHO

0:46:340:46:36

Idiot.

0:46:390:46:40

I don't think I'd have the strength to do it.

0:46:420:46:45

Hey, identify yourself.

0:46:450:46:47

Hey!

0:46:490:46:51

Oh!

0:46:510:46:52

..and it is just horrifying.

0:46:540:46:56

ALARM RINGS

0:46:560:46:57

HE GRUNTS

0:47:010:47:03

He's got a grenade! He's got a grenade!

0:47:030:47:06

I'll call you back.

0:47:060:47:08

Have you got him?

0:47:080:47:09

GUN COCKS

0:47:090:47:10

You are spreading lies to the world.

0:47:120:47:14

Jesus!

0:47:140:47:15

Back inside! Close the door and go under your desk!

0:47:170:47:19

You received my letter?

0:47:190:47:21

Back inside!

0:47:210:47:22

You fucking Jews, you have no right!

0:47:220:47:24

You call this protection?

0:47:240:47:25

We could have been killed - every single one of us.

0:47:250:47:28

You let him come to my door?! Jesus Christ.

0:47:280:47:30

There will be others after me!

0:47:300:47:33

MUFFLED SHOUTS

0:47:330:47:35

Heil Hitler.

0:47:480:47:50

Gentlemen.

0:47:550:47:56

Thank you all for staying behind after yet another long day,

0:47:580:48:02

when bars and restaurant and beds are waiting.

0:48:020:48:05

I wanted to have us all here to say two things.

0:48:050:48:08

The latest audience research reveals

0:48:080:48:10

that our films are being watched nightly by...huge numbers of people.

0:48:100:48:15

In the US, South America, Europe, Australia -

0:48:150:48:19

ordinary people are being moved and shocked by what they're seeing

0:48:190:48:23

and hearing, because of our work.

0:48:230:48:26

What was unknown, either wilfully or by ignorance,

0:48:260:48:30

is becoming known.

0:48:300:48:32

What was unspoken is being discussed and questioned.

0:48:320:48:36

Which... brings me to my second point,

0:48:360:48:39

which will not surprise any of you.

0:48:390:48:41

Personal security. Do not take it lightly.

0:48:430:48:47

As we saw today,

0:48:470:48:49

there are people out there who would love to stop this trial.

0:48:490:48:53

Stop us.

0:48:530:48:54

Be vigilant.

0:48:550:48:57

Check under the car.

0:48:570:48:58

When you're setting out in the morning,

0:48:580:49:00

check you're not being followed.

0:49:000:49:01

If you have any issues - and I mean any -

0:49:010:49:06

contact our head of security.

0:49:060:49:08

Vigilance, please.

0:49:080:49:11

All right, sermon over.

0:49:110:49:13

Go and enjoy the rest of your evening. Thank you.

0:49:130:49:15

Why didn't you tell me you were being threatened?

0:49:250:49:27

You had enough on your plate.

0:49:270:49:29

We eat from the same plate, Milton.

0:49:290:49:32

If it happens again, let me know.

0:49:320:49:34

BELL RINGS

0:49:340:49:35

Sure.

0:49:350:49:36

RINGING INTENSIFIES

0:49:390:49:41

VOICE ECHOES: There will be others after me!

0:49:410:49:44

Hey.

0:49:440:49:45

Hey, it's bedtime.

0:49:450:49:46

Sleep well.

0:49:460:49:48

Night, Dad.

0:49:480:49:49

Goodnight, Daddy.

0:49:490:49:50

Sleep well.

0:49:500:49:52

Go on up to bed.

0:49:520:49:53

-Sorry, I fell asleep.

-We all do.

0:49:530:49:55

-You OK?

-Yeah, you OK?

0:49:550:49:57

I think so.

0:49:580:50:00

OK.

0:50:000:50:02

-I'll put them to bed.

-Yeah, I'll be in.

0:50:030:50:05

Mmm...

0:50:080:50:10

CLOCK TICKS

0:50:120:50:14

CROCKERY CLATTERS

0:50:240:50:25

Mrs Landau...

0:50:300:50:31

..I want to ask you a question.

0:50:340:50:36

Ugh, my feet are too tired for questions.

0:50:360:50:39

Just...just one.

0:50:390:50:41

What?

0:50:410:50:42

You were a refugee after the war?

0:50:420:50:45

From Czechoslovakia.

0:50:450:50:47

So?

0:50:470:50:49

You like it here?

0:50:490:50:50

I would prefer to be running the King David.

0:50:510:50:53

Oh, no, I-I didn't mean this hotel - I meant Israel.

0:50:530:50:58

I fought in the war for independence...

0:50:590:51:02

against the British, and then the Arabs.

0:51:020:51:05

Right, the Arabs.

0:51:060:51:07

But this was their country.

0:51:070:51:09

We wanted it more.

0:51:100:51:12

So Israel is your home?

0:51:140:51:17

The world gave it to us.

0:51:170:51:19

It is my country now.

0:51:190:51:21

But...

0:51:210:51:22

what is it about it that you love so much?

0:51:220:51:26

Here we breathe a free air.

0:51:260:51:30

You are a Jew - you must feel this.

0:51:300:51:33

All done?

0:51:360:51:37

Yeah. Thank you.

0:51:380:51:40

WOMAN SPEAKS OWN LANGUAGE

0:51:520:51:54

-INTERPRETER:

-Some of the young people tried to run,

0:51:540:51:58

but they were shot. They were shot right there.

0:51:580:52:04

Judge Landau - how did you survive through all this?

0:52:040:52:10

We... We were driven.

0:52:100:52:14

We were already undressed.

0:52:140:52:17

The clothes were removed, taken away.

0:52:170:52:21

Our father did not want to undress. He remained in his underwear.

0:52:210:52:26

We were driven up to the grave...

0:52:260:52:30

YAAKOV GASPS

0:52:300:52:32

Milton...

0:52:320:52:33

I need to stop.

0:52:330:52:36

Yaakov, are you OK?

0:52:360:52:38

I cannot breathe.

0:52:380:52:39

Yaakov? Yaakov?

0:52:390:52:41

Leo, Yaakov's in trouble.

0:52:410:52:43

I need to go get him out.

0:52:430:52:45

Our father was beaten...

0:52:450:52:48

Yaakov, stay with the camera.

0:52:500:52:52

Milton's on his way.

0:52:520:52:53

I'm not so good, Leo.

0:52:530:52:55

..he wanted to keep his underclothes,

0:52:550:52:58

and he was shot.

0:52:580:53:00

Camera four ready.

0:53:000:53:02

Let's go close on Eichmann.

0:53:030:53:05

No, no, not the witness - Eichmann.

0:53:050:53:08

We were already facing the graves.

0:53:080:53:10

I felt him take the child from my arms.

0:53:120:53:16

The child cried out and was shot.

0:53:160:53:20

Get close on his eyes.

0:53:210:53:23

And then he aimed at me...

0:53:230:53:26

How can you sit there and watch this?

0:53:260:53:28

He held on to my hair and turned my head around...

0:53:280:53:33

Do something.

0:53:330:53:35

Get close on his eyes.

0:53:370:53:38

Get close on his eyes.

0:53:390:53:41

And he aimed the revolver at me.

0:53:420:53:45

And ordered me to watch,

0:53:450:53:47

and then turned my head around and shot at me.

0:53:470:53:51

Then I fell.

0:53:510:53:54

I tried to move and felt that I was alive and that I could rise.

0:53:540:54:01

I heard the shot,

0:54:030:54:05

and I was praying for another bullet

0:54:050:54:08

to put an end to my suffering.

0:54:080:54:11

But I felt that I was choking.

0:54:120:54:15

Climbing towards the top of the grave above the bodies.

0:54:150:54:19

I rose, and I felt bodies pulling at me with their hands,

0:54:190:54:26

biting at my legs, pulling me down...

0:54:260:54:29

How can you sit there day after day and listen to this?

0:54:290:54:31

With my last strength, I came up on top of the grave.

0:54:310:54:39

So many bodies.

0:54:390:54:40

I wanted to see the end of the stretch of dead bodies...

0:54:400:54:42

-YAAKOV COLLAPSES

-..but I could not.

0:54:420:54:45

Yaakov?

0:54:490:54:50

The, er...

0:54:530:54:55

the camp I was in provided...

0:54:550:54:59

..slave labour for a...

0:55:010:55:03

..a Messerschmitt factory.

0:55:050:55:07

How they expected us to work on the rations we got,

0:55:080:55:12

I-I do not know.

0:55:120:55:13

We were skeletons covered with skin, and, er...

0:55:170:55:19

..with bruises from the beatings we were given

0:55:210:55:25

for the slightest mistake.

0:55:250:55:27

When I washed myself,

0:55:310:55:34

I could not recognise my own body

0:55:340:55:37

by touch.

0:55:370:55:39

My ribs were like the keys of a piano.

0:55:420:55:45

I-I don't think it's right to expect him to continue this work.

0:55:460:55:50

No, it's important.

0:55:500:55:52

I want to do it.

0:55:520:55:54

But not at the expense of your health.

0:55:540:55:57

For...

0:55:570:55:58

for the first time, people who were there

0:55:580:56:00

feel they have permission to speak. I...

0:56:000:56:04

We see these witnesses in a place called the witness stand,

0:56:050:56:10

and for the very first time

0:56:100:56:13

they look into the audience

0:56:130:56:16

and they see people leaning forward listening to what they have to say...

0:56:160:56:22

..not turning away.

0:56:230:56:25

Yaakov, in the control room we're all deeply affected

0:56:290:56:34

by what we're hearing, and we're removed.

0:56:340:56:37

You don't have to do this to yourself.

0:56:390:56:42

I'm not going to let you do this to yourself.

0:56:420:56:44

I feel I am letting you down.

0:56:440:56:46

It is us who'd be letting you down.

0:56:460:56:49

HE SOBS

0:56:580:56:59

Mr Hausner showing the witness a suit of striped clothes.

0:57:060:57:12

Is that what you used to wear there at Auschwitz?

0:57:120:57:15

Yes.

0:57:180:57:19

This is the garb of those who lived on the planet called Auschwitz.

0:57:190:57:26

If I am able to stand here in this court before you

0:57:270:57:33

and retell the tale of this planet,

0:57:330:57:41

if I fall out of that planet,

0:57:410:57:46

am able to be here at this time, then...

0:57:460:57:52

Is he OK?

0:57:520:57:53

..I believe, with perfect faith...

0:57:530:57:55

He's a poet.

0:57:550:57:56

..that this is due to the oath I have sworn to them there,

0:57:560:58:03

the oath I have sworn to them.

0:58:030:58:06

They gave me this strength.

0:58:060:58:09

They gave me the strength.

0:58:090:58:12

What's Eichmann doing?

0:58:140:58:15

Could I, perhaps, Mr Dinur, put a few questions to you,

0:58:240:58:26

if you will consent?

0:58:260:58:28

Now, go close on Eichmann.

0:58:280:58:30

Please, listen to Mr Hausner

0:58:300:58:31

and to me... COLLAPSES TO FLOOR

0:58:310:58:32

Did we get that?

0:58:380:58:39

No, we were on Eichmann.

0:58:390:58:42

THEY SHOUT IN OWN LANGUAGE

0:58:460:58:49

President of court - I'll have to stop this session

0:58:570:59:00

unless the witness recovers.

0:59:000:59:01

Mr Hausner - I do not expect this, of course, to happen,

0:59:010:59:03

and I think...

0:59:030:59:05

Did you get it?

0:59:050:59:06

We got almost everything, but I think we missed the collapse.

0:59:070:59:10

You missed the collapse? Jesus, Leo.

0:59:100:59:12

We might have got a couple of seconds of it,

0:59:120:59:14

but it's impossible to anticipate something like that.

0:59:140:59:16

I'd have put money on it.

0:59:160:59:18

Fuck you, Alan. Get the fuck out.

0:59:180:59:19

Hey.

0:59:190:59:20

Gentlemen, would you give us five minutes, please?

0:59:230:59:25

Thank you.

0:59:250:59:27

Thank you.

0:59:280:59:29

Will you shut the door, Millek?

0:59:320:59:33

That was a stand-out moment, Leo.

0:59:360:59:38

Like someone crying out in the auditorium.

0:59:380:59:41

This is talking points, human drama.

0:59:410:59:43

That's a real damaged life in there, not a fucking TV show.

0:59:430:59:46

AND a fucking TV show! AND! And!

0:59:460:59:49

I'm sorry if that doesn't sit with your artistic sensibility,

0:59:510:59:54

but while we're here on Israel's dime that's exactly what it is.

0:59:540:59:57

Christ - you're supposed to be filming the trial as a whole.

0:59:570:59:59

But you're obsessed with Eichmann.

0:59:591:00:01

And I can't understand why you're not.

1:00:011:00:03

Don't patronise me.

1:00:031:00:04

Your job, your fucking job, is to film what happens in that courtroom,

1:00:041:00:08

not to conduct a personal investigation

1:00:081:00:10

into the nature of evil.

1:00:101:00:11

Why can't it be both?

1:00:111:00:12

Because one gets in the way of the other.

1:00:121:00:14

And that's not going to happen - not on my production.

1:00:141:00:17

Well, I beg to differ.

1:00:171:00:18

I don't give a fuck what you beg.

1:00:181:00:20

I'm paying you wages, Mr Hurwitz. Differ in your own time.

1:00:201:00:24

DOOR OPENS

1:00:281:00:29

DOOR SLAMS

1:00:301:00:31

In Paris, they were all deported

1:00:491:00:51

in the second half of August and the beginning of September,

1:00:511:00:54

in the space of about two weeks,

1:00:541:00:56

in convoys consisting of 1,000 children and 500 adults

1:00:561:01:00

taken from Drancy.

1:01:001:01:02

I saw them. They arrived in four transports of 1,000 children.

1:01:021:01:07

This live cargo would be taken off the trucks rapidly

1:01:071:01:13

to make room for other buses.

1:01:131:01:15

This was done swiftly, and the unhappy children,

1:01:181:01:22

mixed up and scared,

1:01:221:01:24

came down in groups quietly.

1:01:241:01:27

There were small children of two, three or four years of age

1:01:271:01:34

who did not know their names,

1:01:341:01:37

and it was impossible to identify them.

1:01:371:01:40

HITLER SHOUTS IN GERMAN

1:01:421:01:44

We found girls carrying discs with boys' names

1:01:461:01:51

and boys with girls' names on their discs.

1:01:511:01:55

Let me just ask you this, Mr Wellers.

1:01:561:01:58

In 1944, when you came to Auschwitz,

1:01:581:02:02

did you then see any one of these children alive?

1:02:021:02:09

No, I did not.

1:02:111:02:14

There were four transports

1:02:141:02:19

arriving every few days,

1:02:191:02:23

1,000 people in each transport -

1:02:231:02:26

1,000 children, 200 adults on each transport,

1:02:261:02:31

and in all four transports 4,000 children.

1:02:311:02:34

There were many who died during the summer of '42...

1:02:371:02:41

I estimate the number of suicides about 100...

1:02:441:02:48

-Want me to switch away?

-Stay on Eichmann.

1:02:481:02:50

-Leo...

-Stay on him.

1:02:501:02:52

Alan, switch to the witness.

1:02:521:02:54

TESTIMONY CONTINUES

1:02:541:02:56

Come on, do something.

1:03:141:03:15

-KNOCK AT DOOR

-Leo.

1:03:171:03:19

DOOR OPENS

1:03:191:03:21

Leo, there's some people to see you.

1:03:211:03:23

I'm not expecting anyone. Tell them I'm busy.

1:03:231:03:26

Well, they want to see you.

1:03:261:03:28

Just tell them I'm busy.

1:03:281:03:29

-They said you'd say that.

-Leo, would you just go?

1:03:291:03:32

I got this.

1:03:321:03:33

We wanted to surprise you.

1:03:551:03:56

Right.

1:04:011:04:03

Right, how was your journey?

1:04:031:04:04

Good.

1:04:041:04:06

Did you enjoy flying?

1:04:061:04:07

Sure.

1:04:071:04:09

What?

1:04:111:04:12

You look old.

1:04:121:04:14

I AM old.

1:04:161:04:17

We were working there with those... Rollenwagen,

1:04:191:04:23

which we were driving.

1:04:231:04:24

You entered the crematorium?

1:04:241:04:27

Yes, I entered the crematorium.

1:04:271:04:30

We had to go there in order to take the wood, which was...

1:04:301:04:34

To the witness.

1:04:341:04:35

..to be used for the burning.

1:04:351:04:36

Take one.

1:04:361:04:37

We had to take...

1:04:371:04:39

Number four, stand by.

1:04:391:04:42

..some of the wood to the camps from the crematorium,

1:04:421:04:44

when there was still time and when it was very cold.

1:04:441:04:48

The kapo of the Sonderkommando took pity on us

1:04:481:04:51

and said, "Children, it's very cold outside,

1:04:511:04:56

"perhaps you can warm yourselves in the gas chambers."

1:04:561:05:01

The gas chambers were not operating then.

1:05:041:05:06

And you would go into the crematorium to warm yourselves?

1:05:061:05:11

-So sometimes...

-Tommy?

1:05:111:05:12

-..we would go to the side camp...

-I'm fine.

1:05:121:05:14

..or even to the gas chambers

1:05:141:05:16

-where it was much warmer...

-Is this all true?

1:05:161:05:18

-Mm-hm.

-Sometimes it would happen that,

1:05:181:05:20

when we arrived at the crematorium...

1:05:201:05:22

He was the same age as you.

1:05:221:05:23

..they said, "You can't possibly go in because there are people inside."

1:05:231:05:27

And Eichmann just sits.

1:05:271:05:29

..in August 1943.

1:05:291:05:31

And Eichmann just sits.

1:05:321:05:34

Camera two, stand by.

1:05:371:05:39

Did you use ashes of human beings

1:05:391:05:43

to spread it on the roads?

1:05:431:05:45

-Yes.

-What for?

1:05:451:05:47

So that people could walk on the road and not slide.

1:05:491:05:52

So they do not slip...

1:05:521:05:54

..in the camp?

1:05:551:05:56

Yes, in the camp.

1:05:561:05:58

SOMBRE ORCHESTRAL MUSIC

1:05:581:06:01

LIGHTER CLICKS

1:06:061:06:07

BIRDSONG

1:06:271:06:29

What I want is that single spotlight directly on Eichmann

1:06:481:06:52

as he's watching the camp footage.

1:06:521:06:54

The rest of the auditorium is completely dark.

1:06:541:06:57

That allows the audience to observe Eichmann

1:06:571:06:59

as he reacts to what he's watching.

1:06:591:07:01

The audience or you?

1:07:011:07:02

Leo?

1:07:021:07:03

Bringing him face to face with the visual consequences

1:07:031:07:05

of his actions will finally make him crack.

1:07:051:07:08

-It has to.

-Leo?

1:07:081:07:09

Eichmann attended mass shootings for the SS elite.

1:07:091:07:13

To show that you could stomach the most brutal bloodshed

1:07:131:07:16

was a badge of ideological superiority.

1:07:161:07:18

How likely is it he's going to show weakness now,

1:07:181:07:21

before his Jewish captors?!

1:07:211:07:22

Sitting alone in that chair,

1:07:221:07:24

watching the worst atrocities known to mankind,

1:07:241:07:26

it will be impossible for him to deny his participation.

1:07:261:07:29

Leo?

1:07:321:07:33

-Leo!

-What?

1:07:351:07:37

I'm taking Tommy to Greece.

1:07:381:07:40

-Why?

-I don't want him here.

1:07:411:07:43

Don't you think he should see this?

1:07:441:07:46

I don't want him watching this

1:07:461:07:48

eight hours a day, day in, day out

1:07:481:07:50

for God knows how much longer.

1:07:501:07:52

Which is what he'll do, because that's what you're doing.

1:07:521:07:56

Am I doing the right thing?

1:07:561:07:58

Do you think I'll get him?

1:08:001:08:02

-Look after him, won't you?

-Mm-hm.

1:08:121:08:13

MUSIC: Runaway by Del Shannon

1:08:191:08:22

# As I walk along

1:08:261:08:28

# I wonder what went wrong... #

1:08:281:08:29

I want to be honest with you, Leo.

1:08:291:08:32

I'm under instruction from Milton

1:08:321:08:34

-to not talk about Eichmann on this trip.

-Aha.

1:08:341:08:36

It's to give you a rest from the trial.

1:08:361:08:38

Yeah, I understand.

1:08:381:08:39

To give you a rest from Eichmann.

1:08:391:08:42

I understand.

1:08:421:08:43

What are you thinking?

1:08:451:08:47

About Eichmann.

1:08:471:08:48

# ..I'm a-walking in the rain,

1:08:501:08:52

# Tears are falliin' and I feel a pain

1:08:521:08:55

-# Wishing you were here by me... #

-Where did these people come from?

1:08:551:08:59

Wherever they want to.

1:08:591:09:00

The Bedouin do not perceive borders or governments.

1:09:001:09:03

They side with no-one, threaten no-one...

1:09:031:09:06

..and they're left alone to roam freely.

1:09:071:09:09

Where do I sign up?

1:09:101:09:11

When you watch him, Millek, what do you think of him?

1:09:151:09:18

A dog refusing to betray his master.

1:09:201:09:22

Till people see him react...

1:09:241:09:26

..the way they do to this testimony,

1:09:271:09:30

they'll not truly understand that men,

1:09:301:09:32

not monsters, create fascists.

1:09:321:09:35

Why must people see this?

1:09:371:09:38

So that they understand that we're all capable of it and...

1:09:381:09:41

..to resist the temptation.

1:09:431:09:45

Well, if the witness testimony does not make Eichmann crack,

1:09:451:09:48

perhaps he never will.

1:09:481:09:49

When the prosecution makes him sit...

1:09:491:09:51

..and watch the film from...

1:09:521:09:54

..Auschwitz-Birkenau,

1:09:561:09:57

Belsen,

1:09:571:09:59

the actual documentary footage of the atrocities -

1:09:591:10:03

the shootings, the gassing, the mass murder -

1:10:031:10:06

it'll just be impossible for him to subvert his subconscious.

1:10:061:10:09

This is the unique power of film, is it not?

1:10:121:10:15

This is what you believe.

1:10:151:10:16

This is what I have learned...

1:10:161:10:17

..in my years as a film-maker.

1:10:191:10:20

While he watches...

1:10:231:10:25

..we'll be watching him.

1:10:261:10:28

Only then will we see the real Eichmann.

1:10:301:10:32

SEABIRDS CRY

1:10:321:10:34

MUSIC: Symphony No.3 Opus 36 Symphony Of Sorrowful Songs by Henryk Gorecki

1:10:341:10:39

WOMAN SINGS IN POLISH: # O Mamo... #

1:10:461:10:54

CAMERA WHIRS

1:11:041:11:07

Close on Eichmann.

1:11:081:11:09

# ..Mamo

1:11:091:11:17

# Mamo

1:11:191:11:24

# Nie placz

1:11:241:11:30

# O Mamo

1:11:431:11:47

# Nie placz nie... #

1:11:471:11:56

Was that a smile?

1:11:561:11:58

I don't think so.

1:12:001:12:02

CAMERA WHIRS

1:12:021:12:03

# ..Niebios Przeczysta Krolowo... #

1:12:171:12:28

I'm... I'm afraid I'm going to have to leave the room.

1:12:281:12:31

If anyone else has to step outside, there's no permission required.

1:12:361:12:40

# ..Ty zawsze

1:12:421:12:48

# Wspieraj mnie... #

1:12:481:12:55

I'm going to go.

1:12:551:12:57

# ..Ty zawsze

1:13:021:13:09

# Wspieraj mnie

1:13:091:13:13

# Ty zawsze

1:13:161:13:22

# Wspieraj mnie... #

1:13:221:13:31

How can you just sit there?

1:13:311:13:33

How can you not turn away?

1:13:371:13:38

Not even flinch?

1:13:391:13:41

Where are you?

1:13:431:13:44

Where the fuck are you?!

1:13:461:13:48

# ..Ty zawsze

1:14:021:14:08

# Wspieraj mnie. #

1:14:081:14:19

MUSIC FADES

1:14:221:14:24

They've got a problem with the cable to the press room.

1:14:291:14:32

What's up?

1:14:341:14:35

I'm thinking of leaving.

1:14:381:14:40

-Er, you go ahead.

-OK.

1:14:421:14:45

What are you talking about?

1:14:451:14:46

I'm thinking of leaving.

1:14:461:14:48

Hausner is about to start his cross-examination.

1:14:481:14:50

It doesn't matter, Hausner won't crack him.

1:14:501:14:52

Then film Eichmann not cracking.

1:14:521:14:54

You could do that. Or Millek.

1:14:541:14:56

No, this is a Milton Fruchtman production, directed by Leo Hurwitz.

1:14:561:14:59

This is a Capital Cities production.

1:14:591:15:01

Without me, they wouldn't be within a million miles of this trial.

1:15:011:15:04

Without you, they'd not have a tenth of the audience that they do.

1:15:041:15:07

You don't want to finish what you've started?!

1:15:071:15:10

What? You think you've failed, is that it?

1:15:101:15:12

Yes.

1:15:121:15:13

By my standards, I think I've failed.

1:15:131:15:16

Why? Because YOU couldn't locate the humanity in Adolf Eichmann?!

1:15:161:15:19

Jesus, Leo, what if it's not there?

1:15:191:15:22

What if you couldn't find it because he doesn't have it?

1:15:221:15:25

I'm sorry, I just can't believe that.

1:15:251:15:27

That's too bad.

1:15:271:15:28

If Eichmann wants to world to think that he was a small cog

1:15:281:15:31

in a vast machine of death, let him.

1:15:311:15:32

-Milton?

-In trying to prove that,

1:15:321:15:34

he will allow Hausner to dissect and expose

1:15:341:15:36

that machine and its legacy, and WE will have it ALL on record.

1:15:361:15:41

I really thought that we would find him today.

1:15:451:15:48

I really thought that, if nothing else,

1:15:481:15:50

we'd see a chink in his armour,

1:15:501:15:52

we'd see the slightest hint of humanity in the man.

1:15:521:15:55

Leo, it doesn't matter.

1:15:551:15:57

Because from this point until...for ever,

1:15:571:16:00

whenever anyone tries to deny

1:16:001:16:01

what happened to the Jews of Europe under the Nazis,

1:16:011:16:04

they can be sat down and invited to watch Obersturmbannfuhrer Eichmann

1:16:041:16:08

describe in minute detail how it was done.

1:16:081:16:11

Now, that is NOT nothing. In fact, that is...quite something.

1:16:111:16:16

Think about it. You're staying, Leo.

1:16:181:16:21

Walk with me.

1:16:221:16:24

Where are we going?

1:16:311:16:33

We're laying the cable past Eichmann's cell.

1:16:331:16:35

They allowed that?

1:16:361:16:37

They had to, or no show.

1:16:371:16:39

There. OK.

1:16:451:16:48

-Thank you.

-Thank you.

1:16:481:16:50

Mr Fruchtman?

1:16:561:16:58

Oh, give me a second.

1:16:581:17:00

-Er, Milton?

-Mm?

1:17:011:17:03

I never got the chance to thank for you

1:17:071:17:09

for going out on a limb and hiring me.

1:17:091:17:10

You don't have to do that.

1:17:121:17:13

Nevertheless I'm glad you did.

1:17:151:17:17

Me too, Leo.

1:17:171:17:18

Yeah, me too.

1:17:191:17:20

-Shall we?

-Mm-hm.

1:17:291:17:31

OK, what's the problem? We have to get this cable issue fixed

1:17:321:17:35

in time for tomorrow's session.

1:17:351:17:37

Give me two minutes, Leo.

1:17:371:17:39

Well, our current route is just too long.

1:17:391:17:41

We have to find a shorter route...

1:17:411:17:44

GUARD: Move on.

1:18:051:18:06

APPROACHING FOOTSTEPS

1:18:361:18:37

It was good.

1:18:471:18:49

Thank you.

1:18:521:18:53

We listened all day, on the radio.

1:18:571:19:00

When we first arrived, Mr Horowitz...

1:19:051:19:08

Hurwitz.

1:19:081:19:09

..we did not speak about what had happened.

1:19:101:19:14

But people ask us, "Who are you? What happened to you?"

1:19:141:19:18

And so we told.

1:19:181:19:19

And they say, "It cannot be true.

1:19:211:19:24

"You invent this. Such things are not possible."

1:19:241:19:28

I say, "If I could make up such things I would be in Hollywood...

1:19:331:19:37

"..not running a cheap hotel in Jerusalem."

1:19:381:19:41

But they do not believe, and so we stop speaking about what happened...

1:19:431:19:48

..except to whisper it in our sleep.

1:19:491:19:51

Since the trial begins, I see them listen now.

1:19:541:19:59

On bus, in shops, in cafeteria, they listen.

1:20:011:20:05

I go to market this morning and a young girl asked me about my number.

1:20:051:20:10

And they watch, yes?

1:20:101:20:12

All over the world.

1:20:121:20:14

So I'm told.

1:20:181:20:19

Because of you.

1:20:211:20:22

Well, no, I...

1:20:231:20:25

Because of you.

1:20:251:20:26

Because of YOU.

1:20:281:20:30

SHE SIGHS

1:20:381:20:39

Mrs Landau, I can't. Really.

1:20:531:20:56

Please.

1:20:581:21:00

Thank you.

1:21:001:21:01

Mmm...

1:21:141:21:15

BELL TOLLS

1:21:221:21:25

Good morning for it.

1:21:341:21:35

Finally Hausner gets to go toe-to-toe with him.

1:21:371:21:39

Eichmann cross-examined by a Jew in the heart of the Jewish state.

1:21:441:21:46

It is a great day.

1:21:481:21:49

Now, we need to be at our very best today, gentlemen.

1:21:501:21:53

HAUSNER IN TRANSLATION: I'm going to read what you said. Listen to this.

1:21:561:21:59

Camera three stand by.

1:22:011:22:02

"And this is how it was with the Jews..."

1:22:021:22:04

Take three, close up on Hausner.

1:22:051:22:07

"..who were like a newborn baby, unprepared.

1:22:071:22:09

"I received the order to take action against the 'guests'.

1:22:091:22:13

"I thought about the question

1:22:131:22:14

"and when I saw it was absolutely necessary,

1:22:141:22:16

"I carried out the orders

1:22:161:22:18

"with the fanaticism one expects from someone

1:22:181:22:21

"who has long been a National Socialist,

1:22:211:22:23

"and also one who has been assigned to do this job."

1:22:231:22:26

Did you say that?

1:22:261:22:27

-EICHMANN IN TRANSLATION:

-I said, "I didn't know."

1:22:271:22:30

Did you say that? Yes or no?

1:22:301:22:31

I don't know.

1:22:311:22:33

Maybe I'd been drinking. Maybe I didn't say it.

1:22:331:22:36

Maybe it was added afterwards.

1:22:361:22:38

Maybe you're full of shit.

1:22:381:22:39

Camera one, stand by.

1:22:411:22:42

Take one.

1:22:441:22:46

Yes, because I consider oath-breaking to be

1:22:481:22:52

the worst possible crime and offence a person can be guilty of.

1:22:521:22:56

A greater crime than the murder of six million people,

1:22:561:22:59

including one-and-a-half million children?!

1:22:591:23:01

No, of course not. But I had nothing to do with that.

1:23:011:23:05

I did not deal with the extermination.

1:23:051:23:08

In your eyes, was someone who was involved with

1:23:081:23:10

the extermination of the Jews a criminal?

1:23:101:23:13

Such a person was an unhappy man.

1:23:131:23:15

-Stand by on two.

-Was he a criminal? Yes or no?

-Close on Hausner.

1:23:151:23:19

I would not venture to answer this question,

1:23:191:23:21

as I was never put or placed in such a situation.

1:23:211:23:25

You saw Hoess doing this in Auschwitz.

1:23:251:23:26

-At that time, did you consider him to be a criminal?

-Take one.

1:23:261:23:29

-A murderer?

-I told him that what he was ordered to do, I could never do.

1:23:291:23:33

But that is not my question.

1:23:331:23:35

My question is whether at heart you saw him as a murderer?

1:23:351:23:38

If he answers yes, he'll incriminate himself.

1:23:381:23:41

I have not answered this before,

1:23:411:23:42

I have no intention of answering today.

1:23:421:23:45

Because what my inner life tells me is something I carry with me.

1:23:451:23:49

Whatever else he might be, this is not a stupid man.

1:23:491:23:51

Ready camera two.

1:23:511:23:53

How did you regard Hoess when you saw him as a murderer of Jews?

1:23:531:23:56

How did you regard him, as a criminal or not?

1:23:561:23:59

Answer.

1:23:591:24:00

I pitied him and felt sorry for him.

1:24:001:24:02

Did you regard him as a criminal or not?

1:24:021:24:06

Yes or no, it's a simple question.

1:24:061:24:07

I shall not reveal my innermost feelings.

1:24:071:24:10

In other words, Hoess was not a criminal in your eyes.

1:24:101:24:14

I did not say you ordered the foot march.

1:24:231:24:26

I know the Chief of the Security Police ordered it

1:24:261:24:28

but I say you initiated it.

1:24:281:24:30

No, that was hardly possible,

1:24:351:24:37

because when the foot march took place I was in Berlin.

1:24:371:24:40

All right, all right. No is quite good enough.

1:24:401:24:43

Now look at page 62 of your statement.

1:24:461:24:49

Go ahead and read it out loud.

1:24:511:24:53

"In order, so to speak, to show my iron fist

1:24:531:24:56

"to the allies and also to tell them at the same time it is not going

1:24:561:25:00

"to change anything. Even if you destroy the lines of communication

1:25:001:25:04

"to the Reich and bomb them to pieces, we will still march.

1:25:041:25:08

"I have 10,000 Jews from some eastern provinces or other.

1:25:081:25:13

"In accordance with my proposal, and since I was no longer able to run

1:25:131:25:16

"a transport by rail from there, I had them march

1:25:161:25:19

"from Budapest to the lower Austrian border in a foot march.

1:25:191:25:23

"I had the order from the Chief of the Security Police

1:25:231:25:26

"and the Security Service to this effect.

1:25:261:25:29

"It is true that I could never have issued such an order myself.

1:25:291:25:33

"I did propose this."

1:25:331:25:35

You did propose this, correct?

1:25:371:25:39

Hold on Eichmann.

1:25:411:25:42

I admit that much, yes.

1:25:421:25:45

Hausner's got him.

1:25:511:25:53

He's lost.

1:25:531:25:55

He's lost.

1:25:561:25:57

Well done, everybody.

1:25:571:25:59

-Well done.

-Congratulations.

1:25:591:26:01

Great job.

1:26:031:26:05

BACKGROUND CHATTER

1:26:051:26:07

-NEWSREEL:

-In the courtroom at Jerusalem,

1:26:211:26:23

nearly four months have passed since the jurors retired...

1:26:231:26:26

Even if the defendant did act out of blind obedience,

1:26:261:26:30

a man who took part in crimes of such magnitude for years

1:26:301:26:34

should endure the greatest punishment known to law.

1:26:341:26:37

This court sentences Adolf Eichmann to death.

1:26:381:26:42

We did it.

1:27:521:27:53

For each of us who has ever felt that

1:28:021:28:05

God created us better than any other human being,

1:28:051:28:08

has stood on the threshold where Eichmann once stood.

1:28:081:28:11

And each of us who has allowed the shape of another person's nose,

1:28:121:28:16

or the colour of their skin,

1:28:161:28:18

or the manner in wish they worship their god

1:28:181:28:21

to poison our feelings towards them

1:28:211:28:24

have known the loss of reason that led Eichmann to his madness.

1:28:241:28:28

Well, this was how it all began with those who did these things.

1:28:281:28:32

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