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Welcome to The Repair Shop, | 0:00:02 | 0:00:03 | |
where cherished family heirlooms are brought back to life. | 0:00:03 | 0:00:06 | |
Anything can happen. This is the workshop of dreams. | 0:00:06 | 0:00:09 | |
Home to furniture restorer Jay Blades. | 0:00:09 | 0:00:12 | |
Nowadays, things are not built to last, | 0:00:12 | 0:00:14 | |
so we've become part of this throwaway culture. | 0:00:14 | 0:00:16 | |
It's all about preserving and restoring. | 0:00:16 | 0:00:20 | |
We bring the old back to new. | 0:00:20 | 0:00:22 | |
Working alongside Jay | 0:00:22 | 0:00:24 | |
will be some of the country's leading craftspeople... | 0:00:24 | 0:00:27 | |
I like making things with my hands. | 0:00:27 | 0:00:29 | |
I love to see how things work and I want to know how things work. | 0:00:29 | 0:00:32 | |
Whether its a Rembrandt or somebody's family piece, | 0:00:32 | 0:00:35 | |
every painting deserves the same. | 0:00:35 | 0:00:37 | |
..each bringing their own unique set of skills. | 0:00:38 | 0:00:41 | |
You're about to witness some magic. | 0:00:41 | 0:00:43 | |
They will resurrect... | 0:00:43 | 0:00:44 | |
..revive... | 0:00:45 | 0:00:46 | |
Oh, yes! | 0:00:46 | 0:00:47 | |
..and rejuvenate... | 0:00:47 | 0:00:50 | |
treasured possessions | 0:00:50 | 0:00:51 | |
and irreplaceable pieces of family history... | 0:00:51 | 0:00:55 | |
Oh, my goodness me! It looks like it's new! | 0:00:55 | 0:00:58 | |
..bringing both the objects... | 0:00:58 | 0:01:00 | |
SHE GASPS | 0:01:00 | 0:01:01 | |
Oh, wow! | 0:01:01 | 0:01:02 | |
..and the memories that they hold... | 0:01:02 | 0:01:05 | |
back to life. | 0:01:05 | 0:01:06 | |
Oh, thank you. Oh! | 0:01:06 | 0:01:08 | |
Today in The Repair Shop, | 0:01:15 | 0:01:17 | |
vintage-electronics expert Neil Fairley | 0:01:17 | 0:01:21 | |
battles some ageing Doctor Who baddies. | 0:01:21 | 0:01:24 | |
We're coming to the really tricky part now. | 0:01:24 | 0:01:26 | |
-It's getting clearer. -It is getting clearer. I'll give it that. | 0:01:29 | 0:01:32 | |
And The Repair Shop's very own Time Lord, Steve Fletcher, | 0:01:32 | 0:01:36 | |
tackles a time-travelling conundrum of his own. | 0:01:36 | 0:01:39 | |
So, the balance isn't turning very nicely. | 0:01:39 | 0:01:43 | |
You're blinding me with science now. | 0:01:43 | 0:01:45 | |
You all right? Hi, guys. How's it going? I'm Nick. | 0:01:48 | 0:01:50 | |
-All right? I'm Jay. -Hi, Jay, how's it going? | 0:01:50 | 0:01:51 | |
What you got for us? It's in there? | 0:01:51 | 0:01:53 | |
Yeah, I've got a Victorian-era davenport that's been | 0:01:53 | 0:01:56 | |
badly treated by some horrible burglars. | 0:01:56 | 0:01:58 | |
First to pull up today is Nick Fiaca, with a highly prized | 0:01:59 | 0:02:03 | |
family peace in serious need of rescuing by furniture restorers | 0:02:03 | 0:02:07 | |
Jay Blades and Will Kirk. | 0:02:07 | 0:02:10 | |
So, what's the history behind this, then? | 0:02:10 | 0:02:12 | |
It belonged to a family friend of ours, Olive. | 0:02:12 | 0:02:14 | |
She lived next door when we were kids. | 0:02:14 | 0:02:16 | |
She never married, so we were kind of like her second family. | 0:02:16 | 0:02:19 | |
So, yeah, she used to take us to the park to play, and cinema, | 0:02:19 | 0:02:24 | |
that sort of thing. Almost like a surrogate mum to us. | 0:02:24 | 0:02:27 | |
This davenport sat in her front room all the years that I've known her. | 0:02:27 | 0:02:31 | |
Sadly, her house got burgled a couple of times. | 0:02:32 | 0:02:36 | |
During one of the burglaries, the side there got, er, | 0:02:36 | 0:02:41 | |
completely demolished. There's some false drawers which they obviously | 0:02:41 | 0:02:44 | |
didn't realise are actually false drawers and don't open, | 0:02:44 | 0:02:46 | |
-so they tried to force them. -One, two, three, four. | 0:02:46 | 0:02:50 | |
Four holes they've drilled in there. | 0:02:50 | 0:02:51 | |
-Oh, gosh. -That's crazy! Like, to get in there. | 0:02:51 | 0:02:54 | |
They must have sussed that these are no drawers. | 0:02:54 | 0:02:57 | |
They've gone almost all the way right down. | 0:02:57 | 0:02:59 | |
They've really made sure. | 0:03:00 | 0:03:01 | |
-I've never seen any damage like this before. -No. | 0:03:01 | 0:03:03 | |
That's quite remarkable. | 0:03:03 | 0:03:05 | |
It looks like they've taken a samurai sword or an axe to it. | 0:03:05 | 0:03:08 | |
-Yeah. -Either/or. It's really bad. | 0:03:08 | 0:03:10 | |
And on this right-hand side, where there ARE proper drawers, | 0:03:10 | 0:03:13 | |
they just ripped the top of the drawer off, trying to get inside. | 0:03:13 | 0:03:18 | |
-That lock looks... -That's from the drawer, isn't it? | 0:03:18 | 0:03:20 | |
-..a bit busted. -How come you have it? | 0:03:20 | 0:03:22 | |
Did she leave it to you? | 0:03:22 | 0:03:24 | |
When she passed away, things were left to us. | 0:03:24 | 0:03:27 | |
And when we were clearing out the house, I saw the davenport | 0:03:27 | 0:03:31 | |
and I just didn't want to throw it away. | 0:03:31 | 0:03:33 | |
I was obviously close to Olive and also in memory of her, really, | 0:03:33 | 0:03:37 | |
I didn't want it to end up in a skip somewhere. | 0:03:37 | 0:03:39 | |
If it can be repaired and restored to anything like its former glory, | 0:03:39 | 0:03:44 | |
it would be fantastic because I'd like to actually pass it on | 0:03:44 | 0:03:46 | |
to my niece, who's actually going to university next year. | 0:03:46 | 0:03:50 | |
She's the brains in the family. | 0:03:50 | 0:03:52 | |
This would be a nice place to put her work. | 0:03:52 | 0:03:55 | |
This is the workshop of dreams and anything can happen. | 0:03:55 | 0:03:58 | |
Well, if you can, I'll take my hat off. | 0:03:58 | 0:04:00 | |
-Literally. -Literally take the hat off. | 0:04:00 | 0:04:02 | |
-Be brilliant if you could. Good luck with it. -Thanks very much, cheers. Bye-bye. | 0:04:02 | 0:04:05 | |
-Looks like you've got your work cut out for you, ain't you, son? -Well... | 0:04:07 | 0:04:10 | |
Olive was like a second mum to me. | 0:04:11 | 0:04:14 | |
Kind of nice to think that there's this keepsake, | 0:04:14 | 0:04:17 | |
this permanent reminder of her, that's going to survive | 0:04:17 | 0:04:20 | |
for many more years to come. | 0:04:20 | 0:04:21 | |
I haven't got a clue how you're going to do those. | 0:04:21 | 0:04:23 | |
I'll be able to do an amazing job from that. | 0:04:23 | 0:04:25 | |
-On this bit? -Yeah. -You sure? | 0:04:25 | 0:04:28 | |
-Ye of little faith! Come on! -You're too right there. | 0:04:28 | 0:04:30 | |
From bringing damaged desks back from the brink | 0:04:33 | 0:04:36 | |
to retouching antique works of art, | 0:04:36 | 0:04:39 | |
the Repair Shop team is ready and able to tackle any restoration task. | 0:04:39 | 0:04:44 | |
Steve is the gentleman you need to see, just in that corner. | 0:04:44 | 0:04:47 | |
-Hello. -Hello there. | 0:04:47 | 0:04:49 | |
I have a little travel clock for you. | 0:04:49 | 0:04:51 | |
The next challenge is for clockmaker Steve - | 0:04:51 | 0:04:54 | |
a precious timepiece that has been | 0:04:54 | 0:04:55 | |
in Ian Wyn Powell's family for three generations. | 0:04:55 | 0:04:59 | |
It belonged to my grandparents, | 0:04:59 | 0:05:01 | |
so I don't know its date or anything. | 0:05:01 | 0:05:04 | |
It was on their mantelpiece. | 0:05:04 | 0:05:06 | |
It's one of the few possessions | 0:05:06 | 0:05:07 | |
that they had left after internment in Changi, in Singapore. | 0:05:07 | 0:05:11 | |
-Oh, really? -I treasured it, and wanted it ever since. | 0:05:11 | 0:05:15 | |
And when they died, they gave it to my parents. | 0:05:15 | 0:05:18 | |
And when my parents died, they gave it to me. | 0:05:18 | 0:05:20 | |
And I'd love it back on our mantelpiece to give to our children. | 0:05:20 | 0:05:23 | |
When was it last working? | 0:05:23 | 0:05:25 | |
It has been working in the last 20 years, | 0:05:25 | 0:05:27 | |
but I took it to someone who sort of tried to repair it | 0:05:27 | 0:05:31 | |
-but it didn't work properly. -OK. | 0:05:31 | 0:05:34 | |
Well, it's Swiss, as you probably know. | 0:05:34 | 0:05:37 | |
It's Swiss made and I see it's got a silver mark. | 0:05:37 | 0:05:42 | |
-Oh, has it? -It's a Birmingham mark. | 0:05:42 | 0:05:45 | |
A Birmingham mark? On a Swiss-made watch. | 0:05:45 | 0:05:47 | |
-So, 1925 is when it was made. -1925. | 0:05:47 | 0:05:50 | |
Now that he knows when and where the clock was made, | 0:05:52 | 0:05:55 | |
next Steve must find out why it's not working. | 0:05:55 | 0:05:58 | |
So, the balance isn't turning very nicely. | 0:06:01 | 0:06:04 | |
You're blinding me with science now. | 0:06:04 | 0:06:07 | |
The spindle that goes through the centre's called a balance staff. | 0:06:07 | 0:06:10 | |
And, quite often, if a clock is knocked, or a watch is knocked, | 0:06:10 | 0:06:14 | |
-the balance staff breaks. -OK. | 0:06:14 | 0:06:16 | |
This one hasn't broken. | 0:06:16 | 0:06:18 | |
But I do need to strip the movement down to have a look and see why | 0:06:18 | 0:06:21 | |
it's not working correctly. | 0:06:21 | 0:06:23 | |
-Brilliant. -OK. -Thank you very much indeed. -Nice to meet you. -And you. | 0:06:23 | 0:06:26 | |
Knowing that it was 1925 and it was silver, and it's hallmarked, | 0:06:27 | 0:06:30 | |
that was quite amazing, cos I wasn't sure what the metal was, | 0:06:30 | 0:06:33 | |
cos it didn't look like dirty silver. | 0:06:33 | 0:06:35 | |
It just looked like some shiny metal. | 0:06:35 | 0:06:38 | |
The power's getting through to the balance | 0:06:38 | 0:06:41 | |
but the balance isn't turning. | 0:06:41 | 0:06:43 | |
I'm actually hoping, because it's been stopped for such a long time, | 0:06:43 | 0:06:46 | |
that it might just be stopped through dirt and grime. | 0:06:46 | 0:06:50 | |
And a good clean-through might just get it going really well. | 0:06:50 | 0:06:55 | |
While Steve starts deconstructing his clock, | 0:07:04 | 0:07:07 | |
Will is getting to grips with the davenport desk, | 0:07:07 | 0:07:10 | |
much of which was reduced to splinters by burglars. | 0:07:10 | 0:07:14 | |
I don't think I've worked on anything with such, sort of, | 0:07:14 | 0:07:17 | |
blunt trauma to it. It's in a bit of a sorry state. | 0:07:17 | 0:07:20 | |
Davenport desks are named after Captain Davenport, | 0:07:20 | 0:07:24 | |
who commissioned the design in the 18th century. | 0:07:24 | 0:07:27 | |
Often, they feature a set of drawers down both sides - | 0:07:27 | 0:07:31 | |
one real, one false. | 0:07:31 | 0:07:33 | |
It was the false drawers that fooled the burglars. | 0:07:33 | 0:07:36 | |
I really want to get this surface flat again. | 0:07:36 | 0:07:39 | |
Right now, it's just the preparation, | 0:07:39 | 0:07:41 | |
getting everything glued back in place, clamped really tightly. | 0:07:41 | 0:07:44 | |
I'm just trying to work as much of the glue | 0:07:44 | 0:07:48 | |
into the crack as I can. | 0:07:48 | 0:07:50 | |
So, I've got this piece of wood here, flat piece of wood. | 0:07:53 | 0:07:57 | |
The idea is to put the flat piece of wood over the crack | 0:07:57 | 0:08:00 | |
and clamp it down from either side. | 0:08:00 | 0:08:02 | |
I put some blue tape on one side | 0:08:02 | 0:08:04 | |
to prevent the wood from sticking to the glue. | 0:08:04 | 0:08:06 | |
But wood that's over a century old | 0:08:06 | 0:08:09 | |
isn't as supple as it was in its youth. | 0:08:09 | 0:08:12 | |
Can't you put a clamp in there? | 0:08:15 | 0:08:17 | |
-You need one here, don't you? -How am I going to get a clamp in there? | 0:08:18 | 0:08:22 | |
Unless I had a big deep-throated clamp. | 0:08:22 | 0:08:25 | |
Deep-throated clamp? | 0:08:25 | 0:08:27 | |
-Ya-huh. -I tell you what you could put - | 0:08:27 | 0:08:28 | |
you could put a strap round there | 0:08:28 | 0:08:30 | |
to go around that bit and that'll push that down, like that. | 0:08:30 | 0:08:33 | |
-I've got one. -A band clamp? | 0:08:33 | 0:08:35 | |
I call it a thingamajig. | 0:08:35 | 0:08:36 | |
-Thingamajig? -Thingamajig. | 0:08:36 | 0:08:39 | |
-All right, stick it on here, then. -There you are. | 0:08:39 | 0:08:41 | |
Perfect. Any more than that, you'll hear it crack. | 0:08:53 | 0:08:56 | |
I was going to do this anyway, Jay. | 0:08:56 | 0:08:58 | |
I just thought I'd aid you, | 0:08:58 | 0:09:00 | |
just a little bit, because I knew... | 0:09:00 | 0:09:01 | |
-You had it all under control, didn't you? -All under control! -Yeah. | 0:09:01 | 0:09:04 | |
I could see that bead of sweat just dripping off your brow. | 0:09:04 | 0:09:06 | |
Always watching over me, Jay - thanks, mate. | 0:09:08 | 0:09:10 | |
-Like an angel. -It's got to be done, man. It's got to be done. | 0:09:10 | 0:09:13 | |
While the glue sets, | 0:09:13 | 0:09:15 | |
Will turns his attention to the drawer and lock | 0:09:15 | 0:09:18 | |
broken by the burglars | 0:09:18 | 0:09:19 | |
and makes a 999 call of his own. | 0:09:19 | 0:09:22 | |
Steve? | 0:09:22 | 0:09:24 | |
-What do you think of this? -It's got to be a lock, hasn't it? | 0:09:24 | 0:09:27 | |
Let's have a look. | 0:09:27 | 0:09:28 | |
Oh, my word. | 0:09:29 | 0:09:32 | |
That's well mullered, isn't it? | 0:09:32 | 0:09:33 | |
When you say "well mullered", is it too mullered? | 0:09:33 | 0:09:36 | |
I'm not sure, without taking it apart. | 0:09:36 | 0:09:38 | |
-Have you got a key for it? -No. | 0:09:38 | 0:09:39 | |
-There's no key. -Have you got that bit? | 0:09:39 | 0:09:42 | |
I'm about to piece it all together now. | 0:09:42 | 0:09:45 | |
-OK. -That'll be the final piece in my puzzle, a working lock. | 0:09:45 | 0:09:48 | |
Oh, right. OK. | 0:09:48 | 0:09:49 | |
Careful you don't lose any bits. | 0:09:49 | 0:09:51 | |
-Cool? -Yup, OK. | 0:09:51 | 0:09:52 | |
You the man. Thanks, Steve. Cheers. | 0:09:52 | 0:09:55 | |
Nick's done a really good job at keeping all of these puzzle pieces. | 0:09:55 | 0:09:59 | |
I think they should all pretty much... | 0:09:59 | 0:10:04 | |
I say that now. Hold on. | 0:10:04 | 0:10:05 | |
I think they all pretty much fit together. | 0:10:09 | 0:10:11 | |
This one has been bent... | 0:10:20 | 0:10:21 | |
..and almost destroyed by the thieves. | 0:10:22 | 0:10:26 | |
While Will puzzles over his wooden jigsaw, | 0:10:26 | 0:10:29 | |
Steve has his own metal mystery to solve. | 0:10:29 | 0:10:32 | |
Got to fit a key to it now. | 0:10:32 | 0:10:35 | |
I've got a pot of spare keys. | 0:10:35 | 0:10:36 | |
Hopefully, I can get one of them to fit. | 0:10:37 | 0:10:40 | |
He always tells me it's really tricky cos he puts his hand into, | 0:10:42 | 0:10:45 | |
like, a jar of loads of keys and so has to test each key, | 0:10:45 | 0:10:49 | |
and it's usually the last key in the box that works. | 0:10:49 | 0:10:52 | |
If I ever see pots of keys in antique shops, car-boot sales, | 0:10:52 | 0:10:57 | |
I'll always buy them to add to the collection. | 0:10:57 | 0:11:00 | |
-Look at that - found one. -Have you? -Yeah. | 0:11:05 | 0:11:08 | |
If I just go like that... | 0:11:08 | 0:11:11 | |
-it works perfectly. -Wow! | 0:11:11 | 0:11:13 | |
-And the other thing, it wasn't the last one. -Aha! | 0:11:13 | 0:11:16 | |
How are you doing? | 0:11:20 | 0:11:21 | |
Young lady you need to see is Kirsten, just over there. | 0:11:21 | 0:11:23 | |
Expert at taking on the problems other fear to fix, | 0:11:23 | 0:11:27 | |
no restoration project fazes The Repair Shop team. | 0:11:27 | 0:11:31 | |
Hello, how are we doing? | 0:11:31 | 0:11:32 | |
And Brian Mattox has some childhood treasures he hopes | 0:11:32 | 0:11:36 | |
electronics expert Neil Fairley can jump-start back to life. | 0:11:36 | 0:11:40 | |
-What have we got? -It's very delicate. -What is it? | 0:11:40 | 0:11:42 | |
This is from my childhood. | 0:11:42 | 0:11:44 | |
These are two talking Daleks. | 0:11:44 | 0:11:46 | |
-Wow! -Oh, man, look at that. | 0:11:46 | 0:11:49 | |
Right, this is taking me back. Taking me back. | 0:11:49 | 0:11:51 | |
They came out in two colours. | 0:11:51 | 0:11:53 | |
Red Dalek. And this is the grey Dalek. | 0:11:53 | 0:11:56 | |
I remember watching Doctor Who and seeing the Daleks, | 0:11:56 | 0:11:59 | |
and being so scared of these when they first came out. | 0:11:59 | 0:12:02 | |
Behind-the-sofa stuff. | 0:12:02 | 0:12:03 | |
So, what I can see is that there's a kind of theme running through here. | 0:12:03 | 0:12:07 | |
You've got the scarf. Is these the only collect... | 0:12:07 | 0:12:09 | |
-Only things you've got in your collection? -Gosh, no. Golly, no. | 0:12:09 | 0:12:12 | |
I've got a whole roomful. | 0:12:12 | 0:12:14 | |
In a galaxy far, far away, near Wigan... | 0:12:15 | 0:12:19 | |
..Brian has collected a stellar store of Doctor Who memorabilia. | 0:12:20 | 0:12:24 | |
This is the Doctor Who room. | 0:12:28 | 0:12:30 | |
This is my Doctor Who DVD cabinet. | 0:12:30 | 0:12:33 | |
Doctor Who costumes. | 0:12:33 | 0:12:34 | |
Every Doctor Who magazine. | 0:12:34 | 0:12:36 | |
There's even a Doctor Who chess set down here. | 0:12:36 | 0:12:38 | |
Blow-up Dalek. | 0:12:38 | 0:12:39 | |
There's just Doctor Who everything you can imagine. | 0:12:39 | 0:12:42 | |
In the 1970s, I was a very, very bullied child. | 0:12:43 | 0:12:47 | |
Every day when I'd come home from school, | 0:12:47 | 0:12:49 | |
I'd be straight in there with my Doctor Who toys. | 0:12:49 | 0:12:51 | |
They were my escape into another world. | 0:12:51 | 0:12:53 | |
They were my friends. | 0:12:53 | 0:12:56 | |
The toys were more than just toys. | 0:12:56 | 0:12:58 | |
Just holding them and the feel of them | 0:12:58 | 0:13:00 | |
reminds me of the games that we used to play | 0:13:00 | 0:13:02 | |
and the adventures that we used to have, | 0:13:02 | 0:13:04 | |
climbing the icy wastes of the stairs. | 0:13:04 | 0:13:07 | |
So, what's wrong with them, then? | 0:13:08 | 0:13:10 | |
The grey one is a bit slurry, so he sounds, usually, a little bit drunk. | 0:13:10 | 0:13:13 | |
That one, yeah. | 0:13:13 | 0:13:14 | |
Right, and the red one here? | 0:13:18 | 0:13:20 | |
That one doesn't talk at all. | 0:13:20 | 0:13:21 | |
Oh, man. And then these go in there. | 0:13:21 | 0:13:24 | |
They're very easy to lose, obviously, when you're a kid, | 0:13:24 | 0:13:27 | |
but these fit in just as simple as that. | 0:13:27 | 0:13:30 | |
Now he looks like a proper Dalek, yeah. | 0:13:30 | 0:13:32 | |
Now he looks like the fearsome predator of the universe. | 0:13:32 | 0:13:35 | |
We've got to get these working. | 0:13:36 | 0:13:37 | |
It would mean an awful lot to hear everything work as near perfect as possible. | 0:13:37 | 0:13:41 | |
We're going to get it perfect, not near per... | 0:13:41 | 0:13:43 | |
Cos he's drunk, and we've got to get him sobered up. | 0:13:43 | 0:13:46 | |
-Thanks a lot. See you. -Take care. -Bye. | 0:13:46 | 0:13:49 | |
INDISTINCT DALEK SPEECH | 0:13:50 | 0:13:53 | |
THEY CHUCKLE | 0:13:55 | 0:13:57 | |
Oh, it'd be amazing if it could be made | 0:13:57 | 0:14:00 | |
so they could all talk in exactly the way they used to do again. | 0:14:00 | 0:14:03 | |
So, we're going to have some challenges here, then. | 0:14:03 | 0:14:05 | |
We're going to have some challenges but it's going to be good fun. | 0:14:05 | 0:14:08 | |
To fix them, Neil first has to find out what makes them speak. | 0:14:08 | 0:14:13 | |
This is the voice box of the Dalek. | 0:14:13 | 0:14:15 | |
I've never worked with a voice box before of any kind. | 0:14:15 | 0:14:17 | |
And - aha! - the discy thing is actually a record. | 0:14:19 | 0:14:23 | |
The Dalek's voice box works exactly like a record player in miniature, | 0:14:23 | 0:14:28 | |
with a tiny needle and a turntable powered by a small electric motor. | 0:14:28 | 0:14:32 | |
And Neil's already honing in on the possible source of the problem. | 0:14:32 | 0:14:36 | |
I think he's slurring because something in here | 0:14:36 | 0:14:40 | |
is not lubricated properly. | 0:14:40 | 0:14:43 | |
It could be these shafts. | 0:14:43 | 0:14:44 | |
It could be the motor itself. | 0:14:44 | 0:14:46 | |
So the first thing I'm going to do is some lubrication. | 0:14:46 | 0:14:49 | |
And, hopefully, that will stop the slurriness. | 0:14:49 | 0:14:52 | |
Meanwhile, Will is hoping that | 0:14:59 | 0:15:01 | |
his latest piece of handiwork doesn't come unstuck. | 0:15:01 | 0:15:04 | |
Big reveal, yeah? | 0:15:04 | 0:15:06 | |
Time to remove the clamps and Jay's thingamajig | 0:15:06 | 0:15:09 | |
from the damaged davenport desk. | 0:15:09 | 0:15:12 | |
Hey. | 0:15:13 | 0:15:14 | |
Well done! | 0:15:16 | 0:15:18 | |
-Flat? -That's cool! Yeah, that is flat. | 0:15:19 | 0:15:22 | |
That's pretty flat. That's a lot better, isn't it? | 0:15:23 | 0:15:26 | |
Well done. | 0:15:26 | 0:15:27 | |
Now the structure is secure, | 0:15:29 | 0:15:31 | |
Will can start repairing the gaping wound. | 0:15:31 | 0:15:34 | |
That's looking all right, innit? So, what have you got next? | 0:15:35 | 0:15:38 | |
I'm going to put a bit of polish on the front now. | 0:15:38 | 0:15:41 | |
When I get polish on there, I can colour-match it | 0:15:41 | 0:15:44 | |
-to the actual colour. -The real colour. -Yeah. | 0:15:44 | 0:15:46 | |
For the final stage, Will's drawing on another skill | 0:15:46 | 0:15:49 | |
from his restoration treasure chest - | 0:15:49 | 0:15:52 | |
one that will need all his craftsmanship and eye for detail. | 0:15:52 | 0:15:56 | |
It's pretty intricate, blending in the filler bit by bit, | 0:15:56 | 0:16:01 | |
building up the layers with the different parts of the grain. | 0:16:01 | 0:16:05 | |
Just trying to work between the different colours of pigment, | 0:16:05 | 0:16:09 | |
the orange, the browns and every | 0:16:09 | 0:16:11 | |
colour that you can find in the veneer. | 0:16:11 | 0:16:13 | |
I went to art school for a year - one of the best years of my life. | 0:16:15 | 0:16:20 | |
And I really liked painting and fine art and stuff. | 0:16:20 | 0:16:24 | |
But never had the chance, really, to use that. | 0:16:24 | 0:16:27 | |
So when I went into antique furniture restoration, | 0:16:27 | 0:16:30 | |
things like this allowed me to, sort of, | 0:16:30 | 0:16:33 | |
pick up a paintbrush again and mix around a few colours, and... | 0:16:33 | 0:16:37 | |
..be creative with a brush again. | 0:16:38 | 0:16:40 | |
Once this is dried, I'll give everything a wax over, | 0:16:40 | 0:16:44 | |
and a bit of a buff, and it'll be ready to hand it back to Nick. | 0:16:44 | 0:16:47 | |
-Jay? -Ooh! | 0:16:55 | 0:16:57 | |
What do you think? | 0:16:57 | 0:16:59 | |
HE SIGHS | 0:16:59 | 0:17:00 | |
HE INHALES SHARPLY | 0:17:00 | 0:17:02 | |
No. I have to... | 0:17:02 | 0:17:04 | |
-take my hat off to you, sir. -Take your hat off again? -Well done. | 0:17:04 | 0:17:07 | |
-Lovely. -Your finest work, mate. | 0:17:07 | 0:17:09 | |
-This is... -Really? | 0:17:09 | 0:17:11 | |
It's remarkable. There was a hole here, there, one there, | 0:17:11 | 0:17:15 | |
and there was a massive crack down the middle there. | 0:17:15 | 0:17:17 | |
It reminded people of a really bad memory | 0:17:17 | 0:17:20 | |
and you've just erased that completely. | 0:17:20 | 0:17:22 | |
Sorry, I know I've touched it and I don't want to ruin your work. | 0:17:22 | 0:17:25 | |
I saw those eyes. Let me have a look at the inside. | 0:17:25 | 0:17:29 | |
Well done. Well done. | 0:17:29 | 0:17:30 | |
That was all broken, across there. | 0:17:30 | 0:17:33 | |
This lock wasn't on there originally. | 0:17:33 | 0:17:35 | |
The lock was on a piece... | 0:17:35 | 0:17:36 | |
-Oh, a piece of timber? -..inside there. | 0:17:36 | 0:17:38 | |
Yeah. But Steve was really kind enough to straighten up the lock. | 0:17:38 | 0:17:42 | |
If I ever get locked out of my house, I know who to call. | 0:17:42 | 0:17:45 | |
Steve! Do you want to have a look at this, mate? | 0:17:45 | 0:17:47 | |
Kirsten, come and have a look. | 0:17:47 | 0:17:48 | |
Will has, er... He's been busy. | 0:17:48 | 0:17:51 | |
-Finally finished. -KIRSTEN: That's amazing. | 0:17:51 | 0:17:54 | |
-Which is the side that was... It's this side, isn't it? -Ah! | 0:17:54 | 0:17:58 | |
She's got the charm of a queen, hasn't she? | 0:17:58 | 0:18:01 | |
THEY CHUCKLE | 0:18:01 | 0:18:02 | |
Isn't that just fabulous? | 0:18:02 | 0:18:04 | |
-Absolutely fabulous. -It is, isn't it? | 0:18:04 | 0:18:06 | |
Can't deal with all the praise! I don't know how to take it. | 0:18:06 | 0:18:08 | |
-But it's true! -It's true. You've got to give credit where credit's due. -That's amazing. | 0:18:08 | 0:18:12 | |
-It is, isn't it? -It's just got a new lease of life, really, hasn't it? | 0:18:12 | 0:18:17 | |
Honestly, it was so dilapidated before. | 0:18:17 | 0:18:20 | |
-Well done. -Thanks, guys. | 0:18:20 | 0:18:22 | |
Enjoy it, enjoy it, cos you have done good. | 0:18:22 | 0:18:25 | |
The davenport was a really challenging job. | 0:18:25 | 0:18:28 | |
I mean, it was pretty severe, what the burglars had done. | 0:18:28 | 0:18:31 | |
And the pressure of getting it right... | 0:18:31 | 0:18:32 | |
I mean, the story behind it - Olive, what she's done for Nick's family... | 0:18:32 | 0:18:37 | |
So I really hope that what I've done now will help remove any negative | 0:18:37 | 0:18:42 | |
associations, and he can look at it now | 0:18:42 | 0:18:44 | |
and just think of the good times with Olive. | 0:18:44 | 0:18:47 | |
NARRATOR: Bidding farewell to The Repair Shop, | 0:18:50 | 0:18:52 | |
the desk makes the 100-mile journey back to its owner Nick | 0:18:52 | 0:18:55 | |
and his sister-in-law Michelle - | 0:18:55 | 0:18:57 | |
now fully functional and ready to be passed onto Nick's niece Ellie. | 0:18:57 | 0:19:02 | |
So, Ellie, I bet you're wondering what's going on. | 0:19:02 | 0:19:05 | |
We've actually got a surprise for you. | 0:19:05 | 0:19:07 | |
Hiding underneath this red cloth | 0:19:07 | 0:19:09 | |
is something which I hope you're going to really enjoy. | 0:19:09 | 0:19:12 | |
It's something that belonged to Olive, | 0:19:12 | 0:19:14 | |
something that was in her family for a long time. | 0:19:14 | 0:19:16 | |
I'm actually really excited to see it, because I haven't seen it yet. | 0:19:16 | 0:19:19 | |
-One, two, three. -Three, two... | 0:19:20 | 0:19:23 | |
Whoa! Gosh, that's really old school. Isn't it lovely? | 0:19:23 | 0:19:27 | |
They've done a fantastic job on it. | 0:19:27 | 0:19:29 | |
I don't know if you can see this - right from the top, | 0:19:29 | 0:19:31 | |
all the way to the bottom, was this massive crack half an inch wide. | 0:19:31 | 0:19:35 | |
They've done a fantastic job there, | 0:19:37 | 0:19:39 | |
because you wouldn't be able to tell. | 0:19:39 | 0:19:41 | |
It's given it a whole new lease of life. | 0:19:41 | 0:19:43 | |
-It's brilliant, isn't it? -Fantastic. -Good craftsmanship, isn't it, | 0:19:43 | 0:19:45 | |
the way they've been able to do that? So, are you pleased? | 0:19:45 | 0:19:48 | |
-Yeah, really pleased. -Lovely, isn't it? -Yeah. Thank you. -No problem. | 0:19:48 | 0:19:52 | |
Just really hope you enjoy it and get lots of use out of it. | 0:19:52 | 0:19:56 | |
I really do appreciate it, because it's such a nice gift | 0:19:56 | 0:19:58 | |
and it reminds me of Olive. | 0:19:58 | 0:20:00 | |
And having that to take with me and also pass on, | 0:20:00 | 0:20:03 | |
like, future generations, it's just, like, really thoughtful. | 0:20:03 | 0:20:06 | |
I was absolutely staggered. Unless someone had told you, | 0:20:06 | 0:20:08 | |
you wouldn't have known it had suffered so much damage. | 0:20:08 | 0:20:11 | |
They're just magicians - I don't know how they did it! | 0:20:11 | 0:20:13 | |
It's a really nice ending to the story that Ellie's now got | 0:20:14 | 0:20:17 | |
something that can remind her of someone who meant so much to her. | 0:20:17 | 0:20:20 | |
I know it would have given Olive a lot of joy knowing that | 0:20:20 | 0:20:22 | |
it was going to be passed on to Ellie, as well. | 0:20:22 | 0:20:25 | |
Back in the workshop, Neil is still trying to sober up the drunk Daleks. | 0:20:31 | 0:20:37 | |
-How are we getting along, Neil? -We're doing well, Jay. | 0:20:37 | 0:20:39 | |
I'm about to fill this one with oil because, | 0:20:39 | 0:20:41 | |
having used solvent to clean out the old oil and grease, | 0:20:41 | 0:20:44 | |
we now need to put new oil and grease. | 0:20:44 | 0:20:46 | |
What we're going to do is put some oil on this end | 0:20:46 | 0:20:50 | |
and on that end of the motor, which is where the bearings are. | 0:20:50 | 0:20:52 | |
Where'd you get one of these from, then? I like this. | 0:20:52 | 0:20:55 | |
You can buy them on the internet. It's not sharp, | 0:20:55 | 0:20:57 | |
so you don't need to worry about touching it with your fingertip. | 0:20:57 | 0:21:00 | |
-Cool. -It's a blunt needle. -And it comes... | 0:21:00 | 0:21:02 | |
Oh, what? Now, that is smart. | 0:21:02 | 0:21:03 | |
-So you can get it right into the little... -You can get it right in. | 0:21:03 | 0:21:06 | |
So, that should do it? | 0:21:06 | 0:21:07 | |
We hope so. OK. | 0:21:07 | 0:21:08 | |
So, it's all oiled up, yeah? | 0:21:08 | 0:21:10 | |
It's all oiled up. I'm going to give the motor a good spin | 0:21:10 | 0:21:13 | |
to make sure the oil's got to the parts. | 0:21:13 | 0:21:15 | |
I've oiled the shaft just by putting a little bit of oil on my hands | 0:21:16 | 0:21:20 | |
and rubbing it like that. | 0:21:20 | 0:21:21 | |
So we start to reassemble now. | 0:21:21 | 0:21:23 | |
The record goes into the right place. | 0:21:24 | 0:21:27 | |
-I want to hear it! I want to hear it played. -Fingers crossed, you will. | 0:21:27 | 0:21:30 | |
But we're coming to the really tricky part now. | 0:21:30 | 0:21:33 | |
I'm putting the needle on. | 0:21:33 | 0:21:34 | |
We've got to get that tiny spring to fold back | 0:21:34 | 0:21:37 | |
so it goes inside the top part of the case. | 0:21:37 | 0:21:39 | |
I think I missed it. | 0:21:41 | 0:21:43 | |
So, here we go again. | 0:21:43 | 0:21:44 | |
-All done? -I think it's back together. | 0:21:45 | 0:21:47 | |
OK. So, we'll put the batteries in. | 0:21:47 | 0:21:49 | |
-DALEK: -Exterminate! Exterminate! | 0:21:49 | 0:21:52 | |
He's getting proper excited there! | 0:21:52 | 0:21:54 | |
Attack! Attack! Attack! | 0:21:54 | 0:21:56 | |
Yeah! That sounds good. | 0:21:56 | 0:21:58 | |
Exterminate! Exterminate! | 0:21:58 | 0:22:01 | |
-Wow! He's sobered up now, hasn't he? -He has. | 0:22:01 | 0:22:04 | |
So, you've got lubrication, made him work, and that's it - | 0:22:04 | 0:22:07 | |
-everything's good? -Everything's good from the silver Dalek. | 0:22:07 | 0:22:09 | |
-How about this guy? -Well, we're going to get to him next. | 0:22:09 | 0:22:12 | |
-OK, cool. -Let me put this one back together first. | 0:22:12 | 0:22:14 | |
Oh, right. I'll leave you to it, then. | 0:22:14 | 0:22:15 | |
With Dalek number one refreshed, | 0:22:17 | 0:22:19 | |
revived and keen to get back to the day job... | 0:22:19 | 0:22:22 | |
Exterminate! Exterminate! | 0:22:22 | 0:22:25 | |
..it should be a simple matter of repeating the process | 0:22:25 | 0:22:28 | |
for Dalek number two. | 0:22:28 | 0:22:30 | |
That's not a promising sign. These two screws, | 0:22:30 | 0:22:34 | |
which hold the two halves of the voice box together, | 0:22:34 | 0:22:37 | |
they are absolutely chewed to rags. | 0:22:37 | 0:22:38 | |
The heads of the screws have gone. | 0:22:38 | 0:22:40 | |
Basically, they've had it. | 0:22:40 | 0:22:42 | |
With the red Dalek resisting the force of | 0:22:42 | 0:22:44 | |
Neil's not-so-sonic screwdriver, he resorts to drastic measures - | 0:22:44 | 0:22:49 | |
injecting his special solution into any opening he can find. | 0:22:49 | 0:22:54 | |
We'll give it a good shake. | 0:22:54 | 0:22:55 | |
The solvent will now have evaporated. | 0:22:57 | 0:22:59 | |
So I've gone for my second syringe, | 0:22:59 | 0:23:01 | |
and I'm putting some oil on the pivots. | 0:23:01 | 0:23:04 | |
And keep our fingers crossed and see if it works. | 0:23:04 | 0:23:06 | |
Meanwhile, time is standing still for Steve | 0:23:11 | 0:23:14 | |
and the silver travel clock. | 0:23:14 | 0:23:17 | |
There's real thick oil on the underside of the dial there. | 0:23:17 | 0:23:22 | |
Just wipe that off and show you. | 0:23:22 | 0:23:25 | |
It's had loads of oil put on. | 0:23:25 | 0:23:27 | |
There's no way you should put as much oil onto a clock like this. | 0:23:27 | 0:23:32 | |
Steve now needs to dismantle the gummed-up clock, | 0:23:33 | 0:23:36 | |
thoroughly clean the intricate parts and reassemble it again, | 0:23:36 | 0:23:41 | |
all before Ian returns to collect his treasured family timepiece. | 0:23:41 | 0:23:45 | |
It's quite a nice part of the job, cleaning up the silver, | 0:23:47 | 0:23:50 | |
cos it does come up really, really well. | 0:23:50 | 0:23:51 | |
Going to start putting the main part of the clock together now. | 0:23:52 | 0:23:56 | |
There we are - all done. | 0:23:58 | 0:23:59 | |
It's quite incredible to think that this survived Ian's grandparents | 0:24:00 | 0:24:05 | |
being in a Japanese camp. | 0:24:05 | 0:24:07 | |
They must've had it hidden away somewhere...incredibly safe. | 0:24:07 | 0:24:11 | |
-Hello, Ian. -Hi, Steve. | 0:24:12 | 0:24:14 | |
-How are you? -Nice to see you again. | 0:24:14 | 0:24:16 | |
-You, too. -How have you got on, sir? | 0:24:16 | 0:24:17 | |
-Yeah, really well. I'll just go and get your clock for you. -Thank you. | 0:24:17 | 0:24:21 | |
-Oh, wow. I can see... -There we are. | 0:24:24 | 0:24:26 | |
Wow! I can see from here you've done a lot of work on that. | 0:24:26 | 0:24:29 | |
That is really glistening, isn't it? | 0:24:29 | 0:24:31 | |
-I've never seen the silver look like that. -Oh, right. -Never. | 0:24:32 | 0:24:36 | |
That is amazing. Actually, can I... | 0:24:36 | 0:24:38 | |
I haven't heard it tick for so long. | 0:24:38 | 0:24:40 | |
-Oh, it does. -Yeah. -That's beautiful, isn't it? | 0:24:43 | 0:24:46 | |
-And is that the right time? I've got no idea. -Yes, it is. | 0:24:46 | 0:24:48 | |
It's absolutely amazing. | 0:24:49 | 0:24:51 | |
I did not expect it to come back looking like that. | 0:24:51 | 0:24:54 | |
Thank you very much. | 0:24:54 | 0:24:55 | |
I hope it brings back the memories of your grandparents... | 0:24:55 | 0:24:59 | |
It certainly will do that. | 0:24:59 | 0:25:00 | |
..and the life that this has had with your grandparents, as well. | 0:25:00 | 0:25:03 | |
Well, that's what I'm now desperately keen to find out, | 0:25:03 | 0:25:06 | |
because I haven't found it out. | 0:25:06 | 0:25:08 | |
I've spent a long time looking and I haven't quite got to | 0:25:08 | 0:25:11 | |
-the end of it yet... -Oh, right, OK. -..to know how it came to them, | 0:25:11 | 0:25:14 | |
-whether it came from my grandmother or my grandfather, because... -Right. | 0:25:14 | 0:25:17 | |
..there's a bit in their life that's missing | 0:25:17 | 0:25:19 | |
and I need to try and see if I can research it a bit more. | 0:25:19 | 0:25:22 | |
It's re-sparked the desire to go through the family tree | 0:25:22 | 0:25:27 | |
in a bit more detail. | 0:25:27 | 0:25:28 | |
I can't believe he's got the silver up the way he has. | 0:25:28 | 0:25:32 | |
It's never looked like that, all the time I've had it. | 0:25:32 | 0:25:34 | |
I'm gobsmacked. It's brilliant. It's absolutely brilliant. | 0:25:34 | 0:25:38 | |
And I know, when I tell the family what's happened, | 0:25:38 | 0:25:41 | |
they will be absolutely delighted. | 0:25:41 | 0:25:43 | |
-There we go. -Never thought I'd get it back like that. | 0:25:43 | 0:25:46 | |
And I wish I'd met you earlier. | 0:25:46 | 0:25:48 | |
-Oh, thank you. -Cheers. -You take care. Bye-bye, now. | 0:25:48 | 0:25:50 | |
But as one happy customer leaves the workshop, | 0:25:55 | 0:25:58 | |
two more recent arrivals are kicking up a fuss. | 0:25:58 | 0:26:01 | |
DALEK TOYS WAIL | 0:26:01 | 0:26:04 | |
This red Dalek has been silent for ten years | 0:26:06 | 0:26:09 | |
and electronics expert Neil is on a one-man mission to make him speak. | 0:26:09 | 0:26:14 | |
We need the oil to get into all the places the oil needs to go into, | 0:26:14 | 0:26:18 | |
and the best way of getting the oil to do that | 0:26:18 | 0:26:20 | |
is to make everything move that needs to move. | 0:26:20 | 0:26:23 | |
The best way to make everything move that needs to move is, | 0:26:23 | 0:26:25 | |
of course, to put in batteries and push the button. | 0:26:25 | 0:26:28 | |
SLURRED: | 0:26:28 | 0:26:30 | |
-That doesn't sound right. -Shall I take it outside? | 0:26:32 | 0:26:35 | |
Yeah, it's a bit possessed, yeah. | 0:26:35 | 0:26:37 | |
I think you need to take it out. | 0:26:37 | 0:26:39 | |
Nightmare. I'm going to be thinking about that tonight. | 0:26:39 | 0:26:41 | |
Demonic Dalek coming for me. | 0:26:41 | 0:26:43 | |
He's asking what our orders are. | 0:26:48 | 0:26:51 | |
-He's a good Dalek. -I'll give him an order - get the hell out of here! | 0:26:51 | 0:26:54 | |
-It's getting clearer. -It is getting clearer - I'll give it that. | 0:26:58 | 0:27:01 | |
With their dulcet tones restored, | 0:27:01 | 0:27:04 | |
these fearsome warriors can be reassigned to their quest | 0:27:04 | 0:27:07 | |
for world domination near Wigan | 0:27:07 | 0:27:11 | |
and return to their master, Brian. | 0:27:11 | 0:27:13 | |
-How you doing? You all right? -Oh, the tension! | 0:27:14 | 0:27:17 | |
-The tension! -Good news about the Daleks. | 0:27:17 | 0:27:20 | |
DALEK: Attack! Attack! Attack! | 0:27:20 | 0:27:23 | |
-Now, he's on hyperdrive. -Isn't he? | 0:27:23 | 0:27:25 | |
But even the red one... | 0:27:25 | 0:27:26 | |
You will obey! | 0:27:26 | 0:27:29 | |
You need to obey. But, apart from that, | 0:27:29 | 0:27:32 | |
you need to make the thing work as much as possible, | 0:27:32 | 0:27:34 | |
so don't be afraid to use it. Use it and use it and use it, | 0:27:34 | 0:27:37 | |
and the more you use it, the higher its pitch is going to get. | 0:27:37 | 0:27:40 | |
So he's going to end up speaking like a normal Dalek. | 0:27:40 | 0:27:43 | |
What are your orders? | 0:27:43 | 0:27:47 | |
It's so good to hear them both speak, at least. | 0:27:47 | 0:27:49 | |
Considering they were made in 1975, crikey! | 0:27:49 | 0:27:53 | |
They are doing very well, both of them. | 0:27:53 | 0:27:55 | |
They are, really. I'm very impressed with that noise. | 0:27:55 | 0:27:57 | |
Awesome! Thank you. | 0:27:57 | 0:27:58 | |
Now I've got them back again, | 0:28:00 | 0:28:02 | |
perhaps these Daleks can conquer the icy slopes of the stairs again, | 0:28:02 | 0:28:06 | |
just like they used to do in the 1970s. | 0:28:06 | 0:28:08 | |
-DALEK: -You will obey! | 0:28:08 | 0:28:10 | |
Exterminate! Attack, attack, attack! | 0:28:10 | 0:28:15 | |
Join us next time, | 0:28:16 | 0:28:17 | |
as more family treasures are rescued | 0:28:17 | 0:28:20 | |
and precious memories restored in The Repair Shop. | 0:28:20 | 0:28:23 |