Episode 8 The Repair Shop


Episode 8

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Transcript


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Welcome to The Repair Shop,

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where cherished family heirlooms are brought back to life.

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This is the workshop of dreams.

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Home to furniture restorer, Jay Blades.

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Nowadays, everybody spends a fortune on stuff

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that once it's broken, they just bin it.

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But everybody has something that means too much to be thrown away,

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and that's where we come in.

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Working alongside Jay

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will be some of the country's leading craftspeople.

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Every piece has its own story.

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It's amazing to think some of my work becomes a part of that story.

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I've always played with things, I've always repaired things,

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and I just love it.

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There is a real pleasure in bringing people's pieces

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back to life again.

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Each with their own unique set of skills...

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The right tool for the right job.

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..they will resurrect,

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revive and rejuvenate

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treasured possessions

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and irreplaceable pieces of family history.

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Wow! She's fantastic!

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Bringing both the objects...

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-Oh!

-This is what I remember.

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..and the memories that they hold...

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-Wow!

-..back to life.

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Oh, my God!

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In the Repair Shop today, Steve is stumped by a precious wartime clock.

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I'm just too nervous that it's going to actually end in tears.

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And Dom comes unstuck with some heavy metal.

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I've come so far, we're so close now to getting it completely apart.

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I can't leave it. I've got to try and get it off.

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But first in the Repair Shop,

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actress Anne Marriott has brought a fragile reminder of her late husband.

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-Hello.

-Hello.

-All right? I'll take that for you.

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-Thank you very much.

-OK.

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Glass. Matt?

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The man for this job is resident stained-glass craftsman Matt Nickels.

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-Hi, there, I'm Matt.

-Matt, hello.

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Let's have a look at this, then.

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What are we opening here?

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These are pieces of glass

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that my husband rescued from an old music hall theatre, the Old Bedford,

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when it was being sort of finally demolished.

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These pieces, I guess, must have come perhaps from

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in-between the auditorium and, say, the bar at the back.

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-Right, yeah.

-To indicate to people where their seats were.

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-Oh, that goes in there.

-Yeah, the orchestra.

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-I think this...

-This one's boxes.

-The posh seats, I guess.

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The posh seats? OK.

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The Bedford Theatre opened in Camden, North London, in 1899,

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and was a much-loved variety venue until it closed 60 years later.

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It lay derelict before it was finally demolished.

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-Your husband rescued them?

-He did.

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I have a vision in my mind of him sort of stumbling over fallen masonry,

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discovering these dusty objects,

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fishing them out and realising the treasures they are.

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Must have fallen in love with them, really.

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Sadly, after his death,

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they spent years wrapped in newspaper and up in an attic.

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What do you reckon, can you do something with these?

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I can, I can indeed.

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It's nice when you look at this one that there's no broken glass.

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This one is obviously part of a bigger window,

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so you can see all of the lead has been cut at the joints there.

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So from a kind of restoration point of view,

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I think this one is going to be the easiest one.

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So if you leave them with us,

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Matt is definitely going to work his magic

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and restore them back to their former glory.

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That will be absolutely wonderful.

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-Thanks a bunch.

-Thank you.

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-All right?

-Yeah. Thanks very much.

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-Bye now.

-Take care now.

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To have them looking the way they are supposed to look,

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well, it would have been wonderful if that could have happened while Sean was alive

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because if we would go to the theatre together,

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then we'd be admiring the same sorts of things

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in these sorts of buildings, actually.

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-Now, that's a nice story, isn't it?

-That's a really nice story.

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It's kind of taken from the theatre.

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-Yeah.

-Her husband was in the theatre.

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-Yeah.

-She's in the theatre.

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-Yeah.

-And now the theatre is going to be in her house.

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-It's fantastic.

-So you're going to bring them right back up to date...

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-Yeah.

-Spruce them up.

-Yeah, absolutely.

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-And make them look good, yeah?

-Yeah, I am indeed, yeah.

-OK.

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What I need to do is take them over to your bench.

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-Yeah, all right.

-Come on, then.

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Family heirlooms are special for many reasons,

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and some of them have extraordinary stories to tell.

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Tom Ridgeway and his brother Tony

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have brought along a particularly treasured possession

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that is steeped in history.

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-Hi, I'm Steve.

-Tom.

-Hi, Tom.

-Tony.

-Tony.

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They are hoping that horologist Steve can lend his expertise.

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Here we are. Right, what have we got?

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-A propeller clock.

-Yes.

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I think there's a little bit of woodwork that needs doing on this, as well.

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Will? Have a look at this.

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That's really cool.

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The propeller means a lot to us as a family,

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because it was the propeller from my father's aeroplane,

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which he crash-landed after being shot down in the First World War.

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-That's incredible.

-That's amazing!

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Yeah. He was in the Leicestershire Regiment to start with

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and when the Flying Corps started,

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he volunteered immediately for the Flying Corps.

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Not a lot of people would have survived

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crash-landing an aircraft in those days.

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No. I mean, he was quite badly injured, apparently.

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And did he talk much of the days of flying?

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Never. Never.

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Now, tell me about the clock. What's wrong with it?

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It doesn't work.

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Well, we're going to make it into a working clock again.

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And we'll fix the base so that it's tight and will work well again.

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-Yeah, that'll be great, yeah.

-OK?

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-Brilliant. Thank you very much.

-Thank you very much.

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Thank you very much.

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A great bit of history behind that.

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-I know. It's a pretty cool clock, isn't it?

-It is.

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I mean, you think if Tony's father had been killed...

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-Yeah.

-..then all of the generations wouldn't be here.

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It's such an important piece to them.

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To know what that's been through, it's quite nice if we manage to salvage that.

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Absolutely fantastic.

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Steve's first job is to remove the outdated electrical mechanism

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from the clock and replace it with a quartz one.

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Battery-powered, a piece of crystal quartz

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produces a regular electric pulse that keeps the time.

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I'm just going to pop the movement out now.

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I just need to snip the wire off. That's the easy bit.

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And this should just push out.

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It's a bit tight.

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It's completely bunged up and, er...I think that's quite dangerous.

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It's mains electric. It's been soldered badly here and here,

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so that could be shock danger or a fire danger,

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so it's a good job we're taking it out

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and putting a quartz movement in it.

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I'm actually thinking now that the dial is plastic.

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Now that I've taken that part out,

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I can give the case to Will.

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Stained-glass restorer Matt is in the midst of repairing

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two treasured windows rescued from a demolished Victorian theatre.

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So we've got the drawing here.

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I'm just taking the outside lead off and just teasing this out.

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There we go.

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When you're taking apart the window, putting it onto here,

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it's very important to make sure that they go on immediately.

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You don't want to mix anything up at all.

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You could have what seems to be two symmetrical triangles,

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one on each side,

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but when it comes to actually making the window,

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chances are they might be slightly off,

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the angles might be slightly different.

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The difficulty will come in building a replica of the original window.

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-What are you up to now?

-Hi there, Steve.

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-It looks like you're wrecking a piece of glass.

-It does, doesn't it?

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Well, these are the original pieces that came in.

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One of them was fully intact.

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-Yeah.

-Whereas the other one, you can see here

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that there was just the central section and none of the outer part to it.

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So these, I actually salvaged about five or six years ago,

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so this is all original Victorian glass.

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-Yeah.

-And it's going to be the best match I can get

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for the tints for this piece.

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Do you have loads and loads of bits of old glass like this?

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I've probably got too much, maybe,

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but, you know, at some point, yeah, you might use them.

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-So all of that's missing?

-All of that is missing, yeah.

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-Oh, gosh.

-So I've set myself quite a big job.

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Many of the items that pass through the doors of the Repair Shop

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are reminders not just of family history, but of working life.

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Right, OK, cool.

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-If you follow me in.

-I will do.

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Right.

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Dom, I've got one for you, mate.

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Maggie Collis has brought in a highly unusual piece of equipment

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that's been in her family for over 100 years.

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And there it is.

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All right. So I've gathered it's heavy and it's metal.

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Yes, and it's very rusty.

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It sounds perfect for me, this.

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So, please tell me, what is this?

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-It's a shoe stretcher.

-A shoe stretcher?

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If you've got a pair of shoes you really like

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and your feet are just not quite right for the shoes,

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-you can stretch the shoes and then you can wear them.

-Oh, right!

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The shoe goes on there and that turns and that alters this and these...

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-these alter...

-Push these in and out.

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-It's a clever thing.

-It is a clever thing. It's very clever.

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It was my father's and his father's before him.

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They had a shoe-repairing shop.

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So, where was this shop, then?

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It was in a place called Southall in Middlesex.

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OK. And why do you want to get this restored, then?

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Why do you want it done up now?

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It's such a reminder of my childhood.

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Because I used to work in the shop from the age of about six

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and I used to do all the change and the money and what for people.

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-Yeah.

-And it's the only thing I've got left, really,

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of my father's whole lifestyle.

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Well, don't worry, we'll...

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-You'll look after it.

-We'll look after it, exactly.

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So, Dom, what do you reckon?

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30-odd years in the shed has taken its toll, but...

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-That's a very kind way of putting it.

-Yeah.

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THEY LAUGH

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But it's all there. It just depends how far you want to go, really,

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with the paint, things like that.

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Do you want to preserve some of the history of this old, flaky paint?

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If it was painted red, it would be fantastic,

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-because it would just be as it was.

-As it was.

-As you remember it.

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-Just as I remember it for all those years.

-I understand.

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If you leave it with us, Dom is going to work his magic on it

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and as soon as he's done it and got it looking red again, we'll get back to you.

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-That will be wonderful.

-That all right?

-Thank you.

-Thank you.

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-Thanks for coming.

-Thank you.

-Nice to meet you.

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Metal-worker Dom is used to dealing with seized-up machinery,

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but this shoemaker's gadget has been rusting for over 30 years

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and could really test his mettle.

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This is not strawberry smoothie in here.

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It's actually a mix of automatic gearbox fluid

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and acetone. Mixed 50/50.

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It's a bit of an old sort of farmer's trick from back in the day.

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Just working it in with a brush, a stiff brush,

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working it into all the little areas.

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There's lots of small bolts and bits we need to free up.

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I'm going to leave it in overnight,

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come back in the morning and see what the results are.

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The Repair Shop team is also working on a much-loved clock

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embedded in an aircraft propeller.

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Woodwork expert Will has taken on

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the job of reviving the mahogany case.

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In this jar, I have a secret concoction

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that I've made up to clean off waxy surfaces and dirty surfaces.

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Look at that. Decades of dirt on there.

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You can see already it's a lot clearer.

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You can actually see the lettering a lot better.

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Once I've done that, I can give it a bit of polish

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with a natural shellac polish,

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which is what you use for French-polishing furniture.

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While Will continues his clean-up operation,

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Steve has a rather grimy dial on his hands.

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He's hoping Kirsten might be able to help get it sparkling again.

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Right, a bit of advice.

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It's a one-piece plastic dial. Um...

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It's had some pretty dirty oil in the back there, on the mechanism,

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and it's just stained that.

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I'd love to just dip it in some detergent and wash it off,

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but I can't because I'm concerned that I'll take the numerals off.

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Yeah. Have you tried anything on it yet?

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-No, I haven't.

-No.

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Shall we just have a go with some acetone first of all,

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-just to try and remove some of this grease?

-OK.

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-I don't think it's made any difference at all.

-Don't you?

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No.

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Absolutely nothing.

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I did wonder about putting some bleach,

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but I don't know what'll happen to the rest of the plastic.

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The trouble is, it's quite difficult to control it, really, isn't it?

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I'm a bit nervous.

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Do you know what, I think, actually, we're going to leave it.

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-OK.

-I'm just too nervous that it's going to actually end in tears.

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OK.

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With glass harvested from his own salvaged pieces,

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Matt can begin rebuilding the windows

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of the stained-glass theatre panels.

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First, he's creating the surround

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for the smaller panel completely from scratch.

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At this stage here, you can see these are just

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pieces of glass that don't have any housing on them yet.

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So here, you've got your lead knife to cut your lead, like this.

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Then you're going to use a horseshoe nail.

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And these horseshoe nails are basically keeping it

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in place.

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Once all the glass is encased in new lead,

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the entire piece can be secured with solder.

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It's looking really good.

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Outside, metal-worker Dom is tackling a cast-iron device

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that's riddled with rust.

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The shoe stretcher's had its bath overnight in the pink solution.

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That's penetrated in as much as it can.

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First job I'm going to try and do is just try and free up this heel part

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because it's still...impossible to turn.

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I'm going to warm up the block, so as it gets hot,

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it will expand ever so slightly. A tiny, tiny amount.

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Just expand a little bit to try and break that rust joint.

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OK. That should be enough.

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Let's have a look.

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This dial here will turn that, so that should start moving.

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I've heated up in there. I'm just going to give it a little tap.

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I don't really want to be hitting it with a hammer too much.

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It's obviously as fragile as anything.

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Sometimes the shock of hitting it just frees up.

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Just starting to move now.

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A little bit of oil.

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There we go.

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Yeah.

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That's it.

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I'm really pleased. It just shows that red potion did its job.

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It looked like it was almost ready for the scrap pile, it was so rusty,

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but it's well on the way now.

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Good place to get the rest of it freed up, as well.

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Meanwhile, Steve's managed to give the plastic dial

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on the propeller clock a gentle polish.

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Now he's got to get it ticking again.

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I'm now just going to pop the new movement in,

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so this is just a simple quartz movement.

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So all I need to do now is to make these hands fit onto the movement.

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The brass centre of this hand, which is called a collet,

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I need to modify that so that it fits the new movement.

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That means I've got to make the hole slightly bigger

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so it just fits onto the movement friction tight.

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It's almost there, not quite.

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So I need to just take the tiniest, tiniest fraction off,

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and then it will be ready to go into the clock case.

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But Will and Jay are still deciding on the best way to iron out

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the imperfections in the 100-year-old mahogany propeller.

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That's brought that right out.

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So, I think you can see here, there's a chip on the base.

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-Oh, yeah. Yeah.

-So what I intend to do

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is fill that out and use a really thin layer of polish

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so I can use some pigments in that layer of polish to disguise that fill.

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-OK. Cool. You're doing good, mate.

-Thanks, Jay.

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Once the chip is filled,

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Will carefully blends in his repair

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until the damage is completely camouflaged.

0:18:070:18:10

Matt is putting his all into restoring

0:18:200:18:22

two cherished stained-glass windows.

0:18:220:18:24

Now assembled, he makes sure lead and glass

0:18:240:18:27

are bonded together for years to come.

0:18:270:18:30

So this is the part I really enjoy.

0:18:300:18:32

I put the cement over the window

0:18:320:18:35

and then it sets and creates a watertight seal

0:18:350:18:38

and also makes the window very rigid and strong.

0:18:380:18:42

A big dollop around the edge.

0:18:420:18:46

It does feel a bit naughty, when you put all these on.

0:18:460:18:49

You've got this nice kind of crisp, clean-lined window

0:18:490:18:52

and you're just putting all of this

0:18:520:18:55

kind of like cake mix on top of it.

0:18:550:18:57

I wouldn't eat this cake mix, though.

0:18:580:19:01

And what you're looking to do is make sure that

0:19:010:19:03

it goes underneath the lead.

0:19:030:19:05

So a good way to do this -

0:19:050:19:07

I was taught by a guy called Trev the Lead -

0:19:070:19:10

and he said, you go up like this,

0:19:100:19:14

then you turn the piece 90 degrees

0:19:140:19:19

and you do it again.

0:19:190:19:21

And then just do it until you're back at the beginning again.

0:19:220:19:25

Just got to wait a little bit and that's going to set.

0:19:280:19:30

Meanwhile, Dom's dismantling the cast-iron shoe stretcher

0:19:410:19:44

so that he can clean every individual component.

0:19:440:19:48

But there's one stubborn bolt holding up the whole operation.

0:19:480:19:52

I've come so far, we are so close to just getting it completely apart.

0:19:540:19:57

I can't...I can't leave it. I've got to try and get it off.

0:19:570:20:00

It seems like it's moving.

0:20:130:20:15

There we go.

0:20:150:20:17

That's really good.

0:20:170:20:19

The pieces are finally ready for a long overdue deep clean.

0:20:230:20:27

You can see some of the old, really old bits of pitting, just from use,

0:20:280:20:31

wear and tear. I think it would be a shame to get rid of all of that

0:20:310:20:34

history and patina there,

0:20:340:20:36

so I'm just going to polish the surface and leave some of that.

0:20:360:20:38

Obviously an old piece, so it's nice to keep some of the...

0:20:380:20:41

some of the character in there.

0:20:410:20:43

Now Dom must paint all the pieces just as Maggie remembers them.

0:20:450:20:49

The Repair Shop has also been breathing life back into

0:20:570:21:00

another important piece of family history.

0:21:000:21:02

Tom has returned to collect what he hopes will be a constant ticking

0:21:040:21:08

reminder of his late grandfather's service and bravery.

0:21:080:21:13

-Hiya, Tom.

-How are you?

-Good to see you.

0:21:130:21:16

You, too. Excited to be here.

0:21:160:21:18

Yeah, I'm sure you are. I'll get your clock.

0:21:180:21:20

Right.

0:21:250:21:27

-There we go.

-Wow, that looks amazing!

0:21:320:21:34

-And it's saying about the right time as well.

-It is. That was lucky!

0:21:340:21:38

So I've taken the old mechanism out.

0:21:380:21:42

-Yes.

-I've exchanged it for a battery quartz mechanism.

0:21:420:21:45

-OK.

-So it's a lot safer now.

0:21:450:21:47

-Yes.

-The old mechanism was really quite dangerous.

0:21:470:21:49

-The dial is actually a plastic dial.

-Is it? Oh, right, I didn't realise that.

0:21:490:21:52

-So there's not a lot we could do...

-Do with it.

0:21:520:21:55

-Apart from just clean it the way we have.

-Yeah.

0:21:550:21:57

And Will has polished the case up beautifully.

0:21:570:22:00

Yeah, it looks amazing. My dad will be very, very pleased.

0:22:000:22:04

Thank you very much for bringing it in. That was a real joy to work on.

0:22:040:22:06

-Thank you for all your work on it. It looks amazing.

-Thank you.

0:22:060:22:09

After cleaning and painting all of the components

0:22:180:22:20

of the ancient shoe stretcher,

0:22:200:22:22

Dom is now painstakingly piecing them back together.

0:22:220:22:25

Because all these parts have been stripped and dipped

0:22:250:22:28

and blasted and everything else,

0:22:280:22:30

all the moving parts are just dry.

0:22:300:22:32

So as I assemble it, I'm just going to just keep greasing up the parts.

0:22:320:22:36

Definitely looks different. I'm a bit anxious to see her reaction, actually.

0:22:390:22:42

The shoe stretcher from Maggie's parents' shop

0:22:440:22:47

had been rusting away in her garden shed for over 30 years.

0:22:470:22:50

She's ready to be united with this treasured slice of family history.

0:22:500:22:55

-Hello.

-Hello.

-How are we doing?

0:22:570:23:00

-Fine, thank you. You?

-I'm very good.

-Good to see you again.

0:23:000:23:03

-OK. Shall we let her see it?

-Yeah, come on.

0:23:030:23:06

Oh, wow! I can't believe it!

0:23:080:23:10

-And it's red, as well.

-It's red, yeah.

0:23:100:23:12

Look at that! It's shiny!

0:23:120:23:14

I can't believe it! How did you manage that?

0:23:140:23:16

-It was a lot of work.

-That's incredible!

0:23:160:23:19

And all the lines on here that you've put on

0:23:190:23:22

and all the markings, absolutely brilliant!

0:23:220:23:25

-A bit of character.

-It looks lovely.

0:23:250:23:27

Where you've cleaned this all up, you can see the marks around here.

0:23:270:23:30

-Yeah.

-It's amazing. Very well done.

-Thank you.

0:23:300:23:32

Did it take you hours and hours?

0:23:320:23:33

Getting it apart was tricky, yeah.

0:23:330:23:36

Yeah, it was a lot of work.

0:23:360:23:37

So, when was the last time you saw this working, then?

0:23:370:23:40

Well, I must have been somewhere about 15, I would think.

0:23:400:23:43

-Right.

-And I'm not going to say how long ago that was.

0:23:430:23:45

-No problem.

-But it was a very, very long time.

0:23:450:23:48

-A couple of weeks ago, yeah?

-Yeah.

0:23:480:23:49

Now, I have brought with me a pair of shoes.

0:23:490:23:51

So you're going to place it on here, then you need to get...

0:23:510:23:55

-Come forwards with that.

-That comes forward.

0:23:550:23:57

Now you need to pull that back to make the shoe tight on.

0:23:570:24:00

-And back.

-Keep going. Yeah, keep going. That's it.

0:24:000:24:03

So now it's on there firm, now you want to stretch this, so you're going to...

0:24:030:24:06

-Can you see how that's coming open?

-Yeah.

0:24:060:24:08

But I wouldn't do it more than that now.

0:24:080:24:11

Leave it on for two days and just gradually,

0:24:110:24:14

gradually stretch the leather out.

0:24:140:24:16

Looking at this now, it's just fantastic.

0:24:160:24:19

And it brings back so many memories.

0:24:190:24:21

I can almost see it sitting there beside my father as he was working.

0:24:210:24:24

-Glad you're happy.

-Yeah, very happy.

-Good, good.

0:24:240:24:26

I'll be happier when I can wear the shoes.

0:24:260:24:28

-When you can wear the shoes!

-THEY LAUGH

0:24:280:24:30

My friends are going to come with their shoes...

0:24:300:24:32

They'll bring their shoes. You'll be working again.

0:24:320:24:34

-I shall have lots of tea parties.

-Yeah.

0:24:340:24:36

Fantastic! I can't believe you've made it look like that.

0:24:360:24:39

-Thank you very much indeed.

-Thank you.

-Absolutely brilliant.

0:24:390:24:42

I really had grave doubts that anybody could get it to work,

0:24:450:24:48

never mind get it to work and look so fantastic.

0:24:480:24:52

It's a great memento.

0:24:520:24:54

Really, really pleased.

0:24:540:24:56

The Victorian theatre windows

0:25:020:25:03

that Matt's been restoring are nearly done.

0:25:030:25:06

But he needs Will to help him get them over the line.

0:25:060:25:09

-Hi, there, Will.

-Hey, there, buddy.

-All right.

0:25:100:25:13

-What do you think of these, then?

-Ha-ha-ha-ha!

0:25:130:25:15

Looking a bit messy, isn't it?

0:25:150:25:16

It looks like a flock of pigeons

0:25:160:25:18

have been hanging out on your stained glass.

0:25:180:25:20

-It does.

-That looks filthy.

0:25:200:25:21

Well, this is pretty much the final bit. This is the cement.

0:25:210:25:25

When I've cleaned it, it's going to be nice, crisp lines.

0:25:250:25:28

So I just need to really concentrate on these

0:25:280:25:30

to make them look really special,

0:25:300:25:32

but we said we were going to do a frame.

0:25:320:25:35

-A frame?

-Yeah.

-For both of them?

0:25:350:25:36

-Yeah, yeah.

-OK.

0:25:360:25:38

You look like you've got a lot to do.

0:25:380:25:40

-I will help you out and get onto those frames.

-Thanks.

0:25:400:25:42

Anne is back to see the theatre windows

0:25:500:25:52

that are such a powerful reminder of her late husband.

0:25:520:25:56

-Hi, there, Anne.

-Hello, Matt.

-All right?

0:25:570:25:59

-Do you want to come around here with me?

-Thank you.

0:25:590:26:01

Oh, look!

0:26:020:26:04

-Right. It's very exciting.

-It is!

0:26:040:26:07

This is wonderful!

0:26:070:26:09

Right.

0:26:090:26:11

There you go.

0:26:110:26:13

That's...fantastic!

0:26:130:26:17

And the colours are just wonderful.

0:26:170:26:19

I...I can't believe how...

0:26:190:26:21

I can't believe how much light is coming through, actually.

0:26:210:26:24

It sparkles. It really, really does.

0:26:240:26:27

-It's beautiful, Matt.

-Yeah?

0:26:270:26:28

-Thank you very much indeed.

-That's all right.

0:26:280:26:31

And then the other one you brought in was just the central piece.

0:26:310:26:34

-Yes.

-And it was in a bit more of a sorry state.

0:26:340:26:36

-It was, it was.

-I'll show you what I've done with that one.

0:26:360:26:39

OK.

0:26:390:26:41

So there you go.

0:26:410:26:42

Oh, wow!

0:26:460:26:47

That's...that's amazing, Matt!

0:26:490:26:53

That's amazing!

0:26:530:26:54

Because you only had...you only had the central bit to work with.

0:26:560:26:59

Yep, we did.

0:26:590:27:00

So, what happened...?

0:27:000:27:02

So you've recreated all of that, haven't you, around...?

0:27:020:27:07

Yep. I actually saved a couple of Victorian windows

0:27:070:27:10

from going into a skip from a building site probably about six years ago

0:27:100:27:14

and I realised that they've got the same colour tints as these,

0:27:140:27:18

-so I was able to basically...

-That's wonderful!

0:27:180:27:22

-..use original glass...

-Yeah.

-..that matches.

0:27:220:27:25

How lucky is this?

0:27:250:27:27

So, I mean, what do you think it would have meant to your husband

0:27:270:27:30

to have this kind of restored...?

0:27:300:27:32

Oh, he'd be...he'd be over the moon.

0:27:320:27:34

This is...this is wonderful.

0:27:340:27:37

I'm staggered. Really, honestly.

0:27:370:27:39

I can't thank you enough. I can't thank you enough.

0:27:390:27:42

They're going to be extremely special,

0:27:420:27:44

my theatrical windows.

0:27:440:27:46

It's just fantastic.

0:27:480:27:50

I've got two beautiful pieces.

0:27:500:27:52

They're full of life again.

0:27:540:27:56

They'll bring good old Sean back, but in a very happy way, actually.

0:27:560:28:00

And that's priceless.

0:28:000:28:02

I can't quite believe it, honestly. It's lovely.

0:28:020:28:05

Join us next time as more extraordinary treasures

0:28:110:28:14

are rescued and restored in The Repair Shop.

0:28:140:28:18

Oh, my word!

0:28:180:28:20

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