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This programme contains strong language. | 0:00:02 | 0:00:08 | |
"The car went straight as an arrow, not for once deviating from the white line in the middle of the road | 0:00:08 | 0:00:13 | |
"that unwound, kissing our left front tyre." | 0:00:13 | 0:00:17 | |
50 years ago, Jack Kerouac wrote a book called On The Road. | 0:00:18 | 0:00:22 | |
The book is all about this bloke Jack Kerouac | 0:00:25 | 0:00:27 | |
and his crazy car-jacking conman mate Neal Cassady, | 0:00:27 | 0:00:31 | |
driving across America and getting into adventures | 0:00:31 | 0:00:34 | |
and doing stuff that I know a bit about like drugs and sex and living in the moment - | 0:00:34 | 0:00:38 | |
good stuff like that. | 0:00:38 | 0:00:40 | |
I read it when I was 19. | 0:00:41 | 0:00:43 | |
I was dead excited by the sort of the sense of magic in it and the sense of possibility. | 0:00:43 | 0:00:49 | |
So in homage to a book about two slacker friends cruising around, | 0:00:52 | 0:00:56 | |
I'm doing the same with my best pal and comedy soul mate, Matt Morgan. | 0:00:56 | 0:00:59 | |
There he is - look at his little face. | 0:00:59 | 0:01:02 | |
You know, we've had a few married-couple style arguments. | 0:01:02 | 0:01:05 | |
-Matt was driving along, all confident with his arm out of the bloody window. -You fool! | 0:01:07 | 0:01:12 | |
-Driving along with the handbrake on! -You don't understand the road. | 0:01:12 | 0:01:15 | |
I AM the road! I live the road! | 0:01:15 | 0:01:18 | |
Me and Matt are going to drive coast to coast from Atlantic to Pacific Ocean. | 0:01:23 | 0:01:27 | |
So we've got the book, a pickup truck, | 0:01:29 | 0:01:31 | |
and three weeks for as many Kerouacian encounters as we can pack in. | 0:01:31 | 0:01:36 | |
Do you want a lift? | 0:01:36 | 0:01:38 | |
See you, mate. | 0:01:39 | 0:01:41 | |
If Jack Kerouac was alive right, and we had to interview him, | 0:01:43 | 0:01:46 | |
would he go, "You're missing the point of the book!" | 0:01:46 | 0:01:48 | |
-You completely missed the point of the book, you bastards! -You long-haired assholes! | 0:01:48 | 0:01:53 | |
I'm going to start my Kerouac journey here | 0:02:11 | 0:02:14 | |
in Lowell, Massachusetts, Jack's childhood home. | 0:02:14 | 0:02:18 | |
This feels like, and indeed is, small town America. | 0:02:21 | 0:02:25 | |
I can imagine why you'd have a wanderlust if you lived here. | 0:02:25 | 0:02:28 | |
It's very sort of quiet, isn't it? | 0:02:28 | 0:02:31 | |
-Quaint and dull. -Yeah, that's right, I think it's small, and like the mentality of it... | 0:02:31 | 0:02:35 | |
I think people round here in the conservative '50s | 0:02:38 | 0:02:41 | |
would have been right browned off with some of Kerouac's explosive sex and drug-fuelled scribblings. | 0:02:41 | 0:02:47 | |
'But these days, the people of Lowell are quite proud of their most famous son.' | 0:02:54 | 0:02:58 | |
"A few cars zipped by, a hot rod kid came by with his scarf flying..." | 0:02:58 | 0:03:03 | |
Down at a local caf, as part of On The Road's 50th birthday party celebration, | 0:03:03 | 0:03:09 | |
fans are taking turns to read the whole book cover to cover in a 12-hour marathon session. | 0:03:09 | 0:03:14 | |
"..That's right man, now you're talking." | 0:03:14 | 0:03:17 | |
Matt and I have been asked to do a reading. And we arrived just in time | 0:03:17 | 0:03:21 | |
for a really nice saucy bit... | 0:03:21 | 0:03:23 | |
"Sex was the one and only important and holy thing in life. | 0:03:23 | 0:03:28 | |
"She sat there on the edge of the couch with her hands hanging in her lap | 0:03:28 | 0:03:33 | |
"and her smokey blue country eyes fixed in a wide stare." | 0:03:33 | 0:03:38 | |
Even though it was just a little caf, Matt got all stage frightened and wore make-up. | 0:03:38 | 0:03:44 | |
I don't want to do this. | 0:03:44 | 0:03:47 | |
"Finally, a car stopped at the empty filling station. | 0:03:47 | 0:03:50 | |
"The man and the two women in it wanted to study a map. | 0:03:50 | 0:03:54 | |
"I stepped right up and gestured in the rain. They consulted. | 0:03:54 | 0:03:57 | |
"I looked like a maniac, of course with my hair all wet, my shoes sopping..." | 0:03:57 | 0:04:01 | |
"So, folding back my comfortable home sheets for the last time one morning, | 0:04:01 | 0:04:07 | |
"I left with my canvas bag in which a few fundamental things were packed, | 0:04:07 | 0:04:11 | |
"and took off for the Pacific Ocean with fifty dollars in my pocket." | 0:04:11 | 0:04:14 | |
As well as being a spiritual quest, | 0:04:19 | 0:04:21 | |
Kerouac's book is full of sex and drugs - | 0:04:21 | 0:04:23 | |
stuff that would've made his neighbours feel all nervous and bilious. | 0:04:23 | 0:04:27 | |
So what made Jack Kerouac such a maverick thinker? | 0:04:27 | 0:04:32 | |
I'm here to chat to his brother-in-law, John Sampas - | 0:04:32 | 0:04:35 | |
NOT Pete Sampras the tennis player, which is what my silly brain kept making me think. | 0:04:35 | 0:04:39 | |
What do you know about him - you thought he was a tennis player?! | 0:04:41 | 0:04:45 | |
He won Wimbledon, he has a lot of body hair, he has tight, curly hair. | 0:04:45 | 0:04:51 | |
Right, this is what I want to get out of old John Sampas. | 0:04:51 | 0:04:55 | |
One - signed racket, two... | 0:04:55 | 0:04:58 | |
And if I imply that he is a tennis player... | 0:05:00 | 0:05:02 | |
-I'll butt in. -Butt right in. | 0:05:02 | 0:05:05 | |
John, I'm Russell. | 0:05:07 | 0:05:09 | |
Oh, nice to meet you, Russell. | 0:05:09 | 0:05:11 | |
The situation was exacerbated by an unnecessarily large giant tennis ball just lying about in his house! | 0:05:15 | 0:05:21 | |
To have balls this big, what a game they must have played. | 0:05:21 | 0:05:24 | |
Exactly. | 0:05:24 | 0:05:26 | |
John, he were a bit obsessed with his freedom | 0:05:26 | 0:05:30 | |
weren't he, and his celebration of life and living in the moment - what do you think about all that? | 0:05:30 | 0:05:34 | |
I can understand it. I can relate to it, I grew up in a small town. | 0:05:34 | 0:05:38 | |
There's something a little bit frightening about embracing the unknown. | 0:05:38 | 0:05:42 | |
-I don't think the young people feel that way. -I'm fucking young! | 0:05:42 | 0:05:45 | |
-You think so? -I hope so, mate, cos what else have I got? | 0:05:45 | 0:05:48 | |
John, I'm interested in how he related to women, you know... | 0:05:48 | 0:05:53 | |
What the hell's this?! What do you mean, love list? | 0:05:53 | 0:05:56 | |
Love list - Edie, 100, New York, New Jersey, Detroit, Ontario! | 0:05:56 | 0:06:02 | |
Jeanie, 25, Washington! Is this his list of scores? | 0:06:02 | 0:06:06 | |
Yes! | 0:06:06 | 0:06:07 | |
What's the score out of? | 0:06:07 | 0:06:09 | |
Because like look she gets 20, she gets 100! | 0:06:09 | 0:06:12 | |
What the hell is she doing? | 0:06:12 | 0:06:14 | |
That's his first wife Edie, Edie Parker. | 0:06:14 | 0:06:18 | |
-She's getting 100 points, Edie Parker? -100 points, a hundred lays. | 0:06:18 | 0:06:21 | |
Ah, so you think this is times? | 0:06:21 | 0:06:23 | |
This is approximate, I would imagine. | 0:06:23 | 0:06:25 | |
100 lays - ah, so this is points not times, it's not, she did bumming - full marks. | 0:06:25 | 0:06:30 | |
-No. -This says Spanish Communism? | 0:06:30 | 0:06:33 | |
Spanish Communism, | 0:06:33 | 0:06:35 | |
he's having sex with abstract concepts! | 0:06:35 | 0:06:38 | |
Democracy! | 0:06:38 | 0:06:40 | |
God, that was a hell of a night! It was very fair, we decided. | 0:06:40 | 0:06:43 | |
John Sampas. What a night that was! | 0:06:43 | 0:06:47 | |
300! | 0:06:47 | 0:06:49 | |
Give us a cuddle. Thanks very much. | 0:06:49 | 0:06:52 | |
I wanna come back at the end of it with a lovely list of women's names, all scored in. | 0:06:52 | 0:06:57 | |
Imagine trying to compile your list! | 0:07:02 | 0:07:05 | |
Cos you wouldn't know the names of some of the girls. | 0:07:05 | 0:07:07 | |
You'd have to just put - "that bird at the bus stop." | 0:07:07 | 0:07:11 | |
"That woman with no toe and hairy shins." | 0:07:11 | 0:07:14 | |
THEY LAUGH | 0:07:14 | 0:07:16 | |
Kerouac's youthful wanderlust took him away from here. | 0:07:22 | 0:07:25 | |
For years, he roamed the country like an hobo, often penniless and starving. | 0:07:25 | 0:07:30 | |
But in the end, he never escaped Lowell. | 0:07:34 | 0:07:36 | |
We're hitching a lift in a classic Hudson car, like the one featured in On The Road. | 0:07:38 | 0:07:43 | |
What the hell is that? | 0:07:46 | 0:07:49 | |
Kerouac's grave is littered with bottles of ketchup and crackers. | 0:07:51 | 0:07:56 | |
Ritz Crackers, Rice Krispie treats, | 0:07:56 | 0:08:03 | |
peanut butter and milk chug. | 0:08:03 | 0:08:05 | |
A fat man's picnic. | 0:08:05 | 0:08:08 | |
Is there anything Catholic that you want to do? | 0:08:08 | 0:08:10 | |
While I do something secular? You might want to cross yourself? | 0:08:10 | 0:08:13 | |
I'll cross myself then. | 0:08:13 | 0:08:15 | |
And I might want to do my world famous moon walk! | 0:08:15 | 0:08:19 | |
What way's his body lying? | 0:08:19 | 0:08:21 | |
This way? Well, you've just danced on his grave. | 0:08:21 | 0:08:24 | |
Oh, no! | 0:08:24 | 0:08:25 | |
-You can't be serious. -No, I can't be serious. | 0:08:25 | 0:08:28 | |
I am the living embodiment of John McEnroe's perpetual courtside lament. I cannot be serious. | 0:08:28 | 0:08:34 | |
-Actually, I want that. -You could have that, well no, that's stealing from a grave. | 0:08:34 | 0:08:39 | |
It is grave-robbing in a way. I think Kerouac would have nicked it. | 0:08:39 | 0:08:42 | |
That is stealing. | 0:08:42 | 0:08:44 | |
You haven't bought it, and that's clearly not a shop. | 0:08:44 | 0:08:47 | |
Yeah, but the thing about the book, right, they liked nicking things. | 0:08:47 | 0:08:51 | |
-Not from graves. -We'll read a passage of this as our tribute, | 0:08:51 | 0:08:54 | |
even though the tribute of being in the moment is very much... | 0:08:54 | 0:08:58 | |
In the spirit, what he would have wanted, yeah, I've heard it. | 0:08:58 | 0:09:01 | |
Hold on, let's let destiny decide... | 0:09:01 | 0:09:03 | |
"Finally, I took a walk alone to the levy. | 0:09:04 | 0:09:07 | |
"I wanted to sit on the muddy bank and dig the Mississippi river. | 0:09:07 | 0:09:10 | |
"And a Montana log rolls by in the big black river of the night. | 0:09:10 | 0:09:14 | |
"Take nothing but bureaucracy and unions, ESPECIALLY unions. | 0:09:14 | 0:09:19 | |
"The dark laughter would come again." | 0:09:19 | 0:09:22 | |
Dark laughter would come again. And here we bloody well are! | 0:09:22 | 0:09:27 | |
It's time for us to hit the road like an angry pope. | 0:09:28 | 0:09:31 | |
Lowell, you couldn't hold Kerouac and you certainly can't hold me. | 0:09:31 | 0:09:36 | |
MUSIC: "Steady As She Goes" by The Raconteurs | 0:09:36 | 0:09:41 | |
-# Steady as she goes -# Steady as she goes | 0:09:42 | 0:09:45 | |
-# Steady as she goes -# Steady as she goes... # | 0:09:45 | 0:09:49 | |
Just like Jack, we're feeling the magnetic pull of New York City. | 0:09:49 | 0:09:54 | |
Now, somewhere out here, Kerouac reckoned he'd uncover a kind of spiritual enlightenment, | 0:09:54 | 0:10:00 | |
or as he called it... | 0:10:00 | 0:10:02 | |
"it". | 0:10:02 | 0:10:04 | |
It could be boiled down to finding the truth within yourself. | 0:10:04 | 0:10:07 | |
Cos it is about being in the moment. | 0:10:07 | 0:10:09 | |
You can't go, I went on this journey once and I found inner peace, which was hilarious, | 0:10:09 | 0:10:13 | |
once that bloke calls goes, "OK, mate, I've got the secrets of inner peace, actually." | 0:10:13 | 0:10:17 | |
He goes, "Have ya?" He goes, "Yeah, I've got them written down somewhere on a bit of paper. Hold on. | 0:10:17 | 0:10:22 | |
I can hear him looking around... I go, "Fuck, I've lost it." | 0:10:22 | 0:10:26 | |
Kerouac's favourite companion on the road was his best mate, | 0:10:34 | 0:10:37 | |
the rebellious self-confessed fastest man alive, Neal Cassady, who was like a brother to him. | 0:10:37 | 0:10:44 | |
I believe it was Plato that said there is no friendship more beautiful than that between two men. | 0:10:44 | 0:10:49 | |
Me and Matt's relationship is a bit more complicated. | 0:10:49 | 0:10:53 | |
It's not a love-hate relationship It's a like-hate relationship. | 0:10:53 | 0:10:59 | |
When I first met him I didn't really like him! | 0:10:59 | 0:11:02 | |
I thought he was a bit of a show-off. | 0:11:03 | 0:11:06 | |
My relationship with Matt is kind of like, I have this sort of... | 0:11:06 | 0:11:09 | |
It's like a coupling, but it's unconsummated. | 0:11:09 | 0:11:14 | |
-I know what you mean. -Quite rightly unconsummated. | 0:11:14 | 0:11:18 | |
Kerouac was the shyer of the two men and he was bewitched by the mercurial Cassady. | 0:11:18 | 0:11:23 | |
When Kerouac wrote On The Road, he thinly disguised Cassady | 0:11:23 | 0:11:27 | |
by calling him Dean Moriarty - the hero of the book. | 0:11:27 | 0:11:31 | |
In the book, Jack Kerouac talks about women a lot, but his main focus of his love is Neal Cassady. | 0:11:31 | 0:11:36 | |
What are you saying? | 0:11:36 | 0:11:37 | |
Matt is... | 0:11:37 | 0:11:40 | |
-I mean, he adores me! -It's very sweet. | 0:11:40 | 0:11:42 | |
He's basically come on this trip just to ogle me | 0:11:42 | 0:11:45 | |
and watch my behind wiggle across the States. | 0:11:45 | 0:11:49 | |
He's funny, and sensing the humour in everything I think is powerful, | 0:11:49 | 0:11:54 | |
because I think ultimately it's about death | 0:11:54 | 0:11:57 | |
and the acknowledgement that nothing matters. That it's stupid. | 0:11:57 | 0:12:00 | |
New York, New York - | 0:12:09 | 0:12:11 | |
a city that had a defining effect on Jack Kerouac, where he became hooked on the soundtrack of his era. | 0:12:11 | 0:12:18 | |
Kerouac said he wanted to write like jazz musicians played - | 0:12:18 | 0:12:21 | |
with a sense of spontaneous and free-flowing expression. | 0:12:21 | 0:12:25 | |
And here in New York, Matt and I have to perform | 0:12:27 | 0:12:30 | |
our own unhinged, unrehearsed babbling stream of consciousness, our weekly Radio 2 show. | 0:12:30 | 0:12:37 | |
-RADIO ADVERT: -'Online, on digital - BBC Radio 2. | 0:12:38 | 0:12:44 | |
'Russell Brand.' | 0:12:45 | 0:12:47 | |
You're listening to Russell Brand live on Radio 2 from New York. | 0:12:47 | 0:12:51 | |
One day, ages ago, a man wrote this novel about searching for spiritual freedom | 0:12:55 | 0:13:00 | |
in the great wide open landscapes of America. | 0:13:00 | 0:13:02 | |
50 years later I have to share a room with Matt Morgan! | 0:13:02 | 0:13:06 | |
So, if you are a writer, please think about the consequences of your work. | 0:13:06 | 0:13:11 | |
After watching him sleeping in his little tiny white toddler pants. | 0:13:11 | 0:13:14 | |
They're not toddler pants, they're MY pants. | 0:13:14 | 0:13:17 | |
I've not got them off a toddler. I don't know how that exchange would ever take place. | 0:13:17 | 0:13:21 | |
I'll give you this ice-cream... There's no way you could do that today. | 0:13:21 | 0:13:25 | |
Even it was, "I simply want the pants," | 0:13:25 | 0:13:27 | |
there's not court in the land that would go, "Clearly, he just wanted the pants." It would look bad. | 0:13:27 | 0:13:32 | |
Me and Matt are staying at the famous Chelsea Hotel. | 0:13:38 | 0:13:42 | |
We have been sleeping together in the same bedroom like a later day sort of punk Steptoe and Son, yeah, | 0:13:42 | 0:13:49 | |
it's not like Morecambe and Wise, cos Morecambe and Wise get on. | 0:13:49 | 0:13:52 | |
Quite frankly, it's a dump! | 0:13:52 | 0:13:54 | |
We went to see Jack Kerouac's grave, right, and on Jack Kerouac's grave, peanut butter, a Rice Krispie square | 0:13:59 | 0:14:04 | |
and some Ritz Crackers, other crackers are available. | 0:14:04 | 0:14:08 | |
Peanut butter - you don't need that in the afterlife. | 0:14:08 | 0:14:11 | |
I mean, you can't turn up at the gates of heaven to St Peter and say you know, "This might help sway you. | 0:14:11 | 0:14:18 | |
"Crunchy or smooth, lemme in, crunchy or smooth?!" | 0:14:18 | 0:14:23 | |
I'm here looking for the spirit of Kerouac's America. | 0:14:25 | 0:14:29 | |
Jack loved the excitement and madness of '50s New York. | 0:14:30 | 0:14:33 | |
The closest I can get to that vibe these days is here in Greenwich Village, where the Howl festival | 0:14:35 | 0:14:41 | |
is celebrating the writers and poets of Kerouac's beat generation. | 0:14:41 | 0:14:45 | |
I'm going right | 0:14:47 | 0:14:49 | |
Straight | 0:14:49 | 0:14:50 | |
The black tar roads | 0:14:50 | 0:14:52 | |
The curves among the mournful rivers | 0:14:52 | 0:14:55 | |
like Sasquhana More mambo jambo... | 0:14:55 | 0:14:59 | |
I'm meant to be reading one of Kerouac's poems to this lot of crazy lovable beatniks chaps. | 0:14:59 | 0:15:05 | |
But they take their poetry dead seriously in these parts | 0:15:05 | 0:15:08 | |
and I'm a bit worried that I'm gonna have to play it straight. | 0:15:08 | 0:15:12 | |
This is a small gig, you've got a clear thing to do - read that poem. | 0:15:12 | 0:15:16 | |
I've got to read this fucking poem, Bowery Blues, and when I do the fuckin' poem, I'll laugh. | 0:15:16 | 0:15:23 | |
And I see shadows dancing into doom in love, | 0:15:23 | 0:15:25 | |
holding tight the lovely arses of the little girls... | 0:15:25 | 0:15:28 | |
How am I gonna get through that on stage? | 0:15:28 | 0:15:30 | |
I reckon what should happen is, you'll get to "arses", | 0:15:30 | 0:15:33 | |
and you'll think, " I'm doing the rude bit and I'm not laughing." | 0:15:33 | 0:15:36 | |
Also, to make matters worse, I'll be backed by one-man jazz band David Amram. | 0:15:40 | 0:15:46 | |
HE SCATS | 0:15:46 | 0:15:49 | |
Amram was a good mate of Kerouac's, and in a moment of '50s madness, | 0:15:52 | 0:15:56 | |
he and Jack invented the barmy hybrid, jazz poetry. | 0:15:56 | 0:16:01 | |
In the interests of good taste, and brevity at Bowery Poetry club, | 0:16:04 | 0:16:11 | |
improvisatory good times, don't you see... | 0:16:11 | 0:16:13 | |
CHEERING AND APPLAUSE | 0:16:13 | 0:16:16 | |
Jazz is about setting the crooked path straight, as they say in the Bible. | 0:16:18 | 0:16:21 | |
-Do you reckon he done that with his writing, Kerouac? -Every second. -Do you reckon? | 0:16:21 | 0:16:25 | |
He was spontaneous but he came from a disciplined background so he combined formality AND spontaneity. | 0:16:25 | 0:16:32 | |
I'm reading a poem tonight, how am I going to capture the spirit of things, I'm scared? | 0:16:40 | 0:16:45 | |
You just do whatever's in your heart and I'll be listening like a hawk | 0:16:45 | 0:16:48 | |
and I'll follow you and it'll be perfect. | 0:16:48 | 0:16:51 | |
Amram, hawks are deaf! | 0:16:51 | 0:16:52 | |
Oh, I'm as angry as a fox, I'm as stubborn as a bucket. | 0:16:52 | 0:16:56 | |
..always be together, I guess. | 0:16:56 | 0:16:58 | |
Across the night... | 0:16:58 | 0:16:59 | |
APPLAUSE | 0:17:04 | 0:17:06 | |
Thank you. | 0:17:06 | 0:17:08 | |
I ain't never been on stage before with all you musicians. | 0:17:09 | 0:17:13 | |
What, I'll read a poem while you'll do some racket in the background? | 0:17:13 | 0:17:18 | |
Alas, I'm not a drug addict any more, so this is strikingly real. | 0:17:18 | 0:17:24 | |
-Were I still able... -AUDIENCE LAUGHS | 0:17:24 | 0:17:26 | |
I'm not observing this through a veil of opiates. | 0:17:28 | 0:17:33 | |
So, five years, one at a time etc. | 0:17:33 | 0:17:36 | |
Christ! | 0:17:37 | 0:17:38 | |
I'll just be shorter. | 0:17:40 | 0:17:42 | |
AUDIENCE LAUGHS | 0:17:42 | 0:17:44 | |
Bowery Blues, by Jack Kerouac. | 0:17:45 | 0:17:47 | |
For no church told me, | 0:17:47 | 0:17:51 | |
no guru holds me, | 0:17:51 | 0:17:52 | |
no advice, just stone of New York, | 0:17:52 | 0:17:57 | |
and on the cafeteria, we hear...the saxophone... | 0:17:57 | 0:18:02 | |
And I see shadows, dancing into doom | 0:18:04 | 0:18:07 | |
In love, holding tight the lovely arses | 0:18:07 | 0:18:13 | |
of the little girls, in love with sex, | 0:18:13 | 0:18:17 | |
Showing themselves in white undergarments, | 0:18:17 | 0:18:22 | |
at elevated windows | 0:18:22 | 0:18:24 | |
Hoping for the worst. | 0:18:24 | 0:18:27 | |
Stop. | 0:18:27 | 0:18:29 | |
Kerouac, Jack. | 0:18:29 | 0:18:31 | |
APPLAUSE AND CHEERING | 0:18:33 | 0:18:36 | |
On The Road made Kerouac famous, but it was seven agonizing years after he wrote it before it was published. | 0:18:39 | 0:18:47 | |
-BUZZER SOUNDS -# Jingle all the way... # | 0:18:47 | 0:18:49 | |
Sorry. | 0:18:49 | 0:18:51 | |
'I know how I felt when I finally achieved notoriety.' | 0:18:51 | 0:18:54 | |
Hello, Joyce Johnson. | 0:18:54 | 0:18:56 | |
'But unlike me, Kerouac was a shy sort of a bloke and I wonder how he coped with it. | 0:18:56 | 0:19:00 | |
'Joyce Johnson was his girlfriend at the time and was with him' | 0:19:02 | 0:19:06 | |
at that very moment he read the first review. | 0:19:06 | 0:19:09 | |
We've got that newspaper. | 0:19:09 | 0:19:11 | |
-Oh, fantastic! -Yes, so where is it? | 0:19:11 | 0:19:13 | |
Ah-ha! | 0:19:13 | 0:19:15 | |
Ah-ha! Books of the times. | 0:19:15 | 0:19:18 | |
"On The Road is the most beautifully executed, the clearest and the most important utterance yet | 0:19:18 | 0:19:24 | |
"made by the generation Kerouac himself named years ago as "beat". | 0:19:24 | 0:19:28 | |
-On The Road is a major novel. -Good review, innit? -Yes, very good review. | 0:19:28 | 0:19:33 | |
As well as being glowing, it's accurate, so you sat with him when the first time that he saw that? | 0:19:33 | 0:19:38 | |
-His response was peculiarly flat - it was, "It's good, isn't it?" -Right. | 0:19:38 | 0:19:43 | |
After that review, he was suddenly, overnight, everyone wanted to know about him | 0:19:43 | 0:19:48 | |
and the idea of the beat generation got spread far and wide. | 0:19:48 | 0:19:54 | |
Everybody responded to this sort of, er, you know, "youth quake" | 0:19:54 | 0:19:59 | |
"everything for kicks" idea. | 0:19:59 | 0:20:01 | |
So they got that bit. What didn't they get? | 0:20:04 | 0:20:07 | |
They didn't get the bit that the book had a whole sort of spiritual dimension. | 0:20:07 | 0:20:13 | |
You know Jacks real intention behind the novel got lost. | 0:20:13 | 0:20:17 | |
Rather beautiful and respectful idea was lost cos, | 0:20:17 | 0:20:19 | |
-"Oh, my God everyone is smoking joints and having it off!" -Exactly. | 0:20:19 | 0:20:23 | |
You know, the Jack figure in On The Road, he was actually on a quest for God. | 0:20:23 | 0:20:28 | |
"Everything is fine. | 0:20:30 | 0:20:32 | |
"God exists. We know time. God exists without qualms. | 0:20:32 | 0:20:36 | |
"As we roll alone this way I'm positive beyond doubt | 0:20:36 | 0:20:40 | |
"that everything will be taken care of for us. | 0:20:40 | 0:20:42 | |
"That even you as you drive fearful of the wheel, | 0:20:42 | 0:20:45 | |
"the thing will go along of itself and you won't go off the road. | 0:20:45 | 0:20:48 | |
"And I can sleep." | 0:20:48 | 0:20:50 | |
I wonder if the spirit of On The Road can ever be recaptured in a movement, | 0:20:50 | 0:20:54 | |
a rebellious, revolutionary movement that will return people to those kind of values. | 0:20:54 | 0:20:58 | |
Do you think it's possible? Do you think it's gone too far? | 0:20:58 | 0:21:01 | |
Younger people ask me that and I would like to think that can happen | 0:21:01 | 0:21:04 | |
but people will have to do that on their own terms. | 0:21:04 | 0:21:07 | |
Do you know what? It's making me feel un-cynical, | 0:21:12 | 0:21:15 | |
that I'm fucking going to do something. | 0:21:15 | 0:21:17 | |
It makes me even more cynical, cos I just think... | 0:21:17 | 0:21:19 | |
Don't be cynical. That's another part of our relationship. | 0:21:19 | 0:21:23 | |
-I'm the optimist. I believe in revolution. -I think you're deluded. | 0:21:23 | 0:21:27 | |
I believe that we could found a new society, | 0:21:27 | 0:21:30 | |
founded upon spiritual principles. | 0:21:30 | 0:21:32 | |
-Look at all this, you'd have to change all this! -But this happened, | 0:21:32 | 0:21:37 | |
and this was nothing, so it's happened once already. | 0:21:37 | 0:21:40 | |
If you'd lived in 1940, | 0:21:40 | 0:21:41 | |
you would have said it's impossible for black people ever to have emancipation. | 0:21:41 | 0:21:45 | |
It was impossible, but it happened. | 0:21:45 | 0:21:47 | |
If everyone realised there was a possibility for oneness, | 0:21:47 | 0:21:50 | |
then you wouldn't need anything. | 0:21:50 | 0:21:52 | |
They're gonna feel, what? | 0:21:52 | 0:21:54 | |
So, I lose my telly, I lose my safety, I lose my health insurance, | 0:21:54 | 0:21:57 | |
I lose the fact that I've got my kids at school round the corner. | 0:21:57 | 0:22:01 | |
All these things, you're asking to risk all the safety | 0:22:01 | 0:22:05 | |
for a spiritual change that they don't even know that they need. | 0:22:05 | 0:22:09 | |
I'd love you to do this, | 0:22:09 | 0:22:10 | |
I'd love to see you risk all that stuff that you've carved out... | 0:22:10 | 0:22:14 | |
Yeah, cos none of them means anything, | 0:22:14 | 0:22:16 | |
-and none of it is making me happy. I'm stood here, unhappy. -I know. | 0:22:16 | 0:22:19 | |
Say someone that is brilliantly successful, like Paul Newman, | 0:22:19 | 0:22:24 | |
-has his own mayonnaise... -Paul Newman has his own vinaigrette. | 0:22:24 | 0:22:27 | |
It's a delicious vinaigrette. | 0:22:27 | 0:22:29 | |
No-one's attacking the vinaigrette, | 0:22:29 | 0:22:31 | |
but I'm just saying we can do something better, even, | 0:22:31 | 0:22:34 | |
than that vinaigrette. I don't know, just a relish or something. | 0:22:34 | 0:22:38 | |
Joyce Johnson, Kerouac's ex, believes that a lot of people got her fella wrong, | 0:22:48 | 0:22:53 | |
and I'm with her on that. | 0:22:53 | 0:22:55 | |
Kerouac's book is about much more than people getting bombed on drugs | 0:22:55 | 0:22:58 | |
and sleeping with whoever they want, although they ARE good bits. | 0:22:58 | 0:23:02 | |
Really it was a book about questing after spirituality, | 0:23:02 | 0:23:05 | |
and it was quite a traditional book, | 0:23:05 | 0:23:07 | |
and it was condemned as being a modern, anti-establishment piece of literature. | 0:23:07 | 0:23:11 | |
After that, it became viewed as like, | 0:23:11 | 0:23:13 | |
"Oh, wow, it's like a manual for the beat generation, a counter-cultural guide." | 0:23:13 | 0:23:19 | |
So we've left the eastern seaboard behind, | 0:23:23 | 0:23:26 | |
and we're heading into the vast body of America. | 0:23:26 | 0:23:29 | |
There's 3,000 miles of road in front of us, | 0:23:29 | 0:23:32 | |
and God knows what sort of extraordinary, life-changing revelations we'll find. | 0:23:32 | 0:23:37 | |
"Jesus is real!" At the same time, it says, "Buy McDonald's." | 0:23:37 | 0:23:42 | |
"Jesus is Real!" The commodification of everything. | 0:23:42 | 0:23:46 | |
"If you die today, where would you spend eternity?" | 0:23:46 | 0:23:50 | |
I don't fucking know, it's a pretty powerful question to ask... | 0:23:50 | 0:23:54 | |
That's the sort of thing that's going to make someone crash. | 0:23:54 | 0:23:57 | |
"If you die today... " | 0:23:57 | 0:23:58 | |
Time now to pay respects to our beloved sacred parchment. | 0:24:02 | 0:24:07 | |
The original manuscript of Kerouac's novel has been on the road itself, | 0:24:07 | 0:24:11 | |
touring the country. | 0:24:11 | 0:24:13 | |
Kerouac spent seven years mulling over this book, | 0:24:13 | 0:24:16 | |
but he bashed it out in a three-week non-stop splurge of creativity, | 0:24:16 | 0:24:20 | |
fuelled by caffeine, | 0:24:20 | 0:24:22 | |
on this single enormous roll of paper. | 0:24:22 | 0:24:24 | |
It's like a road. It's a big long road. | 0:24:24 | 0:24:28 | |
The scroll is 120 feet long. We have 36 feet on exhibit. | 0:24:28 | 0:24:32 | |
It's very, very thin tracing paper. | 0:24:32 | 0:24:34 | |
And what we wanted to show was at the very end, where the dog ate the scroll. | 0:24:34 | 0:24:39 | |
He was showing the scroll to his friends, left it on the table, | 0:24:39 | 0:24:42 | |
and the dog started chewing the back of the scroll. | 0:24:42 | 0:24:45 | |
Do you think a dog really ate it, or he was meant to have finished it, | 0:24:45 | 0:24:49 | |
and he said, "Aw, a dog ate the scroll," as an excuse? | 0:24:49 | 0:24:52 | |
Wouldn't it be bad if I had really convinced you to let me touch it, | 0:24:52 | 0:24:55 | |
I begged you and you went, "All right, I will let you", | 0:24:55 | 0:24:58 | |
and then it got all tangled up on us, | 0:24:58 | 0:25:00 | |
and we ended up all wrapped up like mummies in it. | 0:25:00 | 0:25:03 | |
-And if I was crying... -There would be a lot of unhappy people. | 0:25:03 | 0:25:06 | |
Whilst the scroll is on display to the public, | 0:25:15 | 0:25:18 | |
it's actually the private property of Jim Irsay, | 0:25:18 | 0:25:21 | |
the multi-millionaire eccentric owner of the Indianapolis Colts, | 0:25:21 | 0:25:25 | |
the reigning Superbowl champions. | 0:25:25 | 0:25:27 | |
-It cost tycoon Jim a ludicrous 2.4 million dollarinos. -65, 66! | 0:25:27 | 0:25:34 | |
I don't like to do anything that makes you sweat if you don't come at the end of it. | 0:25:34 | 0:25:38 | |
-Where is Jim? Shall I wait for him? -Yeah, I would say just wait here. | 0:25:40 | 0:25:44 | |
-Just wait here? -He'll be here... | 0:25:44 | 0:25:46 | |
We've been asked to wait in the office of Superbowl-winning head coach Tony Dungy. | 0:25:46 | 0:25:51 | |
I dare you to pick up the phone. | 0:25:51 | 0:25:53 | |
-Yeah? -Find the number for tactics, and give them some new tactics. | 0:25:53 | 0:25:59 | |
Walston. | 0:25:59 | 0:26:01 | |
I'll put it on loudspeaker. | 0:26:01 | 0:26:03 | |
-Hello, Walston. -'Are you there?' | 0:26:03 | 0:26:05 | |
-Yes, I'm here. This is Tony Dungy. -'I'm with ya.' | 0:26:05 | 0:26:08 | |
We gotta make some changes. | 0:26:08 | 0:26:09 | |
Now, from now on, all line backers are going to be wearing ballet shoes, | 0:26:09 | 0:26:13 | |
it's gonna make 'em nimble on their feet, they're gonna be super-fast. | 0:26:13 | 0:26:18 | |
-Are you with me? If you're not with me, you're against me! -'I'm with you!' | 0:26:18 | 0:26:22 | |
-Where's John Cleese? -Uh-oh! | 0:26:22 | 0:26:24 | |
Where is John Cleese? I heard he might be here! | 0:26:24 | 0:26:27 | |
Jim, what a joy to meet you. | 0:26:27 | 0:26:29 | |
You are rich and successful, an example of the American dream. | 0:26:29 | 0:26:33 | |
Do you not think that it's bizarre that that scroll is owned by you, | 0:26:33 | 0:26:37 | |
a dead rich powerful man, when a lot of it is about... | 0:26:37 | 0:26:39 | |
the term "beat" itself is about people that are down and out? | 0:26:39 | 0:26:43 | |
Not really, because, you know, I'm a peasant by nature. | 0:26:43 | 0:26:47 | |
I believe no-one has it made, | 0:26:47 | 0:26:49 | |
and I believe that we're all on a spiritual ground equally, | 0:26:49 | 0:26:53 | |
you know, no more, no less. | 0:26:53 | 0:26:55 | |
But you're a man with considerable power, owner of a football team, | 0:26:55 | 0:26:58 | |
incredible wealth and influence, and also, you have that awareness, | 0:26:58 | 0:27:02 | |
I wouldn't expect, through my own prejudicial views, | 0:27:02 | 0:27:05 | |
to meet a man in your position and for you to talk about spirituality. | 0:27:05 | 0:27:09 | |
When you're put in a position where you have everything, | 0:27:09 | 0:27:12 | |
it's awfully hard to be happy if you're not spiritual, | 0:27:12 | 0:27:16 | |
because you realise everything is really nothing. | 0:27:16 | 0:27:19 | |
We live these mundane lives, and life kind of churns along, | 0:27:19 | 0:27:23 | |
but we're looking for the magic. | 0:27:23 | 0:27:24 | |
You know, to me, On The Road, | 0:27:24 | 0:27:26 | |
it's just that tale that will always be there, of youth, | 0:27:26 | 0:27:31 | |
and pursuing, you know, the passions of your life. | 0:27:31 | 0:27:36 | |
So, OK, how come you bought that scroll, then? | 0:27:36 | 0:27:38 | |
Basically, I always say the scroll found me. | 0:27:38 | 0:27:43 | |
It's just like when I got the scroll - who is this guy? | 0:27:43 | 0:27:46 | |
What's he gonna do? Is he gonna lock it away? | 0:27:46 | 0:27:48 | |
But instead, I've spent a lot of money putting it on the road, | 0:27:48 | 0:27:52 | |
building a case for it, having people care for it, | 0:27:52 | 0:27:55 | |
and getting it all round the world, | 0:27:55 | 0:27:57 | |
but eventually it will be buried somewhere, | 0:27:57 | 0:28:00 | |
and then there will be clues sent around. | 0:28:00 | 0:28:02 | |
You're gonna do an Easter Egg hunt with it. | 0:28:02 | 0:28:05 | |
Possibly so. We would have to have some rules tied to it, | 0:28:05 | 0:28:08 | |
where the person could only keep it for a year. | 0:28:08 | 0:28:11 | |
You're really thinking about doing that Easter Egg hunt! | 0:28:11 | 0:28:14 | |
Definitely, I mean definitely. | 0:28:14 | 0:28:15 | |
You're an amazing man, it's very interesting to talk to you. | 0:28:15 | 0:28:19 | |
-Thanks, man. -Cheers! | 0:28:19 | 0:28:20 | |
-Off the walls! I'm having that, for a kick-off! -All right, man. | 0:28:20 | 0:28:25 | |
They won't need that. It's making the place look untidy. | 0:28:25 | 0:28:31 | |
Put it back, mate. | 0:28:31 | 0:28:34 | |
Myra, Jim said I was allowed to have this, so, er... | 0:28:34 | 0:28:38 | |
Where are the cheerleaders kept? | 0:28:38 | 0:28:40 | |
They're probably hungry. | 0:28:40 | 0:28:42 | |
He's gonna get that scroll and bury it somewhere | 0:28:51 | 0:28:54 | |
and then have a big Easter Egg hunt, | 0:28:54 | 0:28:56 | |
and whoever finds it can have it? | 0:28:56 | 0:28:58 | |
What if no-one finds it? That's irresponsible! | 0:28:58 | 0:29:00 | |
God bless you, Jack Kerouac! | 0:29:08 | 0:29:10 | |
It's no use to them, they're dead and gone, | 0:29:10 | 0:29:13 | |
it's what Kerouac would have wanted. | 0:29:13 | 0:29:16 | |
Our next stop is Kansas City, | 0:29:22 | 0:29:24 | |
but first, our route takes us over America's legendary Mississippi River. M-I-S-S-I-S-S-I-P-P-I! | 0:29:24 | 0:29:31 | |
Here we are, in Huckleberry Finn country. | 0:29:31 | 0:29:35 | |
-Will you do your wee? -I will, I'll try. | 0:29:35 | 0:29:38 | |
Nervously and tentatively, before micturition begins. | 0:29:38 | 0:29:43 | |
There's loads of grasshopper things, big grasshoppers like this. | 0:29:43 | 0:29:48 | |
It's actually quite remarkable to see him in his natural environment like this. | 0:29:48 | 0:29:53 | |
-Did you do a wee? -No, cos there are grasshoppers in there. | 0:29:53 | 0:29:58 | |
Cos of grasshoppers! | 0:29:58 | 0:29:59 | |
Oh, Jesus! | 0:29:59 | 0:30:03 | |
Look at him, he's like Goldilocks! | 0:30:03 | 0:30:06 | |
We're nearly halfway through our journey, | 0:30:14 | 0:30:16 | |
so there's a little bit of time for skylarking and high jinks | 0:30:16 | 0:30:20 | |
in Kansas City. | 0:30:20 | 0:30:21 | |
# I'm crazy 'bout my baby...# | 0:30:23 | 0:30:27 | |
Turning to our road trip bible for inspiration, | 0:30:27 | 0:30:31 | |
words from Dean Moriarty show us the way. | 0:30:31 | 0:30:34 | |
"We bounced in our seats, | 0:30:34 | 0:30:36 | |
"and "Dig her!" yelled Dean, pointing at another woman. | 0:30:36 | 0:30:40 | |
"Oh, I love, love, love, women. I think woman are wonderful." | 0:30:40 | 0:30:44 | |
"Great beads of sweat fell from his forehead from pure excitement and exhaustion." | 0:30:44 | 0:30:49 | |
SHE SCATS | 0:30:49 | 0:30:53 | |
Russell's desire for women, | 0:30:53 | 0:30:55 | |
and the way Dean goes, "Women, women, I love women!" | 0:30:55 | 0:31:01 | |
Russell says that. Yeah, he's similar to Dean in that way. | 0:31:01 | 0:31:06 | |
You won't, I don't think, one day, Kat, | 0:31:08 | 0:31:10 | |
when you're no longer young and beautiful... | 0:31:10 | 0:31:13 | |
I will always be young and beautiful! | 0:31:13 | 0:31:15 | |
My mom is a plastic surgeon, so I'll always be young and beautiful. | 0:31:15 | 0:31:19 | |
I'm consumed by desire, | 0:31:19 | 0:31:21 | |
in such a furious passion that I think it will destroy me. | 0:31:21 | 0:31:25 | |
Are you going to do some comedy now? | 0:31:25 | 0:31:29 | |
-Yeah. -OK, tell me a joke. | 0:31:29 | 0:31:31 | |
Yeah, I'm sort of busy now, doing this. | 0:31:31 | 0:31:34 | |
The male libido is like being chained to a madman. | 0:31:34 | 0:31:38 | |
-Look around at the world. It seems tedious. -What do you mean, tedious? | 0:31:38 | 0:31:43 | |
I'm the host. Look, I've been left alone. | 0:31:43 | 0:31:47 | |
Just texting England. | 0:31:47 | 0:31:50 | |
# I like the simple life...# | 0:31:50 | 0:31:54 | |
Thank you very much. | 0:31:57 | 0:31:59 | |
I do worry about him. | 0:31:59 | 0:32:02 | |
I've suggested some sort of chemical castration. | 0:32:02 | 0:32:06 | |
Kerouac and Neal, | 0:32:18 | 0:32:19 | |
they thought they had to have a wife, kids and a family home, | 0:32:19 | 0:32:23 | |
cos that's what the social pressure on them was, | 0:32:23 | 0:32:25 | |
but they knew that they couldn't do that. | 0:32:25 | 0:32:28 | |
I think you struggle to stay with the woman, | 0:32:28 | 0:32:30 | |
do you know what I mean, in a family set-up, | 0:32:30 | 0:32:32 | |
if you don't mind me saying that. | 0:32:32 | 0:32:34 | |
I think that I'm not gonna be happy | 0:32:34 | 0:32:37 | |
until I stop trying to be really famous. | 0:32:37 | 0:32:40 | |
I sort of feel like I need to get to a point where I dedicate my life | 0:32:40 | 0:32:44 | |
to something that I know is truthful. | 0:32:44 | 0:32:46 | |
# When rooster crows at the break of dawn | 0:32:52 | 0:32:57 | |
# Look out your window and I'll be gone | 0:32:57 | 0:33:01 | |
# You're the reason I'm a-travelling on | 0:33:01 | 0:33:06 | |
# But don't think twice, it's all right. # | 0:33:06 | 0:33:09 | |
We're clearing right off out of Kansas and heading for Denver, | 0:33:09 | 0:33:13 | |
entering the infamous west of America. | 0:33:13 | 0:33:16 | |
Kerouac didn't just hang around with New York beat poets. | 0:33:16 | 0:33:19 | |
He set out to see the whole of the country, | 0:33:19 | 0:33:22 | |
and got a kick out of meeting the old cowboy characters of the West. | 0:33:22 | 0:33:25 | |
"By God, the first cowboy I saw, | 0:33:25 | 0:33:28 | |
"walking along the bleak walls of the wholesale meat warehouses | 0:33:28 | 0:33:32 | |
"with a great big ten gallon hat on and Texas boots, | 0:33:32 | 0:33:35 | |
"looking like any beat character of the brick wall dawn of the East, | 0:33:35 | 0:33:39 | |
"except for the get-up." | 0:33:39 | 0:33:41 | |
"I heard a great laugh, the greatest laugh in the world, | 0:33:42 | 0:33:46 | |
"and here came the rawhide old-timer Nebraska farmer. | 0:33:46 | 0:33:49 | |
"I said to myself, "Wham! Listen to that man laugh. That's the West!" | 0:33:49 | 0:33:54 | |
Its time to cowboy up. | 0:33:54 | 0:33:56 | |
-Jim, lovely to meet you, this is Matt Morgan. -Hello, Jim, I'm Matt. | 0:33:59 | 0:34:03 | |
In the book On The Road, | 0:34:05 | 0:34:07 | |
they're always looking for the real America, | 0:34:07 | 0:34:09 | |
and trying to find God in that landscape. | 0:34:09 | 0:34:11 | |
There is a sense of heaven, there is a sense of "This is it." | 0:34:11 | 0:34:15 | |
Do you think that's why people that live out east are compelled to come west? | 0:34:15 | 0:34:20 | |
When you get out here and the horizons, | 0:34:20 | 0:34:22 | |
you almost feel like you are going to fall off, out into that nothingness, | 0:34:22 | 0:34:26 | |
it just goes on and on, and that can be frightening to some people. | 0:34:26 | 0:34:29 | |
-Hello. -Hey, how's it going? -Really well. | 0:34:35 | 0:34:38 | |
Great Johnny Bingo. | 0:34:38 | 0:34:40 | |
-Johnny Bingo? -Yeah. -I'm Russell. | 0:34:40 | 0:34:42 | |
How can I put that on my fucking head? It's all wet! | 0:34:42 | 0:34:45 | |
-It's not wet in the inside. -It is, it's disgusting. | 0:34:45 | 0:34:48 | |
-Smell my head. -Oh, Christ, what's wrong with you? | 0:34:49 | 0:34:54 | |
Here don't try to get the price up now, I know what you're doing. | 0:34:54 | 0:34:58 | |
You just dragged it out of your attic, sprayed it down with water, and then tried to flog it. | 0:34:58 | 0:35:03 | |
We're not tourists, we're genuine cowboys! | 0:35:03 | 0:35:06 | |
I can tell by your outfit you're real cowboys. | 0:35:06 | 0:35:09 | |
Have you ever heard of a book by Jack Kerouac called On The Road? | 0:35:13 | 0:35:16 | |
Yeah, he was way ahead of his time. | 0:35:16 | 0:35:20 | |
Where do a couple of guys like us pick up women in this crazy two horse town? | 0:35:20 | 0:35:25 | |
I've been here ten years, and I still can't tell you! | 0:35:25 | 0:35:28 | |
That's pretty amazing. | 0:35:37 | 0:35:38 | |
That's the most amazing vista we've come across. | 0:35:38 | 0:35:41 | |
The rooftop of America, that's what they call that bit. | 0:35:41 | 0:35:44 | |
I think I need another wee. | 0:35:44 | 0:35:46 | |
-I could try and do one... -..out the window. | 0:35:46 | 0:35:49 | |
Oh, Jesus Christ, that ain't gonna work. | 0:35:49 | 0:35:52 | |
-I think I can do it. -That's gonna go down the car. | 0:35:52 | 0:35:55 | |
-Russell, don't fall out. -Arghhh! -What? | 0:35:55 | 0:35:58 | |
What if I did it out of that? | 0:35:58 | 0:35:59 | |
No, don't go out there, honestly. | 0:35:59 | 0:36:01 | |
Russell. No. Fucking idiot. | 0:36:01 | 0:36:04 | |
I'm out here, Matt. It's a world of wonder. | 0:36:04 | 0:36:08 | |
Right, hold on to the car inside, | 0:36:08 | 0:36:10 | |
and do a piss on the truck, you bloody idiot. | 0:36:10 | 0:36:12 | |
Disgusting looking stuff. | 0:36:19 | 0:36:23 | |
This is Denver. Part of On The Road was set here, | 0:36:26 | 0:36:29 | |
and it's the home town of that mischievous sex-mad lunatic | 0:36:29 | 0:36:33 | |
Neal Cassady aka Dean Moriarty. | 0:36:33 | 0:36:36 | |
There's a famous quote in this book, perhaps the most famous quote, | 0:36:36 | 0:36:41 | |
I love it, where Kerouac describes people like Cassady. | 0:36:41 | 0:36:45 | |
"The only people for me are the mad ones, the ones who are mad to live, | 0:36:45 | 0:36:48 | |
" mad to talk, mad to be saved, | 0:36:48 | 0:36:50 | |
"desirous of everything at the same time, | 0:36:50 | 0:36:52 | |
"the ones who never yawn or say a commonplace thing, | 0:36:52 | 0:36:55 | |
"but burn, burn, burn like fabulous yellow Roman candles, | 0:36:55 | 0:36:58 | |
"exploding like spiders across the stars, | 0:36:58 | 0:37:00 | |
"and in the middle, you see the blue centrelight pop, and everybody goes "Ah!" | 0:37:00 | 0:37:04 | |
In fact, it was Neal Cassady, not Kerouac, | 0:37:07 | 0:37:09 | |
who became one of my early heroes, | 0:37:09 | 0:37:11 | |
along with the likes of Oscar Wilde, Morrissey and, oddly, Alan Bennett. | 0:37:11 | 0:37:15 | |
Kerouac recorded an artefact of beauty, | 0:37:15 | 0:37:20 | |
and Neal Cassady, momentarily, unselfconsciously, was it. | 0:37:20 | 0:37:25 | |
Lived it. | 0:37:25 | 0:37:26 | |
It were thrilling to me, people that live like that, | 0:37:26 | 0:37:30 | |
that jitter and twitch their way through an excitable life. | 0:37:30 | 0:37:33 | |
We're over halfway now, | 0:37:43 | 0:37:45 | |
and it strikes me that we've not yet met the right sort of people. | 0:37:45 | 0:37:48 | |
When Kerouac was on the road, he was often impoverished, brassic, | 0:37:48 | 0:37:52 | |
not hanging around with millionaires and tennis players like we've been. | 0:37:52 | 0:37:56 | |
Kerouac thought hoboes, hustlers and the homeless | 0:37:56 | 0:37:59 | |
had a great insight into life, | 0:37:59 | 0:38:01 | |
and I relate to that idea a bit. | 0:38:01 | 0:38:03 | |
I remember when preachers get on the tube, | 0:38:04 | 0:38:07 | |
and start ranting and raving from the Bible, | 0:38:07 | 0:38:09 | |
I was quite into them, and I was listening to this person preaching, | 0:38:09 | 0:38:13 | |
and the woman opposite me looked at me and rolled her eyes. | 0:38:13 | 0:38:18 | |
I thought, "I've got more in common with him than I have you". | 0:38:18 | 0:38:23 | |
I think they're all right, I'm into them coming on a train preaching. | 0:38:23 | 0:38:26 | |
Hello! He's Matt, I'm Russell, hello. | 0:38:32 | 0:38:36 | |
-I'm Debbie. -Hi, Debbie. | 0:38:36 | 0:38:37 | |
This is my husband, Jack. | 0:38:37 | 0:38:39 | |
You're married, that's good, that must make it a bit easier. | 0:38:39 | 0:38:42 | |
-The sex is good! -Yeah, I guess there's a certain romance to that. | 0:38:42 | 0:38:46 | |
Fucking hell! | 0:38:46 | 0:38:48 | |
-See, I was born like that. -Really? | 0:38:48 | 0:38:52 | |
There's this book, it's called On the Road. | 0:38:52 | 0:38:54 | |
In this book, Jack Kerouac often romanticises homeless people that he meets, | 0:38:54 | 0:38:59 | |
i.e. if you ain't got nothing, you're closer to God, | 0:38:59 | 0:39:02 | |
-cos you're not living in a material world. -Right. | 0:39:02 | 0:39:05 | |
That is probably easier to say if, like me, you have got a house. | 0:39:05 | 0:39:09 | |
If you're a cripple, you have nothing. We're richer than the rich. | 0:39:09 | 0:39:13 | |
That's what it means. | 0:39:13 | 0:39:14 | |
We're richer than anybody on Earth. We have God on our side. | 0:39:14 | 0:39:18 | |
We have people that love us out here, we stick together! | 0:39:18 | 0:39:21 | |
We all stick together out here. | 0:39:21 | 0:39:23 | |
We stick together, we fight together, we get drunk together. | 0:39:23 | 0:39:27 | |
We're people, not animals. | 0:39:27 | 0:39:29 | |
I appreciate that. | 0:39:29 | 0:39:30 | |
I love his hair, he's a fine fox. | 0:39:30 | 0:39:35 | |
-Do you think I'm a fine fox? -Yes, I do. | 0:39:35 | 0:39:37 | |
-What is your name? -My name is Sandra. | 0:39:37 | 0:39:39 | |
Lovely to meet you, Sandra. | 0:39:39 | 0:39:41 | |
Hey, you've got a very beautiful face. | 0:39:41 | 0:39:45 | |
-Let's get you more money. -I'm 60. -You're 60? | 0:39:45 | 0:39:48 | |
-Delicious money. -Money! | 0:39:49 | 0:39:51 | |
Thank you. God be with all of you. | 0:39:51 | 0:39:53 | |
DON'T WASTE IT ON DRUGS! | 0:39:53 | 0:39:57 | |
Does anyone want this book? | 0:39:58 | 0:40:00 | |
-Yeah. -Read it. -Thanks. | 0:40:00 | 0:40:03 | |
Careful of that. | 0:40:05 | 0:40:07 | |
See you, mate! | 0:40:07 | 0:40:09 | |
Sandra, stop being passionate! | 0:40:12 | 0:40:15 | |
-I'm the guy that handles this corner for the city of Denver. -Oh, yeah? | 0:40:15 | 0:40:20 | |
And I'm really happy but she does crack and you're supporting the crack addicts, OK? | 0:40:20 | 0:40:25 | |
-Yeah, but people are crack addicts, they're crack addicts! -I'm the man, OK? | 0:40:25 | 0:40:29 | |
-Well, you're A man. -No, I'm THE man! | 0:40:29 | 0:40:31 | |
-Stay out of my corner, just go back to England, OK? -Don't be so aggressive. | 0:40:31 | 0:40:35 | |
You don't know nothing about us? What do you think...? | 0:40:35 | 0:40:39 | |
I ain't just appeared. I've lived a life. | 0:40:39 | 0:40:41 | |
No shit? You're not making it easier for them. | 0:40:41 | 0:40:44 | |
If they get through today, it makes it easier. | 0:40:44 | 0:40:47 | |
Take it easy, peace, good luck. See youse. | 0:40:47 | 0:40:52 | |
It makes me angry, his righteousness. | 0:40:52 | 0:40:54 | |
He goes, "This is my corner, I run this corner." | 0:40:54 | 0:40:56 | |
It's going well, everyone's fucking homeless! | 0:40:56 | 0:40:59 | |
Get some flowers in, mate. | 0:40:59 | 0:41:01 | |
That big oaf social worker from the council spoke to me like I had no idea about drugs and alcohol. | 0:41:03 | 0:41:09 | |
But I do have an idea because I used to be on them all day long, every day. | 0:41:09 | 0:41:13 | |
Thankfully, I got my addictions under control | 0:41:13 | 0:41:15 | |
and have never endured anything as extreme as being poor and homeless | 0:41:15 | 0:41:19 | |
and having a big oaf social worker who can't run his corner properly. | 0:41:19 | 0:41:22 | |
Well, the reason I stopped taking drugs was lack of alternative, really. | 0:41:22 | 0:41:28 | |
I got sacked from all of my work cos I was unable to function and sustain my life. | 0:41:28 | 0:41:35 | |
I just thought he was going to die because on heroin... | 0:41:35 | 0:41:39 | |
And his eyes would just roll up to white and he'd, like, stop talking, | 0:41:39 | 0:41:43 | |
fall asleep in the middle of a sentence. | 0:41:43 | 0:41:46 | |
I didn't think there were options up until then, | 0:41:46 | 0:41:49 | |
I thought, "How else are you gonna get through life? Why wouldn't you take drugs?" | 0:41:49 | 0:41:53 | |
It just seemed like it wasn't like a decision to take drugs, it was just an absence of an alternative. | 0:41:53 | 0:41:58 | |
Now, I'm as sharp as a thistle and clean as a whistle but I have to observe certain rituals. | 0:41:58 | 0:42:03 | |
How was AA? | 0:42:03 | 0:42:05 | |
AA, you say? | 0:42:05 | 0:42:07 | |
As we've gone across America he's been to AA in different cities | 0:42:07 | 0:42:11 | |
and I think it brings him back down to earth. | 0:42:11 | 0:42:14 | |
He's sat in that room, he's not a celebrity, he's no better than anyone else there. | 0:42:14 | 0:42:19 | |
Yeah, you do get to see beneath the surface, I suppose. | 0:42:19 | 0:42:24 | |
It's absurd that I'm listening to this bloke from Salt Lake City telling... | 0:42:24 | 0:42:30 | |
You must get to know the place you're in so much better than you would or on a different level. | 0:42:30 | 0:42:34 | |
He finds it massively useful. I take the piss out of him and call it Moaners' Club, | 0:42:34 | 0:42:39 | |
and when he shares, I can imagine he sort of stands up | 0:42:39 | 0:42:42 | |
and performs and does a sort of bit of stand-up and everyone claps. | 0:42:42 | 0:42:47 | |
I've been stuck in a car with that sarcastic nit for days now | 0:42:47 | 0:42:51 | |
so it feels good to get out of the motor and into the radio station. | 0:42:51 | 0:42:55 | |
ROCK MUSIC PLAYS | 0:42:55 | 0:42:57 | |
'Online on digital. | 0:43:00 | 0:43:02 | |
'Russell Brand.' | 0:43:02 | 0:43:04 | |
We just met a whole load of homeless chums hanging out in Denver, right. | 0:43:04 | 0:43:08 | |
Them homeless, they was nice blokes and birds | 0:43:08 | 0:43:11 | |
but what I like most was that old black lady, I liked the way that she got all passionate. | 0:43:11 | 0:43:15 | |
She'd go, "Oh, my God, we got each other, we got each other but man, what is wrong with people today?!" | 0:43:15 | 0:43:22 | |
See, we're all sitting together out here. | 0:43:22 | 0:43:25 | |
And we dished out a load of money like Willy Wonkas, it was really good fun actually, that bit. | 0:43:25 | 0:43:30 | |
Patronising, but what you gonna do, give them money or not give them money? | 0:43:30 | 0:43:34 | |
I'm sure they'd rather have the money. | 0:43:34 | 0:43:36 | |
Then this bloke leaned in the window, sort of craned in, and goes, "This is my corner! | 0:43:36 | 0:43:41 | |
"You've given them money, they'll buy crack". | 0:43:41 | 0:43:44 | |
-She does crack. -Who does? -And you're supporting the crack addicts, OK? | 0:43:44 | 0:43:48 | |
"You haven't helped them, you've made them take drugs". | 0:43:48 | 0:43:50 | |
Well, they needed drugs anyway, they're living in the bloody streets. | 0:43:50 | 0:43:54 | |
We've been driving for ages now and it's a miracle we're still alive with Matt's treacherous driving. | 0:43:58 | 0:44:05 | |
My driving's got us across America. | 0:44:05 | 0:44:07 | |
Once I drove for about seven hours straight, then eight hours straight. | 0:44:07 | 0:44:11 | |
-How long have you driven? -I can't drive! | 0:44:11 | 0:44:14 | |
So you just sit there. Right, Russell is in charge of air conditioning and iPod. | 0:44:14 | 0:44:20 | |
Yep, always nice and cool in that car! | 0:44:20 | 0:44:23 | |
It's like I'm driving a tit around, that's what I am, a tit delivery man! | 0:44:26 | 0:44:31 | |
God bless you, Caddyshack! | 0:44:31 | 0:44:34 | |
Hello, what town are we in today? Here's your tit. | 0:44:34 | 0:44:37 | |
1,600 miles have been traversed. | 0:44:47 | 0:44:51 | |
The rest of our journey will take us across the vast salt flats of Utah, | 0:44:51 | 0:44:55 | |
through the deserts of Nevada and into California. | 0:44:55 | 0:44:58 | |
Ultimately, though, we're heading to San Francisco. | 0:44:58 | 0:45:02 | |
"We sat tight and bent our minds to the goal. | 0:45:03 | 0:45:07 | |
"As we crossed the Colorado-Utah border, | 0:45:07 | 0:45:09 | |
"I saw God in the sky in the form of huge sunburning clouds | 0:45:09 | 0:45:12 | |
"above the desert that seemed to say to me the day of wrath will come." | 0:45:12 | 0:45:18 | |
I feel a bit cocooned in the old jalopy. | 0:45:26 | 0:45:28 | |
Kerouac in his time used to hitchhike a lot, we're not allowed to because of the law. | 0:45:28 | 0:45:34 | |
But we can sure as hell pick up hitchhikers from the side of the road. | 0:45:34 | 0:45:39 | |
'A pair of lovable twits.' | 0:45:39 | 0:45:40 | |
Hi, do you want a lift? | 0:45:40 | 0:45:42 | |
-I'm Derek. -All right, mate, I'm Russell from London. | 0:45:42 | 0:45:45 | |
Are you aware of Jack Kerouac? | 0:45:45 | 0:45:46 | |
-He wrote a book called On The Road. -Yeah. | 0:45:46 | 0:45:49 | |
It's about people travelling across America and discovering America. | 0:45:49 | 0:45:53 | |
-Cool! -Why are you hitchhiking? | 0:45:53 | 0:45:55 | |
-You see things hitchhiking that you won't ever see any other way. -Really? | 0:45:55 | 0:46:00 | |
A couple of Vietnam vets picked us up last night and took us out partying. | 0:46:00 | 0:46:04 | |
Hey, Corey! | 0:46:04 | 0:46:05 | |
# One sunny morning | 0:46:05 | 0:46:08 | |
# We'll rise, I know... # | 0:46:09 | 0:46:12 | |
-Where are you from? -Raised in Texas. | 0:46:12 | 0:46:14 | |
# And I'll meet you further on Up the road. # | 0:46:14 | 0:46:19 | |
-I left home when I was 14 and started travelling with the carnival. -Really? | 0:46:19 | 0:46:23 | |
On the road ever since. | 0:46:23 | 0:46:25 | |
To be honest, if I knew what I was looking for I'd be headed right for it but... | 0:46:25 | 0:46:29 | |
-Why do you keep travelling? -I just can't seem to settle down yet. | 0:46:29 | 0:46:33 | |
Have you never wanted to get married, settle down, have a family? | 0:46:33 | 0:46:36 | |
-Actually I've been married twice. I have six kids. -Jesus Christ! | 0:46:36 | 0:46:41 | |
'Ah, to be young, free and single. The carefree life of a man with two wives and six kids there.' | 0:46:41 | 0:46:47 | |
That's where we're getting off at. | 0:46:47 | 0:46:49 | |
-Take care. Ta-ta now. -We will. | 0:46:51 | 0:46:53 | |
Off they go, look, travelling the road and irresponsibly siring children. | 0:46:53 | 0:46:58 | |
# Now I've been out in the desert Just doing my time | 0:46:58 | 0:47:05 | |
# Searching through the dust | 0:47:05 | 0:47:09 | |
# Looking for a sign | 0:47:09 | 0:47:13 | |
# If there's a light up ahead | 0:47:13 | 0:47:15 | |
# Well, brother, I don't know | 0:47:19 | 0:47:20 | |
# But I got this fever burning in my soul... # | 0:47:22 | 0:47:28 | |
-Looks like the Holy Land. -It does. This is fucking berserk landscape. | 0:47:28 | 0:47:31 | |
Yeah, this is salt, isn't it? | 0:47:31 | 0:47:34 | |
-Fucking hell. -It is pretty biblical. | 0:47:34 | 0:47:36 | |
No wonder they started up getting all Mormon about everything. | 0:47:36 | 0:47:40 | |
I think somehow inherent within travelling large geographical distances | 0:47:42 | 0:47:47 | |
is the idea of spiritual progression. | 0:47:47 | 0:47:51 | |
If you travel a long way, it is kind of conducive to reflection. | 0:47:51 | 0:47:55 | |
I suppose because of the obvious metaphor of, "We're born, we die." | 0:47:55 | 0:48:00 | |
And it's difficult not to reflect on that journey. | 0:48:00 | 0:48:03 | |
There have been times on this incredible journey | 0:48:03 | 0:48:07 | |
where the beauty of the landscape and the joy of new people | 0:48:07 | 0:48:10 | |
has been transcendental in its potency. | 0:48:10 | 0:48:12 | |
I've never been anywhere like this. | 0:48:12 | 0:48:15 | |
-No, me neither. -It's like driving on the sea. | 0:48:15 | 0:48:17 | |
And here, fleetingly, in this bizarre scenery, | 0:48:20 | 0:48:23 | |
I think I can feel a bit of the sense of spiritual bliss | 0:48:23 | 0:48:26 | |
that Kerouac was always harping on about. | 0:48:26 | 0:48:28 | |
This is about the amount of salt that I take with everything you say. | 0:48:28 | 0:48:35 | |
RUSSELL LAUGHS | 0:48:35 | 0:48:37 | |
Listen, your voice echoes. | 0:48:37 | 0:48:39 | |
Woo! I struggle with intimacy! | 0:48:39 | 0:48:42 | |
I'm addicted to fame! | 0:48:42 | 0:48:43 | |
This is the perfect place to learn to drive. | 0:48:51 | 0:48:53 | |
You should have a go at driving cos it's easy. | 0:48:53 | 0:48:56 | |
What possibly could go wrong in this lovely salt space-scape? | 0:48:56 | 0:49:00 | |
Beep beep! To Toad Hall! | 0:49:00 | 0:49:03 | |
Don't do any hard braking. Don't do that, Jesus Christ! | 0:49:03 | 0:49:08 | |
You're turning too tight, mate, you're turning too tight! Fucking hell. | 0:49:08 | 0:49:12 | |
Fucking hell, Russell. | 0:49:12 | 0:49:14 | |
No, don't accelerate. | 0:49:15 | 0:49:16 | |
I'm thinking on me feet. | 0:49:20 | 0:49:21 | |
Fucking hell, why did I let you have a go? Slow down. | 0:49:21 | 0:49:25 | |
I'm going to put the brake on now! | 0:49:26 | 0:49:29 | |
You've been a very naughty girl! | 0:49:31 | 0:49:34 | |
-What's your name, mate? -Greg Anderson. | 0:49:35 | 0:49:38 | |
-Greg Anderson? -Yeah. -We're on a road trip. | 0:49:38 | 0:49:41 | |
-So am I. -What are YOU looking for? | 0:49:41 | 0:49:44 | |
I just want to see this country. On this motorcycle. | 0:49:44 | 0:49:47 | |
It's amazing, isn't it? | 0:49:47 | 0:49:49 | |
There's no lines, you can just go. | 0:49:49 | 0:49:51 | |
No parameters. No boundaries. That's scary for a lot of people, but not for me and you. | 0:49:51 | 0:49:56 | |
Now get out there, Greg, and experience that white void, get out there. Live, man! | 0:49:56 | 0:50:01 | |
When you see two guys on a motorcycle, the guy in the back is riding bitch. | 0:50:02 | 0:50:08 | |
-I am riding bitch?! -That's been pretty much how it's been. | 0:50:08 | 0:50:12 | |
You're riding bitch on an American motorcycle. | 0:50:12 | 0:50:15 | |
Can you stop saying that, Greg Anderson?! | 0:50:15 | 0:50:17 | |
# Greg Anderson He likes to ride his Harley | 0:50:23 | 0:50:28 | |
# He says I ride bitch back | 0:50:28 | 0:50:32 | |
# He said that I'm a sort of wife to my friend Matt! # | 0:50:32 | 0:50:39 | |
THEY LAUGH | 0:50:39 | 0:50:40 | |
"The car was swaying as Dean and I both swayed to the rhythm | 0:50:53 | 0:50:56 | |
"and the it of our final excited joy in talking and living to the blank tranced end | 0:50:56 | 0:51:01 | |
"of all innumerable riotous, angelic particulars that had been lurking in our souls all our lives... | 0:51:01 | 0:51:07 | |
"The point being that we know what IT is and we know TIME and we know that everything is really FINE." | 0:51:11 | 0:51:17 | |
This whole experience has made me want to live more truthfully. | 0:51:20 | 0:51:23 | |
It's made me want to put aside... | 0:51:23 | 0:51:26 | |
living that sort of spiritual hand-to-mouth impoverished existence, | 0:51:28 | 0:51:33 | |
and to focus on the things that are absolute and constant. | 0:51:33 | 0:51:37 | |
Bloody hell, mate, it's a bit mad having all them stuffed animals in here after Psycho. | 0:51:49 | 0:51:54 | |
-You run a motel and you've got stuffed animals... -There's a lot of hunting around here. | 0:51:54 | 0:52:00 | |
Let's go. Oh, no! Joe, is this a trick? Is this the bit where you dress up as your mum and kill us? | 0:52:00 | 0:52:06 | |
-Oh, my God. -We're staying Winnemucca. | 0:52:10 | 0:52:13 | |
I would call it a one horse town but if there was a horse here, Joe would probably stuff it. | 0:52:13 | 0:52:19 | |
# I think we're gonna to like it here! # | 0:52:19 | 0:52:21 | |
Joe... | 0:52:23 | 0:52:24 | |
Joe. | 0:52:24 | 0:52:26 | |
My mum made mistakes with me! | 0:52:26 | 0:52:30 | |
Go over there in just my pants and boots? | 0:52:32 | 0:52:34 | |
-And salute. I'll give you a hundred dollars if you do that! -You're on! | 0:52:34 | 0:52:39 | |
Today we've entered California, and San Francisco's tantalisingly close. | 0:52:50 | 0:52:56 | |
# Jacky Kerouac's peanut butter... # | 0:52:56 | 0:53:00 | |
It's full of grim-death goodness! | 0:53:00 | 0:53:03 | |
'I don't know how Kerouac managed seven years on the road. | 0:53:05 | 0:53:08 | |
'I've done three weeks and, look, I'm going all insane in the membrane.' | 0:53:08 | 0:53:12 | |
Now I think we can use this door to clatter right into these little orange guys. It's idea of the day. | 0:53:13 | 0:53:18 | |
Russell, don't do that! | 0:53:18 | 0:53:20 | |
Damn you! | 0:53:20 | 0:53:22 | |
The wind cannot stop us now! | 0:53:22 | 0:53:25 | |
You berk. You fucking opened your door like a knob | 0:53:25 | 0:53:28 | |
to knock over a traffic cone which I said we wouldn't get anyway | 0:53:28 | 0:53:32 | |
and then the book fell out with all your notes! | 0:53:32 | 0:53:35 | |
'Thank God our journey was almost done!' | 0:53:37 | 0:53:39 | |
I've scoffed all the Kerouacky butter. | 0:53:39 | 0:53:42 | |
My copy of On The Road lies behind us on a Californian roadside unnoticed and unmourned... | 0:53:44 | 0:53:49 | |
the unknown soldier of the literary world. | 0:53:49 | 0:53:53 | |
This isn't the Golden Gate Bridge. | 0:53:53 | 0:53:56 | |
It is golden! It is! Look! Look! | 0:53:56 | 0:54:00 | |
It's a shit bridge, just coming in. | 0:54:00 | 0:54:02 | |
What do you mean, it's just a shit bridge? | 0:54:02 | 0:54:05 | |
We've driven more than 3,000 miles in our truck all the way across America | 0:54:09 | 0:54:13 | |
and here we bloody well are at the Pacific Ocean. | 0:54:13 | 0:54:16 | |
We've reached the sea at last. | 0:54:18 | 0:54:20 | |
After all our trials and endeavours! | 0:54:20 | 0:54:23 | |
Well now, this is a little bit more like it on the Golden Gate Bridge front, isn't it? | 0:54:26 | 0:54:31 | |
Wow! | 0:54:31 | 0:54:32 | |
"We saw, stretched out ahead of us, the fabulous white city of San Francisco | 0:54:37 | 0:54:42 | |
"on her 11 mystic hills with the blue Pacific and its advancing wall of potato-patch fog beyond, | 0:54:42 | 0:54:48 | |
"and smoke and goldenness in the late afternoon of time... | 0:54:48 | 0:54:51 | |
"We can't go any further cos there ain't no more land!" | 0:54:51 | 0:54:54 | |
I'm finishing in San Francisco, where a whole generation took Kerouac's book to heart. | 0:55:04 | 0:55:10 | |
But as bombed-out beatniks and hippies mimicked Cassady's hedonism, | 0:55:10 | 0:55:15 | |
Kerouac worried that his spiritual message had been lost. | 0:55:15 | 0:55:19 | |
In the end, Kerouac retreated from life and succumbed to the booze, | 0:55:19 | 0:55:24 | |
dying, tragically, of alcoholism aged just 47. | 0:55:24 | 0:55:29 | |
As a last tribute, I've arranged a night to talk about my life on the road. | 0:55:35 | 0:55:40 | |
Kerouac and his mates held "blabbermouth nights" | 0:55:40 | 0:55:43 | |
where they'd get up and rap about their work and that, man, be bop de bop bop. | 0:55:43 | 0:55:47 | |
I'd like to welcome you to the Beat Museum. Thanks for coming tonight. | 0:55:47 | 0:55:51 | |
So this is my version of a blabbermouth night, | 0:55:51 | 0:55:54 | |
here at San Francisco's fittingly-shabby Beat Museum. | 0:55:54 | 0:55:57 | |
Hello. Thanks for coming. You're a drifter. | 0:55:57 | 0:56:00 | |
I've seen characters like you in the movies. | 0:56:00 | 0:56:03 | |
We started off here... Lowell, Massachusetts. I'll tell you one thing. | 0:56:03 | 0:56:08 | |
A lot of my prejudices about America were undermined and dismantled | 0:56:08 | 0:56:12 | |
because I see now that you're not the ignorant people | 0:56:12 | 0:56:17 | |
that you're portrayed as by European media. | 0:56:17 | 0:56:20 | |
The people that I actually met, gracious sort of people, | 0:56:20 | 0:56:23 | |
people you'd think, yes, they would make an apple pie for Huckleberry Finn. | 0:56:23 | 0:56:27 | |
There weren't much warmongering going on where I saw people. | 0:56:27 | 0:56:30 | |
No-one once mongered for the war. | 0:56:30 | 0:56:32 | |
I didn't see no mongering. | 0:56:32 | 0:56:34 | |
No-one looked like they were suppressing a monger, either. | 0:56:34 | 0:56:37 | |
It didn't look like, hold on, there's people from Europe here... don't monger! | 0:56:37 | 0:56:41 | |
The minute we go... Monger, monger! | 0:56:41 | 0:56:44 | |
So I've learned loads of things like a lot of us here, | 0:56:44 | 0:56:47 | |
probably you, the drifter, | 0:56:47 | 0:56:48 | |
me, for example, you'll be able to tell from my ridiculous haircut. | 0:56:48 | 0:56:52 | |
What we have idealised about him and idolised is | 0:56:52 | 0:56:57 | |
what he represents counter culturally, a sort of an icon for change. | 0:56:57 | 0:57:02 | |
There is a way of living where we ain't all shackled by fear. They're always on about "it". | 0:57:02 | 0:57:07 | |
Well, we're trying to find IT. | 0:57:07 | 0:57:08 | |
Well, what the bloody hell is it? | 0:57:08 | 0:57:11 | |
And here's my two penn'orth. That's about not being oppressed by time, | 0:57:11 | 0:57:16 | |
not being oppressed by the idea of the journey that life begins here and ends here, | 0:57:16 | 0:57:20 | |
so you grant yourself a little bit of freedom in the moment, | 0:57:20 | 0:57:24 | |
that you allow yourself the privilege of spontaneity. | 0:57:24 | 0:57:27 | |
The main thing I've got from this journey | 0:57:31 | 0:57:33 | |
is that if you aren't governed by fear, | 0:57:33 | 0:57:38 | |
you can live truthfully and you can find a kind of beauty. | 0:57:38 | 0:57:42 | |
But if you're inhibited and fearful, you will live a prescriptive existence. | 0:57:42 | 0:57:50 | |
But, like, once you sort of get beyond the hedonistic first impulse of that philosophy, | 0:57:50 | 0:57:55 | |
you find that you need to focus on something wider, | 0:57:55 | 0:58:00 | |
more permanent and beautiful and valuable. That's what I'VE learned. | 0:58:00 | 0:58:05 | |
And I kinda think I want to do something worthwhile. | 0:58:05 | 0:58:09 | |
# Steady as she goes | 0:58:15 | 0:58:17 | |
# Steady as she goes | 0:58:17 | 0:58:20 | |
# Steady as she goes | 0:58:20 | 0:58:22 | |
# Steady as she goes | 0:58:22 | 0:58:23 | |
# So steady as she goes | 0:58:23 | 0:58:26 | |
# Steady as she goes | 0:58:26 | 0:58:27 | |
# Steady as she goes | 0:58:27 | 0:58:29 | |
# Are you steady now? | 0:58:29 | 0:58:31 | |
# Steady as she goes | 0:58:31 | 0:58:33 | |
# Are you steady now? | 0:58:33 | 0:58:35 | |
# Steady as she goes | 0:58:35 | 0:58:37 | |
# Are you steady now? | 0:58:37 | 0:58:39 | |
# Steady as she goes | 0:58:39 | 0:58:41 | |
# Are you steady now? | 0:58:41 | 0:58:42 | |
# Steady as she goes. # | 0:58:42 | 0:58:44 | |
Subtitles by Red Bee Media Ltd. | 0:58:44 | 0:58:46 |