
Browse content similar to Gods and Monsters: Homer's Odyssey. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
I'm in the Mediterranean on the trail of a legend. | 0:00:11 | 0:00:15 | |
A warrior from Greece who triumphed at Troy. | 0:00:16 | 0:00:20 | |
His name is Odysseus. | 0:00:23 | 0:00:26 | |
And he's the hero of a 2500-year-old poem called the Odyssey. | 0:00:26 | 0:00:33 | |
It's the diary of a lost man and a wandering soul. | 0:00:38 | 0:00:41 | |
It describes a ten-year journey criss-crossing these oceans | 0:00:41 | 0:00:45 | |
and pin-balling between islands. | 0:00:45 | 0:00:47 | |
Told by our first author, Homer, | 0:00:49 | 0:00:52 | |
the Odyssey has become a foundation stone of Western literature. | 0:00:52 | 0:00:56 | |
But who is Odysseus? | 0:00:59 | 0:01:02 | |
A brave hero, certainly. | 0:01:02 | 0:01:04 | |
A brilliant, resourceful strategist, | 0:01:04 | 0:01:06 | |
renowned for his cunning and his guile. | 0:01:06 | 0:01:09 | |
But is he also a bit slippery and a bit devious? | 0:01:09 | 0:01:13 | |
A bit of a show-off with medals and lovers to his name? | 0:01:13 | 0:01:17 | |
I've come to Greece not just to follow his trail and tell his story, | 0:01:18 | 0:01:23 | |
but to try and get inside his mind | 0:01:23 | 0:01:25 | |
and to try and work out once and for all | 0:01:25 | 0:01:28 | |
whether I really like him. | 0:01:28 | 0:01:30 | |
Sing to me of the man, Muse, | 0:01:52 | 0:01:54 | |
the man of twists and turns. | 0:01:54 | 0:01:57 | |
Driven time and again off course, | 0:01:57 | 0:01:59 | |
once he had plundered the hallowed heights of Troy. | 0:01:59 | 0:02:04 | |
In the opening lines of the Odyssey, Homer introduces us to its hero. | 0:02:10 | 0:02:15 | |
His name is Odysseus. | 0:02:15 | 0:02:18 | |
And my journey begins in the place where he made his name. | 0:02:18 | 0:02:22 | |
Troy. | 0:02:22 | 0:02:25 | |
This is north-western Turkey and very nice it is, too. | 0:02:25 | 0:02:30 | |
This body of water just over my shoulder here | 0:02:30 | 0:02:33 | |
are the straits of the Dardanelles, | 0:02:33 | 0:02:35 | |
a really important waterway through history. | 0:02:35 | 0:02:38 | |
Over there is Europe and this side is Asia and it's always | 0:02:38 | 0:02:42 | |
been described as a kind of cultural faultline dividing the two. | 0:02:42 | 0:02:47 | |
It's dripping with history and legend, it's a place that I only | 0:02:47 | 0:02:51 | |
thought really existed on a map and in books. | 0:02:51 | 0:02:55 | |
But it's real and I'm here. | 0:02:55 | 0:02:57 | |
Many believe these remains are those of the legendary city of Troy. | 0:03:12 | 0:03:16 | |
Today it's just a pile of old stones. | 0:03:21 | 0:03:23 | |
But 3,000 years ago, it would have looked very different. | 0:03:26 | 0:03:30 | |
The Troy described by the poet Homer was a powerful city state. | 0:03:40 | 0:03:45 | |
But then the Greeks came here to fight a famous war. | 0:03:45 | 0:03:49 | |
For ten years they tried to smash through | 0:03:53 | 0:03:56 | |
its impregnable walls. | 0:03:56 | 0:03:58 | |
And for ten years, they failed. | 0:03:59 | 0:04:02 | |
It's a bloody and grinding conflict | 0:04:04 | 0:04:08 | |
finally brought to an end not by brawn but by brains, | 0:04:08 | 0:04:12 | |
and in one of the best-known of all myths | 0:04:12 | 0:04:14 | |
the Greeks finally infiltrate the city | 0:04:14 | 0:04:16 | |
by hiding inside a wooden horse apparently left as a gift. | 0:04:16 | 0:04:20 | |
It's a moment of tactical genius | 0:04:20 | 0:04:22 | |
dreamed up by someone renowned for their cunning and their guile. | 0:04:22 | 0:04:26 | |
And that man is Odysseus. | 0:04:26 | 0:04:28 | |
Odysseus was king of a small island in Greece called Ithaca. | 0:04:31 | 0:04:37 | |
And his idea to attack Troy from the inside | 0:04:37 | 0:04:41 | |
using the horse as a hiding place was the turning point in the war. | 0:04:41 | 0:04:46 | |
Well, I'm inside a horse, | 0:04:48 | 0:04:50 | |
which isn't a line that I ever thought I'd end up saying. | 0:04:50 | 0:04:53 | |
I probably don't need to explain | 0:04:53 | 0:04:55 | |
this isn't the original wooden horse built by the Greek army | 0:04:55 | 0:04:59 | |
but the fact that tourist authorities | 0:04:59 | 0:05:02 | |
or whoever would go to the trouble of assembling this | 0:05:02 | 0:05:06 | |
is a testament to the enduring nature of the myth. | 0:05:06 | 0:05:09 | |
According to another myth, | 0:05:14 | 0:05:15 | |
Odysseus started the war as a reluctant conscript, | 0:05:15 | 0:05:20 | |
who didn't even want to come here. | 0:05:20 | 0:05:23 | |
But with the Trojan horse, he reinvented himself as a superhero. | 0:05:23 | 0:05:28 | |
Yes, it was a brilliant plan. | 0:05:30 | 0:05:33 | |
But it's also our first great insight into his personality. | 0:05:33 | 0:05:37 | |
There are moments with Odysseus where | 0:05:43 | 0:05:45 | |
genius seems to tip over in deviousness and | 0:05:45 | 0:05:49 | |
where self-preservation wavers into self-interest | 0:05:49 | 0:05:53 | |
and it's on those occasions where we start to think of Odysseus | 0:05:53 | 0:05:57 | |
as a more complicated and perhaps more questionable character. | 0:05:57 | 0:06:02 | |
Questionable his character may be, | 0:06:05 | 0:06:08 | |
but after success at Troy, no-one cares. | 0:06:08 | 0:06:12 | |
It's that very deviousness which has made him invincible. | 0:06:14 | 0:06:19 | |
Arrogant and of course, heroic. | 0:06:20 | 0:06:23 | |
All he has to do now is get home to Ithaca | 0:06:25 | 0:06:28 | |
to become reunited with his wife, Penelope, | 0:06:28 | 0:06:31 | |
and take his place in the Greek hall of fame. | 0:06:31 | 0:06:36 | |
The trouble is, it's not going to be that simple. | 0:06:37 | 0:06:41 | |
Preparing to leave Troy, | 0:06:52 | 0:06:54 | |
Odysseus is about to have the arrogance beaten out of him, | 0:06:54 | 0:06:58 | |
piece by piece. | 0:06:58 | 0:07:00 | |
Before he can find out who he really is, | 0:07:04 | 0:07:07 | |
he must first be broken. | 0:07:07 | 0:07:09 | |
The Greeks came here on a mission and they'd been successful. | 0:07:23 | 0:07:26 | |
They'd defeated the Trojans. | 0:07:26 | 0:07:28 | |
It had taken them ten years but the hard part was over. | 0:07:28 | 0:07:32 | |
It was just a question of getting home now, | 0:07:32 | 0:07:34 | |
300 or 400 miles that way, west. | 0:07:34 | 0:07:37 | |
They'd have come down here to this beach to get on the ships. | 0:07:37 | 0:07:41 | |
I imagine the mood would have been one of jubilation and triumph | 0:07:41 | 0:07:45 | |
and excitement at the idea of returning back to their homeland. | 0:07:45 | 0:07:49 | |
Getting home to Ithaca should only take ten weeks. | 0:07:54 | 0:07:58 | |
But in fact, it takes ten years, | 0:07:58 | 0:08:01 | |
as Odysseus suffers a spectacular fall from grace. | 0:08:01 | 0:08:05 | |
For him, it'll be the journey from hell. | 0:08:07 | 0:08:11 | |
And I'm going with him. | 0:08:13 | 0:08:15 | |
'As I leave Troy, I have my own boat, complete with a skipper - | 0:08:25 | 0:08:31 | |
'name of George.' | 0:08:31 | 0:08:33 | |
Did you ever sail to Ithaca? | 0:08:33 | 0:08:35 | |
Many times. I know every stone. | 0:08:35 | 0:08:40 | |
I'll be following in Odysseus' wake | 0:08:42 | 0:08:45 | |
as he arced around the Mediterranean sea, from Troy, | 0:08:45 | 0:08:50 | |
to his home island of Ithaca. | 0:08:50 | 0:08:54 | |
I feel like I'm in some huge car, with a gear stick. | 0:08:54 | 0:09:00 | |
Oops, sorry. Wrong way. | 0:09:01 | 0:09:03 | |
Let's go some left. 30 degrees. | 0:09:03 | 0:09:06 | |
You're like my dad on my driving licence, | 0:09:06 | 0:09:08 | |
he kept grabbing hold of the wheel. | 0:09:08 | 0:09:10 | |
You are a good captain, but you need more lessons. | 0:09:10 | 0:09:14 | |
I just thought you needed a good hat and it would all fall into place. | 0:09:14 | 0:09:18 | |
'As Odysseus leaves Troy, he's in holiday mood.' | 0:09:19 | 0:09:24 | |
That's a good plan. | 0:09:24 | 0:09:25 | |
Dual controls. | 0:09:25 | 0:09:28 | |
First stop is a nearby coastal town for a bit of plundering. | 0:09:28 | 0:09:32 | |
But he bites off more than he can chew. | 0:09:34 | 0:09:36 | |
And ends up scarpering with a bloody nose. | 0:09:36 | 0:09:40 | |
Straight into another problem - the weather. | 0:09:40 | 0:09:44 | |
They say Britain is a sailing culture because it's an island | 0:09:45 | 0:09:50 | |
but it's nothing like Greece. | 0:09:50 | 0:09:51 | |
Greece is all about water and islands and travelling around and | 0:09:51 | 0:09:56 | |
when you're out here on the water, it's the uncertainty, really. | 0:09:56 | 0:10:00 | |
And the vastness as well. | 0:10:00 | 0:10:02 | |
When it's calm, when the sun's shining, | 0:10:02 | 0:10:05 | |
it's fine, it's beautiful. | 0:10:05 | 0:10:06 | |
The minute that the wind gets up and it starts to blow you | 0:10:06 | 0:10:09 | |
in any direction, it feels very threatening. | 0:10:09 | 0:10:11 | |
'Odysseus is barely off the jetty when a cataclysmic gale hits.' | 0:10:16 | 0:10:21 | |
'For nine days, he's sent spinning across the Mediterranean.' | 0:10:26 | 0:10:30 | |
'When his fleet emerges from the chaos, Odysseus drops anchor | 0:10:40 | 0:10:45 | |
'in a strange and unfamiliar world.' | 0:10:45 | 0:10:48 | |
'The Island of the Lotus Eaters is an exotic paradise. | 0:10:54 | 0:10:59 | |
'But danger lies within.' | 0:10:59 | 0:11:02 | |
'The Lotus flowers covering the island seem innocent enough. | 0:11:08 | 0:11:13 | |
'But when eaten, they send the men into a drug-induced stupor.' | 0:11:13 | 0:11:18 | |
'Odysseus keeps his head, and hauls the men back to the boats.' | 0:11:21 | 0:11:26 | |
'On this occasion, it's the lower ranks who've messed up. | 0:11:28 | 0:11:33 | |
'But Odysseus is about to trump them with a mistake of his own.' | 0:11:33 | 0:11:38 | |
'Sailing north overnight, | 0:11:46 | 0:11:47 | |
'the fleet puts in for supplies at the next island. | 0:11:47 | 0:11:52 | |
'It's the land of the Cyclops.' | 0:11:52 | 0:11:56 | |
'Odysseus is wise enough to know he really should | 0:12:02 | 0:12:06 | |
'steer clear of this lot.' | 0:12:06 | 0:12:08 | |
'The Cyclops are a breed of lawless one-eyed giants, | 0:12:11 | 0:12:15 | |
'with no respect for either humans or gods. | 0:12:15 | 0:12:20 | |
'But Odysseus can't help himself.' | 0:12:20 | 0:12:23 | |
'Especially after he spots some tasty-looking sheep inside a cave.' | 0:12:25 | 0:12:30 | |
'They belong to the Cyclops Polythemus.' | 0:12:33 | 0:12:36 | |
We see three different aspects of Odysseus's character | 0:12:57 | 0:13:00 | |
in this incident with Polythemus the Cyclops. | 0:13:00 | 0:13:03 | |
His men want to loot the cave, but Odysseus says | 0:13:03 | 0:13:06 | |
"No, let's wait and see if these goods are given to us as gifts out of politeness." | 0:13:06 | 0:13:12 | |
'Interesting idea, but also naive. | 0:13:13 | 0:13:17 | |
'When the Cyclops does return, | 0:13:17 | 0:13:20 | |
'he eats two of Odysseus' men as an appetiser | 0:13:20 | 0:13:25 | |
'and puts the rest in his larder for later.' | 0:13:25 | 0:13:29 | |
Then we see cunning Odysseus heating up a shaft of olive wood in the fire | 0:13:31 | 0:13:37 | |
and jabbing it into Cyclop's eye | 0:13:37 | 0:13:40 | |
to blind him so him and his men can escape. | 0:13:40 | 0:13:43 | |
"We took the fiery pointed stake | 0:13:47 | 0:13:49 | |
"and whirled it around in his eye and the blood flowed round it, | 0:13:49 | 0:13:53 | |
"all hot as it was. | 0:13:53 | 0:13:55 | |
"His eyelids above and below and his brows were all singed | 0:13:55 | 0:13:59 | |
"by the flame from the burning eyeball | 0:13:59 | 0:14:02 | |
"and its root crackled in the fire." | 0:14:02 | 0:14:04 | |
Finally, we see boastful Odysseus, goading the Cyclops as he sails away | 0:14:11 | 0:14:17 | |
on the boat, shouting, "Tell all men that Odysseus did this to you." | 0:14:17 | 0:14:21 | |
Blurting out his name just to show off, is a huge mistake. | 0:14:24 | 0:14:28 | |
That's because the Cyclops' father is Poseidon, | 0:14:33 | 0:14:37 | |
god of the sea. | 0:14:37 | 0:14:39 | |
And annoying a god like him is a very bad idea. | 0:14:39 | 0:14:44 | |
This is the Temple of Poseidon. | 0:15:01 | 0:15:04 | |
Overlooking the Aegean Sea, it's as good a place as any to ruminate on Odysseus' unfortunate gaffe. | 0:15:04 | 0:15:12 | |
Life's what you make of it, that's what we tend to say these days, but we also talk about good luck, | 0:15:16 | 0:15:23 | |
bad luck, coincidence and chance, | 0:15:23 | 0:15:25 | |
as if there was some indefinable forces at work in the background. | 0:15:25 | 0:15:30 | |
In Homer's world, those forces were known as gods, | 0:15:30 | 0:15:33 | |
and the whims and the moods of the gods could determine | 0:15:33 | 0:15:37 | |
not just a man's future, but the destiny of an entire civilisation. | 0:15:37 | 0:15:42 | |
Poseidon's not the only god who pokes a trident into Odysseus' affairs. | 0:15:51 | 0:15:55 | |
In fact, a lot of the others have quite a soft spot for him. | 0:15:55 | 0:16:01 | |
But Poseidon matters more than most. | 0:16:01 | 0:16:05 | |
He's the one who now wants Odysseus dead. | 0:16:05 | 0:16:09 | |
Of course, the gods are a great literary device as well. | 0:16:14 | 0:16:17 | |
They offer a parallel narrative and we're privy to their decisions | 0:16:17 | 0:16:21 | |
and interventions in a way that Odysseus isn't, | 0:16:21 | 0:16:24 | |
and it makes us very powerful as readers, almost god-like. | 0:16:24 | 0:16:28 | |
It's a fantastic act of reader flattery on Homer's part. | 0:16:28 | 0:16:33 | |
Poseidon's vendetta is destined | 0:16:39 | 0:16:42 | |
to unravel with violent and bloody consequences. | 0:16:42 | 0:16:46 | |
As Odysseus escapes from the Cyclops, | 0:16:46 | 0:16:49 | |
the sea god looks on as the fleet is again swept into no man's land. | 0:16:49 | 0:16:54 | |
And the men are turned into mincemeat | 0:16:56 | 0:16:59 | |
by hordes of cannibal giants. | 0:16:59 | 0:17:01 | |
After the attack, only one ship out of the fleet of 12 survives. | 0:17:08 | 0:17:12 | |
They're picked off like fish in a barrel. | 0:17:12 | 0:17:14 | |
Devastated and depleted, Odysseus sails on and he finally | 0:17:14 | 0:17:18 | |
arrives at the island of Aeaea, notable for being an island | 0:17:18 | 0:17:23 | |
made up entirely of vowels, but also for its most famous inhabitant, | 0:17:23 | 0:17:28 | |
the goddess and sorceress Circe. | 0:17:28 | 0:17:31 | |
Like the aforementioned giants, Circe's also a man-eater. | 0:17:38 | 0:17:43 | |
A perfect example of one of the Odyssey's greatest themes. | 0:17:43 | 0:17:49 | |
Temptation. | 0:17:49 | 0:17:51 | |
Having turned some of Odysseus' men into pigs, | 0:17:57 | 0:18:00 | |
she then lures Odysseus into her bed. | 0:18:00 | 0:18:03 | |
A bed he stays in for an entire year. | 0:18:04 | 0:18:08 | |
"She set me in a bath and bathed me with water from the great cauldron, | 0:18:14 | 0:18:18 | |
"mixing it to my liking | 0:18:18 | 0:18:21 | |
"and pouring it over my head and shoulders, | 0:18:21 | 0:18:24 | |
"till she took from my limbs the soul-consuming weariness. | 0:18:24 | 0:18:27 | |
"But when she had bathed me and anointed me richly with oil | 0:18:30 | 0:18:33 | |
"and had thrown about me a beautiful cloak and a tunic, she brought me | 0:18:33 | 0:18:37 | |
"into the hall and made me sit upon a silver-studded chair, | 0:18:37 | 0:18:42 | |
"a beautiful chair, richly wrought." | 0:18:42 | 0:18:45 | |
Odysseus's behaviour is questionable, to say the least. | 0:18:47 | 0:18:50 | |
Has he forgotten his wife, the loyal Penelope, | 0:18:52 | 0:18:55 | |
who's been waiting for him back home? | 0:18:55 | 0:18:58 | |
Or is he just recuperating after getting hopelessly lost, | 0:18:59 | 0:19:03 | |
and watching most of his men die in agony? | 0:19:03 | 0:19:06 | |
It reminds me a bit of that story | 0:19:09 | 0:19:11 | |
about George Best at the height of his notoriety, | 0:19:11 | 0:19:13 | |
he's staying in some swanky hotel and the bell boy walks in | 0:19:13 | 0:19:17 | |
and finds George surrounded by | 0:19:17 | 0:19:20 | |
empty champagne bottles and a former Miss World lying on the bed. | 0:19:20 | 0:19:24 | |
And the bell boy says, "George, where did it all go wrong?" | 0:19:24 | 0:19:29 | |
But am I being too quick to judge Odysseus? | 0:19:30 | 0:19:35 | |
Leaving him alone with his libido, | 0:19:40 | 0:19:42 | |
I've headed back to the Greek mainland | 0:19:42 | 0:19:44 | |
and a small harbour near Athens. | 0:19:44 | 0:19:46 | |
It's a funny thing, temptation. | 0:19:50 | 0:19:52 | |
Is Homer condemning Odysseus for his infidelity with Circe? | 0:19:52 | 0:19:58 | |
Or is he just saying that boys will be boys? | 0:19:58 | 0:20:02 | |
I thought I'd ask Dimitris and Andreas, | 0:20:02 | 0:20:05 | |
a couple of retired merchant seamen | 0:20:05 | 0:20:07 | |
who spent much of their working lives at sea. | 0:20:07 | 0:20:10 | |
What do they think of Odysseus's behaviour, | 0:20:11 | 0:20:14 | |
and especially his long affair with Circe? | 0:20:16 | 0:20:19 | |
His big failing was the adoration of women. | 0:20:23 | 0:20:27 | |
I like the fact that he was womanising. I can't feel a man, | 0:20:27 | 0:20:31 | |
a young man like him, to go away, | 0:20:31 | 0:20:34 | |
years and years away from his country, and not womanise. | 0:20:34 | 0:20:39 | |
My seaman's life was just the same life. | 0:20:39 | 0:20:43 | |
I went to too many places, I had a lot of experiences, | 0:20:43 | 0:20:46 | |
I have met lots of women. | 0:20:46 | 0:20:48 | |
I was womanising for a great part of my life, and then I came to an end. | 0:20:48 | 0:20:55 | |
I think all of us come to an end. That is the story. | 0:20:55 | 0:21:00 | |
It is a very, very human story. | 0:21:00 | 0:21:02 | |
-So that makes it more real? -It is real. | 0:21:04 | 0:21:07 | |
That is why this poem is eternal. | 0:21:07 | 0:21:09 | |
If you read it, and see the details and so on, | 0:21:09 | 0:21:12 | |
you will discover | 0:21:12 | 0:21:14 | |
your own life. | 0:21:14 | 0:21:16 | |
This is my life. | 0:21:16 | 0:21:18 | |
So if you've lived the life of Odysseus, | 0:21:18 | 0:21:21 | |
does that tell you anything about his character? | 0:21:21 | 0:21:24 | |
Do you feel as if you know more about the Odysseus of the book | 0:21:24 | 0:21:28 | |
because of the lives you've led? | 0:21:28 | 0:21:30 | |
He went through too many adventures. | 0:21:30 | 0:21:33 | |
He has experienced a lot of things, as we did, as seamen, both of us. | 0:21:33 | 0:21:39 | |
Every man has his Odysseus inside. | 0:21:39 | 0:21:42 | |
In his mind. | 0:21:44 | 0:21:46 | |
But after that, you have to settle down. | 0:21:46 | 0:21:51 | |
And this is what all of us, we do in life. It's a lesson of life. | 0:21:51 | 0:21:55 | |
And when you are a young one, and you go to work on a ship, | 0:21:57 | 0:22:01 | |
you think that everything is a game. | 0:22:03 | 0:22:06 | |
But as the years have passed, | 0:22:06 | 0:22:09 | |
you feel very, very different. | 0:22:12 | 0:22:15 | |
One thing I understand from meeting people like Andreas and Dimitris | 0:22:22 | 0:22:25 | |
is just how important the Odyssey is to the Greek people. | 0:22:25 | 0:22:31 | |
Someone once said the Odyssey is | 0:22:31 | 0:22:33 | |
"alive to every tremor and gleam of existence." | 0:22:33 | 0:22:37 | |
And that doesn't just include love and sex. | 0:22:37 | 0:22:41 | |
Odysseus' next lesson is going to be the most powerful of all. | 0:22:41 | 0:22:47 | |
Finally, he's about to understand the meaning of death. | 0:22:47 | 0:22:50 | |
Tearing himself away from Circe's island, | 0:22:56 | 0:22:59 | |
Odysseus and his remaining men once again sail for Ithaca. | 0:22:59 | 0:23:03 | |
But he's desperate to know what the omens are. | 0:23:03 | 0:23:08 | |
Helpfully, Circe's given him the name of a very reliable soothsayer. | 0:23:08 | 0:23:12 | |
Consulting the soothsayer seems simple enough, | 0:23:24 | 0:23:28 | |
except there's a catch. | 0:23:28 | 0:23:30 | |
I'm going to hell! | 0:23:30 | 0:23:31 | |
He's dead. | 0:23:31 | 0:23:34 | |
This is the river Acheron. | 0:23:44 | 0:23:46 | |
But round here, they have another name for it - | 0:23:46 | 0:23:49 | |
the river of pain. | 0:23:51 | 0:23:53 | |
To the Greeks, it was the highway to hell. | 0:23:55 | 0:23:59 | |
Or as Homer himself put it, | 0:24:01 | 0:24:03 | |
"a place where horrid night spreads over wretched mortals." | 0:24:03 | 0:24:07 | |
Homer even gives directions on how to get to the underworld. | 0:24:12 | 0:24:16 | |
When the river finally runs out, | 0:24:24 | 0:24:26 | |
I make the rest of the journey on foot. | 0:24:26 | 0:24:29 | |
The place itself is called Necromanteion. | 0:24:34 | 0:24:38 | |
Or "oracle of the dead". | 0:24:38 | 0:24:40 | |
From Homer's day right up to the 18th century, | 0:24:43 | 0:24:46 | |
Greeks came here to contact the dark side. | 0:24:46 | 0:24:49 | |
Getting the ghouls to appear required lots of drug taking | 0:24:51 | 0:24:56 | |
and some really bizarre rituals. | 0:24:56 | 0:24:59 | |
A bit like cooking. | 0:24:59 | 0:25:01 | |
Circe's given Odysseus | 0:25:03 | 0:25:05 | |
a list of ingredients that he needs to pour his libations. | 0:25:05 | 0:25:10 | |
She's told him to dig a pit and pour into it various things - | 0:25:10 | 0:25:13 | |
water, milk, sweet wine, honey, | 0:25:13 | 0:25:16 | |
white barley meal, whatever that is, and the blood of a black ram, | 0:25:16 | 0:25:22 | |
so it's a pit a cubit each way. | 0:25:22 | 0:25:26 | |
I think that's from your wrist to your elbow, | 0:25:26 | 0:25:31 | |
so that should do it. | 0:25:31 | 0:25:33 | |
OK. | 0:25:33 | 0:25:36 | |
Here's a bit of the honey, drip a bit of that in. | 0:25:36 | 0:25:40 | |
The local supermarket didn't really have everything I wanted. | 0:25:42 | 0:25:47 | |
I got the nearest I could. The white barley meal. | 0:25:47 | 0:25:52 | |
It's actually rice pasta, but it's the nearest I could get. | 0:25:52 | 0:25:56 | |
And then the sweet wine - | 0:25:56 | 0:25:59 | |
obviously the dead have a bit of a sweet tooth. | 0:25:59 | 0:26:02 | |
In it goes, like so. Bit of milk. | 0:26:04 | 0:26:07 | |
I could only get semi-skimmed, so I hope that's OK. | 0:26:07 | 0:26:10 | |
The supermarket were right out of black ram's blood | 0:26:12 | 0:26:15 | |
so a bit more sweet wine. | 0:26:15 | 0:26:17 | |
And according to the recipe that should do the trick. | 0:26:19 | 0:26:24 | |
Just have to sit back and wait for the ghosts to appear. | 0:26:24 | 0:26:27 | |
The libations are poured and Homer invokes a terrifying spectacle - | 0:26:40 | 0:26:45 | |
out of the swirling mist, come the dead, and it's not just the old, | 0:26:47 | 0:26:51 | |
it's children crying for their mothers, | 0:26:51 | 0:26:53 | |
it's mothers crying for their children, | 0:26:53 | 0:26:56 | |
it's soldiers in their battle garments | 0:26:56 | 0:26:58 | |
all tattered and bloody and torn. | 0:26:58 | 0:27:01 | |
It's a terrifying occasion. | 0:27:01 | 0:27:04 | |
With the preliminaries over, the soothsayer appears. | 0:27:09 | 0:27:12 | |
He's called Tiresias. | 0:27:15 | 0:27:16 | |
And he has some good news. | 0:27:16 | 0:27:19 | |
Odysseus will return safely to Ithaca | 0:27:22 | 0:27:25 | |
and be reunited with his wife. | 0:27:25 | 0:27:28 | |
So far, so good. | 0:27:32 | 0:27:33 | |
But the flames licking | 0:27:35 | 0:27:37 | |
around Odysseus' feet are about to get hotter. | 0:27:37 | 0:27:40 | |
In one of the most compelling and affecting passages | 0:27:51 | 0:27:54 | |
in the whole poem, the face of a dead woman | 0:27:54 | 0:27:56 | |
appears out of the darkness, | 0:27:56 | 0:27:59 | |
which Odysseus finally recognises as his own mother. | 0:27:59 | 0:28:04 | |
And to begin with he refuses to accept it, and then he asks, | 0:28:04 | 0:28:07 | |
"What kind of foul play brought about this murder? | 0:28:07 | 0:28:10 | |
"Tell me and I will revenge it." | 0:28:10 | 0:28:13 | |
And his mother says, "There was no murder, Odysseus. | 0:28:13 | 0:28:17 | |
"I died out of longing for you. | 0:28:17 | 0:28:19 | |
"I died of a broken heart." | 0:28:19 | 0:28:21 | |
News of his mother's death shakes Odysseus to his core. | 0:28:28 | 0:28:32 | |
But it gets worse. | 0:28:33 | 0:28:35 | |
The next spook in line is Achilles, | 0:28:36 | 0:28:40 | |
the greatest warrior of the Trojan War. | 0:28:40 | 0:28:43 | |
Or is he? | 0:28:45 | 0:28:47 | |
Achilles doesn't see himself that way any more. | 0:28:47 | 0:28:50 | |
"And he at once made answer, and said, | 0:28:53 | 0:28:55 | |
"'Never try to reconcile me to death, glorious Odysseus. | 0:28:55 | 0:28:59 | |
"'I should choose so I might live on earth | 0:28:59 | 0:29:02 | |
"'to serve as the hireling of another, | 0:29:02 | 0:29:04 | |
"'some landless man with hardly enough to live on, | 0:29:04 | 0:29:08 | |
"'rather than be lord over all the dead that have perished.'" | 0:29:08 | 0:29:12 | |
Achilles, apparently, would rather be a nobody on earth, | 0:29:15 | 0:29:19 | |
than a hero in hell. | 0:29:19 | 0:29:20 | |
Coming from one of mythology's greatest ever fighters, | 0:29:20 | 0:29:24 | |
it's a pitiful speech. | 0:29:24 | 0:29:26 | |
In the whole of classical mythology, only a handful of people | 0:29:26 | 0:29:30 | |
get to visit the underworld and live to tell the story. | 0:29:30 | 0:29:33 | |
Tiresias has offered Odysseus a glimmer of hope. | 0:29:33 | 0:29:38 | |
But he's seen friends and family as ghosts | 0:29:38 | 0:29:40 | |
and he's witnessed the greatest warrior ever known to mankind | 0:29:40 | 0:29:44 | |
reduced to wretchedness and misery. | 0:29:44 | 0:29:47 | |
Is this how heroes are rewarded by the gods? | 0:29:47 | 0:29:51 | |
Odysseus travels onwards | 0:29:54 | 0:29:56 | |
but he does so a changed man. | 0:29:56 | 0:29:59 | |
To him, everything he achieved at Troy | 0:29:59 | 0:30:02 | |
now just seems like a huge waste. | 0:30:02 | 0:30:06 | |
Tiresius' advice to Odysseus has been about as clear as mud. | 0:30:21 | 0:30:26 | |
So after his harrowing night in hell, he nips back to see Circe, | 0:30:26 | 0:30:30 | |
who describes the route he must take | 0:30:30 | 0:30:33 | |
as a kind of supernatural obstacle course. | 0:30:33 | 0:30:36 | |
First challenge - sail past the alluring sirens. | 0:30:36 | 0:30:40 | |
In Greek mythology, the sirens were temptresses, | 0:30:45 | 0:30:49 | |
who lured sailors to their deaths, just because they could. | 0:30:49 | 0:30:53 | |
Circe's warned Odysseus of the sirens. | 0:31:17 | 0:31:20 | |
They may be enchanting, she says, | 0:31:24 | 0:31:26 | |
but around their feet you'll see rotting corpses. | 0:31:26 | 0:31:29 | |
Once again, Odysseus can't help himself. | 0:31:35 | 0:31:38 | |
But this time, | 0:31:41 | 0:31:42 | |
he hatches a plan that means he can have his cake and eat it. | 0:31:42 | 0:31:46 | |
Odysseus tells his men to bung their ears with wax | 0:31:51 | 0:31:54 | |
so they won't be able to hear the beautiful song of the sirens | 0:31:54 | 0:31:58 | |
and then to lash him to the mast. | 0:31:58 | 0:32:01 | |
Why he doesn't bung his own ears with wax, he doesn't really explain | 0:32:01 | 0:32:04 | |
but it's one of those moments | 0:32:04 | 0:32:06 | |
that opens a little window on his personality. | 0:32:06 | 0:32:10 | |
This isn't just about the destination, | 0:32:12 | 0:32:14 | |
this is about the journey. | 0:32:14 | 0:32:16 | |
He wants to experience the experience. | 0:32:16 | 0:32:19 | |
Odysseus is a man who likes to sail pretty close to the wind. | 0:32:22 | 0:32:26 | |
It's also as if the adventures are queuing up to meet him now. | 0:32:32 | 0:32:36 | |
Next he's got to sail between Scylla on one side, | 0:32:36 | 0:32:41 | |
a 12-legged six-headed monster, | 0:32:41 | 0:32:43 | |
and Charybdis on the other, | 0:32:43 | 0:32:46 | |
a whirling pool of water that sucks everything down three times a day. | 0:32:46 | 0:32:51 | |
He's having a bit of a tough time of it. | 0:32:51 | 0:32:54 | |
Odysseus isn't the only one struggling. | 0:33:01 | 0:33:04 | |
From around 600 crew who set off from Troy, | 0:33:05 | 0:33:09 | |
there's maybe only 50 left. | 0:33:09 | 0:33:11 | |
And they're not happy. | 0:33:11 | 0:33:15 | |
I want to get a sense of what it's like to be at sea for long periods. | 0:33:15 | 0:33:20 | |
So I've come to a naval base on the Greek mainland. | 0:33:21 | 0:33:26 | |
Today's sailors live and work among the cold clean lines of grey steel. | 0:33:26 | 0:33:32 | |
But 3,000 years ago, when Odysseus was a captain, | 0:33:34 | 0:33:38 | |
the fleet would've looked very different. | 0:33:38 | 0:33:41 | |
This is a reconstruction of an ancient Greek warship. | 0:33:49 | 0:33:54 | |
The design dates from the 5th century BC, | 0:33:54 | 0:33:57 | |
which is actually 500 years after Odysseus. | 0:33:57 | 0:34:01 | |
But the conditions on Odysseus' ship | 0:34:04 | 0:34:06 | |
wouldn't have been all that different. | 0:34:06 | 0:34:08 | |
It's all skeleton and no flesh. | 0:34:09 | 0:34:14 | |
You know, there's no concession here to comfort or convenience. | 0:34:14 | 0:34:19 | |
There's no obvious place to eat, sit down, sleep, go to the loo. | 0:34:19 | 0:34:24 | |
And for these three rows of oarsmen, you've either got | 0:34:27 | 0:34:30 | |
somebody's backside in your face or somebody's sandal in your ear. | 0:34:30 | 0:34:34 | |
I don't know which would've been worse - sitting here | 0:34:34 | 0:34:37 | |
with the wind and the spray lashing you | 0:34:37 | 0:34:40 | |
or down there in the stinking bilges. | 0:34:40 | 0:34:42 | |
Maybe this was the prime position somewhere here in the middle. | 0:34:42 | 0:34:45 | |
It's an invention of travel and war. | 0:34:46 | 0:34:50 | |
It's all function - just for the task of getting there | 0:34:50 | 0:34:54 | |
and getting back and I suppose killing a few people | 0:34:54 | 0:34:58 | |
in either direction. | 0:34:58 | 0:35:00 | |
There's no doubt, back then, it would've been a very grim existence. | 0:35:01 | 0:35:06 | |
I'd love to chat with Odysseus about his leadership skills. | 0:35:16 | 0:35:20 | |
But since I can't, I thought I'd try the next best thing. | 0:35:20 | 0:35:25 | |
Commander Spyros Lagares is in charge of 160 men | 0:35:25 | 0:35:29 | |
on the Greek Navy Frigate, Nikiforos Fokas. | 0:35:29 | 0:35:34 | |
I've come to talk to him about Odysseus' increasingly bolshie crew. | 0:35:35 | 0:35:41 | |
But before I do, I cheekily wonder whether he fancied himself | 0:35:41 | 0:35:45 | |
as a bit of a modern day Odysseus? | 0:35:45 | 0:35:47 | |
Has it ever crossed your mind that as a man of rank | 0:35:47 | 0:35:51 | |
in the Greek Navy, you are in some ways a descendant of Odysseus? | 0:35:51 | 0:35:56 | |
Could you have his DNA in your bloodstream? | 0:35:56 | 0:36:01 | |
I think that all Greeks do believe | 0:36:01 | 0:36:04 | |
that we do have a connection with Odysseus. | 0:36:04 | 0:36:08 | |
You can say so, yes. | 0:36:08 | 0:36:11 | |
This is the way I feel and I think most of us feel this way. | 0:36:11 | 0:36:15 | |
What kind of qualities are needed to be a sailor? | 0:36:15 | 0:36:18 | |
Discipline and being able to function as a team | 0:36:18 | 0:36:23 | |
are the main characteristics of a mariner. | 0:36:23 | 0:36:28 | |
Of course you have to bear in mind that the crews for this time | 0:36:28 | 0:36:35 | |
were free men. | 0:36:35 | 0:36:36 | |
In other navies, this was not the case. | 0:36:36 | 0:36:40 | |
They had slaves but in Greek ships, they always had free men and they | 0:36:40 | 0:36:47 | |
were not always the professionals that we do have in the Navy today. | 0:36:47 | 0:36:53 | |
There were farmers, | 0:36:53 | 0:36:55 | |
there were fishermen and I think that's the reason that we do see | 0:36:55 | 0:37:01 | |
things not being done properly and not being very disciplined men | 0:37:01 | 0:37:08 | |
the way we see it today. | 0:37:08 | 0:37:10 | |
So if they were just a selection of fishermen and farmers, it would mean | 0:37:10 | 0:37:15 | |
they would have to have fantastic respect for their captain | 0:37:15 | 0:37:19 | |
for discipline to remain and once the respect had gone, | 0:37:19 | 0:37:22 | |
presumably the discipline would break down? | 0:37:22 | 0:37:25 | |
That's true. I mean, it's one of the worst thing that can really happen. | 0:37:25 | 0:37:31 | |
I would say then you do have a mutiny. | 0:37:31 | 0:37:34 | |
HE SHOUTS COMMAND IN GREEK | 0:37:34 | 0:37:36 | |
A mutiny is precisely what Odysseus is about to face. | 0:37:40 | 0:37:44 | |
Miserable and starving, his crew finally crack. | 0:37:51 | 0:37:55 | |
Spotting some tasty looking cattle at the next island, | 0:37:55 | 0:37:59 | |
they move in for the kill. | 0:37:59 | 0:38:01 | |
Odysseus warns them not to touch the animals, | 0:38:01 | 0:38:05 | |
since they belong to the God of the sun. | 0:38:05 | 0:38:08 | |
But while he sleeps they defy him, | 0:38:11 | 0:38:13 | |
gorging themselves on the forbidden flesh. | 0:38:13 | 0:38:16 | |
The gods then at once showed forth portents. | 0:38:19 | 0:38:22 | |
"The hides crawled. The meat, both roast and raw, | 0:38:24 | 0:38:28 | |
"bellowed upon the spits. | 0:38:28 | 0:38:30 | |
"And there was a lowing, as though of cattle." | 0:38:31 | 0:38:34 | |
Odysseus and his men will pay a heavy price for their barbecue. | 0:38:47 | 0:38:51 | |
Back at sea, the gods smash their ship to pieces. | 0:38:53 | 0:38:59 | |
And everybody dies. | 0:38:59 | 0:39:01 | |
Everybody, that is, except Odysseus. | 0:39:05 | 0:39:08 | |
Clinging to a piece of driftwood, | 0:39:10 | 0:39:13 | |
he's swept towards the nearest island | 0:39:13 | 0:39:16 | |
and the low point of his life. | 0:39:16 | 0:39:18 | |
The island Odysseus washes up on is called Ogygia. | 0:39:28 | 0:39:32 | |
It's now seven years later and Odysseus is still here. | 0:39:34 | 0:39:39 | |
Clean out of ideas and paralysed into inaction, | 0:39:44 | 0:39:48 | |
Odysseus is on the rocks. | 0:39:48 | 0:39:50 | |
His mother's dead. His men are dead. | 0:39:54 | 0:39:57 | |
And it's now two decades since he last saw home. | 0:39:57 | 0:40:01 | |
To make matters worse, | 0:40:03 | 0:40:05 | |
he's also the prisoner and sex slave of a goddess called Calypso. | 0:40:05 | 0:40:10 | |
"By night indeed he would sleep by her side in the hollow caves, | 0:40:14 | 0:40:20 | |
"unwilling beside the willing nymph | 0:40:20 | 0:40:23 | |
"but by day he would sit on the rocks and the sands, | 0:40:23 | 0:40:26 | |
"racking his heart with tears and groans and griefs | 0:40:26 | 0:40:30 | |
"and he would look out over the unresting sea, | 0:40:30 | 0:40:33 | |
"shedding tears." | 0:40:33 | 0:40:35 | |
The tears are for his lost wife, Penelope. | 0:40:38 | 0:40:42 | |
And for himself. | 0:40:42 | 0:40:44 | |
The arrogant hero of Troy is no more. | 0:40:47 | 0:40:50 | |
This is a broken man. | 0:40:50 | 0:40:52 | |
But then, something happens. | 0:40:54 | 0:40:57 | |
After seven depressing years, | 0:40:59 | 0:41:01 | |
the gods decide to give him one last chance. | 0:41:01 | 0:41:05 | |
So Hermes, the messenger of the gods, is despatched in his golden | 0:41:08 | 0:41:12 | |
immortal sandals with the little wings on the bottom | 0:41:12 | 0:41:16 | |
and he flies across the sea | 0:41:16 | 0:41:17 | |
very close to the surface, like a cormorant. | 0:41:17 | 0:41:20 | |
Hermes forces Calypso to free Odysseus | 0:41:22 | 0:41:26 | |
and give him the thing he most needs to get home... | 0:41:26 | 0:41:31 | |
..a boat. | 0:41:32 | 0:41:34 | |
It's true that a man could have a worse jailor than a beautiful nymph | 0:41:54 | 0:41:58 | |
with a healthy sexual appetite but the compass of his heart | 0:41:58 | 0:42:02 | |
points in the direction of Ithaca and Penelope | 0:42:02 | 0:42:05 | |
and this is his big chance. | 0:42:05 | 0:42:07 | |
He sets sail. | 0:42:07 | 0:42:09 | |
Potentially he's only a couple of days from home. | 0:42:09 | 0:42:12 | |
All he needs now is a following wind | 0:42:12 | 0:42:15 | |
and the gods to smile kindly upon him. | 0:42:15 | 0:42:17 | |
Trouble is, not all the gods are smiling on him. | 0:42:19 | 0:42:23 | |
Especially his nemesis, Poseidon, God of the sea, | 0:42:23 | 0:42:27 | |
who has one last act of revenge up his sleeve. | 0:42:27 | 0:42:31 | |
"So saying, he gathered the clouds and seizing his trident in his | 0:42:33 | 0:42:38 | |
"hands, troubled the sea and roused all blasts of every sort of wind | 0:42:38 | 0:42:43 | |
"and hid with clouds, land and sea a like | 0:42:43 | 0:42:46 | |
"and down from heaven night came rushing." | 0:42:46 | 0:42:49 | |
Abandoning his sinking ship, Odysseus swims for his life. | 0:42:55 | 0:43:00 | |
And then, a miracle. | 0:43:07 | 0:43:09 | |
Land. | 0:43:16 | 0:43:17 | |
It's not yet Ithaca but he's now tantalisingly close. | 0:43:23 | 0:43:27 | |
You could think of Odysseus as the first ever tourist | 0:43:31 | 0:43:34 | |
around the Greek islands, albeit an accidental one. | 0:43:34 | 0:43:37 | |
That's Corfu, | 0:43:37 | 0:43:38 | |
traditionally associated with the island of Scheria, | 0:43:38 | 0:43:42 | |
land of the Phaeacians, and that would've looked very, very sweet. | 0:43:42 | 0:43:46 | |
By this time he's been bobbing around in the sea | 0:43:46 | 0:43:49 | |
for the best part of three weeks, | 0:43:49 | 0:43:51 | |
first on a raft and then clinging to a spar. | 0:43:51 | 0:43:54 | |
Its not home but I think by this point, | 0:43:54 | 0:43:57 | |
it would've been a case of any port in a storm. | 0:43:57 | 0:44:00 | |
Today the locals are celebrating. | 0:44:14 | 0:44:16 | |
It's the anniversary of their unification with Greece. | 0:44:18 | 0:44:22 | |
Looks like I've landed in Corfu at just about the right time. | 0:44:31 | 0:44:34 | |
All this pomp and ceremony. | 0:44:34 | 0:44:37 | |
They're famous here for their hospitality so | 0:44:37 | 0:44:40 | |
I can only think that Odysseus would've been in good hands. | 0:44:40 | 0:44:44 | |
The king is delighted to offer free board and lodging. | 0:44:53 | 0:44:57 | |
In return, he asks only one thing - | 0:44:57 | 0:45:01 | |
that Odysseus agrees to tell his story. | 0:45:01 | 0:45:04 | |
HE SPEAKS ANCIENT GREEK | 0:45:07 | 0:45:09 | |
The Corfu poetry society is tonight re-enacting | 0:45:17 | 0:45:22 | |
Odysseus's famous speech. | 0:45:22 | 0:45:24 | |
The moment when he rediscovers the hero inside and tells | 0:45:24 | 0:45:29 | |
the complete story of his travels. | 0:45:29 | 0:45:32 | |
Actor Nikos begins the story in the original Ancient Greek | 0:45:46 | 0:45:50 | |
but then it's time for me to take over with a version of the poem I wrote myself. | 0:45:50 | 0:45:55 | |
I feel a bit presumptuous, I have to say. | 0:45:55 | 0:45:59 | |
After a seven-year crisis of confidence, | 0:45:59 | 0:46:02 | |
Odysseus is now able to recognise his own failings | 0:46:02 | 0:46:07 | |
and learn from them. | 0:46:07 | 0:46:09 | |
So this is following on from the piece you read. | 0:46:09 | 0:46:14 | |
We plundered the city, took meat and wine and women and grain to be shared equally among the men. | 0:46:14 | 0:46:22 | |
Then I ordered the retreat. | 0:46:22 | 0:46:25 | |
"Leave the rest. Back to the boats everyone. | 0:46:25 | 0:46:27 | |
Back to the coast". | 0:46:27 | 0:46:29 | |
But my army were boggle-eyed with treats, went on slaughtering the plentiful flocks and herds, | 0:46:29 | 0:46:37 | |
and while they butchered and ate and slept, the enemy grew, | 0:46:37 | 0:46:41 | |
drew strength from further afield, gathered all night in the dark | 0:46:41 | 0:46:47 | |
then attacked out of the dawn mist. | 0:46:47 | 0:46:50 | |
Cut us down like stalks, flattened us into the battlefields. | 0:46:50 | 0:46:55 | |
Six men from every crew were lost The rest of us skedaddled in the boats. | 0:46:55 | 0:47:00 | |
Sick with grief, we saluted our dead | 0:47:00 | 0:47:04 | |
then swung our oars into the water and rowed and rowed and rowed. | 0:47:04 | 0:47:10 | |
Odysseus has done a lot of rowing since Troy, but he won't have to do much more. | 0:47:15 | 0:47:20 | |
His hosts, moved by his dream to be reunited with his wife, agree to take him home. | 0:47:20 | 0:47:28 | |
But is Odysseus ready for Ithaca? | 0:47:30 | 0:47:33 | |
Is he ready for the biggest challenge of all? | 0:47:33 | 0:47:37 | |
The more I walk in his shadow and the more I sail in his wake, | 0:47:41 | 0:47:45 | |
the more intriguing Odysseus becomes as a character. | 0:47:45 | 0:47:49 | |
Yes, he can be heroic, capable of great bravery and courage, | 0:47:49 | 0:47:54 | |
but he can also be arrogant, conceited, greedy, flirtatious, | 0:47:54 | 0:47:58 | |
voyeuristic, indulgent, indolent even. | 0:47:58 | 0:48:01 | |
There are a couple of moments in the text when, instead of being | 0:48:01 | 0:48:04 | |
on his toes and ready, he's snoring his head off. | 0:48:04 | 0:48:07 | |
He also seems like a born liar. | 0:48:07 | 0:48:09 | |
To almost everybody he meets he describes himself as somebody else and it makes me think that | 0:48:09 | 0:48:15 | |
the real mystery of this book and the real excitement isn't whether | 0:48:15 | 0:48:19 | |
or not we're going to find out if he gets home, it's whether we're going to find out who this man is. | 0:48:19 | 0:48:26 | |
Odysseus makes his last journey, not as a captain, but an ordinary | 0:48:32 | 0:48:37 | |
passenger, hitching a lift on a ship organised by his hosts. | 0:48:37 | 0:48:42 | |
Still fearing Poseidon's wrath, they sail at night in the hope that he won't notice. | 0:48:44 | 0:48:50 | |
And it works. | 0:48:52 | 0:48:53 | |
A decade after he first set sail from Troy, | 0:49:15 | 0:49:18 | |
Odysseus finally reaches the glittering paradise that is home. | 0:49:18 | 0:49:24 | |
Ithaca. | 0:49:24 | 0:49:26 | |
If Homer really is our first author, then it's amazing he should have | 0:49:36 | 0:49:40 | |
such a finely developed sense of drama and irony. | 0:49:40 | 0:49:44 | |
In the hands of a lesser writer, Odysseus would arrive home | 0:49:44 | 0:49:48 | |
in a blaze of glory, but actually he falls asleep on the boat | 0:49:48 | 0:49:52 | |
as he's being brought here by the Phaeacians. | 0:49:52 | 0:49:56 | |
He's deposited on this beach and when he wakes out of his slumber, he doesn't recognise the place. | 0:49:56 | 0:50:03 | |
He doesn't even know he's home. | 0:50:03 | 0:50:05 | |
# There is a house built out of stone | 0:50:16 | 0:50:20 | |
# Wooden floors doors and window sills... # | 0:50:24 | 0:50:29 | |
He may be home, but his journey won't truly be over till he reclaims his wife and his son. | 0:50:31 | 0:50:37 | |
But to do that, he faces one last battle. | 0:50:41 | 0:50:45 | |
# This is a place where I feel at home... # | 0:50:48 | 0:50:55 | |
In his absence, Odysseus' mountain palace has been overrun by the so-called "suitors". | 0:50:55 | 0:51:01 | |
The suitors are a bunch of local gentry who've long since had their eyes on Odysseus's money... | 0:51:06 | 0:51:13 | |
..and Penelope, his wife. | 0:51:15 | 0:51:18 | |
Many people claim that this was the actual site of Odysseus's splendid palace. | 0:51:22 | 0:51:27 | |
It's seen better days, but these rooms here were where the suitors | 0:51:27 | 0:51:31 | |
were camped out, feasting and gorging and lighting their fires. | 0:51:31 | 0:51:35 | |
Up there was Penelope's apartment and bed chamber. | 0:51:35 | 0:51:40 | |
After years of pressure, Penelope knows she can't stall the suitors any longer. | 0:51:43 | 0:51:50 | |
Which is why she's finally agreed to re-marry. | 0:51:50 | 0:51:54 | |
Her new husband will be the suitor who wins her in a great sporting contest. | 0:51:56 | 0:52:01 | |
A competition involving archery and 12 axe heads. | 0:52:01 | 0:52:06 | |
Whoever could string Odysseus's great bow and then fire an arrow through the 12 axe heads | 0:52:07 | 0:52:14 | |
would win her hand in marriage, so that means that this area here was where that competition took place. | 0:52:14 | 0:52:21 | |
I've never fired an arrow before. | 0:52:25 | 0:52:27 | |
-Hello. -Hello. -Hi. | 0:52:27 | 0:52:30 | |
But these local archery experts say they can teach me in 15 minutes. | 0:52:30 | 0:52:34 | |
Welcome to the palace of Odysseus. | 0:52:34 | 0:52:37 | |
Using a bow that Odysseus himself would have recognised. | 0:52:37 | 0:52:41 | |
It's a beautiful thing. It's much lighter than I thought it would be. | 0:52:41 | 0:52:46 | |
Very balanced. | 0:52:46 | 0:52:48 | |
I guess it's one of those odd pieces of equipment which is both art... | 0:52:48 | 0:52:54 | |
and it can kill you. | 0:52:54 | 0:52:56 | |
Odysseus, disguised as a beggar, enters the palace just in time for the start of the competition. | 0:52:59 | 0:53:05 | |
-And then don't release... all right. -Yeah, OK. | 0:53:05 | 0:53:09 | |
Right. I'm all set, I think! | 0:53:09 | 0:53:11 | |
While Penelope waits upstairs, the suitors each take their turn. | 0:53:14 | 0:53:18 | |
All hoping to shoot clean through the axe heads lined up across the room. | 0:53:18 | 0:53:23 | |
In the end though, no-one can do it. | 0:53:27 | 0:53:31 | |
It's a good job I'm not Cupid. | 0:53:31 | 0:53:33 | |
There'd be some very lonely people out there! | 0:53:33 | 0:53:35 | |
Still hiding behind his beggar's clothes, Odysseus steps forward and asks if he can have a go. | 0:53:40 | 0:53:47 | |
-It's the moment he's been waiting for. -Lower... | 0:53:49 | 0:53:53 | |
Oh! Get in! | 0:53:53 | 0:53:57 | |
-Congratulations. -Thank you. | 0:53:57 | 0:54:00 | |
Odysseus hits the mark first time. | 0:54:00 | 0:54:02 | |
In the melee, loyal servants quietly lock the doors. | 0:54:04 | 0:54:09 | |
Odysseus then shakes off his beggar's disguise | 0:54:10 | 0:54:15 | |
and the bloodbath begins. | 0:54:15 | 0:54:17 | |
Homer doesn't spare us the details. | 0:54:21 | 0:54:25 | |
The suitors' ringleader takes the first shot full in the neck, | 0:54:25 | 0:54:29 | |
causing blood to spew through his nose. | 0:54:29 | 0:54:34 | |
One by one, the others succumb in similar fashion. | 0:54:34 | 0:54:39 | |
Homer compares their flaccid bodies to dead fish in nets and describes their souls - | 0:54:41 | 0:54:48 | |
crying like bats, as they're led into hell. | 0:54:48 | 0:54:51 | |
When it's over, the maids who have been | 0:54:55 | 0:54:58 | |
disloyal during Odysseus's absence are told to clean up the mess, | 0:54:58 | 0:55:04 | |
then taken outside and hung. | 0:55:04 | 0:55:07 | |
Odysseus has won the battle for his house, | 0:55:12 | 0:55:15 | |
but he must now win back Penelope. | 0:55:15 | 0:55:18 | |
The two meet after the massacre but she still can't quite believe it's him. | 0:55:22 | 0:55:28 | |
He's been away for 20 years but she seems so hard and unwelcoming | 0:55:30 | 0:55:35 | |
and they have what in today's parlance might be described as "a bit of a domestic". | 0:55:35 | 0:55:39 | |
She sends him to the spare. | 0:55:39 | 0:55:41 | |
She tells the maid to take the marital bed out of the bedroom and set it up elsewhere. | 0:55:41 | 0:55:46 | |
But it's the very same bed which, once and for all, gives Odysseus the chance to prove who he is. | 0:55:48 | 0:55:55 | |
"Woman, truly this is a bitter word that you have spoken. | 0:55:58 | 0:56:03 | |
"For a great token is worked into the making of the bed. | 0:56:03 | 0:56:07 | |
"And it was I that built it and no-one else. | 0:56:07 | 0:56:10 | |
"And her knees were loosened where she sat | 0:56:14 | 0:56:17 | |
"and her heart melted." | 0:56:17 | 0:56:20 | |
And it's at this point that Penelope realises that he must be who he says | 0:56:25 | 0:56:30 | |
he is and she breaks down in tears, | 0:56:30 | 0:56:32 | |
she throws her arms around him | 0:56:32 | 0:56:35 | |
and you don't need me to spell the rest of it out. | 0:56:35 | 0:56:38 | |
The poem ends with Odysseus getting the girl and the glory. | 0:56:53 | 0:56:57 | |
It's hard to appreciate what being away from family and friends for 20 years actually feels like. | 0:57:09 | 0:57:16 | |
But I've made this journey to try and get a sense of the difficulties and the distances involved. | 0:57:16 | 0:57:21 | |
And it seems to me that it's impossible to understand Odysseus. | 0:57:24 | 0:57:29 | |
Because after all his trials and tribulations | 0:57:29 | 0:57:33 | |
and after all his humiliations and the hardship, | 0:57:33 | 0:57:36 | |
he doesn't really understand himself. | 0:57:36 | 0:57:39 | |
All he has is that longing to return, the "nostos" | 0:57:39 | 0:57:43 | |
as the Greeks call it, | 0:57:43 | 0:57:45 | |
and he won't be allowed that pleasure until he's been stripped | 0:57:45 | 0:57:48 | |
of his crown and his clothes and his dignity and his identity. | 0:57:48 | 0:57:53 | |
Not until he's arrived home with the appearance of a beggar, scrounging for crumbs | 0:57:53 | 0:57:59 | |
at his own table, will he be allowed to return as a father and a husband. | 0:57:59 | 0:58:05 | |
So the question of whether or not I like Odysseus now seems irrelevant. | 0:58:05 | 0:58:10 | |
He will always remain an endlessly intriguing and enigmatic character and we have Homer to thank for that. | 0:58:10 | 0:58:16 | |
He's the real hero of this story. | 0:58:16 | 0:58:18 | |
Whoever Homer is, he's the one to be admired. | 0:58:18 | 0:58:22 | |
MUSIC: "Please, Please, Please Let Me Get What I Want" by The Smiths | 0:58:26 | 0:58:32 | |
Subtitles by Red Bee Media Ltd | 0:58:55 | 0:58:58 | |
E-mail [email protected] | 0:58:58 | 0:59:01 |