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MUSIC PLAYS | 0:00:01 | 0:00:04 | |
'My name is Brogan McCay.' | 0:01:30 | 0:01:32 | |
I'm ten years old, I dance for the McConomys, Derry, | 0:01:32 | 0:01:35 | |
and I'm going to the Worlds for the very first time. | 0:01:35 | 0:01:38 | |
My name is Julie O'Rourke. I'm ten years old. I live in New York and I dance for the Petri School. | 0:01:42 | 0:01:46 | |
This year is my first time at the Worlds, and Brogan is my main competition there. | 0:01:48 | 0:01:52 | |
I'm Irish, and I really didn't know this whole world existed. | 0:01:52 | 0:01:57 | |
Nobody in my family's ever done Irish tap dancing - at least, as far as I know. | 0:01:57 | 0:02:01 | |
Maybe over in Ireland they did. | 0:02:01 | 0:02:03 | |
-Leza's two nieces danced. -Yes. | 0:02:03 | 0:02:05 | |
And I used to think, "Oh, these people are insane." | 0:02:05 | 0:02:09 | |
They pay for flights to go to feises. | 0:02:09 | 0:02:13 | |
And then the wigs and all this, and I'd say "Oh, no. Crazy. | 0:02:13 | 0:02:17 | |
"If Brogan ever has a talent, I really hope it's not Irish dancing." | 0:02:17 | 0:02:20 | |
Arms. | 0:02:36 | 0:02:37 | |
Sit down! | 0:02:38 | 0:02:40 | |
You just give up so much. Like, you could be invited to a thousand parties and you can't go, | 0:02:44 | 0:02:49 | |
and even, like, birthday parties for your family you have to give up. | 0:02:49 | 0:02:52 | |
You wouldn't throw a strop over it. | 0:02:52 | 0:02:55 | |
You wouldn't be like, "Oh, why do I never get to have some freedom?" | 0:02:55 | 0:02:58 | |
It's not that. It's like you're dedi... | 0:02:58 | 0:03:00 | |
when you walk in the doors to dancing, | 0:03:00 | 0:03:02 | |
you're dedicating your time. | 0:03:02 | 0:03:04 | |
And so are the dance teachers. | 0:03:04 | 0:03:06 | |
Hundreds of people have said, "Where did this wee thing come out of?" | 0:03:06 | 0:03:10 | |
I mean, she come out and you think you've seen the best. | 0:03:10 | 0:03:13 | |
Watch this. This IS the best. | 0:03:13 | 0:03:14 | |
INSTRUCTOR HUMS A BEAT | 0:03:14 | 0:03:16 | |
And one, two, three, four, five. | 0:03:18 | 0:03:20 | |
You didn't finish the five. | 0:03:20 | 0:03:23 | |
I make a face when I'm dancing. I open my mouth. | 0:03:23 | 0:03:26 | |
I go like that. Or something. I don't know. | 0:03:26 | 0:03:29 | |
But when I'm dancing, Rosetta'll be all, | 0:03:29 | 0:03:32 | |
"You look like an old-age pensioner!" | 0:03:32 | 0:03:35 | |
So I'd just be like, "Oh, sorry." | 0:03:35 | 0:03:37 | |
Well, it's just, you know, one, two, three. | 0:03:37 | 0:03:39 | |
You thought wrong, then. Because what you thought wasn't going on one. | 0:03:39 | 0:03:43 | |
Well, it was just like... | 0:03:43 | 0:03:45 | |
I'm dancing for my granny and my mum and daddy, | 0:03:45 | 0:03:48 | |
because they put so much money into it. | 0:03:48 | 0:03:50 | |
Like, it's unbelievable. | 0:03:50 | 0:03:51 | |
My friends go, "Whoa, my mummy wouldn't let me do that." | 0:03:53 | 0:03:57 | |
'We could be in a big house with so much furniture, | 0:03:57 | 0:04:00 | |
'but they have dedicated their lives to my happiness. | 0:04:00 | 0:04:04 | |
'I find it so, like, extraordinary.' | 0:04:04 | 0:04:06 | |
Hi, Mummy. | 0:04:06 | 0:04:08 | |
Any money that, you know, myself and Darren have, | 0:04:08 | 0:04:12 | |
it's spent on Brogan and her Irish dancing. | 0:04:12 | 0:04:14 | |
I haven't had a holiday since... What, 2004, did I say? | 0:04:14 | 0:04:17 | |
When Brogan started dancing, that's the last holiday I had. | 0:04:17 | 0:04:21 | |
My mummy says, "What's a talent wasted, like?" | 0:04:21 | 0:04:24 | |
If you have a talent, like, show everybody. | 0:04:24 | 0:04:27 | |
Brogan is very nice, even though she keeps beating me. | 0:04:45 | 0:04:49 | |
I try to do as much as she does. | 0:04:49 | 0:04:52 | |
I always look on YouTube to see how she's dancing | 0:04:52 | 0:04:54 | |
and I always try to perfect it the way she does it. | 0:04:54 | 0:04:57 | |
That's how I got like, my hop-overs | 0:04:58 | 0:05:00 | |
and, like, my front clicks, because I found out how she does it. | 0:05:00 | 0:05:04 | |
She has a tendency not to want to do things until she feels like | 0:05:06 | 0:05:10 | |
she'll look good doing it, or competitive with the other girls. | 0:05:10 | 0:05:13 | |
That was part of the thing we didn't realise about her. | 0:05:13 | 0:05:16 | |
'She was extremely quiet in the beginning. So shy, so nervous. | 0:05:31 | 0:05:35 | |
'So when Anne Lynn said they were going to a feis, her first dancing competition,' | 0:05:35 | 0:05:39 | |
-you had said, "She's really never going to get up and do it." -"I don't know if she'll get on stage." | 0:05:39 | 0:05:44 | |
So I went to the competition. | 0:05:44 | 0:05:45 | |
They were coming out two at a time, and the next thing, | 0:05:45 | 0:05:48 | |
Julia stepped forward and she just performed like no-one's business. | 0:05:48 | 0:05:53 | |
-My mouth dropped and I called you in Ireland. -She called me in Ireland. | 0:05:53 | 0:05:57 | |
-I was like, "Lisa, we've got a live one." -Got a live one! -Like, wow. | 0:05:57 | 0:06:00 | |
Hard, hard, hard, hard! | 0:06:00 | 0:06:02 | |
Big ending, ladies. Pick it up! | 0:06:07 | 0:06:09 | |
Eight seconds. | 0:06:15 | 0:06:17 | |
Come on, eight seconds. | 0:06:18 | 0:06:20 | |
Pick it up, pick it up, pick it up. | 0:06:20 | 0:06:22 | |
'We're just doing it for some fun, it's a nice cultural thing to do. | 0:06:22 | 0:06:25 | |
'But she kept progressing as time went on. Then I saw the wigs, | 0:06:25 | 0:06:29 | |
the dresses, and it was... I was like, what's that all about? | 0:06:29 | 0:06:33 | |
-She's like, "Oh, that's what they do." -They go to different states and they drive to... | 0:06:33 | 0:06:39 | |
I'm like, "I'm not going to go to Connecticut. I'm going to go local." | 0:06:39 | 0:06:43 | |
Connecticut seemed like a little much. | 0:06:43 | 0:06:45 | |
It's too much for me. I'm like, "No." | 0:06:45 | 0:06:47 | |
But you get drawn into it. She's doing well and you buy the dress. | 0:06:47 | 0:06:50 | |
And you get the wig and you get the shoes and you go to Ireland. | 0:06:50 | 0:06:54 | |
So we've gone to Scotland twice. It's crazy. | 0:06:54 | 0:06:57 | |
-Ireland. -Ireland. -England. -Yeah. | 0:06:57 | 0:06:59 | |
My name's Simona and I'm from London. | 0:07:29 | 0:07:30 | |
I'll be competing in the age 19 to 21 category at the Worlds. | 0:07:30 | 0:07:34 | |
My main competitors will be Suzanne from Glasgow | 0:07:36 | 0:07:39 | |
and Claire Greaney from Galway. | 0:07:39 | 0:07:41 | |
We've known Claire and Suzanne since Simona was six, cos we've always competed. | 0:07:43 | 0:07:48 | |
I remember Simona when I was seven, at the All Scotlands. | 0:07:51 | 0:07:53 | |
I didn't get the recall and she won it. | 0:07:54 | 0:07:57 | |
And I remember thinking, "Look at this girl. She's unbelievable." | 0:07:57 | 0:08:00 | |
Then Suzanne won the Worlds in Glasgow, our very first Worlds, | 0:08:00 | 0:08:03 | |
and that's the first time I really took notice of her and thought, "Oh, my God!" | 0:08:03 | 0:08:07 | |
So I suppose there's just been the three of us always in the top five. | 0:08:21 | 0:08:25 | |
We've been taking it in turns - it started off with me, then Suzanne and then Claire. | 0:08:25 | 0:08:30 | |
ANNOUNCER: We're going straight into the under 21 men's competition. | 0:08:42 | 0:08:46 | |
My grandparents on both sides, they're all Italian, | 0:08:46 | 0:08:49 | |
so I've got no Irish blood. | 0:08:49 | 0:08:50 | |
That was really good. | 0:08:50 | 0:08:52 | |
'I was really born into it.' | 0:08:52 | 0:08:55 | |
I started dancing when I was three. | 0:08:55 | 0:08:57 | |
And I'm 19 now, so 16 years. | 0:08:57 | 0:09:01 | |
It doesn't feel like that long, though, at all. | 0:09:01 | 0:09:04 | |
I'd meet Simona's mother and Suzanne's mother at the competitions | 0:09:27 | 0:09:33 | |
and while we'd be all secretly hoping for our own, | 0:09:33 | 0:09:35 | |
we wouldn't begrudge it to the others. | 0:09:35 | 0:09:38 | |
I don't think it's any different to anything else. | 0:09:55 | 0:09:58 | |
I think if you do sport, if you want to win you've got to be focused. | 0:09:58 | 0:10:02 | |
It becomes your life. | 0:10:02 | 0:10:03 | |
I mean, horse-riding people travel all over the country. | 0:10:03 | 0:10:06 | |
It's the same with Irish dancing. | 0:10:06 | 0:10:08 | |
It's just we wear wigs and funny dresses. | 0:10:08 | 0:10:10 | |
ANNOUNCER: A big round of applause for the top three. | 0:10:10 | 0:10:13 | |
I'm John and I'm ten and I've got five brothers | 0:10:26 | 0:10:30 | |
and I'm the only one who dances. | 0:10:30 | 0:10:32 | |
And this year, I'm going for the Worlds for my very first time. | 0:10:32 | 0:10:36 | |
My stepbrother's called Lee, and my brothers are... | 0:10:36 | 0:10:41 | |
The oldest is Dean, Ashley, and then it's me, | 0:10:41 | 0:10:46 | |
and then it's Thomas and then it's James. | 0:10:46 | 0:10:49 | |
I like dancing - ten out of ten. | 0:10:50 | 0:10:53 | |
And... | 0:10:53 | 0:10:55 | |
football about two out of ten. | 0:10:55 | 0:11:00 | |
We're not Irish. You know, we don't know Irish dancing. | 0:11:04 | 0:11:07 | |
And we went to a feis and we walked in and it was like... | 0:11:07 | 0:11:11 | |
It was like a Shirley Temple convention, wasn't it? | 0:11:11 | 0:11:15 | |
There was teenagers and youngsters and they'd got the wigs on | 0:11:15 | 0:11:19 | |
and really brown legs. Really made-up faces, and then these wigs. | 0:11:19 | 0:11:23 | |
And it was like... You just find yourself, like, | 0:11:23 | 0:11:26 | |
staring at people for a very long time, | 0:11:26 | 0:11:30 | |
thinking, "I'm glad I've got a boy." | 0:11:30 | 0:11:33 | |
Watch out! | 0:11:37 | 0:11:38 | |
Point, two, three, four. | 0:11:42 | 0:11:44 | |
Squeeze and point, tense your legs. | 0:11:44 | 0:11:46 | |
Point your toes at the back. Ellie, you're not pointing your toes at the back. | 0:11:46 | 0:11:52 | |
There's quite a lot of people who tease me and call me names. | 0:11:52 | 0:11:57 | |
But I just ignore them and walk away, cos they don't know what they're talking about. | 0:11:57 | 0:12:01 | |
It's not as bad as it used to be. It used to be terrible. | 0:12:01 | 0:12:04 | |
People would be... You know, John'd say, "He's called me gay," | 0:12:04 | 0:12:07 | |
or, you know, that lot. But we used to say, "Well, just take no notice. Just show them what you can do." | 0:12:07 | 0:12:12 | |
As a parent, you want to go out there and say, | 0:12:14 | 0:12:17 | |
"Don't call him gay. You know, Michael Flatley's not gay." | 0:12:17 | 0:12:20 | |
But then you have to stop yourself, because, you know. | 0:12:20 | 0:12:24 | |
That's Mandy. If I... I tend to go out there and throw a wobbly, so... | 0:12:24 | 0:12:29 | |
Lift, lift, tuck your elbows in. | 0:12:32 | 0:12:34 | |
Step, two, three, two, two, three, three, two, three and four. | 0:12:34 | 0:12:38 | |
Up and jump, up, jump. | 0:12:38 | 0:12:40 | |
'It's the rhythm, and the music.' | 0:12:40 | 0:12:43 | |
And, er, the shoes. I like the shoes. | 0:12:43 | 0:12:47 | |
One, two, three, four, tuck, kick, down. | 0:12:47 | 0:12:49 | |
When he first learned sevens, one of the first things, he was up on his toes like this | 0:12:49 | 0:12:53 | |
and I was like, "Oh, God, he's going to be good." | 0:12:53 | 0:12:55 | |
Go, stretch and one-two, up, kick. That was grand, son. | 0:12:55 | 0:12:59 | |
'If John was at class five times a week like his competition are, | 0:12:59 | 0:13:02 | |
'then I'm sure he'd be pretty much unbeatable.' | 0:13:02 | 0:13:05 | |
But, unfortunately, he's one of five, they're all playing football, | 0:13:05 | 0:13:08 | |
going in different directions, and dancing's expensive. | 0:13:08 | 0:13:11 | |
-MANDY: -My wages basically pay for John's dancing. | 0:13:12 | 0:13:17 | |
I go away and freeze and everything on weekends with the TA. | 0:13:17 | 0:13:22 | |
-Ugh! -And at the back of my mind... | 0:13:22 | 0:13:23 | |
At the back of my mind I'm thinking, "This is for John." | 0:13:23 | 0:13:27 | |
Upwards, down, upwards, down. Tense your body and kick, two-three, | 0:13:27 | 0:13:30 | |
and up and one-two, straight. | 0:13:30 | 0:13:32 | |
Now right up. Push, kick down. That's better. | 0:13:32 | 0:13:35 | |
Upper back, upper stamp, three clicks. | 0:13:35 | 0:13:37 | |
One, two, that's straight legs. | 0:13:37 | 0:13:40 | |
Stretch, push, up, kick, down. Stand point, stand point. | 0:13:40 | 0:13:43 | |
Tense. Pull in here, five, six, seven. | 0:13:43 | 0:13:46 | |
'When he hits it and when he's on form, you know, I think he's probably unbeatable.' | 0:13:46 | 0:13:51 | |
And a one-two, stretch, two-three, push. | 0:13:51 | 0:13:53 | |
Now really stretch it out. Out, out. | 0:13:53 | 0:13:55 | |
Yeah, that was better. | 0:13:55 | 0:13:57 | |
'I've been making silly mistakes and stopping.' | 0:13:57 | 0:14:01 | |
But hopefully this year they will all go. | 0:14:01 | 0:14:05 | |
He just tends to forget things and, you know, | 0:14:05 | 0:14:08 | |
and do something silly, or, you know, or just stop | 0:14:08 | 0:14:10 | |
eight bars before the end, and I'll say, "What were you thinking?" "I don't know. I forgot." | 0:14:10 | 0:14:15 | |
Right, who's next? Mitch. | 0:14:16 | 0:14:18 | |
-How are your blisters? -All right, yeah. | 0:14:18 | 0:14:20 | |
-You still got your plasters on? -Yeah. | 0:14:20 | 0:14:22 | |
It is frustrating, cos he could be so good. | 0:14:22 | 0:14:26 | |
I think he's got the potential to win Worlds, definitely. He's a completely different dancer to Joe. | 0:14:26 | 0:14:31 | |
He has to have something for a long time, and when it's polished | 0:14:31 | 0:14:36 | |
and he knows it and it's drilled right, it looks great. | 0:14:36 | 0:14:39 | |
But, you know, then he might forget it anyway. | 0:14:39 | 0:14:42 | |
But whereas Joe, even on his worst day, will never forget it and he'll never, ever stop. | 0:14:42 | 0:14:47 | |
'I'd like to dance like Joe Bitter.' | 0:14:50 | 0:14:53 | |
He's strong... | 0:14:53 | 0:14:54 | |
..he's confident and... | 0:14:55 | 0:14:58 | |
..I just love the way he dances. | 0:15:01 | 0:15:03 | |
Stretch it out, and three, four, up and down and stretch. | 0:15:05 | 0:15:08 | |
Push up, and down. Pull the back leg up, shoulders back. | 0:15:08 | 0:15:10 | |
Stretch, stretch, two, three, four, up and down. | 0:15:10 | 0:15:14 | |
Dance down, one, two, three, four, up and down. Stretch. | 0:15:14 | 0:15:17 | |
Push up and down. Pull that back leg up and stretch. | 0:15:17 | 0:15:20 | |
Stretch, two, three, four, up and down, push, cross, cross, cross. | 0:15:20 | 0:15:25 | |
Arms back. Arms, two, three, four and one, two, stretch. Push up. | 0:15:25 | 0:15:29 | |
Stand point, point, stretch those legs out, beat, beat, beat. | 0:15:29 | 0:15:33 | |
Kicking, one, two, stretch, four, up. Shoulders, John. | 0:15:33 | 0:15:36 | |
Up. Up. Kicking down and stop there. Great. | 0:15:36 | 0:15:39 | |
'John's my best dance teacher ever. | 0:15:39 | 0:15:41 | |
'He's really good at dancing, as well.' | 0:15:41 | 0:15:45 | |
And he shouts... | 0:15:45 | 0:15:48 | |
..not a lot, but... | 0:15:49 | 0:15:52 | |
he shouts. But not loud. | 0:15:52 | 0:15:55 | |
Not that loud. | 0:15:55 | 0:15:56 | |
Keep feet turned down, toes pointed, your heels will automatically hit. | 0:15:56 | 0:16:00 | |
That's better. But now let's do it without the dodgy head. | 0:16:00 | 0:16:03 | |
Two, three, go. Treble up and toe, hop and step, kick, kick and down. | 0:16:03 | 0:16:06 | |
You know, I am quite hard on him. But he can take it. | 0:16:06 | 0:16:09 | |
You know, he never cracks. He's very... "OK". | 0:16:09 | 0:16:13 | |
You're getting strong on knee, toe and back. Treble and backstep, | 0:16:13 | 0:16:16 | |
showing me the inside of your ankle all the time. OK? | 0:16:16 | 0:16:18 | |
Arms tight. Five, six, seven, go. | 0:16:18 | 0:16:20 | |
Treble and backstep... No, come on. That's your set dance. Concentrate! | 0:16:20 | 0:16:24 | |
And treble and backstep, treble and cross, cross, | 0:16:24 | 0:16:26 | |
heel and toe sharp. Two, three, treble and toe back, | 0:16:26 | 0:16:29 | |
stretch it out, two, three, push, push it right up, now put it back. | 0:16:29 | 0:16:32 | |
Treble and toe, up and step, kick... | 0:16:32 | 0:16:34 | |
If I don't come in the top ten, | 0:16:34 | 0:16:38 | |
or a recall, or I won't... | 0:16:38 | 0:16:41 | |
It'll be OK, but... | 0:16:43 | 0:16:45 | |
it'll just show that I haven't danced my best. | 0:16:45 | 0:16:48 | |
Stretch your legs out, chin up. | 0:16:48 | 0:16:51 | |
'Nowadays, because so many people want to win, | 0:16:51 | 0:16:53 | |
'there's a lot of people that probably don't have a lot of natural talent, | 0:16:53 | 0:16:57 | |
'but have just worked so damn hard at it | 0:16:57 | 0:16:59 | |
'that they're actually winning because they're so technically correct.' | 0:16:59 | 0:17:02 | |
'So people with natural talent now have to put the work in.' | 0:17:02 | 0:17:07 | |
You know, there's no room for error now. | 0:17:08 | 0:17:10 | |
You have to be foot perfect. | 0:17:10 | 0:17:12 | |
Out... | 0:17:12 | 0:17:14 | |
in... | 0:17:14 | 0:17:15 | |
down. | 0:17:15 | 0:17:16 | |
Right, left, right, right, out, in, down. | 0:17:16 | 0:17:19 | |
'When I was growing up Riverdance and Lord of the Dance didn't exist. | 0:17:19 | 0:17:22 | |
'So no-one really knew about it in England.' | 0:17:22 | 0:17:24 | |
So yeah, I didn't really tell anybody at school that I did it. | 0:17:24 | 0:17:29 | |
And then after I won the World Championships, I think, | 0:17:29 | 0:17:32 | |
I was on the news, and then I went in school the next day | 0:17:32 | 0:17:36 | |
and it was like, "I saw you on the news last night". And I was like, "Did you?" | 0:17:36 | 0:17:39 | |
"I didn't know you did that dancing." I was like, "Oh, yeah." | 0:17:39 | 0:17:43 | |
I don't really talk about Irish dancing, | 0:17:43 | 0:17:45 | |
outside Irish dancing, like my mates from Irish dancing. | 0:17:45 | 0:17:49 | |
It's just normally like football and American football. | 0:17:49 | 0:17:53 | |
Work on your arms. Yes. | 0:17:54 | 0:17:56 | |
Of course. OK. Off you go. | 0:17:56 | 0:17:58 | |
Cross, over, over, over, over. Bring your arms back. | 0:18:02 | 0:18:06 | |
Don't overstrain yourself. | 0:18:06 | 0:18:08 | |
Cross, cross, cross. | 0:18:08 | 0:18:10 | |
The back foot out more, out more. | 0:18:10 | 0:18:14 | |
Bring this arm in tighter. | 0:18:14 | 0:18:16 | |
Cross. Treble up and treble. | 0:18:16 | 0:18:19 | |
Go for the fast ones. Back foot. | 0:18:19 | 0:18:22 | |
Left foot out. | 0:18:22 | 0:18:24 | |
Knackered. | 0:18:28 | 0:18:29 | |
He just has a complete understanding of every kind of rhythm that I throw at him. | 0:18:30 | 0:18:34 | |
Even from a very, very young age I was always giving him stuff | 0:18:34 | 0:18:37 | |
way harder than other people his age. | 0:18:37 | 0:18:40 | |
One, two, three. Da da da. | 0:18:40 | 0:18:43 | |
Cross, cross, cross. Da da da. That's better. Good. | 0:18:43 | 0:18:46 | |
Do that bit again. | 0:18:48 | 0:18:49 | |
Up, kick, kick and toe. Right up, right back. | 0:18:49 | 0:18:53 | |
Joe's desire to pursue dance was phenomenal. | 0:18:53 | 0:18:58 | |
It was living and breathing dance for him and I... | 0:18:58 | 0:19:02 | |
It was like a snowball that I couldn't stop. | 0:19:02 | 0:19:06 | |
Up. Kick, kick and toe. Kick, kick and toe. | 0:19:06 | 0:19:10 | |
Cross, diddly dum dum. | 0:19:10 | 0:19:12 | |
Yeah, that wasn't too bad, a little bit better. | 0:19:12 | 0:19:14 | |
Up, kick, kick and toe, kick, kick, kick and treble, and back. | 0:19:14 | 0:19:18 | |
That's better. Good. Much better. | 0:19:18 | 0:19:20 | |
There was just that intensity about him. | 0:19:20 | 0:19:23 | |
He'd spend seven hours in the living room with the carpets rolled up | 0:19:23 | 0:19:26 | |
and the furniture moved, and that reel would play over and over. | 0:19:26 | 0:19:31 | |
Kick, kick, kick and quiet. | 0:19:35 | 0:19:38 | |
Da da da da da and sharp. | 0:19:38 | 0:19:42 | |
When he started out, you know, he was like everybody else. | 0:19:42 | 0:19:45 | |
Hop, two, three. But he won the first 17 events he entered. | 0:19:45 | 0:19:50 | |
And he found out he was pretty good at this. | 0:19:50 | 0:19:53 | |
We're a lot alike, Joe and I. | 0:19:55 | 0:19:57 | |
So I think that it was a point in time when I realised | 0:19:57 | 0:20:00 | |
I had to help him manage himself without being... | 0:20:00 | 0:20:05 | |
I couldn't push him, let's put it that way. | 0:20:05 | 0:20:08 | |
But in my own way, I orchestrated things, no doubt. | 0:20:08 | 0:20:12 | |
I had heard rumours that this Californian boy | 0:20:12 | 0:20:14 | |
was thinking about moving to England to dance | 0:20:14 | 0:20:17 | |
and I just thought it was a little bit crazy and... | 0:20:17 | 0:20:20 | |
But then...you know... | 0:20:22 | 0:20:25 | |
dancing has grown so much that people take it so seriously - | 0:20:25 | 0:20:28 | |
even though there's no money involved, | 0:20:28 | 0:20:30 | |
it is quite prestigious and people want that world title. | 0:20:30 | 0:20:33 | |
We are a little mad. | 0:20:36 | 0:20:38 | |
So, you know, you hear about families who up and move to Florida | 0:20:38 | 0:20:41 | |
when they have a good tennis player. | 0:20:41 | 0:20:43 | |
I had a very successful medical practice. | 0:20:49 | 0:20:52 | |
I pretty much gave that up. | 0:20:52 | 0:20:54 | |
I lived in a wonderful neighbourhood of £5 million and £6 million houses. | 0:20:54 | 0:21:01 | |
The weather here is certainly nothing compared to California. | 0:21:01 | 0:21:05 | |
I know, yeah. It's always raining in this country, though. God. | 0:21:05 | 0:21:10 | |
Five, six, seven, heads. Move, two, three, four, five... | 0:21:13 | 0:21:16 | |
'When Joe first arrived from America, he was, maybe, spoilt.' | 0:21:16 | 0:21:21 | |
And sharp, sharp, sharp, sharp. | 0:21:21 | 0:21:23 | |
'He was this amazing talent from when he was young. | 0:21:23 | 0:21:25 | |
'Everybody told him how amazing he was all the time,' | 0:21:25 | 0:21:28 | |
and it was like, "You're brilliant". And he was very talented. | 0:21:28 | 0:21:31 | |
'And then he came to our class and it was like, "This is wrong, you're not doing this." | 0:21:31 | 0:21:36 | |
'It was a huge shock to his system, I don't think he liked it very much.' | 0:21:36 | 0:21:40 | |
And catch, no, no, no, no. | 0:21:40 | 0:21:41 | |
John Carey is just an amazing dancer | 0:21:41 | 0:21:44 | |
and teacher, choreographer, you name it. | 0:21:44 | 0:21:48 | |
I mean, he's won the Worlds eight times | 0:21:48 | 0:21:50 | |
and he's an incredible inspiration. | 0:21:50 | 0:21:54 | |
'I definitely have an ego in Irish dancing. | 0:21:54 | 0:21:56 | |
'When you're at the top, it's hard not to.' | 0:21:56 | 0:21:59 | |
When he tells me something, like, | 0:21:59 | 0:22:01 | |
sometimes I'm a little iffy with my listening. | 0:22:01 | 0:22:05 | |
It's interesting to see John and Joe dance together, | 0:22:05 | 0:22:08 | |
because, you know, I see this look in Joe's eyes, like, | 0:22:08 | 0:22:12 | |
"Yeah, I know, you're better than me. Give me time". | 0:22:12 | 0:22:17 | |
'I just want to be one of the best that's ever danced. | 0:22:19 | 0:22:23 | |
'As good as John Carey is.' | 0:22:23 | 0:22:24 | |
I want to be known for doing the rhythm and having the set dance | 0:22:24 | 0:22:28 | |
and people'll be like, "Joe Bitter, I remember him, he used to do those amazing set dances". | 0:22:28 | 0:22:33 | |
I'm Ana. I'm Russian. | 0:22:52 | 0:22:55 | |
I live in Moscow, | 0:22:55 | 0:22:57 | |
and I'm a part of a ceilidh team of eight dancers. | 0:22:57 | 0:23:00 | |
We are all adults. | 0:23:02 | 0:23:04 | |
We started Irish dancing when we were in our 20s. | 0:23:04 | 0:23:09 | |
You can practice a lot - | 0:23:11 | 0:23:14 | |
for a week, for two weeks, for two months, for a year - | 0:23:14 | 0:23:19 | |
and still you cannot do something. | 0:23:19 | 0:23:21 | |
And then one day you just go to the class | 0:23:23 | 0:23:28 | |
and you can do it, like magic. | 0:23:28 | 0:23:31 | |
And it makes you so happy, so proud. | 0:23:31 | 0:23:34 | |
"Wow, look here! Look, I can do it!" | 0:23:34 | 0:23:38 | |
I'm based in Munich and then my weekends, | 0:23:41 | 0:23:44 | |
I'm usually away teaching in Poland or Russia. | 0:23:44 | 0:23:47 | |
Over the three countries we have 500 pupils. | 0:23:48 | 0:23:51 | |
I've got three days of workshops | 0:23:51 | 0:23:54 | |
with all the dancers in the ceilidh team. | 0:23:54 | 0:23:56 | |
And we've got about 25 hours of classes lined up. | 0:23:56 | 0:23:59 | |
Hopefully, we'll be able to get the last minute practice in before the Worlds. | 0:24:01 | 0:24:05 | |
I think I probably spend about half of my salary Irish dancing, | 0:24:09 | 0:24:15 | |
because we travel to many countries. It's very expensive. | 0:24:15 | 0:24:20 | |
People keep asking us about Irish dancing, "Why? | 0:24:20 | 0:24:24 | |
"You are Russians, you live in Moscow... Why?" | 0:24:24 | 0:24:27 | |
And I don't know. Because I like it. | 0:24:27 | 0:24:30 | |
It's a game for other people. | 0:24:35 | 0:24:37 | |
You know, in Russia, the winter lasts about six, seven months. | 0:24:40 | 0:24:45 | |
It could be rather depressing. | 0:24:47 | 0:24:49 | |
When you come dancing, no matter what mood you are in, | 0:24:49 | 0:24:53 | |
you're always leaving the class in high spirits. | 0:24:53 | 0:24:55 | |
Only Irish dancing allows you to fly. Really, really to fly. | 0:24:57 | 0:25:02 | |
Chin up, Katya. | 0:25:04 | 0:25:05 | |
Shane is a wonderful dancer and brilliant teacher. | 0:25:11 | 0:25:16 | |
Up a bit more, Sasha. Up, jump, two, three. | 0:25:16 | 0:25:18 | |
Stop, stop, stop. | 0:25:18 | 0:25:20 | |
SHE SPEAKS RUSSIAN | 0:25:22 | 0:25:24 | |
Bom, bom, bom, bom, bom. | 0:25:34 | 0:25:36 | |
'I would definitely think of the Russians as the hardest-working Irish dancers I've ever met.' | 0:25:36 | 0:25:41 | |
You're not lifting up as high... | 0:25:43 | 0:25:44 | |
'They love it. The really do love it. 'And they enjoy dancing it. | 0:25:44 | 0:25:47 | |
'So we're really trying to brighten them up and make them show they enjoy it.' | 0:25:47 | 0:25:51 | |
..And four, five. Vera, you look like you're having a terrible time. | 0:25:51 | 0:25:56 | |
One, and two, drop three, round the feet, four. | 0:25:56 | 0:25:59 | |
Even that time when I was watching, it was just Vera and Ana who held this all the way throughout. | 0:26:04 | 0:26:09 | |
The rest of you were going through the motions. | 0:26:09 | 0:26:11 | |
And we need eight of you to be doing that. | 0:26:11 | 0:26:13 | |
Cos it can't be just one or two in the team | 0:26:13 | 0:26:15 | |
and the rest of you all just hanging on behind. | 0:26:15 | 0:26:18 | |
I want people to look at you and go, "Wow, they know what they're doing". | 0:26:18 | 0:26:22 | |
So I think, all the time when you're dancing, | 0:26:22 | 0:26:24 | |
dance it like you are world champions. | 0:26:24 | 0:26:26 | |
Your hands are perfected, your feet are good. | 0:26:26 | 0:26:29 | |
Now we need to work on the actual presentation of it. | 0:26:29 | 0:26:32 | |
One, and two, and three, and four, | 0:26:32 | 0:26:36 | |
and five and six. Katya, you look miserable. | 0:26:36 | 0:26:39 | |
Chins up, wait, wait, wait. We've lost the personalities. | 0:26:39 | 0:26:43 | |
Eight unhappy Russians. | 0:26:43 | 0:26:46 | |
Imagine they're hot fingers, like you can't hold onto them for too long. | 0:26:46 | 0:26:49 | |
Cos I saw a few times, you see, this sticky fingers. | 0:26:49 | 0:26:52 | |
Hands. Hot fingers, like, "Ow!" | 0:26:52 | 0:26:55 | |
You know, you can barely touch them. You touch them and you're gone. | 0:26:55 | 0:26:59 | |
Go! Up, two, three. Move it, move it. | 0:26:59 | 0:27:02 | |
One, two, three, four, five and go. Move, come on. | 0:27:02 | 0:27:06 | |
Go. Go, go, go. Go. | 0:27:06 | 0:27:09 | |
Move. Hot fingers. | 0:27:09 | 0:27:12 | |
If you are not nervous, | 0:27:13 | 0:27:15 | |
if you do no stupid mistake, if you look happy, | 0:27:15 | 0:27:19 | |
I think we have a chance to get a recall. | 0:27:19 | 0:27:22 | |
'Coming up for our major, I practice almost every day. | 0:27:50 | 0:27:54 | |
'I like the privates the most | 0:27:55 | 0:27:57 | |
'because you get to see what you do the best. | 0:27:57 | 0:28:01 | |
'They always tell you specifically, they're always watching you. | 0:28:04 | 0:28:08 | |
'At the private, my mom takes notes about what I have to fix.' | 0:28:10 | 0:28:14 | |
Thank you. | 0:28:15 | 0:28:17 | |
'She writes it down so she knows what to practice the next time.' | 0:28:19 | 0:28:22 | |
Oh, no, I don't get privates. | 0:28:34 | 0:28:36 | |
One, two, three. | 0:28:36 | 0:28:38 | |
Cos we're so together, | 0:28:38 | 0:28:39 | |
we're like one big family in a kind of way. | 0:28:39 | 0:28:42 | |
'The reason we don't do private lessons | 0:28:42 | 0:28:45 | |
'is because we've got 90% in our class who just couldn't afford it.' | 0:28:45 | 0:28:48 | |
'It's not fair for any of the other children, | 0:28:52 | 0:28:55 | |
'cos if I got private, like, my friends in my age group,' | 0:28:55 | 0:28:59 | |
they wouldn't get it, so it's just not right. We don't do that. | 0:28:59 | 0:29:02 | |
That's it. Yeah, other side. | 0:29:02 | 0:29:04 | |
Good. | 0:29:09 | 0:29:10 | |
If you do it wrong, you have to get it right. | 0:29:14 | 0:29:17 | |
You can't just leave it. | 0:29:17 | 0:29:18 | |
My mom, she's very strict about that. | 0:29:20 | 0:29:22 | |
There you go. | 0:29:22 | 0:29:23 | |
Hey, see the leaning on the shoulder? Just relax your shoulder. | 0:29:27 | 0:29:31 | |
Push it back and relax it. | 0:29:31 | 0:29:33 | |
She had been dancing on a broken foot. | 0:29:36 | 0:29:38 | |
And the day that her mom said that they were going to the doctor, | 0:29:38 | 0:29:42 | |
Julia was like, "Oh, it doesn't hurt so much." | 0:29:42 | 0:29:44 | |
She realised we were leaving for Scotland and she didn't want to miss it. | 0:29:44 | 0:29:48 | |
Straight. Good. | 0:29:48 | 0:29:50 | |
One, two, three, four, five, six, seven, eight, nine... | 0:29:51 | 0:29:55 | |
'I remember when I hurt my foot before the All Scotland. I just moved on.' | 0:29:55 | 0:29:59 | |
..18, 19, 20. | 0:29:59 | 0:30:00 | |
My mum was like, "You can't dance", | 0:30:00 | 0:30:02 | |
and I was like, "Aye, I can. I can. Watch me". | 0:30:02 | 0:30:05 | |
'There's so many injuries coming up to the Worlds. | 0:30:07 | 0:30:10 | |
'It's like, unbelievable. | 0:30:10 | 0:30:12 | |
'My friend, she broke her leg a couple of days ago.' | 0:30:15 | 0:30:18 | |
And you're like, "Whoa". But luckily she's not going to the Worlds | 0:30:18 | 0:30:21 | |
cos she didn't qualify, but she broke her leg at dancing. You're like, "Whoa". | 0:30:21 | 0:30:25 | |
When I hurt my foot, that was just the best time to strengthen it | 0:30:26 | 0:30:30 | |
and to make it better and better for competitions. | 0:30:30 | 0:30:34 | |
We want to work the muscles in the lower leg as well, OK? | 0:30:34 | 0:30:36 | |
So the inside part of her arch... | 0:30:36 | 0:30:39 | |
she uses one muscle called the posterior tib. | 0:30:39 | 0:30:42 | |
The other muscle called the flexor hallucis longus. | 0:30:42 | 0:30:44 | |
-Are you having any pain over this area? -No. | 0:30:44 | 0:30:47 | |
OK. Let's drape one right here. | 0:30:47 | 0:30:49 | |
If it gets too cold, you let me know. | 0:30:49 | 0:30:52 | |
Nice and supple, there's no knots in them, so that's a good thing. | 0:30:52 | 0:30:57 | |
Are you going to win? | 0:30:57 | 0:30:58 | |
It's going to be a tough competition. | 0:30:58 | 0:31:00 | |
OK. Well, you be confident and you have to have fun with it. | 0:31:00 | 0:31:03 | |
I realised how good Julia was and I thought, | 0:31:12 | 0:31:14 | |
"You know what, Brogan? You're not going to win this World easy". | 0:31:14 | 0:31:17 | |
Do it again. Step it over. Step over. | 0:31:17 | 0:31:20 | |
Over, step back and move. | 0:31:20 | 0:31:22 | |
See that? Come on, execute, looking wider. | 0:31:22 | 0:31:25 | |
That's it. Then go. | 0:31:27 | 0:31:28 | |
Stay on the grey. | 0:31:28 | 0:31:29 | |
'Dance classes, they've got tougher. | 0:31:31 | 0:31:33 | |
'Rosetta's making us do like loads and loads of jumps, | 0:31:33 | 0:31:37 | |
'like 2,000 and stuff.' | 0:31:37 | 0:31:39 | |
Up, up, stand on your toes. | 0:31:39 | 0:31:40 | |
Go right down... Right up. | 0:31:40 | 0:31:43 | |
Up and step out, Gemma. | 0:31:43 | 0:31:46 | |
'I have three sons, I have one daughter, and I wanted her to be a world champion. | 0:31:46 | 0:31:50 | |
'I didn't care if she couldn't read or write. I know a lot of people will say | 0:31:50 | 0:31:54 | |
that's ridiculous, her education's more important. But to me it wasn't. | 0:31:54 | 0:31:58 | |
Irish dancing was the most important thing in my life. | 0:31:58 | 0:32:00 | |
'You see her like tell you off, and you just want to work to make them happy again.' | 0:32:00 | 0:32:05 | |
And you want to make them proud, because they work so hard, | 0:32:05 | 0:32:08 | |
they take their time off. | 0:32:08 | 0:32:09 | |
Dance on. | 0:32:09 | 0:32:11 | |
You danced it that time. No, she danced it that time. | 0:32:13 | 0:32:16 | |
Wasn't just her... | 0:32:16 | 0:32:17 | |
Either do it right or don't do it at all. | 0:32:17 | 0:32:20 | |
You looked as if you were going for a walk, the two of yous. | 0:32:20 | 0:32:23 | |
You're not going to World dancing like that. | 0:32:23 | 0:32:26 | |
Get it right or take it out completely. | 0:32:26 | 0:32:29 | |
When Simona was tiny, it was her that wanted to do it. | 0:32:36 | 0:32:40 | |
Now, I probably have to push her a little bit more | 0:32:40 | 0:32:42 | |
because I think she's older and there's other interests. | 0:32:42 | 0:32:45 | |
'I started getting fed up with it. I thought, what's the point? | 0:32:45 | 0:32:48 | |
'Cos I really wanted to win a World.' | 0:32:48 | 0:32:51 | |
And when you're not getting the results, it's really hard. | 0:32:51 | 0:32:55 | |
She was thinking of knocking it on the head, | 0:32:55 | 0:32:57 | |
but didn't want to cos of me. cos she knew it would upset me. | 0:32:57 | 0:33:01 | |
That is way too big. | 0:33:02 | 0:33:04 | |
I've remortgaged twice. Not just I suppose for the dancing, | 0:33:05 | 0:33:10 | |
but most of the money that I earn does go on the dancing. | 0:33:10 | 0:33:13 | |
It looks like it matches there, but when you look at it on that... | 0:33:13 | 0:33:16 | |
'It's expensive. That's why I started making the costume, cos I couldn't afford to buy one.' | 0:33:16 | 0:33:21 | |
It's way too big. | 0:33:21 | 0:33:23 | |
I just checked. | 0:33:23 | 0:33:25 | |
That is not the same as that. | 0:33:25 | 0:33:27 | |
I just checked. | 0:33:27 | 0:33:28 | |
'When people say, "Do you win anything?", you say, "No", and they go, "Why are you doing it?" | 0:33:28 | 0:33:32 | |
It's not the money, you want to win the World. | 0:33:32 | 0:33:35 | |
I mean, if you've done Irish dancing for all those years, | 0:33:35 | 0:33:38 | |
the top prize that you can get is the World. | 0:33:38 | 0:33:41 | |
And that's what the kids strive for. | 0:33:41 | 0:33:43 | |
'I won the World Championships for the first time in 2002, | 0:33:46 | 0:33:49 | |
'when it was the first year in Glasgow. | 0:33:49 | 0:33:52 | |
'The next year I was second. | 0:33:52 | 0:33:55 | |
'And the year after that, then I won three Worlds in a row.' | 0:33:57 | 0:34:00 | |
Very well done. Lovely. Standing very well, Cathy. Lovely. | 0:34:05 | 0:34:08 | |
We had a break in the summertime, the class was closed for a month | 0:34:08 | 0:34:12 | |
and Suzanne and a couple of the other girls said | 0:34:12 | 0:34:15 | |
they couldn't wait till next Sunday for the class to reopen. | 0:34:15 | 0:34:18 | |
That's right. | 0:34:18 | 0:34:19 | |
We were enjoying a month's holiday and they couldn't wait for the dancing to start again. | 0:34:19 | 0:34:24 | |
In fact, Suzanne had an injury about four months ago. | 0:34:24 | 0:34:27 | |
She was on crutches for a couple of weeks, but she came to every class. | 0:34:27 | 0:34:30 | |
With her crutches, yeah. Just to watch. | 0:34:30 | 0:34:32 | |
She was using her crutches to demonstrate wee bits of steps! | 0:34:32 | 0:34:37 | |
You're doing the diddly-dums, your back foot could be more out. | 0:34:55 | 0:35:00 | |
Yeah, thrust the heel forwards. Do that again. | 0:35:00 | 0:35:02 | |
Really smell it off them. | 0:35:04 | 0:35:07 | |
You can, yeah, yeah. | 0:35:07 | 0:35:09 | |
It's in the legs. The beautiful legs. Legs are so important. | 0:35:09 | 0:35:12 | |
I love legs. Legs are just that. | 0:35:12 | 0:35:14 | |
You're rushing those toes a bit. | 0:35:21 | 0:35:22 | |
Claire, I think, will find it hard to give up the dancing because she loves it so much. | 0:35:25 | 0:35:30 | |
I do think that dancing will always be a part of her life. | 0:35:30 | 0:35:33 | |
I don't think you'd last in this unless you love it. | 0:35:33 | 0:35:36 | |
No matter where you go, you'll find yourself, this kind of thing. | 0:35:38 | 0:35:41 | |
In mass it could be this way. | 0:35:41 | 0:35:43 | |
You start thinking, I lie in bed, if I can't sleep I'll start making up steps. | 0:35:43 | 0:35:46 | |
The duvet could be jumping up and down. That's the mental side of it. | 0:35:46 | 0:35:50 | |
It is my life, it is my passion. | 0:35:50 | 0:35:53 | |
I've sacrificed so much in my life to be an Irish dancer and to be where I am right now. | 0:35:53 | 0:35:57 | |
Inside that skinny little body of hers, she has such determination. | 0:35:58 | 0:36:04 | |
If you're at the top, the only place you can go is down. | 0:36:04 | 0:36:06 | |
You don't want that to happen, so there's pressure to stay at the top. | 0:36:06 | 0:36:10 | |
He just pulled out, did you to see that? | 0:36:21 | 0:36:23 | |
I did. I'm glad you saw it. | 0:36:23 | 0:36:24 | |
You're not turning here? | 0:36:24 | 0:36:26 | |
-Yeah? Why? -I thought you were going straight. -Shall I go that way? | 0:36:26 | 0:36:30 | |
I'd be happy if she goes to the World and dances really well. | 0:36:30 | 0:36:33 | |
I know she's capable of winning it. | 0:36:33 | 0:36:35 | |
But then that doesn't mean she will. | 0:36:35 | 0:36:38 | |
Claire's going wanting to keep it, because she won it last year. | 0:36:38 | 0:36:41 | |
Suzanne's going to go wanting to get it back and I haven't won it. | 0:36:41 | 0:36:44 | |
So, I just really want to win one. | 0:36:44 | 0:36:47 | |
I'm Sandun, I'm this Sri Lankan guy who lives in Holland | 0:36:57 | 0:37:00 | |
and I'm an Irish dancer. | 0:37:00 | 0:37:02 | |
They call me the Flying Dutchman and I want people to say this year, | 0:37:02 | 0:37:05 | |
"the Flying Dutchman is in the top five of the world." | 0:37:05 | 0:37:08 | |
When you go to Irish dance class or to a feis, you step into this other world. | 0:37:10 | 0:37:14 | |
I really see it like that. | 0:37:14 | 0:37:15 | |
The first time I looked at Irish dancing was Riverdance, | 0:37:32 | 0:37:36 | |
and I didn't like it at all. | 0:37:36 | 0:37:37 | |
Then I took home a video and he watched it three times a day, four times a day, five times. | 0:37:37 | 0:37:42 | |
Like little kids watch cartoons, the Lion King. | 0:37:42 | 0:37:44 | |
He watched Riverdance. | 0:37:44 | 0:37:47 | |
It's like a drug. Irish dance is like a drug. | 0:37:47 | 0:37:50 | |
Top sport is not good for your body. | 0:37:50 | 0:37:52 | |
You get injuries everywhere. | 0:37:52 | 0:37:54 | |
But at the same time it gives you this nice feeling. | 0:37:54 | 0:37:57 | |
He's absolutely determined, if he wants to. | 0:38:03 | 0:38:06 | |
He can also be a lazy bastard. | 0:38:06 | 0:38:07 | |
I would be seeking thrills everywhere. | 0:38:07 | 0:38:10 | |
I think I probably, you know, if someone will be like, "Hey, | 0:38:10 | 0:38:13 | |
"take this joint," or, "Take this little pill," I'd do it. | 0:38:13 | 0:38:17 | |
But now, I want to, you know, perform good | 0:38:17 | 0:38:21 | |
and you can't do that with drugs or an over amount of alcohol. | 0:38:21 | 0:38:25 | |
I know he's the only boy in the school. | 0:38:32 | 0:38:35 | |
You have no-one else to compare yourself with during classes. | 0:38:35 | 0:38:39 | |
You have to do it all by yourself. | 0:38:39 | 0:38:40 | |
He's made his own mix, because he's cocky enough to think that he knows best for himself. | 0:38:42 | 0:38:50 | |
-And really cocky! -Yeah. | 0:38:50 | 0:38:51 | |
And what is very funny is Irish dancing is a girl's sport. | 0:38:52 | 0:38:57 | |
More, it's a white girl's sport. You don't see coloured people in Irish dancing. | 0:38:57 | 0:39:01 | |
I know there are thousands of people and I've seen five coloured people, something like that. | 0:39:01 | 0:39:06 | |
And he feels perfectly comfortable because people accept him for what he does dancing, | 0:39:06 | 0:39:13 | |
and not for who he is, coloured or non-coloured. | 0:39:13 | 0:39:16 | |
Being adopted, for Sandun, it's very difficult. | 0:39:23 | 0:39:26 | |
Because he grows up in a white environment, being a child of white parents | 0:39:26 | 0:39:33 | |
and that's not how it should've been. | 0:39:33 | 0:39:36 | |
He should've grown up in Sri Lanka with his own parents. | 0:39:36 | 0:39:41 | |
Being given up by your own mum, that's not easy to cope with. | 0:39:42 | 0:39:49 | |
We had really rough times when he was younger, | 0:39:50 | 0:39:55 | |
that's why Irish dancing was very important to us. | 0:39:55 | 0:39:58 | |
Something that made him feel very good by himself. | 0:40:00 | 0:40:04 | |
Even in the rougher moments of our lives, | 0:40:04 | 0:40:08 | |
we went to dance practice and it always made it right again. | 0:40:08 | 0:40:13 | |
And that's been a difficult path. | 0:40:15 | 0:40:18 | |
It's not been impossible, but... | 0:40:18 | 0:40:20 | |
..Sandun has many interests, | 0:40:23 | 0:40:24 | |
and now he's gone to puberty, and it's not helping to be... | 0:40:24 | 0:40:30 | |
Yeah, he wants to go out and stay up late and drink. | 0:40:30 | 0:40:35 | |
That's very normal for teenagers, but that doesn't combine very well with top sport. | 0:40:35 | 0:40:42 | |
I don't want to be like, "Sandun came, he got 7th and that was it." | 0:40:44 | 0:40:48 | |
No, I want to be like, "Sandun got 10th, then he got 7th, | 0:40:48 | 0:40:51 | |
"he got top five, then he got top three." | 0:40:51 | 0:40:53 | |
Then bam! | 0:40:53 | 0:40:54 | |
Yeah, number one. | 0:40:54 | 0:40:56 | |
I was born in Glasgow and it's funny for me to be here | 0:41:13 | 0:41:16 | |
at the 40th World Championships and be hosting the event. | 0:41:16 | 0:41:19 | |
There'll be somewhere just over 6,000 competitors. | 0:41:22 | 0:41:25 | |
It brings in all through the week, 20, 30,000 people. | 0:41:29 | 0:41:33 | |
And everything culminates here in three 35-second performances, if you're lucky. | 0:41:33 | 0:41:38 | |
Some only get to perform twice at this event and you get called. | 0:41:38 | 0:41:41 | |
Only 50 people get to do the last round. | 0:41:41 | 0:41:44 | |
So, really, all these children are practicing all year round for six minutes of dancing. | 0:41:44 | 0:41:49 | |
This morning he was up at half five | 0:42:02 | 0:42:06 | |
and tomorrow he's bound to wake up as well early. | 0:42:06 | 0:42:10 | |
He's got that excitement and nervousness all rolled into one. | 0:42:13 | 0:42:16 | |
He's like a coiled spring. | 0:42:18 | 0:42:20 | |
When we get to the hotel, are we going to practice a little? | 0:42:32 | 0:42:36 | |
No practicing, no. Just do stretching, a little stretch. | 0:42:36 | 0:42:39 | |
Yeah, that's what's I mean. | 0:42:39 | 0:42:40 | |
-Yeah, no, no dancing. -A day off. -Yeah. | 0:42:40 | 0:42:43 | |
Looks gorgeous. Really beautiful. | 0:42:46 | 0:42:51 | |
Costumes cost 2,500 American dollars. | 0:42:51 | 0:42:53 | |
-You have to see the hair band. -Oh, that's perfect. | 0:42:56 | 0:42:59 | |
-You like it? -Yeah, that's perfect. | 0:42:59 | 0:43:02 | |
'She got a new dress in July.' | 0:43:02 | 0:43:04 | |
She's worn it four times maybe. | 0:43:04 | 0:43:08 | |
No, more than that. At the little Feis, you mean. | 0:43:08 | 0:43:12 | |
-With the white skirt. -Uh-huh. Four times? | 0:43:12 | 0:43:16 | |
-Four times. -Yeah, you're kidding. | 0:43:16 | 0:43:19 | |
Maybe five. | 0:43:19 | 0:43:20 | |
OK, I don't know, I thought it was more than that. | 0:43:20 | 0:43:22 | |
She grew. | 0:43:22 | 0:43:23 | |
-It's beautiful. -It's gorgeous. | 0:43:23 | 0:43:26 | |
See this white, like it's that really shiny. | 0:43:26 | 0:43:28 | |
-Yeah, shiny, yeah. -It's almost like iridescent. | 0:43:28 | 0:43:31 | |
-And you have socks that are diamante, right? -Yes. -Obviously. A silly question. | 0:43:31 | 0:43:35 | |
Feel comfortable? All righty? | 0:43:36 | 0:43:38 | |
This last year, Brogan hasn't had it easy because Mum passed away. | 0:43:55 | 0:44:00 | |
Mum was diagnosed with cancer in June, | 0:44:01 | 0:44:05 | |
so Brogan was finishing up school in the June. | 0:44:05 | 0:44:08 | |
We moved more or less up to Sligo for that summer. | 0:44:08 | 0:44:11 | |
My granny was just so, so ill. It was unbelievable. | 0:44:13 | 0:44:16 | |
She was all like oxygen and everything, it was just so, so sad. | 0:44:16 | 0:44:20 | |
But like every day, she would, like, be saying to me, "do your best." | 0:44:20 | 0:44:27 | |
So, like, I'm... | 0:44:27 | 0:44:29 | |
I know she would've just wanted me to do my best. | 0:44:29 | 0:44:31 | |
So I just kept going to qualify for the World. | 0:44:31 | 0:44:35 | |
The Ulsters was a big thing this year because this was her qualifier for the Worlds. | 0:44:36 | 0:44:40 | |
For about the week before Mum died, we knew she was really, really sick. | 0:44:40 | 0:44:44 | |
She was going, "Rosetta, I have to just qualify for the World | 0:44:44 | 0:44:47 | |
"to go back and tell Granny so she can die." | 0:44:47 | 0:44:49 | |
Brogan won and then I rang my sister in Sligo who was in the hospital with Mum. | 0:44:52 | 0:44:56 | |
I said, "just whisper to her now that she's won and she's going through to the Worlds." | 0:44:56 | 0:45:00 | |
And...I went back up home and that morning she died then. | 0:45:00 | 0:45:04 | |
It was like she just wanted to find out did I qualify and then like rest. | 0:45:04 | 0:45:10 | |
I was sad, but I was excited to hear that she found out. | 0:45:12 | 0:45:16 | |
Everybody was like so upside down like and it was terrible, but we pulled through. | 0:45:16 | 0:45:23 | |
Push those knees down flat. | 0:46:10 | 0:46:12 | |
Stomach's should be flat down on your thighs. Push down. | 0:46:12 | 0:46:16 | |
And relax your top half. | 0:47:04 | 0:47:05 | |
You're dancing fabulous, I'm really, really happy. | 0:47:05 | 0:47:08 | |
My dress is so special to me. | 0:47:27 | 0:47:30 | |
My granny bought it for me and I say she's always dancing with me. | 0:47:30 | 0:47:35 | |
She got me this dress and she's my wee guardian angel and all. | 0:47:35 | 0:47:39 | |
It's not really about dresses but, um, it will make me feel confident. | 0:47:39 | 0:47:45 | |
Ladies and gentlemen, we are now ready to commence competition 31. | 0:47:50 | 0:47:56 | |
The Girl's Championship, 10 to 11 years. | 0:47:56 | 0:48:02 | |
Competitors 177, 178 and 179. | 0:48:02 | 0:48:08 | |
Competitors 118, 120 and 121. | 0:48:54 | 0:49:00 | |
That's beautiful. That's really, really good. | 0:49:42 | 0:49:45 | |
-Where's Lisa and Karen? -They're in there, did you want to talk to them? | 0:49:45 | 0:49:48 | |
Are you happy now? It was beautiful. Beautiful. | 0:49:48 | 0:49:51 | |
One and two, four... | 0:49:56 | 0:49:58 | |
Up two, three, four, five, six, seven | 0:49:58 | 0:50:00 | |
and turn, three, four, five and hat, leap up. | 0:50:00 | 0:50:03 | |
'The first round is in heavy shoes. It's all about rhythm and moving.' | 0:50:03 | 0:50:09 | |
Their second round is a soft shoe round. | 0:50:09 | 0:50:11 | |
It's more about lifting, it's quite balletic, maybe. | 0:50:11 | 0:50:16 | |
A lot of flying around the floor, high kicks and jumps. | 0:50:16 | 0:50:19 | |
Then the marks are added up for those two rounds | 0:50:19 | 0:50:23 | |
and the best third are recalled back to do their set dance | 0:50:23 | 0:50:27 | |
and it's in heavy shoes again | 0:50:27 | 0:50:30 | |
It's basically your showpiece to show off what you can do. | 0:50:30 | 0:50:33 | |
The night before a competition I sleep with these two | 0:50:39 | 0:50:43 | |
and this one's usually at the end of the bed. | 0:50:43 | 0:50:47 | |
This one's usually by the pillows | 0:50:47 | 0:50:52 | |
but...they keep me warm | 0:50:52 | 0:50:57 | |
and...comfortable. | 0:50:57 | 0:51:00 | |
And his tooth fell out, didn't it? | 0:51:01 | 0:51:04 | |
Trying to open a bottle. | 0:51:04 | 0:51:05 | |
Put it under your pillow. | 0:51:05 | 0:51:08 | |
I'm up at six in the morning and I go to the venue at seven. | 0:51:09 | 0:51:14 | |
Now John has to go through the steps. | 0:51:14 | 0:51:17 | |
My New Year's resolution was that I'm going to concentrate. | 0:51:28 | 0:51:33 | |
He's just a little fire cracker. | 0:51:37 | 0:51:39 | |
Everyone's, "Oh, you're a cheeky fellow. I love watching him dance, | 0:51:39 | 0:51:43 | |
"he's so good." I was, "Yeah, when he doesn't stop, he's brilliant." | 0:51:43 | 0:51:47 | |
Concentrate on what you're doing. Think about your head. | 0:51:47 | 0:51:51 | |
Think about your left foot | 0:51:51 | 0:51:53 | |
and think about pushing that click above your head. | 0:51:53 | 0:51:56 | |
Good luck. | 0:51:56 | 0:51:57 | |
Our first competitors, numbers 104, 105 and 106. | 0:52:02 | 0:52:07 | |
-Was that good? -Yeah, really good. | 0:52:42 | 0:52:44 | |
He'll probably stay brilliant, hopefully. | 0:52:44 | 0:52:48 | |
I can breathe now. | 0:52:48 | 0:52:49 | |
He's smiling a lot. | 0:52:52 | 0:52:54 | |
I did watch him in one of the feises and I thought he danced brilliant | 0:52:58 | 0:53:02 | |
and the guy next me said, "He's won, he's won." | 0:53:02 | 0:53:04 | |
Well, he came third or second and I got a bit annoyed about that. | 0:53:04 | 0:53:09 | |
I thought, you know, "They've got it wrong!" | 0:53:09 | 0:53:12 | |
But I don't know, so... | 0:53:12 | 0:53:14 | |
They know what they're doing at the front, the judges, I presume. | 0:53:14 | 0:53:18 | |
Each band will be judged by a different group of five judges | 0:53:20 | 0:53:24 | |
and those judges have 100 points to award to the first place winner. | 0:53:24 | 0:53:28 | |
You put them in here because our art form's very subjective. | 0:53:28 | 0:53:32 | |
We don't encourage consultation, | 0:53:32 | 0:53:33 | |
They're can't speak about the competition | 0:53:33 | 0:53:36 | |
and they are very heavily policed. | 0:53:36 | 0:53:38 | |
So we actually have a system where our judges are chaperoned. | 0:53:38 | 0:53:44 | |
We don't have such a thing as fault penalties. | 0:53:44 | 0:53:48 | |
We try not to restrict the judge. | 0:53:48 | 0:53:50 | |
At the end of the day, a lot of it comes down to personal taste. | 0:53:50 | 0:53:54 | |
She's got the whole of her family coming over. | 0:53:54 | 0:53:57 | |
There's been visa problems so a few of them have been denied their visas | 0:54:08 | 0:54:14 | |
to come into the country. | 0:54:14 | 0:54:16 | |
One of the things we were trying to do was to make the team stand out | 0:54:20 | 0:54:23 | |
on the stage like they deserve to be there. | 0:54:23 | 0:54:27 | |
Then they're told they're not allowed to come into the country. | 0:54:27 | 0:54:30 | |
They've just been beaten down, you know, for no reason at all | 0:54:30 | 0:54:34 | |
and it'll be hard to get them to give that energetic performance | 0:54:34 | 0:54:39 | |
that we were hoping we would see on the stage this time. | 0:54:39 | 0:54:42 | |
And we all tried to do it, not just for ourselves, | 0:54:42 | 0:54:45 | |
dancing on the stage, but also for the guys who stayed in Moscow. | 0:54:45 | 0:54:50 | |
And as Anna, the girl who stayed in Moscow she wrote us, | 0:54:50 | 0:54:54 | |
"Do your best, dance good for me." | 0:54:54 | 0:54:58 | |
We'll try to do it for her as well. | 0:55:00 | 0:55:03 | |
Instead of kind of getting knocked down, give it more of a push. | 0:55:03 | 0:55:07 | |
From today and tomorrow, when we're doing all the practices, | 0:55:07 | 0:55:10 | |
keep that focus, keep that drive. Let's do it. | 0:55:10 | 0:55:13 | |
One and two, nice dancing, stretch it up and back and four | 0:55:13 | 0:55:17 | |
and five and six and seven and eight. Where's the faces? | 0:55:17 | 0:55:22 | |
We're now ready to commence the second round | 0:55:40 | 0:55:43 | |
of the Girls' Under-11 Championship. | 0:55:43 | 0:55:47 | |
On stage now we have 120 and 121. | 0:55:51 | 0:55:56 | |
173 and 174. | 0:56:22 | 0:56:25 | |
APPLAUSE | 0:56:46 | 0:56:50 | |
-Well, done. -Thank you, Daddy. | 0:56:59 | 0:57:01 | |
-Come here. -Mummy. | 0:57:01 | 0:57:04 | |
-Well, done. -Oh, thank you. | 0:57:04 | 0:57:06 | |
I thought she just flew round there like a bird. | 0:57:06 | 0:57:08 | |
Were you content with yourself with the way you danced? | 0:57:08 | 0:57:11 | |
You couldn't have done any better. We're so proud of you. | 0:57:11 | 0:57:14 | |
That's amazing. | 0:57:35 | 0:57:36 | |
And the next event will be competition number six. | 0:58:02 | 0:58:06 | |
Boys 15 to 16 age group. | 0:58:06 | 0:58:09 | |
And now we have 105 and 104, in that order. | 0:58:12 | 0:58:15 | |
CHEERING AND APPLAUSE | 0:58:46 | 0:58:49 | |
OK and just do the best you can, because you deserve to up there. | 0:59:06 | 0:59:09 | |
OK? You've got that. Are you ready? | 0:59:09 | 0:59:11 | |
Yeah! | 0:59:11 | 0:59:12 | |
APPLAUSE | 0:59:45 | 0:59:48 | |
-ANNOUNCER: -I am just going to read you the recall in numerical order. | 1:00:00 | 1:00:05 | |
SHE SPEAKS RUSSIAN | 1:00:05 | 1:00:07 | |
123, 127, | 1:00:11 | 1:00:14 | |
136, 139... | 1:00:14 | 1:00:18 | |
CHEERING | 1:00:18 | 1:00:21 | |
..140, 146... | 1:00:21 | 1:00:23 | |
CHEERING | 1:00:23 | 1:00:25 | |
151, 152, 159. | 1:00:25 | 1:00:30 | |
No. | 1:00:30 | 1:00:32 | |
Just so nervous, it's a nervy time. | 1:00:34 | 1:00:37 | |
-Yeah, my hands are sweating. -Yeah, shaking. | 1:00:37 | 1:00:40 | |
Well, battle on and you'll be even better next year. | 1:00:40 | 1:00:44 | |
Yeah? OK. Let's have a drink. | 1:00:45 | 1:00:48 | |
The competition is really tough. | 1:01:32 | 1:01:34 | |
The top three is like, they're like Titans. You just can't move them. | 1:01:34 | 1:01:39 | |
Between number four and eight is about the same level | 1:01:43 | 1:01:47 | |
and then the first three are a little step higher. | 1:01:47 | 1:01:51 | |
So it could be between fourth and eighth, I think. | 1:01:54 | 1:01:56 | |
But he has to see improvement. If he becomes eighth this year, | 1:01:56 | 1:02:00 | |
that's going to be a huge disappointment. | 1:02:00 | 1:02:03 | |
APPLAUSE | 1:02:47 | 1:02:50 | |
Next, we have the results for competition number five. | 1:02:58 | 1:03:01 | |
Boys 16 to 17. | 1:03:01 | 1:03:03 | |
190.5. | 1:03:03 | 1:03:06 | |
174, 203. | 1:03:06 | 1:03:10 | |
847. | 1:03:10 | 1:03:13 | |
706.5. | 1:03:13 | 1:03:16 | |
1,026.5 and 614.5. | 1:03:16 | 1:03:20 | |
CHEERING | 1:03:20 | 1:03:23 | |
HE SPEAKS DUTCH | 1:03:25 | 1:03:28 | |
In tenth place, from the Netherlands | 1:03:29 | 1:03:33 | |
is number 145, Sandun Verschoor. | 1:03:33 | 1:03:36 | |
HE SPEAKS DUTCH | 1:03:38 | 1:03:40 | |
Ten boy. | 1:03:42 | 1:03:44 | |
Well, still medal holder. | 1:03:48 | 1:03:50 | |
Really terrible, because I came for fifth place or top five | 1:03:52 | 1:03:57 | |
and I got tenth. That really sucks. | 1:03:57 | 1:04:01 | |
Should I continue doing this? | 1:04:02 | 1:04:05 | |
But what would I do if I won't be dancing? | 1:04:05 | 1:04:09 | |
I'm not that kind of person who will go to university, you know. | 1:04:09 | 1:04:14 | |
No, not for me. I need to finish something, you know, | 1:04:15 | 1:04:20 | |
and that's going to be dancing. | 1:04:20 | 1:04:23 | |
You know, when she's on form, she's on form | 1:04:32 | 1:04:35 | |
and I just never know with Simona. | 1:04:35 | 1:04:38 | |
She's beaten all the other girls at different times and competitions. | 1:04:41 | 1:04:45 | |
Dee, dee, dee, dee, dee, dee... | 1:04:45 | 1:04:46 | |
Lift, foot out and down... | 1:04:46 | 1:04:49 | |
So hopefully this year. We're due a good World. | 1:04:49 | 1:04:53 | |
Oh, it's just only a split second. If it hurts, it's a split second. | 1:04:54 | 1:04:57 | |
What I've been doing is just dancing my steps through my head. | 1:05:00 | 1:05:03 | |
And half the time I can't get to sleep. | 1:05:03 | 1:05:05 | |
I'll finish my set dance then have to go back to my jig and start again. | 1:05:05 | 1:05:09 | |
It actually ends up keeping me awake about an hour longer when I should be sleeping, | 1:05:09 | 1:05:14 | |
but I'll probably do that for a wee half hour and then go to sleep. | 1:05:14 | 1:05:17 | |
I do it too! | 1:05:17 | 1:05:19 | |
I lie in bed doing her dances. | 1:05:19 | 1:05:22 | |
I would love for her to win in Glasgow, again. | 1:05:22 | 1:05:24 | |
And that's her drive. That's her motivation for this year. | 1:05:24 | 1:05:28 | |
ACCORDION MUSIC PLAYS | 1:05:28 | 1:05:32 | |
WHOOPING | 1:05:45 | 1:05:48 | |
Wow, wow, wow! | 1:06:00 | 1:06:03 | |
That was amazing. | 1:06:03 | 1:06:05 | |
Oh my God, that was so amazing, Suzie. | 1:06:05 | 1:06:08 | |
Just absolutely gorgeous. | 1:06:08 | 1:06:10 | |
You smiled the whole way through! It was just gorgeous. Well done. | 1:06:10 | 1:06:14 | |
You're waiting, you're anxious and hoping that | 1:06:14 | 1:06:17 | |
everything will go well for her. All I ask, really, | 1:06:17 | 1:06:20 | |
is that she'll have three good rounds, | 1:06:20 | 1:06:22 | |
she danced the way she can dance and then it's out of our hands | 1:06:22 | 1:06:25 | |
I'm probably seen as the one to beat, | 1:06:25 | 1:06:27 | |
because I'm one of the last three. | 1:06:27 | 1:06:29 | |
So it's just...it is a lot of pressure, because you just, | 1:06:29 | 1:06:33 | |
you can't disappoint and there's so many in the competition that are so good. | 1:06:33 | 1:06:37 | |
There's 166 hoping to beat you. | 1:06:37 | 1:06:40 | |
Slow! | 1:06:46 | 1:06:48 | |
Bam...bam, bam, bam. | 1:06:49 | 1:06:51 | |
Oh, Jesus! | 1:06:51 | 1:06:54 | |
And bang and bang, timing. Da-de, de-da. | 1:06:54 | 1:06:57 | |
I'm going to do what I usually do. | 1:07:04 | 1:07:06 | |
ACCORDION MUSIC PLAYS | 1:07:06 | 1:07:08 | |
Jesus! | 1:07:26 | 1:07:28 | |
It's OK, it's all right. | 1:07:28 | 1:07:30 | |
APPLAUSE | 1:07:42 | 1:07:45 | |
It wasn't her fault. The girl was there. | 1:07:45 | 1:07:47 | |
They were literally like that. She handled it well. | 1:07:47 | 1:07:51 | |
'Adjudicators. There is no 196. | 1:07:52 | 1:07:56 | |
'On stage they have 197 and 198.' | 1:07:56 | 1:08:01 | |
SHE SIGHS | 1:08:08 | 1:08:09 | |
-It was good I did a nine. -You hit a pillar! | 1:08:09 | 1:08:12 | |
You couldn't go anywhere but into her. | 1:08:13 | 1:08:16 | |
Well, we just saw each other coming, but we were both doing something, | 1:08:16 | 1:08:19 | |
we couldn't move out of the way and I was just like... | 1:08:19 | 1:08:22 | |
-We kind of just... Two of us just went... -Did you?! | 1:08:22 | 1:08:24 | |
'I'm nervous. | 1:08:32 | 1:08:34 | |
'Really nervous. | 1:08:34 | 1:08:36 | |
'Cos I really, really want to win.' | 1:08:36 | 1:08:37 | |
I'm getting old now as well. I ain't got much longer, | 1:08:37 | 1:08:41 | |
so I need to win it soon if I'm going to win it. | 1:08:41 | 1:08:44 | |
Don't I? | 1:08:46 | 1:08:48 | |
Yeah. 14 years we've waited, so... | 1:08:48 | 1:08:50 | |
..would be nice to do it, but we'll see. | 1:08:51 | 1:08:54 | |
'Competitor 148, Rambling Rake - speed 76.' | 1:08:56 | 1:09:02 | |
I hope she wins the speed. | 1:09:02 | 1:09:04 | |
'Quiet.' | 1:09:04 | 1:09:06 | |
INAUDIBLE | 1:09:10 | 1:09:12 | |
Good girl. Very good. | 1:09:42 | 1:09:44 | |
-She looks worried. -Huh? -She looks worried. | 1:09:46 | 1:09:49 | |
'We now have the ladies, 19 to 21 years.' | 1:09:51 | 1:09:54 | |
'107, | 1:09:56 | 1:09:58 | |
'249.5.' | 1:09:58 | 1:10:01 | |
That's not good this time. | 1:10:01 | 1:10:02 | |
'108, 91.5 | 1:10:02 | 1:10:07 | |
'289, | 1:10:07 | 1:10:11 | |
'80, | 1:10:11 | 1:10:13 | |
'75.5, | 1:10:13 | 1:10:16 | |
'59, | 1:10:16 | 1:10:18 | |
'695.5, | 1:10:18 | 1:10:22 | |
'651, | 1:10:22 | 1:10:24 | |
'1122.5' | 1:10:24 | 1:10:27 | |
You're third. | 1:10:27 | 1:10:28 | |
'546.5, | 1:10:28 | 1:10:32 | |
'168, | 1:10:32 | 1:10:35 | |
'1179. | 1:10:35 | 1:10:37 | |
SHE GASPS | 1:10:37 | 1:10:38 | |
-'343.5.' -Have you got it? | 1:10:38 | 1:10:42 | |
'290.5, | 1:10:42 | 1:10:44 | |
'127.5.' | 1:10:44 | 1:10:47 | |
-Claire, Maggie, Suzanne, I think. -Oh, right. | 1:10:47 | 1:10:51 | |
'In fourth place, competitor 148 - | 1:10:51 | 1:10:54 | |
'Simona Mauriello.' | 1:10:54 | 1:10:57 | |
CHEERING | 1:10:57 | 1:11:00 | |
Up and stretch. And one, two, three, kick and up, point your toes, point up. | 1:11:46 | 1:11:50 | |
Treble and toe back. | 1:11:50 | 1:11:51 | |
'With John, I'm like, let's do the same thing and let's go over it again | 1:11:51 | 1:11:55 | |
'to make sure you've got it in your head. | 1:11:55 | 1:11:57 | |
'Have you got it in your head? And I deliberately don't change anything.' | 1:11:57 | 1:12:01 | |
'This is the final round of the world championships. | 1:12:02 | 1:12:05 | |
'Next is Number 104.' | 1:12:05 | 1:12:07 | |
'Stretch, 1, 2, 3. Right arm. Down, treble, push, up,' | 1:12:19 | 1:12:22 | |
kick, down, cross and watch your head. | 1:12:22 | 1:12:25 | |
Treble back and toe, spin, cross, cross | 1:12:25 | 1:12:28 | |
and triple and toe, down, double click. | 1:12:28 | 1:12:31 | |
'2, 3, treble upper stamp, stamp down, | 1:12:35 | 1:12:39 | |
cross, cross, cross and on toes. Spin. | 1:12:39 | 1:12:41 | |
And triple and toes. Hold. Stretch, 1, 2, 3... | 1:12:41 | 1:12:43 | |
APPLAUSE AND CHEERING | 1:12:53 | 1:12:57 | |
'Next is number 105.' | 1:13:03 | 1:13:05 | |
Well done, John. | 1:13:05 | 1:13:07 | |
Well done, John! Oh, I love you. | 1:13:07 | 1:13:09 | |
-This one, the big one, that was good. Good, really good. -Thank you. | 1:13:13 | 1:13:17 | |
At least that's over, anyway, you can relax for a little bit. Well done. | 1:13:17 | 1:13:20 | |
'We're now ready to give results of the boys 10 and under-11 championship. | 1:13:22 | 1:13:27 | |
'Number 102, round one. | 1:13:27 | 1:13:30 | |
'206.25, | 1:13:30 | 1:13:33 | |
'103, 155.5, | 1:13:33 | 1:13:38 | |
'104, 431.' | 1:13:38 | 1:13:40 | |
HE GASPS | 1:13:40 | 1:13:41 | |
WHOOPING | 1:13:41 | 1:13:42 | |
'105, 256.25. | 1:13:42 | 1:13:47 | |
'106, 135.5. | 1:13:47 | 1:13:53 | |
'122, 295. | 1:13:53 | 1:13:56 | |
'123, 199. | 1:13:56 | 1:14:00 | |
'Round two, from the top. | 1:14:00 | 1:14:03 | |
'170.5. | 1:14:03 | 1:14:05 | |
'162.5. | 1:14:05 | 1:14:07 | |
'307.5.' | 1:14:10 | 1:14:11 | |
Oh, dear, that's not as good. | 1:14:11 | 1:14:14 | |
'161. | 1:14:14 | 1:14:16 | |
'351. | 1:14:16 | 1:14:19 | |
-Is he still winning? -Still winning, I think. Just about, I think. | 1:14:19 | 1:14:22 | |
'450. | 1:14:22 | 1:14:25 | |
'214. | 1:14:25 | 1:14:28 | |
No. | 1:14:28 | 1:14:30 | |
'233.' | 1:14:30 | 1:14:31 | |
No, he's not still winning now. | 1:14:31 | 1:14:32 | |
'Round three, from the top. | 1:14:32 | 1:14:35 | |
'193. 201. | 1:14:35 | 1:14:39 | |
'171. | 1:14:39 | 1:14:42 | |
'368.5. | 1:14:42 | 1:14:44 | |
'233.' | 1:14:46 | 1:14:48 | |
-How we doing? -I don't know. | 1:14:48 | 1:14:51 | |
'189. 206. | 1:14:51 | 1:14:53 | |
'158.' | 1:14:53 | 1:14:55 | |
'281.' | 1:14:56 | 1:14:58 | |
-I think he might win. I think so. -He's done it. | 1:14:58 | 1:15:00 | |
Oh, I don't know. Don't tell her yet. | 1:15:00 | 1:15:02 | |
'Here's the following totals from the top again.' | 1:15:02 | 1:15:06 | |
Five, six, seven, eight, nine, ten. It's close. | 1:15:06 | 1:15:10 | |
'1107. | 1:15:10 | 1:15:13 | |
'738.75.' | 1:15:14 | 1:15:17 | |
I think it's really close. I don't know, | 1:15:17 | 1:15:20 | |
I can't add it up. I don't know. | 1:15:20 | 1:15:22 | |
'482.25 | 1:15:22 | 1:15:25 | |
'790.' | 1:15:25 | 1:15:27 | |
-I don't know, maybe. It's close. -'463' | 1:15:27 | 1:15:30 | |
-This is it. -'1100.' | 1:15:30 | 1:15:33 | |
Yes, he won it! | 1:15:33 | 1:15:34 | |
SCREAMING AND CHEERING | 1:15:34 | 1:15:36 | |
'In first place... | 1:15:40 | 1:15:41 | |
'..number 104. | 1:15:42 | 1:15:44 | |
SCREAMING AND CHEERING | 1:15:44 | 1:15:46 | |
HE LAUGHS | 1:15:48 | 1:15:50 | |
Oh, my God! | 1:15:50 | 1:15:51 | |
Hi, Dad. | 1:15:53 | 1:15:55 | |
I won! | 1:15:55 | 1:15:56 | |
Thank you, Dad. | 1:16:00 | 1:16:02 | |
Shall I pass you back on to Mum? | 1:16:06 | 1:16:08 | |
Love you. | 1:16:08 | 1:16:09 | |
CHEERING AND APPLAUSE | 1:16:15 | 1:16:17 | |
HE MOUTHS | 1:16:19 | 1:16:21 | |
Da-da-da-da-da-da-da-da-da-ra-da-da. | 1:16:21 | 1:16:24 | |
Feet-feet-out-out-more-more-more | 1:16:24 | 1:16:27 | |
'When Joe does a set dance, the whole hall is silent.' | 1:16:27 | 1:16:30 | |
John told me at the beginning of it and I was just like, | 1:16:32 | 1:16:35 | |
"Oh, my God, this is so hard," like, | 1:16:35 | 1:16:37 | |
but I just loved it cos I knew if I would get it, | 1:16:37 | 1:16:39 | |
it would be one of the best sets I've ever done. | 1:16:39 | 1:16:41 | |
We're waiting for Joe Bitter's set | 1:16:41 | 1:16:43 | |
cos we've been watching him and he's amazing. | 1:16:43 | 1:16:46 | |
'There's nothing simple about it.' | 1:16:48 | 1:16:51 | |
If I nail every beat, it'll be one of the best sets anyone's ever done. | 1:16:51 | 1:16:54 | |
AUDIENCE APPLAUD | 1:16:54 | 1:16:56 | |
MUSIC STARTS | 1:17:02 | 1:17:05 | |
CHEERING AND APPLAUSE | 1:18:35 | 1:18:38 | |
He made me cry. It was the best set I have ever seen. | 1:18:55 | 1:18:58 | |
Oh, thank you very much, thank you. Thank you. | 1:18:58 | 1:19:01 | |
Absolutely a masterpiece. | 1:19:01 | 1:19:03 | |
I was actually starting to cry. Look at me! | 1:19:03 | 1:19:05 | |
Brilliant. Brilliant... | 1:19:12 | 1:19:14 | |
Hopefully, hopefully. | 1:19:15 | 1:19:18 | |
You set the pace for the competition and they've to live up to it. | 1:19:45 | 1:19:48 | |
Everything you've got, baby. All right, love you. | 1:19:48 | 1:19:51 | |
'Ladies and gentlemen, | 1:19:54 | 1:19:56 | |
'we are ready to commence competition 31. | 1:19:56 | 1:20:00 | |
'Recall set dance.' | 1:20:00 | 1:20:01 | |
-Do you have to go up? -Yeah... Good luck. | 1:20:04 | 1:20:08 | |
APPLAUSE | 1:20:08 | 1:20:10 | |
'Competitor 121, | 1:20:24 | 1:20:26 | |
'dancing the Three Sea Captains.' | 1:20:26 | 1:20:29 | |
MUSIC PLAYS | 1:20:29 | 1:20:30 | |
APPLAUSE | 1:20:52 | 1:20:54 | |
THEY LAUGH | 1:20:57 | 1:20:59 | |
SHE WHISPERS | 1:21:00 | 1:21:02 | |
'Let's be fair to all the competitors | 1:21:02 | 1:21:04 | |
'and the judges, who are concentrating and focusing.' | 1:21:04 | 1:21:08 | |
'Competitor number 177, | 1:21:27 | 1:21:30 | |
'dancing Drunken Gauger, speed 69.' | 1:21:30 | 1:21:34 | |
MUSIC STARTS | 1:21:50 | 1:21:52 | |
CHEERING AND APPLAUSE | 1:22:20 | 1:22:22 | |
Gorgeous, absolutely gorgeous. | 1:22:24 | 1:22:26 | |
It was gorgeous. | 1:22:31 | 1:22:33 | |
-(Was it on time?) -It was perfectly on time. | 1:22:33 | 1:22:36 | |
'Now the result of girls 10 to 11 years. | 1:22:40 | 1:22:44 | |
'115, 84... | 1:22:44 | 1:22:47 | |
'116, | 1:22:47 | 1:22:49 | |
'111.5... | 1:22:49 | 1:22:52 | |
'121, 373...' | 1:22:52 | 1:22:56 | |
(Yes, I'm winning!) | 1:22:56 | 1:22:57 | |
'..172, 86.5... | 1:22:57 | 1:23:01 | |
'174, 231... | 1:23:01 | 1:23:06 | |
'177, 312.5... | 1:23:06 | 1:23:10 | |
'..179, 72... | 1:23:12 | 1:23:15 | |
'203, 120.2... | 1:23:15 | 1:23:21 | |
-'And now from the top...' -Never mind, babe. | 1:23:22 | 1:23:25 | |
'..round two.' | 1:23:25 | 1:23:26 | |
It's OK... | 1:23:26 | 1:23:27 | |
'62.5... | 1:23:30 | 1:23:32 | |
'377.33... | 1:23:34 | 1:23:39 | |
'206.5... | 1:23:39 | 1:23:43 | |
'123... | 1:23:43 | 1:23:46 | |
'80.5... | 1:23:46 | 1:23:49 | |
'61.5...' | 1:23:49 | 1:23:52 | |
-(What's she going to give me?) -373. | 1:23:52 | 1:23:54 | |
-'..270...' -377. | 1:23:54 | 1:23:57 | |
'340.5...' | 1:23:58 | 1:24:03 | |
(My god, I'm first!) | 1:24:03 | 1:24:05 | |
'..238... | 1:24:05 | 1:24:08 | |
'108.5... | 1:24:08 | 1:24:11 | |
'35... | 1:24:11 | 1:24:13 | |
'186...' | 1:24:13 | 1:24:15 | |
(Yes!) | 1:24:15 | 1:24:16 | |
'And now round three from the top. | 1:24:18 | 1:24:22 | |
'191... | 1:24:23 | 1:24:25 | |
'..91... | 1:24:26 | 1:24:27 | |
'..128... | 1:24:28 | 1:24:29 | |
'..114.5... | 1:24:31 | 1:24:34 | |
'373.75...' | 1:24:34 | 1:24:38 | |
(Yes!) | 1:24:38 | 1:24:40 | |
'..291... | 1:24:40 | 1:24:41 | |
'160.5... | 1:24:41 | 1:24:45 | |
'191.25... | 1:24:45 | 1:24:50 | |
'196... | 1:24:50 | 1:24:51 | |
'..69.5...' | 1:24:53 | 1:24:55 | |
Well done! | 1:24:55 | 1:24:57 | |
'..236.5... | 1:24:57 | 1:25:00 | |
'273.5... | 1:25:00 | 1:25:04 | |
'440...' | 1:25:04 | 1:25:07 | |
Well done! | 1:25:07 | 1:25:09 | |
'..271.5... | 1:25:10 | 1:25:13 | |
'..179... | 1:25:15 | 1:25:16 | |
'..277.5... | 1:25:18 | 1:25:20 | |
'..236... | 1:25:22 | 1:25:23 | |
'..84.5... | 1:25:25 | 1:25:28 | |
'119 and 204... | 1:25:28 | 1:25:34 | |
It's OK. You're either first or second. | 1:25:37 | 1:25:40 | |
Do you know how good that is? | 1:25:40 | 1:25:42 | |
'..294.5... | 1:25:43 | 1:25:47 | |
'318.5... | 1:25:47 | 1:25:50 | |
'1124.08... | 1:25:50 | 1:25:54 | |
'..749.5... | 1:25:57 | 1:26:01 | |
'364... | 1:26:01 | 1:26:03 | |
'287... | 1:26:03 | 1:26:05 | |
'487.5... | 1:26:05 | 1:26:09 | |
'282... | 1:26:09 | 1:26:13 | |
'410... | 1:26:13 | 1:26:16 | |
'497... | 1:26:16 | 1:26:18 | |
'302... | 1:26:18 | 1:26:20 | |
'271.5... | 1:26:20 | 1:26:23 | |
'774.5... | 1:26:23 | 1:26:29 | |
'1093...' | 1:26:29 | 1:26:30 | |
SHE SCREAMS | 1:26:30 | 1:26:32 | |
You're second. | 1:26:34 | 1:26:35 | |
They're over the moon over there. | 1:26:37 | 1:26:40 | |
SHE SOBS | 1:26:40 | 1:26:41 | |
CHEERING AND APPLAUSE | 1:27:05 | 1:27:08 | |
'In first place, competitor 121.' | 1:27:12 | 1:27:14 | |
Congratulations. | 1:27:14 | 1:27:16 | |
SCREAMING AND APPLAUSE | 1:27:16 | 1:27:19 | |
'Second place, 177.' | 1:27:19 | 1:27:22 | |
CHEERING AND APPLAUSE | 1:27:22 | 1:27:24 | |
-Woo! -Woo! -Wah! | 1:27:30 | 1:27:32 | |
I did it. | 1:27:33 | 1:27:35 | |
I'm so happy. | 1:27:35 | 1:27:36 | |
Thank you. Congratulations. You too. | 1:27:43 | 1:27:46 | |
-Well done. -Thank you. You too. I'm so happy. | 1:27:53 | 1:27:56 | |
I wasn't expecting it. I thought you were going to win. | 1:27:56 | 1:27:59 | |
MUSIC DROWNS SPEECH | 1:27:59 | 1:28:00 | |
This is my little wish calendar, | 1:28:38 | 1:28:41 | |
which I write down all my expectations for each month. | 1:28:41 | 1:28:44 | |
So, March I wrote, "The big month". | 1:28:44 | 1:28:47 | |
I said, "I really hope I win the Worlds this year. | 1:28:47 | 1:28:50 | |
"I've been under so much stress and hard work | 1:28:50 | 1:28:52 | |
"and I would really like this title." | 1:28:52 | 1:28:55 | |
I do really want it, but I don't mind if I don't get it. | 1:28:55 | 1:28:57 | |
They're just my own wee wishes in my own wee world. | 1:28:57 | 1:29:01 | |
'In first place we have competitor 121, | 1:29:04 | 1:29:08 | |
'Julia O'Rourke, Petri School, New York, USA.' | 1:29:08 | 1:29:12 | |
APPLAUSE | 1:29:12 | 1:29:14 | |
'In second place, | 1:29:20 | 1:29:22 | |
'let's hear it for competitor 177. | 1:29:22 | 1:29:26 | |
'Brogan McCay, McConomy School Derry, Northern Ireland.' | 1:29:26 | 1:29:30 | |
APPLAUSE | 1:29:30 | 1:29:31 | |
Subtitles by Red Bee Media Ltd | 1:29:50 | 1:29:53 | |
E-mail [email protected] | 1:29:53 | 1:29:56 |