Night on Film: An A-Z of the Dark


Night on Film: An A-Z of the Dark

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Transcript


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I'm off now in search of a denizen of darkness.

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CAT MIAOWS

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Being a night watchman,

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it's amazing the thoughts that pass through your mind.

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It is dark and gloomy out at night. It is dull and black and scary.

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Wee Willie Winkie runs through the town.

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Upstairs and downstairs, in his night gown.

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Tapping at the window, crying through the lock.

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Are the children in their beds? It's 7 o'clock.

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Wee Willie Winkie in this rhyme hadn't heard of our summer time,

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but really thoughtful parents know, children must sleep a lot to grow.

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Although there's daylight till eleven,

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they should be in their beds by seven.

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Sleepy eyes and dragging feet spoil the finish of a treat.

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So parents kind, remember do,

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your children's health depends on you.

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When Wee Willie Winkie calls on you at night,

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Have the children in their beds, and tucked up tight.

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Every night when I go to sleep I have cheese for supper,

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and then it makes me dream because it lies on my chest.

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How do you know it's the cheese that does it?

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Because that's the only time I get nightmares.

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How do you think cheese can make you dream?

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Don't know.

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-Do you stop eating cheese?

-No.

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Why not?

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Because my mum doesn't cook anything else,

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except cheese on toast at night.

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It's the latest answer to insomnia,

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invented by three electronics engineers at Ruislip, Middlesex.

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An electronic teddy bear.

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From a box of electronic tricks still on the secrets list,

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air is pumped into it at the normal breathing rate of a human being,

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ten to 12 breaths a minute.

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The effect is to provide a cuddlesome toy

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whose rhythmically rising and falling chest

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helps slow your breathing rate down

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to the relaxed and steady rate of sleep.

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Three-year-old Russell Fairbrass, son of one of the three inventors,

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finds it easier than counting sheep

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after a hectic session in the playpen.

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Only air is pumped in, so there's no danger of electric shocks.

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In fact, members of the medical profession

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predict a great future for the idea

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with invalids and elderly people as well as children.

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Not only sheep-counting, but drug-taking may on the way out now,

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thanks to the electronic teddy bear.

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BELLS RING

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Our night is their day, the time when they feed and fight and mate,

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and live out lives which we never see.

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High in the belfry, the first night animals start to stir.

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By human standards, bats are upside-down creatures.

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Not only do they hang by their feet,

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they are active solely during the hours of darkness.

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They monitor their world with ears, not eyes.

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As dusk falls, they take to the wing.

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They're flying now all around my head.

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This cave, this particular part of it...

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make -

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the ammonia is really quite choking -

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makes a very perfect place for a home.

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This great dune is not a dune of sand.

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It's a dune of guano, of animal droppings of one kind and another.

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The entire surface of it

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is covered with a glistening, moving carpet of cockroaches.

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It's an extraordinary example of how prolific

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this part of Borneo can be,

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that it can support all this enormous colony of bats,

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and a huge demonstration, as impressive as I could imagine,

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of what a marvellous place

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some animals think a cave is in which to live.

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We found a colony of a different sort of bats.

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The giant fruit bat or flying fox.

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And here is one of these fruit bats, and with him is Mr Dolby,

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from the London Zoo, who looks after him.

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Come on. How long have you had this one, Mr Dolby?

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This particular one we've had for the last nine year.

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-So they obviously do very well.

-Very well indeed in captivity.

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Shall we just hang him up? Flop over.

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That's fine!

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Now we'll turn him round so that people can see his face.

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Because a very foxy-looking face. So, just by a bit of... Whoops!

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..television trickery, to show you how foxy he is,

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we will turn him upside down.

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And now you can see what he looks like

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if he were the right way up, like any normal mammal.

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Well, I think he's very nice, although actually,

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-I wouldn't keep him as a pet.

-Why?

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He's got a bit of a smell on him.

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A lot of people say so, but I think that really applies to

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only the animal that's really run down.

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-Yes, it certainly...

-It's pretty, really.

-Well, yes, I suppose so.

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Every man to his taste. I'll let you keep him, I think.

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Step in and see how, for the last quarter of a century,

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your coal was won.

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And how it is still won

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at two-thirds of the coal faces of Britain,

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24 hours round the clock.

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There's a comradeship there which I can't really define, you know.

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But it's there, you can feel it. You know.

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You feel a confidence in your fellow workers.

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-Hell, what a driver.

-I bet you a dollar it's Albert.

-I bet it is.

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What's it like?

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Everybody's the same, down the pit.

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You work with just a certain few men,

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and you work with them all the while, probably, for years in my case.

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You get to know these men, you talk about your home life

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and your social lives and that.

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And you're in a little world on your own.

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It's a dirty job. We all know that.

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I mean, you can't sit and eat your snap in the canteen or anything,

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you've got to sit and eat it where you are with dirty hands

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and all that sort of thing.

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No toilets, nothing like that.

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So I think myself, it's a pretty dirty job.

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You've got to make a seat out of anything that's lying around.

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You haven't got chairs or anything to sit on.

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You just pick a piece of wood up and put it down,

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you just sit there, everyone just sits around while they're eating,

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having a bit of chat, and carrying on and joking.

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Right, chaps, knock off!

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Don McCullin is one of the world's most celebrated photographers.

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For the last 20 years,

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his photo essays have been a regular feature of our Sunday newspapers.

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I like to shoot pictures at night times and dusk

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because I think they have much more impact.

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And I feel that the whole thing is much more fiery and exciting,

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as opposed to sunshine, which I hate to shoot in.

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I do my own printing, because I can keep control of the whole thing.

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And I started off thinking my prints were like nobody else's prints.

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And I waste a lot of paper, I know,

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but when I'm printing in the darkroom, I just...

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my hand reaches out for paper and I expect it to be there.

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I'm just like a kind of glutton of a schoolboy with sweets,

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I don't care until the last one is gone

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and then I realise the last one is gone.

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There's no more paper, I've got to stop printing.

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But I think I can say that nobody can squeeze any more

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from a negative than what I've done, by the time I print it.

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And then sometimes I finish when it's dawn,

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and my hands are numb with the freezing cold water

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that you have to keep using.

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I know there's no turning back,

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I know there's no other occupation that I could settle down in.

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If I had to stop photography, for some reason or other,

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I just don't know what the hell I'd do with myself.

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I'm just no good at anything else in the world but taking pictures.

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Mr Edison's best-known invention is, of course, the gramophone,

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but his discovery of the electric light bulb

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literally revolutionised the illumination of the world.

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The electrons bump the atoms, and make the filament first red hot

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and then white hot.

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Now let's see how these bulbs are manufactured.

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This central stem is now complete and moves on to the next stage.

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Here, the bulbs are introduced.

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And they are placed over the filament stems.

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Later on, the bulbs are sealed off and after testing,

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they'll be ready for use.

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Gerry Holmes prefers 40 watts.

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He finds 60 is a bit too sharp for his palate.

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Our cameraman in Sydney accepted his invitation to dinner,

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but declined to share the meal.

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The mole.

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Surprisingly common, yet hardly ever seen.

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In a private system of tunnels, the mole follows a secret life,

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spent in total darkness under the ground.

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Under this beech canopy,

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there are several families of badgers

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living in a complex of setts.

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We sat well away from the sett in a caravan.

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In the knowledge that we might see a complete family

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emerging from their sett to go about their nightly business.

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Or that we might see nothing at all.

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What we're doing out there

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is throwing infrared light onto our badger sett.

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You can see the light just up there in the top left-hand corner.

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Our cameras react to it and give us these pictures in the dark,

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and there is a badger.

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That is the first television picture, live, of a badger,

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ever seen on television through this unique system.

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And doing the watching and waiting with me are Phil Drabble,

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who a lot of you will know, and Chris Cheeseman,

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who's a zoologist with us.

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-Marvellous, isn't it, Phil?

-Absolutely marvellous.

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I'd rather have a night's badger watching than a week's holiday.

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You can come for hours and hours and see nothing at all,

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and suddenly out of the blue,

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you get a badger come out like this, completely at ease.

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The wild red fox. Nocturnal and elusive.

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After a thousand night-long vigils,

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stalking with infrared binoculars in pursuit of a quarry

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of such legendary cunning, tonight, I'm in luck.

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I've trapped a fox and I've got to move fast.

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Hello, Jenny. Yeah, I've got one.

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'My wife Jenny is used to being got out of bed at three in the morning.

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'She has a touch of flu but, even so, the fox must come first.'

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Come on, son.

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Hold the sack open.

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There we are, lovely boy.

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'I have to take care for, understandably,

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'the fox attaches low priority to the wellbeing of my fingers.'

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Yeah, get him in.

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Have you got his mouth?

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-Have you got him?

-Yeah, I've got him.

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'Fortunately, the rather crude but effective anaesthetic

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'will blur any memory of the incident.

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'Attached to this collar is a miniature radio

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'weighing only a few ounces.

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'It transmits continuous signals

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'that I can follow around the countryside.'

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There we go, son. It's all over.

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There we are. Come on. There we are.

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Shrews.

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The young have their own particular way of ensuring they don't get lost.

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There are still 2,000 gas lamps in the London area

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but the 102 here in the Temple are the only ones

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turned on by the paraffin torch of a lamplighter.

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It adds a touch of old world elegance

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to an area already full of tradition.

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# He made the night a little brighter

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# Wherever he would go

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# The old lamplighter

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# Of long, long ago

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# His snowy hair was so much whiter

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# Beneath the candle glow

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# The old lamplighter

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# Of long, long ago. #

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'But the traditional image of the lamplighter -

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'a little old man with snowy hair -

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'doesn't exactly fit Ivan Ramnoth.

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'He was an insurance underwriter in Guyana

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'and had never seen a gas lamp until he emigrated to England.'

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-And how long have you been doing it?

-16 years now.

-Every day for 16 years?

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Every day of the year, yes, unless I'm ill.

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-How do you manage holidays?

-Someone else has to do it then.

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Are you going to do this until you're old enough to retire?

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Yes, I'm accustomed to the job, I like the job

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and I shall continue until it's time to retire.

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# The old lamplighter

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-# Of long, long ago.

-#

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Halloween, the bewitching eve,

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when any hobgoblin worth his salt

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is up to all sorts of magical mischief.

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When people a long time dead, they say, return to their old haunts.

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She's a Halloween witch.

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I wonder if you can guess what she's made out of.

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Her face is, in fact, a plastic lemon

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and this very witch-like looking hair is the top of a mop.

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You need a plastic lemon.

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Make a small hole big enough to push through the end of a dish mop.

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Tiny little bits of sticky-backed plastic.

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Yes, I've just about got them in the right place.

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Draw the shape of the arms and the skirt.

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And the hands are made with felt again.

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Put a little bit of glue round here and just inside the dress.

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And there you are, you've got your witch.

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And you can make a wizard as well. You make it exactly the same way.

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Instead of a broomstick, you've got a wand. There you are.

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"Hello, cast a spell again. Ha-ha! I won! I won!"

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-Tell us how long you sleep every day.

-An average of an hour a night.

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What do you do with your spare time?

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I'm always writing or reading or painting or sewing

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or knitting or crocheting.

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-Do you not feel tired?

-No, I never feel tired.

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I have been sleeping for 15 minutes a night maximum

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since I was about 16 years old.

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Over 30 years now.

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I don't need sleep. I don't like sleeping.

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And even the 15 minutes I sleep now I rather begrudge.

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If you take into account my inability to sleep,

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and most people would call that a horrifying thought,

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to me it's a wonderful thought.

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It means I get two whole lives to everybody's one.

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This has had a tremendous affect on my life, this non-sleeping.

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I mean, I was operating during the war. I was flying.

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I was always able to wake the crews up in my squadron,

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any time they needed to be woken up.

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Two, three, four in the morning, it didn't matter.

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Would you like to sleep like other people for eight hours a day?

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Well, it would...

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..it would be cheaper because I have to burn electricity during the night.

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That's the only reason. No, I don't see any reason to want to sleep.

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I think it's a frightful waste of time.

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JAZZ MUSIC PLAYS

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London's rhythm enthusiasts of all ages put on their zoot suits

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and go to town.

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To be precise, Oxford Street.

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A normally sedate restaurant surrenders its dignity

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to the excitement of the dancers and the music of Humphrey Lyttelton.

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JAZZ MUSIC PLAYS

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It's good fun and good exercise.

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Rhythm is the only stimulus as drinks are strictly non-alcoholic.

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Mid evening, and the known world of the youth club and the pub

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and the cafe and the cinema is in full swing.

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# Me and my brother was going to town

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# Sing away ladies, sing away

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# Riding a billy goat and leading a hound

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# Sing away ladies, sing away

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# Hound dog bark, billy goat jump... #

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# Don't you rock me, daddy-o, don't you rock me, daddy-o

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# Don't you rock me, daddy-o, don't you rock me, daddy-o. #

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LOUD KNOCKS

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DOG BARKS

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Nearly morning. It's gone colder.

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Already the knocker-up is moving briskly down the streets,

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rattling on the windows of his sleeping customers.

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I asked him why the knocker-up still flourished.

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After all, I said, there are plenty of alarm clocks.

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Oh, there's plenty of alarm clocks,

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but they don't trust them, that's all.

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An alarm clock is not a human being. An alarm clock can break down.

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-But you can break down too.

-Ah, but if I break down, I have my brother.

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The night of the harvest moon.

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The fat silver moon that shines on the golden fields of September

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and illuminates the mysterious activities

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of people who move in the night.

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People like this, setting out on some dark business

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which has led them to the banks of a West Country chalk stream.

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We're keeping up an old country tradition

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by going out on the night of the harvest moon

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in search of fresh water crayfish.

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The nets are swung into the water on a forked stick

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and left there lying on the bottom, long enough, so it's said,

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for a man to drink a pint of beer in comfort.

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Then it's only a matter of filling the bucket.

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Having caught your crayfish,

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the country custom on the night of the harvest moon is to have a feast.

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Crayfish with the traditional accompaniments of hot parsley sauce,

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home-made bread, farmed butter and kegs of cider

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are followed by creamy Cheddar cheese.

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And that's the proper way to cook them -

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in an iron fish kettle of salted water over a camp fire in the open.

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I believe that this nation should commit itself

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to achieving the goal, before this decade is out,

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of landing a man on the moon and returning him safely to the Earth.

0:26:200:26:23

I think that each one of us carries his own impression

0:26:270:26:30

of what he's seen today.

0:26:300:26:32

I know my own impression is that it's a vast, lonely,

0:26:320:26:38

forbidding expanse of nothing.

0:26:380:26:40

-Well, Patrick Moore, what did you think of that?

-Quite incredible.

0:26:400:26:44

One thing we've got to bear in mind, they were magnificent pictures.

0:26:440:26:48

I'm not going to say they show more detail than the orbiters,

0:26:480:26:51

but people were seeing them direct for the first time,

0:26:510:26:54

this was bound to add to our knowledge.

0:26:540:26:56

-'OK, engines stopped. We've had shut down.

-We copy you down, Eagle.

0:26:580:27:02

'Tranquility Base here. The Eagle has landed.'

0:27:020:27:05

THEY CHEER

0:27:050:27:07

# I was strolling on the moon one day

0:27:080:27:12

# In the merry, merry month of December. #

0:27:120:27:16

-No, May.

-May, that's right.

0:27:160:27:19

This is perfect with the rover and you and the old flag.

0:27:220:27:27

Oh, this is going to be some kind of different ride.

0:27:310:27:34

# Night clubbing, night clubbing

0:27:540:28:00

# We're what's happening. #

0:28:000:28:05

-There's a tiny one around here somewhere.

-A tiny one?

0:28:050:28:09

-Is that an official name?

-A micro.

-Oh, a micro. I've heard of them.

0:28:090:28:14

-They're unidentifiable.

-That's right, yes.

0:28:140:28:17

-Troublesome one.

-That's a Powdered Quaker.

0:28:170:28:20

A Powdered Quaker, get that for a name.

0:28:200:28:23

A lot of these names, Victorian clergy named these moths

0:28:230:28:27

and, of course, some of the names are absolutely gorgeous.

0:28:270:28:30

-Lots of Quakers.

-Lots of Quakers.

0:28:300:28:33

And things like the Hebrew Character.

0:28:330:28:35

-There's even a True Lover's Knot.

-True Lover's Knot?

0:28:350:28:40

Was that a vicar's? I don't think a vicar named that one. Surely not.

0:28:400:28:43

-Ooh, what's this?

-This is one called a Great Prominent. It's very worn.

0:28:450:28:49

-You see the edges of the wings?

-Yes, I do.

0:28:490:28:52

-Does that mean it's old or what?

-Been out quite a long time, yeah.

0:28:520:28:55

-And what would be old for a moth?

-One of these, a matter of weeks.

0:28:550:28:59

Not more than five weeks.

0:28:590:29:01

-Some overwinter, as adults, they actually hibernate.

-Yeah.

0:29:010:29:04

So they last several months,

0:29:040:29:06

but the majority of them it's just a matter of a few weeks.

0:29:060:29:09

Really? That's sad, that, isn't it?

0:29:090:29:11

For more than two million people in this country,

0:29:290:29:32

night work is a matter of necessity.

0:29:320:29:35

In steel towns like Sheffield and Rotherham,

0:29:350:29:37

there is a century-old tradition of working round the clock.

0:29:370:29:40

Men and their families have accepted for generations

0:29:400:29:43

that this is the way wages are earned here.

0:29:430:29:46

That it's night work that pays the rent

0:29:460:29:49

and leaves a bit over for the HP on the television.

0:29:490:29:51

Now more and more industries demand continuous working,

0:29:510:29:55

need round-the-clock production.

0:29:550:29:57

Machinery is too expensive to lie idle while men lie in bed.

0:29:570:30:02

The answer - more night people.

0:30:020:30:05

The problem - how to turn your life upside down without ill effect.

0:30:050:30:08

I start at ten o'clock at night and finish at seven in the morning.

0:30:150:30:19

Seven days on and seven off. There's floor polishing,

0:30:190:30:24

damp dusting, mopping, vaccing, sinks.

0:30:240:30:29

Besides cleaning vomit and blood and whatever else falls there

0:30:290:30:34

on the floor!

0:30:340:30:36

A woollen mill,

0:30:370:30:40

and these men working through the night are rat-catchers.

0:30:400:30:43

He's here. Skiddle-up!

0:30:570:30:58

Grab him, grab him. That's it. Finish him off, you lot.

0:31:010:31:06

Aye, she's done him.

0:31:060:31:07

I don't think I am supposed to really, in my contract, mop it up.

0:31:070:31:12

I think nursing staff's supposed to clean it,

0:31:120:31:14

but the simple reason, a domestic's on there to clean,

0:31:140:31:19

so, if I aren't there to clean blood up,

0:31:190:31:22

it's a waste of time me being there anyway.

0:31:220:31:26

So we all work as a team on there.

0:31:260:31:28

Nothing goes without one another so I automatically do it.

0:31:280:31:32

You've got to do all your shunting on a night time,

0:31:440:31:47

when your long haul's on a night time with the flight times,

0:31:470:31:51

to get them through, you see.

0:31:510:31:52

On its own, 12.

0:31:550:31:58

You know, being a night watchman,

0:32:080:32:12

it's amazing the thoughts that pass through your mind

0:32:120:32:15

here alone in the factory at night.

0:32:150:32:18

Sometimes I think the factory is like a huge ship.

0:32:230:32:29

A great golden ship rushing through the night,

0:32:290:32:33

and I, inside in safety.

0:32:330:32:36

I like coming. I like nights. It's quieter, for me.

0:32:390:32:42

I see more of the kids than what I did when I worked days.

0:32:440:32:48

You're your own boss. You've got to work on your own initiative.

0:32:480:32:52

I like that.

0:32:520:32:54

OWL HOOTS

0:32:570:32:59

CHILD: The wind is whistling through the tree tops.

0:33:200:33:23

I hear the hooting of an owl high up in the tree tops.

0:33:270:33:33

It is dark and gloomy out at night.

0:33:370:33:39

It is dull and black and scary.

0:33:390:33:44

A very ordinary-looking council house, but don't be deceived.

0:34:400:34:43

When night falls and the moon is bright, it takes on an evil air.

0:34:430:34:48

It's inhabited by a lady in white, a nun,

0:34:480:34:51

and a tall man in a black cape with a gold choker.

0:34:510:34:55

The householder, Mrs Joyce Bowles,

0:34:550:34:57

gets so nervy that she sleeps with her friend Bridget

0:34:570:35:00

when her husband is away working nights on the railway.

0:35:000:35:05

Bridget's willingly demonstrated some of the ghosts' antics.

0:35:050:35:09

This thing starts creaking.

0:35:090:35:12

I didn't know what it was in the beginning, but I worked out

0:35:120:35:16

it's the door trying to open, which it eventually does, like this.

0:35:160:35:21

And then it starts moving like this,

0:35:210:35:26

and these things fly out.

0:35:260:35:27

It must be very frightening?

0:35:310:35:33

Well, it was in the beginning but I got used to it.

0:35:330:35:36

After a while, they take off.

0:35:360:35:39

I mean, I can be laying in bed and I'm touched.

0:35:410:35:44

Something just comes up and touches me with their hands.

0:35:440:35:48

-Touches you?

-It touches me as though they're trying to wake me up.

0:35:480:35:52

So then one night, or several nights running it happened,

0:35:520:35:56

that Joyce says, "Bridget!"

0:35:560:36:00

And I look across and this mattress lifts itself up

0:36:000:36:03

and tilts Joyce towards me which is rather alarming.

0:36:030:36:07

I have slung my leg and one arm across trying to hold it down,

0:36:070:36:11

which is quite a job.

0:36:110:36:13

After that, we hear seven knocks.

0:36:130:36:15

SHE KNOCKS

0:36:150:36:16

-Seven knocks?

-Always seven, which means it's the end of it.

0:36:160:36:20

One night I got out of bed and got back in, and all of a sudden

0:36:200:36:25

this heavy breathing started and it sort of went...

0:36:250:36:27

SHE BREATHES HEAVILY

0:36:270:36:30

You see?

0:36:300:36:31

And the next thing I noticed was a rustling,

0:36:310:36:35

something settling on my head.

0:36:350:36:37

And Joyce must have looked up and she said, "Oh, my dolly!"

0:36:370:36:41

And this one had flown from here and settled on my head.

0:36:410:36:47

Does it frighten you?

0:36:470:36:48

How do you feel about all these guests in your house?

0:36:480:36:51

Well, I'm not going to say I'm never afraid, because I am.

0:36:510:36:56

But I have been told that wherever I move, it can move with me.

0:36:560:37:00

-So there's no point getting out of the house?

-No.

0:37:000:37:02

Where the nun fits into the picture nobody seems to know.

0:37:020:37:06

And why the ghost should wish to interfere with

0:37:060:37:08

Mrs Bowles' bedside cabinet in her 1919 council house

0:37:080:37:13

is anybody's guess.

0:37:130:37:14

I'm off now in search of a denizen of darkness.

0:37:240:37:31

Somewhere underneath the bushes,

0:37:310:37:33

the old slug hunter is lurking.

0:37:330:37:37

'The hedgehog is still very much a creature of the night

0:37:390:37:43

'but it's too big to hide in the leaf litter.

0:37:430:37:45

'That makes it vulnerable to attack from animals like foxes.

0:37:450:37:50

'To make up for this, its hairs have become a cloak of prickles.'

0:37:500:37:54

And if it thinks it's in real danger, it's got a special trick.

0:37:580:38:03

'The hedgehog will stay an impregnable spiny ball like this

0:38:090:38:14

'until it decides that danger has passed.'

0:38:140:38:17

How many prickles does a hedgehog have?

0:38:260:38:29

That's not a riddle. I mean it. How many?

0:38:290:38:33

6,000. I mean, not exactly, but about 6,000.

0:38:330:38:40

And they change them over a period of 18 months. Not all at once of course.

0:38:400:38:45

You can't have bald hedgehogs running around, can you?

0:38:450:38:49

'But one thing is guaranteed to make a male hedgehog drop his guard.

0:38:490:38:53

'The promise of an amorous liaison.

0:38:530:38:56

'If you're outside on a spring evening,

0:38:580:39:01

'you may be lucky enough to witness an extraordinary sight.'

0:39:010:39:05

You might think that having a coat of spines on your back

0:39:210:39:25

would be something of a handicap

0:39:250:39:27

when it comes to the intimacies of courtship, and indeed,

0:39:270:39:31

classical naturalists thought that hedgehogs actually mated

0:39:310:39:36

belly to belly.

0:39:360:39:38

'But it does seem that the old joke that asks,

0:39:380:39:41

'"How do hedgehogs mate?" was right all along.

0:39:410:39:44

'The answer is, of course, with great care.'

0:39:440:39:47

Something we see almost every day yet rarely notice until it's dark.

0:39:510:39:55

So small, we pass over it without a thought.

0:39:550:39:57

Percy Shaw invented the cat's eye.

0:39:570:40:00

Who'd have thought of putting glass in the road to run over,

0:40:050:40:09

-40 years ago? Eh?

-Well, you did, didn't you?

0:40:090:40:13

Well, I gave them plenty of protection.

0:40:130:40:16

One night, driving back in the dark and fog,

0:40:160:40:19

after he'd had a few, let's be honest,

0:40:190:40:21

he noticed two little points of light in the road

0:40:210:40:24

and he stopped to see what they were.

0:40:240:40:27

He quickly realised it must have just been a cat,

0:40:270:40:30

but he also realised that, if he hadn't stopped,

0:40:300:40:33

he'd have driven off the edge and into a valley.

0:40:330:40:36

That was his eureka moment.

0:40:360:40:38

And this was the result.

0:40:420:40:44

And it's genius, frankly.

0:40:440:40:47

Not only does it light the road ahead, it also maintains itself.

0:41:020:41:07

This base bit, that's a piece of cast iron,

0:41:070:41:09

that will essentially last forever.

0:41:090:41:11

The eyes themselves are fitted into this easily replaced rubber bit

0:41:110:41:16

and every time a vehicle drives over it,

0:41:160:41:18

the cat's eyes get a little wipe.

0:41:180:41:20

It's brilliant.

0:41:200:41:22

The starling, probably not most people's favourite bird.

0:41:530:41:57

A bit of a bully on the bird table,

0:41:590:42:01

and yet I reckon starlings are responsible

0:42:010:42:06

for one of the most mesmerising spectacles in the whole of nature.

0:42:060:42:12

I'd say there's at least 4,000 birds up there at the moment.

0:42:180:42:23

And still they keep coming.

0:42:230:42:26

I feel like I ought to be conducting them.

0:42:290:42:31

All together...

0:42:320:42:35

It's the shapes though.

0:42:360:42:38

I know it's the obvious thing to say,

0:42:380:42:41

but just watch how these shapes change.

0:42:410:42:44

And down they go. Cascading down.

0:43:050:43:10

The waterfall.

0:43:110:43:13

Who'd have thought it, eh?

0:43:350:43:37

If somebody said to me,

0:43:370:43:40

"What are the most memorable creatures you've seen?

0:43:400:43:43

"Is it lions, or sharks, or elephants...?"

0:43:430:43:47

And I'd say...starlings.

0:43:470:43:51

Just one little mushroom left.

0:43:530:43:57

Like a parachute, nearly all down.

0:43:570:44:00

The paraffin vaporises, goes up through into the burner head,

0:44:120:44:18

and comes out at the mantle as a vapour.

0:44:180:44:22

You simply light the vapour, and...

0:44:220:44:27

up the light comes, one big white ball of light.

0:44:270:44:31

I think to myself, hundreds of years ago,

0:44:430:44:46

all ship's masters saw that very same light,

0:44:460:44:48

from that very same lens, from those very same oil burners.

0:44:480:44:53

-Roger, time to get up.

-I don't mind.

-I'm still searching for fog.

-Yeah.

0:44:580:45:05

Bring up some testing charges when you come up, all right?

0:45:050:45:08

-OK, mate. On my way.

-Cheers.

0:45:080:45:11

Occasionally, when it's a wet and dirty, foggy night

0:45:180:45:23

and you're operating the fog signal,

0:45:230:45:25

this I do not like doing.

0:45:250:45:27

You're up on the lantern, all the watch,

0:45:270:45:31

especially of a middle watch.

0:45:310:45:33

As I said, it's thick fog, or misty rain,

0:45:330:45:36

you have to go round the gallery every ten minutes

0:45:360:45:40

and hang up your charges,

0:45:400:45:42

the rain running off the glazing, down the back of your neck,

0:45:420:45:46

you're feeling thoroughly wet through, cold,

0:45:460:45:50

this I do not enjoy doing.

0:45:500:45:51

CLOCK DINGS

0:45:510:45:54

LOUD BANG

0:45:540:45:56

But it's got to be done.

0:45:570:46:00

There again, I feel a slight sense of achievement.

0:46:000:46:03

I think to myself,

0:46:030:46:05

"Well, if I hadn't done this, a ship might come in pretty close,

0:46:050:46:08

"and hit the rocks

0:46:080:46:10

"if it hadn't been for me operating that signal and warning him

0:46:100:46:14

-"that we're here."

-CLOCK DINGS

0:46:140:46:15

LOUD BANG

0:46:150:46:18

My wife has often asked me what it's like at Bishop.

0:46:180:46:22

I try to explain to her

0:46:220:46:24

but somehow, she says, "I don't understand."

0:46:240:46:26

I try to tell her that it's like home to me,

0:46:260:46:30

but she says, "Your home is here, not on the Bishop."

0:46:300:46:34

But it isn't really.

0:46:340:46:35

My home is on the Bishop.

0:46:350:46:37

After all, I spend two-thirds of the year here,

0:46:370:46:40

so obviously the Bishop is my home. It's got to be.

0:46:400:46:43

Some of the big gang boys. Look at 'em!

0:46:580:47:00

All done no good on last week's pools,

0:47:000:47:02

so they're back to heaving dirty big rails about in the tunnels.

0:47:020:47:05

Yes, while you're pressing the mattress

0:47:050:47:08

there's me and 1,119 others like me

0:47:080:47:10

hard at it, down the hole.

0:47:100:47:12

There's a lot of that in London's underground.

0:47:120:47:15

130 miles of hole.

0:47:150:47:16

And this is me in it.

0:47:160:47:18

Jack Bedwell. Section ganger on routine inspection.

0:47:180:47:22

Rails, cables, foreign bodies,

0:47:220:47:25

lights, brackets... the last nut and bolt.

0:47:250:47:28

-NEWSREEL ANNOUNCER:

-'They are the fluffers.

0:47:280:47:31

'The charladies of the underground.

0:47:310:47:34

'Into the cavernous blackness of the twisting tunnels,

0:47:340:47:37

'between the rails which link station to station,

0:47:370:47:40

'office to home, the fluffers march each midnight.

0:47:400:47:43

'While London dreams, knives and brush clean the lines

0:47:460:47:50

'that will carry tomorrow's traffic.

0:47:500:47:52

'Like glow worms,

0:47:520:47:53

'night by night the fluffers wash behind the ears of

0:47:530:47:57

'the 90 miles of London's tube track.

0:47:570:47:59

'Yes, these are the fluffers.

0:48:030:48:06

'People of another world

0:48:060:48:07

'who see the sunshine only for a fleeting hour each day.

0:48:070:48:11

Highgate Cemetery, officially opened in 1839,

0:48:200:48:24

was once described as the most beautiful resting place in London.

0:48:240:48:28

In the last few years,

0:48:280:48:29

vandals stalking around the overgrown tombs

0:48:290:48:33

have done over £9,000 worth of damage.

0:48:330:48:35

But to general foreman of the gravediggers,

0:48:350:48:37

William Law, who has worked here 23 years,

0:48:370:48:40

it's worsened an already harrowing job.

0:48:400:48:43

Down this part here,

0:48:430:48:44

there's two tombs broken into.

0:48:440:48:46

One on the left hand side here,

0:48:460:48:48

the doors were broken open,

0:48:480:48:50

the coffin was half pulled over, and a big iron stake

0:48:500:48:53

was stuck through, into the coffin.

0:48:530:48:56

These indications of a black ritualism at work

0:48:560:48:59

aroused the curiosity of Sean Manchester,

0:48:590:49:02

26-year-old president of the British Occult Society,

0:49:020:49:05

an organisation that practises the art of white magic,

0:49:050:49:08

the combat of evil.

0:49:080:49:10

Our first report indicated that there may be a vampire

0:49:110:49:16

in Highgate Cemetery.

0:49:160:49:18

A spectre was seen at that gate there,

0:49:190:49:22

appearing to come from here,

0:49:220:49:25

which leads to the catacombs.

0:49:250:49:27

A former associate of Mr Manchester,

0:49:270:49:30

Alan Farront, who used to own this tobacconist's shop in Highgate,

0:49:300:49:33

decided to pay a midnight visit to the cemetery

0:49:330:49:36

to combat the vampire once and for all.

0:49:360:49:38

He armed himself with a cross and stake

0:49:410:49:43

and crouched between the tombstones, waiting.

0:49:430:49:47

Have you ever seen this vampire?

0:49:480:49:50

I have seen it, yes.

0:49:500:49:52

I saw it last February, and I saw it on two occasions.

0:49:520:49:56

What was it like?

0:49:560:49:58

It took the form of a tall, grey figure,

0:49:580:50:01

about eight feet tall,

0:50:010:50:02

and it seemed to glide off the path without making any noise.

0:50:020:50:06

The only certain way of destroying an undead...

0:50:060:50:12

..is by driving a wooden stake, like the one I have here,

0:50:140:50:18

straight through the heart with one blow.

0:50:180:50:22

I think they're nutcases, actually. That's my opinion.

0:50:220:50:26

I've worked here all night long.

0:50:260:50:28

All day long, all night long - I've never seen nothing,

0:50:280:50:30

so I don't see why they should.

0:50:300:50:32

This time, when it started - this vampire business -

0:50:320:50:35

in the evening time, there's 100-odd people outside the gates

0:50:350:50:38

and they was all trying to climb over the walls

0:50:380:50:41

and one person said they saw a horrible grey thing

0:50:410:50:43

wriggling down the road. All this bloody nonsense.

0:50:430:50:46

The best thing to do,

0:50:460:50:47

if we could catch one of these people, to stop this nonsense, is to

0:50:470:50:52

put him in one of these tombs and leave him there all night.

0:50:520:50:54

See if in fact he can find a vampire.

0:50:540:50:56

Satan, get ye behind me and be gone from this place forever.

0:50:570:51:02

AIR RAID SIREN

0:51:030:51:07

EXPLOSIONS

0:51:070:51:11

Royal Air Force observers

0:51:110:51:13

tell us that the blackout in Britain at night is pretty good,

0:51:130:51:16

but in the morning it's not so good,

0:51:160:51:18

although it's every bit as important.

0:51:180:51:20

Take this house in the suburbs, the house of a well-known Mr Twerp.

0:51:200:51:24

He switches on a lamp when he wakes up,

0:51:240:51:26

forgetting that he removed the blackout before he went to sleep.

0:51:260:51:30

When he gets up, he wanders from room to room, reading the paper

0:51:300:51:33

and waking the butler

0:51:330:51:34

and one thing and another, and the result outside is simply appalling.

0:51:340:51:37

Mr and Mrs Twerp are particularly liable

0:51:370:51:39

to forget the back of the house.

0:51:390:51:41

A light from the kitchen can be seen in the sky

0:51:410:51:43

just as easily as one in the front.

0:51:430:51:45

Another point in the blackout occurs on the way to the office.

0:51:450:51:48

Mr Twerp decides to have a blackout on the old bike.

0:51:480:51:51

He forgets that because he can see,

0:51:510:51:53

he may not be visible to others until the last moment.

0:51:530:51:55

It's a good job we're not all Twerps, isn't it?

0:51:550:51:59

The lights blaze and dance. A city with her make-up on,

0:52:080:52:12

and in the side streets that criss-cross their devious ways

0:52:120:52:15

behind the arteries of light, and in the alleys

0:52:150:52:17

where the lamps are low, the clubs and the easy-money joints,

0:52:170:52:21

the fashionable nightspots, as proud of their respectability

0:52:210:52:25

as a girl of her first mink.

0:52:250:52:27

The all-night cafes and the nude shows.

0:52:270:52:30

Soho.

0:52:300:52:32

Life after dark with an enamelled gloss and the cracks showing,

0:52:320:52:36

garish, gay, avaricious and a little sleazy at the edges.

0:52:360:52:41

Don't copy this technique, girls,

0:52:470:52:49

unless you've got central heating in your bedroom.

0:52:490:52:52

-Are you ever nude when you're stripped? Completely nude?

-No, no.

0:52:540:52:58

-Never?

-No.

-Would you ever be?

-No, I don't think so, no.

0:52:580:53:02

Midnight.

0:53:020:53:04

Annette Wilson is 20 and a trained dancer,

0:53:040:53:07

but at 20, dancing doesn't pay as much as stripping.

0:53:070:53:11

She's married, works four clubs at once, does up to 50 shows a shift.

0:53:110:53:16

To keep her schedule, she runs from club to club in Soho,

0:53:160:53:19

dresses and undresses with the expediency

0:53:190:53:21

of a fireman answering an alarm.

0:53:210:53:24

2:00am and home to husband Colin,

0:53:270:53:30

a poet, painter and designer of Aztec jewellery.

0:53:300:53:34

-So why does she work, and why as a stripper?

-Um...

0:53:340:53:38

The money. You know?

0:53:380:53:40

Colin and I were broke and we were talking about it,

0:53:410:53:45

and since I can dance and I have a bit of ballet,

0:53:450:53:49

I just decided, well, you know, why not?

0:53:490:53:52

-Do you enjoy it?

-No.

0:53:520:53:54

It's a job,

0:53:550:53:57

and that's all. You know?

0:53:570:53:58

Then we cut a line to the centre.

0:54:030:54:07

And then bend it round, and that has to be stuck, then,

0:54:070:54:10

and covered in material.

0:54:100:54:12

Having done that, now we have an almost finished one.

0:54:120:54:17

All that's left to do is to make it stick to me.

0:54:170:54:21

Now, the way I usually do my tassels

0:54:230:54:27

is to start with them both going to the right,

0:54:270:54:30

so that way,

0:54:300:54:33

and then one at a time,

0:54:330:54:36

and then the other,

0:54:360:54:37

outside,

0:54:370:54:39

and then in reverse, with them both together.

0:54:390:54:41

It's the initial shoulder movement that starts them off, I find,

0:54:410:54:45

but it's rather difficult to explain. It just seems to happen.

0:54:450:54:48

That way.

0:54:510:54:52

CHEERING AND APPLAUSE

0:54:520:54:55

Hi!

0:54:550:54:56

# Come on, come on!

0:54:560:54:58

# Come on, come on!

0:54:580:55:00

# Come on, come on, come on... #

0:55:000:55:04

It's no good starting off too crude,

0:55:040:55:06

because women certainly don't like it crude.

0:55:060:55:10

CHEERING

0:55:190:55:22

If you didn't do the strip at the end of the evening, there's no way

0:55:290:55:33

you'd get out the door alive, and it's as easy as that.

0:55:330:55:36

# Do you wanna touch? Yeah! #

0:55:360:55:39

-SHE SQUEALS

-# Yeah, yeah... #

0:55:390:55:42

# Do you wanna touch? Yeah!

0:55:420:55:44

# Do you wanna touch? Yeah!

0:55:440:55:46

# Do you wanna touch... #

0:55:460:55:49

-CHANTING:

-Off! Off! Off! Off!

0:55:490:55:54

POLICE SIREN

0:55:550:55:58

Good morning, sir. Just a routine check.

0:56:100:56:12

-Can you tell me where you're going?

-The bakery. I'm going to work.

0:56:120:56:16

The first one comes in, puts the lights on, of course,

0:56:210:56:25

and puts the ovens on.

0:56:250:56:27

And then he puts the first mixing on,

0:56:290:56:32

which takes about 20 minutes to mix.

0:56:320:56:34

And then puts it through the machine,

0:57:000:57:02

in one-pound loaves and two-pound loaves.

0:57:020:57:05

And then by the time he's done that, the oven is up to its temperature

0:57:050:57:10

and then we can start baking.

0:57:100:57:12

Most of our customers, now, are used to...

0:57:210:57:24

When they buy it, it's still warm and fresh,

0:57:240:57:27

and still steaming a little bit.

0:57:270:57:29

People aren't so daft today, in that when they do buy things,

0:57:290:57:33

they like to feel them, and if they're not fresh,

0:57:330:57:36

they will complain about it,

0:57:360:57:37

so that's why we make ours fresh every day.

0:57:370:57:41

DOG BARKING

0:58:070:58:09

CAT MIAOWING

0:58:470:58:50

DOG BARKING

0:58:500:58:52

CRICKETS CHIRRUPING

0:58:530:58:55

FOOTSTEPS

0:58:550:58:58

OWL HOOTING

0:58:590:59:02

Subtitles by Red Bee Media Ltd

0:59:060:59:09

E-mail [email protected]

0:59:090:59:11

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