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Switch out, regions. | 0:00:02 | 0:00:03 | |
'This is the story of how we fell in love with the brave new world of regional telly.' | 0:00:03 | 0:00:10 | |
I launched into this new industry feet first. It was wonderful. | 0:00:10 | 0:00:14 | |
Nobody was there to tell you, you were doing it wrong. | 0:00:14 | 0:00:17 | |
-Anyway, this is Susan Hampshire. -My friends call me Lottie Tea Set. | 0:00:17 | 0:00:22 | |
-This is my little friend. -Who I hope is going to sing for us. | 0:00:22 | 0:00:26 | |
'After shaky beginnings, millions tuned in | 0:00:26 | 0:00:29 | |
'to see their world as never before | 0:00:29 | 0:00:32 | |
'and watch formats that broke the TV mould.' | 0:00:32 | 0:00:35 | |
I don't suppose you expected to see me on a rock 'n' roll programme. | 0:00:35 | 0:00:39 | |
'For more than 50 years, regional TV reported on local stories, | 0:00:39 | 0:00:43 | |
'and has been a launch pad to a new kind of fame.' | 0:00:43 | 0:00:47 | |
How often do you have a bath? | 0:00:47 | 0:00:50 | |
'Local stations built a bond with their viewers | 0:00:52 | 0:00:56 | |
'and placed them centre stage.' | 0:00:56 | 0:00:58 | |
-Do you think women should wear trousers? -No. | 0:00:58 | 0:01:00 | |
'As the BBC and ITV battled for ratings, | 0:01:00 | 0:01:04 | |
'how real was this portrayal of regional life?' | 0:01:04 | 0:01:07 | |
You could do anything in regional broadcasting. | 0:01:07 | 0:01:11 | |
The network centres were like Tesco. We were the corner shop. | 0:01:11 | 0:01:14 | |
Contestant number 12, Miss Rotherham Advertiser... | 0:01:14 | 0:01:19 | |
'As the viewers lapped it up, | 0:01:19 | 0:01:21 | |
'the broadcasting world was turned upside down. | 0:01:21 | 0:01:25 | |
'As regional telly basked in its golden age, it faced a challenge that would threaten its existence.' | 0:01:25 | 0:01:31 | |
Here we go. Stand by. | 0:01:39 | 0:01:41 | |
'It's early evening, more than seven million viewers are tuning in | 0:01:41 | 0:01:47 | |
'to the BBC and ITV, for one of television's highest ratings genres, | 0:01:47 | 0:01:51 | |
'regional news, features and weather.' | 0:01:51 | 0:01:54 | |
Time to join the BBC's news teams where you are. | 0:01:54 | 0:01:57 | |
Hello, and welcome to Look North. | 0:01:57 | 0:01:59 | |
'This is the BBC's Look North from Leeds. | 0:01:59 | 0:02:02 | |
'Christa Ackroyd and Harry Gration are famous, | 0:02:02 | 0:02:05 | |
'but only in their native Yorkshire, where the programme is broadcast.' | 0:02:05 | 0:02:10 | |
While most of us basked in the holiday sunshine... | 0:02:10 | 0:02:14 | |
'They're not the only ones | 0:02:14 | 0:02:16 | |
'who found fame through the lens of regional TV.' | 0:02:16 | 0:02:20 | |
This is Plymouth where, according to a London fashion promoter, | 0:02:20 | 0:02:24 | |
the men are more fashion conscious than the women. | 0:02:24 | 0:02:27 | |
'Regional television has produced regional television stars.' | 0:02:27 | 0:02:31 | |
You could say they were big fish in a tiny pond. That didn't matter. | 0:02:31 | 0:02:38 | |
They were still big fish. | 0:02:38 | 0:02:40 | |
And they won the war with this. | 0:02:40 | 0:02:43 | |
Rhubarb! | 0:02:43 | 0:02:46 | |
That kind of fame was inordinate. | 0:02:46 | 0:02:49 | |
Huge numbers of people watched the show. | 0:02:49 | 0:02:53 | |
In the chip shop, you'd have to fight your way out! | 0:02:53 | 0:02:56 | |
Perhaps slightly fewer top people holiday at Frinton today. | 0:02:56 | 0:03:01 | |
It was extraordinary. The moment you arrived at Liverpool Street station, | 0:03:01 | 0:03:06 | |
and got off the train, you were nobody again! | 0:03:06 | 0:03:11 | |
People felt that there was a kind of an ownership because you worked on local telly. | 0:03:11 | 0:03:17 | |
You were walking down the street, they would stop you and talk to you and ask for your autograph. | 0:03:17 | 0:03:23 | |
On one occasion, I was in a supermarket. | 0:03:23 | 0:03:26 | |
Some bloke said, "Are you that maid what works on the telly?" | 0:03:26 | 0:03:30 | |
I said, "Yes." He said, "I never did like you!" | 0:03:30 | 0:03:33 | |
Right. Stand by. | 0:03:33 | 0:03:35 | |
This is the BBC television station at Alexandra Palace. | 0:03:36 | 0:03:40 | |
'Regional voices were seldom heard on the TV in post-war Britain. | 0:03:42 | 0:03:47 | |
'There was only one national service and it was run by the BBC.' | 0:03:47 | 0:03:51 | |
It was quite establishment. | 0:03:51 | 0:03:53 | |
Presenters tended to be upper middle class | 0:03:53 | 0:03:56 | |
with received pronunciation. | 0:03:56 | 0:03:58 | |
That was something that they, I think, felt was a strength. | 0:03:58 | 0:04:02 | |
We now proudly present an item with a rather more serious face, | 0:04:02 | 0:04:07 | |
Cervantes' hero of classic Spain, Don Quixote de la Mancha. | 0:04:07 | 0:04:12 | |
The moment of the Queen's crowning is come. | 0:04:14 | 0:04:18 | |
'The coronation in 1953 only confirmed the BBC's authority. | 0:04:18 | 0:04:23 | |
'Millions tuned in on their new TV sets to watch history unfold. | 0:04:25 | 0:04:30 | |
'But the BBC's monopoly was about to be challenged by a new force. | 0:04:30 | 0:04:35 | |
'A second channel would be launched in 1955. | 0:04:35 | 0:04:39 | |
'It would be different from the London-focused BBC. | 0:04:39 | 0:04:43 | |
'Independent television would be run on a regional basis | 0:04:43 | 0:04:47 | |
'by companies who'd make money from advertising. | 0:04:47 | 0:04:50 | |
'As well as making programmes that would only be seen in their region, | 0:04:50 | 0:04:54 | |
'they'd provide shows for the new ITV network.' | 0:04:54 | 0:04:57 | |
There was a great fear amongst | 0:04:57 | 0:05:00 | |
particularly the elder statesmen in the BBC, but also political circles, | 0:05:00 | 0:05:04 | |
about Americanisation. | 0:05:04 | 0:05:07 | |
Here is the new Band-Aid strip with new Super-Stick. | 0:05:07 | 0:05:11 | |
'Establishment fears of vulgar American culture were to be allayed. | 0:05:13 | 0:05:18 | |
'The network would be regulated. | 0:05:18 | 0:05:20 | |
'The BBC saw itself | 0:05:20 | 0:05:22 | |
'as the high church of public service broadcasting, | 0:05:22 | 0:05:25 | |
'but as the first ITV region went live in London, | 0:05:25 | 0:05:29 | |
'Auntie was less than holy. | 0:05:29 | 0:05:31 | |
'She played dirty.' | 0:05:31 | 0:05:33 | |
The roof's collapsing! For God's sake, Grace, come back! | 0:05:33 | 0:05:37 | |
They took their most listened-to broadcast, the Archers. | 0:05:37 | 0:05:42 | |
One of the most popular characters, Phil Archer, | 0:05:42 | 0:05:45 | |
had married this gorgeous wife of six months. | 0:05:45 | 0:05:48 | |
And they killed her off in a terrible fire | 0:05:48 | 0:05:51 | |
while she was rescuing her horse. | 0:05:51 | 0:05:53 | |
A poor attempt, but it worked. | 0:05:53 | 0:05:55 | |
The headlines the next day were "Grace Archer dies". | 0:05:55 | 0:05:59 | |
'The BBC stole ITV's thunder but it faced a dilemma | 0:05:59 | 0:06:04 | |
'as more companies went on air. | 0:06:04 | 0:06:06 | |
'Should it ignore these TV upstarts or should it go regional, too?' | 0:06:06 | 0:06:12 | |
This is the BBC television service. | 0:06:12 | 0:06:14 | |
'The Beeb entered the race and targeted news as the battleground. | 0:06:14 | 0:06:19 | |
'The BBC regions tried to get on air before their rivals, | 0:06:19 | 0:06:22 | |
'but the style remained very formal.' | 0:06:22 | 0:06:26 | |
Switch out, regions. Switch out. | 0:06:26 | 0:06:30 | |
Smokeless zones in northern towns and cities... | 0:06:30 | 0:06:33 | |
..a great Midland estate to be broken up... | 0:06:33 | 0:06:37 | |
'And in the northeast of England, | 0:06:39 | 0:06:41 | |
'the BBC's news show felt more Hertfordshire than Hartlepool.' | 0:06:41 | 0:06:46 | |
And here is Lucinda Lamp. | 0:06:46 | 0:06:49 | |
-RECEIVED PRONUNCIATION: -I went yesterday to Whitley Bay | 0:06:49 | 0:06:54 | |
to see how and why | 0:06:54 | 0:06:56 | |
all the...Scots people | 0:06:56 | 0:06:58 | |
went there each and every year | 0:06:58 | 0:07:01 | |
for the Scots week celebrations. | 0:07:01 | 0:07:04 | |
I took some photographs. Look at that one, for instance. | 0:07:04 | 0:07:08 | |
Those two ladies sitting there enjoying their holidays. | 0:07:08 | 0:07:12 | |
You can see how they're enjoying their holiday. Freezing cold! | 0:07:12 | 0:07:17 | |
'On the commercial channel, Tyne Tees couldn't have been more different.' | 0:07:17 | 0:07:22 | |
# There's no business like show business... # | 0:07:23 | 0:07:27 | |
'ITV stations were offering a broader variety of programmes. | 0:07:27 | 0:07:31 | |
'Along with the news, there'd be razzmatazz.' | 0:07:31 | 0:07:34 | |
# ..maybe standing out in the cold... # | 0:07:34 | 0:07:38 | |
There's no business like show business and Tyne Tees Television | 0:07:38 | 0:07:42 | |
introduces 60 minutes of stars and features you'll see on your screens. | 0:07:42 | 0:07:47 | |
'The stardust wasn't surprising. | 0:07:47 | 0:07:49 | |
'Many new ITV owners, like George and Alfred Black at Tyne Tees, were showbiz impresarios | 0:07:49 | 0:07:55 | |
'and knew how to put bums on seats.' | 0:07:55 | 0:07:58 | |
# Bobby Shafto's gone to sea with silver buckles on his knee | 0:07:58 | 0:08:02 | |
# He'll come back and marry me Bonnie Bobby Shafto... # | 0:08:02 | 0:08:05 | |
This was the ultimate in glamour. | 0:08:05 | 0:08:07 | |
We had dancers, famous comedians, beautiful ladies. | 0:08:07 | 0:08:12 | |
It was like Hollywood come to Tyneside. | 0:08:12 | 0:08:17 | |
# He'll come back and marry me | 0:08:18 | 0:08:23 | |
# Bonnie Bobby Shafto. # | 0:08:23 | 0:08:27 | |
Newcastle had never seen anything like that. | 0:08:28 | 0:08:31 | |
I don't think we did another one, but it was really impressive. | 0:08:31 | 0:08:35 | |
'As each ITV station launched, the fanfare got louder.' | 0:08:39 | 0:08:43 | |
Hi. Welcome to First Night... | 0:08:43 | 0:08:46 | |
'There'd be no stopping this television juggernaut.' | 0:08:46 | 0:08:51 | |
# Yorkshire Television has been born Yeah! # | 0:08:51 | 0:09:01 | |
'The landscape was now dotted with BBC and ITV transmitters. | 0:09:04 | 0:09:08 | |
'Wales, Northern Ireland and Scotland had their own services. | 0:09:08 | 0:09:13 | |
'In England, TV signals didn't always respect traditional borders.' | 0:09:13 | 0:09:18 | |
The Tyne Tees region was a massive region. | 0:09:18 | 0:09:21 | |
It overlapped into Yorkshire. It went right up to the borders. | 0:09:21 | 0:09:25 | |
In that group, several different cultures | 0:09:25 | 0:09:29 | |
and programmes that reflected all that | 0:09:29 | 0:09:32 | |
were lapped up by people all over the region. | 0:09:32 | 0:09:35 | |
'Border TV's signal crossed more than county boundaries. | 0:09:37 | 0:09:40 | |
'It straddled two countries.' | 0:09:40 | 0:09:43 | |
Our transmitters, they plonked one in Caldbeck and one in Selkirk. | 0:09:43 | 0:09:47 | |
They managed to reach the places that other transmitters couldn't! | 0:09:47 | 0:09:52 | |
We had Stranraer on the west coast, 100 miles from Carlisle where the studio base was. | 0:09:52 | 0:09:58 | |
We had Berwick-on-Tweed out on the east coast. | 0:09:58 | 0:10:03 | |
We had Kendal in the Lake District, then out to the Isle of Mann, | 0:10:03 | 0:10:08 | |
then Scotland, Robbie Burns and Walter Scott country. | 0:10:08 | 0:10:11 | |
It was a crazy area to serve. | 0:10:11 | 0:10:13 | |
'As each region went live, | 0:10:17 | 0:10:19 | |
'ratings wars broke out. | 0:10:19 | 0:10:21 | |
'In East Anglia, the BBC's Look East and ITV's About Anglia | 0:10:21 | 0:10:25 | |
'were fighting for the loyalty of a million viewers.' | 0:10:25 | 0:10:29 | |
We were aware that many more people | 0:10:29 | 0:10:31 | |
were watching Anglia Television than Look East. | 0:10:31 | 0:10:36 | |
It was better resourced and it had a popular anchor man, Dick Joyce. | 0:10:36 | 0:10:40 | |
We were playing catch-up all the time. | 0:10:40 | 0:10:43 | |
First there's the news, the local news, all about Anglia. | 0:10:43 | 0:10:46 | |
The nerve centre at Anglia House will receive news 24 hours a day. | 0:10:46 | 0:10:51 | |
There'll be that hot story that'll send the stills photographer | 0:10:51 | 0:10:56 | |
scuttling for his camera | 0:10:56 | 0:10:58 | |
and the film unit scorching off to bring back the pictures. | 0:10:58 | 0:11:02 | |
We arrogantly thought the BBC was a complete joke. | 0:11:02 | 0:11:09 | |
We thrashed them to bits. | 0:11:09 | 0:11:11 | |
And I think the ITV stations did actually do very well. | 0:11:11 | 0:11:16 | |
When I was at the BBC, the Director General was Sir Hugh Greene. | 0:11:16 | 0:11:21 | |
He watched Look East and he was so appalled | 0:11:21 | 0:11:24 | |
that he sent the editor of Panorama to the BBC in Norwich | 0:11:24 | 0:11:29 | |
on a weekend, to instruct us in the basics of television. | 0:11:29 | 0:11:32 | |
I suppose we were a bit hurt, but we had to admit he had a point. | 0:11:32 | 0:11:36 | |
'England was becoming more urban, but viewers in East Anglia | 0:11:39 | 0:11:43 | |
'were treated to a more cosy view of daily life.' | 0:11:43 | 0:11:46 | |
We were not chasing eloping heiresses | 0:11:46 | 0:11:50 | |
or catching footballers in scandals, it was very genteel. | 0:11:50 | 0:11:54 | |
It was Miss Marple-ish. | 0:11:54 | 0:11:56 | |
It was another England that has gone completely. | 0:11:56 | 0:11:59 | |
MUSIC | 0:11:59 | 0:12:01 | |
MUSIC STOPS | 0:12:03 | 0:12:05 | |
I'm in Cambridge, | 0:12:05 | 0:12:07 | |
in the rooms of a man whose face is familiar to millions of viewers, | 0:12:07 | 0:12:11 | |
Dr Glen Daniel of Cambridge University. | 0:12:11 | 0:12:13 | |
Once a fortnight, he'll be introducing a programme called Town And Garden. | 0:12:13 | 0:12:18 | |
Let's find out something about it. | 0:12:18 | 0:12:20 | |
-Dr Daniel, this is a beautiful city. -It most certainly is. | 0:12:20 | 0:12:24 | |
Tell me about Town And Garden. Won't the programme be high-brow? | 0:12:24 | 0:12:28 | |
No reason why it should be. | 0:12:28 | 0:12:30 | |
It'll vary from scholarship to the lightest form of entertainment, sport and drama. | 0:12:30 | 0:12:36 | |
You will see rowing on the river and cricket. | 0:12:36 | 0:12:39 | |
You will see theatre, the Footlights and the Marlow. | 0:12:39 | 0:12:42 | |
We hope to have excerpts of them. | 0:12:42 | 0:12:44 | |
'It seemed everyone wanted a job in television. | 0:12:44 | 0:12:47 | |
'There'd be more than tea-making duties for one student from Oxford. | 0:12:47 | 0:12:51 | |
'The restoration of historic buildings of Suffolk | 0:12:51 | 0:12:55 | |
'gave David Dimbleby one of his first TV moments.' | 0:12:55 | 0:12:58 | |
This is the Guildhall at Lavenham. | 0:12:58 | 0:13:01 | |
It was built in the time of Henry VIII and became the centre of the cloth trade in this town. | 0:13:01 | 0:13:07 | |
It's where the merchants used to meet to wrangle over prices and settle their wage disputes. | 0:13:07 | 0:13:13 | |
The extraordinary thing is there's not just one of these, | 0:13:13 | 0:13:17 | |
but a score of them in the same state of preservation. | 0:13:17 | 0:13:20 | |
I'm trying and find out about the people who live here | 0:13:20 | 0:13:24 | |
and about how they've managed to preserve the town so well. | 0:13:24 | 0:13:28 | |
-Have you been doing this work long? -About 40 years. | 0:13:28 | 0:13:32 | |
-Do you build many modern houses? -No. | 0:13:32 | 0:13:35 | |
There's no call for them in Lavenham. | 0:13:35 | 0:13:38 | |
-People like the old stuff. -I don't blame them. | 0:13:38 | 0:13:41 | |
Thank you very much. I'll let you get on with the job. | 0:13:41 | 0:13:44 | |
'David Dimbleby wasn't the only cub reporter tackling weighty issues of the day.' | 0:13:44 | 0:13:50 | |
I see from this that the 8.30 from Liverpool Stret arrives at 1111. | 0:13:50 | 0:13:55 | |
But it doesn't. It's running later. | 0:13:55 | 0:13:57 | |
And there's not even a special announcement to tell the public. | 0:13:57 | 0:14:02 | |
What do they think? Do they enjoy the pleasant surprise? | 0:14:02 | 0:14:06 | |
'David Frost would become the master of the probing interview. | 0:14:06 | 0:14:09 | |
'He honed his skills with a much more gentle line of questioning.' | 0:14:09 | 0:14:13 | |
-What do you think of the fact that the trains are later? -Well, it's slightly inconvenient. | 0:14:13 | 0:14:20 | |
I get here five or ten minutes later. | 0:14:20 | 0:14:23 | |
That puts me five or ten minutes later throughout the morning. | 0:14:23 | 0:14:27 | |
'We were black and white. We were on film. It was very clipped.' | 0:14:27 | 0:14:32 | |
Two years ago, the regiment was facing a recruiting problem. | 0:14:32 | 0:14:35 | |
The East Anglia Brigade compares recruiting very favourably | 0:14:35 | 0:14:40 | |
with any other brigade in the Army. | 0:14:40 | 0:14:43 | |
I was doing what I imagined were the accents of the officer class, | 0:14:43 | 0:14:47 | |
trying to be Richard Dimbleby. | 0:14:47 | 0:14:49 | |
'But in the north of England, a new army of recruits was taking regional telly in a grittier direction.' | 0:14:54 | 0:15:01 | |
My generation, the one that benefitted from an education, | 0:15:01 | 0:15:05 | |
where bright working-class kids could go to grammar school | 0:15:05 | 0:15:09 | |
and go to university freed up a huge area of bright working-class kids, | 0:15:09 | 0:15:14 | |
and something was going to happen. | 0:15:14 | 0:15:16 | |
'Parky's TV career started at Manchester-based Granada | 0:15:16 | 0:15:21 | |
'as a producer and reporter | 0:15:21 | 0:15:23 | |
'on the nightly news programme Scene At 6.30.' | 0:15:23 | 0:15:27 | |
The centre of fashion in tattooing is this shop in Liverpool. | 0:15:27 | 0:15:31 | |
It's owned by Sailor Jack. He's got 5,000 designs to choose from. | 0:15:31 | 0:15:35 | |
According to his publicity, he's got designs from politics, to erotics, | 0:15:35 | 0:15:39 | |
to religion to aesthetics. | 0:15:39 | 0:15:42 | |
'Like many others, Parky was recruited from newspapers | 0:15:42 | 0:15:46 | |
'and was exposed to a concept from Granada boss Sidney Bernstein that would transform regional news.' | 0:15:46 | 0:15:52 | |
He said, "I want to represent the people we're broadcasting to." | 0:15:52 | 0:15:57 | |
In those days, it was a revolutionary idea! | 0:15:57 | 0:15:59 | |
The bench mark nationally was the Tonight programme. | 0:15:59 | 0:16:03 | |
The next Tonight will be tomorrow night. Good night. | 0:16:03 | 0:16:06 | |
'With the urbane Cliff Michelmore and urbane Alan Whicker.' | 0:16:06 | 0:16:11 | |
And Fife Robinson chucked in as a bit of Celtic rough! | 0:16:11 | 0:16:16 | |
I think Granada, | 0:16:16 | 0:16:18 | |
with Scene At 6.30, they had wrote a style book. | 0:16:18 | 0:16:24 | |
It said we should not talk as though we had bananas in our mouths. | 0:16:24 | 0:16:28 | |
The tone should not be like Tonight, | 0:16:28 | 0:16:31 | |
which was like a bishop talking down to you. | 0:16:31 | 0:16:35 | |
We had to be like a bloke you'd met in a pub | 0:16:35 | 0:16:38 | |
and you were bursting to tell him how good Newcastle had been. | 0:16:38 | 0:16:42 | |
'Bernstein's master stroke was to create a brand that resonated with the common man. | 0:16:42 | 0:16:47 | |
'It was much more than a TV region. This was Granada-land.' | 0:16:47 | 0:16:52 | |
As we say in Granada-land, good night. | 0:16:52 | 0:16:55 | |
'It did create a loyalty among the viewers.' | 0:16:55 | 0:17:00 | |
This belonged to them. The BBC was a bit distant, a bit toffy. | 0:17:00 | 0:17:04 | |
Bit dressy-uppy. It hadn't really related. Radio had, not television. | 0:17:04 | 0:17:09 | |
It was a brilliant idea, and it worked. | 0:17:09 | 0:17:13 | |
'Granada created a new regional identity. | 0:17:13 | 0:17:17 | |
'Across the country, local news programmes were turning TV etiquette on its head. | 0:17:17 | 0:17:22 | |
'The viewers were now centre stage.' | 0:17:22 | 0:17:25 | |
A learned judge was heard to remark in the courts the other day | 0:17:25 | 0:17:29 | |
that he didn't understand "snogging" and it was explained to him by a nine-year-old girl. | 0:17:29 | 0:17:34 | |
Let's see how much the word "snogging" means to Mr Everyman. | 0:17:34 | 0:17:39 | |
-Do you know what I mean by snogging? -Yes. | 0:17:39 | 0:17:42 | |
'I don't think we did a single news story' | 0:17:42 | 0:17:44 | |
without going out and doing the vox pop. | 0:17:44 | 0:17:47 | |
-What does "snogging" mean? -No idea at all. | 0:17:47 | 0:17:51 | |
Asking anybody passing by, "What do you think about X, Y or Z?" | 0:17:51 | 0:17:55 | |
-Do you know what's meant by "snogging"? -No. I'm afraid I don't. I'm a sailor. | 0:17:55 | 0:18:00 | |
Bosses always loved vox pops. | 0:18:00 | 0:18:02 | |
When they work, of course, they're wonderful. | 0:18:02 | 0:18:06 | |
-Do you think women should wear trousers? -No. | 0:18:06 | 0:18:08 | |
I HATED vox pops. Absolutely terrible. | 0:18:08 | 0:18:13 | |
Cos they saw the camera and they'd all run away. | 0:18:12 | 0:18:17 | |
-When should women wear trousers? -When they're doing the housework. | 0:18:17 | 0:18:21 | |
So I got this lady. I was about to say, "Mike Neville, BBC..." | 0:18:21 | 0:18:25 | |
She screamed, "No! NO! NO!" | 0:18:25 | 0:18:29 | |
And ran the entire length of the street, | 0:18:29 | 0:18:32 | |
screaming "NO!" at the top of her voice. | 0:18:32 | 0:18:36 | |
Everybody stopped and looked at me. | 0:18:36 | 0:18:39 | |
I was thinking, "I didn't do anything. I didn't!" | 0:18:39 | 0:18:43 | |
-What do you think of hot pants? -Smashing. I'll get our lass a pair. | 0:18:43 | 0:18:49 | |
I hated approaching people. Not a good thing for a reporter to say! | 0:18:49 | 0:18:54 | |
I felt like such a nuisance. "Shut up!" | 0:18:54 | 0:18:57 | |
Is that all? Can I get on with work? | 0:18:57 | 0:19:00 | |
It was like pimping! | 0:19:00 | 0:19:02 | |
LAUGHS | 0:19:04 | 0:19:06 | |
-If I give you a kiss on the cheek, would that be over-friendly? -No. | 0:19:08 | 0:19:12 | |
'The more local faces you got on the screen, the more people to whom | 0:19:12 | 0:19:16 | |
'you gave the opportunity of 15 seconds of fame,' | 0:19:16 | 0:19:20 | |
the more people would tune in. | 0:19:20 | 0:19:22 | |
Would you say men are more fashionable than women in Plymouth? | 0:19:22 | 0:19:26 | |
Yes, I would. | 0:19:26 | 0:19:27 | |
The presenter on the box was on the street with you. This was quite a glamorous thing. | 0:19:27 | 0:19:32 | |
-You're on the telly, look. -Oh, no! -Yes, you are. | 0:19:32 | 0:19:36 | |
'That was important, interaction between broadcaster and community, | 0:19:36 | 0:19:41 | |
'especially in the regions.' | 0:19:41 | 0:19:43 | |
That's what made it theirs. | 0:19:43 | 0:19:46 | |
'But being seen and heard was only half the battle.' | 0:19:46 | 0:19:50 | |
They're not vicious criminals, what do you think? | 0:19:50 | 0:19:53 | |
-STRONG ACCENT: -Ooh, don't take no notice of what they say. | 0:19:53 | 0:19:56 | |
-The best thing they do, look 'ere. -Yes? | 0:19:56 | 0:20:00 | |
I did once get hold of an interpreter. | 0:20:00 | 0:20:03 | |
I had to find another Suffolk...Norfolk man | 0:20:03 | 0:20:07 | |
and say, "Can you help..." "What do you want, boy?" | 0:20:07 | 0:20:11 | |
"I'm finding it a bit difficult to understand." | 0:20:11 | 0:20:15 | |
"Oh, that's old Zachary! Oo-ee-oooo!" | 0:20:15 | 0:20:18 | |
He came down and it was wonderful, because they both were at it, | 0:20:18 | 0:20:24 | |
"Oo-ee-ooo" like this. | 0:20:24 | 0:20:27 | |
And after quite a long time, he stopped and said, | 0:20:27 | 0:20:31 | |
"He doesn't want to do it." LAUGHS | 0:20:31 | 0:20:35 | |
STRONG ACCENT: My old friend, Sam. Go on. | 0:20:35 | 0:20:39 | |
-STRONG ACCENT: -Now, I don't know how 'tis...football... | 0:20:39 | 0:20:43 | |
some get £100...get a penny... but I...trolley. | 0:20:43 | 0:20:50 | |
I remember filming a sequence in a Liverpool pub | 0:20:50 | 0:20:54 | |
and we showed it | 0:20:54 | 0:20:57 | |
to the executive producer and he said, | 0:20:57 | 0:21:03 | |
"I can't understand half the words. We'll have to have subtitles." | 0:21:03 | 0:21:08 | |
I remember feeling terribly insulted | 0:21:08 | 0:21:11 | |
that he felt that should be necessary. | 0:21:11 | 0:21:14 | |
That was really part of the way which the BBC was, | 0:21:14 | 0:21:18 | |
the BBC nationally was. | 0:21:18 | 0:21:20 | |
-I wouldn't go at 'em. -You wouldn't? -No, blimey! | 0:21:20 | 0:21:23 | |
Well, I've been asking Mr Green what he thinks, | 0:21:23 | 0:21:26 | |
and I'm sure I don't know even now! | 0:21:26 | 0:21:29 | |
'By the late '60s, TV had overtaken radio in the popularity stakes. | 0:21:32 | 0:21:37 | |
'And one part of the schedule was doing really well.' | 0:21:37 | 0:21:42 | |
There was a sense, both from the ITA and from the BBC establishment, | 0:21:42 | 0:21:47 | |
that regional news is not that interesting. | 0:21:47 | 0:21:49 | |
People want to see national news. | 0:21:49 | 0:21:52 | |
If we look at the audience research, | 0:21:52 | 0:21:54 | |
people wanted to know what was going on in their area. | 0:21:54 | 0:21:57 | |
The fire started in a top floor social club in the centre of town... | 0:21:57 | 0:22:02 | |
'Viewers were watching stories that reflected how they lived. | 0:22:02 | 0:22:06 | |
'Camera crews were dispatched to all corners of the region, | 0:22:06 | 0:22:10 | |
'covering every inch of what journalists called "the patch".' | 0:22:10 | 0:22:14 | |
We're put this barricade up to stop lorries from coming up this road. | 0:22:14 | 0:22:19 | |
There's going to be children knocked down. | 0:22:19 | 0:22:21 | |
'But gathering the news was a physical battle.' | 0:22:21 | 0:22:26 | |
The Arriflex was the kind of camera that I would be involved with. | 0:22:26 | 0:22:30 | |
They're quite heavy. | 0:22:30 | 0:22:33 | |
There's a tripod. Guess who carries the tripod! The director! | 0:22:33 | 0:22:36 | |
They've got stuff now that almost goes inside your pocket! | 0:22:36 | 0:22:42 | |
'When the BBC's Look North launched in Yorkshire in 1968, | 0:22:42 | 0:22:46 | |
'it did so on the perfect news day.' | 0:22:46 | 0:22:48 | |
Good evening from Look North. | 0:22:48 | 0:22:51 | |
'Hundreds of homes were damaged, as the River Ouse rose 14 feet | 0:22:51 | 0:22:56 | |
'above its normal level.' | 0:22:56 | 0:22:58 | |
We're coping. I see the bread's eventually arrived. | 0:22:58 | 0:23:04 | |
The situation is getting rather congested with boats everywhere. | 0:23:04 | 0:23:08 | |
'Programme makers loved bad weather stories. | 0:23:08 | 0:23:12 | |
'One battle against the elements proved it could be grim up north!' | 0:23:24 | 0:23:30 | |
This job is different. It's the only part of the world where you can get thick fog with a howling gale. | 0:23:30 | 0:23:36 | |
You've got to experience it to believe it. | 0:23:36 | 0:23:39 | |
'The building of the M62, which linked Liverpool with Hull, | 0:23:39 | 0:23:43 | |
'sliced through the High Pennines. | 0:23:43 | 0:23:45 | |
'Man and machine were pitted against the bleakest of landscapes.' | 0:23:45 | 0:23:52 | |
It's no bloody joke working on the M62. | 0:23:52 | 0:23:55 | |
In winter, we're frozen to death. | 0:23:55 | 0:23:57 | |
In the summer, we do 12 hours and we choke with dust. | 0:23:57 | 0:24:01 | |
By the time you get home, it's quarter past nine, | 0:24:01 | 0:24:05 | |
have your meal, it's bed time and that's the end of the day. | 0:24:05 | 0:24:09 | |
'Britain's highest motorway would open up the north. | 0:24:09 | 0:24:12 | |
'Bad weather wasn't the only problem facing engineers.' | 0:24:12 | 0:24:16 | |
This building is scheduled for demolition. > | 0:24:16 | 0:24:20 | |
-Did you give them permission to...? -Be off! Be off! | 0:24:20 | 0:24:23 | |
-Now, just a moment! -Be off! -Just a moment, sir. | 0:24:23 | 0:24:27 | |
-Be off! -We have permission... -Be off! | 0:24:27 | 0:24:30 | |
We have permission to come through this land. | 0:24:30 | 0:24:33 | |
-Who gave permission? -The people on the site have permission. | 0:24:33 | 0:24:37 | |
-The people on what? -The people on the site. -I'm the owner! | 0:24:37 | 0:24:42 | |
'Regional programmes were getting close to the action. | 0:24:42 | 0:24:45 | |
'Local TV had found its feet. | 0:24:45 | 0:24:48 | |
'The biggest test came when huge stories broke. | 0:24:51 | 0:24:55 | |
'In 1974, the quiet of the north Lincolnshire countryside | 0:24:55 | 0:24:59 | |
'was shattered by an explosion at the Flixborough chemical plant.' | 0:24:59 | 0:25:04 | |
A generation of people will surely never forget | 0:25:04 | 0:25:08 | |
the worst single act of devastation in this country since the last war. | 0:25:08 | 0:25:13 | |
'28 people died and more than 30 injured.' | 0:25:13 | 0:25:17 | |
It was like something out the Blitz. | 0:25:17 | 0:25:19 | |
There's blown windows everywhere, glass all over. | 0:25:19 | 0:25:22 | |
It's even impaled right across the room into the table and chairs. | 0:25:22 | 0:25:26 | |
'Journalists descended on the scene, but the regional news programmes remained for days | 0:25:26 | 0:25:32 | |
'to record the aftermath.' | 0:25:32 | 0:25:34 | |
-Half the houses in the village with no roofs on. -Across the road... | 0:25:34 | 0:25:38 | |
-..they're putting the roof... -On farm buildings! | 0:25:38 | 0:25:41 | |
-The council's doing what they can. -I don't think they're doing anything. | 0:25:41 | 0:25:45 | |
People seem frightened that the plant might be rebuilt. | 0:25:45 | 0:25:49 | |
If I was in Flixborough, I wouldn't want the plant there. | 0:25:49 | 0:25:52 | |
If we don't build it there, we've got to find somewhere else. | 0:25:52 | 0:25:57 | |
'Major disasters were few and far between. | 0:25:59 | 0:26:03 | |
'On quiet news days, the regional news magazines were hard to fill.' | 0:26:03 | 0:26:09 | |
The usual problem, we haven't got a major story. | 0:26:09 | 0:26:12 | |
We'll start with our friend, "Top story yet to happen." | 0:26:12 | 0:26:15 | |
'Producers had to show initiative.' | 0:26:15 | 0:26:18 | |
I used to try and put on items that were... | 0:26:18 | 0:26:22 | |
..a little more down-to-earth, racey. | 0:26:24 | 0:26:28 | |
I tended to say, when it came to me in the meeting and I was producer, | 0:26:28 | 0:26:33 | |
"What are we going to bore the people with today?" | 0:26:33 | 0:26:37 | |
Get the fire brigade out the way, get the police and politicians out the way | 0:26:37 | 0:26:42 | |
then let's get a bit of humour. | 0:26:42 | 0:26:45 | |
There was a freedom to do some fairly unusual stuff. | 0:26:45 | 0:26:49 | |
We might look back and go, "What was going on there?" | 0:26:49 | 0:26:52 | |
There really are some magnificent sights in Yorkshire. | 0:26:52 | 0:26:56 | |
One of them is Miss Mandy Silver | 0:26:56 | 0:26:58 | |
who is now training secretly at a Leeds night club | 0:26:58 | 0:27:02 | |
for an attempt next week on the world tassle tossing record. | 0:27:02 | 0:27:07 | |
It was post-'60s. It was an interesting time. | 0:27:07 | 0:27:11 | |
They were playing with the boundaries, seeing what you could do. | 0:27:11 | 0:27:15 | |
Miss Silver, toss some tassles for us, please. | 0:27:15 | 0:27:19 | |
'You could do anything in regional broadcasting. | 0:27:19 | 0:27:23 | |
'The network centres were like Tesco. We were the corner shop.' | 0:27:23 | 0:27:28 | |
It was a fast track of learning | 0:27:28 | 0:27:31 | |
everything you possibly could about television. | 0:27:31 | 0:27:36 | |
And so, it was a joy. I loved it. | 0:27:36 | 0:27:39 | |
'It was as if television then was a teenager, | 0:27:43 | 0:27:46 | |
'rather than the mature individual that it is now!' | 0:27:46 | 0:27:50 | |
We were a bit wild with some things, certainly quite experimental. | 0:27:50 | 0:27:54 | |
-Can I come and sit down? -Yes. -I brought you some beer. | 0:27:54 | 0:27:58 | |
-Isn't that nice? -And sandwiches. | 0:27:58 | 0:28:01 | |
Isn't that nice of you? | 0:28:01 | 0:28:03 | |
-Oh, lovely. -Tell me, how long have you lived here? -Over two year. | 0:28:03 | 0:28:08 | |
'I remember being sent off to interview a local tramp | 0:28:08 | 0:28:12 | |
'called Smokey Joe, | 0:28:12 | 0:28:14 | |
'who used to live on the main road through Cornwall to St Austell.' | 0:28:14 | 0:28:19 | |
How often do you have a bath? | 0:28:19 | 0:28:22 | |
-Ooh, I just get in the trough here. -You just get in the trough? | 0:28:22 | 0:28:27 | |
Tell me why you live by yourself and don't team up with another tramp. | 0:28:27 | 0:28:31 | |
Oh, wouldn't do that. Takes a lot to look after yourself. | 0:28:31 | 0:28:36 | |
You've got this broad canvas of any kind of story you can imagine | 0:28:36 | 0:28:41 | |
which is a true reflection of the area in which you're broadcasting | 0:28:41 | 0:28:46 | |
and the people who live within that area. | 0:28:46 | 0:28:50 | |
'The demands of daily news were one thing.' | 0:28:50 | 0:28:54 | |
You're planning to bring the twist to Carlisle. Why? | 0:28:54 | 0:28:59 | |
'But getting to grips with popular culture was another matter entirely.' | 0:29:01 | 0:29:07 | |
All the popular music was in the northwest. | 0:29:07 | 0:29:10 | |
The Beatles were more or less our resident group. | 0:29:10 | 0:29:14 | |
I did the very first interview of the Rolling Stones. | 0:29:14 | 0:29:17 | |
Apart from current affairs, we were also bringing in this new culture. | 0:29:17 | 0:29:21 | |
# That boy | 0:29:21 | 0:29:24 | |
# Took my love away... # | 0:29:25 | 0:29:30 | |
Mick, we've had the normal Stones type reception for you, | 0:29:30 | 0:29:34 | |
girls swarming round the taxi, why do they do it? | 0:29:34 | 0:29:38 | |
-Is it a sex thing? -Yeah. It's sexual. Completely. | 0:29:38 | 0:29:41 | |
'We didn't know we were living through a cultural revolution. | 0:29:41 | 0:29:44 | |
'My generation, we created, without knowing it, the '60s.' | 0:29:44 | 0:29:49 | |
We tilled the ground for it to happen. We were too old - I was - to take it all in. | 0:29:49 | 0:29:55 | |
It didn't really impinge much on Look East. | 0:29:55 | 0:29:58 | |
Except once, we did have a competition | 0:29:58 | 0:30:01 | |
and the prize was lunch with Cilla Black. | 0:30:01 | 0:30:04 | |
So we were obviously trying to reach out to the pop audience. | 0:30:04 | 0:30:08 | |
'Regional telly was capturing a new vision of England.' | 0:30:08 | 0:30:12 | |
Just as it, perhaps, preserved some myths about England, about its rural idyll, | 0:30:12 | 0:30:19 | |
because that's what regional audiences wanted to see, | 0:30:19 | 0:30:24 | |
it was also at the forefront of showing social and physical change. | 0:30:24 | 0:30:29 | |
The ways in which cities were changing was represented very keenly | 0:30:29 | 0:30:33 | |
by regional broadcasters. | 0:30:33 | 0:30:35 | |
The region could see that it was developing, that it was successful, | 0:30:35 | 0:30:41 | |
that it was clever. | 0:30:41 | 0:30:44 | |
That it was attractive. "Look at the beautiful landscape in Northumberland." | 0:30:44 | 0:30:50 | |
"Look at our wonderful ship building." | 0:30:50 | 0:30:54 | |
And the confidence as a result. | 0:30:54 | 0:30:56 | |
That's what regional television does for a region. | 0:30:56 | 0:31:02 | |
'And as regional TV's popularity grew, | 0:31:02 | 0:31:05 | |
'so did the profile of its news presenters.' | 0:31:05 | 0:31:08 | |
And first, hopefully, Diane Elms. No? Have we got the film yet? | 0:31:08 | 0:31:13 | |
'And they didn't come any bigger...' | 0:31:13 | 0:31:16 | |
It's been one of those funny days. Must be the royal visit! | 0:31:16 | 0:31:19 | |
'..than the BBC's man in Newcastle.' | 0:31:19 | 0:31:22 | |
Bear with us a moment. Radio Newcastle had this problem. They couldn't get the pictures. | 0:31:22 | 0:31:27 | |
No-one could compete with Mike Neville. He's the best presenter of a regional programme. | 0:31:27 | 0:31:32 | |
You had lots of rookie directors on these regional programmes, | 0:31:34 | 0:31:38 | |
where they pressed the wrong button. | 0:31:38 | 0:31:40 | |
Mike used to have to apologise to everybody and say, | 0:31:40 | 0:31:44 | |
"We've got an idiot producing this programme. What do you expect?" | 0:31:44 | 0:31:48 | |
We once had a letter from a lady following a break-down in the programme. | 0:31:48 | 0:31:54 | |
I was filling in, and she said, | 0:31:54 | 0:31:57 | |
"I was laughing so much that I burnt my husband's tea. | 0:31:57 | 0:32:01 | |
"When he got in, he was livid. | 0:32:01 | 0:32:03 | |
"Not that I'd burnt his tea but that he'd missed the break-down. | 0:32:03 | 0:32:07 | |
"Could you please repeat it?" | 0:32:07 | 0:32:09 | |
Which we did, frequently, but not deliberately. | 0:32:09 | 0:32:14 | |
People love that imperfection, you know? | 0:32:14 | 0:32:17 | |
I'd go into a pub the next day and they'd say, "Hey, mate! I loved that break-down. That was great!" | 0:32:17 | 0:32:25 | |
On dull news days, I've seen journalists longing | 0:32:25 | 0:32:30 | |
for a camera to go down or the Telecine to go down, | 0:32:30 | 0:32:35 | |
on the basis that you'd give Mike the freedom to extemporise. | 0:32:35 | 0:32:40 | |
He had the ability to talk like Sir John Gielgud. | 0:32:40 | 0:32:45 | |
But also like Jack the lad with a barrow down the market. | 0:32:45 | 0:32:49 | |
Mike Neville is a broadcasting genius. | 0:32:49 | 0:32:52 | |
'Mike Neville's iconic status in the northeast meant he was fought over | 0:32:52 | 0:32:57 | |
'by the BBC and ITV. | 0:32:57 | 0:32:59 | |
'Wherever he went, the audience followed. | 0:32:59 | 0:33:03 | |
'Producers gave him freedom and, on the Beeb, | 0:33:03 | 0:33:06 | |
'he was allowed to go to previously unthinkable lengths.' | 0:33:06 | 0:33:10 | |
A committee of us re-wrote the balcony scene from Romeo And Juliet in Geordie. | 0:33:10 | 0:33:17 | |
-Romeo. -Yes, pet? | 0:33:17 | 0:33:19 | |
I was rather pleased, because I wrote the last bit. | 0:33:21 | 0:33:24 | |
Instead of "Good night, good night, parting is such sweet sorrow..." | 0:33:24 | 0:33:29 | |
I rewrote that as, "T'ra, t'ra. | 0:33:29 | 0:33:33 | |
"I'm sorry you've gorra go. | 0:33:33 | 0:33:35 | |
"If you canna see us tomorrow, will you ler'us know?" | 0:33:35 | 0:33:39 | |
I heard Shakespeare rolling over then. | 0:33:39 | 0:33:43 | |
'Mike Neville wasn't the only big name given free rein to develop his personality.' | 0:33:43 | 0:33:48 | |
In the Yorkshire Television area where I worked from '68 to 1975, | 0:33:48 | 0:33:52 | |
the big character was more complex, the big character was Austin Mitchell. | 0:33:52 | 0:33:57 | |
-Hold that position. -I can't! | 0:33:57 | 0:33:59 | |
That's what you'll be like when you leave the aircraft. | 0:33:59 | 0:34:03 | |
'Yorkshire Television put presenters at the heart of the action.' | 0:34:06 | 0:34:10 | |
Feet together, ready for the impact. | 0:34:10 | 0:34:12 | |
Aargh! | 0:34:12 | 0:34:14 | |
'Austin had this amazing dichotomy.' | 0:34:14 | 0:34:17 | |
He'd say, "There's a thing about Robin Hood being from Wakefield. Not from Sherwood Forest." | 0:34:17 | 0:34:24 | |
I shouldn't be here at all. | 0:34:24 | 0:34:26 | |
I should be in Wakefield. | 0:34:30 | 0:34:32 | |
-Have you got any wrongs you want righting? -A lot, love. | 0:34:33 | 0:34:37 | |
'Ten minutes later, he'd interview a member of the Cabinet.' | 0:34:37 | 0:34:42 | |
He might interview George Brown or Harold Wilson himself. | 0:34:42 | 0:34:46 | |
You just did now know where Austin's image really was. | 0:34:46 | 0:34:50 | |
I think that's why people liked him | 0:34:50 | 0:34:53 | |
because he came over as a big daft Yorkshire lump, and he wasn't. | 0:34:53 | 0:34:58 | |
'As technology evolved, presenters were freed up, | 0:34:58 | 0:35:01 | |
'placing Austin Mitchell at the centre of an unfolding tragedy.' | 0:35:01 | 0:35:06 | |
At 2.30 this morning, a sudden rush of water poured into workings | 0:35:06 | 0:35:10 | |
on the Flockton seam, two and a half miles from this pithead, | 0:35:10 | 0:35:14 | |
some 250 yards underground. | 0:35:14 | 0:35:16 | |
'The plight of seven trapped miners at the Lofthouse colliery | 0:35:16 | 0:35:20 | |
'near Wakefield, captivated the nation for almost a week.' | 0:35:20 | 0:35:24 | |
There were 32 men on that working. 25 escaped. Seven are still there. | 0:35:24 | 0:35:29 | |
It could be that the seven are dead or it could be, and it's hoped, | 0:35:29 | 0:35:33 | |
that they are trapped in an air bubble in which they could exist for 40 hours. | 0:35:33 | 0:35:39 | |
'Sometimes, reporters were at the scene for days. | 0:35:39 | 0:35:42 | |
'but the beaming of live pictures gave an extra dimension. | 0:35:42 | 0:35:47 | |
'Local news was reporting on events as they happened.' | 0:35:47 | 0:35:50 | |
What was a rescue operation becomes a recovery operation. | 0:35:50 | 0:35:54 | |
Coal Board officials see very little possibility, if at all, | 0:35:54 | 0:35:59 | |
that anybody could now be alive. | 0:35:59 | 0:36:01 | |
'The mix of light and shade was picked up elsewhere. | 0:36:05 | 0:36:08 | |
'The BBC's Nationwide wrapped itself around the local news shows | 0:36:08 | 0:36:13 | |
'and celebrated the regions. | 0:36:13 | 0:36:15 | |
'The relaxed nature of regional presenters was catching on. | 0:36:15 | 0:36:19 | |
'With the news programmes slugging it out, a new front opened in the battle for viewers. | 0:36:26 | 0:36:32 | |
'Documentaries could be seen on the network | 0:36:34 | 0:36:37 | |
'but longer local films that might only be seen in the region were also being made. | 0:36:37 | 0:36:42 | |
'The Yorkshire Dales was a magnet for filmmakers. | 0:36:42 | 0:36:46 | |
'By the '70s, the BBC in Yorkshire was looking for a new way | 0:36:46 | 0:36:49 | |
'of showing it off.' | 0:36:49 | 0:36:51 | |
This is an exemplar, really, of regional documentary film-making. | 0:36:51 | 0:36:56 | |
What A Way To Spend A Sunday, a film by Sid Perou. | 0:36:56 | 0:37:00 | |
'While everyone else headed for the hills, | 0:37:00 | 0:37:03 | |
'Sid Perou and his mates donned wet suits and went for the caverns underneath.' | 0:37:03 | 0:37:09 | |
John Shepherd is from Liverpool, a trainee solicitor. | 0:37:09 | 0:37:12 | |
Shep's had one or two narrow escapes from drowning. | 0:37:12 | 0:37:15 | |
'Sid Perou was a former BBC sound recordist | 0:37:15 | 0:37:19 | |
'who later became a freelance cameraman. | 0:37:19 | 0:37:22 | |
'He took his 16mm camera into places where few dared go.' | 0:37:22 | 0:37:27 | |
The cave brings back very happy memories to me of past friends | 0:37:29 | 0:37:34 | |
who were involved in explorations but were, unfortunately, | 0:37:34 | 0:37:38 | |
caught out in a flood and drowned in the caverns. | 0:37:38 | 0:37:43 | |
I think this, personally, has made me a lot more cautious caver | 0:37:43 | 0:37:48 | |
as regards water and outside weather conditions. | 0:37:48 | 0:37:52 | |
One's got to be very conscious of what's going on at the surface, | 0:37:52 | 0:37:56 | |
although you can't see it after several hours underground. | 0:37:56 | 0:38:00 | |
You haven't a clue whether it's raining, but this is a factor you've got to bear deeply in mind. | 0:38:00 | 0:38:08 | |
'He had to take lights down there. It was a tremendous effort.' | 0:38:08 | 0:38:13 | |
It took over 26 weeks to film. They went back and back and refilmed. | 0:38:13 | 0:38:17 | |
Almost like a drama. | 0:38:17 | 0:38:19 | |
On reflection, it might not be a bad way to spend a Sunday after all. | 0:38:19 | 0:38:25 | |
'It could be said that Sid Perou was one of the first innovators | 0:38:25 | 0:38:29 | |
'in experimental adventure film-making. | 0:38:29 | 0:38:33 | |
'He was filming in dangerous and risky places.' | 0:38:33 | 0:38:36 | |
This was something that film-makers tried to copy. | 0:38:36 | 0:38:39 | |
'By going underground, | 0:38:39 | 0:38:41 | |
'BBC Yorkshire exploited what was in their own backyard. | 0:38:41 | 0:38:47 | |
'Tyne Tees went further for their take on one of the northeast's most important industries. | 0:38:47 | 0:38:53 | |
'The award-winning documentary Big Deal At Gothenburg looked at ship-building | 0:38:53 | 0:38:59 | |
'from the shipyards of Scandinavia where the Swedes were building vessels more quickly | 0:38:59 | 0:39:04 | |
'and with a fraction of the manpower employed in the yards of Tyneside.' | 0:39:04 | 0:39:11 | |
In this uncanny stillness, | 0:39:11 | 0:39:13 | |
a shipyard is at work, the world's most revolutionary. | 0:39:13 | 0:39:16 | |
'It was a wake-up call for the workers and the government.' | 0:39:16 | 0:39:21 | |
It's at least ten years ahead of anyone else. | 0:39:23 | 0:39:27 | |
The cost and time of this man is known as certainly as he knows | 0:39:27 | 0:39:31 | |
where any piece of steel is at any given moment. | 0:39:31 | 0:39:35 | |
With two other men, he's responsible for lifting | 0:39:35 | 0:39:38 | |
and coaxing all the steel through all its preparatory stages. | 0:39:38 | 0:39:42 | |
'The documentary captured a critical moment that ship-building was changing. | 0:39:42 | 0:39:47 | |
'British companies would have to change too to survive. | 0:39:47 | 0:39:51 | |
'Tyne Tees' film was shown locally and then networked. | 0:39:51 | 0:39:55 | |
'It also won an Emmy, TV's highest accolade.' | 0:39:55 | 0:39:59 | |
70,000 tonners extruded like sausages from the assembly hall | 0:39:59 | 0:40:03 | |
at a rate of 13 a year. | 0:40:03 | 0:40:07 | |
Good evening, and welcome to Border Television. | 0:40:07 | 0:40:10 | |
'Over in Carlisle, Border Television didn't have much of a record in high-end documentary making. | 0:40:10 | 0:40:18 | |
'England's most northerly ITV region had more sheep than viewers. | 0:40:18 | 0:40:23 | |
'The station's rising star was Derek Batey, | 0:40:23 | 0:40:27 | |
'a local ventriloquist who also trained as an accountant.' | 0:40:27 | 0:40:31 | |
We had one film camera unit. We had one sound man. | 0:40:31 | 0:40:34 | |
We had one lighting man, one director, one PA, one vision mixer. | 0:40:34 | 0:40:39 | |
We had a part-time make-up lady. | 0:40:39 | 0:40:41 | |
I'd say, "Border's a company of one of everything," but like a family. | 0:40:41 | 0:40:45 | |
'Multi-skilled Derek doubled up as a roving reporter and production manager. | 0:40:45 | 0:40:51 | |
'With a background in light entertainment, | 0:40:51 | 0:40:54 | |
'Derek was the perfect host for a talent show with an unusual title.' | 0:40:54 | 0:40:58 | |
Join us for the final of Cock O' The Border, 7.25 on Sunday. | 0:40:58 | 0:41:02 | |
I remember our butcher saying, "I saw that programme, Cock O' The Border, last Sunday. | 0:41:02 | 0:41:07 | |
"What a load of rubbish!" I said, "I'm sorry you didn't care for it. | 0:41:07 | 0:41:13 | |
"You won't be watching this week." | 0:41:13 | 0:41:15 | |
"I wouldn't miss it! It's fantastic! | 0:41:15 | 0:41:18 | |
"Every week we think it can't be as bad as last week, and every week it is!" | 0:41:18 | 0:41:23 | |
John and Jessie, nice to see you here in Castle Douglas. | 0:41:23 | 0:41:27 | |
'Derek had one big hit on his hands, a quiz show | 0:41:27 | 0:41:31 | |
'that tested how much husbands and wives knew about each other.' | 0:41:31 | 0:41:36 | |
If your wife is on the telephone to a friend, | 0:41:38 | 0:41:42 | |
does she say what she has to say and get off the line? | 0:41:42 | 0:41:45 | |
Does she have a real good chat? Or does she never telephone friends? | 0:41:45 | 0:41:50 | |
We haven't got a telephone. | 0:41:50 | 0:41:52 | |
-She wouldn't telephone friends. -Does she go to phone boxes? | 0:41:52 | 0:41:56 | |
-What's she going to say? -I don't know. | 0:41:56 | 0:41:59 | |
'The cash from Mr & Mrs helped the station branch out into more adventurous territory. | 0:41:59 | 0:42:04 | |
'In the Border region, big stories didn't come calling very often. | 0:42:05 | 0:42:11 | |
'It seemed they'd struggle to get a documentary on the network.' | 0:42:11 | 0:42:15 | |
There's Border Parliamentary Report. | 0:42:15 | 0:42:17 | |
We did Border Journey, a documentary looking at industries across the area. | 0:42:17 | 0:42:23 | |
We had two big interesting industries. | 0:42:23 | 0:42:26 | |
One was Sellafield, which was the original atomic power station. | 0:42:26 | 0:42:31 | |
The other was the knitwear industry. | 0:42:31 | 0:42:34 | |
Donald Campbell took over from his father at Coniston 17 years ago. | 0:42:37 | 0:42:42 | |
Now he and his team are back. | 0:42:42 | 0:42:45 | |
'Donald Campbell had set speed records on land and water. | 0:42:45 | 0:42:48 | |
'In the mid '60s, he chose Coniston in the Lakes for a new attempt. | 0:42:48 | 0:42:54 | |
'Border took a punt and followed Campbell's progress | 0:42:54 | 0:42:57 | |
'as Bluebird attempted to break the magic 300mph barrier.' | 0:42:57 | 0:43:02 | |
The antic-climax comes when the attempt fails to succeed. | 0:43:02 | 0:43:06 | |
You know the pattern will be repeated. The weeks go by. | 0:43:06 | 0:43:09 | |
Many a night, he came out of the boathouse, | 0:43:09 | 0:43:12 | |
did a half mile wander up the lake, then there was a puff of smoke | 0:43:12 | 0:43:17 | |
and that was it, back to the workshops. | 0:43:17 | 0:43:21 | |
A lot of people imply it's a death wish you've got. | 0:43:21 | 0:43:25 | |
A lot of people sit on their behinds and watch television, | 0:43:25 | 0:43:28 | |
but what do they know? | 0:43:28 | 0:43:31 | |
'Viewers would soon know lots about Campbell's quest. | 0:43:31 | 0:43:34 | |
'On January 4th 1967, he made another attempt to break his own record.' | 0:43:34 | 0:43:40 | |
The day he did it, we had cameras more or less stationed with him, | 0:43:40 | 0:43:44 | |
or A camera, the freelance, | 0:43:44 | 0:43:47 | |
who actually got the classic piece of film of the boat taking off | 0:43:47 | 0:43:54 | |
and crashing and killing poor Donald. | 0:43:54 | 0:43:57 | |
VOICES ON TWO-WAY RADIO | 0:43:59 | 0:44:03 | |
'Complete accident, I'm afraid. Over.' | 0:44:03 | 0:44:08 | |
'Campbell's fateful record attempt became an international news story. | 0:44:10 | 0:44:15 | |
'It also gave Border one of their most poignant moments.' | 0:44:15 | 0:44:19 | |
Very sad. | 0:44:19 | 0:44:21 | |
'As long-form programmes took hold, | 0:44:28 | 0:44:30 | |
'regional producers were allowed to experiment with new formats. | 0:44:30 | 0:44:36 | |
'They started to build shows around their local personalities.' | 0:44:38 | 0:44:43 | |
We've got some lovely Yorkshire scenes to look at | 0:44:43 | 0:44:46 | |
and some lovely Yorkshire people to talk to - three first-class Yorshiremen. | 0:44:46 | 0:44:52 | |
'The BBC's Savile's Yorkshire Travels might have a hint of Alan Partridge about it, | 0:44:52 | 0:44:58 | |
'but regional programmes weren't always what the audience wanted.' | 0:44:58 | 0:45:03 | |
The key example is when a regional interest programme | 0:45:03 | 0:45:07 | |
clashes with Monty Python and the regional station can opt out of the national programme. | 0:45:07 | 0:45:13 | |
That could create some criticism from viewers | 0:45:13 | 0:45:16 | |
who felt they were being patronised | 0:45:16 | 0:45:20 | |
and forced to consume a diet of regional interest. | 0:45:20 | 0:45:24 | |
They wanted to join the nation in the networked programmes. | 0:45:24 | 0:45:28 | |
South Kirkby Colliery there, folks. | 0:45:28 | 0:45:32 | |
And Scarborough, beloved Scarborough, great training ground. | 0:45:32 | 0:45:36 | |
'There's one show that started on local TV | 0:45:40 | 0:45:43 | |
'which would captivate the nation and become a worldwide brand.' | 0:45:43 | 0:45:48 | |
There's a question that very often comes up in pub quizzes. | 0:45:48 | 0:45:52 | |
Who was the first presenter of Top Gear? | 0:45:52 | 0:45:55 | |
It was me! Everybody thinks it was Jeremy Clarkson. It was me! | 0:45:55 | 0:45:59 | |
I was already working as a news reader, | 0:46:01 | 0:46:04 | |
doing a lot of driving and I was a motoring correspondent for the AA. | 0:46:04 | 0:46:09 | |
There are bad drivers. Some are women but an awful lot are men. | 0:46:09 | 0:46:14 | |
'Broadcast once a month, it was no accident that it was only shown in the Midlands region, | 0:46:14 | 0:46:20 | |
'a part of England that was built around the motor industry.' | 0:46:20 | 0:46:24 | |
It was about motoring issues rather than the toys for the boys now. | 0:46:24 | 0:46:29 | |
'Episode one was more about hot grub than hot rods.' | 0:46:29 | 0:46:32 | |
The meal that you had has cost you in this restaurant just over £2. | 0:46:32 | 0:46:37 | |
How does that compare with what you pay in Holland? | 0:46:37 | 0:46:41 | |
Well, I think about twice as much in Holland. | 0:46:41 | 0:46:45 | |
'Life in the fast lane was very much frowned upon.' | 0:46:45 | 0:46:49 | |
I used to drive a yellow sports car. | 0:46:49 | 0:46:51 | |
A woman driving a sports car is like a red rag to a bull, | 0:46:51 | 0:46:55 | |
certainly to the police who are looking for speedsters, | 0:46:55 | 0:46:59 | |
so I always drive at a steady 70. | 0:46:59 | 0:47:01 | |
-Ten miles an hour is rather splitting hairs! -I will note that. | 0:47:01 | 0:47:06 | |
'Angela's stint with the driving gloves lasted a couple of series. | 0:47:06 | 0:47:10 | |
'London saw the programme had legs.' | 0:47:10 | 0:47:13 | |
At which point, the network thought, "This is a pretty good idea. | 0:47:13 | 0:47:17 | |
"Let's have it on the network." | 0:47:17 | 0:47:19 | |
The programme that I was asked to do in the regions again, | 0:47:19 | 0:47:24 | |
an idea from a regional producer, made by a regional production team, | 0:47:24 | 0:47:28 | |
was catapulted onto the network. | 0:47:28 | 0:47:32 | |
Just look at what's happened to Top Gear now! | 0:47:32 | 0:47:36 | |
That's where we end this first edition of Top Gear. | 0:47:36 | 0:47:39 | |
'A short drive down the M5, | 0:47:39 | 0:47:41 | |
'there was another programme breaking new ground. | 0:47:41 | 0:47:44 | |
'The BBC's arts show from Bristol offered an eclectic mix | 0:47:44 | 0:47:48 | |
'of everything hip in the West Country.' | 0:47:48 | 0:47:51 | |
I had my own programme, RPM, where virtually anything went | 0:47:51 | 0:47:55 | |
that I liked - architecture, pop music, | 0:47:55 | 0:47:59 | |
real ale was one of the first things that I did, rather stupidly. | 0:47:59 | 0:48:04 | |
# Whatever happened to the heroes? | 0:48:04 | 0:48:08 | |
# No more heroes any more... # | 0:48:09 | 0:48:12 | |
'The Stranglers were great for starters, | 0:48:12 | 0:48:15 | |
'but David Pritchard was about to find a new hero.' | 0:48:15 | 0:48:19 | |
I met Keith Floyd and said, "Come on this programme. | 0:48:19 | 0:48:22 | |
"I think you're really funny and I think the camera will like you." | 0:48:22 | 0:48:27 | |
He said, "OK, fine." | 0:48:27 | 0:48:29 | |
You put some wine into the rabbit and put some wine into yourself. | 0:48:29 | 0:48:33 | |
Cooking is meant to be fun, a bit like the bedroom. | 0:48:33 | 0:48:37 | |
'Floyd would prove to be more than a flash in the pan. | 0:48:37 | 0:48:41 | |
'David Pritchard decided to make a series focused on fish. | 0:48:41 | 0:48:45 | |
'He was hearing stories from the quayside in the southwest | 0:48:45 | 0:48:48 | |
'about the wasted catch that UK consumers wouldn't eat.' | 0:48:48 | 0:48:53 | |
This old fisherman said, "It's all very well holidaymakers coming here, | 0:48:53 | 0:48:57 | |
"but all you want to buy is cod, plaice and haddock. | 0:48:57 | 0:49:02 | |
"All this red mullet, all this cuttlefish, octopus, you won't touch it, will you? No. | 0:49:02 | 0:49:08 | |
"It all gets shipped over to France and Spain." | 0:49:08 | 0:49:12 | |
I thought, "Wow! Keith Floyd could really work with this material." | 0:49:12 | 0:49:16 | |
I said, "We'll do one programme." I was the commissioning editor at the time. | 0:49:16 | 0:49:22 | |
'Here was a larger-than-life maverick chef trying to educate the public's palate.' | 0:49:26 | 0:49:32 | |
The French are very discerning. | 0:49:32 | 0:49:34 | |
-The Chinese know all about it. -Yeah, they buy large cuttlefish. | 0:49:34 | 0:49:38 | |
They dry them out and you eat the cuttlefish in with the curry stuff | 0:49:38 | 0:49:43 | |
they give you in their takeaways. | 0:49:43 | 0:49:45 | |
'The net result was an increase in our choice of fish | 0:49:45 | 0:49:48 | |
'and an increase in programming for Pritchard.' | 0:49:48 | 0:49:52 | |
I liked it so much, I commissioned myself to do another five! | 0:49:52 | 0:49:56 | |
So we did a series and then that got on the network. | 0:49:56 | 0:49:59 | |
That changed everything, really. | 0:49:59 | 0:50:01 | |
Changed the way food programmes were made, and all of that. | 0:50:01 | 0:50:05 | |
Also, it changed my life enormously. | 0:50:05 | 0:50:09 | |
'One of the strangest local TV successes came when one producer | 0:50:10 | 0:50:14 | |
'brought the tap room into the living room. | 0:50:14 | 0:50:18 | |
'Indoor League gathered some of the best saloon bar sports stars. | 0:50:18 | 0:50:22 | |
'It proved to be gripping television.' | 0:50:22 | 0:50:25 | |
Moments of tension. Moments that have made commentator Dave go lyrical. | 0:50:25 | 0:50:30 | |
'Pub athletes flocked to Leeds, enticed by the limelight and prize money.' | 0:50:30 | 0:50:36 | |
The first prize is a hundred quid for shove ha'penny, bar billiards, | 0:50:36 | 0:50:40 | |
skittles, table football and darts. | 0:50:40 | 0:50:42 | |
'It was a glimpse into a world where people played games in pubs. | 0:50:42 | 0:50:47 | |
'The programme was shown in the Yorkshire TV area but became a massive hit, | 0:50:50 | 0:50:56 | |
'picked up by the ITV network. | 0:50:56 | 0:50:58 | |
'One key to its success was its location and it wasn't a glitzy TV studio.' | 0:50:58 | 0:51:03 | |
The thing about a Working Men's Club is you have a few beers, | 0:51:03 | 0:51:07 | |
a game of dominos, but there are rules. | 0:51:07 | 0:51:10 | |
It's not like a pub. It's a member's club. | 0:51:10 | 0:51:14 | |
Most of the people who came were Working Men's Club people. | 0:51:14 | 0:51:18 | |
Take it from me, the kings of darts will steal your hearts. | 0:51:18 | 0:51:23 | |
They were used to this environment, | 0:51:23 | 0:51:26 | |
but they were also used to having quite a boozy jolly audience | 0:51:26 | 0:51:31 | |
cos everybody brought their hangers-on. | 0:51:31 | 0:51:35 | |
A star of the sliding small change, so is Alan Brown, | 0:51:37 | 0:51:41 | |
star of the Durham shove ha'penny league. | 0:51:41 | 0:51:43 | |
I've seen him play before. Alan Brown is really rubbing it in. | 0:51:43 | 0:51:48 | |
One o'clock, lunch time, nationally. | 0:51:50 | 0:51:52 | |
Five million viewers, mainly in pubs. | 0:51:52 | 0:51:57 | |
His skittle playing has deteriorated in the last minute. | 0:51:57 | 0:52:00 | |
That's a better one! That's a flopper! | 0:52:00 | 0:52:04 | |
It tickled me to have made telly stars out of coal miners, | 0:52:04 | 0:52:11 | |
steel workers and... let's be blunt, some lads who neither worked nor want. | 0:52:11 | 0:52:17 | |
'Time was called on the Indoor League but its legacy lives on. | 0:52:17 | 0:52:21 | |
'Televised darts are still with us. | 0:52:21 | 0:52:24 | |
'Indoor League producer, Sid Waddell, is the national voice of the sport.' | 0:52:24 | 0:52:29 | |
It was what regionalism really is about. | 0:52:29 | 0:52:32 | |
It was a Geordie with a sense of humour | 0:52:32 | 0:52:36 | |
who played all these sports, badly. | 0:52:36 | 0:52:38 | |
But I was All Yorkshire Champion of shove ha'penny! | 0:52:38 | 0:52:42 | |
'While you couldn't deny the popularity of Indoor League, | 0:52:42 | 0:52:46 | |
'not every programme was as well received. | 0:52:46 | 0:52:50 | |
'At the Beeb, local staff felt the heat from bosses in London.' | 0:52:50 | 0:52:54 | |
Regional television was always threatened! | 0:52:54 | 0:52:57 | |
It was a bit like Swan Hunter, the shipyard. | 0:52:57 | 0:53:00 | |
There were always threats of redundancies, cuts, | 0:53:00 | 0:53:05 | |
less programmes, shorter programmes, it was ever thus. | 0:53:05 | 0:53:10 | |
Nationally, they thought the regions were... | 0:53:10 | 0:53:14 | |
poor cousins, country cousins. | 0:53:14 | 0:53:16 | |
We were treated, to an extent, as country cousins. | 0:53:16 | 0:53:20 | |
People in regional broadcasting are sort of like sand fleas, | 0:53:20 | 0:53:25 | |
you know, compared to the great emperor penguins | 0:53:25 | 0:53:28 | |
of Television Centre and whathaveyou. | 0:53:28 | 0:53:31 | |
Probably a pretty bad analogy, but you get my drift. | 0:53:31 | 0:53:35 | |
I think there was an element within the BBC | 0:53:35 | 0:53:39 | |
that was really quite patrician, | 0:53:39 | 0:53:41 | |
that felt that the regions were amateurish. | 0:53:41 | 0:53:44 | |
BAGPIPES PLAY, DOG HOWLS | 0:53:44 | 0:53:47 | |
We attempted things in regional broadcasting | 0:53:47 | 0:53:50 | |
that weren't, you know, our finest hour. | 0:53:50 | 0:53:54 | |
We've come to the pierhead to see how people, | 0:53:54 | 0:53:57 | |
to paraphrase Gerry Marsden, bellow across the Mersey. | 0:53:57 | 0:54:01 | |
SHOUTS | 0:54:01 | 0:54:03 | |
-You reckon you were heard in Birkenhead? -No. | 0:54:03 | 0:54:07 | |
'Viewers may have been swinging in their 60s, | 0:54:09 | 0:54:12 | |
'but the cosy relationship with their local TV station was to take a new twist. | 0:54:12 | 0:54:17 | |
'The 1979 ITV strike was arguably the catalyst for a chain of events | 0:54:21 | 0:54:26 | |
'that would shake regional broadcasting to its core. | 0:54:26 | 0:54:30 | |
'Technicians wanted a 25% pay rise. | 0:54:30 | 0:54:32 | |
'For almost 11 weeks, ITV screens were blacked out.' | 0:54:32 | 0:54:37 | |
This really sowed seeds of the demise, if you like, | 0:54:37 | 0:54:41 | |
of television as it had been evolving. | 0:54:41 | 0:54:45 | |
It raised questions about the model of broadcasting. | 0:54:45 | 0:54:48 | |
We see this with Channel 4, which pioneers a new way of working. | 0:54:48 | 0:54:53 | |
'The new channel would become one of many to challenge ITV's advertising strangle hold. | 0:54:57 | 0:55:03 | |
'Regional telly was increasingly seen as expensive. | 0:55:03 | 0:55:07 | |
'It was cheaper to make one network blockbuster | 0:55:07 | 0:55:10 | |
'than regional variations.' | 0:55:10 | 0:55:12 | |
There were 15 regional programmes. | 0:55:12 | 0:55:15 | |
Slowly, like any other business, | 0:55:15 | 0:55:17 | |
the big boys started to swallow up the little lads. | 0:55:17 | 0:55:21 | |
Eventually, people counted their money against each other and the big boys won. | 0:55:21 | 0:55:26 | |
'In the '90s, the BBC also searched for efficiencies | 0:55:26 | 0:55:31 | |
'and concentrated regional output on news, politics and current affairs. | 0:55:31 | 0:55:36 | |
'By the noughties, the remaining big ITV companies started to merge, | 0:55:36 | 0:55:40 | |
'and ultimately became one PLC.' | 0:55:40 | 0:55:44 | |
If we look back to the '60s and '70s we had a clear sense of Tyne Tees, | 0:55:44 | 0:55:48 | |
Anglia and Granada and the Midlands and the South. | 0:55:48 | 0:55:53 | |
We knew where these regions were. It's much more muddied now. | 0:55:53 | 0:55:58 | |
'With broadcasting rules changing, | 0:56:05 | 0:56:07 | |
'ITV was allowed to ditch the bits it said didn't make money. | 0:56:07 | 0:56:12 | |
'Regional output hit the cutting room floor, leaving ITV with a core service of local news.' | 0:56:12 | 0:56:19 | |
We have lost that wonderful curve of mixed programming | 0:56:19 | 0:56:24 | |
that reflected the region's talent and achievement and history. | 0:56:24 | 0:56:29 | |
And now, it's gone. | 0:56:29 | 0:56:31 | |
We are gradually, gradually losing our contact with our region | 0:56:33 | 0:56:40 | |
because we don't have that visual representation of it | 0:56:40 | 0:56:45 | |
on a regular basis. | 0:56:45 | 0:56:47 | |
"The network" has become the all-important god. | 0:56:47 | 0:56:52 | |
'Regional telly still pulls in the viewers. | 0:56:53 | 0:56:57 | |
'But the fight to keep them is intense.' | 0:56:57 | 0:57:00 | |
Spare a thought for shopkeepers in Sheffield who are cleaning up after flash floods. | 0:57:01 | 0:57:07 | |
'The transmitters from the '50s and '60s defined regional television, | 0:57:07 | 0:57:11 | |
'but the world below has moved on. | 0:57:11 | 0:57:14 | |
'TV no longer has those boundaries and viewing habits have changed. | 0:57:14 | 0:57:19 | |
'In a digital world, regional telly faces challenges | 0:57:19 | 0:57:23 | |
'from global media giants and plans for super-local TV.' | 0:57:23 | 0:57:28 | |
Naturally, you're thinking, "What of the future?" | 0:57:28 | 0:57:31 | |
'Is there still a case for viewing life through a regional lens?' | 0:57:31 | 0:57:36 | |
Globalisation makes the case for regional television much greater. | 0:57:36 | 0:57:40 | |
People want to...want to feel part of where they live. | 0:57:40 | 0:57:46 | |
Television's a way of showing them what part they are. | 0:57:46 | 0:57:51 | |
People in Leeds and Manchester don't think like people in London. | 0:57:51 | 0:57:55 | |
They have a different point of view, different accent. That's important. | 0:57:55 | 0:57:59 | |
That needs representing because it's often very creative. | 0:57:59 | 0:58:03 | |
We can learn, one from the other. | 0:58:03 | 0:58:06 | |
Regional television will never die. | 0:58:06 | 0:58:08 | |
It will just take on an entirely different guise. | 0:58:08 | 0:58:12 | |
Good morning, sir. | 0:58:15 | 0:58:16 | |
PLAYS EDELWEISS | 0:58:16 | 0:58:20 | |
Subtitles by Red Bee Media Ltd | 0:58:41 | 0:58:44 | |
E-mail [email protected] | 0:58:44 | 0:58:47 |