Browse content similar to Shrek: Once upon a Time. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Once upon a time, in a land far far away, | 0:00:03 | 0:00:07 | |
there was a princess who was locked away in a tower, | 0:00:07 | 0:00:10 | |
awaiting her good knight. | 0:00:10 | 0:00:13 | |
To save her, he must travel through treacherous lands | 0:00:13 | 0:00:16 | |
to give her true love's first kiss. | 0:00:16 | 0:00:19 | |
This good knight was...an ogre?! | 0:00:19 | 0:00:23 | |
I'm not going to apologise for acting like one. | 0:00:23 | 0:00:25 | |
Meet Hollywood's most unlikely hero. | 0:00:27 | 0:00:30 | |
-I said, "What's it called?" And he said... -Shrek. -Shrek!? | 0:00:33 | 0:00:36 | |
"That's a really bad title!" | 0:00:36 | 0:00:37 | |
-Star of the blockbuster hit that has graced us with... -SHREK FARTS | 0:00:37 | 0:00:41 | |
-It's flavour! -SHE LAUGHS | 0:00:41 | 0:00:44 | |
-..heartfelt stories... -Do you love this woman? -Yes. | 0:00:44 | 0:00:46 | |
# Then you got to, got to got to try a little tenderness. # | 0:00:46 | 0:00:50 | |
-Chicks love that romantic crap. -All right, cut it out! | 0:00:50 | 0:00:53 | |
-..and iconic animated characters. -Argh! | 0:00:53 | 0:00:56 | |
I do a voice for him that is very breathy. | 0:00:56 | 0:00:58 | |
Ogre Fiona has always spoke to me. | 0:00:58 | 0:01:00 | |
SHE BURPS | 0:01:00 | 0:01:02 | |
At the core of it, I'm always thinking, "Jackass." | 0:01:02 | 0:01:04 | |
Waiter, how about a bowl for the steed? | 0:01:04 | 0:01:06 | |
But, it wasn't always a fairytale. | 0:01:06 | 0:01:09 | |
I think it was constantly in jeopardy. | 0:01:09 | 0:01:12 | |
Chris Farley began as Shrek | 0:01:12 | 0:01:14 | |
and, of course, passed away so tragically. | 0:01:14 | 0:01:16 | |
Brace yourselves for a journey into the weird and wonderful world | 0:01:16 | 0:01:20 | |
of the one and only Shrek. | 0:01:20 | 0:01:22 | |
The audience for the first 10 minutes of that film | 0:01:22 | 0:01:25 | |
were genuinely shocked. | 0:01:25 | 0:01:27 | |
-Does that sound good to you? -Uh... | 0:01:27 | 0:01:30 | |
No, not really, no. | 0:01:30 | 0:01:31 | |
Hollywood -home of handsome film stars like Tom Cruise, Matt Damon | 0:01:39 | 0:01:43 | |
and Shrek? | 0:01:43 | 0:01:45 | |
Yes, this is the incredible tale of how one of the world's | 0:01:45 | 0:01:48 | |
highest grossing movie franchises was inspired by a fat, ugly, | 0:01:48 | 0:01:53 | |
grumpy Scottish monster. I don't like the way we've got "grumpy" and "Scottish" together there. | 0:01:53 | 0:01:58 | |
Anyway, tonight, we are going to discover what ingredients | 0:01:58 | 0:02:01 | |
make this vermin-filled fairytale the success it is today. | 0:02:01 | 0:02:05 | |
Oh, you had me at vermin-filled. | 0:02:05 | 0:02:07 | |
Now, we all know the story of Shrek. | 0:02:07 | 0:02:09 | |
But, if you don't, here's a quick reminder. | 0:02:09 | 0:02:12 | |
Once upon a time, there was a lovely princess... | 0:02:12 | 0:02:15 | |
I said a quick reminder! | 0:02:15 | 0:02:18 | |
So, there's this ogre called Shrek who met a talking donkey called... | 0:02:18 | 0:02:22 | |
-well, Donkey... -That's right, fool! | 0:02:22 | 0:02:24 | |
..who, by the way, had a beautiful singing voice. | 0:02:24 | 0:02:27 | |
# Ain't no stopping us now. # Woo! | 0:02:27 | 0:02:30 | |
Together, they rescued a princess called Fiona... | 0:02:30 | 0:02:32 | |
-Put me down! -..who it turns out was an ogre too. | 0:02:32 | 0:02:35 | |
Shrek and Fiona fell in love and got married. | 0:02:35 | 0:02:38 | |
Oh, and a Donkey mated with a dragon. O-K... | 0:02:38 | 0:02:41 | |
Soon after, we met a fancy feline. | 0:02:41 | 0:02:43 | |
Fear me, if you dear. | 0:02:43 | 0:02:45 | |
Then Shrek got a makeover. | 0:02:45 | 0:02:47 | |
Shrek and I took some magic potion and, well, now we're sexy! | 0:02:47 | 0:02:52 | |
And Donkey and Puss decided to engage in a little body-swapping. | 0:02:52 | 0:02:55 | |
-PUSS' VOICE: -The time has come to rectify some wrongs. | 0:02:55 | 0:02:58 | |
-Indeed. Then Shrek did something silly. -I signed this. | 0:02:58 | 0:03:00 | |
-You should never sign a contract with... -Rumpelstiltskin! | 0:03:00 | 0:03:05 | |
And everything started to get a little weird. | 0:03:05 | 0:03:07 | |
SHREK: Donkey? Fiona? Puss? | 0:03:07 | 0:03:10 | |
Right, cut it there. OK, and breathe. | 0:03:10 | 0:03:13 | |
Before this is over, I'll need a lot of serious therapy. Look at my eye twitching. | 0:03:13 | 0:03:17 | |
Well, now we're all up to speed, let's find out | 0:03:17 | 0:03:19 | |
the first thing you need to make a modern-day fairytale - | 0:03:19 | 0:03:22 | |
a daring animation studio. | 0:03:22 | 0:03:25 | |
Welcome to the house that Shrek built. | 0:03:25 | 0:03:28 | |
DreamWorks Animation, California. | 0:03:28 | 0:03:31 | |
This is where the imaginations of producers, writers and animators | 0:03:31 | 0:03:35 | |
conjured up great hits like Antz, Kung Fu Panda, | 0:03:35 | 0:03:38 | |
Madagascar, Megamind, | 0:03:38 | 0:03:40 | |
Bee Movie, Monsters vs Aliens, | 0:03:40 | 0:03:41 | |
Over the Hedge, Shark Tale, | 0:03:41 | 0:03:43 | |
How to Train Your Dragon and Puss In Boots. | 0:03:43 | 0:03:46 | |
Ho! They've been working around the clock. | 0:03:46 | 0:03:49 | |
But none of this would have been possible | 0:03:49 | 0:03:51 | |
if not for this big, green, lovable ogre - | 0:03:51 | 0:03:53 | |
DreamWorks' biggest star. | 0:03:53 | 0:03:56 | |
It's one of the great Hollywood successes of the last 10 years. | 0:03:56 | 0:04:00 | |
They created this world but now one had ever seen before. | 0:04:00 | 0:04:03 | |
I thought it was fantastic. | 0:04:03 | 0:04:04 | |
The Shrek franchise is the shining green jewel in the DreamWorks crown. | 0:04:04 | 0:04:08 | |
How many films have there been, Mike? | 0:04:08 | 0:04:11 | |
There's been four! | 0:04:11 | 0:04:13 | |
Next, we need a good story. | 0:04:13 | 0:04:15 | |
So take some classic fairytales and turn them upside down. | 0:04:15 | 0:04:18 | |
But who's brave enough to do that? Meet the big boss. | 0:04:18 | 0:04:22 | |
I had spent 10 years at Disney, telling conventional fairytales | 0:04:22 | 0:04:25 | |
and telling them in a very heartfelt | 0:04:25 | 0:04:27 | |
and conventional way. | 0:04:27 | 0:04:29 | |
This seemed, to me, to be able to take that world | 0:04:29 | 0:04:33 | |
and do something that was completely fresh, very unique, | 0:04:33 | 0:04:37 | |
not done before. | 0:04:37 | 0:04:38 | |
It's got this wonderful ironic approach to fairytales. | 0:04:38 | 0:04:43 | |
It's constantly up-ending the romance. | 0:04:43 | 0:04:47 | |
The ogre has fallen in love with the Princess! | 0:04:47 | 0:04:50 | |
-Oh, good Lord... -LAUGHTER | 0:04:50 | 0:04:53 | |
We were raised with all of those traditional fairytales | 0:04:53 | 0:04:57 | |
told in a very traditional way. | 0:04:57 | 0:04:59 | |
And taking them upside down and just looking at them | 0:04:59 | 0:05:02 | |
from a totally different angle, it was almost like | 0:05:02 | 0:05:05 | |
revisiting your own youth. | 0:05:05 | 0:05:06 | |
It kind of expressed all of our frustration, that sort of growing up | 0:05:06 | 0:05:10 | |
with that nest of lies. | 0:05:10 | 0:05:12 | |
I suggest you freaks cooperate with the new king of Far Far Away. | 0:05:12 | 0:05:17 | |
The only thing you're ever going to be king of is king of the stupids! | 0:05:17 | 0:05:21 | |
But the key to success lay in the biggest twist of all. | 0:05:21 | 0:05:25 | |
One simple conversion of having | 0:05:25 | 0:05:28 | |
the ogre, who is usually the bad guy, be the hero of the story. | 0:05:28 | 0:05:31 | |
I think that's a huge move. | 0:05:31 | 0:05:33 | |
I'm an ogre! You know, "Grab your torch and pitchforks!" | 0:05:33 | 0:05:37 | |
-Doesn't that bother you? -Nope. | 0:05:37 | 0:05:40 | |
The traditionally good characters end up being bad | 0:05:40 | 0:05:43 | |
and bad characters end up being good. | 0:05:43 | 0:05:45 | |
No, no, no, no, no! | 0:05:45 | 0:05:47 | |
You see, ogres don't live happily ever after. | 0:05:47 | 0:05:51 | |
The tyrant should be physically imposing and terrifying, | 0:05:51 | 0:05:55 | |
but they make him small and ineffectual. | 0:05:55 | 0:05:58 | |
Fiona, my love, we're but a kiss away from our happily ever after. | 0:05:58 | 0:06:01 | |
Now, kiss me! Mmm... | 0:06:01 | 0:06:04 | |
The princess should be demure | 0:06:04 | 0:06:07 | |
and fragile. | 0:06:07 | 0:06:09 | |
Instead, you have Fiona. | 0:06:09 | 0:06:11 | |
We were looking at their stories and saying, | 0:06:12 | 0:06:15 | |
"How can we change these stories so that they feel new?" | 0:06:15 | 0:06:20 | |
Geppetto was selling his boy to Farquaad at the very beginning | 0:06:20 | 0:06:25 | |
for a little bit of money. | 0:06:25 | 0:06:27 | |
-Next! What have you got? -This little wooden puppet. | 0:06:27 | 0:06:29 | |
I'm not a puppet. I'm a real boy! | 0:06:29 | 0:06:32 | |
SLIDING WHISTLE | 0:06:32 | 0:06:34 | |
Five shillings for the possessed toy. Take it away! | 0:06:34 | 0:06:37 | |
Father, please! Don't let them... | 0:06:37 | 0:06:39 | |
They're all being thrown out basically of their own stories. | 0:06:39 | 0:06:43 | |
And they all ended up in Shrek's swamp, | 0:06:43 | 0:06:45 | |
where he welcomed them with open arms. | 0:06:45 | 0:06:48 | |
What are you doing in my house? | 0:06:48 | 0:06:51 | |
Hey! | 0:06:51 | 0:06:52 | |
Maybe not. | 0:06:52 | 0:06:54 | |
Oh, no, no, no! Dead broad off the table! | 0:06:54 | 0:06:56 | |
-Where are we supposed to put her? The bed's taken. -Huh? | 0:06:56 | 0:07:00 | |
What? | 0:07:02 | 0:07:04 | |
It almost makes fun of us and our attachment | 0:07:04 | 0:07:08 | |
to these characters from when we were children. | 0:07:08 | 0:07:12 | |
What are you doing in my swamp!? HIS VOICE ECHOES | 0:07:12 | 0:07:15 | |
THEY GASP | 0:07:17 | 0:07:19 | |
Oh, dear... | 0:07:19 | 0:07:20 | |
So, time to meet the hero - Shrok. | 0:07:20 | 0:07:23 | |
I'm Shrek, you twit. | 0:07:23 | 0:07:25 | |
Argh! | 0:07:25 | 0:07:27 | |
Can't we just settle this over a pint? | 0:07:27 | 0:07:30 | |
-RECORD SCRATCHES -Some hero, eh? | 0:07:30 | 0:07:33 | |
Oh, you were expecting Prince Charming. | 0:07:33 | 0:07:36 | |
Originally, Shrek was, I think, a less likeable character. | 0:07:36 | 0:07:39 | |
And he had a very clear goal of wanting to be a knight | 0:07:39 | 0:07:43 | |
and wasn't going to be happy until he was one. | 0:07:43 | 0:07:45 | |
And that was not a Shrek any of us wanted to hang out with. | 0:07:45 | 0:07:48 | |
Ra-a-ar! | 0:07:48 | 0:07:50 | |
THEY SCREAM | 0:07:50 | 0:07:52 | |
Shrek is an ogre | 0:07:56 | 0:07:58 | |
and can have a lot of traits that might be not so likeable. | 0:07:58 | 0:08:01 | |
So, the first thing was to figure out how to make him an ogre | 0:08:01 | 0:08:04 | |
but make him a guy you could root for. | 0:08:04 | 0:08:06 | |
And how could you possibly do that? | 0:08:06 | 0:08:10 | |
-Insults... -You dense, irritating miniature beast of burden! | 0:08:10 | 0:08:14 | |
-..assaults... -SHE YELPS | 0:08:14 | 0:08:16 | |
-..farting... -HE FARTS | 0:08:16 | 0:08:19 | |
-..burping... -HE BURPS | 0:08:19 | 0:08:21 | |
-..it's flavour! -SHE LAUGHS | 0:08:21 | 0:08:23 | |
Em, I think it's the kind of thing kids love, you see. | 0:08:23 | 0:08:26 | |
You can't beat a good fart gag. | 0:08:26 | 0:08:28 | |
Any kind of food that you don't like, he likes. | 0:08:28 | 0:08:31 | |
He makes candles out of his ear wax. | 0:08:31 | 0:08:34 | |
He lives in a swamp. | 0:08:36 | 0:08:38 | |
Bad smells good smells to him. | 0:08:38 | 0:08:40 | |
Ha, morning breath. | 0:08:40 | 0:08:42 | |
I know. Isn't it wonderful? | 0:08:42 | 0:08:45 | |
We loved making him fart and burp and do all that fun stuff, | 0:08:45 | 0:08:49 | |
but, in the end, you know, | 0:08:49 | 0:08:52 | |
he becomes someone who opens his heart to the world. | 0:08:52 | 0:08:55 | |
Ogres are like onions. | 0:08:55 | 0:08:57 | |
-HE SNIFFS -They stink? | 0:08:57 | 0:08:59 | |
-Yes. No! -They make you cry? -No! | 0:08:59 | 0:09:01 | |
Leave them out in the sun, they go brown, start sprouting white hairs? | 0:09:01 | 0:09:05 | |
No! Layers! Onions have layers. | 0:09:05 | 0:09:09 | |
Ogres have layers, onions have layers - you get it? | 0:09:09 | 0:09:13 | |
We both have layers! HE SIGHS | 0:09:13 | 0:09:15 | |
Oh, you both have layers. Oh... | 0:09:16 | 0:09:19 | |
You know, not everybody likes onions. | 0:09:21 | 0:09:23 | |
I could relate to that identity problem. | 0:09:23 | 0:09:25 | |
I know I'm supposed to be a villain and a bad guy, | 0:09:25 | 0:09:29 | |
but I don't feel like one. | 0:09:29 | 0:09:32 | |
Weirdly, as a Canadian, we're sort of | 0:09:32 | 0:09:36 | |
there next to the United States going, "Hey, guys, wait up!" | 0:09:36 | 0:09:39 | |
We're not quite England, we're not quite France, | 0:09:39 | 0:09:41 | |
we're not quite America. | 0:09:41 | 0:09:43 | |
What's your problem, Shrek? | 0:09:43 | 0:09:44 | |
What you got against the whole world anyway, huh? | 0:09:44 | 0:09:47 | |
Look! I'm not the one with the problem, OK? | 0:09:47 | 0:09:49 | |
It's the world that seems to have a problem with me. | 0:09:49 | 0:09:52 | |
People take one look at me and go, "Argh! Help, run! | 0:09:52 | 0:09:55 | |
"A big, stupid ugly ogre." | 0:09:55 | 0:09:58 | |
HE SIGHS | 0:09:58 | 0:10:00 | |
They judge me before they even know me. | 0:10:00 | 0:10:03 | |
He's fearful of change. And I think that that's most of us. | 0:10:03 | 0:10:07 | |
You know, I think we all kind of come up against the fear of | 0:10:07 | 0:10:11 | |
making changes in our lives because we get so comfortable as things are. | 0:10:11 | 0:10:15 | |
He doesn't want to get hurt. And so he tells himself | 0:10:15 | 0:10:18 | |
at the beginning of the movie that he would prefer to be alone. | 0:10:18 | 0:10:22 | |
And when he meets people and they're nice, like Donkey and Fiona, | 0:10:22 | 0:10:26 | |
he doesn't know what to do with it. | 0:10:26 | 0:10:28 | |
-I guess you don't entertain much, do you? -I like my privacy. | 0:10:28 | 0:10:32 | |
I do too. That's another thing we have in common. | 0:10:32 | 0:10:35 | |
I hate it when somebody's in your face, | 0:10:35 | 0:10:37 | |
you try to give them a hint to leave | 0:10:37 | 0:10:38 | |
and then there's that big, awkward silence. | 0:10:38 | 0:10:41 | |
Can I stay with you? | 0:10:46 | 0:10:48 | |
-What? -Can I stay with you...please? | 0:10:48 | 0:10:52 | |
-Of course! -Really? | 0:10:52 | 0:10:54 | |
-No. -It's going to take a very special lady to melt the heart of this ogre. | 0:10:54 | 0:10:59 | |
I love the scene where Fiona and Shrek are falling in love. | 0:11:06 | 0:11:10 | |
And they're blowing up toads together | 0:11:10 | 0:11:12 | |
and they're kind of like... It's just so endearing. | 0:11:12 | 0:11:16 | |
You see how these two people show their love for one another | 0:11:16 | 0:11:20 | |
and I always thought that that was really sweet. | 0:11:20 | 0:11:23 | |
In seeing Fiona, he learns to love himself. | 0:11:23 | 0:11:25 | |
And I think that that is a great lesson. | 0:11:25 | 0:11:28 | |
And I think that if you're a little kid and whatever odd situation | 0:11:28 | 0:11:31 | |
you're in, and everybody as a human is in an odd situation, | 0:11:31 | 0:11:35 | |
You can relate to that. | 0:11:35 | 0:11:37 | |
-Fiona? -Yes, Shrek. | 0:11:37 | 0:11:40 | |
I... I love you. | 0:11:41 | 0:11:46 | |
Really? | 0:11:46 | 0:11:48 | |
Really, really. | 0:11:49 | 0:11:50 | |
Wow, Shrek, that's quite the bride you have there. | 0:11:50 | 0:11:54 | |
But fairytale law states quite clearly | 0:11:54 | 0:11:56 | |
that every princess must come with a curse. | 0:11:56 | 0:11:59 | |
In this case, by night, she's an ogre. | 0:11:59 | 0:12:02 | |
And, by day, a beautiful, elegant princess - kind of. | 0:12:02 | 0:12:06 | |
Hi-ya! | 0:12:06 | 0:12:07 | |
Meet Fiona. | 0:12:07 | 0:12:10 | |
Well, Fiona her whole life has been told that she's been locked | 0:12:10 | 0:12:14 | |
in this tower and she's meant to be saved by her Prince Charming. | 0:12:14 | 0:12:19 | |
True love's kiss is what's going to release her from this prison | 0:12:21 | 0:12:25 | |
that she's been in her whole life. | 0:12:25 | 0:12:27 | |
They have this moment where she prepares herself | 0:12:32 | 0:12:35 | |
and she's waiting there and she's pretending to be asleep, | 0:12:35 | 0:12:39 | |
and here's Shrek with his caged face. | 0:12:39 | 0:12:43 | |
And nothing goes right. | 0:12:43 | 0:12:45 | |
-Wake up! -What? | 0:12:45 | 0:12:47 | |
Are you Princess Fiona? | 0:12:47 | 0:12:49 | |
I am. | 0:12:49 | 0:12:51 | |
Awaiting a night so bold as to rescue me. | 0:12:51 | 0:12:54 | |
Oh, that's nice. Now, let's go! | 0:12:54 | 0:12:56 | |
And he just kind of want to throw her over his shoulder | 0:12:56 | 0:12:59 | |
and, you know, get her out the window. | 0:12:59 | 0:13:01 | |
And she has all the ways that she needs it to be done. | 0:13:01 | 0:13:05 | |
What kind of knight are you? | 0:13:05 | 0:13:08 | |
One of a kind. | 0:13:08 | 0:13:10 | |
He has no intention of being her knight in shining armour. | 0:13:10 | 0:13:13 | |
He just wants his swamp back. | 0:13:13 | 0:13:15 | |
All the ways that it didn't go right, | 0:13:15 | 0:13:17 | |
at least the kiss is going to go right. | 0:13:17 | 0:13:19 | |
You know, at least... Nothing went the right way, | 0:13:19 | 0:13:22 | |
he threw her over his shoulder, he got her out of there and here it is. | 0:13:22 | 0:13:26 | |
"Let's just do this right." | 0:13:26 | 0:13:27 | |
Oh, you must know how it goes. | 0:13:27 | 0:13:30 | |
A princess locked in a tower and beset by a dragon | 0:13:30 | 0:13:33 | |
is rescued by a brave knight. | 0:13:33 | 0:13:36 | |
And then they share true love's first kiss. | 0:13:36 | 0:13:39 | |
Hmm? With Shrek? You think... | 0:13:39 | 0:13:42 | |
Wait a second. You think that Shrek is your true love? | 0:13:42 | 0:13:45 | |
Well, yes. | 0:13:45 | 0:13:47 | |
THEY BOTH LAUGH | 0:13:48 | 0:13:50 | |
You think Shrek is your true love! | 0:13:50 | 0:13:53 | |
What is so funny? | 0:13:53 | 0:13:55 | |
'She realised that life isn't the way that the | 0:13:55 | 0:13:58 | |
fairytale books told her. | 0:13:58 | 0:13:59 | |
Which is lucky because Fiona isn't exactly a fairytale princess. | 0:13:59 | 0:14:04 | |
SHE SINGS | 0:14:04 | 0:14:05 | |
THE BIRD SINGS | 0:14:05 | 0:14:07 | |
THEY BOTH SING HIGHER | 0:14:07 | 0:14:10 | |
SHE SINGS AS HIGH AS SHE CAN | 0:14:13 | 0:14:16 | |
She's definitely feisty. She doesn't take anything from anybody. | 0:14:19 | 0:14:23 | |
Ya-hoo! | 0:14:23 | 0:14:26 | |
THEY GASP | 0:14:26 | 0:14:27 | |
Man, that was annoying. | 0:14:27 | 0:14:30 | |
There's some karate scenes, I don't know if you guys caught those - | 0:14:30 | 0:14:33 | |
a little kung fu in the trees. | 0:14:33 | 0:14:35 | |
SHE LAUGHS | 0:14:35 | 0:14:38 | |
Which was really fun because I was making Charlie's Angels | 0:14:38 | 0:14:41 | |
for the first film. | 0:14:41 | 0:14:42 | |
I several times came in after having | 0:14:47 | 0:14:50 | |
done my training for Charlie's Angels to do some of the work | 0:14:50 | 0:14:54 | |
and I would be in my workout clothes | 0:14:54 | 0:14:57 | |
and just sweaty and gross. | 0:14:57 | 0:15:00 | |
And they would be like, could you give us a "hi-yah"? | 0:15:00 | 0:15:03 | |
I was like, "Oh, I got a hi-yah for ya!" | 0:15:03 | 0:15:06 | |
There is so much insecurity in her as well. | 0:15:10 | 0:15:12 | |
She has so much going on that she doesn't know about quite yet | 0:15:12 | 0:15:15 | |
that she has to figure out. | 0:15:15 | 0:15:17 | |
-Ssh! -Shrek, Shrek! -No, it's OK. | 0:15:17 | 0:15:20 | |
-What did you do with the Princess? -Donkey, ssh. I'm the Princess. -Argh! | 0:15:20 | 0:15:23 | |
-It's me. -God, you ate the Princess! | 0:15:23 | 0:15:26 | |
-Can you hear me? -Donkey! -Keep breathing! | 0:15:26 | 0:15:29 | |
I'll get you out of there. Shrek, Shrek! | 0:15:29 | 0:15:32 | |
Fiona's journey really is it's not what you look like, | 0:15:32 | 0:15:35 | |
it's about what you have inside you. | 0:15:35 | 0:15:38 | |
So that's kind of how Fiona came to be. | 0:15:38 | 0:15:41 | |
When I was a little girl, a witch cast a spell on me. | 0:15:41 | 0:15:45 | |
Every night, I become this. | 0:15:45 | 0:15:48 | |
This horrible, ugly beast. | 0:15:48 | 0:15:51 | |
I associate myself closer to the Ogre Fiona | 0:15:51 | 0:15:55 | |
than I did the Princess Fiona. | 0:15:55 | 0:15:56 | |
Princess Fiona never really made sense to me, | 0:15:56 | 0:15:59 | |
you know, the human Fiona. | 0:15:59 | 0:16:00 | |
Ogre Fiona has always spoke to me more. | 0:16:00 | 0:16:04 | |
And I was so happy that that was her true form. | 0:16:04 | 0:16:07 | |
-SHE BURPS -Excuse me. | 0:16:07 | 0:16:10 | |
'Definitely a family trait, for sure. | 0:16:10 | 0:16:12 | |
-We're quality people! -SHE LAUGHS | 0:16:12 | 0:16:16 | |
So, we have a hero and a beautiful princess. | 0:16:16 | 0:16:20 | |
Next on the list is a noble steed. | 0:16:20 | 0:16:23 | |
# Little donkey Little donkey... # | 0:16:23 | 0:16:29 | |
Just take my wallet, just take my wallet! I'm being ass-napped! | 0:16:29 | 0:16:33 | |
Animal cruelty. Help! | 0:16:33 | 0:16:35 | |
You need to calm down. I'm your friend. | 0:16:35 | 0:16:38 | |
Donkey likes people... | 0:16:38 | 0:16:40 | |
This is going to be fun. | 0:16:40 | 0:16:41 | |
We can stay up late, swapping manly stories and, in the morning, | 0:16:41 | 0:16:44 | |
-I'm making waffles! -Oh! | 0:16:44 | 0:16:47 | |
-..is loyal... -Say no more, say no more. | 0:16:47 | 0:16:49 | |
Don't worry about a thing. I will always be here to make sure nobody bothers you. | 0:16:49 | 0:16:54 | |
Donkey's not afraid to say he needs people. | 0:16:54 | 0:16:56 | |
-Shrek's hurt. -Shrek's hurt? Shrek's hurt! | 0:16:56 | 0:16:59 | |
-Oh, no, Shrek's going to die. -Donkey, I'm OK. | 0:16:59 | 0:17:02 | |
Oh, you can't do this to me, Shrek. I'm too young for you to die. | 0:17:02 | 0:17:05 | |
-Keep your legs elevated. Does anyone know the Heimlich? -Donkey! Calm down. | 0:17:05 | 0:17:09 | |
You know, he's lovable. | 0:17:09 | 0:17:10 | |
Yeah. Oh... | 0:17:10 | 0:17:13 | |
Man, I'd really love to stay, but I'm an asthmatic | 0:17:13 | 0:17:16 | |
and I don't know it it'll work out you blowing smoke rings and stuff. | 0:17:16 | 0:17:19 | |
Shrek! Ooft! | 0:17:19 | 0:17:21 | |
Shrek loves that about him | 0:17:21 | 0:17:23 | |
and learns to love himself through seeing Donkey as well - | 0:17:23 | 0:17:28 | |
just how free he is. | 0:17:28 | 0:17:30 | |
-Look, you love this woman, don't you? -Yes. | 0:17:30 | 0:17:32 | |
-You want to hold her? -Yes. -Please her? -Yes! | 0:17:32 | 0:17:35 | |
# Then you got to got to got to | 0:17:35 | 0:17:36 | |
# Try a little tenderness. # The chicks love that romantic crap. | 0:17:36 | 0:17:40 | |
All right, cut it out! | 0:17:40 | 0:17:41 | |
He's the one poking at him to change, to embrace this other. | 0:17:41 | 0:17:46 | |
"Come to the light side." | 0:17:46 | 0:17:48 | |
Come on, lazybones! It's time to get moving. | 0:17:48 | 0:17:51 | |
Argh! You know, you really need to get yourself a pair of jammies! | 0:17:51 | 0:17:55 | |
What's really cool about the donkey's character, | 0:17:55 | 0:17:58 | |
he is the jackass, but he is always the voice of reason in the movie. | 0:17:58 | 0:18:04 | |
He always helps them get it together. | 0:18:04 | 0:18:06 | |
I'm just so darn bored! | 0:18:06 | 0:18:08 | |
Well, find a way to entertain yourself. | 0:18:08 | 0:18:10 | |
DONKEY SIGHS | 0:18:10 | 0:18:12 | |
The annoying "pop!" | 0:18:12 | 0:18:14 | |
I just, I don't know. It won Donkey over for me. | 0:18:14 | 0:18:19 | |
Pop! | 0:18:19 | 0:18:21 | |
Pop! | 0:18:21 | 0:18:23 | |
-Pop! -Oh! For five minutes, | 0:18:25 | 0:18:30 | |
could you not be yourself? | 0:18:30 | 0:18:32 | |
The Eddie Murphy casting was interesting | 0:18:32 | 0:18:35 | |
because he basically just plays himself. | 0:18:35 | 0:18:37 | |
I love Donkey. I love him because you can hear Eddie Murphy. | 0:18:37 | 0:18:41 | |
Oh, man. I can't feel my toes! I don't have any toes! | 0:18:41 | 0:18:46 | |
I think I need a hug. | 0:18:46 | 0:18:50 | |
I'm playing a donkey, so I said I have to be a jackass. | 0:18:50 | 0:18:53 | |
So always at the core of it, I'm always thinking, "Jackass." | 0:18:53 | 0:18:57 | |
Any line, I'm thinking, "You are a jackass while you are doing this. | 0:18:57 | 0:19:01 | |
"You have to do this like a jackass." | 0:19:01 | 0:19:02 | |
You're a mean, green fighting machine. | 0:19:02 | 0:19:04 | |
We'll scare anybody that crosses us. | 0:19:04 | 0:19:06 | |
What? Ha ha! I know you're not talking about our swamp. | 0:19:06 | 0:19:10 | |
I'm already starting to feel nauseous from memories of wedgies. | 0:19:10 | 0:19:13 | |
I'm focused four movies through. | 0:19:13 | 0:19:15 | |
Never once do you sit and watch and go, "He's not like a jackass." | 0:19:15 | 0:19:20 | |
Each time I say something, you turn and say, "He's a jackass." | 0:19:20 | 0:19:23 | |
But acting like a jackass isn't the only talent Eddie Murphy possesses. | 0:19:23 | 0:19:27 | |
Listen to this. | 0:19:27 | 0:19:29 | |
# My girl wants to party all the time... | 0:19:29 | 0:19:32 | |
Yes! Eddie's illustrious pop career included songs like this 1985 hit. | 0:19:32 | 0:19:36 | |
-What was it called? -# Party all the time... | 0:19:36 | 0:19:39 | |
Party All The Time, thanks Eddie. | 0:19:39 | 0:19:42 | |
He's not the most willing singer in the world. | 0:19:42 | 0:19:45 | |
It would take him a while to kind of warm-up to it. | 0:19:45 | 0:19:48 | |
We'd have to have a couple of really good sessions | 0:19:48 | 0:19:50 | |
and then he'd say, "OK, I'll do it. I'll sing." | 0:19:50 | 0:19:52 | |
# On the road again # Sing it with me, Shrek! | 0:19:52 | 0:19:56 | |
# I can't wait to get on the road again... | 0:19:56 | 0:19:58 | |
-What did I say about singing? -Well, can I whistle? -No. | 0:19:58 | 0:20:02 | |
-Well, can I hum it? -All right. | 0:20:02 | 0:20:04 | |
On The Road Again was kind of the beginning of it for him. | 0:20:04 | 0:20:08 | |
He might have just ad-libbed that. | 0:20:08 | 0:20:10 | |
So I think he kind of did himself in on the singing thing. | 0:20:10 | 0:20:13 | |
So, if he had to sing a lot over the course of four movies, | 0:20:13 | 0:20:16 | |
it's sort of his fault because he started it. | 0:20:16 | 0:20:19 | |
# Come what may | 0:20:19 | 0:20:21 | |
-# Tomorrow, tomorrow, I love you # -Where am I? What's happening? | 0:20:21 | 0:20:25 | |
Quiet down there! Oh, I hate this song. | 0:20:25 | 0:20:27 | |
Ow! | 0:20:27 | 0:20:29 | |
# But I made up my mind | 0:20:29 | 0:20:30 | |
# I'm keeping my baby... # | 0:20:30 | 0:20:33 | |
When he's pulling that cart, here's the cart radio. | 0:20:33 | 0:20:36 | |
So we change channels on Donkey. | 0:20:36 | 0:20:37 | |
We tried to get as many songs out of Eddie as we could. | 0:20:37 | 0:20:40 | |
# No matter what they take from me, | 0:20:40 | 0:20:45 | |
# They can't take away my dignity... # | 0:20:45 | 0:20:49 | |
They're making him drag it, and pull the... | 0:20:49 | 0:20:52 | |
Like any donkey would have to, he's got to pull the wagon. | 0:20:52 | 0:20:56 | |
But, as he can talk, they're whipping him and making him sing. | 0:20:56 | 0:20:59 | |
Argh! # Hit me with you're best shot... # | 0:20:59 | 0:21:02 | |
I think he thought we were messing with him. He's like, "Another song?" | 0:21:02 | 0:21:05 | |
So, let's have a quick rundown of Donkey's top tunes. | 0:21:05 | 0:21:10 | |
# All by myself | 0:21:13 | 0:21:16 | |
# Any more... # | 0:21:16 | 0:21:18 | |
# She'll make you take your clothes off and go dancing in the rain | 0:21:23 | 0:21:28 | |
# She'll make you live her crazy life, but she'll take away your pain | 0:21:28 | 0:21:33 | |
# Like a bullet to your brain | 0:21:33 | 0:21:36 | |
# Upside inside out | 0:21:36 | 0:21:39 | |
# Livin' la vida loca... # | 0:21:39 | 0:21:41 | |
And it's over to Mike for our number one. | 0:21:41 | 0:21:44 | |
I will say that my favourite Donkey song is I'm A Believer. | 0:21:44 | 0:21:47 | |
Thanks, Mike. | 0:21:47 | 0:21:49 | |
# Not a trace | 0:21:55 | 0:21:58 | |
# Of doubt in my mind | 0:21:58 | 0:22:01 | |
# I'm in love, ooh | 0:22:01 | 0:22:04 | |
# I'm a believer I couldn't leave her if I tried... # | 0:22:04 | 0:22:08 | |
And Donkey wasn't only one belting out the ballads. | 0:22:08 | 0:22:12 | |
CLICKS FINGERS | 0:22:12 | 0:22:14 | |
Ladies and gentlemen... APPLAUSE | 0:22:15 | 0:22:18 | |
I had Holding Out for a Hero, | 0:22:18 | 0:22:21 | |
which just terrified me, the idea of singing that. | 0:22:21 | 0:22:24 | |
# Where the mountains meet the heavens above | 0:22:24 | 0:22:27 | |
# And where the lightning splits the sea... # | 0:22:27 | 0:22:30 | |
A lot of editing went into that song. | 0:22:32 | 0:22:34 | |
They'd literally go, "Yes, we think that word was in tune. | 0:22:34 | 0:22:38 | |
"Let's try the next word." | 0:22:38 | 0:22:39 | |
-And then we've got... -# But you got a have friends # | 0:22:39 | 0:22:42 | |
STOP SINGING! | 0:22:42 | 0:22:44 | |
All right, chill out. | 0:22:44 | 0:22:45 | |
Now, you don't find product placement and movie references | 0:22:45 | 0:22:48 | |
in your average fairytale, | 0:22:48 | 0:22:50 | |
but, as we all know, Shrek is no average fairytale. | 0:22:50 | 0:22:53 | |
The whole thing is basically America in fairytale form | 0:22:53 | 0:22:58 | |
in the Middle Ages. | 0:22:58 | 0:23:00 | |
It has so many different levels of in-jokes. | 0:23:00 | 0:23:02 | |
Yes, there's the in-jokes of Hans Christian Andersen stories, | 0:23:02 | 0:23:05 | |
but there's also in-jokes | 0:23:05 | 0:23:07 | |
if you work within the Hollywood film industry. | 0:23:07 | 0:23:09 | |
# Check it out. # | 0:23:09 | 0:23:12 | |
Look! They even have their own sign. | 0:23:12 | 0:23:14 | |
Wow! | 0:23:16 | 0:23:18 | |
It was fun, you know, coming up with the signage for Far Far Away. | 0:23:19 | 0:23:25 | |
It presents a really interesting picture | 0:23:25 | 0:23:28 | |
of Hollywood, among other things. | 0:23:28 | 0:23:31 | |
It's going to be champagne wishes and caviar dreams from now on! | 0:23:31 | 0:23:35 | |
Hey, good looking! We'll be back to pick you up later. | 0:23:35 | 0:23:38 | |
It makes Hollywood look so ridiculous. | 0:23:42 | 0:23:47 | |
The whole thing is, you know, | 0:23:47 | 0:23:49 | |
a parallel to this hedonistic beauty-obsessed world. | 0:23:49 | 0:23:53 | |
Hey, ladies. Nice day for a parade, huh? | 0:23:53 | 0:23:56 | |
You're working that hat. | 0:23:56 | 0:23:58 | |
You half expect to see Paris Hilton | 0:24:00 | 0:24:03 | |
walking up and down, around Beverly Hills. | 0:24:03 | 0:24:06 | |
It really does feel like contemporary Los Angeles | 0:24:06 | 0:24:09 | |
full of it-girls and bimbos. | 0:24:09 | 0:24:11 | |
Then I was like, "I'd rather get the black plague and lock myself in an iron maiden | 0:24:11 | 0:24:15 | |
-"than go out with you." -Totally. | 0:24:15 | 0:24:16 | |
-Pardon me. -Totally ew-eth! -Yeah, totally. | 0:24:16 | 0:24:20 | |
If you just took the time to look in the background of almost any shot, | 0:24:20 | 0:24:23 | |
there would some reference | 0:24:23 | 0:24:25 | |
to something that would strike as familiar. | 0:24:25 | 0:24:27 | |
The mediaeval version of that, you know. | 0:24:27 | 0:24:30 | |
The mediaeval version of a Starbucks. | 0:24:30 | 0:24:32 | |
No, no. You great stupid pastry! | 0:24:32 | 0:24:35 | |
Come on! | 0:24:35 | 0:24:37 | |
Now, in case you haven't noticed, | 0:24:44 | 0:24:46 | |
this is not the only use of mediaeval product placement. | 0:24:46 | 0:24:49 | |
But, due to BBC regulations, you'll have to work them out yourselves. | 0:24:49 | 0:24:53 | |
There's that famous burger chain. | 0:24:53 | 0:24:55 | |
If you look closely, somewhere you can buy your ice cream from. | 0:24:55 | 0:24:58 | |
A high street fashion retailer. | 0:24:58 | 0:25:00 | |
And a place to get your trainers. | 0:25:00 | 0:25:03 | |
And the place where... um, well, you get the idea. | 0:25:03 | 0:25:06 | |
Everything that is in Rodeo Drive is in our Rodeo Drive too. | 0:25:06 | 0:25:09 | |
Versace shop, everything. | 0:25:09 | 0:25:12 | |
BBC, it was Rupert who said that, not me. | 0:25:12 | 0:25:15 | |
And, if you look really carefully, | 0:25:15 | 0:25:17 | |
you may even spot one - or hundreds - of movie tributes. | 0:25:17 | 0:25:20 | |
There are probably way more | 0:25:20 | 0:25:22 | |
film references in the movies than people know. | 0:25:22 | 0:25:26 | |
I love the satire in it. And the film parodies, really. | 0:25:26 | 0:25:31 | |
You obviously remember the Matrix one really well. | 0:25:31 | 0:25:34 | |
Did you also notice The Little Mermaid, | 0:25:39 | 0:25:42 | |
The Lord of the Rings, | 0:25:42 | 0:25:44 | |
Spiderman, | 0:25:44 | 0:25:46 | |
and Zorro? | 0:25:46 | 0:25:47 | |
Over to you, Antonio. | 0:25:47 | 0:25:50 | |
He just carves a P on a tree, so from the beginning, there was | 0:25:50 | 0:25:54 | |
that kind of wink of an eye to a character that I already did, | 0:25:54 | 0:25:59 | |
which actually gave me great possibility to laughing. | 0:25:59 | 0:26:03 | |
They're more like homage. | 0:26:03 | 0:26:06 | |
We're showing our love of other films. | 0:26:06 | 0:26:10 | |
Like Rumpelstiltskin, as he goes round the table yelling at witches, | 0:26:10 | 0:26:14 | |
it's really obscure, but it was Robert De Niro moment where he played | 0:26:14 | 0:26:17 | |
the gangster in The Untouchables, where he walks around the table | 0:26:17 | 0:26:20 | |
and everyone's very nervous and then he beats a guy with a baseball bat. | 0:26:20 | 0:26:24 | |
In ours, Rumpelstiltskin splashes water in the witch's face and she melts. | 0:26:24 | 0:26:27 | |
Does anyone care to tell me what it's going to take | 0:26:27 | 0:26:30 | |
to get this ogre? You! | 0:26:30 | 0:26:32 | |
-Faster brooms? -No! -Pointier hats? | 0:26:32 | 0:26:35 | |
-No. You? -Maybe we could hire a professional bounty hunter? | 0:26:35 | 0:26:38 | |
No! | 0:26:38 | 0:26:39 | |
Argh! What a world, what a world! | 0:26:39 | 0:26:43 | |
Hmm. You know, actually not a bad idea. | 0:26:43 | 0:26:46 | |
The fairy godmother gets this moment. | 0:26:46 | 0:26:48 | |
I only saw it... You see it when you see the film. | 0:26:48 | 0:26:51 | |
You record the song, but then you see the film | 0:26:51 | 0:26:53 | |
and think, "That's so clever." | 0:26:53 | 0:26:55 | |
It's the kind of Fabulous Baker Boys moment when she's on the piano. | 0:26:55 | 0:26:58 | |
# Late at night, I toss and I turn | 0:26:58 | 0:27:01 | |
# And I dream of what I need # | 0:27:01 | 0:27:05 | |
Michelle Pfeiffer, keep your heart out. | 0:27:05 | 0:27:08 | |
It was a movie made by movie nerds. | 0:27:08 | 0:27:10 | |
Yeah, I guess there is a film geekish approach to that. | 0:27:10 | 0:27:13 | |
Obviously we love movies - we work on them. | 0:27:13 | 0:27:15 | |
There were just really appropriate times to do it. | 0:27:15 | 0:27:17 | |
And here's one Tom Cruise would be proud of. | 0:27:17 | 0:27:20 | |
No, it's not Top Gun. | 0:27:32 | 0:27:34 | |
So, we've got a slob for a hero, a tomboy for a princess | 0:27:34 | 0:27:38 | |
and a donkey that won't shut up. | 0:27:38 | 0:27:40 | |
And we haven't even met the bad guys yet. | 0:27:40 | 0:27:43 | |
EVIL LAUGHTER | 0:27:43 | 0:27:45 | |
Looks like you got exactly what you wanted! | 0:27:45 | 0:27:48 | |
Oh, I'm scared. | 0:27:48 | 0:27:50 | |
Excuse me. SHE SHRIEKS | 0:27:50 | 0:27:52 | |
I wonder who Mike rates as his favourite? | 0:27:52 | 0:27:56 | |
Do I have a favourite villain? Um... | 0:27:56 | 0:28:00 | |
I think... I think... | 0:28:00 | 0:28:03 | |
I don't know, then somebody's not my favourite, right? | 0:28:03 | 0:28:06 | |
See what I just did? I just did the math of that. | 0:28:06 | 0:28:09 | |
They're all my favourite. All of the villains are my favourite. | 0:28:09 | 0:28:12 | |
If you're going to be like that, Mike, let's see them all. | 0:28:12 | 0:28:15 | |
I am Lord Farquaad. | 0:28:15 | 0:28:19 | |
Like all fascist dictators, he has this thing about perfection. | 0:28:19 | 0:28:22 | |
Mirror, mirror on the wall, | 0:28:22 | 0:28:24 | |
is this not the most perfect kingdom of them all? | 0:28:24 | 0:28:27 | |
Well, technically you're not a king. | 0:28:27 | 0:28:30 | |
Uh, Polonius? | 0:28:30 | 0:28:32 | |
You were saying? | 0:28:33 | 0:28:35 | |
He has this furious Napoleon complex. | 0:28:35 | 0:28:38 | |
I'm not sure whether, to them, | 0:28:38 | 0:28:41 | |
it was an important joke that | 0:28:41 | 0:28:43 | |
a famously tall man was playing a tiny little tyrant, | 0:28:43 | 0:28:47 | |
but it was a big joke to me. | 0:28:47 | 0:28:49 | |
HE LAUGHS | 0:28:49 | 0:28:52 | |
Huh-hem! | 0:28:52 | 0:28:54 | |
From tiny tyrants, we go to Mafioso matriarchs. | 0:28:55 | 0:29:00 | |
She's her own Mafia, in a way, | 0:29:00 | 0:29:01 | |
because she works for herself. | 0:29:01 | 0:29:04 | |
We need to talk. | 0:29:04 | 0:29:07 | |
Oh, hello. Ha-ha! | 0:29:07 | 0:29:10 | |
Somebody, bring me something deep-fried | 0:29:10 | 0:29:13 | |
and smothered in chocolate. | 0:29:13 | 0:29:15 | |
She's so emotionally unfulfilled that food fills that space. | 0:29:15 | 0:29:20 | |
You force me to do something I really don't want to do. | 0:29:20 | 0:29:25 | |
Where are we? | 0:29:25 | 0:29:27 | |
Hi, there. Welcome to Friar's Fat Boy. May I take your order? | 0:29:27 | 0:29:30 | |
My diet is ruined! I hope you're happy. | 0:29:30 | 0:29:34 | |
That's a twist on Godfather, and godmother, and so, yeah, she's the | 0:29:34 | 0:29:39 | |
scary Don Corleone of the fairytale world. | 0:29:39 | 0:29:44 | |
She's just a pushy mum, you know. | 0:29:44 | 0:29:47 | |
She just wants that useless son of hers | 0:29:47 | 0:29:52 | |
to do better, to marry better, to be more like her. | 0:29:52 | 0:29:56 | |
He will rue the very day he stole my kingdom from me! | 0:29:56 | 0:30:00 | |
Oh, put it away, junior. You're still going to be king. | 0:30:00 | 0:30:04 | |
She wants him to be everything, | 0:30:04 | 0:30:06 | |
but she's, I suppose, emasculated him | 0:30:06 | 0:30:10 | |
by over-mothering as well. | 0:30:10 | 0:30:13 | |
We have to go. I need to do Charming's hair before the ball. | 0:30:13 | 0:30:16 | |
He's hopeless. You know, he's all high in the front. He can never get to the back. | 0:30:16 | 0:30:20 | |
-You always need someone to do the back. -Oh, thank you, Mother. | 0:30:20 | 0:30:23 | |
Yes, that mummy's boy is our next villain. | 0:30:23 | 0:30:27 | |
Meet Prince charming. No, not that one. | 0:30:27 | 0:30:30 | |
Prince charming is vain. | 0:30:30 | 0:30:32 | |
Semi-talented, spoilt... | 0:30:32 | 0:30:36 | |
Not my fault. Whiny. | 0:30:36 | 0:30:38 | |
Do you mind? | 0:30:38 | 0:30:39 | |
He represents one facet, if you like, of the Hollywood celebrity. | 0:30:39 | 0:30:45 | |
He thinks he deserves much more out of his career than he is actually getting. | 0:30:45 | 0:30:50 | |
I am the rightful king of Far Far Away. | 0:30:52 | 0:30:56 | |
And I promise you this, Mother. I will restore dignity to my throne. | 0:30:56 | 0:31:01 | |
It's very easy for an actor working in Hollywood, me, for example, to relate to. | 0:31:02 | 0:31:06 | |
-Is that glitter on your lips? -Cherry flavoured. Want a taste? | 0:31:06 | 0:31:12 | |
-What is with you? -But, Muffin Cake... | 0:31:12 | 0:31:17 | |
Playing a baddie is always fun because they do funny things or they have a good bit of action. | 0:31:17 | 0:31:21 | |
What you look for as an actor is a piece of action that is memorable. | 0:31:21 | 0:31:24 | |
It's great fun playing a baddie. There's just one catch. | 0:31:24 | 0:31:28 | |
I've done lots of villains in my career, and they all end badly. | 0:31:28 | 0:31:32 | |
I will have order, I will have perfection, I will have... | 0:31:32 | 0:31:36 | |
Well, in Shrek I was eaten by a dragon. | 0:31:40 | 0:31:43 | |
It doesn't get better than that. | 0:31:43 | 0:31:45 | |
When you're out, no, it's very depressing, really. | 0:31:45 | 0:31:48 | |
Mummy. | 0:31:51 | 0:31:52 | |
But that's life. | 0:31:54 | 0:31:56 | |
I was so disappointed when I read the script that she was going to die. | 0:31:56 | 0:31:59 | |
"Come on, surely she's magic. Surely she'll come back." | 0:32:03 | 0:32:06 | |
So I made them record me saying the line, "I'll be back." | 0:32:06 | 0:32:10 | |
Well, she wasn't. Sorry, Jennifer. | 0:32:10 | 0:32:13 | |
So, there's only one dastardly deed doer left. | 0:32:13 | 0:32:16 | |
Hello, people, it is I, Rumpelstiltskin. | 0:32:16 | 0:32:20 | |
We wanted someone to contrast with previous villains. | 0:32:20 | 0:32:22 | |
They were so great. We said, "How do we compete with those villains?" | 0:32:22 | 0:32:26 | |
And they were all kind of proper and sophisticated. | 0:32:26 | 0:32:29 | |
So how do we compete with that? Well, we did the opposite with the last guy, | 0:32:29 | 0:32:33 | |
and made him kind of ratty and trashy and a little lowbrow. | 0:32:33 | 0:32:37 | |
Rumpelstiltskin is more of the, he's like a used car salesman. | 0:32:37 | 0:32:42 | |
He's like a scummy lawyer. | 0:32:42 | 0:32:45 | |
As you can see, everything's in order. | 0:32:45 | 0:32:49 | |
So you'll put an end to our daughter's curse? | 0:32:49 | 0:32:52 | |
And in return you sign the Kingdom of Far Far Away over to me. | 0:32:52 | 0:32:56 | |
And the big deal for DreamWorks was to get the right voice for the most scheming villain ever. | 0:32:58 | 0:33:03 | |
We were supposed to have this really big movie star. We won't say their name. | 0:33:03 | 0:33:06 | |
Ah, sir. | 0:33:06 | 0:33:09 | |
I said, "So he's Rumpelstiltskin." | 0:33:09 | 0:33:11 | |
You're going to have to pay for that. | 0:33:11 | 0:33:14 | |
-Maybe we could make a deal for it, little boy. -Oh, I'm not a real boy. | 0:33:14 | 0:33:18 | |
Do you wanna be? | 0:33:18 | 0:33:20 | |
When I saw the movie I was like, "Who the hell was that?" | 0:33:20 | 0:33:22 | |
He was... | 0:33:22 | 0:33:25 | |
Walt Dohrn?! | 0:33:26 | 0:33:28 | |
"Who the hell is that?" | 0:33:28 | 0:33:30 | |
That was the big joke. | 0:33:30 | 0:33:32 | |
You've seen the posters. "Myers, Murphy, Diaz, Banderas, Dohrn?" | 0:33:32 | 0:33:37 | |
Nice. | 0:33:37 | 0:33:38 | |
Yes, Walt was the storyboard artist who amazed everyone with his hidden vocal talents. | 0:33:38 | 0:33:44 | |
-And the rest is history. -Rumpelstiltskin! | 0:33:44 | 0:33:49 | |
I started working closely with the director | 0:33:49 | 0:33:51 | |
and developing this character, how he may sound, how he may look. | 0:33:51 | 0:33:55 | |
I started writing jokes for him. | 0:33:55 | 0:33:57 | |
It just developed from there. | 0:33:57 | 0:33:59 | |
Wolfie, my angry wig. | 0:33:59 | 0:34:01 | |
Walt struck gold. Walt got the good one, yeah, he did. | 0:34:04 | 0:34:08 | |
But it's only because he did such a fantastic job. | 0:34:08 | 0:34:11 | |
He shouldn't have done it so well. | 0:34:11 | 0:34:12 | |
It's pretty mind-boggling that I got to do a role of that weight. | 0:34:12 | 0:34:17 | |
He's my favourite character in the picture. He really did a good job. | 0:34:17 | 0:34:21 | |
How's that for a metaphysical paradox? | 0:34:21 | 0:34:24 | |
And to keep Walt's superstar feet on the ground, the producers had other ideas in mind. | 0:34:24 | 0:34:29 | |
-Walt had done scratch track. -Whoa! | 0:34:29 | 0:34:31 | |
For those of you that don't know, | 0:34:31 | 0:34:34 | |
a scratch track is a temporary voice recording used to aid animation in the early stages. | 0:34:34 | 0:34:39 | |
Glad that's cleared up. | 0:34:39 | 0:34:40 | |
Walt had done scratch track for almost every character in the film, | 0:34:40 | 0:34:44 | |
including the little tour guide. | 0:34:44 | 0:34:46 | |
So we took those from him because we thought it was too much. | 0:34:46 | 0:34:49 | |
This lovable lug taught us you don't have to change your undies to change the world. | 0:34:49 | 0:34:53 | |
I replaced his tour. I tried to sound like him cos he's such a funny guy. | 0:34:53 | 0:34:56 | |
It wasn't as funny as how he did it. | 0:34:56 | 0:34:58 | |
But we kept his little sign that says walk. | 0:34:58 | 0:35:01 | |
Walt Dohrn wasn't the only member of DreamWorks to lend their voice to the films. | 0:35:01 | 0:35:06 | |
Magic Mirror, it's over to you. | 0:35:06 | 0:35:08 | |
It's time for you to match that voice. Our first voice is Gingy. | 0:35:08 | 0:35:14 | |
Fire up the ovens, Muffin Man. | 0:35:14 | 0:35:16 | |
Is it number one, number two, or number three? | 0:35:16 | 0:35:21 | |
It's Me. | 0:35:21 | 0:35:23 | |
-Our second voice is Butter Pants. -Yeah, there are. | 0:35:25 | 0:35:29 | |
Is it number one, or number three? | 0:35:29 | 0:35:32 | |
It's me. | 0:35:32 | 0:35:34 | |
Our third voice is the Big Bad Wolf. | 0:35:34 | 0:35:38 | |
Oh, boy! | 0:35:38 | 0:35:39 | |
Is it number...? | 0:35:39 | 0:35:40 | |
That's far too easy, but take it away, Aaron. | 0:35:40 | 0:35:43 | |
I did the wolf. | 0:35:43 | 0:35:45 | |
-You could sound a bit more excited! -What? | 0:35:45 | 0:35:48 | |
And now to the most important ingredient of all. Make 'em laugh! | 0:35:48 | 0:35:54 | |
I think the main appeal of Shrek | 0:35:54 | 0:35:56 | |
and all the Shrek films is the humour, actually, is the cheekiness. | 0:35:56 | 0:36:01 | |
It's a thong. | 0:36:01 | 0:36:03 | |
I think that the writers and the film makers and the animators | 0:36:03 | 0:36:07 | |
have done a really good job of having it be he who pleases everyone pleases everyone. | 0:36:07 | 0:36:12 | |
Listen, if we need an expert on licking ourselves, we'll give you a call. | 0:36:12 | 0:36:15 | |
I always thought it was... | 0:36:15 | 0:36:18 | |
It was the closest America ever came to creating that amazing phenomenon of the British pantomime. | 0:36:18 | 0:36:25 | |
-I hate dinner theatre. -Me too. | 0:36:25 | 0:36:28 | |
They write real people, real comedy. | 0:36:30 | 0:36:34 | |
Blue flower, red thorns. This would be easier if I wasn't colour blind! | 0:36:34 | 0:36:38 | |
It's quite sophisticated comedy, I think. | 0:36:38 | 0:36:40 | |
Which I think means he has a really... Ow! | 0:36:40 | 0:36:43 | |
Parents don't get numbed, their brains don't go numb | 0:36:43 | 0:36:46 | |
from watching just a child's film. | 0:36:46 | 0:36:49 | |
You have to take me to dinner first. | 0:36:49 | 0:36:52 | |
Our rule was, if it's really funny, put it in there. | 0:36:52 | 0:36:55 | |
If it's mildly funny, forget it, it's not worth it. | 0:36:55 | 0:36:58 | |
Hey, that is unwanted physical contact. | 0:36:58 | 0:37:01 | |
And so suddenly we weren't doing Disney comedy, | 0:37:01 | 0:37:04 | |
we were kind of free to be what we wanted to be. | 0:37:04 | 0:37:08 | |
How many fart jokes, how many ass jokes? | 0:37:08 | 0:37:12 | |
No-one likes a kiss ass. | 0:37:12 | 0:37:13 | |
We didn't count, but we were really conscious of overdoing that kind of thing. | 0:37:13 | 0:37:18 | |
You got to warn somebody before you crack one off. My mouth was open. | 0:37:18 | 0:37:22 | |
We had to just go really far in pitching the humour back and forth. | 0:37:22 | 0:37:26 | |
For instance, when Shrek sees the size of Duloc | 0:37:26 | 0:37:29 | |
and makes a comment on the size. | 0:37:29 | 0:37:31 | |
So, that must be Lord Farquaad's castle. | 0:37:31 | 0:37:36 | |
That's the place. | 0:37:36 | 0:37:38 | |
Do you think maybe he's compensating for something? | 0:37:38 | 0:37:42 | |
Right, that one's borderline, walking right on the edge. | 0:37:42 | 0:37:45 | |
"Is he compensating for something?" But it seemed pretty harmless. | 0:37:45 | 0:37:51 | |
Another one was when Robin Hood meets Fiona. | 0:37:51 | 0:37:55 | |
Conrad was storyboarding that sequence | 0:37:55 | 0:37:58 | |
and he came up with all of these awful pick-up lines. | 0:37:58 | 0:38:01 | |
"What is your dress made of, is it felt?" And she said, "No." | 0:38:01 | 0:38:04 | |
"Would you like it to be?" | 0:38:04 | 0:38:06 | |
I'm sure not only were we on the edge. We crossed it with great pride on many, many occasions. | 0:38:06 | 0:38:12 | |
I had started to work on a scene that a storyboard artist took over | 0:38:12 | 0:38:16 | |
where one of the fairytale characters is interrogated. | 0:38:16 | 0:38:21 | |
And I look at the boards when they're done | 0:38:21 | 0:38:24 | |
and I see that the Gingerbread Man says, "Eat me." | 0:38:24 | 0:38:28 | |
And I was like, "We can't really say that, can we?" | 0:38:28 | 0:38:32 | |
-Now tell me, where are the others? -Eat me! | 0:38:32 | 0:38:35 | |
I really thought that at the end, Jeffrey Katzenberg would say, | 0:38:35 | 0:38:39 | |
"Guys, I love what you did but this, this and this has to go. | 0:38:39 | 0:38:43 | |
"But everything else is going to be great." But no, they kept everything. | 0:38:43 | 0:38:48 | |
And of course, that was the start of one of the great Shrek comedy moments, | 0:38:48 | 0:38:52 | |
the Muffin Man scene. | 0:38:52 | 0:38:54 | |
-Do you know the Muffin Man? -The Muffin Man? | 0:38:54 | 0:38:57 | |
-The Muffin Man. -Yes, I know the Muffin Man, who lives on Drury Lane? | 0:38:57 | 0:39:02 | |
Well, she's married to the Muffin Man. | 0:39:02 | 0:39:05 | |
-The Muffin Man? -The Muffin Man! | 0:39:05 | 0:39:08 | |
I definitely drew on my childhood for that. | 0:39:08 | 0:39:11 | |
I remember having, when I was six years old, a little TV. | 0:39:11 | 0:39:17 | |
And you put a film strip in with a little record. | 0:39:17 | 0:39:19 | |
And on one side it had the Gingerbread Man, the story of the Gingerbread Man. | 0:39:19 | 0:39:23 | |
On the other side and on another film strip it had the Muffin Man. | 0:39:23 | 0:39:27 | |
So all I remember when I was sitting here saying, | 0:39:27 | 0:39:29 | |
"What do I know about the Gingerbread Man? | 0:39:29 | 0:39:31 | |
"Well, I know that I used to have a toy with a record. | 0:39:31 | 0:39:35 | |
"They sang the Muffin Man on the other side." I remembered the lyrics. | 0:39:35 | 0:39:38 | |
SINGING | 0:39:39 | 0:39:41 | |
Yes, I know the Muffin Man. Who lives on Drury Lane? | 0:39:46 | 0:39:50 | |
You know, it was just great. | 0:39:50 | 0:39:53 | |
But it wasn't always a barrel of laughs. | 0:39:53 | 0:39:55 | |
Every fairytale quest has its obstacles | 0:39:55 | 0:39:58 | |
and the making of Shrek was no different. | 0:39:58 | 0:40:01 | |
I remember, Shrek at the time was the ugly step-sister of the studio. | 0:40:01 | 0:40:05 | |
It was the film that nobody wanted to work on. | 0:40:05 | 0:40:07 | |
As if somehow we were all being punished for working on that movie. | 0:40:07 | 0:40:11 | |
It was a very...historically, famously troubled production. | 0:40:11 | 0:40:16 | |
-I think it was constantly in jeopardy. -False starts. | 0:40:16 | 0:40:19 | |
We put the movie up and went down one path on it, didn't really work. | 0:40:19 | 0:40:24 | |
We actually tried motion capture on this movie. | 0:40:24 | 0:40:28 | |
Literally a decade before anybody else | 0:40:28 | 0:40:31 | |
was talking about motion capture. | 0:40:31 | 0:40:33 | |
So this went through many fits and starts before it got on its feet. | 0:40:33 | 0:40:37 | |
When I came onto the film, | 0:40:37 | 0:40:39 | |
I don't know how many millions of dollars had been spent already. | 0:40:39 | 0:40:42 | |
We had a couple of screenings that were fairly disastrous, | 0:40:42 | 0:40:45 | |
and I think we all looked around, when's the axe going to fall? | 0:40:45 | 0:40:49 | |
But the true low point happened in the early stages of production. | 0:40:49 | 0:40:53 | |
The film was originally voiced | 0:40:53 | 0:40:55 | |
by the American comedy legend Chris Farley. | 0:40:55 | 0:40:58 | |
Very interesting history, because Chris Farley began as Shrek. | 0:40:58 | 0:41:03 | |
And of course passed away so tragically. | 0:41:03 | 0:41:06 | |
Chris Farley was the quintessential Shrek character. | 0:41:06 | 0:41:10 | |
That outlandishness and lovability was exactly right | 0:41:10 | 0:41:13 | |
for what was the tone and voice of the character. | 0:41:13 | 0:41:18 | |
In between recordings, Chris Farley died on 18th December, 1997. | 0:41:18 | 0:41:24 | |
I don't think it set the movie itself back | 0:41:25 | 0:41:28 | |
as much as I think it set all of us back. | 0:41:28 | 0:41:31 | |
He was a wonderful man, and we missed him. | 0:41:31 | 0:41:34 | |
The replacement was found in his former Saturday Night Live co-star, | 0:41:34 | 0:41:38 | |
the Shrek we know today, Mike Myers. | 0:41:38 | 0:41:40 | |
I was at the premiere of Saving Private Ryan. | 0:41:40 | 0:41:44 | |
Jeffrey Katzenberg, he said, you know, | 0:41:44 | 0:41:48 | |
would you ever be interested in being the lead of an animated movie? | 0:41:48 | 0:41:53 | |
I said, "What's it called?" And he said, "Shrek." | 0:41:53 | 0:41:56 | |
-Shrek?! -I said, "Oh, wow. | 0:41:56 | 0:41:59 | |
"That's a really bad title!" I said it sounds like somebody throwing up. | 0:41:59 | 0:42:03 | |
Not exactly the reaction you want. | 0:42:03 | 0:42:05 | |
But luckily, Mike became the voice of Shrek. | 0:42:05 | 0:42:08 | |
They found the perfect voice in Mike Myers. | 0:42:08 | 0:42:12 | |
In all the first recordings, | 0:42:12 | 0:42:14 | |
which was for a good part of the filmmaking, | 0:42:14 | 0:42:17 | |
we actually used Mike's natural voice. | 0:42:17 | 0:42:21 | |
We'd actually animated just about a third of the movie. | 0:42:21 | 0:42:25 | |
And I showed him the film, which he completely loved | 0:42:25 | 0:42:30 | |
and was just so complimentary to the filmmakers | 0:42:30 | 0:42:33 | |
and enthusiastic about the film. | 0:42:33 | 0:42:36 | |
He said, "Honestly, the least good thing in this movie is me." | 0:42:36 | 0:42:39 | |
My mum used to read books to me, children's books. | 0:42:39 | 0:42:43 | |
And she would do different accents from around the British Isles. | 0:42:43 | 0:42:47 | |
'I thought, I love Scottish people.' | 0:42:47 | 0:42:49 | |
Poke out your eyeballs and then they'll put Jell-O inside of it! | 0:42:49 | 0:42:53 | |
Then they'll get a stick and stretch out your nose and snap it back | 0:42:53 | 0:42:56 | |
and it'll go fu-du-du-du-duh, just like in the cartoons! | 0:42:56 | 0:42:59 | |
Scottish people are hilarious in that they'll go from, | 0:42:59 | 0:43:03 | |
"I love you, thank you so much for coming but now GET OUT!" | 0:43:03 | 0:43:06 | |
They have a great dynamic quality. | 0:43:06 | 0:43:09 | |
Exactly! No! | 0:43:09 | 0:43:12 | |
It's a fairytale, it's a fairytale accent, I feel. | 0:43:12 | 0:43:14 | |
Are you trying to say Scottish people are like ogres? I know where you live! | 0:43:14 | 0:43:18 | |
It's not like I wouldn't change if I could. | 0:43:18 | 0:43:21 | |
He said, would you please, you know, allow me | 0:43:21 | 0:43:25 | |
to present to you a slightly different take on this. | 0:43:25 | 0:43:28 | |
And so I re-recorded everything. | 0:43:28 | 0:43:31 | |
Free of charge, I'd like to point out! | 0:43:31 | 0:43:33 | |
Free? That's a laugh! | 0:43:33 | 0:43:36 | |
Yes, Mike, you were free. But the reanimating costs, they weren't. | 0:43:36 | 0:43:41 | |
I thought the initial recordings were an exploration. | 0:43:41 | 0:43:45 | |
Well, not quite. | 0:43:45 | 0:43:47 | |
I showed it to Spielberg. I didn't tell him any of the circumstances about it, | 0:43:47 | 0:43:51 | |
I just said, I want to play you two scenes. | 0:43:51 | 0:43:54 | |
His reaction was like, what, are you kidding? | 0:43:54 | 0:43:56 | |
This is 100 times better. | 0:43:56 | 0:43:58 | |
Stephen Spielberg wrote me a beautiful letter saying... | 0:43:58 | 0:44:02 | |
which I framed, which is, "Thank you so much for caring. | 0:44:02 | 0:44:06 | |
"You're absolutely right, it is better Scottish, | 0:44:06 | 0:44:09 | |
"it does sort of just fit." | 0:44:09 | 0:44:11 | |
And with that good Scottish influence, aye, | 0:44:12 | 0:44:15 | |
things started to look up. | 0:44:15 | 0:44:17 | |
Suddenly it just started to turn. | 0:44:17 | 0:44:19 | |
And you could feel it, you could feel it, | 0:44:19 | 0:44:21 | |
sequence by sequence as the storyboard artists pitched. | 0:44:21 | 0:44:24 | |
I talked with the director pretty soon before the screening | 0:44:24 | 0:44:28 | |
when they were almost done with it. | 0:44:28 | 0:44:30 | |
He said, "It's starting to look like this might be good. | 0:44:30 | 0:44:34 | |
"Keep your shirt on, you might like it." | 0:44:34 | 0:44:37 | |
When I saw it for the first time, you know, | 0:44:38 | 0:44:41 | |
with all the bells and whistles on it, | 0:44:41 | 0:44:43 | |
I went, wow, this is really, really good. | 0:44:43 | 0:44:46 | |
I still just didn't know. | 0:44:46 | 0:44:48 | |
We had no idea what it would become. | 0:44:48 | 0:44:50 | |
There was no preconceived notion, | 0:44:50 | 0:44:52 | |
there had never been a film like Shrek before Shrek. | 0:44:52 | 0:44:55 | |
I saw on their video screens what they were up to, | 0:44:55 | 0:44:58 | |
and it was so jaw-dropping. | 0:44:58 | 0:45:00 | |
That was the moment when I realised, oh my God, | 0:45:00 | 0:45:03 | |
this Shrek thing is going to be huge. | 0:45:03 | 0:45:07 | |
With that optimism, Jeffrey Katzenberg took a risk | 0:45:07 | 0:45:09 | |
and headed to the Cannes film Festival. | 0:45:09 | 0:45:11 | |
This was the first animated movie in the Cannes film Festival in 50 years. | 0:45:11 | 0:45:17 | |
Traditionally at the Cannes film Festival, | 0:45:17 | 0:45:19 | |
it is very much the arthouse movies. | 0:45:19 | 0:45:22 | |
You know, it's stuff that critics | 0:45:22 | 0:45:24 | |
like to scratch their chins whilst they're watching. | 0:45:24 | 0:45:27 | |
Sitting in our tuxedos, as you can imagine, | 0:45:27 | 0:45:30 | |
not the most comfortable thing to wear. | 0:45:30 | 0:45:32 | |
And the lights go down, | 0:45:32 | 0:45:34 | |
and you're just watching this guy fart and Shrek is being Shrek. | 0:45:34 | 0:45:39 | |
I was dying. | 0:45:39 | 0:45:40 | |
Honestly, I just felt myself sinking in my seat as around me... | 0:45:40 | 0:45:44 | |
it was like, oh my God, I'm dying a slow death. | 0:45:44 | 0:45:47 | |
Because nobody was laughing at anything. | 0:45:47 | 0:45:49 | |
I was like, oh God, this is not going to end well. | 0:45:49 | 0:45:53 | |
This was such a bad decision. | 0:45:53 | 0:45:54 | |
And I could feel beads of sweat breaking out on my forehead. | 0:45:54 | 0:45:58 | |
Until the laughs started. | 0:45:58 | 0:46:00 | |
I saw it in the Cannes film Festival. And it blew my mind away. | 0:46:01 | 0:46:06 | |
They gave the movie a standing ovation for literally, | 0:46:06 | 0:46:09 | |
10, 12 minutes, it just went on and on and on. | 0:46:09 | 0:46:11 | |
So, with a good story in place, all you need now is a happy audience. | 0:46:11 | 0:46:15 | |
DreamWorks's wishes came true. | 0:46:15 | 0:46:17 | |
Shrek became one of the biggest films of 2001. | 0:46:17 | 0:46:21 | |
I think it made, like, 480 million worldwide. | 0:46:21 | 0:46:25 | |
When Shrek came out, | 0:46:25 | 0:46:26 | |
it really took a lot of people by surprise. | 0:46:26 | 0:46:29 | |
I think that they have in total made 3 billion at the box office. | 0:46:29 | 0:46:36 | |
And then came the gold rush. | 0:46:36 | 0:46:38 | |
The first Shrek movie went on to win the very first ever | 0:46:38 | 0:46:41 | |
Academy award for animation which was very, very exciting for our company. | 0:46:41 | 0:46:46 | |
I couldn't have dreamt something as big as this, you know. | 0:46:46 | 0:46:51 | |
It's a massive accomplishment for DreamWorks. | 0:46:51 | 0:46:54 | |
People didn't want to work or have anything to do with us, then there we were. | 0:46:54 | 0:46:58 | |
My name's on the Oscar, but it's there representing 350 people. | 0:46:58 | 0:47:04 | |
-And a lot of incredible talent. -Feel good? -Yeah, it feels cool. | 0:47:04 | 0:47:09 | |
To have been in the very first one, | 0:47:09 | 0:47:12 | |
the one that created the template, | 0:47:12 | 0:47:14 | |
that's a source of great pride for me. | 0:47:14 | 0:47:16 | |
Everything about this movie was a miracle movie. | 0:47:16 | 0:47:19 | |
Who'd have thought all this success | 0:47:19 | 0:47:21 | |
would have come from an unassuming 32 page book? | 0:47:21 | 0:47:24 | |
The original Shrek story was written in 1990 by William Steig, | 0:47:24 | 0:47:28 | |
at the ripe old age of 82, | 0:47:28 | 0:47:29 | |
proving that when it comes to fairy tales, there is no age limit. | 0:47:29 | 0:47:33 | |
Boom, that's what I like to hear! | 0:47:33 | 0:47:35 | |
So Shrek had fought off a dragon, rescued a princess | 0:47:35 | 0:47:39 | |
and thwarted a tyrant. | 0:47:39 | 0:47:40 | |
But nothing could prepare him for what he would face next. | 0:47:40 | 0:47:44 | |
Yep, it's time to meet the in-laws. | 0:47:45 | 0:47:48 | |
Who on earth are they? | 0:47:48 | 0:47:50 | |
I think that's our little girl. | 0:47:50 | 0:47:52 | |
We got to take a journey with these characters from the beginning, | 0:47:52 | 0:47:56 | |
when they fall in love, to the building of their family, | 0:47:56 | 0:48:01 | |
this sort of, "What have I done", | 0:48:01 | 0:48:04 | |
which I think most people who build a family do after a few years. | 0:48:04 | 0:48:08 | |
And it looked like Shrek was wondering what he'd done | 0:48:08 | 0:48:12 | |
during this civilised family dinner. | 0:48:12 | 0:48:14 | |
So, I suppose any grandchildren I could expect from you would be... | 0:48:14 | 0:48:17 | |
-Ogres, yes. -Not that that anything wrong with that. Right, Harold? | 0:48:17 | 0:48:23 | |
Oh, no! No, of course not! | 0:48:23 | 0:48:24 | |
-That is assuming you don't eat your own young. -Dad! | 0:48:24 | 0:48:28 | |
It's a kind of typical sitcom mum and dad, but they happen to be | 0:48:28 | 0:48:33 | |
king and queen, meeting, you know, boyfriend for first time. | 0:48:33 | 0:48:38 | |
Happens to be an ogre. | 0:48:38 | 0:48:39 | |
It's so nice to have the family together for dinner. | 0:48:39 | 0:48:42 | |
The stories, the messages, the lessons that are... | 0:48:42 | 0:48:47 | |
that Shrek and Fiona and Donkey are learning, | 0:48:47 | 0:48:51 | |
those are relative to everyone's life. | 0:48:51 | 0:48:55 | |
At some point, you know, whether it's just the falling in love, | 0:48:55 | 0:49:00 | |
or learning about yourself, | 0:49:00 | 0:49:02 | |
and accepting yourself for who you are, or create a family with someone. | 0:49:02 | 0:49:06 | |
-You're going to be a father! -Ha ha ha! That's great! | 0:49:06 | 0:49:13 | |
-I'm going to be an uncle! -And you, my friend, are royally... | 0:49:13 | 0:49:17 | |
FOGHORN BLASTS | 0:49:17 | 0:49:18 | |
Shrek had been on a journey of love, friendship, marriage and babies. | 0:49:19 | 0:49:24 | |
So in his final adventure, what could they throw at him next? | 0:49:24 | 0:49:28 | |
It was hard to teach Shrek another lesson. | 0:49:28 | 0:49:31 | |
Like I said, he had gone through loving himself, | 0:49:31 | 0:49:34 | |
accepting himself as a husband and as a father. | 0:49:34 | 0:49:38 | |
And in this one, it was really about accepting life. | 0:49:38 | 0:49:42 | |
-BABIES WAIL It's going to be OK. -What's going on? | 0:49:42 | 0:49:45 | |
Come on, Shrek, your fans are waiting! | 0:49:45 | 0:49:47 | |
HE ROARS | 0:49:51 | 0:49:53 | |
Shrek and Fiona had marital problems. | 0:49:53 | 0:49:56 | |
So we brought in some marriage counsellors. | 0:49:56 | 0:49:58 | |
We tuned in and listened to what men go through | 0:49:58 | 0:50:01 | |
during their midlife crisis, | 0:50:01 | 0:50:03 | |
we heard how the females respond to it. | 0:50:03 | 0:50:05 | |
And it was really enlightening. | 0:50:05 | 0:50:08 | |
And at the same time, we also used them for marriage counselling for us. | 0:50:08 | 0:50:12 | |
Me and the producer got along a little better after some of this! | 0:50:12 | 0:50:15 | |
Unable to deal with his midlife crisis, | 0:50:15 | 0:50:18 | |
Shrek signed a deal with the devious Rumpelstiltskin. | 0:50:18 | 0:50:20 | |
You signed it! | 0:50:20 | 0:50:22 | |
He would have one day to relive his old bachelor ways | 0:50:22 | 0:50:24 | |
in exchange for one day of his life. | 0:50:24 | 0:50:27 | |
Little did he know the day he gave away was the day he was born. | 0:50:27 | 0:50:31 | |
Erasing his existence altogether. | 0:50:31 | 0:50:33 | |
-You don't know who I am, do you? -No. | 0:50:33 | 0:50:37 | |
My life was perfect, and I'm never going to get it back. | 0:50:37 | 0:50:41 | |
Why did you sign it away to Rumpelstiltskin in the first place? | 0:50:41 | 0:50:44 | |
Because I didn't know what I had until it was gone, all right? | 0:50:44 | 0:50:47 | |
But, with the help of his friends and family, Shrek got his life back. | 0:50:50 | 0:50:54 | |
It felt like a really good closing chapter for him. | 0:50:54 | 0:50:57 | |
And it was 10 years of movies, it was a great way for us to kind of | 0:50:57 | 0:51:01 | |
put the exclamation point on his story, and on his life. | 0:51:01 | 0:51:04 | |
So is this Shrek's final chapter? | 0:51:04 | 0:51:06 | |
In the words of James Bond, never say never. | 0:51:06 | 0:51:08 | |
Right now, I think he is deserving of a great, long, super-duper vacation. | 0:51:08 | 0:51:15 | |
We don't have any current plans, | 0:51:15 | 0:51:17 | |
not to say that some years down the road from now, | 0:51:17 | 0:51:20 | |
we might not find the right story to bring him back. | 0:51:20 | 0:51:23 | |
Aw, it's all happy families. | 0:51:23 | 0:51:26 | |
But hang on! There's someone we forgotten. | 0:51:26 | 0:51:29 | |
I hope I'm not interrupting, | 0:51:29 | 0:51:31 | |
but I'm told you're the one to talk to about an ogre problem? | 0:51:31 | 0:51:35 | |
Yes, the deadly assassin sent out to kill Shrek. | 0:51:35 | 0:51:39 | |
Now, ye ogre, pray for mercy from... | 0:51:40 | 0:51:44 | |
Puss! In Boots. | 0:51:45 | 0:51:48 | |
The first time you see Puss in Boots, I think, is just genius. | 0:51:48 | 0:51:52 | |
You know, when he rolls up his hat and has big eyes, | 0:51:52 | 0:51:56 | |
and then he coughs out the hairball. | 0:51:56 | 0:51:59 | |
HE CHOKES AND COUGHS | 0:51:59 | 0:52:01 | |
What kind of assassin is this?! | 0:52:01 | 0:52:03 | |
Hairball. | 0:52:03 | 0:52:04 | |
Oh my God, I literally fell on the floor laughing. | 0:52:04 | 0:52:07 | |
Literally, fell on the floor laughing. That I literally did. | 0:52:07 | 0:52:12 | |
Oh, that is nasty! | 0:52:12 | 0:52:13 | |
I do a voice for him that is very breathy, | 0:52:13 | 0:52:16 | |
and he goes like this, "Puss in Boots!" and all this. | 0:52:16 | 0:52:19 | |
And there I think is where we found the source of comedy. | 0:52:19 | 0:52:25 | |
-Shrek? -PUSS PURRS | 0:52:25 | 0:52:28 | |
For you, baby, I could be. | 0:52:28 | 0:52:31 | |
He's a fantastic comedy character, Puss in Boots. | 0:52:31 | 0:52:34 | |
Anything with Puss in I find hilarious. | 0:52:34 | 0:52:37 | |
He finds friendship in the group. | 0:52:37 | 0:52:40 | |
It would be an honour to lay my life on the line for you. | 0:52:40 | 0:52:43 | |
And he forgets what is his purpose in the movie. | 0:52:43 | 0:52:47 | |
And he says, well, I may belong here. So he finds a family. | 0:52:47 | 0:52:51 | |
I don't feel any different. I look any different? | 0:52:51 | 0:52:55 | |
You still look like an ass to me. | 0:52:55 | 0:52:57 | |
And Puss, like any red-blooded male, has an eye for the ladies. Meow! | 0:52:57 | 0:53:03 | |
You're the love of my life. As are you. | 0:53:03 | 0:53:08 | |
And you, and, er... Ooh! Hi. I don't know you. | 0:53:08 | 0:53:11 | |
But I'd like to. CATS SCREECH | 0:53:11 | 0:53:13 | |
Oh, what a womaniser! | 0:53:13 | 0:53:16 | |
Yeah... Yeah, I mean, I wouldn't say a womaniser. | 0:53:17 | 0:53:23 | |
I wouldn't say that about him. | 0:53:23 | 0:53:26 | |
But he always has... I would say that he loves, you know, female cats. | 0:53:26 | 0:53:32 | |
A little bit more than normal. | 0:53:34 | 0:53:37 | |
And Puss proved such a hit with fans | 0:53:38 | 0:53:40 | |
he went from sidekick to star in his very own movie. | 0:53:40 | 0:53:44 | |
The persona of Antonio informed the way we could make a movie. | 0:53:44 | 0:53:47 | |
Pluck him from the Shrek universe, | 0:53:47 | 0:53:50 | |
but create a very distinct... | 0:53:50 | 0:53:52 | |
world for just him. | 0:53:52 | 0:53:54 | |
If he was cute already in the way he is, | 0:53:54 | 0:53:57 | |
imagine when he was a little kitty cat, | 0:53:57 | 0:54:00 | |
with a big head and those eyes! | 0:54:00 | 0:54:02 | |
So funny. | 0:54:03 | 0:54:04 | |
When you scratch beyond the fur, you find that he's mischievous, | 0:54:04 | 0:54:09 | |
and he's got this kind of dark side that actually makes us laugh. | 0:54:09 | 0:54:12 | |
You made the cat angry. You do not want to make the cat angry. | 0:54:12 | 0:54:17 | |
So, what's the final ingredient for an everlasting fairytale? | 0:54:21 | 0:54:25 | |
Leave a giant footprint. | 0:54:25 | 0:54:27 | |
I travel all over the world all the time, | 0:54:27 | 0:54:30 | |
and it's amazing how far it reaches. | 0:54:30 | 0:54:33 | |
And that people constantly say to me how much they love the film | 0:54:33 | 0:54:37 | |
and what it means to them. | 0:54:37 | 0:54:38 | |
I got a star on the Hollywood walk of Fame. | 0:54:38 | 0:54:41 | |
Mickey Mouse had also gotten a star. And I think The Simpsons. | 0:54:41 | 0:54:45 | |
It's bigger than my little head can hold sometimes. | 0:54:45 | 0:54:51 | |
Wherever you travel around the world, | 0:54:51 | 0:54:54 | |
it is one of the most highly admired | 0:54:54 | 0:54:57 | |
and recognised characters of all time. | 0:54:57 | 0:55:00 | |
And where exactly do you go from Hollywood? | 0:55:00 | 0:55:03 | |
-Why, Drury Lane, of course. -Drury Lane? -Sorry, John, we've done that gag. | 0:55:03 | 0:55:07 | |
We mean the real Drury Lane in London, home of Shrek The Musical. | 0:55:07 | 0:55:11 | |
Shrek The Musical came about via a conversation with Sam Mendes. | 0:55:11 | 0:55:14 | |
He said, you have the ingredients for a great musical. | 0:55:14 | 0:55:17 | |
It has a journey, it has a love story, it has a friendship. | 0:55:17 | 0:55:20 | |
It has a big heroic quest to it. | 0:55:20 | 0:55:24 | |
And so you should definitely think about making this into a musical. | 0:55:24 | 0:55:28 | |
We said, OK, if you do it with us. | 0:55:28 | 0:55:29 | |
It is a character that everybody loves and so much talent | 0:55:32 | 0:55:36 | |
and creativity has gone into making this character and the story right. | 0:55:36 | 0:55:39 | |
Eddie Murphy is very big shoes to step into. | 0:55:42 | 0:55:45 | |
I don't think you can get any bigger as a comedian. | 0:55:45 | 0:55:48 | |
To be a part of the Shrek legacy is without a doubt | 0:55:48 | 0:55:51 | |
one of the biggest privileges you could ever have. | 0:55:51 | 0:55:54 | |
# I got rain | 0:55:54 | 0:55:55 | |
# I got rain... # | 0:55:55 | 0:55:57 | |
It is part of this huge franchise | 0:55:59 | 0:56:01 | |
that has been for 10 years, | 0:56:01 | 0:56:03 | |
so to kind of even be a little bit involved in that | 0:56:03 | 0:56:07 | |
is quite an honour, really. | 0:56:07 | 0:56:09 | |
The journey into the land of musicals is a fitting legacy | 0:56:09 | 0:56:12 | |
for the world's most famous ogre. | 0:56:12 | 0:56:14 | |
So there we have it. | 0:56:15 | 0:56:17 | |
Four magical movies, a swamp full of lovable characters, | 0:56:17 | 0:56:20 | |
and a whole decade since a smelly, green ogre came crashing into our world. | 0:56:20 | 0:56:25 | |
For the last 10 years, it has been such a blessing. | 0:56:25 | 0:56:29 | |
I feel so blessed to be a part of Shrek. | 0:56:29 | 0:56:32 | |
And it's just, it has changed my life. | 0:56:32 | 0:56:34 | |
I feel privileged that I had the opportunity | 0:56:34 | 0:56:37 | |
of being part of something that I loved before I was part of it. | 0:56:37 | 0:56:41 | |
-I'm very proud. -It's such a smart film. | 0:56:41 | 0:56:44 | |
You look at something like that - it'll last for ever. | 0:56:44 | 0:56:47 | |
It's a glorious 10 years of working with the smartest, funniest people in the world. | 0:56:47 | 0:56:52 | |
And it was all just kind of amazing. | 0:56:52 | 0:56:54 | |
It's innocent and sweet. They're very touching, I think. | 0:56:54 | 0:56:58 | |
It was great to be involved. | 0:56:58 | 0:56:59 | |
They're four brilliant films. | 0:56:59 | 0:57:01 | |
It really set a standard of what people can do in animation. | 0:57:01 | 0:57:05 | |
I've been making movies 28 years, | 0:57:05 | 0:57:07 | |
I've done all different types of pictures. | 0:57:07 | 0:57:10 | |
The Shrek series is just some of the proudest work | 0:57:10 | 0:57:14 | |
that I've been involved with. | 0:57:14 | 0:57:16 | |
I'm very proud of Shrek. | 0:57:16 | 0:57:17 | |
It's been a pleasure to be associated with something | 0:57:17 | 0:57:20 | |
where everybody just wanted it to be great. | 0:57:20 | 0:57:23 | |
That's the greatest gift of the movie, | 0:57:23 | 0:57:25 | |
how much laughter it has brought to so many people. | 0:57:25 | 0:57:30 | |
And that's the reward. | 0:57:30 | 0:57:33 | |
I was hoping this would be a happy ending! | 0:57:33 | 0:57:35 | |
Well, Donkey, you're in luck. | 0:57:35 | 0:57:37 | |
Subtitles by Red Bee Media Ltd | 0:57:48 | 0:57:50 | |
E-mail [email protected] | 0:57:50 | 0:57:53 |