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Blackpool. | 0:00:17 | 0:00:19 | |
Get off with you! THEY LAUGH | 0:00:22 | 0:00:25 | |
There is that many stars played Blackpool, you could not count them. | 0:00:33 | 0:00:38 | |
There's that many played Blackpool. | 0:00:38 | 0:00:39 | |
When I leave my house, to come to Blackpool to do a show, | 0:00:39 | 0:00:43 | |
my heart's beating, because I know I'm going to have a good time. | 0:00:43 | 0:00:48 | |
I love the smell of Blackpool, in the morning, it smells like... | 0:00:48 | 0:00:52 | |
Comedy. | 0:00:52 | 0:00:54 | |
Yeah. | 0:00:54 | 0:00:56 | |
On top of all that, my dear wife, after years of bliss, | 0:00:56 | 0:00:58 | |
she ran away last week with the fella last next door. I do miss him. | 0:00:58 | 0:01:01 | |
LAUGHTER | 0:01:01 | 0:01:04 | |
This is what makes it so nostalgic to come to Blackpool. | 0:01:04 | 0:01:07 | |
I met the wife in Blackpool on the Pleasure Beach. | 0:01:07 | 0:01:09 | |
In the Tunnel of Love. She was digging it. | 0:01:09 | 0:01:11 | |
LAUGHTER | 0:01:11 | 0:01:12 | |
# Downtown, things will be great | 0:01:12 | 0:01:15 | |
# When you're downtown, | 0:01:15 | 0:01:18 | |
# No finer place for sure | 0:01:18 | 0:01:20 | |
# Downtown Everything's waiting for you | 0:01:20 | 0:01:24 | |
# Downtown | 0:01:24 | 0:01:28 | |
# Downtown. # | 0:01:28 | 0:01:31 | |
By Jove, what a beautiful day. | 0:01:31 | 0:01:33 | |
What a beautiful day for jumping off the top of Blackpool Tower, | 0:01:33 | 0:01:36 | |
holding your granny's corsets over your head, | 0:01:36 | 0:01:38 | |
and saying, "How's this for hang gliding?" | 0:01:38 | 0:01:40 | |
It's so crowded at Blackpool, | 0:01:40 | 0:01:43 | |
the corporation had to send to Morecambe for more, new seagulls, | 0:01:43 | 0:01:45 | |
more seagulls! Ha-ha! | 0:01:45 | 0:01:48 | |
-Hey! -What? -You'll do. -Who? -You. | 0:01:48 | 0:01:50 | |
-For what? -For me. -Oh, right! | 0:01:50 | 0:01:51 | |
Oh, sit down! | 0:01:51 | 0:01:53 | |
How long have we been in the amateurs now? | 0:01:53 | 0:01:55 | |
12 years you've been in the amateurs. | 0:01:55 | 0:01:57 | |
12 years. | 0:01:57 | 0:01:59 | |
You know, I can always tell if an audience is going to be good or bad. | 0:02:02 | 0:02:05 | |
Good night. | 0:02:05 | 0:02:06 | |
LAUGHTER | 0:02:06 | 0:02:08 | |
Hup, hey, hop? | 0:02:08 | 0:02:09 | |
LAUGHTER | 0:02:09 | 0:02:10 | |
In its day, you did get all the top stars. | 0:02:10 | 0:02:14 | |
Everybody came and played at Blackpool. | 0:02:14 | 0:02:16 | |
Oh, it was everything. It was the capital of entertainment. | 0:02:16 | 0:02:20 | |
Morecambe and Wise, I remember Morecambe and Wise. | 0:02:20 | 0:02:23 | |
Summer seasons on North Pier. | 0:02:23 | 0:02:24 | |
The Opera House. | 0:02:24 | 0:02:27 | |
The biggest acts in the business | 0:02:27 | 0:02:29 | |
were here in Blackpool doing summer seasons. | 0:02:29 | 0:02:31 | |
-TV COMMENTATOR: -Here's holiday entertainment for the whole family. | 0:02:31 | 0:02:34 | |
The Morecambe and Wise Show, | 0:02:34 | 0:02:36 | |
starring Eric Morecambe, Ernie Wise, | 0:02:36 | 0:02:40 | |
an all-star company. | 0:02:40 | 0:02:41 | |
This fabulous show is on the stage for the summer season, | 0:02:41 | 0:02:44 | |
at the ABC Blackpool, from the 5th of June. | 0:02:44 | 0:02:47 | |
The Morecambe and Wise Show is presented twice nightly | 0:02:50 | 0:02:53 | |
at 6:10pm and 8:45pm, | 0:02:53 | 0:02:55 | |
in the comfort of Europe's most luxurious theatre. | 0:02:55 | 0:02:58 | |
Blackpool was hugely important to Morecambe and Wise. | 0:02:59 | 0:03:02 | |
It was the foundation of their careers. | 0:03:02 | 0:03:04 | |
And they shipped up there for the first time in 1953. | 0:03:04 | 0:03:07 | |
That was their big break. | 0:03:07 | 0:03:09 | |
And they never really looked back after that. | 0:03:09 | 0:03:11 | |
That was the beginning of an incredible career. | 0:03:11 | 0:03:14 | |
Ladies and gentlemen, we'd now like to play you Monti's Csardas. | 0:03:14 | 0:03:16 | |
Three Blind Mice. | 0:03:16 | 0:03:18 | |
LAUGHTER | 0:03:18 | 0:03:20 | |
-Pardon? -Three Blind Mice, it's harder. | 0:03:20 | 0:03:22 | |
Because I play it backwards. | 0:03:22 | 0:03:24 | |
Monti's Csardas. We're going to play Monti's Csardas. | 0:03:24 | 0:03:27 | |
-All right then. -Are you ready? -Oh, well, up to you. -Here we go. | 0:03:27 | 0:03:29 | |
One, two. | 0:03:29 | 0:03:31 | |
LAUGHTER AND APPLAUSE | 0:03:41 | 0:03:42 | |
-That was marvellous, wasn't it. -Where were you? -I couldn't get in! | 0:03:48 | 0:03:52 | |
-With one stick, too. -One stick, you did it. And it was on fire as well. | 0:03:52 | 0:03:55 | |
I've never seen hammers go like that before. | 0:03:55 | 0:03:57 | |
-You're supposed to come in halfway through. -Ha-ha. I'll remember that. | 0:03:57 | 0:04:02 | |
When Eric and Ernie were in town, they were such heroes. | 0:04:02 | 0:04:04 | |
They even got to judge the Miss Blackpool beauty pageant. | 0:04:04 | 0:04:08 | |
-TV COMMENTATOR: -Who better than comedians Albert Modley | 0:04:08 | 0:04:11 | |
and Morecambe and Wise, to make the very best of a good job? | 0:04:11 | 0:04:14 | |
It's very odd to see people like Eric and Ernie | 0:04:14 | 0:04:18 | |
involved in that kind of scene. | 0:04:18 | 0:04:20 | |
But, I think back in the day, comedians were glamorous. | 0:04:20 | 0:04:23 | |
They were right at the top of the professional entertainment tree. | 0:04:23 | 0:04:26 | |
And, that meant flash cars, pretty women. | 0:04:26 | 0:04:30 | |
And it was of the time. | 0:04:30 | 0:04:33 | |
Eric always loved Blackpool. | 0:04:33 | 0:04:35 | |
What he used to say was, compared to everything, | 0:04:35 | 0:04:38 | |
Blackpool was really the only one worth playing. | 0:04:38 | 0:04:41 | |
The only thing that he didn't like doing, he said, in all honesty, | 0:04:41 | 0:04:44 | |
was the North Pier, | 0:04:44 | 0:04:46 | |
because it was so far out into the water. | 0:04:46 | 0:04:48 | |
If the weather changed, it became seriously lethal | 0:04:48 | 0:04:50 | |
getting to the dressing rooms and performing. | 0:04:50 | 0:04:53 | |
-TV COMMENTATOR: -No less than three piers | 0:04:53 | 0:04:55 | |
for those who feel the need for a different one each day. | 0:04:55 | 0:04:58 | |
Theatres, sun loungers, and orchestras | 0:04:58 | 0:05:00 | |
are to be found on all of them. | 0:05:00 | 0:05:01 | |
The largest of the three is the North Pier, | 0:05:01 | 0:05:05 | |
710 yards in length, including the jetty. | 0:05:05 | 0:05:08 | |
Thousands stroll here each day, | 0:05:08 | 0:05:09 | |
thousands more relax in the sunshine. | 0:05:09 | 0:05:12 | |
His friend, the late singer Matt Munro, worked with them many times. | 0:05:12 | 0:05:15 | |
He was walking to perform one night along the front. | 0:05:15 | 0:05:18 | |
A big wind got up, blew him over, and he broke his arm. | 0:05:18 | 0:05:21 | |
So, it kind of made sense in the end | 0:05:21 | 0:05:23 | |
that maybe the North Pier was a bit dangerous on a bad night! | 0:05:23 | 0:05:28 | |
Let's do it one more time. | 0:05:28 | 0:05:32 | |
If you played the North Pier in the autumn, October, | 0:05:32 | 0:05:37 | |
you were liable to get some quite lively wind, storms, and rain. | 0:05:37 | 0:05:45 | |
And, sometimes, even the Central Pier used to rock in the bad weather. | 0:05:45 | 0:05:51 | |
Sometimes, you wondered whether you were going to finish the night | 0:05:51 | 0:05:53 | |
halfway into the Irish Sea. | 0:05:53 | 0:05:55 | |
I remember being in that pier, in October. | 0:05:55 | 0:05:59 | |
And the waves were coming up underneath, | 0:05:59 | 0:06:02 | |
you could see them under your floorboards in your dressing room. | 0:06:02 | 0:06:05 | |
It was like being on a ship. | 0:06:05 | 0:06:07 | |
And you'd walk, it was a quarter of a mile to the end of this pier. | 0:06:07 | 0:06:11 | |
And there you'd be, with 1,100 people in the audience. | 0:06:11 | 0:06:16 | |
It was a great atmosphere. | 0:06:16 | 0:06:17 | |
You could see the steam coming off the people, | 0:06:17 | 0:06:20 | |
because they've had to walk down the pier! | 0:06:20 | 0:06:22 | |
-HE LAUGHS -It was great. | 0:06:22 | 0:06:24 | |
But they didn't seem to mind, didn't seem to care. | 0:06:24 | 0:06:27 | |
I've looked out on to the audience when we've had bad weather. | 0:06:27 | 0:06:30 | |
They're sitting there in wet clothes. | 0:06:30 | 0:06:33 | |
You could see the steam coming off their clothes. | 0:06:33 | 0:06:36 | |
But they're still having a good time. They're still laughing. | 0:06:36 | 0:06:39 | |
They forget about it. | 0:06:39 | 0:06:40 | |
Because, when you walk in any of these theatres, | 0:06:40 | 0:06:43 | |
you see a comedy show. | 0:06:43 | 0:06:44 | |
You're laughing so much, you're having such a good time. | 0:06:44 | 0:06:47 | |
You don't realise how wet you are | 0:06:47 | 0:06:49 | |
till you get back out of the building. | 0:06:49 | 0:06:51 | |
It was a hell of a walk down there. | 0:06:51 | 0:06:52 | |
And you have to have an act, a ten-minute act. | 0:06:52 | 0:06:55 | |
Because people sat in their deckchairs, | 0:06:55 | 0:06:58 | |
they were already shouting at you, "Hello!" I used to be so shy. | 0:06:58 | 0:07:02 | |
"All right, Mr Large?" "Oh, yeah, all right." | 0:07:02 | 0:07:05 | |
"Any free tickets?" "Ooh, I don't think so." | 0:07:05 | 0:07:09 | |
I followed Frank Carson down, one day. | 0:07:09 | 0:07:11 | |
And they were shouting at Frank: "Mr Carson!" | 0:07:11 | 0:07:14 | |
"Hello, there, love. By the way, hard luck in the Miss World competition. | 0:07:14 | 0:07:17 | |
"Good luck next week in the Horse of the Year Show, ha-ha." And he's off. | 0:07:17 | 0:07:21 | |
And I'm following him, and someone else. "Any free tickets, Mr Carson?" | 0:07:21 | 0:07:24 | |
"Aye, for every £9 you hand over, you get a free ticket! Cracker." | 0:07:24 | 0:07:28 | |
And he's off. And I'm thinking, I'm going to do that, Frank. | 0:07:28 | 0:07:31 | |
That's easier than putting the dark glasses on and the scarf. | 0:07:31 | 0:07:36 | |
There's no other seaside town with three piers. | 0:07:39 | 0:07:41 | |
Tell me, whatever taste you've got, that you don't like wandering out | 0:07:41 | 0:07:45 | |
into this amazing thing that mankind has made. | 0:07:45 | 0:07:48 | |
Where mankind conquers the sea. | 0:07:48 | 0:07:50 | |
The South Pier was famous because it was Al Read's first debut. | 0:07:50 | 0:07:56 | |
When you're on your holidays, to enjoy yourself, aren't you? | 0:07:58 | 0:08:01 | |
You see, there's no holiday for us married men. | 0:08:01 | 0:08:03 | |
We go through it with you wives. You put us through it, you watch us. | 0:08:03 | 0:08:06 | |
You watch us! Never mind "ha-ha", I heard that! | 0:08:06 | 0:08:09 | |
LAUGHTER | 0:08:09 | 0:08:11 | |
You won't let us out of your sight. | 0:08:11 | 0:08:14 | |
You've only got to think about going for one on your own with the lads. | 0:08:14 | 0:08:17 | |
"Where are you going again, without me?" | 0:08:17 | 0:08:19 | |
His father was quite a wealthy man, so was Al. | 0:08:20 | 0:08:23 | |
They'd booked the South Pier one Sunday night. | 0:08:23 | 0:08:27 | |
He put his own show on, with Al Read the star. | 0:08:27 | 0:08:31 | |
And, after the show... | 0:08:31 | 0:08:33 | |
I'm telling you a little story here, | 0:08:33 | 0:08:35 | |
because you never ask your family what they thought of the show. | 0:08:35 | 0:08:38 | |
Never. Because they'll tell you! | 0:08:38 | 0:08:41 | |
And, after the show, they're coming down the pier. | 0:08:41 | 0:08:43 | |
He said to his dear old grandma, | 0:08:43 | 0:08:46 | |
"What did you think of the show, Gran?" | 0:08:46 | 0:08:49 | |
Big mistake. His granny looked and says, "Well, Al, you looked clean." | 0:08:49 | 0:08:54 | |
And that was it. | 0:08:54 | 0:08:56 | |
Welcome to Blackpool. | 0:08:56 | 0:08:58 | |
I know why you're here, you always go, | 0:08:58 | 0:08:59 | |
"I'm a lovely colour," don't you? | 0:08:59 | 0:09:01 | |
Blue, with a red nose full of snot! | 0:09:01 | 0:09:03 | |
LAUGHTER | 0:09:03 | 0:09:06 | |
When I first came here, somebody liked me, | 0:09:06 | 0:09:08 | |
and they said, "Right. Will you do a show on the pier?" | 0:09:08 | 0:09:12 | |
I said, "Hmph, family entertainment, you don't want me there. | 0:09:12 | 0:09:16 | |
"Every other word's F." | 0:09:16 | 0:09:18 | |
"We're putting you on at 12 o'clock!" | 0:09:18 | 0:09:20 | |
All right. So I'm going to be talking to myself! | 0:09:20 | 0:09:23 | |
And, strangely enough, it was packed at 12 o'clock. | 0:09:23 | 0:09:26 | |
-But you got a lot of that... -DRUNKEN MUTTERING | 0:09:26 | 0:09:31 | |
-HECKLING -Ah, thank you very much! | 0:09:31 | 0:09:35 | |
Why are you being so nasty? | 0:09:35 | 0:09:36 | |
You were so gentle in the toilet half an hour ago! | 0:09:36 | 0:09:39 | |
LAUGHTER | 0:09:39 | 0:09:42 | |
I was 19 when I first came to Blackpool to work the summer season. | 0:09:42 | 0:09:45 | |
Let's face it, if you got a summer season at Blackpool, | 0:09:45 | 0:09:47 | |
you were going to be a star, or you were a star. | 0:09:47 | 0:09:50 | |
It was tremendously important to say, | 0:09:50 | 0:09:52 | |
"Where are you working this week? What are you doing?" | 0:09:52 | 0:09:54 | |
"Well, I'm at the Miners Welfare in Heckmondwike. What about you?" | 0:09:54 | 0:09:58 | |
"Er... I'm at Winter Gardens in Blackpool." | 0:09:58 | 0:10:02 | |
"Oh." | 0:10:02 | 0:10:03 | |
"Yeah." I mean, it was real kudos. Real feather in your cap. | 0:10:03 | 0:10:07 | |
You'd tell as many people as possible. | 0:10:07 | 0:10:10 | |
ORCHESTRA PLAYS | 0:10:10 | 0:10:13 | |
Where do you come to? I came to Blackpool. | 0:10:23 | 0:10:25 | |
To live in Blackpool, because it was the Mecca of show business. | 0:10:25 | 0:10:28 | |
I thought, eventually, I'll get a summer season here. And I did. | 0:10:28 | 0:10:31 | |
The first season I did was 1966, then I did one in 1968. | 0:10:31 | 0:10:36 | |
DRUM ROLL | 0:10:36 | 0:10:39 | |
And here is an English comedian. | 0:10:39 | 0:10:41 | |
RIPPLE OF LAUGHTER | 0:10:41 | 0:10:44 | |
Freddie Davies. | 0:10:44 | 0:10:45 | |
APPLAUSE | 0:10:45 | 0:10:47 | |
HE LISPS I say! | 0:10:55 | 0:10:59 | |
I say! | 0:10:59 | 0:11:02 | |
Come here, parrot face. | 0:11:02 | 0:11:04 | |
You know that budgie you sold me yesterday? | 0:11:04 | 0:11:08 | |
Look at it. | 0:11:08 | 0:11:09 | |
LAUGHTER | 0:11:12 | 0:11:13 | |
I stuffed 17lb of bird seed in it, and it still wouldn't bounce! | 0:11:13 | 0:11:16 | |
LAUGHTER | 0:11:18 | 0:11:19 | |
Isn't it about time you sold me a decent budgerigar? | 0:11:19 | 0:11:23 | |
I'd like a nice little talker. | 0:11:23 | 0:11:25 | |
Something that speaks with its beak. | 0:11:26 | 0:11:29 | |
And I don't care what colour it is, as long as it's blue. | 0:11:33 | 0:11:37 | |
There was a certain thrill about coming to Blackpool. | 0:11:37 | 0:11:41 | |
It was a special always a special occasion. | 0:11:41 | 0:11:44 | |
-TV COMMENTATOR: -Playground spectacular. | 0:11:44 | 0:11:46 | |
Playground extraordinary. Blackpool, known to millions of Britons | 0:11:46 | 0:11:50 | |
and millions from overseas. | 0:11:50 | 0:11:52 | |
They built Blackpool. | 0:11:52 | 0:11:54 | |
It was designed, it doesn't happen organically. | 0:11:54 | 0:11:56 | |
And they get Matcham, the great architect in, | 0:11:56 | 0:11:59 | |
who builds these wonderful pleasure dromes for the working classes. | 0:11:59 | 0:12:03 | |
The Grand, of course, is the most beautiful theatre. | 0:12:03 | 0:12:06 | |
Which is a Frank Matcham theatre. | 0:12:06 | 0:12:08 | |
Frank Matcham was the great theatre architect, | 0:12:08 | 0:12:10 | |
and the Grand is a beautiful, | 0:12:10 | 0:12:12 | |
the most beautiful Frank Matcham theatre, I think. | 0:12:12 | 0:12:16 | |
And it's a great theatre for a comedian, for comics, | 0:12:16 | 0:12:20 | |
because the audience are there, right in front of you. | 0:12:20 | 0:12:24 | |
The piers along the sea front were developed in the late 19th century. | 0:12:24 | 0:12:29 | |
When the workers arrived in Blackpool, with their families, | 0:12:29 | 0:12:31 | |
it was a week-long Dionysian, Bacchanalian revel. | 0:12:31 | 0:12:35 | |
-TV COMMENTATOR: -Now, here's an added treat. | 0:12:43 | 0:12:47 | |
Appearing in her very first summer show: Cilla Black! | 0:12:47 | 0:12:52 | |
Hey, isn't it marvellous? 16 weeks in Blackpool, with The Bachelors. | 0:12:52 | 0:12:56 | |
You will come and see us, won't you? | 0:12:56 | 0:12:58 | |
# I never cared much for moonlit skies | 0:13:03 | 0:13:07 | |
# I never winked back at fireflies | 0:13:07 | 0:13:11 | |
# But now that the stars are in your eyes | 0:13:11 | 0:13:14 | |
# I'm beginning to see the light. # | 0:13:14 | 0:13:18 | |
My dad would queue up on the Monday. We'd get here on the Sunday night, | 0:13:18 | 0:13:21 | |
he'd queue up on the Monday, in fact, all day, to every box office, | 0:13:21 | 0:13:25 | |
to get tickets for the show. | 0:13:25 | 0:13:26 | |
And we would see a different show every night. | 0:13:26 | 0:13:29 | |
And sometimes even two shows in one night. | 0:13:29 | 0:13:31 | |
And the first thing you'd do, | 0:13:31 | 0:13:33 | |
you'd go on a tour to all the box offices, | 0:13:33 | 0:13:35 | |
three piers, South, Central, North, | 0:13:35 | 0:13:38 | |
ABC, Grand Theatre, | 0:13:38 | 0:13:42 | |
the Opera House, the Winter Gardens, | 0:13:42 | 0:13:44 | |
and you'd get as many tickets as you could for the week. | 0:13:44 | 0:13:46 | |
Because, if you didn't get them then, | 0:13:46 | 0:13:49 | |
you wouldn't be able to get in the shows. | 0:13:49 | 0:13:51 | |
Because every show would do sell-out business. | 0:13:51 | 0:13:54 | |
You'd got the ticket, you'd queued, you got it. | 0:13:54 | 0:13:58 | |
I can remember as if it was yesterday, | 0:13:58 | 0:14:00 | |
getting in to see Tommy Steele. | 0:14:00 | 0:14:03 | |
I just, I'd actually got in, I was on my own! | 0:14:03 | 0:14:07 | |
My dad would say, "We're going to go and see a variety show tonight." | 0:14:07 | 0:14:13 | |
"What's that then, dad?" "Oh, you'll see. | 0:14:13 | 0:14:16 | |
"You'll probably get a plate spinner. You know. | 0:14:16 | 0:14:19 | |
"And then you'll get a woman on a saxophone. | 0:14:19 | 0:14:22 | |
"And a bloke that told jokes. And a lady that whistled." | 0:14:22 | 0:14:26 | |
And, oh, I thought it was fantastic. | 0:14:26 | 0:14:29 | |
And, getting in to the theatre was the magic. | 0:14:29 | 0:14:33 | |
Because, you knew, when you walked in | 0:14:33 | 0:14:37 | |
that big, dark, warm, inviting place, | 0:14:37 | 0:14:42 | |
you were in another world. You were just in another world. | 0:14:42 | 0:14:47 | |
We saw Jimmy Clitheroe. | 0:14:47 | 0:14:48 | |
And the routine with Alfie, and the bit of carrot in the goldfish bowl. | 0:14:48 | 0:14:52 | |
And every audience, | 0:14:52 | 0:14:54 | |
comedy then, they only had to do eight minutes, 10 minutes. | 0:14:54 | 0:14:58 | |
And he would take the carrot out of the bowl and eat it. | 0:14:58 | 0:15:01 | |
Of course, the audience thought it was a fish. | 0:15:01 | 0:15:03 | |
And the likes of my father thought that was hilarious. | 0:15:03 | 0:15:07 | |
HE SQUEALS NONSENSICALLY | 0:15:07 | 0:15:10 | |
-Take it away. -Ohhh! | 0:15:10 | 0:15:14 | |
Why did you want to go and do that for? | 0:15:14 | 0:15:16 | |
Taking my mouth for a hanger, is what you're doing. | 0:15:16 | 0:15:19 | |
I wasn't doing anything with it, what did you go and do, | 0:15:19 | 0:15:22 | |
-you go and get them... -HE BLUBBERS HYSTERICALLY | 0:15:22 | 0:15:27 | |
Even as a little boy, and my mum and dad were in showbusiness | 0:15:27 | 0:15:30 | |
so they wanted to see every show. | 0:15:30 | 0:15:32 | |
And I wanted to see the shows with them. | 0:15:32 | 0:15:34 | |
One of my greatest places that I loved was the circus, | 0:15:34 | 0:15:37 | |
Blackpool Tower Circus, with Charlie Cairoli. | 0:15:37 | 0:15:40 | |
Such a wonderful building. | 0:15:40 | 0:15:42 | |
I used to sit there and think, | 0:15:42 | 0:15:44 | |
one day, I'd love to be on that circus ring and do something. | 0:15:44 | 0:15:48 | |
I thought, possibly, a clown, I wanted to be a clown. | 0:15:48 | 0:15:50 | |
-You are a clown. -"You are a clown." Thank you!? | 0:15:50 | 0:15:53 | |
Don't speak when I'm speaking, ha-ha. | 0:15:53 | 0:15:55 | |
-You're not that good. -Yes, thank you! | 0:15:55 | 0:15:57 | |
TV COMMENTATOR: The Tower Circus is internationally famous. | 0:15:57 | 0:16:01 | |
As clever as a cart-load of monkeys, | 0:16:01 | 0:16:03 | |
this box of chimpanzees is the bring-the-house-down part of the show. | 0:16:03 | 0:16:07 | |
My name is Mooky the clown, and I work at the Blackpool Tower Circus. | 0:16:13 | 0:16:16 | |
And I'm a clown, um, hence the clown face. | 0:16:16 | 0:16:19 | |
And, my name is Mr Boo, I'm the straight man, | 0:16:19 | 0:16:22 | |
I make sure he doesn't cause too much trouble. | 0:16:22 | 0:16:24 | |
-And I work at the Blackpool Tower Circus as well. -You do? -I do. | 0:16:24 | 0:16:28 | |
-TV COMMENTATOR: -Charlie Cairoli, almost a fixture at this circus, | 0:16:28 | 0:16:31 | |
puts the finishing touches to his make-up. | 0:16:31 | 0:16:34 | |
My name is Charlie Cairoli. Named after my father. | 0:16:37 | 0:16:41 | |
Well, he was actually called Carletto. | 0:16:41 | 0:16:43 | |
But, it's Charlie, when it's translated. | 0:16:43 | 0:16:46 | |
He was the clown at the Blackpool Tower from '39, to '79. | 0:16:46 | 0:16:52 | |
I joined my father in 1970. | 0:16:52 | 0:16:54 | |
Great man. | 0:16:54 | 0:16:56 | |
Never gave me a lesson. | 0:16:56 | 0:16:59 | |
Never sort of showed me how to do anything. | 0:16:59 | 0:17:01 | |
I just watched, and learnt. | 0:17:01 | 0:17:04 | |
-Where is it? -Here. | 0:17:08 | 0:17:09 | |
Where? | 0:17:09 | 0:17:12 | |
LAUGHTER AND APPLAUSE | 0:17:12 | 0:17:14 | |
Blackpool Tower Circus, the greatest show on Earth. | 0:17:15 | 0:17:18 | |
I think it started 118 years ago, it's been there every single year | 0:17:24 | 0:17:29 | |
without missing a summer season, ever. Even through the war. | 0:17:29 | 0:17:33 | |
It's been 118 years. | 0:17:33 | 0:17:35 | |
There was a lot of shows going on. The circus was the different one. | 0:17:35 | 0:17:38 | |
There were a lot of twice-nightlies, and the stars, | 0:17:38 | 0:17:40 | |
Bruce Forsyth, Morecambe and Wise, things like that. | 0:17:40 | 0:17:43 | |
But, the circus was the totally different one. | 0:17:43 | 0:17:47 | |
-TV COMMENTATOR: -Holding hands, or rather holding tails. | 0:17:47 | 0:17:50 | |
Another kind of slow traffic moves across the promenade. | 0:17:50 | 0:17:53 | |
The circus elephants, taking their daily exercise. | 0:17:53 | 0:17:56 | |
It was wonderful that the elephants came out on the beach, | 0:17:57 | 0:18:01 | |
holding, trunk to tail. It was part of what you were involved in. | 0:18:01 | 0:18:05 | |
You felt as though they were our elephants. | 0:18:05 | 0:18:08 | |
Because they were part of our showbiz environment. | 0:18:08 | 0:18:13 | |
And something you'll never forget. It was like being in the Serengeti. | 0:18:13 | 0:18:18 | |
The elephants had loved it in the sea. | 0:18:18 | 0:18:20 | |
One day, the elephants wouldn't come out, they missed a show, | 0:18:20 | 0:18:23 | |
they were out there, and they couldn't get them out at all. | 0:18:23 | 0:18:27 | |
If you look way back to people like Frank Randle, | 0:18:27 | 0:18:31 | |
the working man's comic who, I think, was earning £1,000 a week, | 0:18:31 | 0:18:36 | |
all those thousands of years ago. | 0:18:36 | 0:18:39 | |
# That's what it's all about. # | 0:18:39 | 0:18:43 | |
Frank Randle was a very unique entertainer. | 0:18:43 | 0:18:45 | |
He was known as the King Twist of Blackpool. | 0:18:45 | 0:18:47 | |
You could, in a way, say that he owned Blackpool. | 0:18:47 | 0:18:50 | |
In fact, owned the hearts of a huge amount of people who came here. | 0:18:50 | 0:18:53 | |
-By the way, what is your name? -Just have a guess. | 0:18:53 | 0:18:56 | |
Hm. I should say, Frozen Fanny. | 0:18:56 | 0:18:58 | |
-You almost amuse me, you do, really. -Why? Isn't that your name? | 0:18:58 | 0:19:03 | |
I don't mind, if you like it that way. | 0:19:03 | 0:19:06 | |
Ooh, I like it anyway. | 0:19:06 | 0:19:07 | |
-How about a dance with a gentleman? -Er... Bring him to me. | 0:19:07 | 0:19:10 | |
-I mean me! -You? -Yes. | 0:19:10 | 0:19:12 | |
Oh, dear, I could almost laugh. | 0:19:12 | 0:19:14 | |
I wouldn't do that, you may ladder your stockings. | 0:19:14 | 0:19:17 | |
I met one of my idols, one of my heroes. | 0:19:17 | 0:19:20 | |
I didn't actually work with him. | 0:19:20 | 0:19:22 | |
But he came on the pier late in life, Frank Randle. | 0:19:22 | 0:19:25 | |
HE IMITATES HIM MUMBLING | 0:19:25 | 0:19:28 | |
"Ooh, hello." He talked very posh like that. | 0:19:28 | 0:19:30 | |
He wore a lovely actor's overcoat. | 0:19:30 | 0:19:32 | |
"Hello, hello, Ken, are you having a nice season, haw-haw, hee." | 0:19:32 | 0:19:37 | |
Yes, he's a wonderful, wonderful clown. | 0:19:37 | 0:19:40 | |
With Frank Randle, he was like mega comedian, | 0:19:40 | 0:19:45 | |
he was here every year, I think. | 0:19:45 | 0:19:46 | |
And he used to have this boat moored off the end of the pier. | 0:19:46 | 0:19:50 | |
He had his own yacht moored off the North Pier, the Nomura. | 0:19:50 | 0:19:53 | |
Which Laurel and Hardy sailed around the bay with him in that. | 0:19:53 | 0:19:57 | |
They had to be brought back by what passed for air sea rescue then. | 0:19:57 | 0:20:01 | |
Because Frank liked a drink, | 0:20:01 | 0:20:03 | |
and couldn't quite skipper his own yacht. | 0:20:03 | 0:20:06 | |
But, at the peak of his game, which was the 1940s, | 0:20:06 | 0:20:09 | |
every summer season was played here in Blackpool. Sell-out houses. | 0:20:09 | 0:20:13 | |
He was billed as "star of stage, screen and magistrates court". | 0:20:13 | 0:20:17 | |
Of course, one of the biggest names associated with Blackpool was | 0:20:17 | 0:20:20 | |
George Formby. | 0:20:20 | 0:20:21 | |
Tiny, little, bucktoothed man but the king of Blackpool | 0:20:21 | 0:20:25 | |
and it was almost as if he had the keys to the city. It was his empire. | 0:20:25 | 0:20:28 | |
He could to know wrong whatsoever. | 0:20:28 | 0:20:31 | |
All right, I'm going to sing a song | 0:20:31 | 0:20:33 | |
called My Little Stick Of Blackpool Rock. | 0:20:33 | 0:20:35 | |
This being in Blackpool, we'll have it filmed as well. | 0:20:35 | 0:20:37 | |
OK, Ernie. | 0:20:37 | 0:20:38 | |
# With my little stick of Blackpool rock | 0:20:44 | 0:20:48 | |
# Along the promenade I stroll | 0:20:48 | 0:20:52 | |
# It may be sticky but I never complain | 0:20:52 | 0:20:55 | |
# It's nice to have a nibble at it now and again. # | 0:20:55 | 0:20:58 | |
I saw George Formby at the Opera House. | 0:20:58 | 0:21:02 | |
What I loved about him was he had a great stage presence. | 0:21:02 | 0:21:08 | |
# One afternoon the band conductor up on his stand | 0:21:08 | 0:21:11 | |
# Somehow lost his baton, it flew out of his hand | 0:21:11 | 0:21:15 | |
# So I jumped in his place and then conducted the band | 0:21:15 | 0:21:18 | |
# With my little stick of Blackpool rock. # | 0:21:18 | 0:21:22 | |
Randle and Formby are kind of the yin and yang of British comedy. | 0:21:22 | 0:21:26 | |
Now, the one thing about Randle, | 0:21:26 | 0:21:29 | |
which in those days would set you back, | 0:21:29 | 0:21:32 | |
was that he was illegitimate and Beryl Formby, | 0:21:32 | 0:21:36 | |
who had pretensions, loathed and despised illegitimate people. | 0:21:36 | 0:21:42 | |
They weren't proper. | 0:21:42 | 0:21:44 | |
So, Jack Taylor was going to put a big show on in Blackpool | 0:21:44 | 0:21:46 | |
and Formby and Randle were sharing the bill. | 0:21:46 | 0:21:50 | |
I think this was the Taylor Made Show. | 0:21:50 | 0:21:52 | |
And Beryl stormed into Taylor's office and says, | 0:21:52 | 0:21:55 | |
"There is no way that my George | 0:21:55 | 0:21:56 | |
"is going on a bill with that mongrel." | 0:21:56 | 0:22:01 | |
Another occasion, Taylor managed to get them | 0:22:01 | 0:22:03 | |
on the same bill again and it was a charity do. | 0:22:03 | 0:22:06 | |
And it was decided, again by Beryl, | 0:22:06 | 0:22:08 | |
that George would be top of the bill | 0:22:08 | 0:22:10 | |
and the story goes that Frank got a load of 2 x 4, | 0:22:10 | 0:22:14 | |
nailed the dressing room door shut, George is trapped inside, | 0:22:14 | 0:22:19 | |
goes on stage and goes, | 0:22:19 | 0:22:20 | |
"Ladies and gentlemen, the management have decided that | 0:22:20 | 0:22:23 | |
"George Formby is a better man to entertain you | 0:22:23 | 0:22:26 | |
"so let's see him get on with it." | 0:22:26 | 0:22:28 | |
And he walked off and went to the pub, | 0:22:28 | 0:22:30 | |
leaving the audience totally bewildered. | 0:22:30 | 0:22:33 | |
# Sitting on the top of Blackpool Tower | 0:22:34 | 0:22:38 | |
# When the evening shadows fall | 0:22:38 | 0:22:42 | |
# There you'll find me hour after hour | 0:22:42 | 0:22:46 | |
# While the seagulls up above drop messages of love | 0:22:46 | 0:22:51 | |
# We have a fortune teller in the Tower, bear in mind | 0:22:51 | 0:22:54 | |
# She said to one fat lady, "Don't think that I'm unkind | 0:22:54 | 0:22:58 | |
# "I'd like to tell your future but your future's all behind." | 0:22:58 | 0:23:03 | |
# Sitting on the top of Blackpool Tower. # | 0:23:03 | 0:23:06 | |
Every star wanted to come to Blackpool | 0:23:06 | 0:23:09 | |
and play Blackpool. | 0:23:09 | 0:23:10 | |
That was the ultimate aim - "Let's go and play Blackpool." | 0:23:10 | 0:23:14 | |
This chap coming along the promenade now - | 0:23:14 | 0:23:16 | |
so suave, so elegant, so debonair. | 0:23:16 | 0:23:19 | |
That's him, it's Terry-Thomas inhaling Blackpool's bracing air. | 0:23:19 | 0:23:23 | |
Oh, good show. | 0:23:31 | 0:23:32 | |
Blackpool. The busy holiday resort prepared itself | 0:23:35 | 0:23:38 | |
for yet another beauty contest. But this one with a difference. | 0:23:38 | 0:23:41 | |
Master of ceremonies, Bruce Forsyth. | 0:23:41 | 0:23:44 | |
Also officiating was the mayor of Blackpool. | 0:23:44 | 0:23:47 | |
For being baby of the year, Julianne won £500 and a crown. | 0:23:47 | 0:23:51 | |
But she didn't seem to want either. | 0:23:51 | 0:23:55 | |
Everybody in the business wanted to work Blackpool. | 0:23:55 | 0:23:58 | |
They wanted to come here because Frank Sinatra came here. | 0:23:58 | 0:24:02 | |
He only did the London Palladium and Blackpool. | 0:24:02 | 0:24:04 | |
That's why people wanted to work Blackpool. | 0:24:04 | 0:24:06 | |
Judy Garland worked in Blackpool. | 0:24:06 | 0:24:07 | |
Everybody wanted the prestige of doing Blackpool. | 0:24:07 | 0:24:11 | |
We turn now to something, | 0:24:11 | 0:24:14 | |
a song that I did here in 1950 | 0:24:14 | 0:24:15 | |
when I appeared here | 0:24:15 | 0:24:18 | |
at the Opera House. | 0:24:18 | 0:24:20 | |
Frank Sinatra was a big hit in Blackpool. | 0:24:20 | 0:24:22 | |
About 1950, Frank Sinatra came over. | 0:24:22 | 0:24:25 | |
Actually, his career was in a bit of a wane in the States. | 0:24:25 | 0:24:29 | |
It had gone down slightly, not as popular. | 0:24:29 | 0:24:31 | |
But when he got to Blackpool and he saw the crowds | 0:24:31 | 0:24:34 | |
and the crowds cheering and clapping him, | 0:24:34 | 0:24:36 | |
jumping on the bumper of the Buick, bouncing it up and down, | 0:24:36 | 0:24:39 | |
banging on the windows, he said, | 0:24:39 | 0:24:41 | |
"They love me, this town, don't they?" I said, "Yes, they do, sir." | 0:24:41 | 0:24:44 | |
He said, "I could become mayor." I said, "Yes, you could." | 0:24:44 | 0:24:47 | |
# Why not take all of me? # | 0:24:47 | 0:24:51 | |
And so to the playground of the North - | 0:24:53 | 0:24:55 | |
warm, crowded, pulsing Blackpool, | 0:24:55 | 0:24:57 | |
where the royal couple attended a special gala performance | 0:24:57 | 0:25:00 | |
in their honour, staged at the Opera House. | 0:25:00 | 0:25:02 | |
CHEERING | 0:25:06 | 0:25:08 | |
Councillor Ogden, Blackpool's civic head waited to greet them. | 0:25:11 | 0:25:15 | |
After the show, the Queen and the Duke met many of the performers. | 0:25:15 | 0:25:18 | |
Introduced by Jack Hylton, here are Alma Cogan and Arthur Askey. | 0:25:18 | 0:25:23 | |
It was a brilliant, absolutely brilliant, brilliant place. | 0:25:23 | 0:25:26 | |
There were nothing you couldn't do or see here. | 0:25:26 | 0:25:28 | |
That's why we loved Blackpool. It's alive. | 0:25:28 | 0:25:30 | |
If you come into the town, even now, you can feel a vibe. | 0:25:30 | 0:25:33 | |
A lot of seaside places, you can't feel that. | 0:25:33 | 0:25:36 | |
You can feel it in Blackpool. | 0:25:36 | 0:25:37 | |
You felt that, here, | 0:25:47 | 0:25:48 | |
every day something exciting was going to happen. | 0:25:48 | 0:25:51 | |
You might bump into Frank Randle, you might bump into Max Bygraves, | 0:25:51 | 0:25:55 | |
you might bump into Ken Dodd in the street. | 0:25:55 | 0:25:57 | |
You thought these things were possible. | 0:25:57 | 0:26:00 | |
You'd get off the train and you'd walk through those backstreets | 0:26:03 | 0:26:07 | |
and then, suddenly, ka-pow! | 0:26:07 | 0:26:10 | |
You're hit with the light. | 0:26:10 | 0:26:12 | |
And the light goes like a diamond bullet through the mind | 0:26:12 | 0:26:16 | |
and turns you on to all these exciting things that are on offer. | 0:26:16 | 0:26:20 | |
Who can resist a candyfloss when it's surrounded by neon? | 0:26:20 | 0:26:23 | |
-SPEAKS UNWINESE -Good evenly, dear peetlouters. | 0:26:30 | 0:26:33 | |
Now, you'll be wondering how this great complicare with | 0:26:33 | 0:26:36 | |
the acrobatty and the scintillating rotatalights works. | 0:26:36 | 0:26:39 | |
Now, really, here we start with the nervy end with do a deep | 0:26:39 | 0:26:43 | |
trickly how for rotators of the commutade. | 0:26:43 | 0:26:47 | |
Now, with a sparkitten in the one hand, | 0:26:47 | 0:26:49 | |
rate through to the nerve end on the other and you can't, | 0:26:49 | 0:26:52 | |
unless all the oxengy-vacuua from every little bulbit and bulbit | 0:26:52 | 0:26:55 | |
throom and all the brrr-tickedy-tock flim-flom | 0:26:55 | 0:26:58 | |
howdly-hoes all after a syncopale insofar as glockamusey with | 0:26:58 | 0:27:02 | |
contemplet with gives for a great illuminade | 0:27:02 | 0:27:05 | |
which Blackpool gave for it. | 0:27:05 | 0:27:06 | |
The illuminations have always been something magical. | 0:27:06 | 0:27:09 | |
It starts off, you know, if you're from within reach of Blackpool, | 0:27:09 | 0:27:12 | |
it starts off as something that you learn about as a kid that you | 0:27:12 | 0:27:15 | |
talk about at school, that you are promised somebody within | 0:27:15 | 0:27:18 | |
the family, whether it's your mum, your dad, your grandad, | 0:27:18 | 0:27:21 | |
your grandma, your uncle, somebody will take you to the illuminations. | 0:27:21 | 0:27:25 | |
Female impersonator Danny LaRue is there to switch on the lights, | 0:27:25 | 0:27:27 | |
which first went on 60 years ago. | 0:27:27 | 0:27:29 | |
Obviously Danny, like everyone else, really enjoys himself at Blackpool. | 0:27:33 | 0:27:37 | |
Danny LaRue - a wonderful, wonderful entertainer. | 0:27:37 | 0:27:39 | |
I think he sang Mother Kelly's Doorstep, I think. | 0:27:39 | 0:27:42 | |
And it was like a magic wand. It was like somebody waving a magic wand. | 0:27:42 | 0:27:46 | |
I've never seen anything like it. The effect of his - | 0:27:46 | 0:27:48 | |
he had such charisma that I thought that audience absolutely were... | 0:27:48 | 0:27:53 | |
They were absolutely enthralled. | 0:27:53 | 0:27:57 | |
He was a great artist. | 0:27:57 | 0:27:58 | |
# On Mother Kelly's doorstep | 0:27:58 | 0:28:02 | |
# Down Paradise Road | 0:28:03 | 0:28:06 | |
# I'd sit along o' Nelly | 0:28:07 | 0:28:10 | |
# And she'd sit along o' Joe. # | 0:28:12 | 0:28:15 | |
Jayne Mansfield arrives in leopardskin to | 0:28:15 | 0:28:18 | |
turn on the lights and turn all the men on as well at the same time. | 0:28:18 | 0:28:22 | |
Ladies and gentlemen, autumn is here again | 0:28:22 | 0:28:29 | |
and with it comes the Blackpool illuminations. | 0:28:29 | 0:28:33 | |
It's pretty obvious that she is better known than most folk who've | 0:28:35 | 0:28:40 | |
been here to do this job to...to do this job as it's been done. | 0:28:40 | 0:28:48 | |
I have now very great pleasure in asking Miss Jayne Mansfield | 0:28:53 | 0:28:58 | |
to switch...to switch on | 0:28:58 | 0:29:02 | |
the autumn illuminations of 1959. | 0:29:02 | 0:29:07 | |
Now, I understand you... | 0:29:07 | 0:29:09 | |
CHEERING | 0:29:14 | 0:29:16 | |
It's completely breathtaking. I'm without words. | 0:29:18 | 0:29:21 | |
To switch the illuminations on is mega. It's mega. | 0:29:24 | 0:29:28 | |
And we were asked to do it | 0:29:28 | 0:29:30 | |
and it's the first time ever that the North Pier allowed | 0:29:30 | 0:29:33 | |
a car down to get us off cos we couldn't get off cos the pier | 0:29:33 | 0:29:36 | |
were rammed with people. | 0:29:36 | 0:29:38 | |
-That's right. -We couldn't get off the pier. | 0:29:38 | 0:29:40 | |
We were stuck on the pier so they had to get a car and the car | 0:29:40 | 0:29:42 | |
drove through the people, otherwise we would never have been able to... | 0:29:42 | 0:29:45 | |
-Not over them. -Well, no. But drove towards them, yeah. | 0:29:45 | 0:29:50 | |
When it comes to entertainment, Blackpool has | 0:29:50 | 0:29:52 | |
just about everything and its latest show place is the new ABC. | 0:29:52 | 0:29:56 | |
A glittering example of contemporary theatre design | 0:29:56 | 0:29:59 | |
and to match its glossy exterior, a spectacular stage show | 0:29:59 | 0:30:02 | |
starring some of the top names in the world of popular entertainment. | 0:30:02 | 0:30:06 | |
MUSIC: "Summer Holiday" by CLIFF RICHARD | 0:30:06 | 0:30:10 | |
# We're all going on a summer holiday | 0:30:11 | 0:30:14 | |
# No more working for a week or two. # | 0:30:14 | 0:30:18 | |
I worked at the ABC Theatre with | 0:30:18 | 0:30:20 | |
Larry Grayson, Grayson's Scandals, and that was a great show. | 0:30:20 | 0:30:25 | |
APPLAUSE | 0:30:25 | 0:30:27 | |
I'm worn out. | 0:30:34 | 0:30:36 | |
LAUGHTER | 0:30:36 | 0:30:37 | |
Do you know, I keep going limp? | 0:30:37 | 0:30:40 | |
I do. I think it's the rhubarb. Do you know, the other day...? | 0:30:40 | 0:30:43 | |
People absolutely loved Larry. | 0:30:43 | 0:30:45 | |
The audience loved him because he had that warmth and when he | 0:30:45 | 0:30:49 | |
spoke to the audience, you thought he was talking to you personally. | 0:30:49 | 0:30:53 | |
You know, he used to say, | 0:30:53 | 0:30:55 | |
"I love you very much. I love you all. Oh!" You know. | 0:30:55 | 0:30:57 | |
He actually, Larry actually thought he was Judy Garland. | 0:30:57 | 0:31:00 | |
He really thought he was Judy Garland reincarnated | 0:31:00 | 0:31:02 | |
and he told me that. | 0:31:02 | 0:31:03 | |
I had someone at my door. I said, "Who could it be? | 0:31:03 | 0:31:07 | |
"Who is at my door? Is it the milkman, Sterilised Stan? | 0:31:07 | 0:31:10 | |
LAUGHTER | 0:31:10 | 0:31:14 | |
Trying to force his yoghurt through my letterbox. | 0:31:15 | 0:31:19 | |
LAUGHTER | 0:31:19 | 0:31:21 | |
"Come in," I cried. It was Everard. He came flying in. | 0:31:21 | 0:31:24 | |
He said, "Have you seen my snorkel?" I said, "Not for a long time." | 0:31:24 | 0:31:26 | |
LAUGHTER | 0:31:26 | 0:31:28 | |
It's very different now. You had to call them, as well... | 0:31:28 | 0:31:32 | |
You respected the top of the bill, | 0:31:32 | 0:31:33 | |
you called them Mr Grayson, Mr Morecambe, Mr Wise. | 0:31:33 | 0:31:38 | |
It was never, "All right, Larry?" | 0:31:38 | 0:31:40 | |
It was very, very different. | 0:31:40 | 0:31:42 | |
You respected your peers in those days and that's how it was. | 0:31:42 | 0:31:46 | |
There was the ABC, there was the Winter Gardens. | 0:31:46 | 0:31:49 | |
There were two theatres and the Winter Gardens. | 0:31:49 | 0:31:51 | |
There was the Grand, there was three piers. Every theatre, ten-piece band. | 0:31:51 | 0:31:55 | |
Ten, 12 dancers, a special act, singers, comedians. | 0:31:55 | 0:32:00 | |
-Everywhere packed. You couldn't get in. It was amazing. -Unreal. | 0:32:00 | 0:32:03 | |
-Atmosphere was amazing. -Unreal. | 0:32:03 | 0:32:05 | |
It's so wonderful to be back in Blackpool again. | 0:32:13 | 0:32:15 | |
You know, you hear such wonderful conversations here in Blackpool. | 0:32:15 | 0:32:19 | |
"But, Henry, that isn't our baby." | 0:32:19 | 0:32:21 | |
"Shut up, it's a better pram." | 0:32:21 | 0:32:23 | |
LAUGHTER | 0:32:23 | 0:32:25 | |
I always remember Tommy Cooper coming out and standing | 0:32:25 | 0:32:29 | |
and doing nothing for what seemed like ten minutes and I thought, | 0:32:29 | 0:32:34 | |
"Just imagine being able to do that." | 0:32:34 | 0:32:37 | |
He had an umbrella on his arm, bowler hat and a gaberdine mac buttoned up | 0:32:37 | 0:32:41 | |
and he just came and stood | 0:32:41 | 0:32:43 | |
and stared us out until the whole theatre, at the Winter Gardens, | 0:32:43 | 0:32:48 | |
here, was in absolute hysterics. | 0:32:48 | 0:32:52 | |
All he'd have to do then was just go... | 0:32:52 | 0:32:55 | |
Just a twitch and off we'd go again. | 0:32:56 | 0:32:59 | |
And I used to think, "Oh, that's wonderful. The power." | 0:32:59 | 0:33:03 | |
I don't know why I did that. | 0:33:09 | 0:33:12 | |
I don't. There's no reason. | 0:33:12 | 0:33:14 | |
What? | 0:33:18 | 0:33:19 | |
What do you mean come off? I've just come on. | 0:33:19 | 0:33:21 | |
To come and see it and see these geniuses of comedy, | 0:33:27 | 0:33:33 | |
these giants at the top of their game, doing what | 0:33:33 | 0:33:38 | |
they were doing to audiences was a magical experience, to me. | 0:33:38 | 0:33:42 | |
I remember going on a day trip to Blackpool once and I went to | 0:33:42 | 0:33:47 | |
see Morecombe and Wise, Eric and Ernie, at the ABC first house. | 0:33:47 | 0:33:51 | |
Then I came out of there, walked across the road to | 0:33:51 | 0:33:53 | |
the Opera House and saw Ken Dodd doing the second house. | 0:33:53 | 0:33:58 | |
It was absolutely brilliant. | 0:33:58 | 0:33:59 | |
This morning I was having my usual morning dip. | 0:33:59 | 0:34:01 | |
I always have a dip every morning. I dip my bread in the egg. | 0:34:01 | 0:34:04 | |
I was down on the beach and a beautiful girl came up to me | 0:34:04 | 0:34:06 | |
and she said, | 0:34:06 | 0:34:07 | |
"Hello, handsome, can you tell me the way to the opticians?" So, I... | 0:34:07 | 0:34:10 | |
LAUGHTER | 0:34:10 | 0:34:12 | |
Ken Dodd's done summer season in Blackpool for about 400 years | 0:34:12 | 0:34:16 | |
and he's still there every Sunday at the Grand and it's still sold out. | 0:34:16 | 0:34:21 | |
Ken Dodd and he is 85 years old now, Ken. | 0:34:21 | 0:34:24 | |
And he's just as funny now as he was then. | 0:34:24 | 0:34:27 | |
She said, "Do you know what an erogenous zone is?" | 0:34:27 | 0:34:29 | |
I said, "I know you can't park there after six o'clock." | 0:34:29 | 0:34:31 | |
LAUGHTER | 0:34:31 | 0:34:33 | |
"Have you ever tried an aphrodisiac?" | 0:34:33 | 0:34:35 | |
I said, "I went out with a Norwegian girl once." | 0:34:35 | 0:34:37 | |
She said, "Do you believe in safe sex?" | 0:34:37 | 0:34:39 | |
I said, "I've got a hand rail round the bed. | 0:34:39 | 0:34:43 | |
"and I always try to keep one foot on the ground." | 0:34:43 | 0:34:46 | |
She said, "What about your libido?" | 0:34:46 | 0:34:48 | |
I said, "I'm going to swap it for a Sierra." | 0:34:48 | 0:34:50 | |
When I first played Blackpool, the first season in 1955, | 0:34:50 | 0:34:55 | |
it went 22 shows. | 0:34:55 | 0:34:56 | |
22 shows from Fleetwood to Lytham St Annes, | 0:34:56 | 0:35:01 | |
employing probably near enough to 3,000 people - musicians, | 0:35:01 | 0:35:06 | |
dancers, singers, jugglers, comedians. | 0:35:06 | 0:35:11 | |
My Auntie Nelly, my big Auntie Nelly, she was down on the beach. | 0:35:11 | 0:35:14 | |
And the man from Blackpool Corporation, he said, | 0:35:14 | 0:35:17 | |
"Missus, would you mind getting off the beach, please? The tide's waiting to come in." | 0:35:17 | 0:35:21 | |
Big! | 0:35:21 | 0:35:22 | |
To me, Blackpool has been a wonderful, wonderful place | 0:35:22 | 0:35:27 | |
to live, love and work. | 0:35:27 | 0:35:32 | |
First of all, ladies and gentlemen, I would like to say | 0:35:32 | 0:35:34 | |
how tickled I am, how tickled I am by all this goodwill. | 0:35:34 | 0:35:37 | |
What about you, missus, have you been tickled by goodwill? | 0:35:37 | 0:35:41 | |
Good old Willy. | 0:35:41 | 0:35:42 | |
On every street corner there was, you know, | 0:35:42 | 0:35:44 | |
a theatre putting a great show on. | 0:35:44 | 0:35:47 | |
And sometimes two or three shows on each pier. | 0:35:47 | 0:35:50 | |
From one end of the pier as you stepped on it to the other | 0:35:50 | 0:35:53 | |
end of the pier and a kids show in the middle. | 0:35:53 | 0:35:55 | |
For my first big summer season, and I think it's got to be 1986, | 0:35:55 | 0:36:02 | |
the Hi-de-hi stage show. | 0:36:02 | 0:36:04 | |
Because, obviously, David Croft, God love him, | 0:36:04 | 0:36:06 | |
who has now, you know, left us, | 0:36:06 | 0:36:07 | |
and Jimmy Perry, they always had the foresight that | 0:36:07 | 0:36:10 | |
whenever they had what appeared to be a really popular TV show, | 0:36:10 | 0:36:14 | |
of course, straight away they said, | 0:36:14 | 0:36:16 | |
"Come on, we can make this into a fabulous stage show." | 0:36:16 | 0:36:18 | |
So, you first arrive and there is a meet and greet and then you | 0:36:18 | 0:36:22 | |
get the guys from the council, two or three ladies but mostly guys. | 0:36:22 | 0:36:26 | |
And, well, "We'd like to welcome you to the Winter Gardens Blackpool | 0:36:26 | 0:36:33 | |
"and we really, really hope you have a lovely season with us." | 0:36:33 | 0:36:38 | |
CLEARS THROAT | 0:36:38 | 0:36:40 | |
There is a lot of throat clearing | 0:36:40 | 0:36:42 | |
and feet shuffling cos they're a bit, you know. | 0:36:42 | 0:36:45 | |
"Anyway, anyway, help yourselves to tea and biscuits. | 0:36:45 | 0:36:48 | |
"We got some Jammie Dodgers and things like that." | 0:36:48 | 0:36:51 | |
It was so lovely because it was something like, | 0:36:51 | 0:36:54 | |
"There'll be can-APE-s for you." | 0:36:54 | 0:36:56 | |
You know, canapes, I call them can-APE-s. | 0:36:56 | 0:36:58 | |
So, straight away you go, "Bless them. They're going to be great. | 0:36:58 | 0:37:02 | |
"They speak everybody's language." | 0:37:02 | 0:37:04 | |
I was very fortunate | 0:37:09 | 0:37:10 | |
because I used to have to go up just for the weekend, from Thursday to | 0:37:10 | 0:37:14 | |
the Sunday, to rehearse a television show called Blackpool Night Out, | 0:37:14 | 0:37:18 | |
in which Mike and Bernie Winters starred. | 0:37:18 | 0:37:22 | |
Thank you very much. Thank you. Good evening. | 0:37:22 | 0:37:25 | |
Well, good evening, ladies and gentlemen, and welcome to | 0:37:25 | 0:37:29 | |
the ABC Theatre Blackpool for our last show this... | 0:37:29 | 0:37:31 | |
CHEERING | 0:37:31 | 0:37:33 | |
APPLAUSE | 0:37:33 | 0:37:35 | |
-Was that you humming? -Eeeee! | 0:37:41 | 0:37:44 | |
I was always in the opening number with my girls. | 0:37:44 | 0:37:47 | |
And then the producer or director said, "Lionel, | 0:37:50 | 0:37:53 | |
"we've got The Beatles coming up to do a show." | 0:37:53 | 0:37:55 | |
And I went, "Oh, fantastic." | 0:37:55 | 0:37:57 | |
Well, here they are, ladies and gentlemen, the fabulous Beatles. | 0:37:57 | 0:38:02 | |
MUSIC: "Ticket To Ride" by The Beatles | 0:38:02 | 0:38:05 | |
# I think I'm gonna be sad I think it's today, yeah | 0:38:09 | 0:38:15 | |
# The girl that's driving me mad is going away... # | 0:38:16 | 0:38:22 | |
We were on duty outside the ABC to keep the crowds away cos | 0:38:23 | 0:38:29 | |
they got mobbed wherever they went. | 0:38:29 | 0:38:31 | |
There were lots of us to keep the crowds away | 0:38:31 | 0:38:34 | |
while they arrived in cars at the ABC. | 0:38:34 | 0:38:37 | |
Once we got them into the ABC Theatre, it was my job to | 0:38:37 | 0:38:41 | |
stay with them all day and guard them throughout the day | 0:38:41 | 0:38:44 | |
ready for the show at night time. | 0:38:44 | 0:38:46 | |
And I did just that. | 0:38:46 | 0:38:48 | |
I was with them from probably 8am | 0:38:48 | 0:38:50 | |
until five or six in the evening and I went to them at one stage, | 0:38:50 | 0:38:55 | |
after about an hour, to ask for their autographs. | 0:38:55 | 0:38:57 | |
They were standing in an aisle apparently talking to each other. | 0:38:57 | 0:39:01 | |
And I asked for their autographs and John Lennon said, | 0:39:01 | 0:39:04 | |
"We're rehearsing." | 0:39:04 | 0:39:05 | |
And I didn't realise but they were | 0:39:05 | 0:39:07 | |
actually in a group, head to head, singing all the numbers. | 0:39:07 | 0:39:11 | |
And this went on all day. | 0:39:11 | 0:39:13 | |
But then they got their instruments out on they played | 0:39:13 | 0:39:18 | |
Hard Day's Night and they had apparently written | 0:39:18 | 0:39:21 | |
Hard Day's Night to release it on television that night. | 0:39:21 | 0:39:27 | |
And they played the chord, | 0:39:27 | 0:39:29 | |
just in the aisle of the theatre, | 0:39:29 | 0:39:32 | |
and I was six feet away. | 0:39:32 | 0:39:34 | |
It's hard to describe this but, 50 years on, I remember the note went, | 0:39:36 | 0:39:40 | |
"Boing!" | 0:39:40 | 0:39:42 | |
And the place vibrated and then, # It's been a hard day's... # | 0:39:42 | 0:39:47 | |
And 50 years later, that's still ingrained in my mind, that chord. | 0:39:47 | 0:39:52 | |
-Well, thank you very much, everybody. -Blackpool. | 0:39:53 | 0:39:58 | |
Blackpool and all that. It's lovely to be here. | 0:39:58 | 0:40:00 | |
MUSIC "Hard Day's Night" by The Beatles | 0:40:00 | 0:40:02 | |
# It's been a hard day's night and I've been working like a dog... # | 0:40:02 | 0:40:09 | |
It was television history, Blackpool Night Out, it really was. | 0:40:09 | 0:40:13 | |
During my sojourn through this vale of tears, | 0:40:29 | 0:40:32 | |
many sights have thrilled me. | 0:40:32 | 0:40:35 | |
Dawn flushing the sepia sky over Kowloon, | 0:40:35 | 0:40:38 | |
processions of faith along the banks of the Ganges, | 0:40:38 | 0:40:41 | |
a sunset streaking across the Caribbean, | 0:40:41 | 0:40:44 | |
but they all pale into insignificance | 0:40:44 | 0:40:46 | |
when compared to the excitement I felt | 0:40:46 | 0:40:49 | |
when I first saw Blackpool Tower. | 0:40:49 | 0:40:51 | |
You always associated Les with Blackpool. | 0:40:57 | 0:41:00 | |
Whenever we worked in Blackpool, we used to see him a hell of a lot. | 0:41:00 | 0:41:04 | |
Used to have a golf day so I'd play golf with him. | 0:41:04 | 0:41:08 | |
Him and Frank, they were just part of Blackpool. Like the Tower. | 0:41:08 | 0:41:12 | |
Almost on the same level. | 0:41:12 | 0:41:14 | |
If you go to Blackpool, you will see Les Dawson, Frank Carson. | 0:41:14 | 0:41:16 | |
Oh, yeah, and the Tower. | 0:41:16 | 0:41:18 | |
We'll start off with that golden oldie Side By Side | 0:41:18 | 0:41:21 | |
so let's hear those tonsils rattle. Are you ready? | 0:41:21 | 0:41:23 | |
PLAYS: "Side By Side" by Gus Kahn & Harry M Woods | 0:41:23 | 0:41:27 | |
That's it. Now, come on, don't be shy. Let yourself go. Come on. | 0:41:27 | 0:41:31 | |
We're all people under this canvas sauna so let yourselves go. | 0:41:31 | 0:41:34 | |
Are you ready? | 0:41:34 | 0:41:35 | |
# Oh, we ain't got a barrel of money... # | 0:41:36 | 0:41:37 | |
That's it. | 0:41:37 | 0:41:39 | |
# Maybe we're ragged and funny... # | 0:41:39 | 0:41:42 | |
PLAYS WRONG NOTES | 0:41:42 | 0:41:43 | |
# But we'll travel along Singing this song | 0:41:43 | 0:41:47 | |
# Side by side... # | 0:41:47 | 0:41:50 | |
Try to keep together if you can. | 0:41:50 | 0:41:52 | |
Les was fantastic. Always funny. | 0:41:52 | 0:41:53 | |
But he did like to eat his burgers cos you could | 0:41:53 | 0:41:57 | |
smell from my dressing room, which was next door to his, | 0:41:57 | 0:42:00 | |
you'd go in and you'd go, "What's that smell? Oh, burgers." | 0:42:00 | 0:42:03 | |
And his wife, Tracy, would be there cooking the burgers on this | 0:42:03 | 0:42:05 | |
little stove they'd got and he's be stuffing his face with the burgers. | 0:42:05 | 0:42:09 | |
-AS LES DAWSON: -"Come and have a burger, son. You'll like this." | 0:42:09 | 0:42:12 | |
It was great. | 0:42:12 | 0:42:13 | |
On the show we have found two Blackpool landladies | 0:42:15 | 0:42:18 | |
with great big personalities. | 0:42:18 | 0:42:20 | |
Please welcome Sissy and Ada. | 0:42:20 | 0:42:23 | |
APPLAUSE | 0:42:23 | 0:42:26 | |
Tell me, Sissy, have you got many visitors booked in for the season? | 0:42:26 | 0:42:30 | |
Oh, Ada, look, I can't tell you. The way the bookings are going, | 0:42:30 | 0:42:33 | |
-we are going to need a stacker truck to get them all in. -Very nice. | 0:42:33 | 0:42:36 | |
-It's been like that since Easter. -I didn't know that. | 0:42:36 | 0:42:38 | |
I think it's because we've changed the name. | 0:42:38 | 0:42:41 | |
-We've changed it from Bide-a-Wee To Ocean Lean. -Very nice. | 0:42:41 | 0:42:44 | |
Of course, we are attracting a much better class of person now. | 0:42:44 | 0:42:47 | |
-You know, they're coming from Macclesfield. -Macclesfield? | 0:42:47 | 0:42:50 | |
-Yeah, not to mention Didsbury. -Ooh! | 0:42:50 | 0:42:54 | |
Used to have a landladies night when you came into summer season. | 0:42:54 | 0:42:58 | |
They did, didn't they? | 0:42:58 | 0:42:59 | |
And it was called Landladies Night and all the landladies | 0:42:59 | 0:43:04 | |
from all the guesthouses, hotels all took up the first 10, 15 rows. | 0:43:04 | 0:43:09 | |
-And you knew... -Most important night. | 0:43:09 | 0:43:12 | |
Most important night of all because them ladies would go back | 0:43:12 | 0:43:15 | |
and sell the show to the people who are coming into the town who | 0:43:15 | 0:43:19 | |
stayed at the guesthouse. | 0:43:19 | 0:43:20 | |
So if you didn't do a good show, | 0:43:20 | 0:43:22 | |
you knew about it cos the place would be half empty. | 0:43:22 | 0:43:24 | |
It didn't matter about what the critics said, really. | 0:43:24 | 0:43:27 | |
It was what the landladies said. | 0:43:27 | 0:43:28 | |
Cos they used to go in their houses so they'd talk to them, you see. | 0:43:28 | 0:43:31 | |
Yeah, arriving... | 0:43:31 | 0:43:32 | |
You got more nervous when the landladies were in | 0:43:32 | 0:43:35 | |
than when you did on an opening night. | 0:43:35 | 0:43:38 | |
Because they come to judge. | 0:43:38 | 0:43:39 | |
They don't come to laugh, they come to judge. | 0:43:39 | 0:43:42 | |
When we first set our large, big summer season Hi-de-hi, | 0:43:42 | 0:43:47 | |
they very cannily got a lot of bed-and-breakfast | 0:43:47 | 0:43:51 | |
landladies in there. | 0:43:51 | 0:43:54 | |
They came in their droves and they left in their droves going, | 0:43:54 | 0:43:57 | |
"Oh, fantastic. We're definitely going to recommend this." | 0:43:57 | 0:44:01 | |
So that's how they got to sell their shows as well. | 0:44:01 | 0:44:04 | |
Landladies were extremely important, you know. | 0:44:04 | 0:44:07 | |
Dinner at five o'clock, breakfast at nine o'clock | 0:44:07 | 0:44:10 | |
and everything is in the same place as it was last time. | 0:44:10 | 0:44:13 | |
That was the folklore of Blackpool. What the landladies said counted. | 0:44:13 | 0:44:17 | |
They would come and see the show | 0:44:17 | 0:44:18 | |
and people used to stay with these landladies. | 0:44:18 | 0:44:21 | |
The general public used to stay with them and they'd say, | 0:44:21 | 0:44:23 | |
"What's the best show in town?" And they'd say, | 0:44:23 | 0:44:25 | |
"Ken Dodd, Frankie Warren," and they'd go out and book the shows. | 0:44:25 | 0:44:30 | |
The best publicity, of course, is recommendations. Word of mouth. | 0:44:30 | 0:44:34 | |
And if you can please landladies... IF you can please the landladies... | 0:44:34 | 0:44:40 | |
IF you can please the landladies. | 0:44:40 | 0:44:44 | |
..you're in. | 0:44:44 | 0:44:45 | |
I remember arriving and seeing the trams | 0:44:56 | 0:44:58 | |
and there was people advertised on the tram, | 0:44:58 | 0:45:02 | |
like Cilla Black and Val Doonican, and you think, | 0:45:02 | 0:45:05 | |
"Well, you've arrived when, you know, | 0:45:05 | 0:45:08 | |
"you've got your name on a tram. This is incredible." | 0:45:08 | 0:45:11 | |
When the next-door neighbour ran in | 0:45:11 | 0:45:12 | |
he said, "How many rolls of wallpaper did you take to do your living room?" | 0:45:12 | 0:45:16 | |
I said, "12." He was in a week later. | 0:45:16 | 0:45:20 | |
He said, "I've got two rolls left over." I said, "So have I." | 0:45:20 | 0:45:23 | |
LAUGHTER | 0:45:23 | 0:45:25 | |
I remember, once, doing the South Pier and I actually saw it | 0:45:25 | 0:45:27 | |
and I said, "That's my name on the tram. I must get on here." | 0:45:27 | 0:45:31 | |
The famous trams go past with your name on it - | 0:45:31 | 0:45:34 | |
Keith Harris and Orville starring at the Grand Theatre. | 0:45:34 | 0:45:38 | |
It's a wonderful, wonderful feeling. | 0:45:38 | 0:45:40 | |
I was sat in the Queens Hotel. I was in the coffee lounge. | 0:45:40 | 0:45:46 | |
It was 1987 | 0:45:46 | 0:45:50 | |
and I was having a coffee and I looked at the window | 0:45:50 | 0:45:53 | |
and a bus passed and it said, | 0:45:53 | 0:45:55 | |
"The legendary Roy Chubby Brown. Come and see at the South Pier." | 0:45:55 | 0:45:59 | |
And I looked and I went, "Hey, that's my name." Nobody told me. | 0:45:59 | 0:46:06 | |
Then, of course, after that, people saying, | 0:46:06 | 0:46:08 | |
"Saw you on a bus yesterday." | 0:46:08 | 0:46:11 | |
"Did you? Was I sat down?" | 0:46:11 | 0:46:13 | |
"No, you were on the side." | 0:46:13 | 0:46:15 | |
I remember seeing a tram pass and it had "Little And Large" on it. Wow. | 0:46:15 | 0:46:20 | |
Done it. Got it. You know? | 0:46:20 | 0:46:23 | |
To think we had gone there as teenagers | 0:46:23 | 0:46:25 | |
and wandered down the Golden Mile and wandered down the North Pier | 0:46:25 | 0:46:28 | |
and all of a sudden your name's up there and you're top of the bill. | 0:46:28 | 0:46:31 | |
Great feeling. | 0:46:31 | 0:46:32 | |
It's a shock, really, | 0:46:32 | 0:46:34 | |
when it happens because we only ever saw, as kids, | 0:46:34 | 0:46:40 | |
if you like, these big stars on posters and stuff | 0:46:40 | 0:46:44 | |
and then to think that we came and travelled that same journey, | 0:46:44 | 0:46:48 | |
if you like, and when we hit Blackpool... | 0:46:48 | 0:46:51 | |
-What were it, 1979/80 season? -Aye. | 0:46:51 | 0:46:55 | |
..the town was just splattered with Cannon And Ball over the buses, | 0:46:55 | 0:47:01 | |
North Pier, the biggest sign we've ever seen of us in lights | 0:47:01 | 0:47:05 | |
and, you know, it was just... To be honest, we couldn't take it in. | 0:47:05 | 0:47:09 | |
And then, of course, to switch the lights on the same year as well | 0:47:09 | 0:47:12 | |
was like, "What else can happen?" You know. | 0:47:12 | 0:47:15 | |
Well, apart from being the Mecca of show business, | 0:47:24 | 0:47:27 | |
lots of theatrical people lived in and around the area. | 0:47:27 | 0:47:31 | |
This one-man gig, for me, | 0:47:31 | 0:47:33 | |
actually begins here in this very quiet residential avenue | 0:47:33 | 0:47:37 | |
in Blackpool, which I suppose is the home of entertainment | 0:47:37 | 0:47:41 | |
and where ever entertainer loves to come to. | 0:47:41 | 0:47:44 | |
It was the oldest aircraft I'd ever been in. It had an outside lavatory. | 0:47:44 | 0:47:47 | |
LAUGHTER | 0:47:47 | 0:47:50 | |
There was an old parish priest beside me. | 0:47:50 | 0:47:52 | |
He said, "Mr Carson, are you nervous in an aircraft?" | 0:47:52 | 0:47:54 | |
I said, "I'm very nervous, Reverend Father." He said, | 0:47:54 | 0:47:57 | |
"Have a nice glass of wine." He gave me this lovely glass of wine. | 0:47:57 | 0:48:00 | |
I said, "That's beautiful, strong wine, isn't it?" He said, | 0:48:00 | 0:48:02 | |
"Yes, the Pope drinks that." | 0:48:02 | 0:48:04 | |
I said, "No wonder they carry him about in a chair." | 0:48:04 | 0:48:07 | |
That's a cracker, that one. | 0:48:07 | 0:48:09 | |
Oh, Frank Carson, yeah, he loved Blackpool. | 0:48:09 | 0:48:12 | |
I mean, he would have worked there every year if he could have done. | 0:48:12 | 0:48:15 | |
I think he just had a little spell away | 0:48:15 | 0:48:17 | |
when he went to live in Ireland in Balbriggan. | 0:48:17 | 0:48:19 | |
He became the mayor of Balbriggan, as only Frank can. | 0:48:19 | 0:48:23 | |
But the lure of Blackpool brought him back | 0:48:23 | 0:48:26 | |
and I think he was at his happiest in Blackpool. | 0:48:26 | 0:48:29 | |
I've worked two summer seasons at the south end of the resort | 0:48:29 | 0:48:33 | |
and I think every young comedian dreams of playing Blackpool. | 0:48:33 | 0:48:35 | |
I know I did when I was young. | 0:48:35 | 0:48:37 | |
There is a donkey on Blackpool beach with an IQ of 146. | 0:48:37 | 0:48:42 | |
And none of the other donkeys will talk to it. | 0:48:42 | 0:48:45 | |
Nobody likes a smart ass. | 0:48:45 | 0:48:47 | |
LAUGHTER | 0:48:47 | 0:48:49 | |
That a cracker, isn't it? | 0:48:49 | 0:48:51 | |
I said to a fellow in Blackpool, | 0:48:51 | 0:48:52 | |
"Who is the funniest man you have here?" | 0:48:52 | 0:48:54 | |
He said, "Les Dawson at the Opera House." | 0:48:54 | 0:48:56 | |
I went and there was a large crowd. | 0:48:56 | 0:48:58 | |
I said to this fellow, "What's the comedian Les Dawson like?" | 0:48:58 | 0:49:00 | |
He said, "He's the funniest man in Britain." | 0:49:00 | 0:49:02 | |
"Have you ever heard of an Irish comedian called Frank Carson?" | 0:49:02 | 0:49:05 | |
He says, "Yeah, he's rotten." | 0:49:05 | 0:49:07 | |
I said, "I'm Frank Carson." | 0:49:07 | 0:49:08 | |
He said, "I'm Les Dawson." | 0:49:08 | 0:49:10 | |
It's interesting how many comics have retired to Blackpool | 0:49:11 | 0:49:15 | |
or set up home... | 0:49:15 | 0:49:16 | |
Les Dawson hadn't retired, he lived just down the road in St Anne's. | 0:49:16 | 0:49:19 | |
Frank Randle moved from Wigan to Blackpool. | 0:49:19 | 0:49:23 | |
George Formby moved from Warrington to Blackpool. | 0:49:23 | 0:49:26 | |
So many entertainers are still here now. | 0:49:26 | 0:49:28 | |
Famously, Hylda Baker lived in Blackpool and, of course, | 0:49:28 | 0:49:32 | |
her stage persona was this sort of little, doddery, sort of mad | 0:49:32 | 0:49:36 | |
old lady but in real life, when she lived in Blackpool, | 0:49:36 | 0:49:40 | |
she sort of did the whole showbiz lifestyle thing. | 0:49:40 | 0:49:44 | |
She had a monkey, a flash car | 0:49:44 | 0:49:46 | |
and she'd drive around like the queen of Blackpool. | 0:49:46 | 0:49:49 | |
Really quite extraordinary and to be much admired, I think. | 0:49:49 | 0:49:53 | |
Yeah, she had a pet monkey, yeah. | 0:49:53 | 0:49:56 | |
She used to take it to her digs and a little kid. | 0:49:56 | 0:49:59 | |
Very small, it were, and it used to pinch things. | 0:49:59 | 0:50:03 | |
She used to give it nuts. | 0:50:03 | 0:50:05 | |
She went in the theatre and she'd take it in the theatre with her. | 0:50:05 | 0:50:08 | |
If you'd go in her dressing room, | 0:50:08 | 0:50:09 | |
this monkey would be jumping all around, you know. | 0:50:09 | 0:50:13 | |
Hylda Baker was one of the queens of Blackpool. | 0:50:13 | 0:50:19 | |
Is everybody happy? | 0:50:19 | 0:50:20 | |
AUDIENCE: Yes. | 0:50:20 | 0:50:22 | |
Good. Cos... | 0:50:22 | 0:50:24 | |
# Everybody likes you when you're cheerful... # | 0:50:24 | 0:50:27 | |
We got a nursing home for her near Blackpool | 0:50:27 | 0:50:32 | |
and my number two, Rod, took her there | 0:50:32 | 0:50:35 | |
and they got off the train, got into a cab and drove, | 0:50:35 | 0:50:41 | |
just by chance, down the Golden Mile to get to the nursing home. | 0:50:41 | 0:50:45 | |
And Rod said it took an hour because the minute the first person | 0:50:47 | 0:50:53 | |
saw it was Hylda Baker, they stopped the cab. | 0:50:53 | 0:50:56 | |
They were pulling down the windows for her autograph. | 0:50:56 | 0:51:02 | |
You see, Blackpool loves its own. | 0:51:02 | 0:51:06 | |
There were comedians that were colossal in Blackpool | 0:51:06 | 0:51:10 | |
and none bigger than Hylda Baker. | 0:51:10 | 0:51:14 | |
She knows, you know. | 0:51:14 | 0:51:17 | |
Me and him had been going 18 years when we got on telly. | 0:51:20 | 0:51:25 | |
And the first time we topped a bill was at the pier, the North Pier. | 0:51:25 | 0:51:30 | |
We came over from Oldham and we parked our cars | 0:51:30 | 0:51:33 | |
and we're walking to the North Pier and we see this queue going | 0:51:33 | 0:51:37 | |
out of the North Pier from the box office, halfway up the front. | 0:51:37 | 0:51:41 | |
Big queue - three or four deep, like that. | 0:51:41 | 0:51:44 | |
says to him, "Look at that. I wonder who's on besides us." | 0:51:44 | 0:51:47 | |
And I looked and said, "What do you mean besides us? | 0:51:47 | 0:51:50 | |
-"It's me and you they've come to see." -"I think it's for us." | 0:51:50 | 0:51:52 | |
-I can't tell you the kick we got out of that. -It was unreal. | 0:51:52 | 0:51:55 | |
To make it in your own territory is fantastic, isn't it, really? | 0:51:55 | 0:51:58 | |
One, two, three, four. | 0:51:58 | 0:52:00 | |
All right. Hey! | 0:52:00 | 0:52:02 | |
HE MOUTHS | 0:52:02 | 0:52:04 | |
# Whoa, the path runs deep and wide | 0:52:04 | 0:52:07 | |
# From footsteps leading to a cabin... # | 0:52:07 | 0:52:10 | |
Rock on! | 0:52:10 | 0:52:11 | |
# Above the door there burns a scarlet lamp... # | 0:52:11 | 0:52:14 | |
Rock on! | 0:52:14 | 0:52:16 | |
Reggae, reggae. | 0:52:16 | 0:52:18 | |
-I'm sorry, I'm sorry. -Rock on! -I'm sorry. -Rock on! | 0:52:18 | 0:52:23 | |
-Hey! -Reggae. Rock on! -What are you doing? -Rock on! | 0:52:23 | 0:52:26 | |
What are you doing? We've only just come on. | 0:52:26 | 0:52:28 | |
-Rock on! -For God's sake. -Rock on! -Rock off. | 0:52:28 | 0:52:32 | |
-We get 18 weeks, six nights a week. -Two shows a day. | 0:52:34 | 0:52:38 | |
Two shows a day and we sold out every one of them. | 0:52:38 | 0:52:41 | |
Bobby Ball we knew before Blackpool | 0:52:41 | 0:52:44 | |
but Blackpool proved that he was a comic genius and Tommy Cannon | 0:52:44 | 0:52:49 | |
is perhaps the great underrated straight man of modern comedy. | 0:52:49 | 0:52:53 | |
Together they were dynamite. | 0:52:53 | 0:52:55 | |
Lord Delfont were doing the North Pier and it was full | 0:52:55 | 0:53:02 | |
and he owned the piers and it was full. | 0:53:02 | 0:53:05 | |
He came up to the little stage door and they said, | 0:53:05 | 0:53:07 | |
"I'll tell you what, Mr Delfont, you can't come in." He said, | 0:53:07 | 0:53:11 | |
"Why's that?" He said, "It's full." | 0:53:11 | 0:53:12 | |
Lord Delfont said, "That's fantastic. I'll stand at the back." | 0:53:12 | 0:53:15 | |
"No. You're not allowed to stand at the back." | 0:53:15 | 0:53:17 | |
He said, "But I own the pier." He said, "I don't care. | 0:53:17 | 0:53:20 | |
"You're not coming in here and spoiling this show." | 0:53:20 | 0:53:22 | |
And he wouldn't let Delfont in and he never forgot it. | 0:53:22 | 0:53:25 | |
-See you, Tommy. -OK. -See you, Tommy. -OK, I'll see you around. | 0:53:25 | 0:53:28 | |
-See you, Tommy. -This is our second visit... -See you, Tommy. | 0:53:28 | 0:53:33 | |
-Look after yourself, Tommy. -I will, I will, Robert. | 0:53:33 | 0:53:36 | |
You'll do for me. You'll do for me, Tommy. | 0:53:36 | 0:53:38 | |
-Robert. -You'll do for me. -And you'll do for me. -You'll do for me. | 0:53:40 | 0:53:43 | |
-And you'll do for me. -Hey. -What? -You'll do. | 0:53:43 | 0:53:46 | |
-Who? -You. -For what? -For me. -All right, go and sit down. | 0:53:46 | 0:53:49 | |
LAUGHTER | 0:53:49 | 0:53:50 | |
See you, Tommy. | 0:53:50 | 0:53:53 | |
The most amazing season that I was ever associated | 0:53:53 | 0:53:56 | |
with in Blackpool was when Cannon and Ball returned | 0:53:56 | 0:53:59 | |
two years later to play at the Opera House. | 0:53:59 | 0:54:02 | |
Cannon and Ball at the Opera House - 3,000 seats, twice nightly, | 0:54:02 | 0:54:07 | |
6.30 and 8.30, six nights a week for 22 weeks. Sold out. | 0:54:07 | 0:54:13 | |
That's 36,000 people a week | 0:54:15 | 0:54:18 | |
watching one show repeated six nights | 0:54:18 | 0:54:22 | |
a week twice nightly. | 0:54:22 | 0:54:25 | |
That is awesome. | 0:54:25 | 0:54:26 | |
Get hold of one of the stools and bring it in the middle | 0:54:26 | 0:54:28 | |
-while I talk to you here. -Talk to me? | 0:54:28 | 0:54:30 | |
Obviously you need talking to. | 0:54:30 | 0:54:33 | |
Now get a stool and come here. | 0:54:33 | 0:54:36 | |
Drop you off on the motorway but you find your way here. | 0:54:36 | 0:54:38 | |
LAUGHTER | 0:54:38 | 0:54:40 | |
Well, get mine. | 0:54:43 | 0:54:44 | |
Get your own! | 0:54:49 | 0:54:51 | |
LAUGHTER | 0:54:51 | 0:54:53 | |
When we walked on here, when we walked on, you've got to think, | 0:55:02 | 0:55:08 | |
"Who else has walked on this stage? Who else has done this?" | 0:55:08 | 0:55:11 | |
It's the pinnacle of the comedy entertainment world. | 0:55:11 | 0:55:14 | |
Especially for a Northener. When you come here, everybody's been here. | 0:55:14 | 0:55:18 | |
I've done the South Pier, the middle pier, the North Pier, all the | 0:55:18 | 0:55:22 | |
top hotels, the Winter Gardens, the Ballroom and now I'm on the Grand. | 0:55:22 | 0:55:26 | |
If you were in the entertainment business, | 0:55:26 | 0:55:28 | |
what you want to do is you want to end up on the Grand. | 0:55:28 | 0:55:31 | |
Cos when I stand on that stage, I know Bob Hope's been there, | 0:55:31 | 0:55:35 | |
Gracie Fields, Nat Jackley, Hylda Baker, Tommy Trinder, | 0:55:35 | 0:55:42 | |
Tommy Cooper, Dickie Anderson. | 0:55:42 | 0:55:44 | |
Everybody who's anybody in the entertainment world has | 0:55:44 | 0:55:48 | |
stood on that stage in the Grand. | 0:55:48 | 0:55:49 | |
Nothing will epitomise more the esteem that Blackpool's | 0:56:00 | 0:56:05 | |
held in than the choice of the Opera House for the Royal Variety. | 0:56:05 | 0:56:11 | |
My proudest moment in Blackpool, undoubtedly, was bringing | 0:56:11 | 0:56:15 | |
the Royal Variety Show to Blackpool in 2009. | 0:56:15 | 0:56:20 | |
To have Her Majesty the Queen travel up to Blackpool to see | 0:56:20 | 0:56:24 | |
a show in that theatre, in the Opera House. | 0:56:24 | 0:56:27 | |
I went there and you could feel, in the town, the buzz. | 0:56:27 | 0:56:33 | |
The whole town was out to see the Queen, to see the stars coming in. | 0:56:33 | 0:56:37 | |
It was like old-time Blackpool. | 0:56:37 | 0:56:39 | |
Welcome to the most prestigious variety show in the world. | 0:56:39 | 0:56:43 | |
SHOUTING | 0:56:43 | 0:56:44 | |
Thanks, love. | 0:56:44 | 0:56:46 | |
To the Royal Variety 2009. | 0:56:46 | 0:56:49 | |
CHEERING | 0:56:49 | 0:56:51 | |
From Blackpool. | 0:56:51 | 0:56:52 | |
CHEERING | 0:56:52 | 0:56:55 | |
The entertainment capital of the world, ladies and gentlemen. | 0:56:55 | 0:56:59 | |
And to be there when we have Her Majesty the Queen and Lady Gaga | 0:56:59 | 0:57:05 | |
in the same building | 0:57:05 | 0:57:07 | |
on a wet November night is a very special feeling. | 0:57:07 | 0:57:10 | |
Oh, Blackpool, I love you. | 0:57:13 | 0:57:18 | |
If you snap me in half, I'll have Blackpool written right | 0:57:18 | 0:57:21 | |
through me cos I love it here, and I always will. | 0:57:21 | 0:57:25 | |
-I like it, don't I? -Oh, he loves Blackpool. | 0:57:25 | 0:57:28 | |
I have never seen or heard people enjoy themselves by just | 0:57:28 | 0:57:34 | |
being in a place as you found in Blackpool. | 0:57:34 | 0:57:37 | |
# Da, da, da-da-da, da-da, da, da, da. # | 0:57:37 | 0:57:40 | |
Ta-dah! | 0:57:40 | 0:57:42 | |
It's got this DNA running through it, which is glamour, | 0:57:44 | 0:57:47 | |
which is entertainment, which is excitment. | 0:57:47 | 0:57:49 | |
Blackpool is exciting, full stop. | 0:57:49 | 0:57:51 | |
There was just a magic about the place. | 0:57:51 | 0:57:53 | |
Just absolutely magical. | 0:57:53 | 0:57:55 | |
We love Blackpool, as you can tell. | 0:57:55 | 0:57:57 | |
Blackpool was the star of stars. Numero uno. | 0:58:03 | 0:58:07 | |
There's only one Blackpool. There only will ever be one Blackpool. | 0:58:13 | 0:58:17 | |
# So we end our TV show | 0:58:20 | 0:58:24 | |
# Pack our bags and off we go | 0:58:24 | 0:58:27 | |
# Bye, bye, Blackpool | 0:58:27 | 0:58:31 | |
# It's a show we won't forget. # | 0:58:33 | 0:58:37 | |
-Have we been paid? -Not yet. -Not yet. | 0:58:37 | 0:58:40 | |
# Bye, bye, Blackpool # | 0:58:40 | 0:58:45 | |
# Goodbye to the beach farewell the Tower | 0:58:47 | 0:58:52 | |
# How we're gonna miss this Sunday hour. # | 0:58:53 | 0:58:58 | |
APPLAUSE | 0:58:58 | 0:59:00 | |
Ladies and gentlemen, we'd like to thank all the artists who've | 0:59:00 | 0:59:04 | |
appeared on Blackpool Night Out during the series. | 0:59:04 | 0:59:06 | |
Yes, we'd like to thank all the artists who've | 0:59:06 | 0:59:08 | |
appeared on tonight's show. | 0:59:08 | 0:59:10 | |
APPLAUSE Put the lights out! | 0:59:10 | 0:59:11 | |
Subtitles by Red Bee Media Ltd | 0:59:11 | 0:59:13 |