Browse content similar to London: The Modern Babylon. Check below for episodes and series from the same categories and more!
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This programme contains very strong language. | 0:00:10 | 0:00:13 | |
LAYERS OF PEOPLE SPEAKING DIFFERENT LANGUAGES | 0:00:14 | 0:00:18 | |
SIREN BLARING | 0:00:42 | 0:00:44 | |
You could call it the capital of the world. | 0:00:51 | 0:00:53 | |
AIR RAID SIREN BLARING | 0:00:53 | 0:00:55 | |
MUSIC: "London Calling" by The Clash | 0:00:55 | 0:00:58 | |
# London calling to the faraway towns | 0:01:15 | 0:01:18 | |
# Now war is declared and battle come down | 0:01:18 | 0:01:21 | |
# London calling to the underworld | 0:01:21 | 0:01:24 | |
# Come out of the cupboard You boys and girls | 0:01:24 | 0:01:29 | |
# London calling Now don't look to us | 0:01:29 | 0:01:32 | |
# Phoney Beatlemania has bitten the dust | 0:01:32 | 0:01:36 | |
# London calling See, we ain't got no swing | 0:01:36 | 0:01:39 | |
# Except for the reign of that truncheon thing | 0:01:39 | 0:01:43 | |
# The ice age is coming The sun's zooming in | 0:01:43 | 0:01:46 | |
# Meltdown expected The wheat is growing thin | 0:01:46 | 0:01:50 | |
# Engines stop running but I have no fear | 0:01:50 | 0:01:53 | |
# Cos London is burning and I live by the river | 0:01:53 | 0:01:59 | |
# Now get this! | 0:02:10 | 0:02:13 | |
# London calling Yes, I was there too | 0:02:13 | 0:02:17 | |
# And you know what they said? Well, some of it was true | 0:02:17 | 0:02:21 | |
# London calling At the top of the dial | 0:02:21 | 0:02:24 | |
# And after all this Won't you give me a smile? | 0:02:24 | 0:02:28 | |
# London calling... # | 0:02:28 | 0:02:29 | |
-NEWSREEL: -London calling the Empire. | 0:02:29 | 0:02:32 | |
# I never felt so much alike. # | 0:02:35 | 0:02:38 | |
HOOVES CLOPPING AND HORSES WHINNYING | 0:02:44 | 0:02:47 | |
At the beginning of the 20th century London is the capital city | 0:03:03 | 0:03:07 | |
of the most extensive empire the world has ever seen. | 0:03:07 | 0:03:11 | |
On her dominions the sun never sets. | 0:03:15 | 0:03:18 | |
Unrivalled power siphoning vast riches from its far-flung colonies | 0:03:22 | 0:03:26 | |
in all corners of the globe, back to its imperial centre. | 0:03:26 | 0:03:31 | |
# It's the Piccadilly drop, drop, drop, drop | 0:03:39 | 0:03:42 | |
# Now the rain's in town | 0:03:42 | 0:03:44 | |
# It's the Piccadilly drop, drop, drop, drop | 0:03:44 | 0:03:47 | |
# See us strolling all up and down | 0:03:47 | 0:03:50 | |
# With a pretty little girl What, what, what? | 0:03:50 | 0:03:53 | |
# It's the time for heartbreak | 0:03:53 | 0:03:55 | |
# But it's fine, fine Simply divine! | 0:03:55 | 0:03:58 | |
# Grab yourself a girlie and pull right into line | 0:03:58 | 0:04:01 | |
# That's the Pic-Pic-Piccadilly drop! # | 0:04:01 | 0:04:04 | |
Like the spokes of a wheel, | 0:04:08 | 0:04:10 | |
converging streams of human life flow into this agitated pool. | 0:04:10 | 0:04:14 | |
Horses and carriages, carts, vans, omnibuses, cabs - | 0:04:14 | 0:04:18 | |
every kind of conveyance cross each other's course | 0:04:18 | 0:04:21 | |
in every possible direction. | 0:04:21 | 0:04:23 | |
Twisting in and out by the wheels and under the horses' heads, | 0:04:23 | 0:04:27 | |
working a devious way, | 0:04:27 | 0:04:30 | |
men and women of all conditions wind a path over. | 0:04:30 | 0:04:33 | |
Now the streams slacken and now they rush again. | 0:04:34 | 0:04:37 | |
All London converges into this focus. | 0:04:39 | 0:04:41 | |
There is an indistinguishable noise. | 0:04:41 | 0:04:44 | |
It is not clatter, hum or roar... | 0:04:44 | 0:04:46 | |
..it is made up of a thousand thousand footsteps | 0:04:47 | 0:04:51 | |
from a thousand hooves, a thousand wheels... | 0:04:51 | 0:04:54 | |
..and no attention can resolve it into a fixed sound. | 0:04:57 | 0:05:00 | |
London is a modern Babylon... | 0:05:05 | 0:05:07 | |
..this is a vortex and whirlpool... | 0:05:09 | 0:05:12 | |
the centre of human life today on the earth. | 0:05:12 | 0:05:15 | |
I was born in the Borough of Hackney, 1905... | 0:05:27 | 0:05:33 | |
..my parents were Orthodox Jews. | 0:05:36 | 0:05:41 | |
They were immigrants. | 0:05:41 | 0:05:44 | |
Queen Victoria opened her doors to the Jews of Central Europe | 0:05:45 | 0:05:52 | |
that were being persecuted. | 0:05:52 | 0:05:53 | |
WALTZ MUSIC PLAYS | 0:05:53 | 0:05:56 | |
SEAGULLS CALLING | 0:05:58 | 0:06:00 | |
# When I go out the people shout | 0:06:07 | 0:06:11 | |
# "Oh, here he comes, clear the way!"... # | 0:06:11 | 0:06:15 | |
I can still remember Father going down to the docks | 0:06:15 | 0:06:20 | |
to examine the cargo as it came up the river. | 0:06:20 | 0:06:26 | |
I used to like to watch the Tower Bridge going up...and down. | 0:06:26 | 0:06:33 | |
That was an outing. | 0:06:33 | 0:06:35 | |
Mother, on Thursdays, used to go to Petticoat Lane | 0:06:36 | 0:06:44 | |
cos that was where she used to buy her two chickens | 0:06:44 | 0:06:48 | |
for the weekend meals. | 0:06:48 | 0:06:51 | |
CHICKENS CLUCKING | 0:06:51 | 0:06:54 | |
# I'm as happy as the Prince of Wales | 0:06:54 | 0:06:57 | |
# Although I'm stony broke... # | 0:06:57 | 0:07:03 | |
The poverty in that part of London, a lot of children were barefoot. | 0:07:04 | 0:07:10 | |
They had to share shoes, | 0:07:12 | 0:07:13 | |
so they couldn't go to school every day of the week. | 0:07:13 | 0:07:18 | |
There was nothing, really, for them to eat. | 0:07:18 | 0:07:24 | |
# If you think I am a millionaire With the clothes I wear | 0:07:24 | 0:07:30 | |
# Think that I ride in me carriage | 0:07:30 | 0:07:32 | |
# And hare round Leicester Square To make folks stare | 0:07:32 | 0:07:37 | |
# I've got no hoof but I always play spoof | 0:07:37 | 0:07:40 | |
# I'm a rickety-rackety bloke | 0:07:40 | 0:07:43 | |
# I'm a slitter, a dasher The up-to-date masher | 0:07:43 | 0:07:47 | |
# I'm Percy from Pimlico! # | 0:07:47 | 0:07:51 | |
MUSIC: "Born Slippy" by Underworld | 0:07:57 | 0:08:00 | |
This melancholy London, | 0:08:04 | 0:08:07 | |
I sometimes imagine that the souls of the lost | 0:08:07 | 0:08:10 | |
are compelled to walk through its streets perpetually. | 0:08:10 | 0:08:14 | |
One feels them passing, like a whiff of air. | 0:08:15 | 0:08:18 | |
People tended to walk to work... | 0:08:29 | 0:08:31 | |
..because they worked near their homes. | 0:08:33 | 0:08:37 | |
Dalston Junction was a road I had to cross getting to my school. | 0:08:43 | 0:08:50 | |
HOOVES AND WHEELS THUNDERING | 0:08:50 | 0:08:52 | |
The horse-drawn buses frightened the life out of me! | 0:08:52 | 0:08:56 | |
And I'm trying to think... | 0:09:00 | 0:09:02 | |
what happened to the horse manure. | 0:09:02 | 0:09:07 | |
As soon as you got it, wallop, it went on the roses. | 0:09:08 | 0:09:12 | |
ENGINE RUMBLING | 0:09:12 | 0:09:16 | |
# If you fancy it that's understood | 0:09:16 | 0:09:20 | |
# And suppose it makes you fat I don't worry over that | 0:09:20 | 0:09:23 | |
# For a little of what you fancy does you good. # | 0:09:23 | 0:09:27 | |
# There used to be trains Not very quick | 0:09:49 | 0:09:52 | |
# Got you from place to place | 0:09:52 | 0:09:54 | |
# But now there's just jams half a mile thick | 0:09:54 | 0:09:57 | |
# Stay in the human race | 0:09:57 | 0:09:59 | |
# And fings ain't what they used to be... # | 0:09:59 | 0:10:04 | |
I remember as a child asking my governess | 0:10:09 | 0:10:12 | |
how I was going to spend my life. | 0:10:12 | 0:10:14 | |
Her answer came without a moment's hesitation. | 0:10:14 | 0:10:17 | |
"Until you are 18, you will do lessons. | 0:10:17 | 0:10:20 | |
"And, afterwards, you will do nothing." | 0:10:20 | 0:10:23 | |
In fact, to be an Edwardian debutante | 0:10:23 | 0:10:27 | |
was rather like being an athlete in chronic training | 0:10:27 | 0:10:31 | |
for a perpetual boat race. | 0:10:31 | 0:10:32 | |
There were five to eight balls every week, | 0:10:34 | 0:10:36 | |
and there we danced through the long summer nights till dawn. | 0:10:36 | 0:10:41 | |
I can remember my stepmother solemnly warning me, | 0:10:41 | 0:10:44 | |
to drive back home after a ball with a young man spells doom to any girl. | 0:10:44 | 0:10:51 | |
Men are afraid of clever girls. | 0:10:51 | 0:10:54 | |
-CHILD: -Little girls should be seen and not heard. | 0:10:56 | 0:11:00 | |
# Oh, bondage, up yours! # | 0:11:00 | 0:11:04 | |
One, two, three, four! | 0:11:04 | 0:11:05 | |
# Oh, bondage, up yours! | 0:11:05 | 0:11:09 | |
# Oh, bondage, no more! | 0:11:09 | 0:11:11 | |
# Oh, bondage, up yours! | 0:11:11 | 0:11:15 | |
# Oh, bondage, no more! # | 0:11:15 | 0:11:18 | |
We did a lot of smashing, in the prison, of windows. | 0:11:18 | 0:11:21 | |
# ..I consume you all | 0:11:21 | 0:11:23 | |
# Chain gang, chain mail... # | 0:11:23 | 0:11:26 | |
We went on hunger strike, of course. And we were forcibly fed. | 0:11:26 | 0:11:29 | |
A tube was inserted in the nostril. | 0:11:29 | 0:11:32 | |
MAN: How often, Miss Marsh, were you forcibly fed? | 0:11:32 | 0:11:34 | |
139 times. | 0:11:34 | 0:11:38 | |
-HETTY BOWER: -Two sisters in Stepney were active suffragettes. | 0:11:38 | 0:11:46 | |
We used to go there, Saturday afternoon, | 0:11:46 | 0:11:49 | |
without my parents knowing. | 0:11:49 | 0:11:53 | |
# ..Thrash me, crash me Beat me till I fall | 0:11:53 | 0:11:56 | |
# I wanna be a victim for you all. # | 0:11:56 | 0:11:58 | |
I do remember thinking, well, I shall be agitating when I'm older. | 0:11:58 | 0:12:06 | |
EXPLOSION | 0:12:12 | 0:12:14 | |
NEWSREEL: London's East End, | 0:12:16 | 0:12:18 | |
land of the foreign gaolbird, harbours aliens, anarchists | 0:12:18 | 0:12:20 | |
and criminals who seek out our too-hospitable shores. | 0:12:20 | 0:12:23 | |
For more than seven hours, two Jewish members of a Latvian anarchist gang | 0:12:24 | 0:12:28 | |
have held out against more than 500 police and soldiers in a Sidney Street tenement. | 0:12:28 | 0:12:32 | |
For the first time, newsreel film companies are on hand | 0:12:34 | 0:12:37 | |
to record the event for posterity as it unfolds before their cameras. | 0:12:37 | 0:12:41 | |
GUNSHOTS | 0:12:41 | 0:12:43 | |
Home Secretary, Churchill, informed of the incident in his bath, | 0:12:45 | 0:12:48 | |
has arrived to take charge of the operations. | 0:12:48 | 0:12:51 | |
Rumour has it that a bullet passed through the silk of his top hat. | 0:12:51 | 0:12:55 | |
GUNSHOT | 0:12:55 | 0:12:57 | |
Stand and deliver! | 0:12:58 | 0:13:00 | |
MAN: Ever since London truly began as a city, in the early 18th century, | 0:13:02 | 0:13:07 | |
they were always terrified of that one, simple word... | 0:13:07 | 0:13:10 | |
Anarchy! | 0:13:10 | 0:13:11 | |
..the mob. | 0:13:11 | 0:13:13 | |
The London mob. | 0:13:13 | 0:13:15 | |
And they've always tried to police it, channel it, | 0:13:15 | 0:13:21 | |
to throw it into workhouses, | 0:13:21 | 0:13:23 | |
to yuppify it, to teach it and, now and again, | 0:13:23 | 0:13:28 | |
the mob breaks out. | 0:13:28 | 0:13:30 | |
Best of luck, old chap. | 0:13:42 | 0:13:43 | |
-HETTY: -Oh, World War One - I was nearly nine years old. | 0:13:47 | 0:13:53 | |
That was really the turning point in my life. | 0:13:53 | 0:13:57 | |
There was this Lord Kitchener and his finger. | 0:13:57 | 0:14:03 | |
Your King and country need you! | 0:14:03 | 0:14:08 | |
But they didn't need me. I didn't like him, and his finger. | 0:14:08 | 0:14:14 | |
# Pack up your troubles in your old kit bag | 0:14:14 | 0:14:17 | |
# And smile, smile, smile | 0:14:17 | 0:14:21 | |
# While you've a Lucifer to light your fag... # | 0:14:21 | 0:14:25 | |
Oh, I cheered them at Dalston Junction - | 0:14:25 | 0:14:29 | |
the men going off, in uniform. | 0:14:29 | 0:14:32 | |
And we waved. | 0:14:32 | 0:14:34 | |
And then I didn't like what I saw when they started coming back. | 0:14:34 | 0:14:39 | |
Men with crutches and an empty trouser leg, rolled up. | 0:14:44 | 0:14:52 | |
Took time for Roehampton to make all the artificial limbs. | 0:14:52 | 0:14:58 | |
That was the new industry after World War One. | 0:14:58 | 0:15:03 | |
A favourite cousin was killed. | 0:15:05 | 0:15:09 | |
Sammy. | 0:15:10 | 0:15:11 | |
He was my favourite cousin. | 0:15:12 | 0:15:14 | |
And he never came back. | 0:15:15 | 0:15:17 | |
Mm. | 0:15:20 | 0:15:21 | |
Unreal city | 0:15:28 | 0:15:31 | |
Under the brown fog of a winter dawn | 0:15:31 | 0:15:34 | |
A crowd flowed over London Bridge | 0:15:34 | 0:15:38 | |
So many, I had not thought death had undone so many | 0:15:38 | 0:15:43 | |
Sighs, short and infrequent, were exhaled | 0:15:44 | 0:15:48 | |
And each man fixed his eyes before his feet | 0:15:48 | 0:15:52 | |
Flowed up the hill and down King William Street | 0:15:52 | 0:15:55 | |
To where St Mary Woolnoth kept the hours. | 0:15:55 | 0:16:00 | |
WESTMINSTER CHIMES | 0:16:00 | 0:16:04 | |
WOMAN: Men were pouring out of the services. | 0:16:06 | 0:16:09 | |
They'd had a terrible time in France. | 0:16:09 | 0:16:11 | |
They all wanted to get married, so every man you met proposed to you. | 0:16:11 | 0:16:14 | |
It was frightfully exciting. | 0:16:14 | 0:16:16 | |
LIVELY MUSIC | 0:16:16 | 0:16:18 | |
And you danced because it was the relief the war was over | 0:16:25 | 0:16:28 | |
and it was like after an earthquake, people make love in the ruins, | 0:16:28 | 0:16:31 | |
because it's a sort of relief. We all danced and danced. | 0:16:31 | 0:16:34 | |
We danced at breakfast, we danced all day. | 0:16:34 | 0:16:37 | |
The West End, that was like going into a new world. | 0:16:45 | 0:16:51 | |
Lyons restaurants were our palaces. | 0:16:57 | 0:17:03 | |
West Central started to flare and squirm | 0:17:04 | 0:17:07 | |
in a blazing vein-work of neon tubes, | 0:17:07 | 0:17:10 | |
bursting like inexhaustible fireworks. | 0:17:10 | 0:17:13 | |
The million coloured bulbs of the electric signs | 0:17:13 | 0:17:16 | |
blazed in perpetual reoccurrence over the face of the West End. | 0:17:16 | 0:17:21 | |
CAT YOWLS | 0:17:47 | 0:17:49 | |
I went to a marvellous party, with Nounou and Nada and Nell. | 0:17:51 | 0:17:57 | |
-MAN: -I was born in 1925. | 0:17:57 | 0:18:01 | |
I lived in Millbank, in an old, Victorian house on the Embankment. | 0:18:01 | 0:18:07 | |
This was my childhood. | 0:18:12 | 0:18:13 | |
I looked out in the morning and that was the view I saw every morning. | 0:18:13 | 0:18:17 | |
-I heard the tugs going by. -TUG HORN BLARES | 0:18:17 | 0:18:20 | |
# A room with a view | 0:18:22 | 0:18:26 | |
# And you... # | 0:18:26 | 0:18:27 | |
When I was young, I was told that when a tug hooted, | 0:18:27 | 0:18:30 | |
I thought it was asking my permission to go by. | 0:18:30 | 0:18:34 | |
I used to say you could go by now. | 0:18:34 | 0:18:36 | |
MAN: You ever wake up at eight o'clock, | 0:19:13 | 0:19:15 | |
catch a Tube and see how many people are on it? | 0:19:15 | 0:19:17 | |
Like, looking tired, everyone looks in the same uniform. | 0:19:17 | 0:19:21 | |
Off you go again to the zombie train. Want something different. | 0:19:21 | 0:19:24 | |
# Finchley Central | 0:19:25 | 0:19:28 | |
# Is two and sixpence from Golders Green on the Northern Line | 0:19:28 | 0:19:33 | |
# And on the platform... # | 0:19:33 | 0:19:35 | |
You're kind of in your own bubble. | 0:19:35 | 0:19:37 | |
People are either reading their papers | 0:19:37 | 0:19:40 | |
or they've got their music playing. They're zoned out. | 0:19:40 | 0:19:42 | |
I think that's just how, in London, you kind of survive. | 0:19:42 | 0:19:45 | |
# ..For hours I waited | 0:19:48 | 0:19:53 | |
# But I'm blowed, you never showed | 0:19:53 | 0:19:57 | |
# And Finchley Central Ten long stations | 0:19:57 | 0:20:01 | |
# From Golders Green Change at Camden Town. # | 0:20:01 | 0:20:05 | |
The walk from Cannon Street to my office | 0:20:11 | 0:20:13 | |
is neither too long, nor too short. | 0:20:13 | 0:20:15 | |
A healthy little perambulation along streets crowded with commuters, | 0:20:15 | 0:20:20 | |
all proceeding to their places of work | 0:20:20 | 0:20:23 | |
on the same orderly schedule as myself. | 0:20:23 | 0:20:25 | |
Their lives, like my own, are regulated nicely | 0:20:25 | 0:20:28 | |
by the minute hand of an accurate watch. | 0:20:28 | 0:20:31 | |
MEN SHOUTING | 0:20:34 | 0:20:37 | |
MAN: The City may have been the bank, | 0:20:37 | 0:20:40 | |
but the East End was the engine room of the empire. | 0:20:40 | 0:20:44 | |
London was certainly buzzing. | 0:21:18 | 0:21:20 | |
It was the gateway to the world and you had the world and his wife | 0:21:20 | 0:21:24 | |
travelling through it. | 0:21:24 | 0:21:26 | |
Time was when ships used to dock at Tower Bridge | 0:21:28 | 0:21:32 | |
and sailors who jumped ship could disappear without further ado | 0:21:32 | 0:21:36 | |
amongst the streets and courts of the East End. | 0:21:36 | 0:21:39 | |
SONG: "The Laughing Policeman" | 0:21:39 | 0:21:41 | |
-MAN: -When I was very young, you were taught at school | 0:21:54 | 0:21:57 | |
there were only two sorts of people in the world, | 0:21:57 | 0:22:00 | |
the British and foreigners, and there were an awful lot of foreigners. | 0:22:00 | 0:22:04 | |
SONG: "The Laughing Policeman" | 0:22:04 | 0:22:06 | |
I think that feeling of the British Empire as the centre of the world | 0:22:10 | 0:22:14 | |
was sort of built into you when you were young, | 0:22:14 | 0:22:17 | |
because that was the way the world was explained to you. | 0:22:17 | 0:22:19 | |
HE SNIFFS | 0:22:21 | 0:22:22 | |
MUSIC: "Hong Kong Garden" by Siouxsie And The Banshees | 0:22:22 | 0:22:26 | |
# Harmful elements in the air | 0:22:47 | 0:22:51 | |
# Cymbals crashing everywhere | 0:22:51 | 0:22:54 | |
# Reaps the fields of rice and reeds | 0:22:54 | 0:22:57 | |
# While the population feeds | 0:22:57 | 0:23:01 | |
# Junk floats on polluted water | 0:23:01 | 0:23:04 | |
# An old custom to sell your daughter | 0:23:04 | 0:23:07 | |
# Would you like number 23? | 0:23:07 | 0:23:10 | |
# Leave your yens on the counter, please | 0:23:10 | 0:23:14 | |
# Oh-hh | 0:23:17 | 0:23:19 | |
# Oh-oh-oh-oh | 0:23:19 | 0:23:20 | |
# Hong Kong | 0:23:20 | 0:23:22 | |
# Garden | 0:23:22 | 0:23:24 | |
# Oh-hh | 0:23:24 | 0:23:25 | |
# Oh-oh-oh-oh Hong Kong | 0:23:25 | 0:23:28 | |
# Garden | 0:23:28 | 0:23:31 | |
# Oh-oh-oh-oh. # | 0:23:32 | 0:23:33 | |
As a child, you didn't have any fear. | 0:23:36 | 0:23:39 | |
We played in the street. | 0:23:39 | 0:23:41 | |
You could be two streets away and you weren't in the danger | 0:23:41 | 0:23:44 | |
that people try to make out you're in today. | 0:23:44 | 0:23:48 | |
Someone bound to know who you are. | 0:23:48 | 0:23:50 | |
And someone to say, "Oi!" and it'll soon get back down your home. | 0:23:50 | 0:23:54 | |
KNOCK AT DOOR | 0:23:54 | 0:23:55 | |
People don't realise we had a beach alongside the Tower of London | 0:24:00 | 0:24:05 | |
where, when the weather was with you, | 0:24:05 | 0:24:07 | |
Mum used to take you down to the beach at the Tower and play | 0:24:07 | 0:24:11 | |
and it was a day out. | 0:24:11 | 0:24:13 | |
In them days, | 0:24:14 | 0:24:16 | |
it wasn't unusual for the bigger kids to swim across the river. | 0:24:16 | 0:24:20 | |
It was our playground, | 0:24:20 | 0:24:22 | |
as well as where we lived, you know what I mean? | 0:24:22 | 0:24:25 | |
CHEERING AND APPLAUSE | 0:24:30 | 0:24:33 | |
# There's some folk who always worry | 0:24:33 | 0:24:37 | |
# And some folk who never care | 0:24:37 | 0:24:41 | |
# But in this world of rush and hurry... # | 0:24:41 | 0:24:43 | |
This is London calling. | 0:24:43 | 0:24:46 | |
London. City of contrasts, | 0:24:46 | 0:24:48 | |
where rich and poor rub shoulders. | 0:24:48 | 0:24:51 | |
# That certain night The night we met | 0:25:20 | 0:25:26 | |
# There was magic abroad in the air | 0:25:26 | 0:25:30 | |
# There were angels dining at The Ritz | 0:25:30 | 0:25:34 | |
# And a nightingale sang in Berkeley Square. # | 0:25:34 | 0:25:41 | |
-WOMAN: -I was the 13th child. | 0:25:46 | 0:25:49 | |
We had ten in our house, an old, slummy house. | 0:25:49 | 0:25:53 | |
Oh, God, there was one big bedroom at the top | 0:25:59 | 0:26:02 | |
and my mum had five single beds, for my five brothers. | 0:26:02 | 0:26:07 | |
I slept over the back of my mum and dad. | 0:26:07 | 0:26:10 | |
We didn't have nothing, | 0:26:10 | 0:26:11 | |
but we was happy. | 0:26:11 | 0:26:13 | |
I reckon the conditions of living in these little slums is a bit hard. | 0:26:15 | 0:26:20 | |
Got a wife and besides my seven children, | 0:26:20 | 0:26:23 | |
bringing them up in the one room. | 0:26:23 | 0:26:26 | |
We're hoping the council liven their ideas up and get the flats ready, | 0:26:26 | 0:26:29 | |
so that every working-class man will have a hygienic flat to live in. | 0:26:29 | 0:26:33 | |
We just got on with life, quite honest with you. | 0:26:33 | 0:26:35 | |
It's the only place you could live. | 0:26:35 | 0:26:37 | |
Lovely to talk about "wouldn't it be nice to have a nice house and garden", | 0:26:42 | 0:26:46 | |
but it just wasn't there, | 0:26:46 | 0:26:50 | |
so it's no use dreaming about something that ain't there, is it? | 0:26:50 | 0:26:53 | |
WOMAN: We went to see the new houses and they're lovely. | 0:26:53 | 0:26:56 | |
But here, it gets on your nerves, where everything's filthy. | 0:26:56 | 0:27:00 | |
And the vermin in the walls? It's wicked. | 0:27:00 | 0:27:02 | |
Well, I tell you, we're fed up. | 0:27:02 | 0:27:05 | |
-MAN: -The '30s were a terrible year | 0:27:23 | 0:27:26 | |
for the ordinary working-class people. | 0:27:26 | 0:27:29 | |
We, in the East End of London, | 0:27:29 | 0:27:34 | |
campaigned against racism and fascism. | 0:27:34 | 0:27:38 | |
Some people consider Mr Hitler a madman! | 0:27:39 | 0:27:42 | |
I beg to differ! | 0:27:44 | 0:27:47 | |
-HETTY: -'There were a lot of people that were anti-Semitic. | 0:27:47 | 0:27:51 | |
'The children would call after us.' | 0:27:51 | 0:27:54 | |
Sheenies, shonks, sheenies. | 0:27:54 | 0:27:59 | |
MAN: The battle of Cable Street is one that unifies us all. | 0:28:01 | 0:28:07 | |
I took part in Cable Street. | 0:28:18 | 0:28:21 | |
Oswald Mosley's big march. | 0:28:21 | 0:28:25 | |
He and his followers did...not...pass. | 0:28:25 | 0:28:31 | |
GLASS SMASHES | 0:28:50 | 0:28:51 | |
Well, I'm the youngest of ten German Jewish refugee children. | 0:28:55 | 0:29:00 | |
We came in 1937, 1938. | 0:29:02 | 0:29:07 | |
From my first day at Newham School, | 0:29:07 | 0:29:11 | |
there was I in this terrible hurl of kids, | 0:29:11 | 0:29:14 | |
immediately brandishing cruelty and incomprehension | 0:29:14 | 0:29:18 | |
at this new boy who wasn't a cockney and who had a strange, foreign name. | 0:29:18 | 0:29:23 | |
And I was fighting for my life. I was a little titch, short, quite puny. | 0:29:23 | 0:29:28 | |
But I put everything I could into punching back at these creepy bullies | 0:29:28 | 0:29:32 | |
so then they called me Hard Punch Horovitz. | 0:29:32 | 0:29:37 | |
I'd go with the gang. I'd want to relate with my yobbish kids, | 0:29:46 | 0:29:52 | |
because they, after a little bit of culture conditioning, accepted me. | 0:29:52 | 0:29:56 | |
# People cry and walk away | 0:29:57 | 0:30:00 | |
# Think about the fateful day | 0:30:00 | 0:30:02 | |
# Now they wish they'd given Jack | 0:30:02 | 0:30:05 | |
# More affection and respect | 0:30:05 | 0:30:08 | |
# Those little children dressed in black | 0:30:08 | 0:30:11 | |
# Don't know what happened to old Jack | 0:30:11 | 0:30:14 | |
# Grocer Jack, Grocer Jack Is it true what Mummy says? | 0:30:14 | 0:30:19 | |
# You won't come back, oh, no, no. # | 0:30:19 | 0:30:23 | |
Brixton, before the lights went out over Europe, | 0:30:29 | 0:30:32 | |
was the hub of a wheel of theatres, music halls, | 0:30:32 | 0:30:36 | |
empires, royalties. | 0:30:36 | 0:30:38 | |
You could tram it all over from Brixton. | 0:30:39 | 0:30:42 | |
The streets of tall, narrow houses were stuffed to the brim with stand-up comics, | 0:30:42 | 0:30:48 | |
Adagio dancers, | 0:30:48 | 0:30:49 | |
conjurers, Shakespeare heroes, fiddlers, | 0:30:49 | 0:30:53 | |
speciality acts with doves, dogs, goats - you name it. | 0:30:53 | 0:30:57 | |
Dancing dwarves, tenors, sopranos, baritones and basses. | 0:31:00 | 0:31:06 | |
Oh, really. | 0:31:10 | 0:31:11 | |
CHEERING AND APPLAUSE | 0:31:34 | 0:31:36 | |
I am speaking to you from the Cabinet Room at Ten Downing Street. | 0:31:49 | 0:31:54 | |
This morning, the British Ambassador handed the German Government a final note | 0:31:54 | 0:32:01 | |
stating that, unless we heard from them by 11 o'clock | 0:32:01 | 0:32:06 | |
that they were prepared to withdraw their troops from Poland, | 0:32:06 | 0:32:11 | |
a state of war would exist between us. | 0:32:11 | 0:32:15 | |
I have to tell you now that no such undertaking has been received | 0:32:15 | 0:32:20 | |
and that, consequently, this country is at war with Germany. | 0:32:20 | 0:32:25 | |
If you have a child of school age and wish to have him evacuated, | 0:32:27 | 0:32:31 | |
you should send him to school tomorrow, Friday, | 0:32:31 | 0:32:34 | |
with hand luggage containing the child's gas mask, | 0:32:34 | 0:32:37 | |
a change of underclothing, night clothes, shoes, | 0:32:37 | 0:32:40 | |
spare stockings or socks, | 0:32:40 | 0:32:43 | |
a toothbrush, a comb, a towel, handkerchief | 0:32:43 | 0:32:47 | |
and, if possible, a warm coat or mackintosh. | 0:32:47 | 0:32:52 | |
-MAN: -I was evacuated to a place called Dunstable. | 0:33:00 | 0:33:04 | |
Where did they put me? | 0:33:04 | 0:33:07 | |
Right next door to the Vauxhall factory, so there was the place to be in the war, wasn't it? | 0:33:07 | 0:33:11 | |
EXPLOSION | 0:33:11 | 0:33:14 | |
Well, my father came back home one day and he went, | 0:33:15 | 0:33:17 | |
"I'm not having this, we're going to get killed, | 0:33:17 | 0:33:20 | |
"we'll all get killed together." | 0:33:20 | 0:33:22 | |
So we copped all those dangerous nights | 0:33:22 | 0:33:25 | |
when it really came down on the East End. | 0:33:25 | 0:33:28 | |
On the darkest night, the gleaming river may yet betray London. | 0:33:29 | 0:33:34 | |
AIR-RAID SIREN BLARES | 0:33:34 | 0:33:36 | |
-TONY BENN: -I was in London during the Blitz | 0:33:39 | 0:33:41 | |
and I remember it very vividly, because every night the sirens used to go off. | 0:33:41 | 0:33:45 | |
And when I hear an air-raid siren now, | 0:33:45 | 0:33:48 | |
it still sends a cold chill through my body. | 0:33:48 | 0:33:51 | |
NEWSREEL: The whole of the skyline was lit up with a ruddy glow, | 0:33:53 | 0:33:58 | |
almost like a sunrise or a sunset. | 0:33:58 | 0:34:01 | |
The flames are leaping up in the air now. | 0:34:01 | 0:34:03 | |
The dome of St Paul's is silhouetted blackly against it. | 0:34:05 | 0:34:09 | |
It's almost like the Day of Judgment is pictured in some of the old books. | 0:34:09 | 0:34:15 | |
And, if this weren't so appalling, I think it would be one of the most wonderful sights I've ever seen. | 0:34:18 | 0:34:23 | |
We didn't realise the danger we was in, at that age. | 0:34:24 | 0:34:29 | |
It was more an adventure. | 0:34:29 | 0:34:31 | |
We went down the Tube, went with the air raids, you know, the bunk beds | 0:34:34 | 0:34:39 | |
and people who'd hated each other as neighbours were having to muck in together | 0:34:39 | 0:34:43 | |
and making tea and hot water bottles in the Tube stations. | 0:34:43 | 0:34:47 | |
And, of course, all sorts of things went on, | 0:34:55 | 0:34:58 | |
but we were too young, and all them sort of things. | 0:34:58 | 0:35:00 | |
UPBEAT MUSIC | 0:35:00 | 0:35:02 | |
'I have observed that the psychological effects of war | 0:35:17 | 0:35:21 | |
'include not only hysteria and shock, | 0:35:21 | 0:35:24 | |
'but what also might be described as | 0:35:24 | 0:35:26 | |
'jaunty behaviour, brought about by heightened anxiety. | 0:35:26 | 0:35:31 | |
'Many apparently normal people are drinking indecent amounts of alcohol | 0:35:31 | 0:35:36 | |
'and sexual desire, especially in women, is much intensified. | 0:35:36 | 0:35:39 | |
'During the Blitz, many of my male patients complained to me | 0:35:41 | 0:35:45 | |
'about their wives making excessive demands. | 0:35:45 | 0:35:49 | |
'I personally know many women who have been unfaithful | 0:35:50 | 0:35:54 | |
-'to their husbands.' -WOMAN: Bottoms up! | 0:35:54 | 0:35:57 | |
Coming out and seeing houses of people we knew | 0:35:59 | 0:36:02 | |
shattered by the bombs, to us, it was strange, | 0:36:02 | 0:36:05 | |
but it was still an adventure. | 0:36:05 | 0:36:07 | |
In the morning, I thought it was particularly exciting | 0:36:07 | 0:36:10 | |
because I got up earlier | 0:36:10 | 0:36:12 | |
so that I had the biggest collection of shrapnel. | 0:36:12 | 0:36:15 | |
I was always called to the front of the class. "Let's see what Molly's found now." | 0:36:15 | 0:36:18 | |
Shrapnel. Big lumps of it. | 0:36:18 | 0:36:21 | |
-What have you got behind your back? -Nothing. | 0:36:21 | 0:36:24 | |
Frankie! | 0:36:26 | 0:36:28 | |
'I remember this danger, the thrill of leaping across | 0:36:31 | 0:36:34 | |
'bits of buildings that had got destroyed, | 0:36:34 | 0:36:38 | |
'and being dared to jump, and seeing this huge, impossible | 0:36:38 | 0:36:41 | |
'Olympic feat with a great ravine.' | 0:36:41 | 0:36:45 | |
HE SCREAMS | 0:36:47 | 0:36:49 | |
'So that was the sort of adventure playground that we grew up in.' | 0:36:55 | 0:36:58 | |
# We shall defend our island | 0:37:04 | 0:37:06 | |
# All the land and all the sea | 0:37:06 | 0:37:10 | |
# We shall fight them on the beaches | 0:37:10 | 0:37:12 | |
# On the hills and in the fields | 0:37:12 | 0:37:15 | |
# We shall fight them in the streets | 0:37:15 | 0:37:18 | |
# Never in the field of human conflict | 0:37:18 | 0:37:21 | |
# Was so much owed to so few | 0:37:21 | 0:37:24 | |
# Because they have made our British Empire | 0:37:24 | 0:37:27 | |
# A better place for me and you | 0:37:27 | 0:37:30 | |
# And this was our finest hour | 0:37:30 | 0:37:34 | |
# As Vera Lynn would say | 0:37:36 | 0:37:38 | |
# We'll meet again some day | 0:37:38 | 0:37:41 | |
# But all the sacrifices | 0:37:41 | 0:37:43 | |
# We must make... # | 0:37:43 | 0:37:50 | |
I remember meeting a woman from Greenwich | 0:37:52 | 0:37:54 | |
who said that her husband was in the War | 0:37:54 | 0:37:56 | |
and she was left with two children. And one summer day in 1940, | 0:37:56 | 0:38:00 | |
she decided she'd have a little party for the children, | 0:38:00 | 0:38:04 | |
so she went and bought a cake, | 0:38:04 | 0:38:07 | |
-and as she left the cake shop... -EXPLOSION | 0:38:07 | 0:38:10 | |
..she heard a bomb go off, and actually, | 0:38:10 | 0:38:13 | |
the bomb had struck her own home. Her friend and her children, | 0:38:13 | 0:38:17 | |
and her friend's children were all killed. | 0:38:17 | 0:38:20 | |
And you realised the suffering there was | 0:38:28 | 0:38:31 | |
of many thousands of people who were killed and injured during the War. | 0:38:31 | 0:38:34 | |
I think Londoners are proud of their role during the Blitz | 0:38:37 | 0:38:41 | |
because it was very determined, nobody was ever discouraged. | 0:38:41 | 0:38:45 | |
We didn't know at that time whether we would win the war or not. | 0:38:45 | 0:38:49 | |
Looking back on it, | 0:38:52 | 0:38:54 | |
I think it solidified us and brought us much closer together. | 0:38:54 | 0:38:58 | |
And I think London has gained from the experience in the War. | 0:38:58 | 0:39:03 | |
CROWD CHEERS Hoorah! | 0:39:23 | 0:39:26 | |
# ..Any evening, any day | 0:39:26 | 0:39:29 | |
# You'll find us all | 0:39:29 | 0:39:31 | |
# Doin' the Lambeth walk | 0:39:31 | 0:39:34 | |
# Any time you're Lambeth way | 0:39:34 | 0:39:36 | |
# Any evening, any day | 0:39:36 | 0:39:39 | |
# You'll find us all | 0:39:39 | 0:39:41 | |
# Doin' the Lambeth walk... # | 0:39:41 | 0:39:46 | |
Well, with the War being over, you couldn't believe it, | 0:39:46 | 0:39:49 | |
the sense of excitement was so enormous. | 0:39:49 | 0:39:51 | |
We were going to apply the same principles | 0:39:51 | 0:39:54 | |
that we applied in wartime | 0:39:54 | 0:39:57 | |
of single-minded determination to meet the needs of peace. | 0:39:57 | 0:40:01 | |
# ..Any evening, any day | 0:40:01 | 0:40:03 | |
# You'll find us all | 0:40:03 | 0:40:05 | |
# Doin' the Lambeth walk... # | 0:40:05 | 0:40:08 | |
We were voting for Attlee just after the War. | 0:40:08 | 0:40:12 | |
-We didn't want Churchill, did we? -No, we didn't want Churchill after the War. | 0:40:12 | 0:40:15 | |
# Vote, vote, vote for Mr Attlee! | 0:40:15 | 0:40:19 | |
# Punch old Churchill in the eye | 0:40:19 | 0:40:22 | |
# If he comes round the door | 0:40:22 | 0:40:24 | |
# We will punch him in the jaw | 0:40:24 | 0:40:27 | |
# And he won't come voting any more... # | 0:40:27 | 0:40:30 | |
But the other bit was... | 0:40:30 | 0:40:31 | |
# If it wasn't for the King | 0:40:31 | 0:40:33 | |
# We would do the bastard in | 0:40:33 | 0:40:35 | |
# And he wouldn't come voting any more! # | 0:40:35 | 0:40:38 | |
Oh, bugger off! Bloody women! | 0:40:38 | 0:40:41 | |
London looked like the moon's capital. | 0:40:44 | 0:40:49 | |
Shallow, cratered, extinct. | 0:40:49 | 0:40:52 | |
Those bomb sites were like sores, you know, | 0:40:54 | 0:40:57 | |
cancers on the skin of the city. | 0:40:57 | 0:41:00 | |
The main rebuilding was... the council house building of London | 0:41:04 | 0:41:08 | |
was rehoused in the post-war years. | 0:41:08 | 0:41:11 | |
It was nice to move out to a nice place. | 0:41:11 | 0:41:13 | |
It's quite nice to spread out a bit, you know, have room. | 0:41:13 | 0:41:16 | |
Nice to have the toilet inside! | 0:41:18 | 0:41:20 | |
You didn't see fat people around ever. | 0:41:23 | 0:41:26 | |
It's interesting, that. | 0:41:26 | 0:41:27 | |
CHEERING | 0:41:27 | 0:41:30 | |
And queuing, well, | 0:41:30 | 0:41:32 | |
we were brought up in a war where queues were necessary, | 0:41:32 | 0:41:35 | |
so to live, you queued in a respectful manner. | 0:41:35 | 0:41:38 | |
Not like today. A bus pulls up and wallop, | 0:41:38 | 0:41:42 | |
you're pushed out of the way, | 0:41:42 | 0:41:44 | |
especially older people. | 0:41:44 | 0:41:46 | |
There was this awful thing of conformity. | 0:41:53 | 0:41:58 | |
Everybody dressed the same and had the same set of values... | 0:41:58 | 0:42:02 | |
..and spoke in the same way. | 0:42:03 | 0:42:06 | |
'Hello, Belgrave 007. | 0:42:06 | 0:42:08 | |
'Hello, Frobisher 1942. | 0:42:08 | 0:42:10 | |
'Hello, Primrose 666. | 0:42:10 | 0:42:12 | |
'Mayfair...' | 0:42:12 | 0:42:15 | |
I suppose people might say, well, yes, this is how it's meant to be... | 0:42:15 | 0:42:21 | |
..but it bored the shit out of me, I can tell you. | 0:42:25 | 0:42:28 | |
MUSIC: "I'm Trying To Make London My Home" by Sonny Boy Williamson | 0:42:36 | 0:42:43 | |
There he is, follow that cam. Zoom in on Oxford Street. | 0:43:04 | 0:43:08 | |
During the War, | 0:43:11 | 0:43:13 | |
England could not defeat Germany on her own | 0:43:13 | 0:43:15 | |
and she asked the Empire | 0:43:15 | 0:43:18 | |
for men and material. | 0:43:18 | 0:43:21 | |
In those days, you rule a quarter of the world the way you want to rule it. | 0:43:22 | 0:43:26 | |
And we, the colonies, just had to take what you threw at us. | 0:43:26 | 0:43:30 | |
And when I was 18, I was blessed and joined the Royal Air Force. | 0:43:30 | 0:43:36 | |
# Rebellion and war. War... # | 0:43:36 | 0:43:39 | |
We genuinely felt that law and order | 0:43:39 | 0:43:43 | |
and democratic Christian values | 0:43:43 | 0:43:46 | |
stemmed from Westminster. | 0:43:46 | 0:43:49 | |
When I wanted to stay in England, they said, no, you have to go back. | 0:43:49 | 0:43:55 | |
I was totally disappointed. | 0:43:55 | 0:43:57 | |
I think it was not cricket. | 0:43:57 | 0:44:00 | |
They were not playing the game. | 0:44:00 | 0:44:02 | |
-May I ask you your name? -Lord Kitchener. -Lord Kitchener. | 0:44:05 | 0:44:07 | |
Now, I'm told that you are really the king of calypso singers, is that right? | 0:44:07 | 0:44:11 | |
-Yes. -Will you sing for us? -Right now? -Yes. | 0:44:11 | 0:44:14 | |
# London is the place for me | 0:44:14 | 0:44:17 | |
# Dum, dum, dum | 0:44:17 | 0:44:19 | |
# London, this lovely city... # | 0:44:19 | 0:44:23 | |
# ..You can go to France or America | 0:44:23 | 0:44:26 | |
# India, Asia or Australia | 0:44:26 | 0:44:28 | |
# But come back to London city | 0:44:28 | 0:44:33 | |
# To live in London You are really comfortable | 0:44:41 | 0:44:45 | |
# Because the English people are very much sociable | 0:44:45 | 0:44:50 | |
# They take you here and they take you there... # | 0:44:50 | 0:44:53 | |
I came to London, I was just 15. | 0:44:53 | 0:44:56 | |
I was so excited because I really recognised that | 0:44:56 | 0:44:59 | |
I didn't have any real future in Trinidad and Tobago. | 0:44:59 | 0:45:04 | |
I thought white people were magical, | 0:45:04 | 0:45:08 | |
because they seemed to have everything, and we had nothing. | 0:45:08 | 0:45:10 | |
And I didn't know what to expect, but I was optimistic. | 0:45:10 | 0:45:14 | |
-# I was there -At the coronation | 0:45:14 | 0:45:17 | |
-# I was there -At the coronation... # | 0:45:17 | 0:45:19 | |
What do you want? | 0:45:26 | 0:45:29 | |
I can't let you in. I've got 14 English boys in here. | 0:45:29 | 0:45:34 | |
-14 English boys? -Yeah. -So you don't want...? -I can't, I can't mix. I'm ever so sorry. | 0:45:34 | 0:45:38 | |
I would myself, but if I let you come in, all my boys would leave. | 0:45:38 | 0:45:43 | |
Everywhere I go, I get no job. | 0:45:43 | 0:45:47 | |
Would you go back home, if you could? | 0:45:47 | 0:45:49 | |
Yes, I would like to go back home, if I could pay my fare home. | 0:45:49 | 0:45:53 | |
But I haven't got any money to go back home. | 0:45:53 | 0:45:56 | |
Now, why is it that there is a prejudice here against coloured men? | 0:45:56 | 0:45:59 | |
-Oh, there's no prejudice. -Why is it that they're not taken, then? | 0:45:59 | 0:46:04 | |
There is this much about a coloured man, | 0:46:04 | 0:46:07 | |
they are apt to lose their temper and resort to tactics | 0:46:07 | 0:46:10 | |
that the average white man would not resort to. | 0:46:10 | 0:46:13 | |
-Have you ever worked with a coloured man? -No, I haven't. | 0:46:13 | 0:46:16 | |
# When me just come to London town | 0:46:16 | 0:46:19 | |
# Me used to work 'pon the Underground | 0:46:19 | 0:46:22 | |
# But working 'pon the Underground | 0:46:22 | 0:46:26 | |
# You don't get to know your way around | 0:46:26 | 0:46:30 | |
# England is a bitch... # | 0:46:30 | 0:46:33 | |
Now, set your machines to three pence. Three pence, | 0:46:33 | 0:46:36 | |
and six thruppenny tickets, please. | 0:46:36 | 0:46:39 | |
# ..England is a bitch | 0:46:39 | 0:46:43 | |
# There's no escaping it | 0:46:43 | 0:46:47 | |
# England is a bitch | 0:46:47 | 0:46:49 | |
# There's no running away from it... # | 0:46:49 | 0:46:52 | |
My grandad came over in the early '50s from Calcutta. | 0:46:55 | 0:46:59 | |
He jumped on a boat with his cousin. | 0:46:59 | 0:47:00 | |
Culturally, it must have been a complete blast. | 0:47:00 | 0:47:03 | |
It must have been a big shock for him, but he got on with it | 0:47:03 | 0:47:06 | |
and he brought part of India | 0:47:06 | 0:47:08 | |
to a white working-class estate in South London. | 0:47:08 | 0:47:10 | |
In those days, the pub was the centre of our local community. | 0:47:17 | 0:47:23 | |
It was an extension of our front room. | 0:47:23 | 0:47:26 | |
It was to get away for a little while | 0:47:26 | 0:47:29 | |
from all the stresses and strains of family life indoors. | 0:47:29 | 0:47:32 | |
# She's 21 today... | 0:47:32 | 0:47:35 | |
# I'm 21 today I've got the key of the door | 0:47:35 | 0:47:39 | |
# Never been 21 before | 0:47:39 | 0:47:41 | |
# Father says, you can do what you like | 0:47:41 | 0:47:44 | |
# So shout, hip hip hooray! | 0:47:44 | 0:47:45 | |
# For I'm a jolly good fellow | 0:47:45 | 0:47:47 | |
# I'm 21 today! | 0:47:47 | 0:47:49 | |
# ..Knees up, Mother Brown! | 0:47:51 | 0:47:52 | |
# Oh, my! What a rotten song! | 0:47:52 | 0:47:55 | |
You... | 0:47:55 | 0:47:57 | |
# ..Oh, my! What a rotten song! | 0:47:57 | 0:47:59 | |
# Oh, my! What a rotten song! | 0:47:59 | 0:48:02 | |
# What a rotten singer too! # | 0:48:02 | 0:48:05 | |
-CHEERING -Oi, hands off! All right? | 0:48:05 | 0:48:08 | |
Filthy little tea leaves! Fuck off! | 0:48:08 | 0:48:11 | |
WHISTLING | 0:48:11 | 0:48:13 | |
BIRD SQUAWKS | 0:48:13 | 0:48:14 | |
My first impression of London | 0:48:16 | 0:48:18 | |
was probably how grey and cold it was. | 0:48:18 | 0:48:23 | |
'Owing to weather conditions, | 0:48:23 | 0:48:25 | |
'a fog service will operate this evening | 0:48:25 | 0:48:29 | |
'and the following trains will be affected...' | 0:48:29 | 0:48:32 | |
A foggy day in London town Had me low and had me down. | 0:48:32 | 0:48:39 | |
'In December last year, in the county of London, | 0:48:43 | 0:48:46 | |
'4,000 people died in three weeks because of fog, | 0:48:46 | 0:48:49 | |
'a fog caused by a pollution of the atmosphere | 0:48:49 | 0:48:53 | |
'worse than anything recorded in 20 years. | 0:48:53 | 0:48:55 | |
'Londoners will never forget it.' | 0:48:55 | 0:48:59 | |
HE COUGHS | 0:49:00 | 0:49:04 | |
Will you close your eyes, please? | 0:49:04 | 0:49:06 | |
'I didn't become totally myself until I went to art school, | 0:49:06 | 0:49:10 | |
'and then a whole world - bohemia - | 0:49:10 | 0:49:14 | |
'opened up the very first moment I stepped inside. | 0:49:14 | 0:49:18 | |
'Any originality of thought or appearance | 0:49:18 | 0:49:22 | |
'was applauded as being outside the norm.' | 0:49:22 | 0:49:26 | |
Oh! What's that? | 0:49:26 | 0:49:31 | |
What's what? | 0:49:31 | 0:49:32 | |
'I had aunties who wouldn't talk to me | 0:49:32 | 0:49:34 | |
'when they learned that I was drawing people with no clothes on. | 0:49:34 | 0:49:37 | |
'Life was still very moral then. | 0:49:39 | 0:49:41 | |
'Even leaving art school, I was still a virgin.' | 0:49:41 | 0:49:44 | |
Oi. | 0:49:44 | 0:49:46 | |
I wanted to come to London, only London. | 0:49:47 | 0:49:50 | |
It's this contact with people that I always wanted. | 0:49:50 | 0:49:53 | |
It was like a sort of seventh heaven when I first came. | 0:49:53 | 0:49:58 | |
It was like a sort of dream. | 0:49:58 | 0:50:01 | |
# ..Meet me in Battersea Park... # | 0:50:01 | 0:50:04 | |
Everything was opening up. Coffee bars, bistros, | 0:50:08 | 0:50:11 | |
people eating and drinking coffee out. | 0:50:11 | 0:50:16 | |
Whereas it used to be high tea at Lyons Corner House, | 0:50:19 | 0:50:22 | |
those seemed dated places now. | 0:50:22 | 0:50:24 | |
Oh, a cup of tea, please, dear, and ten Oliviers. | 0:50:24 | 0:50:26 | |
We don't do tea, only coffee. Expresso or cappuccino? | 0:50:26 | 0:50:30 | |
-Oh, all right, I'll have a white one, with no froth. -No froth?! | 0:50:30 | 0:50:34 | |
The night was glorious up there. | 0:50:43 | 0:50:45 | |
The air was sweet as a cool balm. | 0:50:45 | 0:50:48 | |
The stars were peeping nosily behind the neons | 0:50:49 | 0:50:53 | |
and the citizens of the queendom were floating down | 0:50:53 | 0:50:55 | |
the Shaftesbury Avenue canals like gondolas. | 0:50:55 | 0:50:58 | |
# ..Golden years | 0:51:00 | 0:51:02 | |
# Gold... # | 0:51:02 | 0:51:05 | |
Everyone had loot to spend and nobody had broken hearts. | 0:51:05 | 0:51:09 | |
And I thought, my Lord, one thing is certain, | 0:51:09 | 0:51:13 | |
and that's that they'll make musicals one day | 0:51:13 | 0:51:15 | |
about the glamour-studded 1950s. | 0:51:15 | 0:51:19 | |
# ..Nights are warm and the days are young... # | 0:51:19 | 0:51:21 | |
GLASS SMASHES | 0:51:21 | 0:51:23 | |
# Come and walk the streets of crime | 0:51:34 | 0:51:38 | |
# And the colour bright-lit corners of low repute | 0:51:38 | 0:51:45 | |
# See the dazzling nightlife glow | 0:51:45 | 0:51:49 | |
# Beyond the dawn and burning | 0:51:49 | 0:51:52 | |
# In the heart of Soho... # | 0:51:52 | 0:51:55 | |
If you get Soho-itis, | 0:51:55 | 0:51:57 | |
you'll stay there always, day and night, and get no work done ever. | 0:51:57 | 0:52:03 | |
You have been warned. | 0:52:03 | 0:52:07 | |
I was inextricably drawn to Soho, | 0:52:22 | 0:52:25 | |
because that's where the street culture was. | 0:52:25 | 0:52:29 | |
When Soho goes gay it makes a meal of it. | 0:52:34 | 0:52:36 | |
Thank you kindly. | 0:52:36 | 0:52:38 | |
# Oh, no, what's happened to Soho? | 0:52:47 | 0:52:51 | |
# Oh, no, where will all the reprobates go? | 0:52:51 | 0:52:55 | |
# Oh, no, what's happened to Soho... # | 0:52:55 | 0:52:58 | |
Everyone thought they'd invented the '60s. They thought, | 0:52:58 | 0:53:03 | |
"Nothing like this has ever happened before. The dreary old '50s." | 0:53:03 | 0:53:07 | |
Well, a lot of the '50s were dreary old '50s, | 0:53:07 | 0:53:09 | |
but there are places which weren't, like Soho. | 0:53:09 | 0:53:12 | |
Grave's great dark is fed on thoughts alone. | 0:53:14 | 0:53:18 | |
You whom my heart... | 0:53:18 | 0:53:21 | |
This trouble that you've been going through will very soon pass, | 0:53:21 | 0:53:24 | |
as soon as Neptune has moved out of this degree that it's in now. | 0:53:24 | 0:53:27 | |
HE CACKLES | 0:53:29 | 0:53:30 | |
I knew there and then | 0:53:30 | 0:53:33 | |
that this was the place that I wanted to be in. | 0:53:33 | 0:53:35 | |
# Oh, no, what's happened to Soho? | 0:53:39 | 0:53:42 | |
# Oh, no, where will all the reprobates go? | 0:53:42 | 0:53:47 | |
# Oh, no... # | 0:53:47 | 0:53:49 | |
We went to a basement club - that music was unbelievable. | 0:53:49 | 0:53:55 | |
We spent the whole night, hours of it, dancing and dancing. | 0:53:55 | 0:54:01 | |
That's the Flamingo, right there, where I used to hang out. | 0:54:16 | 0:54:20 | |
That recall back memories to me, I will never forget it. | 0:54:20 | 0:54:25 | |
Ladbrokes shop has taken over. | 0:54:25 | 0:54:27 | |
We just walked in, smoking ganja, taking pills, | 0:54:34 | 0:54:38 | |
and all these beautiful girls were so nice. | 0:54:38 | 0:54:42 | |
We started to make friends with them | 0:54:42 | 0:54:44 | |
and start dancing, white and black was mixed together, | 0:54:44 | 0:54:47 | |
like brother and sister. | 0:54:47 | 0:54:48 | |
We'd laugh, dance and enjoy. We never had fights down there. | 0:54:48 | 0:54:51 | |
It wasn't, "Oh, here we are, white and black together," | 0:54:51 | 0:54:54 | |
it was, "Here we are, having a ball." | 0:54:54 | 0:54:56 | |
Just as people, together. | 0:54:56 | 0:54:58 | |
Well, all the pimps and the gangsters used to go down there | 0:54:58 | 0:55:02 | |
and we used to have a good time. | 0:55:02 | 0:55:04 | |
Most clubs were very respectable, | 0:55:04 | 0:55:07 | |
I don't think there's any trouble at all in them. Except occasionally. | 0:55:07 | 0:55:10 | |
They use to have all the prostitutes, you know, | 0:55:10 | 0:55:13 | |
they used to work in Park Lane. | 0:55:13 | 0:55:16 | |
And when they finished work | 0:55:16 | 0:55:17 | |
they came down there and picked up the black guys. | 0:55:17 | 0:55:20 | |
They just liked the black guys, the way we used to dress nice. | 0:55:20 | 0:55:23 | |
With suits and things. | 0:55:23 | 0:55:26 | |
The other white folks didn't like it. | 0:55:26 | 0:55:27 | |
In those days they used to call us pimps, | 0:55:27 | 0:55:30 | |
and all these beautiful girls used to go around with us. | 0:55:30 | 0:55:32 | |
They used to pay us to go with them, you know? | 0:55:32 | 0:55:35 | |
They bring all the money when they finished work. | 0:55:35 | 0:55:39 | |
You got a lot of celebrities, | 0:55:51 | 0:55:54 | |
MPs and posh people, | 0:55:54 | 0:55:57 | |
and they come down there for kicks. | 0:55:57 | 0:56:00 | |
Meet the black guys and say, "Oh, I need some cocaine." | 0:56:00 | 0:56:05 | |
The guys used to get it for them and then they said, | 0:56:05 | 0:56:08 | |
"Well, I would like you to go with my wife. | 0:56:08 | 0:56:11 | |
"I pay you some money and you go with my wife." You know. | 0:56:11 | 0:56:14 | |
They go and have a doodah. | 0:56:14 | 0:56:18 | |
About five o'clock in the morning when the Flamingo was over, | 0:56:18 | 0:56:23 | |
we headed for Ladbroke Grove, | 0:56:23 | 0:56:25 | |
jumping in a car - at that time we had nice cars. | 0:56:25 | 0:56:29 | |
And we just head for the blues dance, | 0:56:29 | 0:56:33 | |
and just get high. | 0:56:33 | 0:56:35 | |
You'd have heroin that was taken with needles | 0:56:40 | 0:56:42 | |
and they used to have purple heart, blues, | 0:56:42 | 0:56:46 | |
opium and hashish. | 0:56:46 | 0:56:48 | |
And heroin and ganja. | 0:56:48 | 0:56:51 | |
Then when we're done, | 0:56:51 | 0:56:52 | |
we would go up to my house and go have fun. Have some sex. | 0:56:52 | 0:56:56 | |
# And if a woman ever tell you That I ever left her dissatisfied | 0:56:58 | 0:57:03 | |
# She lied, she lied, she lied... # | 0:57:03 | 0:57:06 | |
The empire really struck back. | 0:57:10 | 0:57:11 | |
The empire was really coming to Britain from Asia, | 0:57:11 | 0:57:14 | |
from the West Indies. | 0:57:14 | 0:57:17 | |
We had an influx of West Indians who came in and brought culture in. | 0:57:17 | 0:57:21 | |
If that hadn't happened, | 0:57:21 | 0:57:22 | |
I wouldn't have had access to a lot of Caribbean music. | 0:57:22 | 0:57:25 | |
That culture brought in a whole lot of good things. | 0:57:25 | 0:57:29 | |
Soon there'll be so many people here, | 0:57:31 | 0:57:32 | |
there won't be enough houses and jobs to go round. | 0:57:32 | 0:57:35 | |
You've got coloured people living in council flats | 0:57:35 | 0:57:37 | |
and a white person walking the streets. | 0:57:37 | 0:57:39 | |
And a coloured person shouldn't have them houses. A white person should have them houses first. | 0:57:39 | 0:57:43 | |
You just had to take your chances with your landlord | 0:57:49 | 0:57:53 | |
and if you couldn't pay they were severe. | 0:57:53 | 0:57:55 | |
They would want you out. | 0:57:55 | 0:57:57 | |
-Were there any black kids at your school? -Two. | 0:58:12 | 0:58:15 | |
Two. Right. There was none at mine from five, when I went to school, | 0:58:15 | 0:58:20 | |
till 15 when I left. | 0:58:20 | 0:58:22 | |
I was an honorary white man. | 0:58:22 | 0:58:23 | |
I was accepted, but I could hear them | 0:58:23 | 0:58:27 | |
talk about the golliwogs and the coons and all that. | 0:58:27 | 0:58:30 | |
-"Not you, right? You're all right." -That's right! | 0:58:30 | 0:58:33 | |
You know, it got to me after a while. | 0:58:33 | 0:58:35 | |
My 11-plus. I passed my 11-plus, it was given to another guy. | 0:58:35 | 0:58:40 | |
And I found out from other black guys I know | 0:58:40 | 0:58:42 | |
that the same thing happened to them, | 0:58:42 | 0:58:45 | |
that their 11-plus places were given to other, more-deserving white boys. | 0:58:45 | 0:58:49 | |
These things really hurt. | 0:58:49 | 0:58:51 | |
I am in my 60s now, and this still hurts me | 0:58:51 | 0:58:55 | |
that I didn't get my education. | 0:58:55 | 0:58:57 | |
I think my ambition in life is to be famous. I'm not quite sure. | 0:59:01 | 0:59:05 | |
My ambition is to be happily married, have lots of children, | 0:59:05 | 0:59:08 | |
and look after them all myself. | 0:59:08 | 0:59:11 | |
My ambition is to be rich. | 0:59:11 | 0:59:12 | |
Well, I mean, if you've got money you've got everything, haven't you? | 0:59:12 | 0:59:16 | |
Well, I don't suppose I've got an ambition. | 0:59:16 | 0:59:19 | |
# Strike up the band and make it hot | 0:59:23 | 0:59:26 | |
# Mr Drummer, give it all you've got | 0:59:26 | 0:59:29 | |
# Beat out the music with a sock | 0:59:29 | 0:59:31 | |
# So everybody rock to the London rock... # | 0:59:31 | 0:59:34 | |
About this acting tough, | 0:59:34 | 0:59:35 | |
it's no good creeping down the road door to door, all meek and humble, | 0:59:35 | 0:59:38 | |
because a fellow is just going to say, | 0:59:38 | 0:59:40 | |
"Well, look at that punk, let's have him." | 0:59:40 | 0:59:42 | |
When you put it on, it gives you a superior feeling, | 0:59:42 | 0:59:45 | |
a confidence, like. | 0:59:45 | 0:59:46 | |
And people look at you. It definitely attracts the birds. | 0:59:46 | 0:59:50 | |
# I don't need Manhattan | 0:59:50 | 0:59:52 | |
# Just give me Leicester Square | 0:59:52 | 0:59:54 | |
# Cos I know that the rock'n'roll | 0:59:54 | 0:59:58 | |
# Is universal everywhere... # | 0:59:58 | 1:00:00 | |
Teddy boys - I don't like them. | 1:00:00 | 1:00:02 | |
I don't like their style of dress, | 1:00:02 | 1:00:03 | |
its just to prove what they are, and they're very ignorant. | 1:00:03 | 1:00:06 | |
I was going to the chemist the other day, | 1:00:06 | 1:00:08 | |
it was rather a deserted street | 1:00:08 | 1:00:10 | |
and there was about six of them coming along, | 1:00:10 | 1:00:12 | |
and they thought they'd have a go at me. | 1:00:12 | 1:00:13 | |
But I singled out the ringleader | 1:00:13 | 1:00:15 | |
and I gave him a real good punching on the nose. | 1:00:15 | 1:00:18 | |
-What do you like doing? -Drinking. -What else? | 1:00:18 | 1:00:22 | |
Well, a couple of girls now and again. | 1:00:22 | 1:00:25 | |
-A fight now and again. -Against who, another gang? | 1:00:25 | 1:00:28 | |
-No, usually Irish. -What does your gang do? | 1:00:28 | 1:00:32 | |
Anyone. LAUGHTER | 1:00:32 | 1:00:35 | |
'Something new and ugly raises its head in Britain - racial violence. | 1:00:36 | 1:00:41 | |
'An angry crowd of youths chases a Negro into a greengrocer's shop.' | 1:00:41 | 1:00:45 | |
'The crowd gathered here and they shouted.' | 1:00:48 | 1:00:51 | |
You're shite, we're white! | 1:00:52 | 1:00:55 | |
And I'm quoting their words exactly, | 1:00:55 | 1:00:57 | |
"Let's get him, bring him out, and lynch him!" | 1:00:57 | 1:01:02 | |
And about those people who watched, | 1:01:04 | 1:01:06 | |
I saw something new to me, | 1:01:06 | 1:01:08 | |
they didn't even seem to enjoy themselves particularly, | 1:01:08 | 1:01:11 | |
I mean, seeing all this. | 1:01:11 | 1:01:13 | |
They didn't shout or bawl or cheer, | 1:01:13 | 1:01:15 | |
they just stood by, | 1:01:15 | 1:01:17 | |
out of harm's way, these English people did, and watched. | 1:01:17 | 1:01:19 | |
Just like at home in the evening, with their slippers at the telly. | 1:01:19 | 1:01:25 | |
The objects of the White Defence League | 1:01:27 | 1:01:30 | |
are to keep Britain the white man's country that it has always been. | 1:01:30 | 1:01:34 | |
And preserve the white civilisation, | 1:01:34 | 1:01:35 | |
which is the product of our race, | 1:01:35 | 1:01:37 | |
and preserve our Northern European blood, | 1:01:37 | 1:01:40 | |
which in our opinion is our greatest national treasure. | 1:01:40 | 1:01:42 | |
Salsa! | 1:01:42 | 1:01:45 | |
We believe in the bold, vital step | 1:01:45 | 1:01:47 | |
of stopping all coloured immigration into Britain | 1:01:47 | 1:01:50 | |
and repatriating, with every humane consideration, | 1:01:50 | 1:01:53 | |
the coloured immigrants who are already here. | 1:01:53 | 1:01:56 | |
And what about Jews? | 1:02:00 | 1:02:02 | |
We regard them as coloured people. | 1:02:02 | 1:02:04 | |
And if mass coloured immigration continues, as it is doing now, | 1:02:04 | 1:02:08 | |
it will inevitably mean | 1:02:08 | 1:02:09 | |
a coffee-coloured half-breed Britain of the future | 1:02:09 | 1:02:12 | |
and we are going to fight to stop that. | 1:02:12 | 1:02:14 | |
Oswald Mosley stood in this area, Notting Hill Gate, | 1:02:18 | 1:02:21 | |
and played on the fact that | 1:02:21 | 1:02:22 | |
if you were homeless and you saw that a black family had a home | 1:02:22 | 1:02:28 | |
you said, "Why have they got a home and not me?" | 1:02:28 | 1:02:31 | |
There is only one way to do this. | 1:02:33 | 1:02:36 | |
The way that Germany showed us - the National Socialist way. | 1:02:38 | 1:02:43 | |
Now came the arrival of the great leader himself. | 1:02:48 | 1:02:50 | |
They cried, "Down with Mosley!" And down he went. | 1:02:50 | 1:02:53 | |
The city was called Londinium before, | 1:03:00 | 1:03:04 | |
and for the first 500 years | 1:03:04 | 1:03:05 | |
English didn't exist, and people talked Latin. | 1:03:05 | 1:03:10 | |
Nihil expectore in omnibus. | 1:03:10 | 1:03:12 | |
No spitting on the public transport! | 1:03:12 | 1:03:15 | |
75 per cent of the British people | 1:03:15 | 1:03:17 | |
originally came walking from the Iberian peninsula. | 1:03:17 | 1:03:20 | |
So in reality, most of the British people are like us Iberians. | 1:03:20 | 1:03:25 | |
What a country! | 1:03:26 | 1:03:28 | |
And we have more than six kings and queens | 1:03:28 | 1:03:30 | |
that come from Spain or Portugal. | 1:03:30 | 1:03:33 | |
Catarina de Braganca, for example, | 1:03:33 | 1:03:35 | |
she's the lady that popularised tea and forks. | 1:03:35 | 1:03:39 | |
Because before her, nobody drinks tea, or nobody uses forks. | 1:03:39 | 1:03:44 | |
The people used to eat with their hands or with their knives. | 1:03:44 | 1:03:47 | |
# I'm Henry VIII, I am | 1:03:47 | 1:03:49 | |
# Henry VIII, I am, I am... # | 1:03:49 | 1:03:53 | |
DRILLING | 1:03:53 | 1:03:56 | |
Excuse me, may I interrupt you? | 1:03:59 | 1:04:01 | |
Do you think that the Irish like yourself | 1:04:01 | 1:04:04 | |
have any more right to be here than any other people? | 1:04:04 | 1:04:07 | |
-I don't think so. -You don't think so? -No. -Why not? | 1:04:07 | 1:04:10 | |
Well, why should we? | 1:04:10 | 1:04:11 | |
Excuse me. Could I interrupt you? Sorry to interrupt you. | 1:04:13 | 1:04:16 | |
All right, sorry. | 1:04:16 | 1:04:18 | |
Do you think that the Irish in Britain | 1:04:18 | 1:04:20 | |
are entitled to special treatment by the British Government? | 1:04:20 | 1:04:23 | |
Well, it's a hard thing to say, you know, | 1:04:23 | 1:04:26 | |
but I think we are! | 1:04:26 | 1:04:29 | |
# And down the glen rode McAlpine's men | 1:04:29 | 1:04:32 | |
# With their shovels slung behind | 1:04:32 | 1:04:38 | |
# And in the pub they drank the sub | 1:04:38 | 1:04:41 | |
# And up in Camden Town you'll find them... # | 1:04:41 | 1:04:45 | |
The first time ever I landed in England, | 1:04:47 | 1:04:49 | |
England was the saddest and the loneliest country | 1:04:49 | 1:04:52 | |
ever an Irishman could ever put his foot in it. | 1:04:52 | 1:04:56 | |
Go down to Camden Town in the morning, | 1:04:56 | 1:04:59 | |
go up to the Archway, | 1:04:59 | 1:05:00 | |
and ask me who is jumping on the wagons. | 1:05:00 | 1:05:05 | |
Who is doing the work in this country? They're all Irishmen. | 1:05:05 | 1:05:08 | |
# I worked till the sweat nearly had me bet | 1:05:08 | 1:05:13 | |
# With Russian, Czech and Pole... # | 1:05:13 | 1:05:18 | |
And I've heard English men to say, and English women, | 1:05:18 | 1:05:20 | |
"My God, are they not savage," | 1:05:20 | 1:05:22 | |
when they used to see the lads with their vests off, working with just the trousers. | 1:05:22 | 1:05:26 | |
But them lads couldn't help it, they were working hard. | 1:05:26 | 1:05:29 | |
# And if you pride your life Don't join, by Christ | 1:05:29 | 1:05:33 | |
# With McAlpine's fusiliers. # | 1:05:33 | 1:05:36 | |
APPLAUSE AND CHEERING | 1:05:36 | 1:05:38 | |
My mum and dad are from Ireland | 1:05:38 | 1:05:41 | |
and they came here in the late '50s. | 1:05:41 | 1:05:44 | |
My dad built parts of the Jubilee Line. | 1:05:44 | 1:05:46 | |
I like the idea that my dad had to dig tunnels, | 1:05:46 | 1:05:49 | |
doing the kind of jobs that other people don't want to do, | 1:05:49 | 1:05:53 | |
and then one generation later, then I can make art about it. | 1:05:53 | 1:05:56 | |
In the '60s, London suffered more damage | 1:06:02 | 1:06:05 | |
as a result of property development and misguided councils | 1:06:05 | 1:06:08 | |
than Hitler had managed to inflict during the whole of the war. | 1:06:08 | 1:06:11 | |
Sharp-eyed wheelers and dealers bought up vacant bomb sites | 1:06:11 | 1:06:15 | |
and made a fuckin' fortune! | 1:06:15 | 1:06:17 | |
I act for a number of property millionaires, | 1:06:20 | 1:06:23 | |
and the extraordinary thing is | 1:06:23 | 1:06:24 | |
that most of them have made their fortunes in the last 10 or 15 years, | 1:06:24 | 1:06:28 | |
with not a penny piece to start off. | 1:06:28 | 1:06:33 | |
When we first acquired this site, everything was perfectly all right. What's gone wrong? | 1:06:37 | 1:06:41 | |
The snag relates to the news vendor, | 1:06:41 | 1:06:43 | |
he's got a sort of hut on wheels | 1:06:43 | 1:06:46 | |
and he's situated just about there. | 1:06:46 | 1:06:48 | |
The whole building could be relocated at that end of the site. | 1:06:48 | 1:06:52 | |
Hmm, I see what you mean. | 1:06:52 | 1:06:54 | |
# Get your bowler hat at Lock | 1:06:58 | 1:07:01 | |
# Look around you See how they surround you | 1:07:03 | 1:07:06 | |
# Get that hat at Lock... # | 1:07:06 | 1:07:08 | |
'As Churchill made his final journey away upstream, | 1:07:18 | 1:07:21 | |
'the Thames that day was a tide of memory, | 1:07:21 | 1:07:25 | |
'a body on the River, | 1:07:25 | 1:07:26 | |
'and a whole country combined against the relentless flow of time.' | 1:07:26 | 1:07:31 | |
CLOCK CHIMES | 1:07:31 | 1:07:35 | |
Do you feel out of place as a success | 1:07:47 | 1:07:51 | |
because you started from ordinary working-class beginnings? | 1:07:51 | 1:07:55 | |
No, why should I? | 1:07:55 | 1:07:57 | |
I don't think it really matters what class of family you come from. | 1:07:57 | 1:08:00 | |
If you're good enough in your job you make it anyway. | 1:08:00 | 1:08:03 | |
# Have you seen your mother, baby | 1:08:08 | 1:08:09 | |
# Standing in the shadow? | 1:08:09 | 1:08:12 | |
# Have you had another, baby | 1:08:12 | 1:08:14 | |
# Standing in the shadow? | 1:08:14 | 1:08:16 | |
# I'm glad I opened your eyes | 1:08:16 | 1:08:21 | |
# I'm all alone Won't you give | 1:08:21 | 1:08:25 | |
# All your sympathy to mine... # | 1:08:25 | 1:08:31 | |
I think London's very exciting, | 1:08:34 | 1:08:36 | |
because you know that you're not missing anything. | 1:08:36 | 1:08:39 | |
Everything that's new is starting here, | 1:08:39 | 1:08:41 | |
and you're always in the middle of it. | 1:08:41 | 1:08:43 | |
The worms are turning, | 1:08:45 | 1:08:46 | |
the rebellion of the long hairs is getting under way. | 1:08:46 | 1:08:49 | |
A 17-year-old, David Jones, has just founded | 1:08:49 | 1:08:51 | |
the Society For The Prevention Of Cruelty To Long-Haired Men. | 1:08:51 | 1:08:56 | |
We've had comments like "Darling" | 1:08:56 | 1:08:58 | |
and "Can I carry your handbag?" thrown at us. | 1:08:58 | 1:09:01 | |
And I think it's just had to stop now. | 1:09:01 | 1:09:03 | |
London was the place where it all started. | 1:09:03 | 1:09:06 | |
People came from all over the world and sucked on it, as it were. | 1:09:06 | 1:09:10 | |
Sexual boundaries were being broken. | 1:09:17 | 1:09:20 | |
Women started with the pill and they now could behave like boys. | 1:09:20 | 1:09:25 | |
There was the greatest freeing time for women. | 1:09:25 | 1:09:28 | |
CAR REVS | 1:09:28 | 1:09:30 | |
# You've got this strange effect on me | 1:09:45 | 1:09:50 | |
# And I like it | 1:09:50 | 1:09:53 | |
# You've got this strange effect on me | 1:09:53 | 1:10:01 | |
# And I like it | 1:10:01 | 1:10:04 | |
# You make my world seem... # | 1:10:04 | 1:10:09 | |
What we need to do is get a shirt for summer | 1:10:09 | 1:10:12 | |
that will sort of flow in the wind, completely free of any attachments. | 1:10:12 | 1:10:15 | |
Sort of tight round the ribs, but flowing as it gets to the hips. | 1:10:15 | 1:10:20 | |
-Yeah. -As long as you don't move in straight lines, it all flares out as you move about. | 1:10:20 | 1:10:24 | |
You could have lettering embroidered with it, | 1:10:24 | 1:10:26 | |
messages for people on the shirts. | 1:10:26 | 1:10:28 | |
In Middle Eastern embroidery | 1:10:28 | 1:10:30 | |
so that no-one really gets the message at all. | 1:10:30 | 1:10:32 | |
# Call out the instigator | 1:10:32 | 1:10:36 | |
# Because there's something in the air | 1:10:36 | 1:10:42 | |
# We've got to get together sooner or later | 1:10:42 | 1:10:47 | |
# Because the revolution's here | 1:10:47 | 1:10:52 | |
# And you know it's right... # | 1:10:52 | 1:10:55 | |
'I'm not a curtain by any means, | 1:10:56 | 1:10:59 | |
'but to me, the idea of short skirts and things like that...' | 1:10:59 | 1:11:06 | |
# And you know that it's right. # | 1:11:06 | 1:11:08 | |
We seem to have lost a certain amount of moral... | 1:11:08 | 1:11:12 | |
fibre, I suppose you'd call it. | 1:11:12 | 1:11:14 | |
It's to do, funnily enough, it may sound ridiculous, | 1:11:18 | 1:11:22 | |
with the loss of the British Empire and stuff. | 1:11:22 | 1:11:27 | |
That's why London perhaps is now cool and hip. | 1:11:30 | 1:11:34 | |
'If you're going to kick authority in the teeth, | 1:11:34 | 1:11:36 | |
'you might as well use two feet.' | 1:11:36 | 1:11:39 | |
# Because there's something in the air. # | 1:11:40 | 1:11:45 | |
The only things swinging in London were handbags. | 1:11:46 | 1:11:50 | |
'People were so caught up in the pop culture that I don't think | 1:11:52 | 1:11:55 | |
'they really paid much attention to the political issues | 1:11:55 | 1:11:59 | |
'that were changing Britain.' | 1:11:59 | 1:12:01 | |
MUSIC: "London Town" by Donovan | 1:12:01 | 1:12:03 | |
# Before you go | 1:12:10 | 1:12:12 | |
# Back to London town... # | 1:12:12 | 1:12:15 | |
'Grace lives in one furnished room and pays 51 and six a week for it. | 1:12:15 | 1:12:21 | |
'The furnishing is meagre. | 1:12:21 | 1:12:23 | |
'A table, a double bed, an old studio couch | 1:12:23 | 1:12:26 | |
'and two hardback chairs. | 1:12:26 | 1:12:29 | |
'She gives the room a bizarre gaiety | 1:12:29 | 1:12:31 | |
'with photographs of nudes and the Royal family. | 1:12:31 | 1:12:34 | |
'There is no hot water, no draining board, no bath, no larder, | 1:12:34 | 1:12:38 | |
'no refuse bin, no carpet and worst of all, no space. | 1:12:38 | 1:12:42 | |
'The room smells of damp, gas and dog. | 1:12:42 | 1:12:45 | |
'We've never built housing for people like Grace. | 1:12:45 | 1:12:48 | |
'She has to take the leftovers, rooms like this.' | 1:12:48 | 1:12:51 | |
Well, it is only average, but I could do with a nicer room, | 1:12:51 | 1:12:56 | |
but of course, I'd say, you can't get rooms now when you want them. | 1:12:56 | 1:12:59 | |
'Attractive modern wallpaper | 1:12:59 | 1:13:01 | |
'now replaces Grace's cut-outs and photographs. | 1:13:01 | 1:13:04 | |
'The young couple, Mr and Mrs Blair, who bought the house, have divided | 1:13:04 | 1:13:08 | |
'Grace's old room into their bedroom and built on an adjoining shower.' | 1:13:08 | 1:13:12 | |
What condition was it in when you first looked over the house? | 1:13:12 | 1:13:16 | |
It was completely derelict. | 1:13:16 | 1:13:19 | |
Just two tiny, dark little rooms. | 1:13:19 | 1:13:22 | |
It was infested with cats and tramps and all sorts of rubble | 1:13:22 | 1:13:26 | |
and broken glass. | 1:13:26 | 1:13:27 | |
# If when you get there | 1:13:29 | 1:13:31 | |
# Maybe you will find... # | 1:13:31 | 1:13:34 | |
'It's damp.' | 1:13:37 | 1:13:40 | |
I think this space, in any case, should be condemned. | 1:13:40 | 1:13:42 | |
Because there's three of us in the family that suffer with our chest. | 1:13:42 | 1:13:47 | |
The whole of the basement had to be gutted | 1:13:47 | 1:13:49 | |
and hacked right back to the bare brickwork. | 1:13:49 | 1:13:52 | |
-What would you really like? -A council flat. | 1:13:52 | 1:13:55 | |
Have you got any chance of getting one? | 1:13:55 | 1:13:57 | |
No, not yet because we haven't been successful | 1:13:57 | 1:14:00 | |
in getting on the housing list at all. | 1:14:00 | 1:14:04 | |
# Could thee stop moving | 1:14:04 | 1:14:05 | |
# Maybe settle down | 1:14:05 | 1:14:08 | |
# If things worked out for you | 1:14:13 | 1:14:15 | |
# In London town... # | 1:14:16 | 1:14:19 | |
'It's a complete class distinction in the area. | 1:14:19 | 1:14:21 | |
'The people don't blend together | 1:14:21 | 1:14:23 | |
'as well as the original people that was here.' | 1:14:23 | 1:14:27 | |
# Tell me who you love | 1:14:27 | 1:14:30 | |
# Tell me who you love | 1:14:32 | 1:14:35 | |
# Tell me who you love. # | 1:14:37 | 1:14:39 | |
We need everybody, we need bus drivers, we need office cleaners, | 1:14:46 | 1:14:50 | |
we need architects, we need doctors, we need everybody. | 1:14:50 | 1:14:53 | |
And if you drive the lower-income groups farther out, | 1:14:53 | 1:14:57 | |
they will never come back to the city. | 1:14:57 | 1:14:59 | |
You will have a dead city | 1:14:59 | 1:15:01 | |
and you will have a horrible upper-middle-class area | 1:15:01 | 1:15:04 | |
in which I don't want to live, | 1:15:04 | 1:15:05 | |
whilst I'm very happy living as it is in the middle now. | 1:15:05 | 1:15:08 | |
TRAFFIC AND BELL-RINGING | 1:15:08 | 1:15:11 | |
'Yes! I am that worm soul | 1:15:13 | 1:15:17 | |
'under the heel of the daemon horses. | 1:15:17 | 1:15:21 | |
'I am that man trembling to die in vomit.' | 1:15:21 | 1:15:28 | |
Not in fascinated fear, as moths find the light, | 1:15:28 | 1:15:31 | |
as though the atom were the monster. | 1:15:31 | 1:15:34 | |
'There were 16 poets from nine countries...' | 1:15:34 | 1:15:36 | |
Na! Julio! Julio! | 1:15:36 | 1:15:39 | |
'..and 8,000 people chanting back to an Austrian sound poet, | 1:15:39 | 1:15:43 | |
'who articulated a sense of community | 1:15:43 | 1:15:46 | |
'like none of us had dreamed of.' | 1:15:46 | 1:15:48 | |
Julio! Julio! Na! Na! | 1:15:48 | 1:15:51 | |
CHEERING AND APPLAUSE | 1:15:51 | 1:15:54 | |
You had this sense of huge potential change at hand, | 1:16:18 | 1:16:23 | |
so those were halcyon days. | 1:16:23 | 1:16:25 | |
You had nakedness, anarchy, wildness, people using four-letter words, | 1:16:26 | 1:16:33 | |
people smoking dope openly. | 1:16:33 | 1:16:35 | |
# Everybody must get stoned... # | 1:16:35 | 1:16:38 | |
As they say, if you can't remember the '60s, you weren't there. | 1:16:42 | 1:16:48 | |
# Oh, escargot... # | 1:16:48 | 1:16:50 | |
I think that young people's attitude is only for themselves. | 1:16:51 | 1:16:56 | |
I think they care much less for old people now than they used to. | 1:16:56 | 1:16:59 | |
# Everybody must get stoned... # | 1:16:59 | 1:17:02 | |
RAPID GUNFIRE | 1:17:06 | 1:17:10 | |
BROADCASTER: That's the trouble with trends. Something's got to go. | 1:17:10 | 1:17:13 | |
MUZAK PLAYS | 1:17:18 | 1:17:23 | |
METAL GRATING | 1:17:23 | 1:17:27 | |
VARIETY OF SPEEDEDUP SUPERMARKET SOUND EFFECTS | 1:17:28 | 1:17:34 | |
Let's face it, our society is getting to be rubbish. | 1:17:50 | 1:17:53 | |
'144 Piccadilly. | 1:18:00 | 1:18:02 | |
'It's a bit run down since the days when royalty lived next door | 1:18:02 | 1:18:07 | |
'and no distinguished visitor ever had to use a drawbridge. | 1:18:07 | 1:18:10 | |
'But run down or not, it's home for the hippies, now that the cool autumn nights are drawing in.' | 1:18:10 | 1:18:15 | |
CHANTING: Ho Chi Minh! Oh, oh, Ho Chi Minh! | 1:18:24 | 1:18:28 | |
Oh, oh, Ho Chi Minh! | 1:18:28 | 1:18:29 | |
MUSIC: "Street Fighting Man" by the Rolling Stones | 1:18:31 | 1:18:34 | |
# Everywhere I hear the sound | 1:18:41 | 1:18:44 | |
# Of marching, charging feet, boy | 1:18:44 | 1:18:48 | |
# Cos summer's here | 1:18:50 | 1:18:52 | |
# And the time is right | 1:18:52 | 1:18:53 | |
# For fighting in the street, boy | 1:18:53 | 1:18:58 | |
# But what can a poor boy do | 1:19:00 | 1:19:02 | |
# Except to sing for a rock n roll band? | 1:19:04 | 1:19:08 | |
# Cos in sleepy London town | 1:19:08 | 1:19:10 | |
# There's just no place for a street fighting man... # | 1:19:10 | 1:19:16 | |
I don't think you have to be violent to overcome this, | 1:19:17 | 1:19:21 | |
but some people do, and when they're violent against the police, | 1:19:21 | 1:19:25 | |
it's just the only way they have of showing it. | 1:19:25 | 1:19:28 | |
RADIO DJ: 'And I quote the one and only Doug. | 1:19:35 | 1:19:38 | |
'Right, now I can relax and this is a record | 1:19:38 | 1:19:41 | |
for you all, from the people who sent the messages.' | 1:19:41 | 1:19:44 | |
MUSIC: "Children of the Revolution" by T Rex | 1:19:44 | 1:19:47 | |
# Yeah! | 1:19:51 | 1:19:52 | |
# Well, you can bump and grind | 1:19:58 | 1:20:01 | |
# It is good for your mind | 1:20:02 | 1:20:04 | |
# Well, you can twist and shout | 1:20:06 | 1:20:09 | |
# Let it all hang out | 1:20:09 | 1:20:11 | |
# But you won't fool the children of the revolution | 1:20:11 | 1:20:17 | |
# No, you won't fool the children of the revolution, no, no, no | 1:20:17 | 1:20:23 | |
# Well, you can tear a plane | 1:20:29 | 1:20:32 | |
# In the falling rain | 1:20:32 | 1:20:35 | |
# I drive a Rolls-Royce | 1:20:37 | 1:20:39 | |
# Cos it's good for my voice | 1:20:41 | 1:20:43 | |
# But you won't fool the children of the revolution | 1:20:43 | 1:20:48 | |
# No, you won't fool the children of the revolution, no, no, no | 1:20:48 | 1:20:55 | |
# Yeah! # | 1:20:57 | 1:20:59 | |
The bulk of the people came when Idi Amin | 1:21:13 | 1:21:17 | |
in 1971-72, threw out a lot of the Asians from Africa. | 1:21:17 | 1:21:21 | |
Initially, when our parents came here, | 1:21:27 | 1:21:29 | |
they had to take off their turbans, | 1:21:29 | 1:21:30 | |
they had to cut their beards because they wouldn't get employment. | 1:21:30 | 1:21:33 | |
There were a couple of factories in Southall, who would not just | 1:21:33 | 1:21:36 | |
encourage Sikhs as employees, but would encourage Sikhs | 1:21:36 | 1:21:40 | |
with their identity, which was very rare at the time. | 1:21:40 | 1:21:43 | |
Well, the whole of Southall is Asians. | 1:21:52 | 1:21:54 | |
They've got three cinemas and Hindu temples and things like that. | 1:21:54 | 1:22:00 | |
Shops in Southall are just shops for Asians, | 1:22:00 | 1:22:02 | |
selling saris and curries and things like this. | 1:22:02 | 1:22:05 | |
I think if they come to this country, | 1:22:06 | 1:22:08 | |
they should be prepared to change and to live the way we do. | 1:22:08 | 1:22:11 | |
MURMURS OF AGREEMENT | 1:22:11 | 1:22:13 | |
The way they dress and the way they talk, | 1:22:13 | 1:22:15 | |
when you walk through Southall and hear them talking, you think, "What are they on about? | 1:22:15 | 1:22:19 | |
"Are they talking about me?" This I don't like. | 1:22:19 | 1:22:22 | |
Our only hope is to be able to get away from Southall, away from it all. | 1:22:22 | 1:22:27 | |
All our friends have gone. There's nothing left for English people in this town any more. | 1:22:27 | 1:22:32 | |
The Jamaicans and the Africans do integrate themselves more with us. | 1:22:36 | 1:22:42 | |
They're prepared to change, to accept our ways. | 1:22:42 | 1:22:45 | |
But not the Asians. The Asians just keep themselves to themselves and that's it. | 1:22:45 | 1:22:50 | |
They're just prepared to live their own little life, have their own little shop corner | 1:22:50 | 1:22:55 | |
and make their own little pile on the side, which really annoys me. | 1:22:55 | 1:23:00 | |
You have to watch everything that you do, | 1:23:04 | 1:23:07 | |
because the slightest little thing will set off the whole of Southall gossiping. | 1:23:07 | 1:23:11 | |
My parents care a lot about what people think | 1:23:11 | 1:23:14 | |
and I love my parents and I don't want to hurt them in any way. | 1:23:14 | 1:23:19 | |
I do not remember ever telling her not to do whatever she wants to do. | 1:23:19 | 1:23:24 | |
-Well, all right, I'll have to say this, then. -Yeah. | 1:23:27 | 1:23:30 | |
When I wanted to go and see Desmond Dekker at the White Hart, you wouldn't let me go. | 1:23:30 | 1:23:34 | |
-Because I did not know that you wanted to go in a pub, you know? -Well, it was... | 1:23:34 | 1:23:39 | |
Society still struggles with the concept of a dual identity. | 1:23:47 | 1:23:51 | |
You have to be one or the other. | 1:23:51 | 1:23:54 | |
That sense of not really belonging anywhere. | 1:23:54 | 1:23:56 | |
You blend in, but you don't belong. | 1:23:56 | 1:23:58 | |
It doesn't matter how much you try to be a part of one, | 1:23:58 | 1:24:02 | |
you're never good enough. | 1:24:02 | 1:24:04 | |
# Bewildering world | 1:24:04 | 1:24:06 | |
# With no end or start | 1:24:06 | 1:24:09 | |
# I am Indian in skin | 1:24:09 | 1:24:12 | |
# But English of heart. # | 1:24:12 | 1:24:14 | |
RECITES MUSLIM PRAYER | 1:24:19 | 1:24:22 | |
When I was a kid, | 1:24:23 | 1:24:24 | |
a big wave of Bangladeshis arrived at my council estate | 1:24:24 | 1:24:27 | |
and there was a lot of fear and suspicion. | 1:24:27 | 1:24:28 | |
National Front newspaper. | 1:24:46 | 1:24:48 | |
Vote for the Front. | 1:24:50 | 1:24:51 | |
Just clear off. | 1:24:51 | 1:24:53 | |
No good hiding your face, son, we got you already. | 1:24:53 | 1:24:56 | |
We know where you live. We'll come and get you. | 1:24:56 | 1:24:59 | |
SUGGS: It's only through experience you realise | 1:24:59 | 1:25:01 | |
that's happened to every wave of immigrants to London, including the Irish. | 1:25:01 | 1:25:04 | |
-They were seen as hooligans and lunatics. -Will you give me the fucking bottle? | 1:25:04 | 1:25:07 | |
It's just great to get to the age of what I am, 50, | 1:25:07 | 1:25:10 | |
to have seen that happen a few times with various waves of immigrants | 1:25:10 | 1:25:14 | |
and to realise it's just a process, man. | 1:25:14 | 1:25:16 | |
And then they get taken in and become part of the city itself | 1:25:19 | 1:25:22 | |
and change the city. That's the whole point - the place keeps changing. | 1:25:22 | 1:25:26 | |
You try this perfume, you put a little bit in the back of the tart's neck tonight, | 1:25:43 | 1:25:48 | |
I bet you'll finish up having twins. Just smell it, guv'nor. | 1:25:48 | 1:25:51 | |
-Oi! -Sorry, mate! | 1:25:52 | 1:25:55 | |
'In the doorway of an amusement arcade, | 1:26:00 | 1:26:03 | |
'a boy who claims he's become a male prostitute - | 1:26:03 | 1:26:05 | |
'one of the Dilly Boys, as they call themselves.' | 1:26:05 | 1:26:08 | |
When you came to London in the first place, what did you hope to do? | 1:26:10 | 1:26:14 | |
I hoped to get a proper job, a straight job, | 1:26:14 | 1:26:16 | |
but I got ripped off at Waterloo Station. | 1:26:16 | 1:26:19 | |
Just started sleeping rough. I met a geezer. | 1:26:19 | 1:26:21 | |
He said, "It might sicken you a bit, but try it. | 1:26:21 | 1:26:24 | |
"It's an easy way of making money." | 1:26:24 | 1:26:26 | |
# Jean Genie, let yourself go Whoa! # | 1:26:26 | 1:26:29 | |
-Cos I'm not gay. -But there are other things you can do. You could have got a job, couldn't you? | 1:26:31 | 1:26:37 | |
-Show me them. -Ow! | 1:26:37 | 1:26:38 | |
-But what do you feel about yourself? -I feel disgusted. | 1:26:38 | 1:26:41 | |
# Oh, Jean Genie.... # | 1:26:41 | 1:26:43 | |
What do you reckon of London, as a city? | 1:26:45 | 1:26:48 | |
-I think it's a shithole! -Why? | 1:26:48 | 1:26:51 | |
Because it's full of people like me - homeless. | 1:26:51 | 1:26:55 | |
So how do you survive? What do you do? | 1:26:55 | 1:26:57 | |
I get high! | 1:26:57 | 1:27:00 | |
# Let yourself go Oh, oh, oh. # | 1:27:00 | 1:27:03 | |
We brought the Port of London | 1:27:15 | 1:27:17 | |
successfully into the '70s | 1:27:17 | 1:27:19 | |
and now we're building for the '80s, | 1:27:19 | 1:27:21 | |
the '90 and to the 21st century. | 1:27:21 | 1:27:24 | |
But the thing that is of the most importance to us is our people, | 1:27:24 | 1:27:27 | |
and it is our people who will continue to make us a truly great | 1:27:27 | 1:27:32 | |
and international sea port. | 1:27:32 | 1:27:34 | |
It was a big social transformation when the London Docks began to close down, | 1:27:52 | 1:27:58 | |
because the central industry, which had sustained a community | 1:27:58 | 1:28:03 | |
and a whole tradition for a very long time, ceased to exist. | 1:28:03 | 1:28:06 | |
# Well, it's rainin' on | 1:28:11 | 1:28:14 | |
# The Isle of Dogs... # | 1:28:14 | 1:28:17 | |
You know what I miss of the river? | 1:28:17 | 1:28:19 | |
New Year's Eve, when all the ships used to sound their sirens. | 1:28:19 | 1:28:23 | |
God Almighty, it was like music. | 1:28:23 | 1:28:25 | |
FOGHORNS BOOM | 1:28:25 | 1:28:27 | |
Hundreds of ships. It was like tomorrow's a new world. | 1:28:27 | 1:28:31 | |
Well, a disastrous effect, obviously, | 1:28:36 | 1:28:38 | |
because there was no social planning in the closure of the docks. | 1:28:38 | 1:28:42 | |
Unfortunately, we got all these ideas and property developers, | 1:28:43 | 1:28:47 | |
and they saw eight and a half miles of dock being derelict | 1:28:47 | 1:28:51 | |
and an opportunity of moving in and making a kill. | 1:28:51 | 1:28:54 | |
Where was their "make room and let live"? | 1:28:54 | 1:28:58 | |
It was not, it was about greed, financial greed, | 1:28:58 | 1:29:00 | |
and we will pay for it in the future. | 1:29:00 | 1:29:03 | |
This is where they were going to build the 1988 Olympic Stadium? | 1:29:03 | 1:29:07 | |
Can you imagine nig-nogs doing the long jump along these quays? | 1:29:08 | 1:29:12 | |
# Remember, remember, the 5th of November | 1:29:37 | 1:29:41 | |
# Gunpowder, treason and plot | 1:29:41 | 1:29:45 | |
# We see no reason why gunpowder, treason | 1:29:45 | 1:29:50 | |
# Should ever be forgot! # | 1:29:50 | 1:29:52 | |
EXPLOSION | 1:29:52 | 1:29:53 | |
SIREN WAILS | 1:29:53 | 1:29:56 | |
The blast ripped through the Houses of Parliament at 5am this morning. | 1:29:58 | 1:30:02 | |
The bomb is thought to have been placed in the men's lavatory, off the viewing gallery. | 1:30:02 | 1:30:06 | |
The blast paralysed the capital. | 1:30:06 | 1:30:08 | |
There's been a terrorist bomb attack at the stock exchange. | 1:30:08 | 1:30:11 | |
The blast pushed out concrete and marble cladding onto the pavement. | 1:30:11 | 1:30:16 | |
After a statement claiming to be from the IRA, | 1:30:16 | 1:30:19 | |
it said the ceasefire was called off. | 1:30:19 | 1:30:21 | |
London by the mid-'70s was on its knees. | 1:30:25 | 1:30:28 | |
Peeling, crumbling, falling apart. There was no way out. | 1:30:28 | 1:30:33 | |
Signs in Piccadilly were not illuminated tonight | 1:30:34 | 1:30:37 | |
and they certainly won't be tomorrow night. | 1:30:37 | 1:30:40 | |
There were strikes, power cuts, total social chaos. | 1:30:40 | 1:30:44 | |
There we would be, these ugly monsters stuck right in the middle of it. | 1:30:46 | 1:30:50 | |
Skint, bored shitless, stalking the King's Road. | 1:30:50 | 1:30:54 | |
# My old man's a dustman | 1:30:54 | 1:30:56 | |
# He wears a dustman's hat | 1:30:56 | 1:30:59 | |
# He wears cor blimey trousers, and he lives in a council flat. # | 1:30:59 | 1:31:02 | |
All those in favour of strike action, reach up. | 1:31:02 | 1:31:05 | |
# London pride has been handed down to us | 1:31:11 | 1:31:15 | |
# London pride is a flower that's clean | 1:31:15 | 1:31:18 | |
# London pride means our own dear town to us | 1:31:18 | 1:31:22 | |
# And our pride, it for ever will be | 1:31:22 | 1:31:25 | |
# Whoa, Liza, see the coster barrows | 1:31:25 | 1:31:28 | |
# The vegetable marrows and the fruit piled high | 1:31:28 | 1:31:31 | |
# Oh, Liza, little London sparrows | 1:31:32 | 1:31:35 | |
# Covent Garden market where the costers cry | 1:31:35 | 1:31:37 | |
# Cockney feet mark the beat of history... # | 1:31:37 | 1:31:41 | |
You go to work, you come back, you go to bed. | 1:31:45 | 1:31:48 | |
Get up, go to work, come back. I don't enjoy it, but I do it. | 1:31:48 | 1:31:53 | |
Sometimes I wonder if there isn't any point. | 1:31:53 | 1:31:56 | |
If you didn't have any money you might as well kiss your fucking life | 1:31:56 | 1:32:00 | |
goodbye, cos you weren't going to amount to nothing. | 1:32:00 | 1:32:03 | |
# We're so pretty, oh, so pretty | 1:32:12 | 1:32:16 | |
# Vacant! | 1:32:17 | 1:32:19 | |
# We're so pretty, oh, so pretty | 1:32:19 | 1:32:23 | |
# Vacant! | 1:32:23 | 1:32:25 | |
# Don't ask us to attend cos we're not there | 1:32:25 | 1:32:29 | |
# Don't pretend, cos we don't care | 1:32:29 | 1:32:32 | |
# I don't believe illusions cos too much is real | 1:32:32 | 1:32:35 | |
# Stop your cheap comment | 1:32:35 | 1:32:37 | |
# Cos I know what I feel! | 1:32:40 | 1:32:43 | |
# We're so pretty, oh, so pretty | 1:32:44 | 1:32:48 | |
# Vacant! | 1:32:49 | 1:32:51 | |
# We're so pretty, oh, so pretty | 1:32:51 | 1:32:54 | |
# Vacant! | 1:32:54 | 1:32:57 | |
# We're so pretty, oh, so pretty | 1:32:57 | 1:33:00 | |
# Ah, we don't know and we don't care | 1:33:04 | 1:33:09 | |
# Pretty vacant | 1:33:12 | 1:33:15 | |
# Pretty vacant | 1:33:19 | 1:33:23 | |
# Pretty vacant | 1:33:27 | 1:33:29 | |
# We don't care. # | 1:33:29 | 1:33:32 | |
SCREAMING | 1:33:32 | 1:33:37 | |
MUSIC: "Land of Hope and Glory" | 1:33:38 | 1:33:42 | |
CHEERING | 1:33:42 | 1:33:46 | |
Where there is harmony, may we bring discord, | 1:33:52 | 1:33:56 | |
and where there is hope, may we bring despair. | 1:33:56 | 1:33:59 | |
SIREN WAILS | 1:33:59 | 1:34:02 | |
# Get up, stand up | 1:34:06 | 1:34:08 | |
# Stand up for your right | 1:34:09 | 1:34:12 | |
# Get up, stand up | 1:34:12 | 1:34:14 | |
# Stand up for your right. # | 1:34:15 | 1:34:17 | |
I've lived here a long time, so I feel like I'm part of the country. | 1:34:17 | 1:34:21 | |
When you go for a job and things are being brought up like your colour, you are put in a shell. | 1:34:21 | 1:34:26 | |
# Don't give up the fight. # | 1:34:26 | 1:34:30 | |
The country itself is all right, it's just there are some people | 1:34:30 | 1:34:34 | |
who make life very hard for a black person. | 1:34:34 | 1:34:38 | |
My experiences were being arrested for sus, | 1:34:38 | 1:34:42 | |
for being suspected of being about to commit a crime, | 1:34:42 | 1:34:45 | |
which is basically being black in the wrong place at the wrong time. | 1:34:45 | 1:34:50 | |
-Have you been stopped and searched before? -Yes, regularly. | 1:34:50 | 1:34:53 | |
Always on suspicion of possession of drugs or drugs being in the vehicle. | 1:34:53 | 1:34:58 | |
-Were any drugs found? -No. | 1:34:58 | 1:35:00 | |
How do you think you were treated? | 1:35:00 | 1:35:02 | |
As normal, you are always treated like animals, man. They just take liberties. | 1:35:02 | 1:35:06 | |
You approach them to ask why, there is never any explanation, | 1:35:06 | 1:35:09 | |
you're not good enough to even be answered. | 1:35:09 | 1:35:13 | |
If things don't change fast... That's just, there's a spark. | 1:35:13 | 1:35:18 | |
The fire is just waiting. | 1:35:18 | 1:35:20 | |
MUSIC: "Land of Hope and Glory" | 1:35:26 | 1:35:31 | |
EXPLOSION | 1:35:38 | 1:35:39 | |
SIRENS WAIL | 1:35:43 | 1:35:45 | |
# Down in the street there is violence | 1:35:45 | 1:35:48 | |
# And a lot of work to be done | 1:35:48 | 1:35:52 | |
# No place to hang out your washing | 1:35:53 | 1:35:55 | |
# And I can't blame all on the sun | 1:35:55 | 1:36:00 | |
# No, no, we gonna rock down to Electric Avenue | 1:36:00 | 1:36:05 | |
# And then we'll take it higher... # | 1:36:05 | 1:36:09 | |
This is police provocation, they want us to disperse, | 1:36:09 | 1:36:11 | |
but we live in Brixton. | 1:36:11 | 1:36:14 | |
They don't live in Brixton. OK? | 1:36:14 | 1:36:16 | |
We asked them to disperse but they wouldn't disperse. | 1:36:16 | 1:36:19 | |
We were provoked into fighting because the SPG came down, | 1:36:19 | 1:36:22 | |
they thought they'd have a field day beating up niggers, but they didn't. | 1:36:22 | 1:36:25 | |
# Out in the street... # | 1:36:25 | 1:36:28 | |
How much would you say you've lost? | 1:36:29 | 1:36:31 | |
Well, everything apart from what I'm wearing. | 1:36:31 | 1:36:34 | |
-Do you feel bitter at all about your black neighbours now? -No. | 1:36:35 | 1:36:38 | |
No. | 1:36:39 | 1:36:40 | |
We want our rights, we want to be able to walk the streets, | 1:36:42 | 1:36:46 | |
we want jobs! | 1:36:46 | 1:36:47 | |
We want better opportunities! | 1:36:47 | 1:36:49 | |
We are frustrated and we are fed up. | 1:36:49 | 1:36:52 | |
I know those problems, | 1:36:54 | 1:36:56 | |
I grew up in the '30s with an unemployed father. | 1:36:56 | 1:37:00 | |
He didn't riot, he got on his bike and looked for work, | 1:37:00 | 1:37:03 | |
and he kept looking till he found it. | 1:37:03 | 1:37:05 | |
And did those feet in ancient times | 1:37:13 | 1:37:16 | |
Walk upon England's mountain green? | 1:37:16 | 1:37:19 | |
And was the holy Lamb of God | 1:37:19 | 1:37:22 | |
In England's pleasant pastures seen? | 1:37:22 | 1:37:24 | |
And did the Countenance Divine | 1:37:26 | 1:37:28 | |
Shine forth upon our clouded hills? | 1:37:28 | 1:37:31 | |
And was Jerusalem built here | 1:37:31 | 1:37:33 | |
Among these dark and satanic mills? | 1:37:33 | 1:37:36 | |
I will not cease from mental fight | 1:37:37 | 1:37:39 | |
Nor shall my sword sleep in my hand | 1:37:39 | 1:37:42 | |
Till we have built Jerusalem | 1:37:42 | 1:37:44 | |
In England's green and pleasant... | 1:37:44 | 1:37:48 | |
..land. | 1:37:50 | 1:37:52 | |
Never had a job, never had a car | 1:37:56 | 1:37:58 | |
We left school but we didn't get that far | 1:37:58 | 1:38:01 | |
Always on the dole, never had work | 1:38:01 | 1:38:02 | |
Cheers, Maggie. I feel a jerk | 1:38:02 | 1:38:04 | |
One of Maggie's millions | 1:38:04 | 1:38:05 | |
The national debt gets more | 1:38:05 | 1:38:07 | |
She must be forking out billions to carry on feeding the poor. | 1:38:07 | 1:38:11 | |
Is that all I get for 10p? | 1:38:11 | 1:38:12 | |
You can meet us all over the place | 1:38:12 | 1:38:14 | |
Saying the country's a big disgrace | 1:38:14 | 1:38:16 | |
Get me a job, get me a car | 1:38:16 | 1:38:18 | |
Buy me a lager up at the bar | 1:38:18 | 1:38:20 | |
All I want is a normal life | 1:38:20 | 1:38:22 | |
Free of debts and worry and strife. | 1:38:22 | 1:38:24 | |
You may well be wondering what I'm doing here. | 1:38:33 | 1:38:37 | |
Believe it or not, one of London's most fashionable nightclubs | 1:38:37 | 1:38:39 | |
is just round the corner, and this market is often | 1:38:39 | 1:38:42 | |
the route the revellers take on their way home. | 1:38:42 | 1:38:45 | |
# Nightclubbing, we're nightclubbing... # | 1:38:50 | 1:38:54 | |
You should be so lucky. | 1:38:54 | 1:38:56 | |
I'd better be off. One more. | 1:38:56 | 1:38:59 | |
# Psycho maniac, interbled | 1:39:01 | 1:39:03 | |
# Shoot it up, now shoot it up | 1:39:03 | 1:39:05 | |
# Shoot it up | 1:39:07 | 1:39:10 | |
# Shoot it up... # | 1:39:10 | 1:39:12 | |
I think they've given the police the run-around. | 1:39:12 | 1:39:16 | |
ANGRY SHOUTING | 1:39:16 | 1:39:18 | |
Ladies and gentlemen, the train has been held up due to | 1:39:24 | 1:39:27 | |
the report of a customer lying on the floor of one of the carriages. | 1:39:27 | 1:39:31 | |
# Shoot it up, shoot it up, shoot it up. # | 1:39:31 | 1:39:35 | |
Scarface. | 1:39:38 | 1:39:40 | |
# Shoot it up | 1:39:40 | 1:39:43 | |
# Amondo teen givin'... # | 1:39:43 | 1:39:46 | |
One of the one things I absolutely hate about London is that you | 1:39:46 | 1:39:50 | |
can't move without being filmed. | 1:39:50 | 1:39:52 | |
I think there's more CCTV cameras in London than there is | 1:39:52 | 1:39:55 | |
in the whole of Europe. | 1:39:55 | 1:39:57 | |
I can see clearly this morning, I can see everything that's wrong. | 1:39:59 | 1:40:03 | |
It's more like Big Brother, everywhere you go there's a camera. | 1:40:03 | 1:40:07 | |
People can't live a free sort of life any more. | 1:40:07 | 1:40:09 | |
We've got a lot in common with the blacks, we both get police pressure, | 1:40:16 | 1:40:19 | |
both get spat on, we can't get jobs, we get kicked out of places. | 1:40:19 | 1:40:24 | |
The strongest thing to be is male, white, middle-class, | 1:40:24 | 1:40:28 | |
and normal-looking, isn't it? | 1:40:28 | 1:40:30 | |
You've got it all then. | 1:40:30 | 1:40:32 | |
The only way to make good money is to run your profit and cut your losses. | 1:40:37 | 1:40:41 | |
I'm always looking for the trend. | 1:40:41 | 1:40:43 | |
Offer, please, offer. | 1:40:43 | 1:40:44 | |
You can get yourself on a very big trend, | 1:40:44 | 1:40:46 | |
that can make you an awful lot of money. | 1:40:46 | 1:40:49 | |
-2.5 at 4, what are you making now? -5 million. -One forward! | 1:40:55 | 1:41:00 | |
SHOUTING | 1:41:00 | 1:41:06 | |
# I've got the brains, you've got the looks | 1:41:06 | 1:41:10 | |
# Let's make lots of money | 1:41:10 | 1:41:13 | |
# You've got the brawn, I've got the brains | 1:41:13 | 1:41:17 | |
# Let's make lots of... | 1:41:17 | 1:41:20 | |
# I've had enough of scheming... # | 1:41:21 | 1:41:25 | |
Big bang set off a coke-fuelled bonanza... | 1:41:25 | 1:41:28 | |
SCREAMING | 1:41:28 | 1:41:29 | |
..whose aftershocks still reverberate across the City to this day. | 1:41:31 | 1:41:38 | |
Bowler hats, boozy lunches, and teatime went out of the window. | 1:41:38 | 1:41:41 | |
The financial sector generated a huge amount of wealth, | 1:41:45 | 1:41:48 | |
people have benefited from that wealth across the country. | 1:41:48 | 1:41:52 | |
Whether they like the social changes it has produced | 1:41:52 | 1:41:54 | |
is a different matter. | 1:41:54 | 1:41:56 | |
Mrs Thatcher's iron reputation was put to the test | 1:42:06 | 1:42:08 | |
on a tour of the London Docklands this morning. | 1:42:08 | 1:42:11 | |
She enthusiastically took the controls of a 25-ton piledriver, | 1:42:13 | 1:42:17 | |
symbolising perhaps more than anything else | 1:42:17 | 1:42:19 | |
her belief in the power of money to beget money. | 1:42:19 | 1:42:22 | |
This is supposed to be a riverside walk, public access. | 1:42:34 | 1:42:40 | |
Look, padlocked, shut. | 1:42:40 | 1:42:41 | |
The penthouse like this one we're looking at | 1:42:43 | 1:42:46 | |
would cost around £350,000. | 1:42:46 | 1:42:50 | |
What we're talking about in effect is a ship. This is the whole design of this block, as you can see | 1:42:50 | 1:42:54 | |
from the portholes, that it is like being on a very expensive yacht. | 1:42:54 | 1:42:58 | |
HE PLAYS: "What Shall We Do With The Drunken Sailor?" | 1:42:58 | 1:43:01 | |
People feel they're being excluded from what is, after all, | 1:43:01 | 1:43:05 | |
many of us regard it as our river. | 1:43:05 | 1:43:09 | |
And here is your Jacuzzi bath with a master bedroom cabin. | 1:43:11 | 1:43:15 | |
-Very smart. -Very nice walk-in wardrobe. | 1:43:15 | 1:43:17 | |
We think people living in Docklands prefer a walk-in wardrobe | 1:43:17 | 1:43:21 | |
to cupboards, because they are far more easy to utilise. | 1:43:21 | 1:43:24 | |
That makes sense. | 1:43:24 | 1:43:26 | |
We like living round here, we've always lived round here, | 1:43:29 | 1:43:32 | |
we enjoy the life. If they want to come and share the life with us, then that's fair enough. | 1:43:32 | 1:43:37 | |
But they're not, they come in, lead separate lives, behind iron gates. | 1:43:37 | 1:43:41 | |
There's two separate sides of the island now. | 1:43:41 | 1:43:43 | |
You have the rich on one side and us, | 1:43:43 | 1:43:45 | |
who have been squeezed, until, finally, in the end, we're gone. | 1:43:45 | 1:43:52 | |
It's part of tomorrow, isn't it? | 1:43:54 | 1:43:57 | |
Not a part of my world, part of tomorrow. | 1:43:57 | 1:44:01 | |
# Sometimes you're better off dead | 1:44:01 | 1:44:02 | |
# There's a gun in your hand that's pointing at your head | 1:44:02 | 1:44:05 | |
# You think you're mad, too unstable, kicking in chairs... # | 1:44:05 | 1:44:10 | |
It's always about jumping out of those cracks, | 1:44:10 | 1:44:13 | |
now we have warehouses where once people sweated in Dickensian conditions, | 1:44:13 | 1:44:19 | |
filled with kids dancing the nights away. | 1:44:19 | 1:44:22 | |
That itself gives you the inkling that mob could begin | 1:44:28 | 1:44:33 | |
to reclaim all kinds of areas. | 1:44:33 | 1:44:36 | |
CHANTING: No poll tax! | 1:44:45 | 1:44:48 | |
The lady's not for turning. | 1:44:50 | 1:44:52 | |
# There's a guy in the place who's got a bittersweet face | 1:44:52 | 1:44:54 | |
# And he goes by the name of Ebeneezer Goode | 1:44:54 | 1:44:56 | |
# His friends call him Eezer and he is the main geezer | 1:44:56 | 1:44:58 | |
# And he'll vibe about the place like no other man could | 1:44:58 | 1:45:00 | |
# He's refined, he's sublime, he makes you feel fine | 1:45:00 | 1:45:02 | |
# Very much maligned and misunderstood | 1:45:02 | 1:45:04 | |
# If you know Eezer, he's a real crowd-pleaser | 1:45:04 | 1:45:06 | |
# He's ever so good, he's Ebeneezer Goode | 1:45:06 | 1:45:08 | |
# Eezer Goode, Eezer Goode, he's Ebenezer Goode | 1:45:08 | 1:45:12 | |
# Eezer Goode, Eezer Goode, he's Ebenezer Goode | 1:45:12 | 1:45:15 | |
# Eezer Goode, Eezer Goode, he's Ebenezer Goode... # | 1:45:15 | 1:45:19 | |
London's future could be an about-turn. | 1:45:22 | 1:45:25 | |
Instead of moving westward, | 1:45:25 | 1:45:28 | |
London might move eastward, to the City. | 1:45:28 | 1:45:34 | |
The financial city could possibly collapse, | 1:45:34 | 1:45:36 | |
and the new financial capital of Europe will be Berlin. | 1:45:36 | 1:45:41 | |
The London mob might find its way back. | 1:45:43 | 1:45:46 | |
SHOUTING | 1:45:48 | 1:45:51 | |
DISTANT SINGING: "Auld Lang Syne" | 1:45:56 | 1:45:59 | |
# For auld lang syne... # | 1:45:59 | 1:46:05 | |
Blair's Britain. | 1:46:05 | 1:46:06 | |
# We'll take a cup of kindness yet for... # | 1:46:06 | 1:46:11 | |
In the years either side of the millennium, | 1:46:11 | 1:46:13 | |
the world came to live in London. | 1:46:13 | 1:46:15 | |
Big bang had led to a massive boom in the city that created jobs. | 1:46:20 | 1:46:24 | |
Not just for French and American bankers, | 1:46:24 | 1:46:28 | |
but also for Somalian and Colombian cleaners. | 1:46:28 | 1:46:31 | |
The population exploded. | 1:46:31 | 1:46:32 | |
There were arrivals from war-torn | 1:46:34 | 1:46:36 | |
and economically deprived corners of the globe. | 1:46:36 | 1:46:39 | |
Today, over 40 per cent of Londoners were born outside the UK. | 1:46:39 | 1:46:43 | |
Over 300 languages are spoken in the new Babylon, | 1:46:43 | 1:46:47 | |
more than anywhere at any time in the history of the planet. | 1:46:47 | 1:46:51 | |
I didn't know why people had to risk their life to come here. | 1:46:57 | 1:47:01 | |
MUSIC: "Rivers of Babylon" by Boney M | 1:47:01 | 1:47:04 | |
They sit there in their houses and watch films and things look easy. | 1:47:24 | 1:47:29 | |
You arrive in London, you can get a beautiful car. | 1:47:29 | 1:47:33 | |
Wow! | 1:47:33 | 1:47:34 | |
You can go out partying every night. That's what they see. | 1:47:34 | 1:47:38 | |
They risk their lives through Sudan or Libya, so they come here | 1:47:40 | 1:47:45 | |
and you have to work three, four jobs to make sure you survive. | 1:47:45 | 1:47:49 | |
They always get depressed a lot, some sort of mental health problem. | 1:47:49 | 1:47:53 | |
We've got quite a few who actually threw themselves | 1:47:53 | 1:47:56 | |
in the London river. | 1:47:56 | 1:47:57 | |
I came here about nine and a half years ago, | 1:48:03 | 1:48:06 | |
couldn't speak a word of English, a week later I was employed. | 1:48:06 | 1:48:09 | |
Two weeks later, I had friends I couldn't have imagined before. | 1:48:09 | 1:48:12 | |
And a month later, I had my own flat. | 1:48:12 | 1:48:14 | |
You couldn't be more welcome than that, could you? | 1:48:14 | 1:48:17 | |
We came here to have peace with my children. | 1:48:17 | 1:48:21 | |
In India, you have only Indian friends, | 1:48:21 | 1:48:24 | |
but here you have friends from Nigeria, Ghana, Turkey, Polish. | 1:48:24 | 1:48:30 | |
Every country you can make friendship with. | 1:48:30 | 1:48:33 | |
Even I have friends who don't believe in God. | 1:48:33 | 1:48:36 | |
Come in! Come in! Special offer today! | 1:48:36 | 1:48:40 | |
Come on, then! Come on, then! Yes, darling. Yes, darling. | 1:48:40 | 1:48:44 | |
The more chicken shops you have in the area, the poorer an area is. | 1:48:47 | 1:48:50 | |
Chicken shops and bookies. You don't have them in Belgravia. | 1:48:50 | 1:48:53 | |
You haven't got a Dixieland fried pigeon, you don't have them there. | 1:48:53 | 1:48:57 | |
But in Deptford, in Lewisham, every other shop, chicken shop, | 1:49:00 | 1:49:03 | |
bookies, chicken shop, bookies, chicken shop, bookies, pub. | 1:49:03 | 1:49:06 | |
Yeah! | 1:49:06 | 1:49:07 | |
I like the English culture itself, | 1:49:07 | 1:49:09 | |
although you don't get to feel that much in London any more | 1:49:09 | 1:49:12 | |
because you can't get to know many English people. | 1:49:12 | 1:49:14 | |
MUSIC: "Galang" by M.I.A. | 1:49:15 | 1:49:19 | |
It's maybe because the English were colonising | 1:49:41 | 1:49:44 | |
and going to people's countries, so now everybody's coming to them. | 1:49:44 | 1:49:49 | |
London was a paradise, completely a paradise. | 1:50:04 | 1:50:07 | |
There was a lot of English people living in London. | 1:50:08 | 1:50:12 | |
Now we have all these Russians, Polish... | 1:50:12 | 1:50:19 | |
Somalians, Africans, | 1:50:19 | 1:50:24 | |
and London has changed a lot. | 1:50:24 | 1:50:26 | |
This idea that the old white London | 1:50:29 | 1:50:31 | |
was happier than the modern London is an illusion. | 1:50:31 | 1:50:35 | |
Get back! Get back, I say! Get back! | 1:50:37 | 1:50:40 | |
That's the point of London. It never was like it was, anyway. | 1:50:47 | 1:50:51 | |
The good old days, there were no good old days. | 1:50:51 | 1:50:54 | |
London doesn't belong to anybody, | 1:50:56 | 1:50:58 | |
it's whoever's on the go at any given moment. | 1:50:58 | 1:51:00 | |
Been here about 100 years, the family before us. | 1:51:02 | 1:51:06 | |
The area has changed dramatically, but for the good. | 1:51:06 | 1:51:10 | |
We've got such a fantastic diversity of people. | 1:51:10 | 1:51:15 | |
We've got every kind of creed, but we all get on like family. | 1:51:15 | 1:51:19 | |
It's a lovely place to live and work. | 1:51:19 | 1:51:21 | |
Fuck off, you. | 1:51:21 | 1:51:23 | |
We're very, very close to the Asian community, they're lovely people. | 1:51:23 | 1:51:27 | |
We've got Afro-Caribbean, Jewish community, | 1:51:27 | 1:51:31 | |
the Polish community, the Pakistani community, the Bangladesh community. | 1:51:31 | 1:51:37 | |
The Government should promote these areas, | 1:51:37 | 1:51:40 | |
because these areas are the lifeblood of this country. | 1:51:40 | 1:51:45 | |
MUSIC: "I Love London" by Crystal Fighters | 1:51:45 | 1:51:48 | |
My grandchildren, who are brought up with 70 different nationalities | 1:51:51 | 1:51:55 | |
at the school where they are, they don't think of themselves as British, | 1:51:55 | 1:51:59 | |
they think of themselves as being members of the human race. | 1:51:59 | 1:52:02 | |
'The games of the 30th Olympiad in 2012 are awarded to London.' | 1:52:06 | 1:52:13 | |
CHEERING AND APPLAUSE | 1:52:13 | 1:52:15 | |
This is London, 9:47 on a midsummer morning. | 1:52:25 | 1:52:29 | |
The terrified voices are those of morning commuters, | 1:52:33 | 1:52:35 | |
some of them terribly wounded. | 1:52:35 | 1:52:38 | |
Those who came here to kill had many goals, | 1:52:43 | 1:52:46 | |
but one was that we should turn on each other | 1:52:46 | 1:52:50 | |
like animals trapped in a cage, and they failed. | 1:52:50 | 1:52:55 | |
They failed totally and utterly. | 1:52:55 | 1:53:00 | |
All great things flow towards the city, | 1:53:00 | 1:53:02 | |
and the greatest of those is the people that come. | 1:53:02 | 1:53:07 | |
In a sense, London isn't really part of England any more. | 1:53:13 | 1:53:16 | |
It attracts people from all over the world to come and work here, | 1:53:16 | 1:53:19 | |
and they come here, earn a lot of money and then they want to spend it. | 1:53:19 | 1:53:23 | |
MUSIC: "The Fear" by Lily Allen | 1:53:24 | 1:53:27 | |
'London, city of culture.' | 1:53:30 | 1:53:32 | |
Working in summertime, | 1:53:35 | 1:53:37 | |
the people that come here are rich people from Russia. | 1:53:37 | 1:53:41 | |
We have models here, we have journalists, | 1:53:46 | 1:53:49 | |
we have Kazakhstan ambassador here. | 1:53:49 | 1:53:51 | |
Sold to you, Bruno. Thank you very much indeed. Eight million five. | 1:53:54 | 1:53:57 | |
L zero eight zero. Thank you so much. | 1:53:57 | 1:54:01 | |
I think there's a much bigger barrier | 1:54:05 | 1:54:07 | |
between rich and poor in London | 1:54:07 | 1:54:09 | |
than there is between black and white or any other racial divide. | 1:54:09 | 1:54:13 | |
'It's been a day of turmoil | 1:54:14 | 1:54:16 | |
'on the world's money markets, after the collapse of...' | 1:54:16 | 1:54:19 | |
'We've seen nothing like today's combination | 1:54:19 | 1:54:21 | |
'of shocking financial events since the Great Crash of 1929.' | 1:54:21 | 1:54:24 | |
'Only a few months ago, | 1:54:24 | 1:54:25 | |
'chaps like this were the masters of the universe.' | 1:54:25 | 1:54:28 | |
Teetering on the edge. | 1:54:29 | 1:54:31 | |
Well, fuck it. A-a-agh! | 1:54:33 | 1:54:35 | |
You can walk from the City of London, | 1:54:38 | 1:54:41 | |
and if you just walk a couple of streets backwards | 1:54:41 | 1:54:44 | |
you'll see massive, massive tower blocks, council houses, | 1:54:44 | 1:54:48 | |
where people are living in abject poverty | 1:54:48 | 1:54:50 | |
in comparison to the trillions and trillions of pounds | 1:54:50 | 1:54:53 | |
that pass through the City all the time. | 1:54:53 | 1:54:55 | |
Does my face look bothered? | 1:54:55 | 1:54:58 | |
This is a letter I got from the council, | 1:55:02 | 1:55:04 | |
saying that they have given me | 1:55:04 | 1:55:06 | |
an offer of accommodation in Walsall in Birmingham, where I know nobody. | 1:55:06 | 1:55:12 | |
If I do not accept it, basically, I'll be on the streets. | 1:55:13 | 1:55:18 | |
There's just no heart. | 1:55:18 | 1:55:20 | |
You're talking about a single mother recently widowed in March. | 1:55:20 | 1:55:24 | |
You're talking about a child who is in a school which she loves, | 1:55:24 | 1:55:28 | |
and you're asking me to uproot her from that | 1:55:28 | 1:55:31 | |
and take away her extended family. | 1:55:31 | 1:55:33 | |
And you're saying all of that doesn't matter. | 1:55:33 | 1:55:36 | |
Off you go to Walsall. | 1:55:36 | 1:55:37 | |
They're inundated with tenants | 1:55:40 | 1:55:42 | |
who landlords were kicking out of privately rented accommodation | 1:55:42 | 1:55:46 | |
to make a packet of money nearer the time of the Olympics. | 1:55:46 | 1:55:50 | |
They're using the situation, the economy to gentrify their areas, | 1:55:51 | 1:55:56 | |
and they want us to be decanted into another container. | 1:55:56 | 1:55:59 | |
Money. That's the main barrier. | 1:56:04 | 1:56:07 | |
That's like the barrier that's supposed to be the barrier. | 1:56:07 | 1:56:10 | |
The police weren't doing nothing. There was no authority, | 1:56:26 | 1:56:29 | |
so it looked like we could have run of the streets. | 1:56:29 | 1:56:31 | |
It felt like Christmas had come early, | 1:56:31 | 1:56:33 | |
just being able to take all the nice things that you want. | 1:56:33 | 1:56:37 | |
Got loot, man! | 1:56:37 | 1:56:39 | |
MUSIC: "Hometown Glory" by Adele | 1:56:39 | 1:56:42 | |
As much food was stolen from the supermarkets as flat-screen TVs | 1:57:00 | 1:57:05 | |
and trainers, but no-one really talked about that because | 1:57:05 | 1:57:09 | |
people didn't want to face the level of need that drove the riots. | 1:57:09 | 1:57:13 | |
The London riots, when it kicked off first in Tottenham, | 1:57:29 | 1:57:32 | |
I think it was a collective madness, a collective realisation that, | 1:57:32 | 1:57:37 | |
if everyone really wanted to, you could just team up and cause havoc. | 1:57:37 | 1:57:41 | |
Of course there was a reason behind it. Why would it all kick off? | 1:57:44 | 1:57:48 | |
It wouldn't kick off for no reason. | 1:57:48 | 1:57:51 | |
I just wanted to be there. | 1:58:02 | 1:58:04 | |
I actually wanted to burn the cars and see it burn as well. | 1:58:04 | 1:58:07 | |
From what I've been through my whole life, | 1:58:07 | 1:58:10 | |
the police have caused hell for me | 1:58:10 | 1:58:13 | |
and that was just our way of getting revenge. | 1:58:13 | 1:58:17 | |
There are pockets of our society that are not just broken, | 1:58:19 | 1:58:24 | |
but frankly sick. | 1:58:24 | 1:58:25 | |
This is criminality, pure and simple. | 1:58:25 | 1:58:29 | |
You've got people that have got nothing, | 1:58:40 | 1:58:43 | |
and I think they'd just had enough. | 1:58:43 | 1:58:45 | |
It's not right to go and smash stuff up and loot stuff. | 1:58:45 | 1:58:49 | |
They get told unless they have a brand-new pair of Nike Air Max | 1:58:49 | 1:58:52 | |
or if they've got a brand-new tracksuit they're not worth anything, | 1:58:52 | 1:58:55 | |
so if they can't afford it, they're going to go and take it. | 1:58:55 | 1:58:58 | |
Thank you for sticking up for London | 1:58:58 | 1:59:00 | |
and for the innocent, hard-working people of this city. | 1:59:00 | 1:59:04 | |
CHEERING | 1:59:04 | 1:59:06 | |
People aren't fools, and slowly you're going to get a growing amount | 1:59:11 | 1:59:18 | |
of civil disobedience in this country. | 1:59:18 | 1:59:20 | |
MUSIC: "Sun Arise" by Rolf Harris | 1:59:20 | 1:59:23 | |
Ohhhh, this is my home. | 1:59:25 | 1:59:29 | |
The view from my front door. | 1:59:30 | 1:59:32 | |
BELL CLANGS | 1:59:51 | 1:59:53 | |
They're asking for the basis of our society to be queried, | 1:59:57 | 2:00:03 | |
and I think that that is correct. | 2:00:03 | 2:00:05 | |
I'm coming to the end of my life | 2:00:12 | 2:00:14 | |
and I'm not uneasy about leaving the London which I will be leaving. | 2:00:14 | 2:00:19 | |
I think it's in the good hands of the Londoners | 2:00:19 | 2:00:22 | |
who are here from all over the globe now. | 2:00:22 | 2:00:25 | |
I think that's how it'll survive. | 2:00:25 | 2:00:28 | |
# Come on, ladies | 2:00:28 | 2:00:30 | |
# One pound fish | 2:00:30 | 2:00:31 | |
# One pound fish | 2:00:31 | 2:00:34 | |
# Have-a, have-a look One pound fish | 2:00:34 | 2:00:36 | |
# Very, very cheap One pound fish | 2:00:36 | 2:00:39 | |
# One pound fish One pound fish | 2:00:39 | 2:00:42 | |
# Very, very cheap Very, very cheap | 2:00:42 | 2:00:45 | |
# One pound fish One pound fish | 2:00:45 | 2:00:49 | |
# Very, very cheap Very, very cheap | 2:00:49 | 2:00:53 | |
# Cheap, cheap! # | 2:00:53 | 2:00:56 | |
Yes, my dear, today's special announcement. | 2:00:56 | 2:00:59 | |
I wander through each chartered street | 2:01:08 | 2:01:11 | |
Near where the chartered Thames does flow | 2:01:11 | 2:01:14 | |
And mark in every face I meet | 2:01:14 | 2:01:17 | |
Marks of weakness, marks of woe | 2:01:17 | 2:01:20 | |
In every cry of every man | 2:01:20 | 2:01:24 | |
In every infant's cry of fear | 2:01:24 | 2:01:27 | |
In every voice, in every ban | 2:01:27 | 2:01:30 | |
The mind forged manacles I hear. | 2:01:30 | 2:01:33 | |
MUSIC: "Waterloo Sunset" by The Kinks | 2:01:41 | 2:01:43 | |
You accept so many immigrants here and then give them their rights, | 2:02:33 | 2:02:37 | |
allow them to practise their religion the way they want | 2:02:37 | 2:02:41 | |
and not interfere with that. | 2:02:41 | 2:02:42 | |
It is something for the rest of the world | 2:02:42 | 2:02:45 | |
to have a look at and maybe adopt. | 2:02:45 | 2:02:47 | |
I have an idea of where I'd like London to be in 10, 20 years, | 2:03:13 | 2:03:16 | |
and I'd like it to be a beacon | 2:03:16 | 2:03:18 | |
for the fact that human beings can live together | 2:03:18 | 2:03:21 | |
in a respectful and dignified manner. | 2:03:21 | 2:03:23 | |
I feel at home in my London. | 2:03:49 | 2:03:51 | |
What's going on around me worries me very, very much, | 2:03:51 | 2:03:55 | |
but there's very little I can do as an individual. | 2:03:55 | 2:03:59 | |
I can only voice my opinion and have an attitude. | 2:03:59 | 2:04:02 | |
And my attitude is fuck the lot of ya! | 2:04:02 | 2:04:05 | |
# Maybe it's because we're Londoners | 2:04:11 | 2:04:16 | |
# That we love London so | 2:04:16 | 2:04:21 | |
# Maybe it's because we're all Londoners | 2:04:21 | 2:04:26 | |
# That we love London so. # | 2:04:26 | 2:04:29 | |
London, it's like the old song says, London is the place for me! | 2:04:40 | 2:04:44 | |
Subtitles by Red Bee Media Ltd | 2:04:44 | 2:04:47 |