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Friday evening in Wolverhampton. And its movie night. I'm excited to | :00:23. | :00:31. | |
watch this film, I can't wait to see it. These guys aren't here to see | :00:31. | :00:41. | |
Hollywood heroes, their heroes come from Bollywood. It is the premiere | :00:41. | :00:47. | |
of Yamla Pagla Deewana two. Bollywood is also planning its next | :00:48. | :00:57. | |
| :00:58. | :00:59. | ||
British adventure. -- already planning. This year, the world's | :00:59. | :01:06. | |
biggest film industry celebrates its Centenary. It captivated a billion | :01:06. | :01:16. | |
| :01:16. | :01:36. | ||
people. And how it bounced back from cinema was here at the Palladium. In | :01:36. | :01:46. | |
| :01:46. | :01:46. | ||
those days, this was 52 years ago. He is back in dreamland. It was an | :01:46. | :01:49. | |
absolute dream palace. It still is when I am reminiscing and looking | :01:49. | :01:58. | |
back 50 years or so. Still thinking of those days, the glory days. | :01:58. | :02:04. | |
days belonged to his father, the man who brought Bollywood to Britain. | :02:04. | :02:12. | |
His legacy lives on. His heart still pumps to Bollywood beat as does so | :02:12. | :02:18. | |
many across the Midlands. Why? The ever live long ago in a distant | :02:18. | :02:28. | |
| :02:28. | :02:34. | ||
land. -- the answer. The Lumiere Brothers organised a | :02:35. | :02:41. | |
screening in Bombay in 1896. The Times of India called it the Miracle | :02:41. | :02:51. | |
| :02:51. | :02:58. | ||
of the Century. In 1913, he unveiled this. India's first feature film. | :02:58. | :03:03. | |
One that ultimately spawned a multibillion dollar industry. | :03:03. | :03:13. | |
the early days, moustaches and bids have certainly gotten shorter -- | :03:13. | :03:23. | |
| :03:23. | :03:24. | ||
beards. Traditionally performed in a kind of pantomime. Such a deeply | :03:24. | :03:29. | |
religious community. It was a no-brainer. It lasted 4000 years. | :03:29. | :03:39. | |
| :03:39. | :03:40. | ||
They're going to be fine for the next 100. That's pretty good. | :03:40. | :03:46. | |
wasn't all gods and goddesses. In the 1920s under British rule, life | :03:46. | :03:53. | |
in India was pretty tough. Millions went hungry. In a craved escapism. | :03:53. | :04:02. | |
What better than a good old love story. --? Bollywood's obsession | :04:02. | :04:08. | |
with romance had begun. Surprisingly, early Bollywood was | :04:08. | :04:18. | |
| :04:18. | :04:21. | ||
pretty racy. And they say Indians don't kiss. I was shocked to see | :04:21. | :04:28. | |
that early black film that had a kiss in it. I've never seen that | :04:28. | :04:37. | |
before -- that early black and white film. The best was still to come. In | :04:37. | :04:42. | |
the 1930s, thanks to technology, India's screen idols began to talk | :04:42. | :04:51. | |
and most importantly, sing. This 1936 film about the life of a Hindu | :04:52. | :05:00. | |
saint was a huge hit. Millions came to see it. Thanks largely to the | :05:00. | :05:10. | |
| :05:10. | :05:19. | ||
Apache song and dance numbers -- patchy. -- catchy. The songs were | :05:19. | :05:24. | |
related to the films that people watched and enjoyed it. Music was | :05:24. | :05:34. | |
| :05:34. | :05:34. | ||
everywhere. After dinner, in India you have a song. It is significantly | :05:34. | :05:44. | |
better. Song is a massive part of people 's lives. They were able to | :05:44. | :05:47. | |
convey sentiment through song that they couldn't necessarily convey | :05:47. | :05:56. | |
through dialogue. The song and dance were symbolic of love that couldn't | :05:56. | :06:05. | |
be spoken openly between people. the end of the 1930s, India was | :06:05. | :06:12. | |
producing more than 200 films a year. They were largely a Dutch | :06:12. | :06:22. | |
| :06:22. | :06:23. | ||
religious -- religion or romance, but that was about to change. In | :06:23. | :06:33. | |
| :06:33. | :06:37. | ||
1943, Indian cinema got political. The makers of Kismet told British | :06:37. | :06:47. | |
| :06:47. | :06:49. | ||
cinema -goers their song Go Away Foreigners. There were several films | :06:49. | :06:56. | |
that were anti- British. Surreptitiously they heed the | :06:56. | :07:02. | |
message. The British are soon realised they had been fought and | :07:02. | :07:12. | |
| :07:12. | :07:13. | ||
tried to arrest the songwriter Buddy went into hiding. -- been fooled. | :07:13. | :07:19. | |
was part of a growing movement. A growing quit India movement. The | :07:19. | :07:26. | |
British knew the time had come when they would have to hand India back. | :07:26. | :07:29. | |
Kismet was part of the whole resistance that was going on in the | :07:29. | :07:39. | |
| :07:39. | :07:43. | ||
40s. The Brits were packing their bags. August 15, 1947, Independence | :07:43. | :07:53. | |
Day for India. It came at a terrible cost. The subcontinent was carved up | :07:53. | :08:00. | |
into two rival nations. India and Pakistan. In an instant, 10 million | :08:00. | :08:03. | |
people became refugees. It was the largest mass migration in human | :08:03. | :08:13. | |
| :08:13. | :08:18. | ||
history. Mother India. definitive, cultural film. | :08:18. | :08:25. | |
remember watching this as a kid. Mother India, I think it was made | :08:25. | :08:33. | |
after independence, it felt like that was putting down a dipole and | :08:33. | :08:37. | |
making a statement about itself and the kind of country it is -- putting | :08:37. | :08:46. | |
down a flagpole. She is very into poverty and must raise her children | :08:46. | :08:54. | |
alone. -- thrown into poverty. She is forced to make a terrible | :08:54. | :09:03. | |
sacrifices. There is nothing more epic than India finding itself as a | :09:04. | :09:11. | |
country. And there's nothing more intimate than watching a family torn | :09:11. | :09:14. | |
asunder and then this amazing matriarchal putting it back together | :09:14. | :09:22. | |
again. It was my father's favourite film so I grew up with it as a young | :09:22. | :09:30. | |
girl. Listening to all the songs constantly. Listening to him sing | :09:30. | :09:36. | |
them particularly after he had had a few whiskeys. We would go, oh dad, | :09:36. | :09:46. | |
| :09:46. | :09:46. | ||
it's so boring. And he would say, it's the true story of India. | :09:46. | :09:56. | |
| :09:56. | :09:58. | ||
is probably one of the most iconic images in world cinema for me. It is | :09:58. | :10:02. | |
such a beautiful film. She's put upon by a wealthy landlord who wants | :10:02. | :10:10. | |
sexual favours. She just wants food to feed her children. It is a | :10:10. | :10:20. | |
| :10:20. | :10:24. | ||
beautiful film. India's new found in the pendants -- independents had a | :10:24. | :10:29. | |
surprising impact on the film industry. Censors banned the | :10:29. | :10:39. | |
| :10:39. | :10:41. | ||
on-screen kiss. Actor Raj Kapoor could serenade style with his trusty | :10:41. | :10:51. | |
| :10:51. | :10:55. | ||
pipe. -- his co-star. Filmmakers came up with increasingly | :10:55. | :11:05. | |
| :11:05. | :11:11. | ||
imaginative ways to get around the censors. They used a feather. | :11:11. | :11:15. | |
India got independence, it established a sort of Victorian, | :11:15. | :11:25. | |
British attitude towards kissing. Instead of seeing a kiss, you would | :11:25. | :11:35. | |
| :11:35. | :11:43. | ||
see a feather or a bird. -- prudish. Evil, immoral kissing. I still find | :11:43. | :11:52. | |
it a bit odd. All in all, independence meant to kissing was | :11:52. | :11:57. | |
banned in Indian cinema for more than two decades. Tens of thousands | :11:57. | :12:07. | |
of Indians decided to come here to Britain hoping for a better life. He | :12:07. | :12:11. | |
arrived in Birmingham with just two things, his family and a love of | :12:11. | :12:19. | |
Indian cinema. He had his passion for Indian films. He orders wanted | :12:19. | :12:26. | |
to do something for Indian film. They set up a society called the | :12:26. | :12:30. | |
Eastern Film Society. They organised screenings in cinemas across the | :12:30. | :12:40. | |
West Midlands. That meant Amarjit Sidhu got access to Bollywood's | :12:40. | :12:50. | |
| :12:50. | :12:50. | ||
biggest stars. This is me standing there waiting to give flowers to | :12:50. | :12:59. | |
this woman who was a superstar of her time, the early 60s. Even his | :12:59. | :13:05. | |
childhood home was littered with film stars. When there was a | :13:05. | :13:14. | |
premiere of an Indian film, we would have the actors who would come to | :13:14. | :13:19. | |
promote their films in cinema, we would be there in the audience | :13:19. | :13:25. | |
waiting to see them. What was fantastic for me as a young star was | :13:25. | :13:29. | |
the fact that they would turn up to our house and they would stay with | :13:29. | :13:35. | |
us and they would eat the food that my mother would cook. It was a | :13:35. | :13:42. | |
fantastic experience. For a youngster to then go to school and | :13:42. | :13:49. | |
talk about these great actors of the films. A fantastic time for me. | :13:49. | :13:56. | |
Waking up in the morning and there would be brushing their teeth and | :13:56. | :14:05. | |
getting ready. The mother would say to take the key to them. It was a | :14:05. | :14:15. | |
| :14:15. | :14:20. | ||
fantastic experience -- tea. Bollywood stars are still coming to | :14:20. | :14:30. | |
| :14:30. | :14:34. | ||
the West Midlands. He is Bollywood royalty. Today he is in Birmingham. | :14:34. | :14:39. | |
Together with some local directors, he is checking out locations for his | :14:39. | :14:49. | |
| :14:49. | :14:50. | ||
next film, a British film with a Bollywood style. It is based in | :14:50. | :14:57. | |
Birmingham. It is a British film actually. I met up with my director | :14:57. | :15:03. | |
and my producer to get an idea of where we would be shooting. That | :15:03. | :15:12. | |
takes us straight into him. Abducting that other woman. We are | :15:12. | :15:17. | |
based in Birmingham, we have lived here most of our lives. That is why | :15:17. | :15:25. | |
the film is set here, there is a very large Asian community here. | :15:25. | :15:34. | |
London is becoming very expensive. Birmingham has a lot of the | :15:34. | :15:44. | |
facilities that we need. So, why not? The film is a gritty thriller. | :15:44. | :15:50. | |
A genre that took off in the 1970s. It was a decade dominated by one | :15:50. | :16:00. | |
| :16:00. | :16:17. | ||
man. Hollywood's Clint eastward. -- Bollywood -- Eastwood. He became | :16:17. | :16:27. | |
known as the angry young man because he was very angry. There was a | :16:27. | :16:30. | |
reason why audiences loved this new hero. Throughout the 1960s, I have | :16:30. | :16:35. | |
been blighted a hunger and violence. The fledgeling nation's | :16:35. | :16:42. | |
government was becoming brutal and corrupt. People wanted justice. So | :16:42. | :16:50. | |
you had a lot of corruption, you had a lot of inequalities in society. | :16:50. | :16:56. | |
There was a lot of frustration. I think the actor captures the sense | :16:56. | :17:06. | |
| :17:06. | :17:06. | ||
of, if we are free, why is this not happening? It has been 15, 20 years. | :17:06. | :17:16. | |
| :17:16. | :17:17. | ||
We want change, we want it now. It is strange because dirty Harry is | :17:17. | :17:23. | |
often seen as erupting from American culture in a specific context. You | :17:23. | :17:29. | |
wonder how that would have been applied in India. People felt | :17:29. | :17:32. | |
frustrated that they want being represented properly by | :17:32. | :17:42. | |
| :17:42. | :17:53. | ||
politicians, the police... They felt a craving for a fair go. Dirty Harry | :17:53. | :18:03. | |
| :18:03. | :18:04. | ||
wasn't the only influence on Western Cinema. This film gave the industry | :18:05. | :18:12. | |
its name, Bollywood. There was a time when they were... I know | :18:12. | :18:18. | |
directors that have a DVD playing. And I am talking ten years back. I | :18:18. | :18:22. | |
am watching what they are seeing in setting up the shot and copying it. | :18:22. | :18:32. | |
| :18:32. | :18:33. | ||
Not so much any more at yes, it was outright plagiarism. In 1975 | :18:33. | :18:39. | |
Bollywood got really good. It took on the American genre of the | :18:39. | :18:48. | |
Western. It came up with the most popular Indian film ever made. | :18:48. | :18:54. | |
Sholay is a great example. It is a hodgepodge of different Johns. It is | :18:54. | :19:04. | |
| :19:04. | :19:06. | ||
known as the curry western. -- different genres. It was pure cinema | :19:06. | :19:16. | |
| :19:16. | :19:29. | ||
entertainment. That is my uncle. Look at that. Only he can fall off | :19:29. | :19:39. | |
| :19:39. | :20:04. | ||
a terrific film. It had everything. I would go for the fight scenes that | :20:04. | :20:14. | |
| :20:14. | :20:14. | ||
had Western influences. It had everything. It was masala a film. | :20:14. | :20:24. | |
| :20:24. | :20:25. | ||
Bollywood still lacked a bit of spice. In 1978 actress Zeenat Aman | :20:25. | :20:29. | |
changed it. When she took a shower in one film she became India's first | :20:29. | :20:39. | |
| :20:39. | :20:40. | ||
sex symbol. The pressure of the water was so tremendous that I had a | :20:40. | :20:43. | |
back at four weeks. That is what I got out of it. | :20:43. | :20:53. | |
| :20:53. | :20:55. | ||
(LAUGH) It is very beautiful. You never get | :20:56. | :21:05. | |
properly clean showering like that. It was nice to look at that, it yes. | :21:05. | :21:11. | |
Some politicians try to ban the film's 16 but the crowds did not | :21:11. | :21:17. | |
miss out. The censors gave in and the posters went up. The filmmaker | :21:17. | :21:27. | |
| :21:27. | :21:27. | ||
was probably the most respected at that time - Raj Kapoo. I suppose he | :21:27. | :21:32. | |
used his cloud to get this past. He also defied things by saying that is | :21:32. | :21:42. | |
| :21:42. | :21:51. | ||
know that worked for the film but contrary to popular that belief, it | :21:51. | :21:57. | |
actually did very well. I was nominated for an award. I did not | :21:57. | :22:03. | |
when because what happens when your body overpowers you work, sometimes | :22:03. | :22:09. | |
it is difficult for people to look beyond that. Bollywood's war with | :22:09. | :22:14. | |
the censors was over but its greatest battle was yet to come. The | :22:14. | :22:18. | |
introduction of video and video piracy in the 1980s had a | :22:18. | :22:22. | |
devastating effect. Bollywood had overcome years of upheaval and | :22:22. | :22:26. | |
adapted to great social change. Nobody could have predicted as great | :22:26. | :22:33. | |
as threat could have come from technology. Bollywood was on the | :22:33. | :22:39. | |
brink. Bollywood had had a rough ride. It meant that people were | :22:39. | :22:43. | |
going in more numbers to the cinema and the cinema has always been the | :22:43. | :22:52. | |
lifeblood of Bollywood. It is a Dark Age. My father went through a | :22:52. | :23:00. | |
difficult time. I don't think he got over it. He spent his entire life in | :23:00. | :23:06. | |
the Indian cinema and suddenly for him it was extremely difficult for | :23:06. | :23:15. | |
him. I don't think he ever got over it. Pretty soon Bollywood began to | :23:15. | :23:21. | |
fight back. And the 1990s I got richer. The country got its swagger | :23:21. | :23:25. | |
back and the audiences wanted good old-fashioned family entertainment. | :23:25. | :23:30. | |
Only this time they wanted -- they had big budgets and exotic | :23:30. | :23:40. | |
| :23:40. | :23:49. | ||
locations. In to they had the backdrop of mountains. -- in | :23:49. | :23:59. | |
| :23:59. | :24:05. | ||
'Dilwale Dulhania Le Jayenge' . film was a love story about two | :24:05. | :24:08. | |
British Indians. It was a huge success both in India and in | :24:08. | :24:18. | |
| :24:18. | :24:27. | ||
Britain. (SPEAKING INDIAN). It began with a man feeding pigeons and | :24:27. | :24:32. | |
Trafalgar Square saying, here I am in this cold grey country when my | :24:32. | :24:38. | |
land is calling me. The film has a sharp cut to two beautiful girls | :24:38. | :24:44. | |
singing in a fantastic field. Again, the overseas audiences were | :24:44. | :24:54. | |
| :24:54. | :24:59. | ||
saying, ah, why are we in the UK? need to go home. It was having an | :24:59. | :25:04. | |
impact all of the world. Even English speaking British films were | :25:04. | :25:14. | |
| :25:14. | :25:16. | ||
being made in the Bollywood style. In the film 'Bride and Prejudice' | :25:16. | :25:22. | |
one actor was given a Bollywood makeover. I wanted to make that film | :25:22. | :25:25. | |
because I was completely bought out by the relatively recent popularity | :25:25. | :25:35. | |
| :25:35. | :25:39. | ||
in the cinema again. In 'Bride and Prejudice' wanted to make full Hindi | :25:39. | :25:44. | |
song and dance musical. But I wanted to make it in English and make it | :25:44. | :25:49. | |
accessible to the west. Wanted to bring it to the cinema audiences in | :25:49. | :25:54. | |
and America... All of the world, and explain to them what the John was | :25:54. | :25:59. | |
really about. Just as the world is catching on, Bollywood changed | :25:59. | :26:09. | |
| :26:09. | :26:11. | ||
again. In 2009 there was another film, a gritty take no modern love | :26:11. | :26:18. | |
story. Its characters were getting mixed up in drugs and prostitution. | :26:18. | :26:23. | |
It only had one dance number. it is recognised as the film it | :26:23. | :26:27. | |
really took the old world and the New World and slapped them together. | :26:27. | :26:31. | |
If you want to see your classic Hollywood plot, you have that, but | :26:31. | :26:37. | |
if you want to see an interesting new way of it, you have it too. It | :26:37. | :26:44. | |
is a new movie. Bollywood's traditional song and dance routines | :26:44. | :26:54. | |
| :26:54. | :26:56. | ||
is only seemed old hat for a new generation. West was best. We grew | :26:56. | :27:03. | |
up watching Butch Cassidy and Star Wars. I got corrupted. When I saw | :27:03. | :27:11. | |
the songs I could not go back. That happened at a very young age. The | :27:11. | :27:17. | |
Star Wars generation is typical in that sense. Suddenly, this whole | :27:17. | :27:27. | |
| :27:27. | :27:28. | ||
song list... Watching movies was far interesting than song and answers. | :27:28. | :27:38. | |
| :27:38. | :27:42. | ||
-- dancers. I thought, I am going to make Indian Jones. He may not be | :27:42. | :27:46. | |
stepping into Harrison Ford's shoes yet but his next film will further | :27:46. | :27:51. | |
cement and between England and Bollywood. It looks to worth | :27:51. | :28:01. | |
| :28:01. | :28:01. | ||
celebrating. -- at a history worth celebrating. I love the Bollywood | :28:01. | :28:09. | |
stars, the storylines, the music. see Indian cinema getting bigger and | :28:09. | :28:19. | |
| :28:19. | :28:19. | ||
better. I think without those films I would not have a sense of my | :28:19. | :28:26. |