Something to Write Home About: Seamus Heaney


Something to Write Home About: Seamus Heaney

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The secret of writing poetry, it has been said, is to find

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is at bottom your child mind,

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that a poet's words and subjects

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So, what I want to do is to explore

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But I'd like to think that the subject not only leads back there,

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to step into the same river twice.

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The River Moyola flows south-east

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and enters Lough Neagh just a

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linking the townland of Broagh to the townland of Bellshill.

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We used to paddle around the gravel

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and I always loved venturing out from one stepping stone to the

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next, right into the middle

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For even though the river was narrow enough and shallow enough,

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there was a feeling of daring

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into the main flow of the current.

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away from the safety of the bank,

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You were giddy and rooted to the spot at one and the same time.

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Your body stood stock-still,

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But your head would be light and swimming from the rush of the river

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at your feet and the big, stately

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in the sky above your head.

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Nowadays when I think of that child

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I see a little version of the god the Romans called Terminus,

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The Romans kept an image of Terminus

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on Capitol Hill and the interesting

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above the place where the image sat

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and the borders of the Earth needed

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the whole unlimited height and width and depth of the heavens themselves.

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boundaries are necessary evils

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the truly desirable condition

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is the feeling of being unbounded,

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Terminus appears in many Irish place

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meaning the glebe land attached to

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land of any sort marked off for

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from very early on, I recognised

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was a special marker of a very

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but also when I stood on the bridge

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and look directly down at the flow where the trout were darting about

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where my mother's people lived in a terraced house with an archway

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of roses over the front pathway and a vegetable garden at the back.

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Castledawson could have been in any

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spick-and-span English mill village,

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In this case, the factory horn

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and then to let them all go home.

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Home to New Row and Boyne Row,

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and the Protestant church, up past the entrance to Moyola Park

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where the Castledawson soccer team

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Chichester-Clarks lived their life

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behind the walls of their demesne.

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All that was, mentally, on one side of the river, as well as physically.

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On the other, there was the parish of Bellaghy or Ballyscullion,

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Their kitchens had open fires rather

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Their houses stood in the middle of fields rather than in a terrace.

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And the people who lived in them

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listened to the cattle roaring

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I knew the Ballaghy side of things was not only in a different

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physical place, but in a sort of different cultural space as well.

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In my mind, Bellaghy belonged not only to Gaelic football, but also

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to the much older Gaelic order of cattle herding and hillforts.

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first Monday of every month.

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The streets would be crammed with cows and heifers and bullocks

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the whole place loud and stinking

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of unruly activity like that

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Castledawson was a far more

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more a part of the main drag.

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The very name of the place is from

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whereas Bellaghy - Baile Eachaidha -

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more obscure origin, in Irish.

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So, as I once said in a poem,

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a poem called Terminus, as a

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between the predominantly loyalist

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and the predominantly nationalist and Catholic district of Bellaghy.

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On a border between townlands

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clear ring of the Ulster Irish

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to the Gaeltacht or Rannafast.

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like the word "hoke", for example.

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not standard English and it's not an Irish language word either,

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as far as I know, but it is there at the foundation of speech,

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under me, like the floor of the

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Something to write home about,

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It means to root about or delve into

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in a poem when the poem is writing itself or you are writing the poem.

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The poem kind of gets its nose

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hokes its way towards the very centre of what it's really concerned with,

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And in fact, it was the word

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an acorn and a rusted bolt.

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If I listened, an engine shunting

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Is it any wonder when I thought

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I would have second thoughts?

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and not be forced into second

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People are being brought up against different boundaries all the time.

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One person says too many cooks

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the other person says many hands

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One person says Ulster is British,

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the other person says Ulster is

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You say potato on your side of the I say "potatto" on my side.

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These contradictions are part of being a member of the human species.

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But in Northern Ireland they have taken on a special local intensity.

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It shone like gifts of the Nativity.

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When they spoke of the Mammon

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and the march drain drains banks

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that I used to hear again and again

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One farm marched another farm, one field marched another field

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to border upon and be bordered upon.

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It was a word that acknowledged

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but it also contained a definite

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If my land marched your land,

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we were bound by that boundary as well as separated by it.

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In the kitchen of the house where

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and it is one of the first memories

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I have, of my feet touching

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I must have been just two or

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I used to lean down and take the boards out of the bottom of the cot,

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and there was a terrific surprise

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small foot touched the actual cold cement, the smoothness of it.

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Then something more gradual,

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through your foot, coming into you.

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You felt confirmed within yourself just by being there on the ground.

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I'm in two places at once really,

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on the floor and within that big

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that the feel of the floor opened

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When my feet touched that floor I knew I was on my way somewhere.

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But whereto I could not have said.

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Nowadays, I would say it was

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"What is important", Basho wrote,

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in the world of true understanding

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"and returning to the world of our daily experience to seek

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"therein the truth of beauty.

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"No matter what we may be doing at a given moment, we must not forget

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of Terminus, the Roman god of

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boundary that entered into me

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I used to carry a can of milk in the evenings from our house

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to a house across the fields from us.

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My journey from home to the back door of that house was short,

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no more than a few hundred yards,

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but in my imagination I covered a great distance every time.

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I still experience that old familiar

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For between the two doorsteps there were several borders.

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In fact, that whole country was

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ditches and hedges and drains.

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On my way to school, I crossed a stream, just a trickle in a

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culvert under the road that turned into this drain between the fields.

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But actually even though it looked

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it was a very important boundary. This was called the Sluggan.

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It divided first of all two

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it divided the townland of Leitrim

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It divided the townland of Tamniarn

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Then it divided two parishes,

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and the parish of Newbridge.

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It actually also divided therefore

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the diocese of Derry, running away

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on this side, and the diocese of Armagh running right down to

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Drogheda, the Boyne in the Irish Republic on the other side.

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It was also, in my own life, a division because at the age

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I used to move my loyalties across from Bellaghy to Castledawson.

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I played football for Castledawson.

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I was moving backwards and forwards across the division all the time.

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lands which were subsequently

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County of Coleraine in the period

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between the Flight of the Earls and the beginning of the Plantation.

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is the area known in the document

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There included are the names of Tamniarn, Leitrim and Shanmullagh,

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which was the old Irish name for the place we now call Castledawson.

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Two buckets were easier carried than

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When I stood on the central

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I was the last earl on horseback,

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parleying in the earshot of his

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One of the great figures of Irish history in the pre-Plantation

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period was Hugh O'Neill, Earl

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leader to hold out against the Tudor armies of Queen Elizabeth I,

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the last earl to make a stand and one of the first to suffer

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within himself the claims of two different political allegiances

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which still operate with such

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and therefore in the understanding of Queen Elizabeth, the English

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Queen's loyal representative in the

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descended from the mythic Irish leader Niall of the Nine Hostages

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and to the Irish he therefore

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leader of the Gaelic O'Neills

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as a defender of the Gaelic inquest

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of those long, drawn-out campaigns that never ceases to fascinate me.

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early in September 1599 after

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the English army up into his own

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The leader of the English forces

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in the portrait, who was the first

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and managed to draw Essex up to the River Lagan, which is a little

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tributary of the River Glyde

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He drew Essex's forces up here for a parley on the banks of the river.

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It is a famous moment often

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O'Neill on his horse in the middle of the river with the water

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behind him on the other bank his forces, Irish-speaking...

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talking to O'Neill in English,

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Everybody could see what was

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But for both the central characters, this was a mysterious moment

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if you like a frozen frame in

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O'Neill already a traitor in the eyes of Elizabeth, but Essex,

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on the verge of catastrophe really

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executed, as a matter of fact,

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because of this, very soon, and O'Neill will suffer ultimate

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For the moment, out in the middle

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The river runs, the big sky moves.

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Earl on horseback in midstream

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still parleying, in earshot of his

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in the mid-1980s when the political

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situation in Northern Ireland was totally locked and blocked.

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Maybe that is one reason why it

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The poem seems to be saying that the inheritance of a divided

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that it traps the people into

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predetermined positions and hampers all creative movement and freedom.

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Running water never disappointed.

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Crossing water always furthered

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It began with the recollection of

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neighbour said about a field of ours that marched our field

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of his and was divided from it

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Then the poem went on to play with the notion of separation, of

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Mournfully on in the kitchen

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Would the knock come to the door

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And the casual whistle strike up

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But now I stand behind him in the dark yard, in the moan of players.

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Shyly, as if he were party to lovemaking or a stranger's weeping.

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Should I slip away, I wonder, or go up and touch his shoulder

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and talk about the weather or

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when I thought The Other Side

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In the face of everything that was

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assassinations and explosions,

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I thought it was too benign and too

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But then still it struck me,

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people from whatever side have to go on living in the same old place.

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that as a symbol of the reality of our lives, the march drain is

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a better one for contemplating

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The marching season is O'Neill and Essex on either side of the river.

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of our experience embittered.

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The march drain seems to me

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to offer a way towards what

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Basho called "the world of true

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whole of the Earth instantly to be below and sustain the march drain.

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That seems to me to be something

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