The Bookseller of Belfast


The Bookseller of Belfast

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This programme contains some strong language.

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Oh, let me see now.

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Mr Toad deserves a wee bit of space along with er,

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Mr Robert Emmet I think, so...

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I'll get you that, old boy.

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Ah, there you are.

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Mr Wilder, I'd forgotten about you.

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You're first edition of The Ides Of March, so you are.

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1845, hmm.

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Interesting, very interesting.

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Oh-ho-ho!

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It's a wee first edition of Odd Man Out.

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And about Belfast. 1948.

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Mmm.

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Can't wait for you to see the light of day, son.

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How can people do that with books? Jesus Christ, it's ridiculous.

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He's destroyed it with that bloody tape.

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Eejit. Bloody eejit.

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I can clean you up, son.

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Yep, you're going to be happy here and back to the way you were.

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How dare he put that on it? How dare he?

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CONVERSATION IN BACKGROUND

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-Here you go, John.

-Thanks, love.

-That OK for you?

-Very tasty.

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Very, very tasty, love. Nice and fresh.

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All right if I sit beside you?

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You're all right, love.

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I'm starving.

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You hungry, pet? That looks nice.

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Tell me, why do you get two bits of tomato and I only got one?

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Because I made it myself!

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Only joking!

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-No, there were two bits of tomato there.

-So did you have two bits?

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-Oh, aye.

-Do you want a wee bit, John?

-No, no, I'm all right now.

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-MOBILE BLEEPS

-Everybody's trying to add me on Facebook today.

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Tell me, Facebook, is this a sort of internet thing?

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-I'm addicted to it, John. Every minute of the day.

-Is that right?

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Yes, and I have actually set it up to my phone

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so if I get a message on it, you are supposed to get a message on

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the computer, but if I get a message on it it goes straight to my phone.

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Somebody text me today saying,

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"Hiya, I see you every week up at the Trinity Lodge, you look amazing."

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-I'm like, I don't even know who that is.

-It's a fan!

-I know!

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MUSIC STARTS

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MUSIC: "Make You Feel My Love" by Adele

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# I go hungry I'd go black and blue...#

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That's nice.

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# I'd go crawling down the avenue...#

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Oh, God, I'd love to be a singer.

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I'm a great believer, Jolene, that if you enjoy doing something,

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do it for love of it, don't look what comes out the other end.

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Like, I was in the book business for over 40 years.

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I didn't go into it for to make any economic fortunes, which is nice.

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I done it because I loved it. And no return. I still buy and sell books.

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I mostly buy them for people and I give them

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instead of charging them for them!

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LAUGHS

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If you believe that, you'll believe anything.

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Somebody asked me earlier, was I selling that to you

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so they could buy it?

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You just tell them what you want, love.

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That's nice.

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-All the customers will all be waiting!

-No, let them go in.

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It's lovely.

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WHISTLES

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See, last time I was in, Tony, you had a wee copy of No Mean City.

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-And they were the old photographs of Belfast.

-Yes.

-I don't see it there.

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It's very wee, if you recall,

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-do remember that wee series that was done?

-I do, yeah.

-Sort of panoramic.

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-Yes, I do, Brian Walker?

-One of the Brian Walker ones, yeah, you know?

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I had a wee copy that I had to loan, but I never got it back, you know, so...

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Oh, here. I know a guy who's looking for that.

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I can always ring him. You know what they say about him?

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You see the ones that are not signed are scarce. He signed everything!

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Yeah, I know, don't go overboard.

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We don't go overboard for the prices.

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-We try our best to keep away, you know?

-That one's signed!

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Mmm. Ah, delicious!

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Mm. Oh-ho! Michaela's cooked.

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Up to scratch. That'll be all right. That'll kick in for tomorrow.

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Second-hand soup's always best.

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Another run over and that will be beautiful.

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HE WHISPERS THE WORDS

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Don't know what that says but it ends "The bird from the sky."

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WHISPERS: Through all the extremes without any, anyone's being able to.

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Don't know.

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Don't know. "Where one ends and another begins. You have..."

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Don't know.

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What's this you're reading?

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Was this the one on Rome? Interesting, isn't it?

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-Do you find it interesting?

-Yep.

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-It's The Light Of Rome I'm reading.

-The Light Of Rome.

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Can you move that over a wee bit? I can't see that from here.

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Just a bit because that's a beautiful way of starting there.

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Yeah, that's what caught my eye.

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"The Light Of Rome is more a thing of beauty."

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"It is a mystery."

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And then they all started beating me at the bloody bus stop.

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Then when I looked around they were all shouting, "He's getting up,

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"he's getting up."

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JOHN LAUGHS

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And I got such a dig in the head, my head hit the pub wall.

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-And that was it?

-And my face was getting slapped.

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And I opened my eyes and the first face I seen was Buck Alec.

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I says, "Where is I?" He says "I told them to F off and or I'd shoot them!"

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He'd shoot them?

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Carried me round home to my long-suffering Ma.

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God love her.

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And there's a gentleman called John... Sorry?

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-John Clancy.

-John Clancy.

-Pleased to meet you.

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-Always known as John the Book.

-John the book!

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LAUGHS

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Right, you turn round.

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People said John the Crook because I was a smithy dealer.

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Along the back of the chairs there, that's the back of the chair, OK?

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The table's in front of you and Grace is to your right-hand side.

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-All right?

-Who's that?

-That's Grace.

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John and John, do you want to talk away there?

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I'm not going to say a warm-up speaker.

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But this gentleman who is going to do the talking tonight, the poems,

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I was always very close to John but what I love most about him

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was very simple, the poetry.

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Because what it was, not only did it bring the feeling when he wrote

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his poems about Sailortown or York Street, for me, it re-lived them.

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The shops, you can nearly smell the atmosphere.

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It's like any area, like if I say I'm very proud to to be actually,

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come from an area like Sailortown, we are diverse, we are

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a mixed race as they call them now, Mickeys and Prods, you know?

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But we've one thing in common, it was called poverty,

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when we were growing up round here.

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As an old friend of mine, Johnny Gillespie says,

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we were that poor, we used to get parcels from the Third World.

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And after a while, you get fed up of getting bananas.

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LAUGHTER

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In fact, I could tell you the first time I ever seen a banana.

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You know, if you've never seen a banana before, what do you do?

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You stick it in your gob the way it is and you start chewing it.

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And my daddy says, "No, no, no, son, you peel it."

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And you know I feel stupid at times, John? By God, I felt stupid.

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It didn't hurt when they beat me with their weapons

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Or when they smashed my nose and broke my jaw

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It didn't hurt when they kicked my helpless body

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It only hurt when her tearstained face I saw

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It didn't hurt when they wouldn't give me water or medicine

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To ease your throat so dry

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It only hurt when I looked into her sad eyes

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And it hurt me bad when I saw her start to cry.

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That's lovely.

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APPLAUSE

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Now, these poems are encapsuled in the time they were written.

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And I write in rhyme. Now, I've written a couple of novels.

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I've written short stories, but when I do a poem, it has to be in rhyme

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because as far as I'm concerned, if it isn't in rhyme, it isn't a poem.

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TECHNO BEAT

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HE RAPS: Just sit back and watch the intense suspense that I present

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I invent the sound of a nation, turned present into presentation

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Turned life on the street into life with a beat

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What I write on the sheet is what I fight in defeat

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I'm ambitious

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But this road to riches turned me bitches and malicious

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It's survival of the fittest I defy the odds

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Living in a country full of riot squads

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Bricks, bottles and blast bombs

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Will I last long or will I pass on?

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Keep your friends close but stay closer to your rivals

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Trying to get ahead is a matter of survival

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It's hard staying laden

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The strongest will survive from the moment you arrive

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You have nothing if you don't have the drive

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See all you want until you get an eye

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For how long will I last is a matter of survival

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Just a matter of survival

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I'm running for my life, in fact I'm jumping over fences

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Smoking more dope trying to improve my senses

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But if I get caught it seems that I'm defenceless

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I'm ready to scrap like I'm ready to rap

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But what good is all that if I get shot in the back

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They're smarter than us all and you know you can't fool it

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No matter how strong you are you can't stop a bullet

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Some hot lead will be embedded in your head

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You'll regret it what you said you must let it get you dead

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They've got no balls but they betray themselves with men

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Want to kill me cos I think the same as them

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They gotta hold tight cos I ain't going without a fight

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They wanna make my exit even harder than my arrival

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Trying to get ahead is just a matter of survival.

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Hello. My name is John Clancy, I am... I was a book-seller.

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I used to give Gerard the odd book now and then, you know?

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And he rang me a wee while back looking for a book

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and unfortunately it didn't...

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I'm not sure whether it was called The Nemesis File

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or to get him another copy of Pride's Castle.

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I got him a week copy of Pride's Castle years ago, you know?

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So, was the book called The Nemesis File? That's good.

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Well tell him, like, I haven't forgot about him,

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but what it was, you see, I came across a book the other day

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there with Nemesis on the title but it wasn't of that title, when I was in town, you know?

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It's just to let him know I haven't forgot about him.

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My name is John Clancy. All right, darling. God bless you, love, bye.

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Bye-bye, love. Bye, bye.

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There we are, Tristan. We're getting there, kid.

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We're getting there, so we are.

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Now, here's a tricky part.

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This is a tricky part.

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This is the tricky part. Not too much, now Johnny boy.

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We can be gentle. There you are, a newborn baby.

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You're welcome back into the fold again.

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Not perfection, but sure.

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Too straight for perfection than anything whatsoever.

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There we are, son.

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"He came into the world in the middle of a thicket,

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"in one of those little, hidden forest glades,

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"which seemed to be entirely open but was really screened in on all sides.

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"There was very little room in it, scarcely enough for him and his mother.

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"He stood there swaying unsteadily on his thin legs

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"and staring vaguely in front of them with clouded eyes which saw nothing.

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"He hung his deep head, trampled a great deal

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"and was still completely stunned.

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"What a beautiful child, cried the magpie.

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"She had flown past attracted by the deep groans of the mother

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"who uttered in her labour.

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"The magpie perched on the nearing branch.

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"'What a beautiful child,' she kept repeating."

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You know where it says a town that was buried?

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That's because over the years Rome has been built over itself

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repeatedly. From Julius Caesar built over Maximus'.

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There's so much left in the city.

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So, yeah, but they all rebuilt over each other's work?

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Just trying to be remembered.

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Just trying to be remembered for ever because if there are towns

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where you are remembered for being a hero in books,

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or you were an architect and you got remembered by leaving

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beauty around, buildings, like the Coliseum.

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The Coliseum was one of the most beautiful things.

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-And you've seen it first-hand, haven't you?

-I have.

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I've standed right outside it.

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Wearing a hacky jersey, but I was still standing outside it.

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Is Caesar your favourite emperor then?

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Favourite emperor would probably either be Julius Caesar,

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but most people would say Julius Caesar, because a lot of people have only ever heard of Julius Caesar.

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But Julius Maximus would probably be my...

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favourite emperor.

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-Or Judas Maximus.

-I'm a fan of Nero. He was crazy.

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Nero was a good emperor.

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There's a lovely statue of Nero when you're walking up the river towards the Vatican.

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HE SINGS OPERA

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KNOCK AT DOOR

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KNOCK AT DOOR

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Are you going to be singing about spaghetti Bolognese all day?

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-That's a bit loud. I'm trying to working here.

-Oh, shit! Sorry, man.

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MUSIC: "O Mio Babbino Caro" by Puccini

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-Hiya, Connor.

-How you doing, sir?

-Do you know what I'm doing?

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I'm moving a lot of stuff from up in the loft.

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-Stuff that's been up there for a while, you know.

-Yes.

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-Be any chance maybe giving us a wee bit of a hand?

-Ah, no problem.

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-Sitting about, not doing anything.

-You're not doing anything?

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-I'm just going over to give John a wee hand here.

-OK.

-How's things?

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-Oh, not so bad. How about yourself?

-Getting on, thanks.

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-You follow me up.

-Yes.

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-Can you get up all right there?

-Yes, I've got this wee light here as well.

-Oh, God bless you.

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Not magic, son. What's that there?

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-Here, could you move them books over there, Connor?

-Yes.

-Look at them.

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We'll bring them down there, because what we'll have to do,

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we'll have to come up someday and I might buy one of those lights,

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that when you put it up, you're able to see everything.

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What's in here, I wonder, son? Hold on.

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I wonder if there's any books there. Oh, shit.

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Oh, it's a pot-pourri in here, isn't it? All right? Here we are.

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Let's see what this is, Connor.

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Ah, this is a young girl I used to send books to. She was from, er...

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-Where are we? Newcastle... California.

-California?

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It says here, "to a special friend". That would be me.

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"Thank you very much, John, for the two books received.

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"My mother was very what, how would one say, thrilled

0:23:250:23:28

"with the complete collection of William Butler Yeats.

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"God bless and thank you again for your help. Mary."

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-There we are, then.

-How long ago was that?

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-I wonder when they checked that.

-Yeah.

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I was what you call a great book, man.

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That's why they call me John the Book. But I was a crap businessman.

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I would have given more stuff away. I seen people come then with their long lists, kids, you know,

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students from school, and things like that there and they had no money.

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And I would have said, "That's yours, take them."

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You know and I mean that, too. Take them, and I'll see you again.

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But I remember one young girl came in, I'll never forget it as long as I live.

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She was doing a wee Irish course. She was looking at a biography of John Hume, etc, etc, etc.

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I had all these books and I give them to her. And I says, "Take them, love.

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"Whenever you get your degree and you start earning a few quid,

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"come down and spend a few pound with me."

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And a number of days down the line, this young lady appears, beautiful young girl,

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one of those attractive young girls that look well.

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The right type of perfume, you know.

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Should have seen the perfume - I would have drunk it at one time!

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Cost about 100 quid a bottle!

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And one thing about it, she went around the shop and she picked out three or four books.

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And she says, "By the way, thank you very much," and she handed me an envelope and walked out.

0:24:390:24:43

And there was a note in it, "Thank you very much". And there was £100 in it.

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-Now do you know what I'm talking about?

-That's it.

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-People don't forget the favours.

-What goes around comes around.

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Go.

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Straight up, John.

0:24:580:24:59

-Oops-a-daisy.

-How did he get that bed up in here?

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Is that bed made up? That bed that's up there!

0:25:040:25:07

Was that made up indoors, or what?

0:25:070:25:10

How did you get it in originally? Oh, dear!

0:25:100:25:13

It's stuck! Stuck!

0:25:140:25:16

-Oh, my goodness!

-Shit.

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Let me see.

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We'll see, I think.

0:25:240:25:27

Right, OK.

0:25:270:25:28

-Shit!

-Oh, mind you don't hurt yourself.

0:25:310:25:33

-Ah, no.

-Well, be careful.

0:25:330:25:36

It gets like that, you see.

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Oh, no! It's not going to fit.

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You see?

0:25:410:25:43

See what I mean? You see. Look.

0:25:450:25:48

-I'll tell you something...

-It's like a water bed.

0:25:480:25:51

You see that one I took off? That's just a more comfortable mattress than the one I took off.

0:25:510:25:55

-So this one is going to stay here.

-Oh, no. John.

0:25:550:25:57

And better still, it even fits nearly down there.

0:25:570:26:00

-But do you not think...

-But say you don't want to keep this mattress.

0:26:000:26:03

You'd have to promise me, no smoking in the bed.

0:26:030:26:06

No, no smoking in the bed, love.

0:26:060:26:08

I'll... Look, I'll tell you what I'll do with you.

0:26:080:26:11

I'll even remove my cigarette and ashtray, you see, like so.

0:26:110:26:15

And I promise you there is no cigarettes. Sorry about that, love, you know.

0:26:150:26:19

-So what are you going to do? Get a new bed?

-No.

0:26:190:26:21

Michelle, I was born in this bed and with the grace of God, I die on it.

0:26:210:26:26

-Can you not make it a bit more Belfast?

-A wee bit more Belfast?

0:26:260:26:30

-A wee bit less, even.

-Less?

-You just sound too Belfastish.

0:26:300:26:34

-But that's where I'm from.

-But why? It should be better.

0:26:340:26:37

-Because I was born there.

-You could try it more.

0:26:370:26:40

Rapping like an American? (RAPS) I'm a sleeper.

0:26:400:26:42

I take life one step at a time, some try to live out their dreams...

0:26:420:26:45

-That's better. You don't think that better?

-No, that sucks.

0:26:450:26:48

No. I'm a sleeper, I take life one step at a time, some try to live out their dreams...

0:26:490:26:53

-No, because it's very flat, if you know what I mean.

-OK. I'll whizz it up.

0:26:530:26:58

I'm the sleeper, I take life one step at a time

0:27:000:27:02

Some try to live out their dreams but mine's are captain, my man

0:27:020:27:05

they say you're seeking new fame but not when you reclaim

0:27:050:27:08

my man's no motivation

0:27:080:27:09

I spend more time in bed than most spend in education

0:27:090:27:12

and all my weekend hours are just flurried with frustration. Why?

0:27:120:27:16

Cos I'm not...

0:27:160:27:17

# Overheard, underpaid

0:27:170:27:22

# I'm sure there's hurt

0:27:220:27:25

-# I could change my ways

-Cos there's the smoker, the sleeper,

0:27:250:27:28

the tosser and turner, this is the smoker, the sleeper,

0:27:280:27:31

-the tosser and turner. Yeah?

-Good! Do you like that?

-I like that!

0:27:310:27:37

-Do you?

-M'hm. Do you like it?

0:27:370:27:40

-What are you listening to?

-Er, Puccini.

0:28:180:28:20

Let me hear. Can I have a listen?

0:28:200:28:22

-It's good?

-I think it's good.

0:28:230:28:25

Oh, mummy, that's depressing.

0:28:270:28:29

-What do you mean, depressing?

-That's what you'd play at a funeral.

0:28:290:28:32

-No, it's not. It's a thing of beauty.

-Why do you like it?

0:28:320:28:36

It's mainly from the country it comes. Italy shows so much...

0:28:360:28:39

Country music?

0:28:390:28:40

No, from the country it comes from, which is Italy. It's Puccini.

0:28:400:28:44

It's a town.

0:28:440:28:45

It's mainly because Italy put pure beauty

0:28:450:28:48

and romance into everything they do.

0:28:480:28:50

You shouldn't listen to all of that shit. You'll end up killing yourself!

0:28:500:28:53

See, with a big spliff, and that, and a big cup of tea - perfect.

0:28:540:28:58

-You're so like your brother.

-Yeah, well so-so.

0:28:580:29:01

He prefers to listen to rap most of the time.

0:29:010:29:03

-Yeah?

-I only listen to four rappers.

-Oh, do you?

-Yes.

0:29:030:29:07

-Rap's not my favourite thing. I'd rather jive or head bang.

-Yeah.

0:29:070:29:12

-I better go back to work.

-OK.

0:29:120:29:14

-Well, nice to see you.

-Stop listening to that shitty tunes.

0:29:140:29:17

-All right.

-See ya later.

-See ya later.

0:29:170:29:19

I'm a shy person a lot of the time and whenever I meet new friends,

0:29:230:29:29

I'm usually stoned then, so I'm usually able to talk.

0:29:290:29:33

So, say, like I try a new girlfriend, like going out with a new girl,

0:29:330:29:37

and I can't talk, I have nothing to say.

0:29:370:29:41

I'll go and look at them for ten minutes and come back

0:29:410:29:44

and have a wee waterfall or bong, got back

0:29:440:29:46

and just be talking to absolute heavens, but it's perfect

0:29:460:29:51

because girls like to talk but they don't like to talk that much.

0:29:510:29:56

In the dances, going back to the old Orpheus days, if I hadn't had

0:29:560:30:00

a drink, I had to walk around the floor all night, I would

0:30:000:30:02

have been scared to approach a girl to say, "Can I have this dance?"

0:30:020:30:05

See, I didn't fucking feel like it. Fucking...

0:30:050:30:07

If I'd have gone up and danced with no booze in me.

0:30:070:30:10

I was like wrapped in fucking plaster of Paris, you know.

0:30:100:30:13

See, a couple of drinks, fucking John Travolta, move over!

0:30:130:30:16

I'll tell you the best description, Robert, that I ever heard of alcohol.

0:30:160:30:20

And it was from a wee woman who I loved dearly,

0:30:200:30:23

who happened to be my mother, who was then in her late 70s.

0:30:230:30:27

In reality, she was worrying herself to death about her youngest son

0:30:270:30:32

who was going to die.

0:30:320:30:34

And the best description that I ever heard,

0:30:360:30:38

and this is not an Irish mother,

0:30:380:30:40

was my mother "Son, I wish you were dead rather than

0:30:400:30:45

"the way your living." Now do you know where I'm coming from?

0:30:450:30:49

She hit it on the button.

0:30:490:30:51

But in that diseased condition, you can't see it that way.

0:30:510:30:55

That's a threat to you.

0:30:550:30:57

Now, I looked into her eyes and she looked into mine

0:30:570:31:00

and I seen the pain.

0:31:000:31:02

I went out the door,

0:31:020:31:04

and down to the Somerton Inn which is only around the corner.

0:31:040:31:08

I ordered a glass of brandy, which is my drink of choice,

0:31:080:31:10

in fact my ma called me Brandy Balls. You know what I mean?

0:31:100:31:13

I put a wee drop of ginger in it and after three drinks I says,

0:31:130:31:17

"That bitch.

0:31:170:31:19

"How could she say that to me?"

0:31:190:31:21

I dropped that brandy on the floor and it smashed.

0:31:210:31:25

And do you imagine all the wee shards of glass in the bottom.

0:31:250:31:29

And I got down like a dog and licked it off the floor, picking

0:31:290:31:33

the glass out of my tongue which had been bleeding.

0:31:330:31:38

Now, in reality you would...

0:31:380:31:40

I would say that's the depths of despair

0:31:400:31:42

and I never get called a genius, but I'm not stupid.

0:31:420:31:46

That was 1970.

0:31:470:31:49

I didn't stop drinking till 1983, so it gives you

0:31:490:31:52

an idea of the progression and where it will lead you to.

0:31:520:31:59

They call it the gates of insanity or death.

0:31:590:32:03

WOMAN SINGS KARAOKE

0:32:060:32:09

# Watch you smile while you are sleeping

0:32:130:32:17

# While you're far away and dreaming

0:32:170:32:22

# Then I kiss your eyes and thank God we're together

0:32:220:32:29

# Oh, I don't want to close my eyes

0:32:290:32:35

# I don't want to fall asleep cos I miss you baby

0:32:350:32:39

# And I don't want to miss a thing

0:32:390:32:43

# Cos even when I dream of you The sweetest dream will never do

0:32:430:32:49

# I still miss you, babe and I don't want to miss a thing... #

0:32:490:32:54

Remember to breathe and remember to smile.

0:32:540:32:56

-# When I close my eyes...

-You're enjoying it.

0:32:560:32:59

# I don't Want to fall asleep because I miss you, babe

0:32:590:33:03

# And I don't wanna miss a thing

0:33:030:33:06

# Even when I dream of you... #

0:33:060:33:10

-That's it. You're doing well. That's it. That's the song.

-Thank you.

0:33:100:33:12

And who was it? The Morrellas, Morrella...Morelli's?

0:33:120:33:15

Morelli's, yeah. Big Tony's not too well.

0:33:150:33:18

-You probably remember Big Tony, the singer? Sing with a showband?

-Yes.

0:33:180:33:21

-Beautiful voice.

-That's right. Tony Morelli.

-Tony.

0:33:210:33:25

-I was talking to him.

-Jolene, sit in here.

0:33:250:33:28

A cousin of his, you know. Here? Here?

0:33:280:33:31

Where's my dark glasses?

0:33:330:33:35

Hey, yourself. That's looks superb. What?

0:33:390:33:42

-Its country and western theme.

-Maybe with a hat, I'll look better.

-I don't know.

0:33:420:33:46

You're looking all right the way it is, love. I'll tell you one thing.

0:33:460:33:48

I wouldn't get too far in the competition, Jolene.

0:33:480:33:50

Also, if we have a bit of TV crew in here,

0:33:500:33:53

so please don't say fuck or bugger, OK? You can bleep that one out.

0:33:530:34:00

So if you don't want to be on, if you're on DLA,

0:34:000:34:02

and you're not really meant to be out of the house

0:34:020:34:04

because you've got rickets or gout or something like that there,

0:34:040:34:08

do not be waving your hands in the air, and going, "Mummy look at me!

0:34:080:34:13

"I'm on fucking tape, momma, look at this!

0:34:130:34:15

"Look what I can do with my arm that I should have strapped up!"

0:34:150:34:19

Don't be doing anything like that there, OK?

0:34:190:34:21

Because we are not responsible if brew catches your arm.

0:34:210:34:25

OK, keeps your hands clapping, she was typing for now,

0:34:250:34:28

the wonderful Jolene, Jolene, Jolene.

0:34:280:34:31

APPLAUSE

0:34:310:34:33

# If I should stay

0:34:480:34:53

# I would only be in your way

0:34:550:35:00

# So I'll go, but I know

0:35:020:35:09

# I'll think of you each step of the way

0:35:090:35:14

# And I will always love you

0:35:170:35:27

# I will always love you

0:35:270:35:33

SONG CHANGES TO "9 TO 5" BY DOLLY PARTON

0:35:390:35:42

CHEERING AND APPLAUSE

0:35:420:35:46

# Tumble out of bed and stumble to the kitchen

0:35:470:35:50

# Pour myself a cup of ambition yawning, stretching

0:35:500:35:54

# Try to come to life

0:35:540:35:57

# Jump in the shower and the blood starts pumping

0:35:570:35:59

# Out on the streets the traffic starts jumping

0:35:590:36:02

# Folks like me on the job from 9 to 5

0:36:020:36:06

# Working 9 to 5, what a way to make a living

0:36:060:36:11

# Barely getting by, it's all taking and no giving

0:36:110:36:15

# You just use your mind and they never give you credit

0:36:150:36:20

# It's enough to drive you crazy if you let it. #

0:36:200:36:26

APPLAUSE AND CHEERING

0:36:260:36:30

Wow! Well, everybody loves a bit of a medley.

0:36:300:36:34

I love a bit of Dolly medley, you can never go wrong. Did you enjoy that?

0:36:340:36:37

-Yes.

-OK, Kat.

0:36:370:36:39

Absolutely, the first rule of show business - if you

0:36:390:36:41

-forget your words, you shake your ass, and you did it.

-CHEERING

0:36:410:36:45

-Woo!

-So, I think you look absolutely fantastic,

0:36:450:36:49

just the way you use the stage, you look terrific tonight,

0:36:490:36:51

and you should be very proud of yourself, so well done. Well done.

0:36:510:36:54

Congratulations, Jolene, great.

0:36:540:36:56

And ladies and gentlemen, a big round of applause for our backing

0:36:560:36:59

dancers, the lovely Pan's People.

0:36:590:37:02

OK, fingers crossed we get to see a little bit of bare flesh tonight.

0:37:020:37:06

I was just thinking to me self, remember that club we were at,

0:37:060:37:09

-Michelle?

-Mm-hm.

-There was some crowd in it, like.

0:37:090:37:12

Yeah, we're going to go to the finals, definitely, for support.

0:37:120:37:16

Ach, I think she'll make the final all right.

0:37:160:37:18

There's no problem there, and I mean that too, love.

0:37:180:37:21

No problem whatsoever.

0:37:210:37:23

I do believe that, you know.

0:37:230:37:26

Means she goes across the water to that other thing, doesn't she?

0:37:260:37:29

-Is she going to Liverpool?

-That's right, John.

0:37:290:37:32

Well, you never know, it's that TV thing.

0:37:320:37:34

That's the real X Factor. It's called the X Factor.

0:37:340:37:36

-Oh, is that what it's called?

-Yeah.

-I watched a couple of times.

0:37:360:37:39

It'd be great for her to go to that, wouldn't it?

0:37:390:37:41

Ach, the wee thing that gets me sometimes about programmes

0:37:410:37:44

like that, they give people so many dreams,

0:37:440:37:46

and I'm a great believer,

0:37:460:37:47

it's unfair to take anybody's dreams away.

0:37:470:37:49

You build them up and then, of course, you knock them down.

0:37:490:37:54

The press, anyway, you know. But it's a hard, hard game, Michelle.

0:37:540:37:58

-I can't sing.

-Don't you sing as well?

0:37:580:38:00

-When I get a few drinks, I like karaoke, like.

-Oh, do you?!

-Oh, aye.

0:38:000:38:04

Here, we have to get something organised there.

0:38:040:38:06

You can't hear yourself singing when you sing in one of them things.

0:38:060:38:09

So you think you're brilliant!

0:38:090:38:10

I used to sing in the boys choir, but that's a long, long time ago.

0:38:100:38:14

You know, little tenor, you know.

0:38:140:38:17

You all right?

0:38:270:38:29

-Come in.

-A mattress for you.

-Come on. Mr Cassidy, how are you?!

0:38:350:38:39

Lovely to see you!

0:38:390:38:42

I bet that fits like a tee, don't worry about that there.

0:38:420:38:45

They're only books.

0:38:450:38:47

Aw, would you look at that!

0:38:470:38:50

Now, there's a few wee books up there, Mr Cassidy.

0:38:520:38:55

Mostly Irish stuff, you know. I'm a collector, as you know yourself.

0:38:550:38:59

And I must get that we book on Winnie Carney. That's amazing.

0:38:590:39:02

-It's a small world, isn't it?

-It certainly is.

0:39:020:39:04

Who's the baby on the wall?

0:39:040:39:06

That would have been a brother of mine who passed away,

0:39:060:39:08

when he was four-year-old. That was our Hugh.

0:39:080:39:12

I was the youngest of the family, you know, and he died of meningitis.

0:39:120:39:16

And then I had a sister, Rosaline, she passed away.

0:39:160:39:20

I'm the babby of the family. And I'm the only one left.

0:39:200:39:23

-The last of the Mohicans!

-I'm the last of the Mohi...

0:39:230:39:26

And they're all away now, you know.

0:39:260:39:27

Mother, it was her anniversary yesterday.

0:39:270:39:30

Jeez, my ma loved that bed. My ma died in it. Jimmy died in it.

0:39:300:39:34

So if they can die in it, I'll die in it!

0:39:340:39:37

HE SIGHS

0:39:370:39:40

HELICOPTER WHIRRS

0:39:430:39:46

SIRENS WAIL

0:39:460:39:49

POLICE RADIO CHATTER

0:39:530:39:55

The only thing is, maybe you can go and ask the police man there.

0:40:050:40:08

-You see, I don't know.

-I'm going up to Carr's Glenn.

-Carr's Glenn?

0:40:080:40:11

-Aye.

-Jesus, I don't know, darling, honestly. I'm sorry.

-I'll ask.

0:40:110:40:14

-Ask the policeman, love.

-Yeah.

0:40:140:40:18

Your wee woman there has to go to Carr's Glenn, I don't

0:40:180:40:20

think she'll be able to get up. See it apparently wasn't blocked off, sure it wasn't, this morning?

0:40:200:40:24

-But she'll be able to get a bus down...

-She can get the bus down there.

0:40:240:40:27

-The bus is going up Cliftonpark Avenue, and then up...

-Are they?

0:40:270:40:31

It's cutting the whole way across.

0:40:310:40:33

-Maybe the police might be able to tell her then.

-Aye.

0:40:330:40:37

See where that library is, it usually picks you up there. There was a few people there this morning,

0:40:370:40:41

but I don't know how the kids got to school.

0:40:410:40:44

Usually they stand at the library, you see.

0:40:440:40:46

And get the bus straight up the road. But, it's absolutely mad.

0:40:460:40:49

Crazy, like.

0:40:490:40:51

Like I'm not from here, I'm from England, myself,

0:40:510:40:53

and this is, I've never seen anything like this in my life. Never, ever.

0:40:530:40:58

-I was going to say the...

-God's sake, there's curse all else to do.

0:41:000:41:03

Now you're talking about it, darling.

0:41:030:41:05

That's probably a hoax as well, only you can't take that.

0:41:050:41:08

Yes, I ain't seen nothing, darlin'.

0:41:080:41:10

I'll tell you something, you're very fit for your age,

0:41:100:41:12

-the way you run down there, love.

-Aye, nearly 80.

-Are you, pet?

-Yes!

0:41:120:41:17

-And my husband just died there...

-I'm so sorry.

0:41:180:41:21

..after 84, so that's why I'm out walking, and you can't even get home!

0:41:210:41:25

Oh, it's very annoying, love, isn't it?

0:41:250:41:28

I'm sure people like that don't think about people like us, love.

0:41:280:41:31

No, if they'd put them to work instead of feeding them

0:41:310:41:33

their brew and all that jazz, they'd be all right!

0:41:330:41:35

-Oh, tell me about it, darlin.

-Make them work for their money!

0:41:350:41:40

-The way I had to do!

-Aye!

0:41:400:41:42

HELICOPTER OVERHEAD

0:41:510:41:56

-That's a lovely view. It was worth the walk.

-Yeah...

0:42:110:42:15

The walk was nice, but the view isn't actually nice.

0:42:150:42:17

If you don't like Belfast, say you don't like Belfast.

0:42:170:42:20

Just come out with it. Is that what it is? You don't like Belfast?

0:42:200:42:25

-HE TUTS

-Turncoat.

0:42:250:42:27

-HE LAUGHS Ah, well.

-Where do you want go and live?

0:42:270:42:30

-America.

-Aw, cos it's the land of the free?

-Aye, the land of the free!

0:42:300:42:35

-Where do you want to go live in America?

-Detroit.

-Detroit.

0:42:350:42:38

-Want to go and watch the Red Wings play?

-Every weekend. Every weekend.

0:42:380:42:44

-What would you do when you got there?

-Work.

0:42:440:42:46

-As what?

-A chef.

-A chef.

0:42:460:42:49

Barman, more like. It's the only job an Irish man will get in America, these days, I imagine.

0:42:490:42:53

-Well, they still love the Irish barmen.

-Oh, you may go to Boston then.

0:42:530:42:57

Detroit, Detroit do have a few Irish bars though.

0:42:580:43:01

But you don't even have a job here like, you go to America

0:43:010:43:05

-and think you'll get a job there?

-If I had the money I would go.

0:43:050:43:07

This is like the famine, you know what I mean,

0:43:070:43:09

you go over there for work, cos there's none here.

0:43:090:43:12

See that? There's a plane taking off there.

0:43:120:43:14

That could be the plane that carries you to America.

0:43:140:43:18

That's not going nowhere, that's landing! You fool!

0:43:180:43:20

-HE LAUGHS

-That could be the plane brings you back two weeks later

0:43:200:43:23

-from America because you couldn't make it there!

-HE LAUGHS

0:43:230:43:26

That night in Smithfield, this is Smithfield as it was.

0:43:310:43:33

The incendiary devices went.

0:43:330:43:35

Eric Haugh was at this end of it, looking through.

0:43:350:43:37

And the devices went boom, boom, boom, boom, boom, boom, boom.

0:43:370:43:43

And so we just went up, he ran across the street

0:43:430:43:46

and the whole lot just went up like that, whowww.

0:43:460:43:48

Just collapsed all in, the burning embers.

0:43:500:43:53

Not only that there, you know,

0:43:530:43:55

by the time I got down,

0:43:550:43:56

a lot of the old traders were all around the market, you know.

0:43:560:44:00

I put my arms around one little lady,

0:44:000:44:02

you know, who had a little stall,

0:44:020:44:04

a little second-hand clothes stall,

0:44:040:44:08

and the tears dripping from there.

0:44:080:44:10

And I joined in.

0:44:100:44:12

The soul of Belfast was burned

0:44:120:44:15

on 27th of May 1974.

0:44:150:44:17

And it will never return.

0:44:190:44:21

These days are over. These days are over.

0:44:210:44:25

These days are over.

0:44:260:44:29

These days are over. Paul Morton.

0:44:290:44:33

Days are over.

0:44:330:44:35

All gone.

0:44:350:44:37

All gone.

0:44:370:44:39

That's me. That was our old shop.

0:44:390:44:42

People don't realise what was burnt in that shop.

0:44:440:44:48

The soul of Belfast gone.

0:44:480:44:50

Never to return. Never to return.

0:44:510:44:55

Never to return.

0:44:570:44:59

Oh, I'd love to be a cowboy. Out in the open ranch.

0:45:030:45:07

Riding all day, herding cattle all day.

0:45:090:45:11

Drinking the occasional whiskey at night. Be the days.

0:45:130:45:19

Ride into town with a bandit over your back. Collecting the bounty.

0:45:190:45:24

Riding out with your posse and shooting a load of poachers.

0:45:240:45:27

Get away from my cows!

0:45:270:45:29

You come for beef, you'll get lead!

0:45:310:45:34

-Aye, dreams.

-Mmm.

0:45:400:45:42

Never take a dream away from a man. You take away part of his soul.

0:45:440:45:49

But just that you mention that there, I've just the thing, when you say this.

0:45:520:45:56

"It was spring on an era many years after a lone Eagle had watched

0:46:050:46:09

"a buffalo herd. An upland prairie country road

0:46:090:46:12

"waved town the snow-capped Rocky Mountains,

0:46:120:46:14

"to spread out into the immense eastern void.

0:46:140:46:18

"Over the bleach white grass had come a faint tinge of green.

0:46:180:46:22

"The warm sod had begun to resume covering over the Earth.

0:46:220:46:26

"A flock of wild geese,

0:46:260:46:28

"late on their annual pilgrimage went swiftly towards the north land.

0:46:280:46:33

"On the ridges, held grazed, and down in the Hallows where murmuring

0:46:330:46:37

"streams roused, clouded with blue colour and melted snow."

0:46:370:46:42

"Deer nibbled at the new, tender shoots of grass."

0:46:420:46:47

Just like your dreams, you close your eyes, you see that.

0:46:470:46:52

When I read that there, it goes into my imagination.

0:46:520:46:55

Never give up on dreams, Robert. Never give up on dreams, son.

0:46:570:47:00

HE WHISPERS INAUDIBLY

0:47:030:47:06

"..the famed...expedition..."

0:47:060:47:11

Don't know what that sentence says.

0:47:140:47:16

Don't know what that says. Oh, "Louisiana.

0:47:160:47:21

"This..." ..don't know.

0:47:210:47:24

"This was dispatched under the command of 20-year-old...

0:47:240:47:30

"the command of a 20-year-old from a military family.

0:47:300:47:36

"Lieutenant..." don't know.

0:47:360:47:39

RAIN LASHES OUTSIDE

0:47:400:47:44

Hello, where are youse?

0:48:150:48:18

Ah, here, youse are leaving it a bit late.

0:48:180:48:21

-It's leaving soon.

-'It's delayed.'

-What?

-'It's delayed.'

0:48:210:48:25

-Delayed till when?

-"Till eight o'clock."

-Eight o'clock?

0:48:250:48:32

The plane is delayed?! It's not delayed!

0:48:320:48:35

THUNDER RUMBLES

0:48:370:48:40

Hello, Tony, this is your brother-in-law here, John, ringing from Belfast.

0:48:580:49:03

A large tsunami has just hit the north coast of Japan

0:49:030:49:08

and it's making its way to Hawaii within the next couple of hours.

0:49:080:49:12

I don't know why you're aware of this, but I rang James in

0:49:120:49:15

San Diego, to let him know, and he said he would be in touch with you.

0:49:150:49:20

Cos I'm concerned about not only your safety in Hawaii,

0:49:200:49:24

but mostly also for your safety of your relatives and friends,

0:49:240:49:29

if any of them are living in the north-east of Japan.

0:49:290:49:33

I think if I remember, Patrick telling me that most of your

0:49:330:49:36

family lived in the Tokyo area, now Tokyo is OK at the present time,

0:49:360:49:41

but the tsunami is supposed to hit Hawaii within the next hour so, so...

0:49:410:49:45

That's powerful, isn't it? Holy God.

0:49:490:49:51

200 to 300 bodies so far.

0:49:580:50:01

8.9 on the scale, like. Phew.

0:50:190:50:21

That really is where you sort of go with the Noah's Ark thing,

0:50:300:50:33

cos you think these boys need an ark right now.

0:50:330:50:36

Two by two, we stand tall, one by one, we all fall.

0:50:360:50:40

Ring, ring, God, please answer my call.

0:50:400:50:42

It's your child, I know we ain't spoke in a while,

0:50:420:50:45

I fear you're about to make it real, I mean 40 days day,

0:50:450:50:49

I mean torrential, but survival of life is essential.

0:50:490:50:52

Once again, there's moneylenders dwelling in your temple.

0:50:520:50:55

Charging taxes.

0:50:550:50:56

So I'll build your ark and not grant them access, cos the fact is,

0:50:560:51:00

the flood out of chaos comes order, because once again,

0:51:000:51:03

man-made land is submerged in water.

0:51:030:51:05

All our old ways die like lambs to the slaughter, as once again,

0:51:050:51:09

we all go in the little ark for to get out of the rain.

0:51:090:51:13

# The animals went in two by two, hurrah, hurrah

0:51:130:51:18

# The animals went in two by two, hurrah, hurrah

0:51:180:51:22

# The animals went in two by two, the elephant and the kangaroo

0:51:220:51:27

# And they all went into the ark for to get out of the rain. #

0:51:270:51:33

HE RAPS We've been pushing our luck, but was there to be pushed

0:51:350:51:38

chances less broad, once the odds reduced?

0:51:380:51:43

Connects the roots. Our collective necks caught in the noose.

0:51:430:51:48

We produce so much that we just can't use.

0:51:480:51:52

End of an era, got your message now, you're sending it clearer.

0:51:520:51:57

God strike down those only pretending to fear ya.

0:51:570:52:01

And yet, save genetics of those with moral favour and ethics.

0:52:010:52:06

And all our efforts to survive will not be in vain and every good man

0:52:060:52:12

alive well not be in pain and every good vague will not be contained.

0:52:120:52:20

We all must reform at the top of our game as we go into the ark

0:52:200:52:26

for to get OUT of the rain.

0:52:260:52:29

# For to get out of the rain

0:52:320:52:35

# For to get out of the rain

0:52:410:52:44

# For to get out of the rain

0:52:500:52:53

# For to get out of the rain. #

0:52:590:53:02

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