
Browse content similar to Blurred Lines: The New Battle of the Sexes. Check below for episodes and series from the same categories and more!
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Contains some violent scenes, and strong language and scenes which some viewers may find upsetting from the start. | 0:00:02 | 0:00:08 | |
So Nadine Dorries. Alone in a hotel, no repercussions... | 0:00:08 | 0:00:12 | |
I'll abuse you so badly | 0:00:12 | 0:00:14 | |
your gynaecologist will think you've been in a fucking car crash. | 0:00:14 | 0:00:17 | |
My views on anything | 0:00:18 | 0:00:20 | |
are actually irrelevant to the size or shape of my vagina. | 0:00:20 | 0:00:24 | |
From abuse hurled at women appearing on Question Time | 0:00:24 | 0:00:28 | |
to bomb threats sent to campaigners | 0:00:28 | 0:00:31 | |
agitating for more female heroes on banknotes, | 0:00:31 | 0:00:34 | |
from the sexually explicit portrayal | 0:00:34 | 0:00:37 | |
of women in pop videos to rape jokes... | 0:00:37 | 0:00:40 | |
-Anyway, that night she got raped. -LAUGHTER | 0:00:40 | 0:00:42 | |
..is there a new culture abroad in which men, and it is mainly men, | 0:00:42 | 0:00:47 | |
seem to think they have the freedom | 0:00:47 | 0:00:50 | |
and the right to speak about, write about, | 0:00:50 | 0:00:53 | |
and portray women in a derogatory, even abusive way? | 0:00:53 | 0:00:57 | |
And is this culture now infecting and polluting | 0:00:59 | 0:01:02 | |
the lives of school girls? | 0:01:02 | 0:01:04 | |
If you come home to your mother | 0:01:04 | 0:01:06 | |
and say there were rape jokes at school, | 0:01:06 | 0:01:08 | |
a girl was being slut shamed today, somebody was being touched up, | 0:01:08 | 0:01:11 | |
-would she not be horrified? -I probably wouldn't tell my mum. | 0:01:11 | 0:01:13 | |
It's just so normal, why would I tell her? | 0:01:13 | 0:01:16 | |
Do you want a copy of The Female Eunuch? | 0:01:16 | 0:01:18 | |
The most prominent feminist of her generation didn't see it coming. | 0:01:18 | 0:01:22 | |
Things have got a lot worse for women since I wrote The Female Eunuch. | 0:01:22 | 0:01:25 | |
Who thought once you had social media | 0:01:25 | 0:01:28 | |
they would become this terrible grab bag of loathing of women? | 0:01:28 | 0:01:33 | |
We need a new analysis. | 0:01:34 | 0:01:37 | |
So have these sentiments always been lurking? | 0:01:37 | 0:01:40 | |
Has technology just given them a new, louder voice | 0:01:40 | 0:01:44 | |
or has something changed men's attitudes to women for the worse? | 0:01:44 | 0:01:48 | |
I think there is definitely | 0:01:48 | 0:01:49 | |
a new kind of misogyny developing right now | 0:01:49 | 0:01:52 | |
and it comes out of a deep sense of resentment | 0:01:52 | 0:01:55 | |
at growing female power. | 0:01:55 | 0:01:58 | |
Some people disagree and think women should just calm down | 0:01:58 | 0:02:02 | |
and stop taking this so seriously. | 0:02:02 | 0:02:05 | |
After all, we live in a culture | 0:02:05 | 0:02:08 | |
that can be coarse and vicious to everyone. | 0:02:08 | 0:02:10 | |
This isn't something which is peculiar to women, | 0:02:11 | 0:02:13 | |
this is something which is peculiar to the internet. | 0:02:13 | 0:02:16 | |
I think you have to, to use the sexist term, man up a bit. | 0:02:16 | 0:02:20 | |
So is that what this is about, | 0:02:20 | 0:02:23 | |
it's our problem and genuinely women just have to "man up"? | 0:02:23 | 0:02:27 | |
Or is there something new in the air, | 0:02:27 | 0:02:29 | |
a visceral misogyny, a kind of dangerous nastiness? | 0:02:29 | 0:02:33 | |
And if there is, could it have far-reaching consequences? | 0:02:33 | 0:02:37 | |
Women have so many opportunities today | 0:02:52 | 0:02:54 | |
that some say feminism has done its job. | 0:02:54 | 0:02:57 | |
My mother's life was so different to mine. | 0:02:59 | 0:03:02 | |
I don't think she could comprehend | 0:03:02 | 0:03:04 | |
the freedom I enjoy as a BBC journalist and presenter. | 0:03:04 | 0:03:07 | |
Like many, I've benefited from the hard-fought changes | 0:03:09 | 0:03:12 | |
that have made women equal in the eyes of the law. | 0:03:12 | 0:03:15 | |
But has achieving real respect for women in society | 0:03:17 | 0:03:20 | |
been such a smooth process? | 0:03:20 | 0:03:23 | |
Or are we seeing the latest and most virulent of a series of backlashes? | 0:03:23 | 0:03:28 | |
# All so we can have a good time, yeah! | 0:03:28 | 0:03:30 | |
# I'm in here busy looking for the next top model...# | 0:03:30 | 0:03:34 | |
And right now in our sexually explicit culture, | 0:03:34 | 0:03:37 | |
are age-old hostilities finding very contemporary forms? | 0:03:37 | 0:03:41 | |
From pop videos... | 0:03:41 | 0:03:44 | |
..to advertising... | 0:03:45 | 0:03:47 | |
..to TV shows. | 0:03:47 | 0:03:49 | |
Even though you are getting old and you're up the duff, | 0:03:49 | 0:03:53 | |
I would still smash your back doors in. | 0:03:53 | 0:03:55 | |
LAUGHTER | 0:03:55 | 0:03:56 | |
And spunk on your tits. LAUGHTER | 0:03:56 | 0:03:59 | |
Is what we're seeing sexism, misogyny or liberation? | 0:03:59 | 0:04:03 | |
Sexism is prejudice or discrimination. | 0:04:04 | 0:04:07 | |
Misogyny is something altogether darker. | 0:04:07 | 0:04:10 | |
Misogyny is personalised, sexualised and often violent. | 0:04:11 | 0:04:16 | |
It is, of course, nothing new, | 0:04:16 | 0:04:17 | |
but I wonder if it's found a new lease of life. | 0:04:17 | 0:04:20 | |
In our "anything goes" culture, | 0:04:20 | 0:04:23 | |
has it become OK to be sexually offensive to women? | 0:04:23 | 0:04:26 | |
And in the process, has it become harder to recognise misogyny, | 0:04:26 | 0:04:31 | |
or even as a society to agree when it occurs? | 0:04:31 | 0:04:34 | |
I'm going to Stirling University to investigate an incident | 0:04:41 | 0:04:44 | |
that really raises questions about what behaviour towards women | 0:04:44 | 0:04:48 | |
and language about them is considered socially acceptable | 0:04:48 | 0:04:51 | |
and whether there is any consensus about it at all. | 0:04:51 | 0:04:56 | |
WHISTLE | 0:04:56 | 0:04:58 | |
It's one of the most extreme cases of a string of episodes | 0:04:58 | 0:05:02 | |
at British Universities in which what's been dismissed as harmless laddism by some | 0:05:02 | 0:05:07 | |
is to others deeply problematic. | 0:05:07 | 0:05:11 | |
What was particularly notable about what happened at Stirling with one of the university's sports teams | 0:05:18 | 0:05:23 | |
was the time and the place of the incident. | 0:05:23 | 0:05:27 | |
A performance on a bus at 9:30 at night, so it was a public space. | 0:05:27 | 0:05:31 | |
I want to watch it and apparently it's pretty raucous, | 0:05:31 | 0:05:34 | |
so as I'm in a public space, I'll put my headphones on. | 0:05:34 | 0:05:37 | |
The students are singing an updated version of an old drinking song | 0:05:39 | 0:05:43 | |
and this one is far more explicit | 0:05:43 | 0:05:46 | |
and sexually aggressive than the original. | 0:05:46 | 0:05:48 | |
LAUGHTER AND CHEERING | 0:06:09 | 0:06:11 | |
-GIRL: -Do you know... | 0:06:11 | 0:06:12 | |
I can just make out some women on the bus asking, "Why is that funny," | 0:06:12 | 0:06:16 | |
and commenting that it's scary. | 0:06:16 | 0:06:18 | |
But the team was just getting warmed up. | 0:06:18 | 0:06:21 | |
The hockey team's enthusiastic chanting | 0:06:36 | 0:06:38 | |
has provoked masses of comments online | 0:06:38 | 0:06:41 | |
and on the streets of Stirling too, dividing opinion. | 0:06:41 | 0:06:44 | |
"Only university sports teams | 0:06:44 | 0:06:46 | |
"would appreciate this banter, both male and female." | 0:06:46 | 0:06:49 | |
"This is very misogynistic. | 0:06:49 | 0:06:51 | |
"I found the joke about miscarriage particularly sickening." | 0:06:51 | 0:06:53 | |
It was funny, it was witty. You've got to admit that, it was witty. | 0:06:55 | 0:06:58 | |
It's kind of shocking it would happen in a public place, | 0:06:58 | 0:07:01 | |
but I suppose it's reasonable if it's somewhere that the public don't get exposed to it. | 0:07:01 | 0:07:05 | |
This has got everything from | 0:07:05 | 0:07:07 | |
this is just hilarious and ironic to it's misogynistic, it's violent towards women. | 0:07:07 | 0:07:14 | |
It's extraordinary how one single incident | 0:07:14 | 0:07:16 | |
can be read in so many different ways. | 0:07:16 | 0:07:19 | |
I got together some students to find out how the same words | 0:07:23 | 0:07:27 | |
could be just harmless, laddish banter to some like Euan and Katie, | 0:07:27 | 0:07:32 | |
and so offensive to others like Maria and Miriam, | 0:07:32 | 0:07:35 | |
who were on the bus that night. | 0:07:35 | 0:07:37 | |
When you heard those lyrics, what was your reaction? You were there. | 0:07:37 | 0:07:42 | |
If you actually think about what it means, you know, | 0:07:42 | 0:07:45 | |
how the whole song is about this woman | 0:07:45 | 0:07:47 | |
going to the store asking for various everyday items | 0:07:47 | 0:07:49 | |
and that one time when she does ask for sex, you know, "Who cares?" | 0:07:49 | 0:07:54 | |
You know, "You're not as valuable. | 0:07:54 | 0:07:56 | |
"Your thoughts and desires are not as valuable as mine. | 0:07:56 | 0:07:59 | |
"I'll just give you what I want to give you and you have to take it." | 0:07:59 | 0:08:02 | |
And what did you think when you saw it? | 0:08:02 | 0:08:04 | |
I work in a bar, I'm used to guys getting drunk and just being a bit silly, | 0:08:04 | 0:08:08 | |
but I didn't think it was as bad as everybody was making out at all. | 0:08:08 | 0:08:13 | |
-I think it's just... They're joking around. -Yeah. | 0:08:13 | 0:08:16 | |
They're just singing a song, they've all joined in. They don't really mean it. | 0:08:16 | 0:08:19 | |
A night out is different to how you are during the day | 0:08:19 | 0:08:22 | |
or like in real life terms at university or at your work place. | 0:08:22 | 0:08:27 | |
Well, in that case it's quite interesting. Is there a subliminal attitude towards women | 0:08:27 | 0:08:30 | |
that men don't necessarily want to admit they have? | 0:08:30 | 0:08:33 | |
But this song isn't a one-off terrible song | 0:08:33 | 0:08:37 | |
that one group of bad individuals have sung, | 0:08:37 | 0:08:41 | |
this is...this is a common example of everyday occurrences | 0:08:41 | 0:08:46 | |
that really just highlight an underlying misogyny. | 0:08:46 | 0:08:51 | |
How come young people are so split | 0:08:51 | 0:08:55 | |
about whether offensive words have any meaning or not? | 0:08:55 | 0:08:59 | |
I was actually at Stirling University in the sexist early '70s. | 0:09:00 | 0:09:04 | |
And even then this wasn't my experience of higher education. | 0:09:05 | 0:09:10 | |
However problematic attitudes towards women could be, | 0:09:10 | 0:09:14 | |
my generation, maybe naively, thought we were leaving them behind. | 0:09:14 | 0:09:18 | |
And by the late '80s, while sexist and misogynistic views had hardly disappeared, | 0:09:23 | 0:09:28 | |
popular imagery of the sexes had changed. | 0:09:28 | 0:09:31 | |
For women it was power suits | 0:09:31 | 0:09:33 | |
and for men, well, there was the New Man, | 0:09:33 | 0:09:36 | |
from posters to adverting. | 0:09:36 | 0:09:39 | |
The men are here as we ask whether the appearance of the New Man | 0:09:41 | 0:09:44 | |
means an end to the battle of the sexes? | 0:09:44 | 0:09:47 | |
Just what happened? | 0:09:47 | 0:09:49 | |
Pull your top up. Let's have 'em out for the lads. | 0:09:49 | 0:09:52 | |
-CHEERING -Look at them! | 0:09:52 | 0:09:54 | |
Britpop with the likes of Oasis and Blur | 0:09:55 | 0:09:58 | |
brought a new tone to popular culture | 0:09:58 | 0:10:01 | |
and soon there was a magazine to celebrate it. | 0:10:01 | 0:10:03 | |
MUSIC: "Loaded" by Primal Scream | 0:10:03 | 0:10:06 | |
In 1994, Loaded burst onto the scene | 0:10:06 | 0:10:09 | |
with a swagger, a beer can | 0:10:09 | 0:10:11 | |
and before long, a scantily-clad woman in tow. | 0:10:11 | 0:10:15 | |
So I wondered what Loaded's longest-serving editor, | 0:10:17 | 0:10:20 | |
Martin Daubney, now in his 40s, | 0:10:20 | 0:10:22 | |
made of the culture his magazine helped popularise? | 0:10:22 | 0:10:26 | |
What lad culture, when it emerged in the '90s, | 0:10:26 | 0:10:29 | |
I think it just kind of held a mirror to what was out there. | 0:10:29 | 0:10:32 | |
I think working class white males ostensibly, you know, | 0:10:32 | 0:10:35 | |
wanted to reject this kind of template they were being told they should live their lives. | 0:10:35 | 0:10:41 | |
You know, we should all be clean living, doing the hovering, | 0:10:41 | 0:10:43 | |
this kind of asexual creature that was being forced down our throats. | 0:10:43 | 0:10:47 | |
And Loaded was kind of a reaction to that, it was two fingers. | 0:10:47 | 0:10:51 | |
It was, "We don't want to be new men, we want to be old-fashioned, unreconstructed cavemen." | 0:10:51 | 0:10:57 | |
What was the kind of tone around Loaded at that time? | 0:10:57 | 0:10:59 | |
Was it, you know, that you were really smart guys | 0:10:59 | 0:11:01 | |
just being ironic about sexism or what? | 0:11:01 | 0:11:04 | |
I don't think Loaded ever set out to be sexist. | 0:11:04 | 0:11:06 | |
We celebrated women, we did, our readers loved women. | 0:11:06 | 0:11:09 | |
We had interviews with them and... You're smiling, you don't believe me. | 0:11:09 | 0:11:13 | |
No, I'm smiling, I love the idea that "we celebrated women". | 0:11:13 | 0:11:16 | |
We celebrated women but not necessarily to talk about | 0:11:16 | 0:11:18 | |
all the wonderful work they were doing or whatever, | 0:11:18 | 0:11:21 | |
it was more about their looks. | 0:11:21 | 0:11:22 | |
We did start to think of the women in the magazine | 0:11:22 | 0:11:26 | |
as, I guess, objects, sales devices, because they did sell magazines. | 0:11:26 | 0:11:31 | |
If you put a man on the cover of a men's magazine, | 0:11:31 | 0:11:33 | |
it was commercial suicide. | 0:11:33 | 0:11:35 | |
Whatever their intention, lads' mags arguably helped set in train | 0:11:36 | 0:11:39 | |
the idea that sexism, even misogyny, | 0:11:39 | 0:11:43 | |
could be rendered harmless with a knowing, ironic wink. | 0:11:43 | 0:11:47 | |
Making it harder today to distinguish between what's socially acceptable and what's not. | 0:11:47 | 0:11:52 | |
MUSIC: "Blurred Lines" by Robin Thicke | 0:11:52 | 0:11:54 | |
2013's biggest and most controversial hit was called, appropriately enough, Blurred Lines, | 0:11:55 | 0:12:02 | |
infamous for the topless models in its video | 0:12:02 | 0:12:05 | |
and lyrics described by a reviewer as "kind of rapey". | 0:12:05 | 0:12:08 | |
# I get these blurred lines | 0:12:08 | 0:12:11 | |
# I know you want it | 0:12:11 | 0:12:13 | |
# I know you want it... # | 0:12:13 | 0:12:14 | |
-Do you find it offensive? -No, I think it's... | 0:12:14 | 0:12:17 | |
I mean, I understand why some people do, but it doesn't read that everybody should find it offensive. | 0:12:17 | 0:12:22 | |
You've no concern about the lyrics? | 0:12:22 | 0:12:25 | |
-Um. -Split your ass and all this stuff? | 0:12:25 | 0:12:27 | |
I think people are on the whole intelligent enough | 0:12:27 | 0:12:30 | |
to ascertain the difference between a lyric in a song | 0:12:30 | 0:12:34 | |
and to actually go out into the real world and to split a girl's ass. | 0:12:34 | 0:12:38 | |
Even last year's Oscars caused a critical storm | 0:12:39 | 0:12:42 | |
with their focus on the breasts of the world's most successful actresses. | 0:12:42 | 0:12:46 | |
# We saw your boobs | 0:12:46 | 0:12:47 | |
# We saw your boobs | 0:12:47 | 0:12:49 | |
# In the movie that we saw, we saw your boobs. # | 0:12:49 | 0:12:52 | |
I think this is different because I don't think that was funny. | 0:12:52 | 0:12:56 | |
I think there was a collective sense there of people's toes curling. | 0:12:56 | 0:13:00 | |
And joke T-shirts pushed the boundaries of taste even further. | 0:13:02 | 0:13:05 | |
-OK, this is on eBay, but it's discontinued now. -Yeah. | 0:13:07 | 0:13:12 | |
"I'm feeling rapey". | 0:13:12 | 0:13:14 | |
You know, if you make a joke about rape like this, | 0:13:14 | 0:13:17 | |
then I think you've got to be more hateful towards women. | 0:13:17 | 0:13:20 | |
It's not actually delivered in a humorous context, I don't think, | 0:13:20 | 0:13:23 | |
there's something more insidious. | 0:13:23 | 0:13:25 | |
-So is that misogyny, not laddism? -Yes, that's misogyny. | 0:13:25 | 0:13:28 | |
It was never part of our mantra | 0:13:28 | 0:13:29 | |
to joke about rape or to encourage violence towards women. | 0:13:29 | 0:13:32 | |
Loaded tried to set a line, | 0:13:32 | 0:13:35 | |
but the trouble is not everybody wants to stay within the pen. | 0:13:35 | 0:13:38 | |
But is the legacy of laddism just how do you decide what's funny | 0:13:43 | 0:13:47 | |
or where to draw the line in a world of postmodern irony? | 0:13:47 | 0:13:51 | |
And I wonder if, in the confusion, it opened the floodgates to something darker. | 0:13:53 | 0:13:58 | |
Where better to explore the limits of humour than a comedy gig, | 0:14:01 | 0:14:05 | |
testing what audiences now want to hear on a good night out. | 0:14:05 | 0:14:09 | |
-One ticket, please. -Yes, of course. That's -£8. Thank you. | 0:14:10 | 0:14:14 | |
Cheers. | 0:14:14 | 0:14:15 | |
Is there any harm in having a laugh? | 0:14:15 | 0:14:17 | |
Comedy is all about pushing boundaries, even if it is at our expense. | 0:14:17 | 0:14:21 | |
And if women don't find it funny or even offensive, | 0:14:21 | 0:14:25 | |
is there any truth in the old accusation it's because women have had a sense of humour bypass? | 0:14:25 | 0:14:30 | |
Good evening! Good evening, ladies and gentlemen. How are we?! | 0:14:31 | 0:14:35 | |
I wanted to put some comedy fans on the spot | 0:14:35 | 0:14:38 | |
at this popular club in Portsmouth. | 0:14:38 | 0:14:40 | |
What did they make of some of the material doing the rounds | 0:14:41 | 0:14:44 | |
with hugely successful comedians? | 0:14:44 | 0:14:47 | |
Jokes about women were once considered old-fashioned | 0:14:47 | 0:14:51 | |
by "hip" alternative stand-ups, not any more. | 0:14:51 | 0:14:55 | |
-Same sense of humour? -We'll find out in a minute. | 0:14:55 | 0:14:58 | |
THEY LAUGH | 0:14:58 | 0:15:00 | |
-This is going to end in divorce. -Yeah, maybe? | 0:15:00 | 0:15:02 | |
Thanks for shouting out like a crazy bitch, that's brilliant. | 0:15:02 | 0:15:05 | |
LAUGHTER | 0:15:05 | 0:15:07 | |
I'll abuse you so badly your gynaecologist will think | 0:15:07 | 0:15:10 | |
you've been in a fucking car crash. | 0:15:10 | 0:15:12 | |
-You don't think he's very funny. -I don't, but I thought that was funny. | 0:15:13 | 0:15:16 | |
I reckon your pussy's seen more action than fucking Helmand. | 0:15:16 | 0:15:20 | |
LAUGHTER I don't find him funny, but I don't find it offensive necessarily. | 0:15:20 | 0:15:23 | |
I don't think they have to go two and two together. | 0:15:23 | 0:15:26 | |
If he was taking the mickey out of someone | 0:15:26 | 0:15:28 | |
for colour, creed, whatever it was, that would not be acceptable. | 0:15:28 | 0:15:31 | |
I play practical jokes on her constantly though. | 0:15:31 | 0:15:33 | |
I got her so good a few weeks ago. | 0:15:33 | 0:15:35 | |
I replaced her pepper spray with silly string. | 0:15:35 | 0:15:37 | |
LAUGHTER | 0:15:37 | 0:15:39 | |
Anyway, that night she got raped. | 0:15:39 | 0:15:41 | |
And she called me the next day going, "You son of a bitch!" | 0:15:41 | 0:15:47 | |
-Funny? Not funny? -No, not at all. | 0:15:47 | 0:15:50 | |
-Not one bit. -Cringy. -No. -Oh! | 0:15:50 | 0:15:53 | |
Black sense of humour maybe. | 0:15:53 | 0:15:54 | |
-In the real world it's not all right but in abstract maybe. -All humour is about misfortune, | 0:15:54 | 0:16:00 | |
so there's always somebody at the butt of the joke. | 0:16:00 | 0:16:03 | |
LAUGHTER | 0:16:03 | 0:16:05 | |
Please welcome to the stage the fantastic Brendon Burns! | 0:16:05 | 0:16:10 | |
Edinburgh Comedy Award winner, Brendon Burns, | 0:16:10 | 0:16:13 | |
specifically explores the nature of offence in his work. | 0:16:13 | 0:16:17 | |
And no group gets a free pass. | 0:16:17 | 0:16:19 | |
Hello! CHEERING | 0:16:19 | 0:16:22 | |
Feminists are fucking awesome! | 0:16:22 | 0:16:25 | |
It's true. They pick up their own cheques and they apologise when they're wrong. | 0:16:25 | 0:16:29 | |
LAUGHTER | 0:16:29 | 0:16:31 | |
Oh, you didn't know that was in the fucking deal, did ya? | 0:16:31 | 0:16:34 | |
You can see pretty young girls going, "Wait! Whoa, whoa, whoa, whoa, whoa!" | 0:16:34 | 0:16:37 | |
I'm sorry, that is the cornerstone of feminism, | 0:16:37 | 0:16:39 | |
independence and accountability. | 0:16:39 | 0:16:41 | |
Everything else is just bum-sticker fucking bullshit! | 0:16:41 | 0:16:44 | |
Look, you're shaking your head. You're going, "No, surely feminism is having my cake and eating it?" | 0:16:44 | 0:16:49 | |
No! Germaine Greer hates you! | 0:16:49 | 0:16:51 | |
LAUGHTER | 0:16:51 | 0:16:54 | |
I was curious to know what he thought about women being comedy's victim. | 0:16:55 | 0:17:00 | |
Why are you under the impression that women are a sacred cow? | 0:17:00 | 0:17:03 | |
I think it's...it is about equality. | 0:17:03 | 0:17:07 | |
I think once you're fair game, then that's when you're truly equal. | 0:17:07 | 0:17:11 | |
-Fair game for what though? -Humour, a figure of fun. | 0:17:11 | 0:17:14 | |
I think once you exclude any section of society from having a sense of humour about themselves, | 0:17:14 | 0:17:19 | |
you exclude them full stop. That's exclusion. | 0:17:19 | 0:17:22 | |
That's a fucking cock-sucker's laugh you've got there, madam. | 0:17:22 | 0:17:25 | |
LAUGHTER | 0:17:25 | 0:17:27 | |
See, she's not denying it! | 0:17:27 | 0:17:30 | |
HE HACKLES | 0:17:30 | 0:17:32 | |
That's a laugh born of choking on a stiff one. Is that not...? | 0:17:32 | 0:17:35 | |
Have you noticed, madam, when you laugh in pubs every guy in the room turns into a meerkat? Just... | 0:17:35 | 0:17:41 | |
LAUGHTER I bet you see heads going back and everything. | 0:17:41 | 0:17:44 | |
I wondered whether he thought being in a gig | 0:17:44 | 0:17:47 | |
gave stand-ups special dispensation. | 0:17:47 | 0:17:50 | |
Once you're in that space you can say anything | 0:17:50 | 0:17:53 | |
and it wouldn't be stuff that for example a comedian, not just you, would say outside? | 0:17:53 | 0:17:58 | |
Yeah, I think so. There's a bit of like...a secret handshake. | 0:17:58 | 0:18:02 | |
-Hmm. -You know? | 0:18:02 | 0:18:04 | |
And everyone wants to be let off the hook, going, "Oh, I'm laughing ironically, | 0:18:04 | 0:18:08 | |
"I'm laughing at the perpetrator, I'm laughing at this or..." | 0:18:08 | 0:18:11 | |
And the bottom line is you're laughing cos you're surprised. That's all there is to it. | 0:18:11 | 0:18:16 | |
-LAUGHTER -But why do jokes about women get such a laugh? | 0:18:16 | 0:18:20 | |
What about jokes where I'm the butt of the joke? | 0:18:20 | 0:18:23 | |
Either everything's funny or nothing's funny. | 0:18:23 | 0:18:26 | |
I always love coming here, it's always great to see you. | 0:18:26 | 0:18:28 | |
Thanks for coming out. My name's Brendon Burns. Good night! | 0:18:28 | 0:18:31 | |
CHEERING AND APPLAUSE | 0:18:31 | 0:18:33 | |
In this brave new world though where nothing is off limits, | 0:18:36 | 0:18:39 | |
laughing at sexual assault has become commonplace, | 0:18:39 | 0:18:43 | |
with 2012 being dubbed the year of the rape joke at the Edinburgh Festival. | 0:18:43 | 0:18:47 | |
But it's not just humour in clubs that's taken a darker turn. | 0:18:49 | 0:18:53 | |
Or comedians who justify saying the unsayable by arguing that "that's comedy". | 0:18:55 | 0:19:01 | |
So-called trolls, journalists and even politicians | 0:19:03 | 0:19:06 | |
have all made controversial remarks that beg the question, | 0:19:06 | 0:19:10 | |
are their comments sexist, misogynistic or just a bit of a laugh? | 0:19:10 | 0:19:15 | |
I think all the girls said, "No, none of us clean behind the fridge." | 0:19:16 | 0:19:19 | |
And I made a joke, "Oh, well, you're all sluts." | 0:19:19 | 0:19:21 | |
And everybody laughed, including all the women. | 0:19:21 | 0:19:23 | |
BOTH: # Get your tits out for the lads! | 0:19:23 | 0:19:26 | |
# Get your tits out for the lads. # LAUGHTER | 0:19:26 | 0:19:29 | |
Is football full of sportsmen | 0:19:29 | 0:19:31 | |
who enjoy a little bit of lads' mag humour? Yes, it is. | 0:19:31 | 0:19:36 | |
Could some women and men be right to have reservations | 0:19:36 | 0:19:40 | |
about this sort of comedy even in its mildest forms, | 0:19:40 | 0:19:43 | |
whatever the stated intention of the joke teller? | 0:19:43 | 0:19:47 | |
-Calm down, dear. Calm down. -LAUGHTER | 0:19:47 | 0:19:50 | |
"It was meant as a joke and I thought would be taken as a joke." | 0:19:50 | 0:19:53 | |
To try to find out whether a joke is really just a joke, | 0:19:57 | 0:20:01 | |
psychologist Dr Thomas Ford | 0:20:01 | 0:20:03 | |
has been exploring the consequences of sexist humour on behaviour. | 0:20:03 | 0:20:07 | |
At his university, he got together mixed groups of men, | 0:20:07 | 0:20:11 | |
some with neutral attitudes to women, the yellow ones, | 0:20:11 | 0:20:15 | |
some with hostile, sexist attitudes to women, the blue ones. | 0:20:15 | 0:20:21 | |
We wondered what might happen if a group of guys like this | 0:20:21 | 0:20:24 | |
are sitting around in a pub and they were to encounter some sexist humour, | 0:20:24 | 0:20:30 | |
perhaps through a comedian on the TV, or perhaps through some banter | 0:20:30 | 0:20:34 | |
or sexist jokes amongst some of the guys. | 0:20:34 | 0:20:36 | |
Jokes such as, why did the woman cross the road? | 0:20:39 | 0:20:42 | |
"Who cares? What the hell is she doing out of the kitchen?" | 0:20:42 | 0:20:45 | |
LAUGHTER | 0:20:45 | 0:20:47 | |
He wanted to know whether jokes like these changed the normal boundaries of acceptable behaviour, | 0:20:47 | 0:20:53 | |
boundaries indicated by this white line. | 0:20:53 | 0:20:56 | |
For example, in the case of mild sexual harassment in an office. | 0:20:59 | 0:21:03 | |
When exposed to sexist humour, the blue sexist guys | 0:21:05 | 0:21:10 | |
uniquely perceived the instance of sexual harassment as acceptable. | 0:21:10 | 0:21:15 | |
-Only with humour? -That's right. | 0:21:15 | 0:21:18 | |
-Not with sexist statements? -That's right. | 0:21:18 | 0:21:20 | |
But sexist humour uniquely makes light of sexism, | 0:21:20 | 0:21:24 | |
it uniquely invites us to treat it as a joke, | 0:21:24 | 0:21:27 | |
as not serious in the immediate context. | 0:21:27 | 0:21:30 | |
And so, in a sense, we have a new...norm. | 0:21:30 | 0:21:34 | |
A new standard of appropriate conduct. | 0:21:36 | 0:21:40 | |
And so now everything within the blue circle | 0:21:40 | 0:21:43 | |
represents socially acceptable ways of responding. | 0:21:43 | 0:21:47 | |
And in further experiments, | 0:21:48 | 0:21:50 | |
Tom found that after hearing sexist humour, | 0:21:50 | 0:21:53 | |
men with hostile attitudes to women | 0:21:53 | 0:21:56 | |
were more likely to discriminate against women's groups financially, | 0:21:56 | 0:21:59 | |
for example, by cutting their budget. | 0:21:59 | 0:22:02 | |
And they were more likely to accept sexism at a societal level, | 0:22:03 | 0:22:07 | |
such as the underrepresentation of women in Parliament... | 0:22:07 | 0:22:11 | |
or the unequal division of domestic chores like cooking. | 0:22:11 | 0:22:16 | |
Men who are not sexist who are exposed to sexist humour, | 0:22:17 | 0:22:21 | |
-it makes no difference to them cos fundamentally they have their own belief system. -Exactly. | 0:22:21 | 0:22:27 | |
But men who are sexist get a kick out of sexist humour and feel empowered by sexist humour. | 0:22:27 | 0:22:33 | |
Yes, I would agree with that. And they feel empowered by sexist humour and they feel liberated. | 0:22:33 | 0:22:39 | |
Our blue guys who have sexism, | 0:22:39 | 0:22:41 | |
they generally go around life suppressing the sexism | 0:22:41 | 0:22:44 | |
that they carry with them. | 0:22:44 | 0:22:46 | |
What sexist humour does, it frees the sexist man to express his sexism without fears of reprisals. | 0:22:46 | 0:22:53 | |
Thank you very much. Thank you. | 0:22:56 | 0:22:58 | |
What Tom is saying is you may not be sexist at all, | 0:22:58 | 0:23:02 | |
but if you laugh at sexist jokes either just to be sociable | 0:23:02 | 0:23:05 | |
or in what you think is an ironic way, men and women, | 0:23:05 | 0:23:09 | |
what you are actually doing is validating people in the room | 0:23:09 | 0:23:13 | |
who are sexist or misogynistic. | 0:23:13 | 0:23:15 | |
And hearing gales of laughter | 0:23:15 | 0:23:17 | |
simply encourages them to behave in a sexist or misogynistic way. | 0:23:17 | 0:23:21 | |
If laddism and humour have been vehicles for normalising misogynistic language, | 0:23:26 | 0:23:31 | |
some people have argued the place that's allowed it to run rampant is the internet. | 0:23:31 | 0:23:36 | |
It's an issue that's hit the headlines in the last year | 0:23:38 | 0:23:41 | |
after the wave of online abuse directed at women in the public eye. | 0:23:41 | 0:23:45 | |
Not least guests on the BBC's own flagship programme Question Time. | 0:23:49 | 0:23:54 | |
Every week as the rig goes up, | 0:23:58 | 0:24:00 | |
the world of social media gets ready to pass judgment on the panel. | 0:24:00 | 0:24:05 | |
I'd been monitoring the response to every woman | 0:24:07 | 0:24:09 | |
to appear on the programme in the first three months of the year. | 0:24:09 | 0:24:13 | |
There are reams of tweets and social media coming in. | 0:24:14 | 0:24:18 | |
You know, second by second people are commenting not only on the subject, but also on the panellists. | 0:24:18 | 0:24:24 | |
It's amazing just how much people when they're watching the programme | 0:24:24 | 0:24:28 | |
want to react to it. | 0:24:28 | 0:24:30 | |
And for women on the panel the background noise in unmistakable. | 0:24:30 | 0:24:34 | |
It's personal and it's sexual. | 0:24:34 | 0:24:37 | |
And a big welcome to you watching at home. | 0:24:37 | 0:24:39 | |
"Ruth Davidson can suck my fucking noggin. | 0:24:39 | 0:24:42 | |
"Motormouth dumb bitch. | 0:24:42 | 0:24:45 | |
"Don't suck so much cock, big mouth." | 0:24:45 | 0:24:49 | |
The worst example of this new trend | 0:24:51 | 0:24:53 | |
is what happened to Professor Mary Beard | 0:24:53 | 0:24:56 | |
after her appearance on the programme last January. | 0:24:56 | 0:24:59 | |
On one popular discussion site, | 0:25:00 | 0:25:02 | |
a picture of female genitals was superimposed on her face. | 0:25:02 | 0:25:06 | |
And the comments were just as sexually derogatory... | 0:25:07 | 0:25:10 | |
..ran one. | 0:25:16 | 0:25:18 | |
While another speculated on the capaciousness of her vagina. | 0:25:19 | 0:25:23 | |
For Professor Beard, this language has consequences, both personal and political. | 0:25:24 | 0:25:30 | |
You do have to steel yourself a little bit, | 0:25:32 | 0:25:34 | |
because it's quite affecting when you get this stuff. | 0:25:34 | 0:25:37 | |
But most of all, it's just infuriating. | 0:25:37 | 0:25:39 | |
My views on anything are actually irrelevant | 0:25:39 | 0:25:43 | |
to the size or shape of my vagina. I'm sorry. | 0:25:43 | 0:25:46 | |
I've decided I'm going to face the music, but there must be loads of women who think, | 0:25:48 | 0:25:52 | |
"That's just not what I want. I don't want that kind of rubbish." | 0:25:52 | 0:25:55 | |
And it's vile, it really is vile. | 0:25:55 | 0:25:57 | |
You think, "Why would anybody really bother to do this | 0:25:57 | 0:26:02 | |
unless they were terribly determined." | 0:26:02 | 0:26:05 | |
So I think it's very bad for women's participation | 0:26:05 | 0:26:09 | |
in the public sphere, honestly. | 0:26:09 | 0:26:11 | |
As Mary Beard says, there's a danger | 0:26:13 | 0:26:15 | |
that some women could be driven from public life. | 0:26:15 | 0:26:18 | |
Now, it's an open question whether any woman can be in the public eye | 0:26:20 | 0:26:23 | |
without exposing herself to the possibility of graphic, sexualised abuse. | 0:26:23 | 0:26:28 | |
Whether it's Ruby Tandoh, | 0:26:30 | 0:26:32 | |
one of the finalists in The Great British Bake Off, | 0:26:32 | 0:26:34 | |
being called a whore. | 0:26:34 | 0:26:36 | |
Gymnast and Olympic medallist Beth Tweddle | 0:26:37 | 0:26:40 | |
being dubbed a slag and a slut. | 0:26:40 | 0:26:42 | |
Or Caroline Criado-Perez being bombarded | 0:26:44 | 0:26:47 | |
with threats of rape and murder | 0:26:47 | 0:26:50 | |
after her campaign to get a woman on the back of a British banknote. | 0:26:50 | 0:26:53 | |
The threats have been so explicit and so graphic | 0:26:57 | 0:27:00 | |
they've stuck with me in my head and have really put me...in fear. | 0:27:00 | 0:27:05 | |
The abuse Caroline received was one of the stories | 0:27:07 | 0:27:10 | |
we covered on Newsnight last year that struck me the most. | 0:27:10 | 0:27:14 | |
And it's the key case that's resulted in a criminal conviction, | 0:27:14 | 0:27:18 | |
with Isabella Sorley and John Nimmo | 0:27:18 | 0:27:20 | |
being jailed for their part in the verbal onslaught. | 0:27:20 | 0:27:24 | |
-Why did you send those messages? -I can't say nowt else. | 0:27:25 | 0:27:28 | |
It is illegal to make threats to rape or murder, | 0:27:29 | 0:27:33 | |
but when the sentences were announced, | 0:27:33 | 0:27:35 | |
there was a distinct strand to the reaction on Twitter. | 0:27:35 | 0:27:38 | |
Should language be treated differently online? | 0:27:41 | 0:27:45 | |
Is it somehow less real? | 0:27:45 | 0:27:47 | |
I spoke to columnist and provocateur Rod Liddle, | 0:27:50 | 0:27:54 | |
who's dished out some pretty strong language in his Spectator blog | 0:27:54 | 0:27:57 | |
and who's no stranger to a bit of internet abuse himself. | 0:27:57 | 0:28:02 | |
It's distressing if...if you allow it to distress you, I suppose. | 0:28:02 | 0:28:06 | |
And it's distressing to all of us in a very real sense, Kirsty, you know? | 0:28:06 | 0:28:11 | |
It's distressing to me when I read stuff telling me they hope I die of cancer. | 0:28:11 | 0:28:16 | |
Some people say that what's on the internet can be completely disregarded. | 0:28:16 | 0:28:21 | |
You know, if somebody's on the internet saying, "I know where you live and I'm going to rape you." | 0:28:21 | 0:28:25 | |
You should just disregard it. | 0:28:25 | 0:28:27 | |
But, actually, for people getting that you can understand how disturbing it was. | 0:28:27 | 0:28:31 | |
Of course and it's prosecutable. | 0:28:31 | 0:28:33 | |
But I think a lot of the rest of the stuff which goes on though, you can just write it off. | 0:28:33 | 0:28:36 | |
Just ignore it. Someone said that I look like a drug-addled middle-aged lesbian. | 0:28:36 | 0:28:42 | |
-You know, someone else said... -That's quite insulting to lesbians. -Very insulting to lesbians. | 0:28:42 | 0:28:46 | |
People have said they'd like to see me stabbed, killed, beheaded. | 0:28:46 | 0:28:50 | |
It's every day. Get a grip! | 0:28:50 | 0:28:53 | |
Why would it be worse for a woman than for a man? | 0:28:53 | 0:28:56 | |
Why would it? Unless there is something inherently different between us | 0:28:56 | 0:29:01 | |
which makes you guys less able to put up with this. I don't think there is a difference. | 0:29:01 | 0:29:06 | |
I don't think...that this is a gender problem, | 0:29:06 | 0:29:11 | |
I think it's a political and class problem. | 0:29:11 | 0:29:15 | |
I think it's the middle-class left | 0:29:15 | 0:29:17 | |
who cannot abide having their world views challenged, | 0:29:17 | 0:29:22 | |
transgressed, sometimes in rather brutal language. | 0:29:22 | 0:29:25 | |
There is a special issue with women and feeling vulnerable, | 0:29:25 | 0:29:29 | |
I will grant you that, | 0:29:29 | 0:29:30 | |
but if there's one thing to learn from what you're saying they must not take the internet seriously. | 0:29:30 | 0:29:34 | |
But can we dismiss the internet as somehow divorced from real life? | 0:29:38 | 0:29:42 | |
DUCKS QUACK | 0:29:42 | 0:29:44 | |
I went to see linguist Dr Claire Hardaker, | 0:29:47 | 0:29:49 | |
who studies online abuse, | 0:29:49 | 0:29:51 | |
to see whether she thought the internet and the mainstream media | 0:29:51 | 0:29:55 | |
are completely separate or intertwined. | 0:29:55 | 0:29:59 | |
Well, effectively what we have here is sort of a, | 0:29:59 | 0:30:01 | |
if you like, a bit of a map of how you can have a behaviour | 0:30:01 | 0:30:04 | |
that can occurs in one domain and can spread to another. | 0:30:04 | 0:30:06 | |
So if we take, for instance, an article by AA Gill, | 0:30:06 | 0:30:09 | |
he was critiquing a programme by Mary Beard. | 0:30:09 | 0:30:13 | |
And what he actually starts talking about a great deal is her teeth, | 0:30:13 | 0:30:16 | |
her hair. The outfit is an embarrassment. | 0:30:16 | 0:30:19 | |
So effectively we start off with this idea of appearance, | 0:30:19 | 0:30:22 | |
of being an object. | 0:30:22 | 0:30:24 | |
And as we move on, we start to see this turning into things like | 0:30:24 | 0:30:27 | |
very implicit suggestions of sex. | 0:30:27 | 0:30:29 | |
So for instance, Clarkson, "You wouldn't want to." | 0:30:29 | 0:30:32 | |
Not the Mary Beard in this case, it's Hilary Clinton. | 0:30:32 | 0:30:34 | |
Exactly. And it's this really implicit sort of, | 0:30:34 | 0:30:37 | |
"Would you sleep with this? Would you have sex with it?" | 0:30:37 | 0:30:39 | |
And where does this take us to? | 0:30:39 | 0:30:41 | |
OK, so what we find is from the media, we effectively get | 0:30:41 | 0:30:45 | |
this movement across into the online behaviour of public figures. | 0:30:45 | 0:30:51 | |
For example, there was a spat among three broadsheet journalists | 0:30:53 | 0:30:57 | |
in which James Delingpole tweeted that Toby Young had, | 0:30:57 | 0:31:01 | |
"Given Suzanne Moore such a seeing-to | 0:31:01 | 0:31:03 | |
"she'll be walking bow-legged for months." | 0:31:03 | 0:31:06 | |
If you think about the language of that, such as "seeing-to," | 0:31:07 | 0:31:10 | |
that she'll be walking bow... It's quite aggressive. | 0:31:10 | 0:31:12 | |
We're talking about quite a violent type of action or behaviour. | 0:31:12 | 0:31:15 | |
And then we come on to the just the general tweets. | 0:31:15 | 0:31:18 | |
So these are the ordinary people. | 0:31:18 | 0:31:20 | |
Effectively by this point the ideas and tropes that began in the media | 0:31:20 | 0:31:23 | |
have now become really loud, really amplified, quite extreme. | 0:31:23 | 0:31:28 | |
So for instance we have things... rape, | 0:31:28 | 0:31:30 | |
"I'd do a lot worse things than rape you." | 0:31:30 | 0:31:32 | |
-And then when it hits this... -Mm-hmm. -..what happens next? | 0:31:32 | 0:31:37 | |
So it doesn't actually stop here. | 0:31:37 | 0:31:39 | |
What we find is a really interesting feedback loop that takes us | 0:31:39 | 0:31:43 | |
back up to the media. | 0:31:43 | 0:31:45 | |
What Claire's saying is the ideas that started in the media, | 0:31:46 | 0:31:50 | |
that were massively amplified online, | 0:31:50 | 0:31:53 | |
reappear louder than ever back in the mainstream press, | 0:31:53 | 0:31:57 | |
in articles by journalists, such as Rod Liddle. | 0:31:57 | 0:32:01 | |
If we take, for instance, Rod Liddle's article | 0:32:01 | 0:32:03 | |
about Professor Beard, Mary Beard. | 0:32:03 | 0:32:05 | |
He's interestingly, essentially trying to argue that the attacks | 0:32:05 | 0:32:08 | |
that she's receiving are not misogynistic. | 0:32:08 | 0:32:11 | |
So, effectively, Rod Liddle, what he is doing is he's saying is | 0:32:11 | 0:32:14 | |
it's not really misogyny, it's just people criticising you. | 0:32:14 | 0:32:17 | |
-It's your fault. -So he's minimising. | 0:32:17 | 0:32:19 | |
He's minimising and he's excusing and justifying. | 0:32:19 | 0:32:23 | |
So you could think of this actually as a big loop. | 0:32:23 | 0:32:25 | |
It starts up in the media with these very implicit ideas. | 0:32:25 | 0:32:28 | |
It goes onto the internet where it's hugely amplified, | 0:32:28 | 0:32:31 | |
it's taken to its extreme, | 0:32:31 | 0:32:32 | |
and then it feeds back around again to the media | 0:32:32 | 0:32:35 | |
who pick up on these ideas, who feed it, who make it bigger, | 0:32:35 | 0:32:39 | |
and so on it goes in an endless cycle. | 0:32:39 | 0:32:42 | |
If Claire Hardaker is right, what happens online counts. | 0:32:42 | 0:32:47 | |
It's exacerbating already problematic attitudes | 0:32:47 | 0:32:50 | |
to women offline. | 0:32:50 | 0:32:52 | |
I wanted to know if Rod was at all concerned by the potential impact | 0:32:52 | 0:32:56 | |
of his journalism. | 0:32:56 | 0:32:58 | |
You can't just say something and expect people to understand it. | 0:32:58 | 0:33:03 | |
You actually have a responsibility | 0:33:03 | 0:33:05 | |
to make sure you're saying things in context. | 0:33:05 | 0:33:08 | |
No, I don't, actually. | 0:33:08 | 0:33:10 | |
I think I think we've got to be radical about this. | 0:33:10 | 0:33:12 | |
I think as soon as we feel ourselves, | 0:33:12 | 0:33:14 | |
we feel this self-censorship coming on... | 0:33:14 | 0:33:17 | |
"Oh, my God, if I write this will people take it the wrong way?" | 0:33:17 | 0:33:21 | |
It's incredibly damaging and limiting to freedom of speech. | 0:33:21 | 0:33:23 | |
That's no way for a journalist to behave. | 0:33:23 | 0:33:26 | |
That is no... We may as well be an insurance loss adjuster. | 0:33:26 | 0:33:30 | |
Free speech, of course, | 0:33:34 | 0:33:36 | |
has been one of the founding principles of the internet. | 0:33:36 | 0:33:39 | |
Is it a coincidence that the apparent rise in misogyny | 0:33:41 | 0:33:44 | |
has happened in parallel with the rise of the online world? | 0:33:44 | 0:33:48 | |
Or is there is something about the internet itself, | 0:33:48 | 0:33:50 | |
beyond its relationship with the media, that has encouraged | 0:33:50 | 0:33:54 | |
language that's hostile to women? | 0:33:54 | 0:33:56 | |
Nice to see you! | 0:33:56 | 0:33:59 | |
Laurie Penny is a blogger and journalist | 0:33:59 | 0:34:01 | |
who practically grew up online. | 0:34:01 | 0:34:04 | |
I'm interested in knowing whether or not you think that the internet | 0:34:04 | 0:34:08 | |
is simply giving, as it were, a different kind of voice | 0:34:08 | 0:34:11 | |
to sexism or misogyny, or do you think there's something new at work? | 0:34:11 | 0:34:15 | |
I think there's definitely a new kind of misogyny developing | 0:34:15 | 0:34:18 | |
right now. The internet has not created the new misogyny, | 0:34:18 | 0:34:22 | |
I think the internet has facilitated a new misogyny | 0:34:22 | 0:34:25 | |
and it has allowed people to speak about sexism | 0:34:25 | 0:34:29 | |
and exchange sexist ideas in a new and angry way. | 0:34:29 | 0:34:33 | |
Do you think this atmosphere grows out of the fact that originally, | 0:34:33 | 0:34:37 | |
way back when, the internet was more a male space? | 0:34:37 | 0:34:42 | |
Back in the old days of 1980s, 1990s, in the early days | 0:34:42 | 0:34:46 | |
of the internet people were very much, very utopian about the internet | 0:34:46 | 0:34:53 | |
as a space where you could be anybody you wanted to be, | 0:34:53 | 0:34:56 | |
but it turned out quickly after that that if anybody | 0:34:56 | 0:34:59 | |
came into those spaces and said, "Oh, yeah, I am a woman, | 0:34:59 | 0:35:02 | |
"I am a person of colour, I'm gay, | 0:35:02 | 0:35:04 | |
"I'm a lesbian," then they started to get attacked for those things. | 0:35:04 | 0:35:08 | |
So the internet was a space which was neutral only if you pretended to be | 0:35:08 | 0:35:13 | |
a white, straight man. | 0:35:13 | 0:35:15 | |
The idea that it's not our space, it's really men's space | 0:35:15 | 0:35:21 | |
that women just inhabit is extremely pervasive. | 0:35:21 | 0:35:24 | |
One of the early internet memes, or viral ideas, was... | 0:35:25 | 0:35:29 | |
Even today it's been estimated just 15-17% of Silicon Valley engineers | 0:35:34 | 0:35:39 | |
are women. | 0:35:39 | 0:35:40 | |
Does the architecture of the internet kind of favour men? | 0:35:42 | 0:35:47 | |
Well, geek culture as a whole is massively influential | 0:35:47 | 0:35:53 | |
over the culture, the various cultures of the internet, | 0:35:53 | 0:35:56 | |
and for a very long time geek culture, nerd culture, | 0:35:56 | 0:36:00 | |
was deeply misogynistic, deeply mistrustful of women, | 0:36:00 | 0:36:03 | |
and there is a very broad overlap between geek misogyny | 0:36:03 | 0:36:08 | |
and internet misogyny. | 0:36:08 | 0:36:09 | |
To understand geek mentality and the culture the internet grew out of, | 0:36:16 | 0:36:20 | |
I've come to Insomnia - the UK's biggest gaming festival. | 0:36:20 | 0:36:24 | |
Today gaming is a massive industry, arguably bigger than Hollywood, | 0:36:26 | 0:36:30 | |
and female participation is on the rise. | 0:36:30 | 0:36:33 | |
But just like the internet, | 0:36:35 | 0:36:36 | |
it was largely built by and once dominated by men. | 0:36:36 | 0:36:40 | |
I want to know whether its attitudes towards women can tell us something | 0:36:41 | 0:36:45 | |
about the online world, | 0:36:45 | 0:36:48 | |
and the way women tend to be represented in games | 0:36:48 | 0:36:50 | |
has got people talking. | 0:36:50 | 0:36:52 | |
Girls in games are very, very sexualised. | 0:36:52 | 0:36:55 | |
You get used to it at the end of the day, that's what just happens, | 0:36:55 | 0:36:58 | |
so you aren't really like, "Oh, my God, her boobs are out." | 0:36:58 | 0:37:00 | |
In fact, you're like, "OK, cool, | 0:37:00 | 0:37:02 | |
"that's what she's meant to be like." | 0:37:02 | 0:37:03 | |
But there's one game whose portrayal of women has stirred up | 0:37:04 | 0:37:08 | |
just about more controversy than any other. | 0:37:08 | 0:37:11 | |
Grand Theft Auto, created by the Scottish company Rockstar. | 0:37:11 | 0:37:15 | |
On the release of its latest incarnation, | 0:37:17 | 0:37:20 | |
set in a sleazy version of LA, some reviewers accused the game of | 0:37:20 | 0:37:24 | |
rampant misogyny. | 0:37:24 | 0:37:26 | |
It didn't stop it becoming the fastest-selling entertainment | 0:37:26 | 0:37:30 | |
product of all time. | 0:37:30 | 0:37:31 | |
I got some gamers to show me | 0:37:34 | 0:37:35 | |
one of its perennially controversial features. | 0:37:35 | 0:37:39 | |
How in your travels around the city you can sleep with prostitutes, | 0:37:39 | 0:37:43 | |
then decide whether to mug or kill them to get your money back. | 0:37:43 | 0:37:47 | |
He's spent the money, | 0:37:49 | 0:37:50 | |
but there's a chance for him to get the money back. | 0:37:50 | 0:37:52 | |
There is. You can mug people in Grand Theft Auto. | 0:37:52 | 0:37:54 | |
Yeah. Oh, my God. Is he... | 0:37:54 | 0:37:57 | |
And there's the money. | 0:37:57 | 0:37:59 | |
You can do the violence to anybody in the game. | 0:37:59 | 0:38:02 | |
I think people pick up on it more obviously because it is a woman. | 0:38:02 | 0:38:04 | |
But it, for me, it... | 0:38:06 | 0:38:07 | |
Not everybody's just going to go out | 0:38:07 | 0:38:09 | |
and just hit a woman in the back of the head thinking it's a good idea. | 0:38:09 | 0:38:12 | |
I wouldn't do that in the game. That doesn't interest me. | 0:38:12 | 0:38:16 | |
I'm playing the game for the story, | 0:38:16 | 0:38:18 | |
not for the fact that I can take a prostitute to a back alley, | 0:38:18 | 0:38:21 | |
have sex, then punch her in the back of the head to get my money back. | 0:38:21 | 0:38:25 | |
To me, that's not this game. I don't play this game for that. | 0:38:25 | 0:38:28 | |
It is for some people, you accept, for some people. | 0:38:28 | 0:38:30 | |
No, I don't think is. | 0:38:30 | 0:38:31 | |
I think people don't buy it for that particular part. | 0:38:31 | 0:38:34 | |
I think that Rockstar put that in because, you know, | 0:38:34 | 0:38:37 | |
for the shock value. Shock value sells. | 0:38:37 | 0:38:40 | |
But while these gamers can't see the appeal of sexualised violence, | 0:38:43 | 0:38:47 | |
others haven't found it so difficult. | 0:38:47 | 0:38:49 | |
Online there are pages and pages of "how to" videos, | 0:38:51 | 0:38:55 | |
in which players share their techniques for killing prostitutes. | 0:38:55 | 0:39:00 | |
GAMER: Come here, bitch. I want my money back! | 0:39:00 | 0:39:04 | |
Come here, you fucker! | 0:39:04 | 0:39:06 | |
50 bucks? I paid 100 bucks. Where's the rest of it? | 0:39:08 | 0:39:11 | |
It is striking that such a hugely popular game can have such | 0:39:12 | 0:39:16 | |
dismissive representations of women. | 0:39:16 | 0:39:18 | |
The million dollar question, though, | 0:39:20 | 0:39:23 | |
is how are real women treated when they game? | 0:39:23 | 0:39:25 | |
Many can be played online with other gamers from around the world, | 0:39:27 | 0:39:31 | |
using headsets and instant messaging to communicate. | 0:39:31 | 0:39:34 | |
I joined Nicola, who's been gaming since she was six. | 0:39:36 | 0:39:39 | |
When you talk to them, | 0:39:39 | 0:39:41 | |
what are the kind of responses people make to you? | 0:39:41 | 0:39:44 | |
The tendency is, they want to know about you as a girl, | 0:39:44 | 0:39:48 | |
and it's usually along the lines of, "Where are you from?" | 0:39:48 | 0:39:51 | |
"How old are you?" | 0:39:51 | 0:39:52 | |
But then you get the young adolescent guys who are just trying to be | 0:39:52 | 0:39:56 | |
abusive and they'll send really crude messages, | 0:39:56 | 0:39:59 | |
insinuating what they'd like to do with me, essentially. | 0:39:59 | 0:40:03 | |
Nicola recorded some of her gaming at home to show me | 0:40:03 | 0:40:07 | |
what she faces when she plays. | 0:40:07 | 0:40:08 | |
Yeah, I'm a girl. | 0:40:11 | 0:40:13 | |
Why would I need to do that to justify I'm a girl? | 0:40:15 | 0:40:18 | |
I've had situations where if I'm persistently doing well, | 0:40:18 | 0:40:22 | |
beating someone, it's like, "I'm going to find you. | 0:40:22 | 0:40:25 | |
"I'm going to come and find you and rape you." | 0:40:25 | 0:40:27 | |
And when you say, "Hey, I don't like this, | 0:40:27 | 0:40:30 | |
"this is really inappropriate," does it make any difference? | 0:40:30 | 0:40:32 | |
Well, that's the problem. I mean, you feel kind of intimidated by it | 0:40:32 | 0:40:36 | |
and your response just aggravates it, | 0:40:36 | 0:40:38 | |
so what I've learnt to do is just laugh it off. | 0:40:38 | 0:40:40 | |
I'm thick skinned, I've got used to it now, | 0:40:50 | 0:40:52 | |
And it's gone from getting... | 0:40:52 | 0:40:54 | |
Your first game within two minutes you're being abusive, | 0:40:54 | 0:40:57 | |
to I can play now for a week and I'll go a whole week without any abuse, | 0:40:57 | 0:41:01 | |
provided I don't play at night. | 0:41:01 | 0:41:03 | |
-It's not exactly freedom, is it? -No. | 0:41:05 | 0:41:07 | |
The situation may be improving, | 0:41:17 | 0:41:20 | |
but there's one particular case that shows just how far hostility | 0:41:20 | 0:41:24 | |
to women in gaming can go. | 0:41:24 | 0:41:26 | |
Anita Sarkeesian launched a crowd-funding appeal to finance | 0:41:28 | 0:41:32 | |
a short film she wanted to make looking at how women are portrayed | 0:41:32 | 0:41:36 | |
in video games. | 0:41:36 | 0:41:38 | |
Welcome to our multipart video series exploring the roles | 0:41:38 | 0:41:40 | |
and representations of women in video games. | 0:41:40 | 0:41:43 | |
In response, she was inundated with rape threats, | 0:41:43 | 0:41:47 | |
sexualised and violent images, her website crashed... | 0:41:47 | 0:41:51 | |
A computer game that invited you to hit her created. | 0:41:51 | 0:41:55 | |
I wanted to know whether Anita's experience could reveal | 0:41:56 | 0:41:59 | |
something fundamental about the dynamics of online abuse. | 0:41:59 | 0:42:03 | |
Well, so what was interesting is that, or also disturbing, | 0:42:03 | 0:42:07 | |
is that they refer to this behaviour as a game. | 0:42:07 | 0:42:09 | |
Like, they even have theme music and little videos about it. | 0:42:09 | 0:42:13 | |
I feel like while it is disturbing to think of the abuse | 0:42:13 | 0:42:17 | |
and assault of a woman as a game, it does help to sort of | 0:42:17 | 0:42:20 | |
understand how this kind of cyber-mobs operate, right. | 0:42:20 | 0:42:23 | |
They were showing off their abusive behaviour to one another. | 0:42:23 | 0:42:26 | |
And so you kind of have this, like, macho posturing happening, | 0:42:26 | 0:42:30 | |
where they're earning the praise and approval of their peers. | 0:42:30 | 0:42:33 | |
And this is not just anonymous either, right, | 0:42:33 | 0:42:35 | |
we're actually seeing the faces of some of the people. | 0:42:35 | 0:42:38 | |
On Facebook you can see people's names and places of work. | 0:42:38 | 0:42:41 | |
Like, this isn't just about anonymity. | 0:42:41 | 0:42:44 | |
How would you characterise what has happened to you | 0:42:44 | 0:42:46 | |
and what is still happening to you? | 0:42:46 | 0:42:49 | |
Well, this is really misogyny on a grand scale, right, | 0:42:49 | 0:42:52 | |
like this is the hatred of women, the exclusion of women, | 0:42:52 | 0:42:56 | |
of maintaining this boys' club. | 0:42:56 | 0:42:59 | |
And boys' club means no girls allowed, to keep us out | 0:42:59 | 0:43:02 | |
and keep us not participating in these spaces, | 0:43:02 | 0:43:05 | |
and not having a voice in these spaces. | 0:43:05 | 0:43:07 | |
And what the harassment does is, it creates an environment that is | 0:43:07 | 0:43:11 | |
too toxic and hostile for women to endure. | 0:43:11 | 0:43:13 | |
And sometimes it works and that's what's really sad about it. | 0:43:13 | 0:43:17 | |
Maybe geek culture can offer us a key to understanding | 0:43:28 | 0:43:31 | |
the way that misogyny seems to become embedded in the very DNA | 0:43:31 | 0:43:34 | |
of the internet. | 0:43:34 | 0:43:36 | |
Technology companies appear to work in a way that protects | 0:43:36 | 0:43:39 | |
the perhaps embattled males of the species | 0:43:39 | 0:43:41 | |
at the expense of females, gay people, minorities. | 0:43:41 | 0:43:46 | |
And this really matters because the internet isn't just a force | 0:43:46 | 0:43:49 | |
in our lives. Increasingly, it is shaping our lives. | 0:43:49 | 0:43:53 | |
But I'm not convinced that the internet creates misogyny. | 0:43:57 | 0:44:01 | |
After all, it predates the online world. | 0:44:01 | 0:44:04 | |
So why do some men have such deep feelings of anger | 0:44:05 | 0:44:09 | |
and contempt for women? | 0:44:09 | 0:44:10 | |
It's a question feminists have been asking for some time. | 0:44:12 | 0:44:16 | |
In 1970, in a book that became the rallying cry for a generation | 0:44:20 | 0:44:25 | |
of feminists, Germaine Greer wrote a hugely controversial statement. | 0:44:25 | 0:44:29 | |
"Women have very little idea of how much men hate them." | 0:44:31 | 0:44:34 | |
Well, the thing about that statement in the book, | 0:44:36 | 0:44:39 | |
it doesn't imply that men loathe women and this is somehow a secret, | 0:44:39 | 0:44:44 | |
but that there is an element of hatred and rejection | 0:44:44 | 0:44:48 | |
in men's relationships to women, | 0:44:48 | 0:44:50 | |
which women are unfortunately unaware of at their peril. | 0:44:50 | 0:44:54 | |
I wanted to know what she made of misogyny today, | 0:44:55 | 0:44:58 | |
and what could be provoking it. | 0:44:58 | 0:45:01 | |
This is what's known as the Hutch. | 0:45:01 | 0:45:03 | |
And these... | 0:45:04 | 0:45:06 | |
these are my titles. | 0:45:06 | 0:45:08 | |
They're not all of them. | 0:45:08 | 0:45:09 | |
"Brilliantly written, quirky and sensible. | 0:45:12 | 0:45:14 | |
"Full of bile and insight." | 0:45:14 | 0:45:16 | |
Bile, that's the stuff you need. Give us more bile. | 0:45:16 | 0:45:20 | |
But, I mean, who would have thought 45 years on... | 0:45:20 | 0:45:24 | |
Or maybe you would have thought 45 years on. | 0:45:24 | 0:45:26 | |
No, I wouldn't have thought 45 minutes on. | 0:45:26 | 0:45:29 | |
I never thought once you had social media there would become this | 0:45:29 | 0:45:32 | |
terrible grab bag of loathing of women. | 0:45:32 | 0:45:36 | |
Have things changed for women in terms of the way that men | 0:45:38 | 0:45:42 | |
feel about them in the last 45 years? | 0:45:42 | 0:45:45 | |
One way of answering that would be to say that men are now more aware | 0:45:48 | 0:45:52 | |
of women because women keep pushing themselves in. | 0:45:52 | 0:45:55 | |
Nowadays women expect to share men's lives. | 0:45:55 | 0:45:57 | |
They want to do the same work, they want to play the same games, | 0:45:57 | 0:46:00 | |
they want to have the same social life, | 0:46:00 | 0:46:03 | |
and I think it's driving men nuts. | 0:46:03 | 0:46:05 | |
And the result would seem to me to be that men are even more less tolerant | 0:46:05 | 0:46:09 | |
of women than they were before. | 0:46:09 | 0:46:11 | |
Now, if men have always needed women to be in a subservient, | 0:46:11 | 0:46:17 | |
filial, ancillary position. | 0:46:17 | 0:46:20 | |
When they stand up and call attention to themselves, | 0:46:20 | 0:46:25 | |
it produces reactions which are difficult to manage, I think. | 0:46:25 | 0:46:29 | |
Germaine Greer is not the only one who thinks female success | 0:46:34 | 0:46:38 | |
is giving men an identity crisis. | 0:46:38 | 0:46:40 | |
I was editor of Loaded for eight long years... | 0:46:46 | 0:46:49 | |
Many, like Martin Daubney, are beginning to ask serious | 0:46:49 | 0:46:52 | |
questions about what it is to be a man today, particularly a young man. | 0:46:52 | 0:46:57 | |
Where is the anger coming from in young men? | 0:46:58 | 0:47:02 | |
There's a lot of confusion, and I think the confusion in terms of | 0:47:02 | 0:47:05 | |
what is my destiny, you know, what's my job, what's my role, | 0:47:05 | 0:47:08 | |
is very confusing for young men and I think it's causing anger. | 0:47:08 | 0:47:12 | |
And I think young men are angry that there's no jobs for them, | 0:47:12 | 0:47:15 | |
there's no traditional gender role, they see women going by them | 0:47:15 | 0:47:18 | |
in the fast lane. | 0:47:18 | 0:47:20 | |
Generations of defined gender models have just been thrown to the wind | 0:47:20 | 0:47:24 | |
and I think men are frightened by that. | 0:47:24 | 0:47:26 | |
So the outlet for their anger is attitudes against women | 0:47:26 | 0:47:31 | |
because they feel that women | 0:47:31 | 0:47:32 | |
are actually taking their rightful place. | 0:47:32 | 0:47:34 | |
No, they feel that they're losing their balls. | 0:47:34 | 0:47:37 | |
I think it comes down to the basics. | 0:47:37 | 0:47:40 | |
They're kind of no longer a man. | 0:47:40 | 0:47:43 | |
So in terms of culture, though, | 0:47:43 | 0:47:45 | |
where do men find ways to be masculine? | 0:47:45 | 0:47:50 | |
Or do men need still to be masculine? | 0:47:50 | 0:47:52 | |
Well, I mean, the pervasive force now, | 0:47:52 | 0:47:54 | |
-the real opinion shaper is the internet. -Mm. | 0:47:54 | 0:47:58 | |
Quite simply, you know, young men are, you know, consuming, | 0:47:58 | 0:48:02 | |
you know, not just porn, but also extreme content, | 0:48:02 | 0:48:06 | |
violent content, decapitations, gross-out content. | 0:48:06 | 0:48:10 | |
Young men always like to gross each other out, | 0:48:10 | 0:48:13 | |
but now the currency is much more extreme. | 0:48:13 | 0:48:16 | |
And feeding into that, of course, is the more violent sexual content | 0:48:16 | 0:48:21 | |
which is now absolutely ubiquitous. | 0:48:21 | 0:48:23 | |
You know, if that's what you're seeing over and over again | 0:48:23 | 0:48:26 | |
is there an insidious message that this is how you must behave | 0:48:26 | 0:48:29 | |
in real life towards real women? | 0:48:29 | 0:48:31 | |
Porn is available in a quantity and of an explicit quality | 0:48:35 | 0:48:39 | |
unknown to previous generations. | 0:48:39 | 0:48:41 | |
And some people are arguing we're conducting a grand experiment | 0:48:47 | 0:48:50 | |
with malleable teenage brains. | 0:48:50 | 0:48:52 | |
Oakgrove School in Milton Keynes is alive to the challenges | 0:48:55 | 0:48:59 | |
facing young people today, if they view this material at the | 0:48:59 | 0:49:03 | |
very age when they're forming their ideas about the opposite sex. | 0:49:03 | 0:49:07 | |
Can you answer this question for me? | 0:49:07 | 0:49:08 | |
Where do YP - young people - learn about sex? | 0:49:08 | 0:49:13 | |
Can I join this table? | 0:49:13 | 0:49:14 | |
-So was porn the first one on there? -Yeah. | 0:49:16 | 0:49:19 | |
I joined one of their sex education classes, run by the charity Brook, | 0:49:22 | 0:49:26 | |
to find out what boys and girls do think about each other, | 0:49:26 | 0:49:30 | |
and what some of the pre-conceptions are | 0:49:30 | 0:49:32 | |
that the school wants to challenge. | 0:49:32 | 0:49:35 | |
There's sometimes bad stuff on it as well, like on porn. | 0:49:35 | 0:49:37 | |
Like sometimes you see things like a step-dad with daughter. | 0:49:37 | 0:49:41 | |
Porn, like, makes it look unequal. Men being more dominant than women, | 0:49:41 | 0:49:49 | |
where it should be equal. | 0:49:49 | 0:49:51 | |
Do you feel pressures from porn as well, | 0:49:53 | 0:49:55 | |
the way that sex is portrayed in porn would affect the way that guys | 0:49:55 | 0:49:59 | |
-want to have sex with you? -Yeah. | 0:49:59 | 0:50:01 | |
I feel like guys get, I don't know, like attention... | 0:50:01 | 0:50:04 | |
-They get more focused on... -Yeah. | 0:50:04 | 0:50:05 | |
Because of porn and because it's stereotypical that they watch porn | 0:50:05 | 0:50:09 | |
-and that... -They expect girls to behave a certain way. | 0:50:09 | 0:50:12 | |
Yeah, and they expect sex to be a certain way | 0:50:12 | 0:50:14 | |
and that they should be the focus of it... | 0:50:14 | 0:50:16 | |
Like they're the more dominant one | 0:50:16 | 0:50:19 | |
when it comes to sex and relationships. | 0:50:19 | 0:50:21 | |
And according to this group of young people, | 0:50:23 | 0:50:25 | |
girls' active sexual desires are actually punished. | 0:50:25 | 0:50:30 | |
If a girl loves sex. | 0:50:30 | 0:50:32 | |
She wants sex, talks about sex... Yeah? | 0:50:32 | 0:50:34 | |
She would be classed as a slut. | 0:50:34 | 0:50:36 | |
What about if there was a guy that was really into sex? | 0:50:36 | 0:50:40 | |
-Yeah? -He's just a boy. -Just being a boy? | 0:50:40 | 0:50:43 | |
He would get ratings for it, if he had sex a lot. | 0:50:43 | 0:50:47 | |
If the message that some boys are taking away from porn | 0:50:49 | 0:50:52 | |
is that to be a man is to pursue their own sexual desires, | 0:50:52 | 0:50:56 | |
and that girls who are sexually active are simply sluts, | 0:50:56 | 0:50:59 | |
could what girls want | 0:51:00 | 0:51:02 | |
be in danger of going unnoticed? | 0:51:02 | 0:51:05 | |
Yas, Lili and Georgia are so concerned about their | 0:51:08 | 0:51:11 | |
generation's understanding of sexual consent they have launched their | 0:51:11 | 0:51:15 | |
own campaign for it to be taught as part of the National Curriculum. | 0:51:15 | 0:51:19 | |
They're worried that a culture which routinely reduces women to | 0:51:21 | 0:51:25 | |
sex objects and everyday language which makes light of | 0:51:25 | 0:51:28 | |
sexual harassment and assault, | 0:51:28 | 0:51:31 | |
is leading to confusion about what sexual consent actually is. | 0:51:31 | 0:51:35 | |
And that that's having an impact on young people's behaviour. | 0:51:37 | 0:51:41 | |
For me, I feel that more needs to be said about | 0:51:42 | 0:51:44 | |
respecting personal boundaries. | 0:51:44 | 0:51:46 | |
So I was at a party a few weeks ago and a lot of the boys | 0:51:46 | 0:51:51 | |
were being very touchy-feely with the girls | 0:51:51 | 0:51:53 | |
or basically groping them when the girls didn't want to be touched, | 0:51:53 | 0:51:56 | |
and I was speaking to my friend after and she said, | 0:51:56 | 0:51:58 | |
"You know, I wish they'd teach us in lessons, | 0:51:58 | 0:52:00 | |
"you can't treat a girl like she's a toy." | 0:52:00 | 0:52:03 | |
What did the girls say to the boys? | 0:52:03 | 0:52:04 | |
Did they not feel confident enough to say, stop that now? | 0:52:04 | 0:52:07 | |
Yeah, I don't think girls are even told they can say that. | 0:52:07 | 0:52:10 | |
I think girls feel like they have to put up with it. | 0:52:10 | 0:52:13 | |
It's definitely, like, feeling like you can't speak up against it. | 0:52:13 | 0:52:17 | |
What about jokes? | 0:52:17 | 0:52:19 | |
I mean, rape jokes, what kind of jokes go round your school? | 0:52:19 | 0:52:23 | |
Yeah, I used to, | 0:52:23 | 0:52:24 | |
I used to count up how many I would hear a day | 0:52:24 | 0:52:26 | |
in secondary school at one point, | 0:52:26 | 0:52:29 | |
and I would hear at least three every day | 0:52:29 | 0:52:31 | |
just walking down the corridors. | 0:52:31 | 0:52:34 | |
If there was one thing that kind of summed up the way you see | 0:52:34 | 0:52:38 | |
the problem as it affects you guys, your age, what would it be? | 0:52:38 | 0:52:43 | |
Well, the terrifyingly iconic case is always the one in America, | 0:52:43 | 0:52:48 | |
in a small town called Steubenville, which is where a group of boys | 0:52:48 | 0:52:52 | |
raped a 16-year-old girl and livetweeted and took photographs | 0:52:52 | 0:52:56 | |
of the attack, and I think that really sums up what we want | 0:52:56 | 0:53:00 | |
to change, which is this notion that rape culture is just to be accepted. | 0:53:00 | 0:53:04 | |
What happened in Steubenville was so shocking, | 0:53:11 | 0:53:15 | |
some have even dubbed it rape culture's Abu Ghraib moment. | 0:53:15 | 0:53:18 | |
At a high school party, a girl who was semi-conscious | 0:53:21 | 0:53:24 | |
was carried around, digitally penetrated and masturbated over | 0:53:24 | 0:53:28 | |
by two star football players. | 0:53:28 | 0:53:30 | |
As it happened, other partygoers commented online. | 0:53:37 | 0:53:41 | |
The two footballers were convicted of rape. | 0:53:55 | 0:53:58 | |
But despite all the evidence, | 0:53:59 | 0:54:01 | |
many blamed the victim for her own assault. | 0:54:01 | 0:54:05 | |
One tweet ran... | 0:54:05 | 0:54:06 | |
But do you think that the Steubenville case is something | 0:54:15 | 0:54:18 | |
for America, or is the atmosphere the same here? | 0:54:18 | 0:54:22 | |
It's definitely an international problem. | 0:54:22 | 0:54:25 | |
We have exactly the same social networks as America, | 0:54:25 | 0:54:29 | |
we have just as little legislation about it. | 0:54:29 | 0:54:32 | |
The exact same attacks happen here as in America. | 0:54:32 | 0:54:35 | |
I think it could absolutely happen here, | 0:54:35 | 0:54:37 | |
and to be honest, it probably has, but we just haven't heard about it. | 0:54:37 | 0:54:42 | |
I'm actually shocked and pretty distressed by what Georgia, | 0:54:49 | 0:54:53 | |
Lili and Yas have to say and what they have to deal with. | 0:54:53 | 0:54:56 | |
But maybe it shouldn't be such a surprise. | 0:54:56 | 0:54:58 | |
If we treat women as sex objects and trivialise sexual assault, | 0:54:58 | 0:55:02 | |
are we in danger of colluding in, or at least allowing to exist, | 0:55:02 | 0:55:07 | |
a culture which rape isn't seen for what it is? | 0:55:07 | 0:55:10 | |
And this doesn't just affect a few high-profile women, | 0:55:10 | 0:55:13 | |
it's playing out in the lives of ordinary young people. | 0:55:13 | 0:55:16 | |
There seems to me to be a terrible irony here. | 0:55:22 | 0:55:26 | |
What many of the feminists of the 1970s fought for | 0:55:26 | 0:55:29 | |
was a better understanding of sexual violence | 0:55:29 | 0:55:31 | |
and for women's own sexual liberation. | 0:55:31 | 0:55:34 | |
But in the culture wars that have followed, while women have | 0:55:37 | 0:55:40 | |
made gains in many spheres, the latest reactionary response | 0:55:40 | 0:55:44 | |
has tried to push us back, in this area at least, to where we started. | 0:55:44 | 0:55:48 | |
I wondered what that early pioneer Germaine Greer made of it. | 0:55:50 | 0:55:55 | |
Liberation hasn't happened. People like to think that it has. | 0:55:56 | 0:56:00 | |
What happened... Even sexual liberation didn't happen. | 0:56:00 | 0:56:03 | |
What happened was that commercial pornography was liberated, | 0:56:03 | 0:56:07 | |
fantasy was liberated, but people weren't liberated. | 0:56:07 | 0:56:10 | |
Now, though, have we reached a tipping point? | 0:56:14 | 0:56:16 | |
Just as social media has given oxygen to misogynistic views, | 0:56:18 | 0:56:22 | |
and the internet acted as a vehicle for their distribution, | 0:56:22 | 0:56:26 | |
could technology become the means for women's own fight back? | 0:56:26 | 0:56:30 | |
The potential for ideas like anti-sexism to go viral | 0:56:30 | 0:56:35 | |
is a really, really interesting way of fighting back, | 0:56:35 | 0:56:38 | |
because misogyny and sexism are essentially reactionary. | 0:56:38 | 0:56:42 | |
The internet is not by its nature reactionary, the internet changes. | 0:56:42 | 0:56:46 | |
Online, you can find a wealth of young feminist activism. | 0:56:48 | 0:56:51 | |
There's a thank you note to internet trolls by Isabel Fay | 0:56:54 | 0:56:57 | |
and the Clever Pie team. | 0:56:57 | 0:56:59 | |
# I'm really sure | 0:57:00 | 0:57:02 | |
# That if I met you | 0:57:02 | 0:57:04 | |
# You probably wouldn't rape me like promised that you would | 0:57:04 | 0:57:08 | |
# We are like that... # | 0:57:08 | 0:57:10 | |
Australian students have done a witty riposte to | 0:57:11 | 0:57:14 | |
Robin Thicke's Blurred Lines. | 0:57:14 | 0:57:16 | |
# You think that you're so slick | 0:57:16 | 0:57:18 | |
# Let me emasculate ya | 0:57:18 | 0:57:20 | |
# Because your precious dick | 0:57:20 | 0:57:22 | |
# Can't beat my vibrator | 0:57:22 | 0:57:24 | |
# We're feeling the frustration | 0:57:24 | 0:57:26 | |
# From all the exploitation | 0:57:26 | 0:57:28 | |
# Prepare for your castration | 0:57:28 | 0:57:30 | |
# So we can fuck this man's world... # | 0:57:30 | 0:57:34 | |
And The Everyday Sexism Project helped score a major victory | 0:57:36 | 0:57:40 | |
last year - harnessing the power of online activism with | 0:57:40 | 0:57:44 | |
the #fbrape campaign. | 0:57:44 | 0:57:46 | |
It forced Facebook to change its rules and prohibit violent, | 0:57:48 | 0:57:51 | |
misogynistic content on its site. | 0:57:51 | 0:57:55 | |
What is heartening is that women are standing up to misogyny. | 0:57:55 | 0:57:59 | |
The barrage of abuse experienced by prominent women like Mary Beard | 0:57:59 | 0:58:03 | |
has shocked people into action. | 0:58:03 | 0:58:05 | |
The challenge we face as a society | 0:58:08 | 0:58:10 | |
is deciding exactly what form that action should take. | 0:58:10 | 0:58:14 | |
If we think about sexism and misogyny as air pollution, | 0:58:14 | 0:58:18 | |
we're all breathing it in, right, | 0:58:18 | 0:58:20 | |
regardless of how much we're contributing | 0:58:20 | 0:58:22 | |
to that air pollution, we all have a responsibility to fix it. | 0:58:22 | 0:58:26 | |
If you think that by getting rid of men's mags | 0:58:26 | 0:58:29 | |
and getting rid of Page Three, that that's going to change anything, | 0:58:29 | 0:58:32 | |
I really do think you're living in fantasy land. | 0:58:32 | 0:58:34 | |
You know, we need to educate young men to behave differently, | 0:58:34 | 0:58:37 | |
not lecture at them. | 0:58:37 | 0:58:38 | |
Young women and men deserve to grow up in a society where | 0:58:42 | 0:58:45 | |
there's a culture of mutual respect. | 0:58:45 | 0:58:47 | |
That's what I want for my daughter and my son. | 0:58:47 | 0:58:50 | |
I think we're at a moment where, if misogynistic views are tolerated | 0:58:50 | 0:58:54 | |
and gain a solid footing, | 0:58:54 | 0:58:56 | |
there'll be destructive consequences for the next generation. | 0:58:56 | 0:58:59 | |
And that's no laughing matter for any of us. | 0:58:59 | 0:59:02 |