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Scottish street trials rider and YouTube star Danny MacAskill | 0:00:02 | 0:00:04 | |
is about to embark on an extraordinary new project, | 0:00:04 | 0:00:07 | |
taking on a life-threatening challenge that has never been attempted before - | 0:00:07 | 0:00:12 | |
to create an ambitious new film, | 0:00:12 | 0:00:14 | |
promote his native home, the Isle of Skye, | 0:00:14 | 0:00:17 | |
and achieve global viral success. | 0:00:17 | 0:00:20 | |
This is awesome! | 0:00:20 | 0:00:22 | |
The aim? To ride a bike on Skye's notorious Cuillin Ridgeline. | 0:00:22 | 0:00:26 | |
If I injure myself doing something stupid then that's the whole filming off. | 0:00:29 | 0:00:32 | |
Over the past six years, Danny MacAskill's bike riding ability | 0:00:40 | 0:00:43 | |
has taken him to every corner of the globe. | 0:00:43 | 0:00:46 | |
His unique blend of technical riding | 0:00:46 | 0:00:48 | |
and jaw-dropping stunts has made him a household name | 0:00:48 | 0:00:51 | |
and turned a lifetime hobby into a successful career. | 0:00:51 | 0:00:54 | |
I don't really think too deeply about why it is | 0:00:54 | 0:00:56 | |
I ride my bike, it's just something I love doing. | 0:00:56 | 0:00:59 | |
Danny's success is down to | 0:00:59 | 0:01:01 | |
a collection of creative internet films | 0:01:01 | 0:01:03 | |
showcasing his incredible talent. | 0:01:03 | 0:01:06 | |
Totalling over 100 million views, | 0:01:06 | 0:01:07 | |
these films form the backbone | 0:01:07 | 0:01:09 | |
to Danny's global recognition. | 0:01:09 | 0:01:11 | |
You're always pushing to do | 0:01:11 | 0:01:13 | |
something brand-new you've never tried before. | 0:01:13 | 0:01:16 | |
With such a history of success, | 0:01:16 | 0:01:17 | |
Danny's challenge continues to be searching for new concepts | 0:01:17 | 0:01:20 | |
and locations to better his previous films. | 0:01:20 | 0:01:23 | |
I've definitely got a high bar to set to make something different. | 0:01:24 | 0:01:28 | |
For his latest project, | 0:01:28 | 0:01:30 | |
Danny has returned to his childhood home, the Isle of Skye. | 0:01:30 | 0:01:33 | |
Although I get to travel the world now, Skye is very much my home. | 0:01:33 | 0:01:37 | |
You maybe don't appreciate it when you live here | 0:01:37 | 0:01:39 | |
but it's quite a sort of magical place. | 0:01:39 | 0:01:41 | |
He's looking to Skye's famous Cuillin mountains to draw | 0:01:41 | 0:01:44 | |
inspiration for a new film. | 0:01:44 | 0:01:46 | |
The Cuillin Ridge is definitely for me | 0:01:46 | 0:01:48 | |
the sort of centre of Skye, the backbone of the island. | 0:01:48 | 0:01:51 | |
17 peaks and 11 Munros make up the vast Cuillin mountain range, | 0:01:52 | 0:01:57 | |
at the centre of which lies the infamous Inaccessible Pinnacle. | 0:01:57 | 0:02:01 | |
The idea for the film is to feature Danny riding his bike | 0:02:03 | 0:02:06 | |
and performing tricks at locations on and around the 12km ridge line. | 0:02:06 | 0:02:11 | |
To help him realise this goal, | 0:02:11 | 0:02:13 | |
Danny has teamed up with friend and film-maker Stu Thomson. | 0:02:13 | 0:02:18 | |
Working with Danny, I think I have a very good understanding | 0:02:18 | 0:02:21 | |
of what he has to do, and I think he has a very good | 0:02:21 | 0:02:23 | |
understanding of the filming side. | 0:02:23 | 0:02:25 | |
But this film is like nothing they've done before. | 0:02:25 | 0:02:29 | |
Danny talked about riding the Cuillin Ridge. | 0:02:29 | 0:02:31 | |
The main thing with that, though, is that he hadn't actually | 0:02:31 | 0:02:34 | |
been on the Cuillin Ridge when he said he wanted to make a film there. | 0:02:34 | 0:02:37 | |
To get an idea of the size of the challenge, | 0:02:39 | 0:02:42 | |
Danny and Stu set off on their first ever climb up the ridge for a recce. | 0:02:42 | 0:02:46 | |
It appears it's blowing a force-ten hooley, | 0:02:49 | 0:02:52 | |
and we're on the top of the Inaccessible Pinnacle. | 0:02:52 | 0:02:55 | |
It's one thing doing it on ground level where you've got | 0:02:55 | 0:02:57 | |
your van parked out of shot or you're in a set | 0:02:57 | 0:03:00 | |
or something like that. It's another thing trying to do this | 0:03:00 | 0:03:03 | |
four hours in on a hike on the top of a ridge line. | 0:03:03 | 0:03:06 | |
Deary me! HE CHUCKLES | 0:03:06 | 0:03:08 | |
I think the hardest thing about it is definitely the access. | 0:03:08 | 0:03:11 | |
Before we even, like, roll on the camera | 0:03:11 | 0:03:13 | |
we're going to have to be walking for three or four hours | 0:03:13 | 0:03:16 | |
hiking up huge, steep hills, scrambling, rock climbing parts. | 0:03:16 | 0:03:21 | |
A very severe, very sharp, knife-edge ridge. | 0:03:21 | 0:03:25 | |
Not the place you want to be taking your bike, that's for sure. | 0:03:25 | 0:03:29 | |
Despite being faced with such an extreme environment, | 0:03:29 | 0:03:32 | |
Danny and Stu have committed to the project and put together | 0:03:32 | 0:03:35 | |
a crew equipped to deal with whatever challenges they may face. | 0:03:35 | 0:03:39 | |
Everyone's very experienced | 0:03:39 | 0:03:40 | |
and can deal with all sorts of different situations, | 0:03:40 | 0:03:43 | |
and it's just a really strong unit, you know? | 0:03:43 | 0:03:45 | |
It's a really strong group, | 0:03:45 | 0:03:46 | |
and it's so, so important on a shoot like this to have that. | 0:03:46 | 0:03:49 | |
The last project we did, we did 150 takes on one trick, | 0:03:49 | 0:03:52 | |
whereas here we don't have that luxury | 0:03:52 | 0:03:54 | |
cos we've got two weeks, we've got the weather, | 0:03:54 | 0:03:56 | |
we don't know what's going to happen, you know? | 0:03:56 | 0:03:58 | |
We just have to react all the time and just get as much done as we can. | 0:03:58 | 0:04:02 | |
But filming in arguably | 0:04:02 | 0:04:04 | |
the most dangerous mountain range in the UK | 0:04:04 | 0:04:06 | |
comes with a serious risk. | 0:04:06 | 0:04:08 | |
What scares you most about this film? | 0:04:08 | 0:04:10 | |
Somebody getting hurt. | 0:04:10 | 0:04:12 | |
Despite the significant risks involved, | 0:04:14 | 0:04:17 | |
as dawn breaks on the opening day of the shoot, | 0:04:17 | 0:04:19 | |
the crew's attention turns back | 0:04:19 | 0:04:21 | |
to the traditional Scottish problem of the weather. | 0:04:21 | 0:04:24 | |
What time is it? About seven o'clock? | 0:04:24 | 0:04:27 | |
And we're... | 0:04:27 | 0:04:28 | |
going to have a little trudge up a hill. | 0:04:28 | 0:04:31 | |
Basically, the bit Danny's going to ride | 0:04:31 | 0:04:34 | |
is that white bit up there. | 0:04:34 | 0:04:37 | |
It's, erm... | 0:04:37 | 0:04:40 | |
some view up there, apparently. | 0:04:40 | 0:04:43 | |
Erm, yeah... | 0:04:43 | 0:04:45 | |
It's looking fairly cloudy, but we're told by | 0:04:45 | 0:04:49 | |
the weather forecasters and Matt, | 0:04:49 | 0:04:52 | |
who's...he knows everything about the Cuillins, | 0:04:52 | 0:04:55 | |
that it's going to get really nice later on, | 0:04:55 | 0:04:57 | |
so we're going to risk it and walk three hours. | 0:04:57 | 0:05:00 | |
The crew are faced with an arduous 3,000ft climb with heavy equipment. | 0:05:01 | 0:05:07 | |
So today is our first day up the Cuillins, which is... | 0:05:07 | 0:05:12 | |
yeah, pretty hard going. | 0:05:12 | 0:05:15 | |
There's no path up it, pretty much just straight. | 0:05:15 | 0:05:18 | |
I don't know what we're looking at, it's probably even past 45 degrees. | 0:05:18 | 0:05:22 | |
Doing a hideous slog up onto the ridge. | 0:05:22 | 0:05:26 | |
Pretty nice place to come and carry a miniature helicopter and batteries | 0:05:26 | 0:05:31 | |
and big, random pieces of metal. | 0:05:31 | 0:05:34 | |
-STU: -What have we been doing this morning? | 0:05:34 | 0:05:36 | |
-Suffering. -OTHERS LAUGH | 0:05:36 | 0:05:38 | |
But the pork pies taste nice. | 0:05:40 | 0:05:43 | |
I mean, to be fair, it's my call to put the crew through this, | 0:05:45 | 0:05:48 | |
however, I took advice from the local expert, | 0:05:48 | 0:05:52 | |
which is Matt, over here. So, we took Matt's advice and he said, | 0:05:52 | 0:05:55 | |
"Ah, by midday it'll be clear." | 0:05:55 | 0:05:57 | |
So I think it's... What is it? Five to midday now? | 0:05:57 | 0:05:59 | |
-Five to. We've got five minutes. -So we've got five minutes. | 0:05:59 | 0:06:01 | |
With mist covering the entire ridge, | 0:06:01 | 0:06:03 | |
lugging the hi tech aerial filming equipment could all be for nothing. | 0:06:03 | 0:06:08 | |
Yesterday I thought it was the most amazing bit of kit I've ever seen | 0:06:08 | 0:06:11 | |
and now I could happily just see it roll down the hillside. | 0:06:11 | 0:06:14 | |
OTHERS LAUGH | 0:06:14 | 0:06:16 | |
The mist shows no sign of clearing. | 0:06:16 | 0:06:19 | |
We've been up here for about three hours or so with Danny. | 0:06:19 | 0:06:25 | |
He seems pretty excited. | 0:06:25 | 0:06:26 | |
SNORING | 0:06:29 | 0:06:31 | |
It's quite tempting just to, like, just to roll him. | 0:06:31 | 0:06:34 | |
SNORING | 0:06:36 | 0:06:38 | |
Ten to four. At last, there's a hint of sun. | 0:06:40 | 0:06:44 | |
Whoo! | 0:06:44 | 0:06:45 | |
Nearly nine hours after setting off, filming can finally begin. | 0:06:45 | 0:06:50 | |
The cloud cleared and it was just | 0:06:58 | 0:07:00 | |
really amazing to be getting our first shots on the ridge. | 0:07:00 | 0:07:04 | |
We just got the most spine-tingling views. | 0:07:05 | 0:07:09 | |
It's kind of special. It almost makes it more worthwhile when you | 0:07:09 | 0:07:12 | |
put that much effort in and you get the return of those amazing shots. | 0:07:12 | 0:07:15 | |
The crew have had a successful first day, | 0:07:15 | 0:07:18 | |
but there are still some far bigger challenges to come. | 0:07:18 | 0:07:21 | |
After just a few hours' sleep, | 0:07:25 | 0:07:27 | |
it's up again for the most ambitious day of the shoot. | 0:07:27 | 0:07:31 | |
It's about four o'clock in the morning, | 0:07:31 | 0:07:33 | |
and the plan today is we're going to head up | 0:07:33 | 0:07:35 | |
to the Inaccessible Pinnacle. | 0:07:35 | 0:07:37 | |
The aptly named Inaccessible Pinnacle is a pillar of rock | 0:07:37 | 0:07:41 | |
that forms the summit to one of Scotland's toughest Munros. | 0:07:41 | 0:07:44 | |
The plan is to get up to the Inaccessible Pinnacle | 0:07:44 | 0:07:46 | |
and get Danny up there with his bike. | 0:07:46 | 0:07:48 | |
Well, we don't know for sure, but we imagine it's the first time | 0:07:48 | 0:07:51 | |
a bike's been ever on the Inaccessible Pinnacle. | 0:07:51 | 0:07:53 | |
Considering the start of this week, it just showed it was going to be | 0:07:53 | 0:07:56 | |
horrible conditions, and it's just changed so much, you know? It's... | 0:07:56 | 0:08:01 | |
I can actually see the tops of pretty much all the Cuillins, | 0:08:01 | 0:08:03 | |
which is a rare thing. | 0:08:03 | 0:08:06 | |
So, yeah, I think it's going to be awesome. | 0:08:06 | 0:08:08 | |
6am, and we're up on the ridge. | 0:08:16 | 0:08:19 | |
Definitely worth the early start. | 0:08:19 | 0:08:23 | |
But now the real challenge begins: | 0:08:23 | 0:08:25 | |
filming a shot of Danny and his bike standing at the top of the pinnacle, | 0:08:25 | 0:08:28 | |
to create the film's most iconic image. | 0:08:28 | 0:08:31 | |
With a massive vertical drop on either side, | 0:08:32 | 0:08:36 | |
a mistake could prove fatal. | 0:08:36 | 0:08:38 | |
The drop on one side is over-hanging and infinite, | 0:08:38 | 0:08:40 | |
and the drop on the other side is even greater. | 0:08:40 | 0:08:43 | |
Ooft! Right, this time. Are you ready? | 0:08:43 | 0:08:47 | |
-OK. -Excellent. That was quite hard work, actually. | 0:08:47 | 0:08:51 | |
The top of the In Pinn has been a dream of mine for years. | 0:08:51 | 0:08:54 | |
It was quite an amazing moment when I was stood on top of the rock. | 0:08:54 | 0:08:58 | |
This is awesome! | 0:08:58 | 0:09:00 | |
Yooo! HE LAUGHS | 0:09:11 | 0:09:14 | |
This is probably one of the coolest things I've ever done. | 0:09:14 | 0:09:18 | |
Unbelievable. Like, it's everything we wanted. | 0:09:18 | 0:09:21 | |
It's everything we wanted to... I guess, you know, he's not riding, | 0:09:21 | 0:09:24 | |
but just showing off Skye for what it is and... | 0:09:24 | 0:09:28 | |
Can't say too many people have been up there with a bike. | 0:09:28 | 0:09:31 | |
With the summit shot complete, Danny repositions to allow | 0:09:31 | 0:09:34 | |
a shot of him climbing up the pinnacle with his bike. | 0:09:34 | 0:09:37 | |
You ready, Stu? | 0:09:37 | 0:09:38 | |
So far, everything is going to plan. | 0:09:38 | 0:09:40 | |
I'm just going to unclip quickly. | 0:09:40 | 0:09:42 | |
Dude, keep the rope on. | 0:09:42 | 0:09:44 | |
I'm... This is... This bit's fine. | 0:09:44 | 0:09:47 | |
It makes it harder for me to walk with. OK. | 0:09:49 | 0:09:53 | |
It's important to me to kind of be doing that stuff in a kind of | 0:09:56 | 0:09:59 | |
legit manner, I don't want to be kind of fooling people. | 0:09:59 | 0:10:02 | |
Here we go. HE EXHALES | 0:10:02 | 0:10:04 | |
Sorry about that, man. | 0:10:04 | 0:10:06 | |
-CREW MEMBER LAUGHS -You're mad! | 0:10:06 | 0:10:08 | |
He doesn't listen to anyone, like. | 0:10:08 | 0:10:10 | |
He just unclips himself and goes, "Ah, it'll be fine." | 0:10:10 | 0:10:14 | |
Scrambles up while we're all down here going, "What you doin'?!" | 0:10:14 | 0:10:18 | |
I just had to look away and just get Stu to do the filming dead quick. | 0:10:18 | 0:10:23 | |
Climbing it one hand with a bike on your back, that's pretty different. | 0:10:23 | 0:10:26 | |
So I guess that's where he just shows how good he is. | 0:10:26 | 0:10:29 | |
Buoyed by the success at the Inaccessible Pinnacle, | 0:10:29 | 0:10:33 | |
the crew traverse over to film Danny ride the notorious Collie's Ledge, | 0:10:33 | 0:10:37 | |
a thin path that weaves perilously close to a heart-stopping drop. | 0:10:37 | 0:10:41 | |
It's a strange one, actually, | 0:10:41 | 0:10:42 | |
compared to what he does a lot of the time cos he's not doing a trick, | 0:10:42 | 0:10:45 | |
he's literally riding along a bit of trail. | 0:10:45 | 0:10:47 | |
But the difference is on the side of the trail it's, like... | 0:10:47 | 0:10:50 | |
massive exposure. | 0:10:50 | 0:10:52 | |
Collie's Ledge is a very exposed part of the Ridge, | 0:10:53 | 0:10:56 | |
and there's a huge drop down into Coire Lagan. | 0:10:56 | 0:11:00 | |
I'm good to go when you guys are. | 0:11:00 | 0:11:02 | |
-ON RADIO: -'OK, go for it when you're ready.' | 0:11:02 | 0:11:04 | |
FRUSTRATED GROAN | 0:11:10 | 0:11:11 | |
You're faced with a sort of line where | 0:11:11 | 0:11:14 | |
if it goes wrong, there's literally no coming back from it. | 0:11:14 | 0:11:16 | |
HELICOPTER BUZZES | 0:11:16 | 0:11:18 | |
-ON RADIO: -'OK, Danny, go for it.' | 0:11:20 | 0:11:22 | |
For me, it's just another bit of trail that you just | 0:11:26 | 0:11:29 | |
have to keep your wits about you on | 0:11:29 | 0:11:31 | |
and make sure you don't clip a pedal or a handlebar that sends you off over a few-hundred-foot drop. | 0:11:31 | 0:11:36 | |
-Can you reset that? -Yeah, that sort of speed? | 0:11:36 | 0:11:39 | |
Yeah, that speed's good when we do it, yeah. | 0:11:39 | 0:11:41 | |
That first hop is hard work. | 0:11:52 | 0:11:56 | |
How was it looking? | 0:11:56 | 0:11:59 | |
No way! | 0:11:59 | 0:12:00 | |
That is so sick! | 0:12:03 | 0:12:05 | |
It's a relentless schedule of long, gruelling days, | 0:12:07 | 0:12:09 | |
but the film is starting to come together. | 0:12:09 | 0:12:12 | |
Tough day yesterday, so I think today we're a little bit more relaxed. | 0:12:12 | 0:12:16 | |
I say a little bit - we've still been hiking for two hours. | 0:12:16 | 0:12:20 | |
My legs are a bit gubbed from, you know, the last four days | 0:12:20 | 0:12:23 | |
of missioning about the place, so we'll see how it goes. | 0:12:23 | 0:12:28 | |
Shooting at locations all around the ridge, | 0:12:28 | 0:12:31 | |
the crew and Danny work tirelessly to capture all the shots they need. | 0:12:31 | 0:12:35 | |
It's very important for me to feel that I've done my best. | 0:12:35 | 0:12:38 | |
You know, until I've done that, I won't be happy. | 0:12:38 | 0:12:43 | |
But it definitely comes through in the end result cos you've both | 0:12:43 | 0:12:46 | |
worked as hard as you can to get that shot as perfect as possible. | 0:12:46 | 0:12:50 | |
We got back last night, we all just literally | 0:12:50 | 0:12:53 | |
looked at the footage straightaway and we were just like, "Yes!" | 0:12:53 | 0:12:56 | |
Going into the final few days, | 0:12:56 | 0:12:58 | |
there are still more shots to be captured right at the summit, | 0:12:58 | 0:13:01 | |
along with an introduction and a huge final trick for the film. | 0:13:01 | 0:13:04 | |
It's the last day of filming up on the ridge | 0:13:08 | 0:13:11 | |
and the crew have moved to the north end to film on one of the most | 0:13:11 | 0:13:14 | |
famous peaks of the Black Cuillin. | 0:13:14 | 0:13:17 | |
Today we're up Sgurr nan Gillean. | 0:13:17 | 0:13:19 | |
Definitely the most prominent Black Cuillin, the most famous one. | 0:13:19 | 0:13:22 | |
And the plan is to go up onto the ridge line here, | 0:13:22 | 0:13:24 | |
right at the north, and a couple more shots riding the ridge line, | 0:13:24 | 0:13:28 | |
and then start to film Danny on the descent. | 0:13:28 | 0:13:31 | |
Once again, they are faced with a long hike to the summit. | 0:13:31 | 0:13:34 | |
Morale is high, I would say. Everyone is pretty happy with | 0:13:35 | 0:13:39 | |
the footage we've got so far, I think. | 0:13:39 | 0:13:42 | |
The only thing we're battling today is a little bit of fatigue. | 0:13:42 | 0:13:45 | |
Oh, it's been well worth it. I love the pain. I love the punishment. | 0:13:45 | 0:13:48 | |
You can't beat it. | 0:13:48 | 0:13:49 | |
My feet are just kind of covered in blisters and stuff today. | 0:13:49 | 0:13:52 | |
Just pain. We're all going through a bit of pain | 0:13:52 | 0:13:54 | |
but we're absolutely loving it. | 0:13:54 | 0:13:56 | |
Just say when you boys are ready. | 0:13:56 | 0:13:58 | |
OK? | 0:13:58 | 0:13:59 | |
This is a bit steeper than I thought. | 0:14:06 | 0:14:08 | |
It's quite hard to tell from here | 0:14:08 | 0:14:09 | |
cos we're so far away how technical the trail is, | 0:14:09 | 0:14:12 | |
but I think it's just really steep and really difficult to ride. | 0:14:12 | 0:14:15 | |
Ah! HE CHUCKLES | 0:14:21 | 0:14:23 | |
Arrgh! | 0:14:23 | 0:14:25 | |
Sorry, guys! | 0:14:26 | 0:14:28 | |
'Yeah, I'd say I've had my fair share of injuries.' | 0:14:28 | 0:14:30 | |
I've definitely had a few broken bones here and there | 0:14:30 | 0:14:33 | |
and I've had a few sort of long-term injuries | 0:14:33 | 0:14:36 | |
such as a torn disc in my lower back. | 0:14:36 | 0:14:38 | |
-You ready? -Yeah, ready. | 0:14:38 | 0:14:40 | |
Got it. | 0:14:48 | 0:14:49 | |
That looked really good, actually. | 0:14:50 | 0:14:52 | |
With more crucial ridge shots now in the can, | 0:14:52 | 0:14:55 | |
Danny wants to attempt another big trick for the film. | 0:14:55 | 0:14:58 | |
Just near the top here they've got these huge big flat boulders | 0:14:58 | 0:15:01 | |
and Danny's just looking at doing a gap. | 0:15:01 | 0:15:04 | |
Hopefully this gap's going to be quite easy. | 0:15:04 | 0:15:06 | |
Literally everything Danny looks at every day is with | 0:15:06 | 0:15:10 | |
the mindset of riding something, you know? | 0:15:10 | 0:15:12 | |
Whether it's walking down the street in the middle of Glasgow | 0:15:12 | 0:15:15 | |
or whether it's driving on a road somewhere in the Highlands | 0:15:15 | 0:15:18 | |
or on the top of the Cuillins, like, it's just the way his mind works. | 0:15:18 | 0:15:22 | |
BLEEP. | 0:15:24 | 0:15:26 | |
That is hellishly rough. | 0:15:26 | 0:15:28 | |
OK. | 0:15:33 | 0:15:34 | |
I think... | 0:15:38 | 0:15:40 | |
The tyre's going. | 0:15:44 | 0:15:46 | |
Arrrghhh! | 0:15:46 | 0:15:48 | |
It was difficult because it was a really, really big impact. | 0:15:48 | 0:15:51 | |
It's one of these situations where actually | 0:15:51 | 0:15:53 | |
because we're riding a mountain bike in this film | 0:15:53 | 0:15:55 | |
it made it a lot harder. | 0:15:55 | 0:15:56 | |
HE GROANS | 0:16:00 | 0:16:02 | |
Arrghh! | 0:16:02 | 0:16:04 | |
I really was struggling to hold it together on landing | 0:16:04 | 0:16:06 | |
and get out of the shot. | 0:16:06 | 0:16:08 | |
I feel like hoofing the bike down the hill, to be honest. | 0:16:08 | 0:16:10 | |
Each time, both myself and the bike were making some funny noises. | 0:16:10 | 0:16:14 | |
I've actually got a sore head because the impact's that hard. | 0:16:14 | 0:16:18 | |
I was amazed that the bike took what it did, you know? | 0:16:18 | 0:16:21 | |
It was really heavy going. | 0:16:21 | 0:16:23 | |
'You know, I know I can do it,' | 0:16:32 | 0:16:33 | |
so I'll just kind of keep going until I get it done. | 0:16:33 | 0:16:37 | |
It's the penultimate day of filming, | 0:16:42 | 0:16:44 | |
and the crew are taking to the water to create the film's opening scene. | 0:16:44 | 0:16:48 | |
Today we're down in Elgol right by the coast | 0:16:48 | 0:16:50 | |
and we're going to shoot the opening scene for the film. | 0:16:50 | 0:16:53 | |
The opening scene is basically going to be Danny in a rowing boat | 0:16:53 | 0:16:56 | |
and he's going to be rowing over towards Loch Coruisk. | 0:16:56 | 0:17:00 | |
It's going to be a real nice way | 0:17:00 | 0:17:01 | |
to start the film with a bit of character. | 0:17:01 | 0:17:04 | |
I'm just going to be out there looking like I'm by myself, | 0:17:04 | 0:17:07 | |
rowing away, you know, to go and start the ridge. | 0:17:07 | 0:17:10 | |
Yeah - cheesing it up. | 0:17:10 | 0:17:12 | |
The whole thing should be quite, kind of...quite emotive, | 0:17:12 | 0:17:16 | |
but then really just powerful when you kind of see the Cuillins | 0:17:16 | 0:17:19 | |
and the film begins properly when he gets on his bike. | 0:17:19 | 0:17:22 | |
Energy's low but morale's good. | 0:17:22 | 0:17:25 | |
Like, you're all tired, you're all knackered, | 0:17:25 | 0:17:27 | |
you come back in and you look at the footage and it's like, | 0:17:27 | 0:17:30 | |
"Wow!" you know? It really makes you realise it was totally worth it. | 0:17:30 | 0:17:33 | |
All the sort of hiking, | 0:17:33 | 0:17:35 | |
all the sort of sitting round and just the waiting. | 0:17:35 | 0:17:37 | |
Yeah, everything about it. | 0:17:37 | 0:17:38 | |
It's like, you get back, look at the footage and it's like, | 0:17:38 | 0:17:41 | |
yeah, you can definitely see this is going to be really, really good. | 0:17:41 | 0:17:45 | |
You're just going in towards this incredible landscape | 0:17:50 | 0:17:52 | |
and it's just looking so threatening and huge in front of you. | 0:17:52 | 0:17:55 | |
We see Danny, we see all these little detailed shots | 0:17:57 | 0:18:00 | |
and then it's just like, boom, here's where he's going. | 0:18:00 | 0:18:03 | |
I'm doing a little bit of token rowing. | 0:18:05 | 0:18:07 | |
It's the first time I've rowed in years, which is quite good fun. | 0:18:07 | 0:18:09 | |
Once across to edge of Loch Coruisk, Danny has an idea for a trick | 0:18:09 | 0:18:13 | |
that will test his balance in the opening sequence for the film. | 0:18:13 | 0:18:18 | |
As always, nothing's ever... nothing's ever easy. | 0:18:18 | 0:18:21 | |
Aarrrgh! | 0:18:25 | 0:18:26 | |
We'll see how it goes. We'll see how it goes. | 0:18:26 | 0:18:28 | |
-APPLAUSE -Yeah! | 0:18:40 | 0:18:42 | |
Good. I'm pretty happy. Nice wee line. | 0:18:46 | 0:18:49 | |
Another good day. I can't quite believe it. | 0:18:52 | 0:18:54 | |
I'm not quite sure what we've done to deserve it, | 0:18:54 | 0:18:56 | |
but the results of the film seem to be working out. | 0:18:56 | 0:19:00 | |
The final day of the shoot has arrived, | 0:19:09 | 0:19:12 | |
and Danny has a difficult new trick that he has left to the very end. | 0:19:12 | 0:19:15 | |
The trick he's doing, you call a bump front flip. | 0:19:18 | 0:19:20 | |
He's sort of basically just crashing into a barbed wire fence | 0:19:20 | 0:19:24 | |
and using it to do a front flip. | 0:19:24 | 0:19:26 | |
And Danny's the only person in the world that can do it. | 0:19:26 | 0:19:29 | |
Planning such a trick is one thing, | 0:19:29 | 0:19:31 | |
but, for Danny, making it happen is a far bigger undertaking. | 0:19:31 | 0:19:34 | |
Cos there's technique involved, this is, like, where... | 0:19:36 | 0:19:39 | |
This is, to me, where you can get genuinely hurt, | 0:19:39 | 0:19:42 | |
whereas being up the Pinnacle, Collie's Ledge, nothing like that. | 0:19:42 | 0:19:46 | |
Agh! It gives me the fear so bad! | 0:19:46 | 0:19:49 | |
The hardest thing is just getting it mentally straight that you can do it. | 0:19:49 | 0:19:53 | |
Right. We're going to do it, we're going to do it. | 0:19:53 | 0:19:56 | |
-Holy -BLEEP! -LAUGHTER | 0:20:04 | 0:20:07 | |
There's a really fine line between hitting the fence too hard | 0:20:07 | 0:20:09 | |
and your feet coming off the pedals... | 0:20:09 | 0:20:12 | |
..and also not hitting the fence hard enough so you don't make it round. | 0:20:14 | 0:20:17 | |
With Danny now confident he can get the rotation needed, | 0:20:17 | 0:20:21 | |
the crew remove the crash mats. | 0:20:21 | 0:20:22 | |
It's time to go for the final shot. | 0:20:22 | 0:20:25 | |
Arghh! Goddamn it! | 0:20:25 | 0:20:28 | |
It's just a scary thing to do and it doesn't matter how talented | 0:20:28 | 0:20:31 | |
he is, you know, he's still pushing himself, | 0:20:31 | 0:20:34 | |
so it's just as scary for him as us doing something way more basic. | 0:20:34 | 0:20:38 | |
Dropping in. | 0:20:38 | 0:20:39 | |
-APPLAUSE -Yeah! -Yeah, buddy! -Yeah, dude! Whoo! | 0:20:44 | 0:20:48 | |
The final shot is in the can. | 0:20:51 | 0:20:53 | |
After a week of the most spectacular scenery, | 0:20:53 | 0:20:56 | |
lugging camera gear the equivalent of half the height of Everest, | 0:20:56 | 0:20:59 | |
and capturing some spectacular riding along the Cuillin Ridgeline, | 0:20:59 | 0:21:03 | |
it's been a successful shoot. | 0:21:03 | 0:21:05 | |
Everything's worked so well. | 0:21:05 | 0:21:07 | |
You know, the whole team, we've all been pushing so hard every day | 0:21:07 | 0:21:11 | |
to kind of make it happen and... | 0:21:11 | 0:21:13 | |
I don't know. It's been pretty wild. | 0:21:13 | 0:21:16 | |
How do we top this, like? You know, the Cuillins are just stunning, | 0:21:17 | 0:21:21 | |
the landscape's been beautiful all week and we've had this weather, | 0:21:21 | 0:21:24 | |
so it's like, "OK, what the hell are we going to do next?" | 0:21:24 | 0:21:27 | |
Definitely far exceeded my expectations of what | 0:21:29 | 0:21:32 | |
we were going to get done in this time. So, yeah, it's been amazing. | 0:21:32 | 0:21:38 | |
So, as the crew celebrate the end of the shoot, | 0:21:38 | 0:21:41 | |
let's see the results of their hard work. | 0:21:41 | 0:21:43 | |
SONG: What A Voice, What A Voice by Lizzie Higgins | 0:21:58 | 0:22:00 | |
# What a voice What a voice | 0:22:10 | 0:22:17 | |
# What a voice I hear | 0:22:17 | 0:22:25 | |
# It's like the voice | 0:22:26 | 0:22:32 | |
# Of my Willie dear | 0:22:32 | 0:22:39 | |
# But if I had wings | 0:22:40 | 0:22:46 | |
# Like that swallow high | 0:22:46 | 0:22:55 | |
# I would clasp in the arms | 0:22:55 | 0:23:03 | |
# Of my Billy boy | 0:23:04 | 0:23:10 | |
MUSIC: Blackbird by Martyn Bennett | 0:23:14 | 0:23:19 | |
# What a voice What a voice | 0:23:26 | 0:23:34 | |
# What a voice I hear | 0:23:34 | 0:23:41 | |
# It's like the voice | 0:23:43 | 0:23:48 | |
# Of my Willie dear | 0:23:48 | 0:23:55 | |
# What a voice What a voice | 0:24:20 | 0:24:26 | |
# What a voice | 0:24:27 | 0:24:31 | |
# It's like the voice | 0:24:31 | 0:24:38 | |
# Of my Willie dear | 0:24:38 | 0:24:45 | |
# But if I had wings | 0:24:45 | 0:24:52 | |
# Like that swallow high | 0:24:52 | 0:25:00 | |
# There is a blackbird | 0:25:46 | 0:25:52 | |
# Sits on yon tree | 0:25:52 | 0:25:58 | |
# Some says it is blind | 0:25:58 | 0:26:06 | |
# And it cannae see | 0:26:07 | 0:26:16 | |
# Some says it is blind | 0:26:16 | 0:26:23 | |
# And it cannae see | 0:26:24 | 0:26:30 | |
# There is a blackbird | 0:27:27 | 0:27:34 | |
# Sits on yon tree | 0:27:34 | 0:27:40 | |
# Some says it is blind | 0:27:40 | 0:27:48 | |
# And it cannae see | 0:27:48 | 0:27:55 | |
# And so is my | 0:27:56 | 0:28:04 | |
# True love tae me. # | 0:28:04 | 0:28:13 | |
CHEERING AND LAUGHTER | 0:28:25 | 0:28:29 | |
That was fun! | 0:28:53 | 0:28:54 |