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This programme contains some strong language | 0:00:02 | 0:00:09 | |
It's not often you get to hang out with someone you're really intrigued by. | 0:00:12 | 0:00:17 | |
Somebody from a totally different world from your own. | 0:00:17 | 0:00:20 | |
So when will.i.am invited me to visit him at home, | 0:00:23 | 0:00:26 | |
I couldn't resist. | 0:00:26 | 0:00:28 | |
It was a chance for me to get to know this huge star. | 0:00:28 | 0:00:32 | |
What has really intrigued me is about having the time to get deeper into people. | 0:00:32 | 0:00:37 | |
Bring the action. | 0:00:37 | 0:00:38 | |
Discovering what that person is like. What they think about. | 0:00:38 | 0:00:41 | |
What their childhood was like, maybe. | 0:00:41 | 0:00:43 | |
What they dream about in the future. What the present day holds for them. | 0:00:43 | 0:00:47 | |
Will.i.am has invited me to spend four days with him | 0:00:47 | 0:00:50 | |
in his home town, Los Angeles. | 0:00:50 | 0:00:51 | |
He's famous both in America and in Britain. | 0:00:53 | 0:00:55 | |
And his opinions are even sought by presidents - past and present. | 0:00:58 | 0:01:03 | |
He is an extraordinary man. | 0:01:05 | 0:01:06 | |
From all the research I've done, he just never stops talking. | 0:01:06 | 0:01:10 | |
Unlike me, of course. | 0:01:10 | 0:01:11 | |
-# We sing... # -I can't wait to meet him. | 0:01:13 | 0:01:16 | |
# I want to scream and shout | 0:01:17 | 0:01:19 | |
# And let it all out, and scream and shout and let it out... # | 0:01:19 | 0:01:24 | |
# We sayin'... # | 0:01:24 | 0:01:27 | |
# You are now now rockin' with will.i.am and Britney Bitch | 0:01:29 | 0:01:33 | |
# Oh, yeah | 0:01:36 | 0:01:37 | |
# Oh, yeah... # | 0:01:40 | 0:01:41 | |
Will.i.am was born William Adams, 38 years ago, here in Los Angeles. | 0:01:49 | 0:01:53 | |
He's not only a founding member of the chart-topping band | 0:01:54 | 0:01:57 | |
the Black Eyed Peas and its driving force, he's also been sought out | 0:01:57 | 0:02:01 | |
as a producer by Michael Jackson and U2, and has worked with a | 0:02:01 | 0:02:05 | |
gaggle of pop princesses like Britney, Rihanna and Cheryl Cole. | 0:02:05 | 0:02:11 | |
He's also a DJ, entrepreneur and philanthropist. | 0:02:11 | 0:02:15 | |
In fact, it's fair to say he's become his own global brand. | 0:02:15 | 0:02:19 | |
Hi. Can I just look around? | 0:02:22 | 0:02:24 | |
-Yes. -Thank you. | 0:02:24 | 0:02:25 | |
Will is also something of a fashionista with his own distinctive | 0:02:25 | 0:02:28 | |
look and style and I couldn't turn up at his home empty-handed. | 0:02:28 | 0:02:34 | |
You don't happen to know will.i.am's size, do you? | 0:02:34 | 0:02:36 | |
Yeah, I think we probably have it on file. | 0:02:36 | 0:02:39 | |
-Would you? -Yeah. | 0:02:39 | 0:02:40 | |
Cos I think this is an ideal place to get him a gift. | 0:02:40 | 0:02:43 | |
-I wanted to bring him something. -Yeah, absolutely. | 0:02:43 | 0:02:45 | |
And I thought that if he... This is great, if he likes these things... | 0:02:45 | 0:02:49 | |
Oh! I think he'd like that. | 0:02:49 | 0:02:51 | |
That's beautiful. Oh, look at these. | 0:02:51 | 0:02:54 | |
-Oh! -That one's definitely great. -Look at these! I like men dressing like peacocks. | 0:02:54 | 0:02:59 | |
-I like... -Yeah. | 0:02:59 | 0:03:00 | |
..men dressing up a bit. That is sensational. | 0:03:00 | 0:03:03 | |
-Is it because I love it so much? -Yeah. | 0:03:03 | 0:03:05 | |
Maybe it's because I love it so much. I'd wear that. | 0:03:05 | 0:03:08 | |
Yeah. I definitely could see him in that, performing in it. | 0:03:08 | 0:03:11 | |
-Could you? -Yeah. -Thank you. | 0:03:11 | 0:03:13 | |
No, obviously not. Just joking. | 0:03:16 | 0:03:18 | |
I've never shoplifted anything in my life. | 0:03:18 | 0:03:20 | |
You've been so kind. Thank you very much indeed. | 0:03:20 | 0:03:22 | |
-No problem. Nice to meet you. -Thank you. | 0:03:22 | 0:03:25 | |
Present sorted, I meet the man himself tomorrow. | 0:03:25 | 0:03:28 | |
But what do I call him? | 0:03:28 | 0:03:30 | |
Do I call him will.i.am, Will or just Willy? | 0:03:30 | 0:03:33 | |
Mr Adams, or Sir, or Will, or...? | 0:03:33 | 0:03:38 | |
Gosh, I don't know. | 0:03:38 | 0:03:39 | |
When will.i.am isn't globetrotting, he lives in Los Feliz, | 0:04:01 | 0:04:05 | |
an affluent part of LA. | 0:04:05 | 0:04:06 | |
It's so fascinating, | 0:04:08 | 0:04:10 | |
cos it's incredibly suburban in a very grand way here. | 0:04:10 | 0:04:13 | |
It's got its own thinking, hasn't it? | 0:04:13 | 0:04:16 | |
Is that it? | 0:04:17 | 0:04:19 | |
Yeah, this is it. | 0:04:26 | 0:04:28 | |
OK. | 0:04:30 | 0:04:31 | |
Hello. | 0:04:35 | 0:04:37 | |
Hello? It's Joanna. | 0:04:37 | 0:04:38 | |
-OK. One second. -Thank you so much. | 0:04:38 | 0:04:40 | |
"Apply brake to shift from P." | 0:04:43 | 0:04:45 | |
There we are. | 0:04:47 | 0:04:49 | |
Now. | 0:04:50 | 0:04:52 | |
Do these look like will.i.am cars, I wonder? | 0:04:52 | 0:04:57 | |
Wow, is this it? | 0:05:04 | 0:05:05 | |
This must be it. | 0:05:07 | 0:05:09 | |
Down the steep drive. | 0:05:09 | 0:05:10 | |
Hi, I'm Joanna. | 0:05:12 | 0:05:14 | |
Will has lived in this three-storey Spanish house | 0:05:14 | 0:05:16 | |
for the last five years. | 0:05:16 | 0:05:19 | |
Thank you. | 0:05:19 | 0:05:20 | |
Oh, this is fantastic. | 0:05:20 | 0:05:22 | |
We're right on the side of a hill. | 0:05:22 | 0:05:25 | |
Hello. I'm Joanna. | 0:05:25 | 0:05:27 | |
Nice to meet you. | 0:05:27 | 0:05:28 | |
How lovely to meet you. Thank you very much indeed. | 0:05:28 | 0:05:30 | |
'It looks like Will isn't home. | 0:05:30 | 0:05:33 | |
'His entourage is, though.' | 0:05:33 | 0:05:35 | |
Hi, how are you? | 0:05:35 | 0:05:36 | |
-'These are obviously the people who help run Will's life.' -Thank you so much. | 0:05:36 | 0:05:39 | |
'They include his older brother Carl, who cuts Will's hair. | 0:05:39 | 0:05:42 | |
'Apparently, he's done this since they were boys.' | 0:05:42 | 0:05:45 | |
Joanna. It's really good to meet you. | 0:05:45 | 0:05:46 | |
I hope you don't mind me just, sort of, hanging around. | 0:05:46 | 0:05:49 | |
Polo Molina. I'm Will's manager. Very nice. | 0:05:49 | 0:05:51 | |
I'm so pleased to meet you. Thank you very much. | 0:05:51 | 0:05:53 | |
-Thanks for this. -This is so nice. -Sorry to keep you waiting. -You never kept us waiting. | 0:05:53 | 0:05:57 | |
'I learn that Will got back late last night from a whirlwind trip to | 0:05:57 | 0:06:00 | |
'Kazakhstan and a stopover in Washington.' | 0:06:00 | 0:06:02 | |
What are you discussing at the moment? | 0:06:02 | 0:06:04 | |
Oh, we're just looking at the schedule which is | 0:06:04 | 0:06:06 | |
always subject to change, so we're looking at re-slotting a | 0:06:06 | 0:06:10 | |
couple of things for this afternoon to make sure we can get it all in. | 0:06:10 | 0:06:14 | |
-Yes. -And just juggling a few things. | 0:06:14 | 0:06:16 | |
-We'll get it done. -We always get it done. | 0:06:16 | 0:06:18 | |
Cos, you know, I get, like, anywhere between four | 0:06:18 | 0:06:22 | |
to five requests a day for Will to do different TV show publications. | 0:06:22 | 0:06:26 | |
-It's like juggling. -I think we have a system, right? -It's the way...it just IS. | 0:06:26 | 0:06:29 | |
-Organised confusion, but... -Yeah. -..we still have a system. | 0:06:29 | 0:06:32 | |
At last, will.i.am arrives. | 0:06:37 | 0:06:39 | |
-Hello. -How are you? -Good to see you. | 0:06:41 | 0:06:43 | |
-It's good to see you. Thank you so much. -Hi, everybody. Oh, thank you. | 0:06:43 | 0:06:47 | |
-It's so strange to be in your house when you arrive. Sorry about that. -Oh, that's cool. -Here we are. | 0:06:47 | 0:06:51 | |
'But before I know it, he's off again.' | 0:06:53 | 0:06:55 | |
Fix the hair, please. | 0:06:55 | 0:06:58 | |
Let's go get you fixed up real quick. | 0:06:58 | 0:07:01 | |
He's just gone to kind of, maybe tidy up a bit. Not tidy. | 0:07:01 | 0:07:05 | |
He looked really tidy to me but, you know, just get shaped up | 0:07:05 | 0:07:08 | |
a bit for the camera, because big stars look their best at all times. | 0:07:08 | 0:07:12 | |
I wish I'd gone to look a bit cooler. | 0:07:12 | 0:07:14 | |
While Will smartens up, I take the opportunity to look around the house. | 0:07:17 | 0:07:21 | |
There are curious pieces everywhere. | 0:07:21 | 0:07:25 | |
I thought I could hear water. What is that? | 0:07:25 | 0:07:27 | |
A fountain on a tree trunk. Isn't that phenomenal? | 0:07:27 | 0:07:31 | |
Look at this. That looks so, sort of, Japanesey. | 0:07:31 | 0:07:34 | |
How old is this house? | 0:07:34 | 0:07:36 | |
This house has gotta be close to 100 years old. | 0:07:36 | 0:07:38 | |
-Really? -I would think so. -Yeah. -Maybe 80 or 90 years old. | 0:07:38 | 0:07:40 | |
-Yeah. -There's little stairwells everywhere. | 0:07:40 | 0:07:43 | |
Cos the little steps we came down were so cute and lovely. | 0:07:43 | 0:07:46 | |
-Hello. -Hi, Will. -How are you? -Oh, hi. | 0:07:50 | 0:07:54 | |
-Good to see ya. -Thank you so much. -How was your trip? | 0:07:54 | 0:07:57 | |
-It was great. How was your trip? -Oh, it was tiring, but I'm good. | 0:07:57 | 0:08:00 | |
Listen, before...can I... I bought you a present. | 0:08:00 | 0:08:03 | |
-You did? -Do you mind? Can I just bring it to you? | 0:08:03 | 0:08:05 | |
-She's my favourite. -Is she? -Yes. | 0:08:05 | 0:08:08 | |
Will you look at it? | 0:08:08 | 0:08:11 | |
Wow! This is super-fresh. | 0:08:11 | 0:08:13 | |
Yeah, buttons. | 0:08:16 | 0:08:17 | |
Oh, thanks, Joanna. | 0:08:19 | 0:08:20 | |
-Oh, man, you look so good in that. -Actually matches my shoes, too. | 0:08:20 | 0:08:23 | |
Yeah, it matches everything. | 0:08:23 | 0:08:25 | |
-What! -Cool strides. Good pants. Look at these. | 0:08:25 | 0:08:29 | |
I saw one of these lovely little old-fashioned gramophones you've | 0:08:29 | 0:08:32 | |
got out there, which you've had adapted so that it plays. | 0:08:32 | 0:08:34 | |
-Is that right? -No, I made that. | 0:08:34 | 0:08:36 | |
-You made that? -Yeah. | 0:08:36 | 0:08:38 | |
-What - you found pieces? Can we just look at this? -OK. | 0:08:38 | 0:08:41 | |
Yeah, so this puppy actually works. | 0:08:41 | 0:08:44 | |
Um, the power was on. | 0:08:44 | 0:08:46 | |
Oh, I don't have the power at the moment. | 0:08:47 | 0:08:51 | |
Yeah, I just made it work. | 0:08:51 | 0:08:52 | |
Wow! Good. | 0:08:52 | 0:08:54 | |
Aw, shucks. The needle's busted. | 0:08:56 | 0:08:59 | |
Oh, no. | 0:08:59 | 0:09:01 | |
Oh, well. | 0:09:02 | 0:09:03 | |
So sorry. I did want to hear it, though. | 0:09:04 | 0:09:08 | |
I'd just love to hear the sound coming out of that. | 0:09:08 | 0:09:10 | |
'Then I noticed a cabinet full of awards and photos.' | 0:09:10 | 0:09:15 | |
-Hold on. -Is it locked? | 0:09:15 | 0:09:17 | |
Yeah, I'll get the key. | 0:09:17 | 0:09:18 | |
I think that Will is away so often that he doesn't stay here | 0:09:18 | 0:09:21 | |
very much, cos things seem to be, sort of, switched off and locked. | 0:09:21 | 0:09:25 | |
-So this is a Grammy Nominee. That means we didn't win. -Yeah. | 0:09:30 | 0:09:33 | |
And then these are Grammies for the Black Eyed Peas. | 0:09:33 | 0:09:36 | |
This is a Emmy. | 0:09:36 | 0:09:39 | |
What's that? | 0:09:39 | 0:09:41 | |
-This is from the White House. -Oh, look at that. | 0:09:41 | 0:09:45 | |
-At the Oval Office. -Look at that. | 0:09:45 | 0:09:47 | |
And that's the President's writing? "To Will. Thank you for the great support and music." | 0:09:48 | 0:09:54 | |
-And music. -And music. | 0:09:54 | 0:09:56 | |
Will used his stardom and musical talent as a potent force | 0:09:56 | 0:09:59 | |
in Barack Obama's election for President | 0:09:59 | 0:10:01 | |
by recording the campaign song Yes We Can. | 0:10:01 | 0:10:04 | |
This time in 2007, I suggested that we take his speech | 0:10:05 | 0:10:08 | |
and turn it into a song. | 0:10:08 | 0:10:10 | |
# It was a creed written into the founding documents | 0:10:12 | 0:10:17 | |
# That declared the destiny of a nation, yes, we can | 0:10:17 | 0:10:23 | |
# It was whispered by slaves and abolitionists | 0:10:23 | 0:10:26 | |
# As they blazed a trail... # | 0:10:26 | 0:10:28 | |
Those are inspirational words, you know, | 0:10:28 | 0:10:31 | |
coupled with the song that I wrote, moved the needle | 0:10:31 | 0:10:34 | |
and he went from trailing Hillary Clinton to leading Hillary Clinton. | 0:10:34 | 0:10:40 | |
So it was like, you know, a moment in the election that shifted | 0:10:40 | 0:10:44 | |
-the whole entire election, that's all. -Yeah. | 0:10:44 | 0:10:46 | |
And when it comes to, like, issues that help shape community | 0:10:46 | 0:10:50 | |
and society as a whole, I really took that whole experience to heart. | 0:10:50 | 0:10:55 | |
So, to me, it was far beyond politics. | 0:10:55 | 0:10:57 | |
For me it was like a social awakening on how I can help. | 0:10:57 | 0:11:02 | |
The need to help, to do something more, seems to define Will | 0:11:05 | 0:11:08 | |
and his family may hold the key to his deep sense of social responsibility. | 0:11:08 | 0:11:13 | |
-So this is our little living room here. -I love the way you've done it. | 0:11:15 | 0:11:18 | |
It's got a really cool feel to it. It's beautiful. | 0:11:18 | 0:11:21 | |
Some more pictures of my mom, my brother and my sister, Qiana, me. | 0:11:21 | 0:11:29 | |
Then our Christmas party with Oprah. | 0:11:29 | 0:11:32 | |
So we're a big family. We are. | 0:11:33 | 0:11:35 | |
We have a huge family. Like, there's 50 of us. | 0:11:35 | 0:11:38 | |
Mom was very strict. | 0:11:38 | 0:11:40 | |
We couldn't say words like "lie". Sorry, Mom. | 0:11:40 | 0:11:43 | |
We couldn't say "damn". We couldn't say "S-H-I-T". | 0:11:43 | 0:11:46 | |
-No. -We couldn't even say, "Oh, shoot!" | 0:11:46 | 0:11:48 | |
Do you think she got that from her mother? | 0:11:48 | 0:11:50 | |
-She got it from my grandma. -Yeah. -My grandma was real special. | 0:11:50 | 0:11:54 | |
My family is big on prayer and her and her best friend, Miss Williams... | 0:11:55 | 0:12:01 | |
-Mmm. -...they blessed the house. | 0:12:01 | 0:12:04 | |
-She talked really (GENTEEL) like this. -Yeah. | 0:12:04 | 0:12:06 | |
Mmm, mmm. Yes, she sure did. Thank you, Jesus. | 0:12:06 | 0:12:09 | |
Yes, mmm-hmm. | 0:12:09 | 0:12:10 | |
But she passed. | 0:12:12 | 0:12:14 | |
Yeah, I'm sorry about that. | 0:12:14 | 0:12:15 | |
She sounds a honey. | 0:12:17 | 0:12:18 | |
Do you have a picture of your grandma? | 0:12:18 | 0:12:20 | |
Yeah, yeah. Hold on, I'll get it. | 0:12:20 | 0:12:23 | |
That's her there. | 0:12:23 | 0:12:24 | |
That's beautiful. What occasion was that, do you think? | 0:12:24 | 0:12:27 | |
Just a random Sunday, going to church. | 0:12:27 | 0:12:29 | |
She dressed up beautifully for church. | 0:12:29 | 0:12:31 | |
-Yeah. So I saw the Queen. She had a hat like that once. -Mmm-hmm. | 0:12:31 | 0:12:34 | |
And I'm like, "What! My grandma dressed exactly like that." | 0:12:34 | 0:12:38 | |
Oh, that's excellent. | 0:12:38 | 0:12:39 | |
What does that say above the doorway? | 0:12:41 | 0:12:44 | |
"Where is the love? | 0:12:44 | 0:12:46 | |
"If you only have love for your own race then you only leave | 0:12:46 | 0:12:50 | |
"space to discriminate." | 0:12:50 | 0:12:52 | |
-Yes. -Did you write that? | 0:12:53 | 0:12:55 | |
Yeah, I wrote that. I did that. | 0:12:55 | 0:12:57 | |
-Will, will you show me the recording studio? -Yeah. | 0:12:57 | 0:13:00 | |
There's no doubt that his way with words | 0:13:01 | 0:13:04 | |
fuelled the success of the Black Eyed Peas. | 0:13:04 | 0:13:06 | |
They've sold zillions of records all over the world. | 0:13:06 | 0:13:11 | |
Look at this wall! More awards! American Music Award. | 0:13:12 | 0:13:16 | |
American Music. | 0:13:16 | 0:13:17 | |
Monkey Business. Black Eyed Peas. | 0:13:18 | 0:13:21 | |
This is where I recorded I Got A Feeling and the Yes We Can song. | 0:13:28 | 0:13:32 | |
# I got a feeling | 0:13:32 | 0:13:34 | |
# That tonight's going to be a good night | 0:13:36 | 0:13:40 | |
# That tonight's going to be a good night... # | 0:13:40 | 0:13:45 | |
I could make beats here all the time. | 0:13:45 | 0:13:47 | |
So how would you start doing a song? | 0:13:47 | 0:13:49 | |
How does it come into your head? | 0:13:49 | 0:13:51 | |
Is it the beat that starts it? | 0:13:51 | 0:13:53 | |
So with I Got A Feeling, the music came first | 0:13:53 | 0:13:56 | |
and then with Boom Boom Pow the sentence came first. | 0:13:56 | 0:14:00 | |
It was a Brazilian word that means derriere, derriere, derriere. | 0:14:00 | 0:14:06 | |
# Boom! Boom! Boom! Gotta get that | 0:14:06 | 0:14:08 | |
# Boom! Boom! Boom! # | 0:14:08 | 0:14:10 | |
But I don't want to make that song about it. | 0:14:10 | 0:14:13 | |
That was a polite way of saying derriere. | 0:14:13 | 0:14:16 | |
Cos my mom's going to be part of the show, | 0:14:16 | 0:14:19 | |
so I'll stay with derriere. | 0:14:19 | 0:14:22 | |
Will, you play keyboards? You play drums? | 0:14:22 | 0:14:24 | |
-I barely play the keyboards. -Mmm. | 0:14:24 | 0:14:27 | |
-Like, enough to write music. -Yeah. | 0:14:27 | 0:14:30 | |
But if I was jamming out and the MD, the music director said, "Solo", | 0:14:30 | 0:14:34 | |
I'd have a hard time soloing. | 0:14:34 | 0:14:36 | |
And drums I could barely play enough. | 0:14:37 | 0:14:41 | |
-Show me. -I can't play like our drummer, Keith Harris. | 0:14:41 | 0:14:44 | |
I hope I have sticks. | 0:14:49 | 0:14:50 | |
If I needed to write a song, I'd come in here | 0:14:59 | 0:15:01 | |
and put my headphones on. | 0:15:01 | 0:15:03 | |
That's all I need. | 0:15:07 | 0:15:09 | |
So then I'll go on my computer, chop it up a little bit. | 0:15:09 | 0:15:12 | |
Then go to the piano then add all my parts. | 0:15:12 | 0:15:15 | |
Then the drummer will come in here and he'll make it... | 0:15:15 | 0:15:17 | |
-he'll perfect that. -Yeah. -So I'll just have the sketch, because I want the personality of the beat. | 0:15:17 | 0:15:21 | |
When people are hearing at the club or if they're hearing at a | 0:15:21 | 0:15:24 | |
restaurant or a social gathering, I want them to go, | 0:15:24 | 0:15:26 | |
-"Boom-boom-Ka. Ch-boom-cha..." -Yeah. -"Ch-k-hey-ch. Ch-k-yah-ch." | 0:15:26 | 0:15:30 | |
Oops! I just like doing, like, all kinda crazy things, you know. | 0:15:39 | 0:15:42 | |
Well, the last time I recorded here was 2012. | 0:15:42 | 0:15:46 | |
-I thought I was doing something like, yeah, man! -But you were. | 0:15:46 | 0:15:49 | |
Yes, but compared to what I'm doing now. | 0:15:50 | 0:15:52 | |
And I have a meeting today | 0:15:52 | 0:15:55 | |
about this piece of technology that I invested in. | 0:15:55 | 0:15:57 | |
Man, watch when you see it. It's outta this world. | 0:15:57 | 0:16:01 | |
Are we going to see it? | 0:16:01 | 0:16:02 | |
-I'll let you see it. Not the cameras, though. -Oh, no, OK. | 0:16:02 | 0:16:05 | |
But it is freakin' whoa! | 0:16:05 | 0:16:07 | |
We ready? Let's go. | 0:16:08 | 0:16:10 | |
-Cool. So can you give us a couple a seconds? -Yes. | 0:16:16 | 0:16:19 | |
So Will's down there with about five really important guys | 0:16:21 | 0:16:25 | |
and it's some huge, very important techno kind of wizardry | 0:16:25 | 0:16:30 | |
conversation going on which was really important to do today, | 0:16:30 | 0:16:34 | |
so we're kind of tactfully leaving it aside. | 0:16:34 | 0:16:37 | |
It's rather exciting. | 0:16:37 | 0:16:38 | |
I mean, something might be happening there which we'll all know about in the future. | 0:16:38 | 0:16:43 | |
I wait for Will in the garden. | 0:16:46 | 0:16:48 | |
I'm not sure how long his meeting will take. | 0:16:48 | 0:16:50 | |
When you're with him, you can feel the energy - his mind racing ahead. | 0:16:53 | 0:16:57 | |
I can't imagine he could do what I'm doing now - | 0:16:59 | 0:17:02 | |
just sit still and think. | 0:17:02 | 0:17:03 | |
How did the meeting go? | 0:17:06 | 0:17:08 | |
Oh, great. I have to fly to San Francisco tonight. | 0:17:08 | 0:17:11 | |
-Tonight? -But I'll be back tomorrow morning. | 0:17:11 | 0:17:14 | |
-Do you ever sleep? -I slept today. About four hours. | 0:17:14 | 0:17:18 | |
I usually get, like, four hours of sleep a day. | 0:17:18 | 0:17:20 | |
-Four hours? -Mmm-hmm. | 0:17:20 | 0:17:22 | |
-That's not a lot. -That's a lot. | 0:17:22 | 0:17:24 | |
-Is it? -Yeah. You know what you can do with 20 hours? | 0:17:24 | 0:17:27 | |
Will's best friend is Allan Pineda, better known as apl.de.ap, | 0:17:30 | 0:17:34 | |
co-founder of the Black Eyed Peas. | 0:17:34 | 0:17:35 | |
# All, all these girls they like my swagger | 0:17:37 | 0:17:39 | |
# They callin' me Mick Jagger I'll be rollin' like a stone... # | 0:17:39 | 0:17:43 | |
And he's dropped in to see us before flying off to Australia later today. | 0:17:43 | 0:17:47 | |
# Rockin' just like that | 0:17:47 | 0:17:50 | |
# Big mega radio smasher... # | 0:17:50 | 0:17:52 | |
How long have you guys known each other? | 0:17:52 | 0:17:54 | |
Literally for what, this? Little tiny guys? | 0:17:54 | 0:17:56 | |
No, since we were 15. | 0:17:56 | 0:17:58 | |
-15? -14. | 0:17:58 | 0:18:00 | |
So this is...this is your brother. | 0:18:00 | 0:18:03 | |
Oh, yeah. Yeah, my best friend. | 0:18:03 | 0:18:06 | |
And I was adopted from the Philippines and brought to the US. | 0:18:06 | 0:18:10 | |
-That's how we met. -Yeah. -And he asked me, like, | 0:18:10 | 0:18:12 | |
"Dude, so, you know, you're from the Philippines." | 0:18:12 | 0:18:16 | |
He's, like, "What do you guys do there?" | 0:18:16 | 0:18:20 | |
And I was, like, "Oh, you know, I like to break-dance | 0:18:20 | 0:18:23 | |
"and I just learned this dance move called the running man." | 0:18:23 | 0:18:26 | |
He's like, "The running man? You guys do the running man there too?" | 0:18:26 | 0:18:29 | |
I was, like, "Yeah". | 0:18:29 | 0:18:31 | |
So I guess I was doing it pretty goofy at first. | 0:18:31 | 0:18:34 | |
-Yeah. -Yeah, cos his chest was out and he was like... | 0:18:34 | 0:18:37 | |
He was, like, like that. | 0:18:40 | 0:18:41 | |
So really you're supposed to just do it like this, right? | 0:18:41 | 0:18:43 | |
But I was like.... | 0:18:43 | 0:18:45 | |
I was like it and then he started laughing. | 0:18:45 | 0:18:49 | |
Look at this dude doing the Running Man! | 0:18:49 | 0:18:52 | |
Did the group have another name before Black Eyed Peas? | 0:18:52 | 0:18:55 | |
Yeah, it was called Atban Klann, which was an acronym for | 0:18:55 | 0:18:58 | |
"A Tribe Beyond a Nation." | 0:18:58 | 0:18:59 | |
And then, eventually, started the Black Eyed Peas in 1995. | 0:18:59 | 0:19:03 | |
-And that was your name? -That was, yeah. | 0:19:03 | 0:19:06 | |
And you thought that up together? | 0:19:06 | 0:19:07 | |
No. First it was, like, "What about Seven Sign?" | 0:19:07 | 0:19:09 | |
-"Nahhh. Blue Unit." -"Yeah, what about Blue Unit?" | 0:19:11 | 0:19:14 | |
-BOTH: "Nah!" -"How bout Beets and Rice? | 0:19:14 | 0:19:17 | |
"Nah!" | 0:19:17 | 0:19:19 | |
Yeah, so Black Eyed Peas. "What about Black Eye Peas?" | 0:19:19 | 0:19:22 | |
It just felt like it was...something. | 0:19:22 | 0:19:25 | |
The big breakthrough hit for the Black Eyed Peas came in 2003, | 0:19:27 | 0:19:31 | |
when their single Where Is The Love went to number one around the world. | 0:19:31 | 0:19:35 | |
So, Where Is The Love, how did that start, where did it put you? | 0:19:38 | 0:19:42 | |
Oh, so in 2001 we were living in San Francisco. | 0:19:42 | 0:19:46 | |
And then 9/11 happened. Boom! | 0:19:46 | 0:19:49 | |
So I remember, like, going to everybody's room, like, | 0:19:49 | 0:19:52 | |
"Dude! They just attacked America!" | 0:19:52 | 0:19:55 | |
And then we had a tour, September 12th, the day after 9/11. | 0:19:55 | 0:20:00 | |
And the result of that tour was we wrote | 0:20:00 | 0:20:02 | |
Where Is The Love in November 2001. | 0:20:02 | 0:20:05 | |
# Father, father, father, help us | 0:20:06 | 0:20:08 | |
# Send some guidance from above | 0:20:08 | 0:20:10 | |
# Cos people got me, got me questioning | 0:20:10 | 0:20:13 | |
# Where is the love? # | 0:20:13 | 0:20:15 | |
That's the first time we saw, | 0:20:15 | 0:20:17 | |
like, ginormous success with Where Is The Love. | 0:20:17 | 0:20:20 | |
-# We only got -One love, one love | 0:20:20 | 0:20:22 | |
-# That's all we got -One love, one love... # | 0:20:22 | 0:20:25 | |
We did it! We did it! Everything was against us. | 0:20:25 | 0:20:28 | |
The whole world was like, "Argh!" | 0:20:28 | 0:20:31 | |
And two people dreaming...did it. | 0:20:31 | 0:20:33 | |
Beyond what we thought we could possibly accomplish. | 0:20:33 | 0:20:36 | |
Do you think it was just a chance that both of you were | 0:20:36 | 0:20:38 | |
really outsiders at that point, when you met? | 0:20:38 | 0:20:41 | |
Because you'd just come fresh in from the Philippines, and you | 0:20:41 | 0:20:44 | |
were kind of one of the only black kids in the school, was that right? | 0:20:44 | 0:20:47 | |
-No, in my neighbourhood. -So I think it comes from where we came from. | 0:20:47 | 0:20:51 | |
You know, Will coming from the ghetto | 0:20:51 | 0:20:53 | |
and me coming from the Philippines. | 0:20:53 | 0:20:55 | |
-You almost had no choice BUT to make it, you know. -Yeah. | 0:20:55 | 0:20:58 | |
But, yeah, I think that drive of you making it, | 0:20:58 | 0:21:02 | |
you know, providing for your family, | 0:21:02 | 0:21:05 | |
-I think that's what, you know... -Yeah. | 0:21:05 | 0:21:08 | |
..that kept us going. | 0:21:08 | 0:21:09 | |
WILL AND APL LAUGH | 0:21:10 | 0:21:12 | |
After Apl leaves for his flight, Will shows me round the garden, | 0:21:13 | 0:21:16 | |
which - like everything here - he's designed to fit in with his needs. | 0:21:16 | 0:21:21 | |
-So, eh, this is... -This is beautiful. | 0:21:22 | 0:21:24 | |
-Yeah. So this is a little basketball court area. -Yeah. | 0:21:24 | 0:21:28 | |
And I can't swim, so I built a pool that's three feet. | 0:21:28 | 0:21:33 | |
If we want to watch movies outside, we have a cool little blue thing. | 0:21:33 | 0:21:37 | |
-What, this is the screen here? -Mm-hmm. | 0:21:37 | 0:21:39 | |
And I like looking here... | 0:21:41 | 0:21:43 | |
..cos on the other side of those buildings... | 0:21:46 | 0:21:49 | |
the downtown skyline is where my projects are from, my ghetto. | 0:21:49 | 0:21:53 | |
-Yeah. -It's on the other side. -The other side of that? -Mm-hmm. | 0:21:53 | 0:21:58 | |
-Want to come meet my mom? -I'd love to, yeah. | 0:21:58 | 0:22:00 | |
-So my mom is through here... -Yeah. | 0:22:00 | 0:22:03 | |
..my uncle Donnie, my uncle Lynn, who played professional football, | 0:22:03 | 0:22:07 | |
-and then Miss Williams, my grandma's best friend... -Yes. | 0:22:07 | 0:22:10 | |
..and my brother Carl. | 0:22:10 | 0:22:12 | |
'Will has invited me to join his family for supper at home, | 0:22:12 | 0:22:14 | |
'and the guest of honour tonight isn't me, | 0:22:14 | 0:22:17 | |
'it's Miss Williams, his beloved grandmother's best friend.' | 0:22:17 | 0:22:20 | |
LAUGHTER | 0:22:20 | 0:22:22 | |
-That's my mom. -Hi. Nice to meet you. | 0:22:25 | 0:22:27 | |
-Can I call you Debra? -Sure. -Will you call me Joanna? -Sure. | 0:22:27 | 0:22:31 | |
Lovely to meet you. | 0:22:31 | 0:22:32 | |
This is Miss Williams. Miss Williams, this is my friend Joanna. | 0:22:32 | 0:22:35 | |
-You're so beautiful. -Oh! | 0:22:35 | 0:22:37 | |
WILL: I told you I'd take you by McDonalds! | 0:22:37 | 0:22:39 | |
-MISS WILLIAMS: -OK, we going to pray. | 0:22:42 | 0:22:44 | |
Oh, dear Lord, we thank and we praise you. | 0:22:47 | 0:22:49 | |
We magnify your name. | 0:22:49 | 0:22:52 | |
Lift us up, strengthen us, teach us how to pray. | 0:22:52 | 0:22:57 | |
And that you do it with your mother and your grandmother. | 0:22:57 | 0:23:00 | |
They all taught you well how to do that. | 0:23:00 | 0:23:03 | |
This family shares a deep Christian faith, | 0:23:03 | 0:23:06 | |
and it's clear that Will's grandmother is missed by everyone. | 0:23:06 | 0:23:10 | |
And anyone else want to say a word? | 0:23:10 | 0:23:12 | |
WILL: I want to thank you for being Nanny's best friend. | 0:23:12 | 0:23:15 | |
And... | 0:23:15 | 0:23:16 | |
I loved that lady. | 0:23:17 | 0:23:19 | |
And I always will. Always. | 0:23:21 | 0:23:24 | |
To me, she's not gone. | 0:23:24 | 0:23:25 | |
Her spirit is still strong, and she just loved it | 0:23:27 | 0:23:30 | |
when we all came together like this. | 0:23:30 | 0:23:32 | |
You want to... Remember, William, you're doing great. | 0:23:33 | 0:23:39 | |
Your mother's very proud of you. She love you. | 0:23:39 | 0:23:42 | |
You a awesome son. | 0:23:42 | 0:23:45 | |
Yes, and we thank the Lord for you. | 0:23:45 | 0:23:47 | |
Yes. | 0:23:47 | 0:23:48 | |
'Will never knew his father. | 0:23:48 | 0:23:50 | |
'His mother Debra brought up the children with some | 0:23:50 | 0:23:53 | |
'help from her brothers Donnie and Lynn - | 0:23:53 | 0:23:56 | |
'who played American football professionally.' | 0:23:56 | 0:23:58 | |
-Amen. -ALL: Amen. | 0:23:58 | 0:24:00 | |
You were a single mother, and yet it doesn't seem | 0:24:03 | 0:24:05 | |
to have affected your children in any way. | 0:24:05 | 0:24:07 | |
-They seem, the two that I've met, fantastic. -Mm-hmm. | 0:24:07 | 0:24:10 | |
Did you consciously feel that you had to be | 0:24:11 | 0:24:14 | |
mother and father to them both? | 0:24:14 | 0:24:16 | |
No, I just thought that I had to be...the best mom that I could be. | 0:24:16 | 0:24:20 | |
Not trying to be the mother and the father, | 0:24:22 | 0:24:25 | |
but being the mother. | 0:24:25 | 0:24:26 | |
I tried to give him that, you know, | 0:24:27 | 0:24:31 | |
feeling that he can do all things. | 0:24:31 | 0:24:34 | |
Were you strict, do you think? | 0:24:35 | 0:24:37 | |
-Will says you were strict. -I was very strict. -Were you? -Mm-hmm. | 0:24:37 | 0:24:41 | |
My mom raised eight kids. None of them have gone to jail. | 0:24:41 | 0:24:44 | |
So I figured, "Well if she did things this way... | 0:24:44 | 0:24:49 | |
"..and everything turned out fine", | 0:24:50 | 0:24:52 | |
then I wanted to do the same thing that she did, | 0:24:52 | 0:24:55 | |
then I had to be strict. | 0:24:55 | 0:24:58 | |
So me and Nick was in Kazakhstan and they was like, | 0:24:58 | 0:25:01 | |
"Why don't you try some of this horse?" | 0:25:01 | 0:25:03 | |
-'Will's immense fortune and position now...' -'Mm-hmm.' | 0:25:06 | 0:25:11 | |
..has it affected your relationship with him in any way? | 0:25:11 | 0:25:15 | |
No. You know, we're still close. When he's down or if he gets sick, | 0:25:15 | 0:25:22 | |
the first thing he does is he picks up the phone. | 0:25:22 | 0:25:25 | |
"Mama..." you know, "..my throat is hurting." | 0:25:25 | 0:25:29 | |
Or, you know, "My stomach is hurting." | 0:25:29 | 0:25:31 | |
-He still, to me, he's Willy. -Mmm. | 0:25:31 | 0:25:34 | |
And he's left Will.i.am at his house. | 0:25:34 | 0:25:39 | |
Much has been written about his attention deficit disorder, | 0:25:39 | 0:25:42 | |
or ADHD. Do you think that was real, | 0:25:42 | 0:25:44 | |
or do you think it's just that he's got | 0:25:44 | 0:25:46 | |
a very lively mind which skitters and changes | 0:25:46 | 0:25:49 | |
and picks up lots of different things? | 0:25:49 | 0:25:52 | |
Well, I know that he was hyper. He was very hyper. | 0:25:52 | 0:25:54 | |
-Was he? -As a kid, yes. | 0:25:54 | 0:25:56 | |
He walked at six months, you know. | 0:25:56 | 0:25:59 | |
He was just like everywhere. Nothing could hold him. | 0:25:59 | 0:26:02 | |
As soon as one project ends, comes to a completion, | 0:26:02 | 0:26:06 | |
even before the project is completed, in his head | 0:26:06 | 0:26:09 | |
he has another project that's getting ready to start. | 0:26:09 | 0:26:12 | |
HE SCRATCHES RECORD | 0:26:12 | 0:26:14 | |
DRUMS KICKS IN | 0:26:14 | 0:26:16 | |
# Yeah, hip-hop, you don't stop.... # | 0:26:16 | 0:26:18 | |
'Will promised me he'd fix the gramophone, | 0:26:18 | 0:26:21 | |
'and true to his word, he has.' | 0:26:21 | 0:26:23 | |
# We up in the place rocking, it's cool | 0:26:23 | 0:26:25 | |
# I don't want to curse cos I'm up in here | 0:26:25 | 0:26:28 | |
# I be up, up in the atmosphere... # | 0:26:28 | 0:26:30 | |
'He's determined to please, which makes him all the more endearing.' | 0:26:30 | 0:26:34 | |
Scratch. HE SCRATCHES RECORD | 0:26:34 | 0:26:36 | |
-Mess it up. Anyways, yeah, it works. -Fantastic. | 0:26:36 | 0:26:40 | |
MUSIC: "Good Morning" by Will.i.am | 0:26:45 | 0:26:47 | |
So this is the morning after the first day of meeting Will.i.am, | 0:27:09 | 0:27:12 | |
which was, to me, a revelation. | 0:27:12 | 0:27:14 | |
What thrilled me was that I was allowed to come | 0:27:14 | 0:27:16 | |
right into the heart of his family, who are SO important to him. | 0:27:16 | 0:27:19 | |
And then to meet Apl.de.ap, his childhood friend who'd come | 0:27:20 | 0:27:23 | |
from the Philippines with his own extraordinary story, | 0:27:23 | 0:27:26 | |
and to see these two young men who'd made friends just as kids | 0:27:26 | 0:27:30 | |
in Boyle Heights, which is just miles away | 0:27:30 | 0:27:33 | |
and as different as can be from where he lives now. | 0:27:33 | 0:27:35 | |
Ever the gentleman, Will is picking me up at my hotel. | 0:27:38 | 0:27:41 | |
He's taking me back to his old neighbourhood. | 0:27:43 | 0:27:45 | |
-Hi, Will. -Hi, babe. Mmm. | 0:27:49 | 0:27:54 | |
-Thank you for picking me up. -Oh, thank you. | 0:27:54 | 0:27:58 | |
Let's go. | 0:27:58 | 0:27:59 | |
God, I've just seen your gold shades. Woo! | 0:28:02 | 0:28:05 | |
-Yeah, those are my gold ones. -Fantastic. | 0:28:07 | 0:28:10 | |
-You look hot in those. -Woo-woo! -What's up, Joanna? | 0:28:10 | 0:28:13 | |
'Will's father left before he was born, | 0:28:15 | 0:28:17 | |
'and his mum often struggled to make ends meet.' | 0:28:17 | 0:28:20 | |
When you're growing up and you're, like, seven, eight, nine, | 0:28:21 | 0:28:25 | |
you don't know you're poor, | 0:28:25 | 0:28:26 | |
-especially if everyone else around you is poor. -Yeah. | 0:28:26 | 0:28:28 | |
I didn't even know what poor is. | 0:28:28 | 0:28:31 | |
Then you realise it, like, when you're 14. | 0:28:31 | 0:28:32 | |
And you start comparing... Comparing things. | 0:28:34 | 0:28:38 | |
"Why are my shoes like this and my schoolmates' shoes are like that?" | 0:28:38 | 0:28:42 | |
Like, "Ma, do you have any money?" | 0:28:43 | 0:28:45 | |
"Boy, you ain't got no change." | 0:28:45 | 0:28:47 | |
-Like, "Wow! -She probably didn't even have a dollar, did she? -No. | 0:28:47 | 0:28:51 | |
Just breaks my heart now, thinking about the fact that my mom, | 0:28:51 | 0:28:54 | |
she probably wanted to say yes, but couldn't. | 0:28:54 | 0:28:56 | |
Half an hour after leaving Hollywood we arrive in Boyle Heights, | 0:29:01 | 0:29:04 | |
the area Will grew up in. | 0:29:04 | 0:29:06 | |
Back then, gangs were commonplace. | 0:29:08 | 0:29:10 | |
They still are, and the risk of young people getting involved | 0:29:10 | 0:29:13 | |
or caught in the crossfire is very real. | 0:29:13 | 0:29:16 | |
Yes, these here are the rival projects, is what they call them. | 0:29:20 | 0:29:24 | |
And then, a gang in this low income housing is called... | 0:29:24 | 0:29:28 | |
I don't want to mention it. | 0:29:29 | 0:29:31 | |
And then on the other side is where my neighbourhood is, | 0:29:33 | 0:29:38 | |
and that's a gang over there. | 0:29:38 | 0:29:40 | |
-And did you clash? -There was clashes and shootings. | 0:29:40 | 0:29:44 | |
-Really? -Drive-bys and deaths. | 0:29:44 | 0:29:46 | |
What was the neighbourhood like? | 0:29:51 | 0:29:52 | |
Was it a bit tempting for children to go off the rails, do you think? | 0:29:52 | 0:29:55 | |
-Yes. -Yeah. -Yes. | 0:29:55 | 0:29:57 | |
I was a bit younger than the other mothers in our neighbourhood... | 0:29:57 | 0:30:02 | |
and to see the way some of the kids were going, | 0:30:02 | 0:30:06 | |
I used to be worried. | 0:30:06 | 0:30:08 | |
You know, because he was so here and there and here and there. | 0:30:10 | 0:30:13 | |
I used to protect him a little bit more. | 0:30:13 | 0:30:15 | |
My older son, he can go out to play, but Will, I kept him inside. | 0:30:15 | 0:30:20 | |
I protected him. | 0:30:21 | 0:30:23 | |
'This is a neighbourhood of social housing, | 0:30:26 | 0:30:28 | |
'or "projects" as they call them here. | 0:30:28 | 0:30:30 | |
'Will lived in Estrada Courts. | 0:30:30 | 0:30:32 | |
'His was the only black family in this | 0:30:34 | 0:30:36 | |
'predominantly Latino community.' | 0:30:36 | 0:30:38 | |
Good to see you. Where's your mom? | 0:30:38 | 0:30:40 | |
-She's in the house. -Oh, tell her I said hi. -OK. | 0:30:40 | 0:30:42 | |
-So that new little black girl? -Yeah. | 0:30:44 | 0:30:46 | |
She's the only black girl in the neighbourhood. | 0:30:46 | 0:30:48 | |
-Is she? -Hi, Will.i.am. -Hello. | 0:30:48 | 0:30:52 | |
-Like my new doggy? -I like it. -My little friend. -It's your dog in there? -It's a dog! | 0:30:52 | 0:30:55 | |
You thought I was sporting a new purse or something? | 0:30:55 | 0:30:57 | |
-No, I thought you went shopping. -This is a Chihuahua? -Yeah. | 0:30:57 | 0:31:00 | |
What a little beauty. Hello, sweetheart. | 0:31:00 | 0:31:02 | |
-Oh, he's very well-behaved too. -Hello, baby. | 0:31:02 | 0:31:04 | |
Shit, I was going to sneak up on you! | 0:31:04 | 0:31:06 | |
You can't sneak up on a playa. | 0:31:06 | 0:31:08 | |
She used to have a crush on my uncle Donnie. | 0:31:08 | 0:31:11 | |
-Still do. -LAUGHTER | 0:31:11 | 0:31:14 | |
-How you doing, man? -Ahh, man! It's been a long time, man. -I know. | 0:31:14 | 0:31:17 | |
Oh, man. I remember when you used to be dancing right here. | 0:31:17 | 0:31:20 | |
-Shit, about 30 years ago now. -Yeah. | 0:31:22 | 0:31:24 | |
LATINO MUSIC PLAYS | 0:31:26 | 0:31:28 | |
My mom was strict. She was like, "You can go outside and play" | 0:31:31 | 0:31:34 | |
" - right there on that grass!" | 0:31:34 | 0:31:35 | |
-Just this little square here? -Yeah. So I'm like, "Ma, can I go outside?" | 0:31:35 | 0:31:40 | |
I only could play here. | 0:31:40 | 0:31:42 | |
-Oh, Will, that's... -So if you remember, everyone said, | 0:31:42 | 0:31:46 | |
"Hey, I remember you dancing right here." | 0:31:46 | 0:31:49 | |
Because I only could come here. | 0:31:49 | 0:31:51 | |
So if she'd seen me here, I would have to go inside. | 0:31:51 | 0:31:54 | |
So usually I would always be here, dancing right here. | 0:31:54 | 0:31:58 | |
HE SINGS TO HIMSELF | 0:31:58 | 0:32:00 | |
Doing my little dance. I couldn't go there. | 0:32:00 | 0:32:02 | |
I couldn't go there. I couldn't go anywhere else but here. | 0:32:02 | 0:32:05 | |
LATINO MUSIC CONTINUES | 0:32:07 | 0:32:09 | |
And they always used to play that music. | 0:32:09 | 0:32:11 | |
Mexican. There's my old house. | 0:32:11 | 0:32:15 | |
(Hey.) | 0:32:15 | 0:32:16 | |
KNOCK ON DOOR | 0:32:17 | 0:32:19 | |
-Hi. -Hey, hey! Hello. -How are you? | 0:32:21 | 0:32:24 | |
-How are you? -Good. -Hiya. | 0:32:24 | 0:32:25 | |
If we may just look around and just see how it was when you were here. | 0:32:25 | 0:32:29 | |
Seemed a lot bigger when we were... No, wait. | 0:32:29 | 0:32:31 | |
So the mirrors were here. Doo-doo-doo. | 0:32:31 | 0:32:34 | |
And... | 0:32:34 | 0:32:37 | |
TV was there sometimes. Mom moved it around. | 0:32:37 | 0:32:39 | |
And this was a little heater, but my friend Hector | 0:32:40 | 0:32:42 | |
lived on the other side, so we used to talk through the heater. | 0:32:42 | 0:32:45 | |
Nice gramophone. | 0:32:45 | 0:32:47 | |
-Which was your bedroom? -This way. -This one? | 0:32:52 | 0:32:54 | |
Yeah. This is me and my brother's bedroom. | 0:32:56 | 0:32:59 | |
-Yeah. How was the room set out then? -Oh, we slept on the floor. | 0:32:59 | 0:33:02 | |
On the floor? | 0:33:04 | 0:33:05 | |
So before, when we were little, we had bunk beds, | 0:33:05 | 0:33:08 | |
-and then when we got a little older, we just slept on the floor. -Yeah. | 0:33:08 | 0:33:11 | |
Wow! It seemed a lot bigger when we were little. | 0:33:12 | 0:33:14 | |
But you were just a little guy, don't you think? | 0:33:14 | 0:33:17 | |
They added a shower. We didn't have showers. | 0:33:17 | 0:33:19 | |
And this was my sister's room. Mom's room sometimes. | 0:33:25 | 0:33:28 | |
HE HUMS TUNE | 0:33:37 | 0:33:38 | |
Thank you. Thanks. | 0:33:43 | 0:33:45 | |
I bet you don't remember me. | 0:33:47 | 0:33:49 | |
We were always outside running around, | 0:33:49 | 0:33:51 | |
and you'd give us candy sometimes. | 0:33:51 | 0:33:53 | |
Yeah, cos we used to go get candy from the candy lady over there. | 0:33:53 | 0:33:56 | |
Thank you, guys. | 0:33:58 | 0:33:59 | |
Oh, happy birthday! | 0:34:03 | 0:34:06 | |
'Will stays connected to where he grew up.' | 0:34:06 | 0:34:08 | |
Be good in school too. | 0:34:08 | 0:34:09 | |
And me? | 0:34:09 | 0:34:11 | |
'He's keen to contribute to the education of neighbourhood kids. | 0:34:11 | 0:34:15 | |
'Last year, he donated computers to their library.' | 0:34:15 | 0:34:17 | |
-How you doing? -Good. | 0:34:19 | 0:34:20 | |
-Had a meeting at the White House... -No kidding? | 0:34:21 | 0:34:23 | |
-Three days ago. -Uh-huh? | 0:34:23 | 0:34:25 | |
And I left President Obama this brochure on | 0:34:26 | 0:34:28 | |
how I want to turn my community around. Hopefully he responds. | 0:34:28 | 0:34:33 | |
There's no reason why every kid shouldn't be here utilising it. | 0:34:33 | 0:34:36 | |
-Sure, yeah. -And it's great that, you know, it's staffed properly. | 0:34:36 | 0:34:41 | |
PUPILS AND WILL LAUGH | 0:34:41 | 0:34:43 | |
See you later. | 0:34:43 | 0:34:44 | |
'Will believes that getting a good education was what | 0:34:44 | 0:34:46 | |
'opened his eyes as a young boy.' | 0:34:46 | 0:34:48 | |
All right, we have to jam on it. | 0:34:50 | 0:34:51 | |
# Get down on it Come on and get down on it... # | 0:34:51 | 0:34:53 | |
'He wasn't educated in his own neighbourhood, he was bussed to a | 0:34:53 | 0:34:56 | |
'school nearly 20 miles away from home | 0:34:56 | 0:34:58 | |
'when he was only eight years old.' | 0:34:58 | 0:35:00 | |
So they were enrolled in the Magna Program, which is | 0:35:02 | 0:35:06 | |
basically a higher learning, gifted. | 0:35:06 | 0:35:09 | |
-You know, smart kids. -Yeah. | 0:35:10 | 0:35:12 | |
The bus was anywhere from an hour to an hour and 45 minutes. | 0:35:15 | 0:35:21 | |
-Each way? -Mm-hmm. Every day. | 0:35:21 | 0:35:24 | |
-It's quite a thing for little children, isn't it? -Mm-hmm. | 0:35:24 | 0:35:26 | |
-But it was worth it? -It was well worth it. | 0:35:26 | 0:35:28 | |
Today, we're making the journey in Will's 100,000 Tesla, | 0:35:30 | 0:35:34 | |
which he's told me is the ultimate electric car. | 0:35:34 | 0:35:37 | |
-It's like the best car in the world. -It's brilliant. | 0:35:38 | 0:35:41 | |
You just do that... | 0:35:41 | 0:35:42 | |
Amazing! | 0:35:44 | 0:35:45 | |
-It's fast. -Yeah. -Really. -Yeah. | 0:35:48 | 0:35:50 | |
-See, I told you. -Oh-oh-oh! | 0:35:51 | 0:35:53 | |
HE RAPS: # Zoom-zoomy | 0:35:55 | 0:35:57 | |
# That's what they call me when I'm in my car with a lotta room-roomy. # | 0:35:57 | 0:36:00 | |
The school was in the wealthy Brentwood district of Los Angeles. | 0:36:05 | 0:36:09 | |
But this was like 30 years ago. | 0:36:14 | 0:36:15 | |
-Hello. Alice Taylor. -Hi, Miss Taylor. | 0:36:20 | 0:36:22 | |
Welcome back. I'm the principal. | 0:36:22 | 0:36:24 | |
-Good to see you. -You're the principal? -Yes. | 0:36:24 | 0:36:26 | |
-Whoa! -A-ha. | 0:36:26 | 0:36:28 | |
-You're the principal? -Yes. | 0:36:28 | 0:36:30 | |
Wow! The principal used to be much older. | 0:36:30 | 0:36:32 | |
Let's go this way. | 0:36:32 | 0:36:34 | |
Thank you for not hitting us, boys. | 0:36:35 | 0:36:37 | |
See, some things never change. | 0:36:39 | 0:36:42 | |
It's over here. | 0:36:42 | 0:36:43 | |
Will is looking for his old classroom where his favourite | 0:36:45 | 0:36:49 | |
teacher, Mr Wright, taught. | 0:36:49 | 0:36:50 | |
The sixth grade with Mr Wright and I think it was room 33. | 0:36:52 | 0:36:56 | |
Yeah, it was room 33, my sixth grade teacher's class. | 0:36:56 | 0:36:59 | |
Dude, it is room 33. It's Mr Wright! | 0:37:00 | 0:37:03 | |
Oh, good to see you. | 0:37:07 | 0:37:10 | |
Surprise, huh? | 0:37:11 | 0:37:13 | |
It's crazy. | 0:37:13 | 0:37:15 | |
Yeah, this was our room, right? I'm pretty sure. | 0:37:15 | 0:37:17 | |
Yeah. I was right there. | 0:37:17 | 0:37:18 | |
Yeah. I haven't seen this. | 0:37:18 | 0:37:20 | |
My wife dug it out for me. | 0:37:20 | 0:37:22 | |
Those are the teachers and there's your class. | 0:37:23 | 0:37:27 | |
Yeah. There I go, look at me. | 0:37:29 | 0:37:31 | |
We had a lot of fun, though, in this class. | 0:37:31 | 0:37:34 | |
Was Mr Wright a special teacher? | 0:37:34 | 0:37:35 | |
I mean, it's quite odd to say it when he's standing here. | 0:37:35 | 0:37:37 | |
-Oh, no. So there's... -Influential. | 0:37:37 | 0:37:39 | |
..two teachers that... | 0:37:39 | 0:37:40 | |
Well, not even teachers, two people that actually moulded how | 0:37:40 | 0:37:43 | |
I look at the world and how I see myself. | 0:37:43 | 0:37:47 | |
It's Mr Wright first who, when we graduated, I remember that day. | 0:37:47 | 0:37:50 | |
-I was, like, I thought... -I remember it too. | 0:37:50 | 0:37:52 | |
..I wasn't going to graduate. I was, like, crying. | 0:37:52 | 0:37:55 | |
Like, "Am I going to graduate?" | 0:37:55 | 0:37:56 | |
He was, like, "Just ask questions." | 0:37:56 | 0:38:00 | |
You know, and ever since then I've been curious | 0:38:00 | 0:38:03 | |
and asking all the while these questions. | 0:38:03 | 0:38:05 | |
Yeah, that's great. | 0:38:05 | 0:38:07 | |
That's great. I always try to do that. | 0:38:07 | 0:38:11 | |
You can be your own teacher, you know. | 0:38:11 | 0:38:14 | |
Can I have your autograph? | 0:38:14 | 0:38:17 | |
-Can I have your autograph? -What's your name? | 0:38:17 | 0:38:20 | |
Always everybody call me Jamie Foxx. | 0:38:20 | 0:38:23 | |
They do, cos you look like Jamie Foxx. | 0:38:23 | 0:38:25 | |
See you later. | 0:38:25 | 0:38:26 | |
Thank you. | 0:38:26 | 0:38:28 | |
Bye, guys. Bye. | 0:38:29 | 0:38:31 | |
# Great times are coming | 0:38:34 | 0:38:36 | |
# Coming down the boulevard | 0:38:38 | 0:38:40 | |
# Coming down the avenue | 0:38:41 | 0:38:44 | |
# I can see it from a bird's eye view | 0:38:45 | 0:38:48 | |
# Here come the good times... # | 0:38:49 | 0:38:51 | |
Just when I think he's driving me back to the hotel, | 0:38:51 | 0:38:54 | |
a tireless Will decides to show me a venture very close to his heart. | 0:38:54 | 0:38:58 | |
This programme that I started called EKOCYCLE. | 0:39:00 | 0:39:02 | |
Yeah. | 0:39:02 | 0:39:04 | |
So I came up with the concept in 2008. | 0:39:04 | 0:39:07 | |
Pitched it to Coca Cola in 2009 and it became an official thing in 2011. | 0:39:07 | 0:39:13 | |
-And it feels like regular cloth. -Yeah. -Yeah. | 0:39:13 | 0:39:16 | |
-These pants I'm wearing are EKOCYCLE pants. -Stop it. -Yeah. | 0:39:16 | 0:39:19 | |
I daren't put my hand across on your leg | 0:39:19 | 0:39:21 | |
cos that would be wrong but I'm going to do it. | 0:39:21 | 0:39:23 | |
-Fantastic. -Yeah. | 0:39:23 | 0:39:24 | |
That feels like smooth mohair or something. Really beautiful. | 0:39:24 | 0:39:28 | |
It's an uphill battle to turn what one would call | 0:39:32 | 0:39:35 | |
waste into aspirational fabrics. | 0:39:35 | 0:39:39 | |
People come to things slowly. | 0:39:39 | 0:39:41 | |
I heard that in advertising you have to say something seven times before people get it. | 0:39:41 | 0:39:45 | |
-Tell me about this. -Oh, remember I was telling you in the car? -Yeah. | 0:39:54 | 0:39:57 | |
So, like, this is a water bottle. | 0:39:57 | 0:40:00 | |
So they take a water bottle and they turn it into these flakes, right? | 0:40:00 | 0:40:03 | |
Yeah. | 0:40:03 | 0:40:04 | |
Sheesh! | 0:40:05 | 0:40:06 | |
Then they refine those flakes to even thinner flakes. | 0:40:06 | 0:40:10 | |
-Then they turn them into... -Cotton wool. -Cotton. -Yeah, cotton. | 0:40:10 | 0:40:13 | |
Then we take that cotton wool and we turn it into this thread. | 0:40:13 | 0:40:17 | |
-That's extraordinary. -Yeah. And then we weave that thread... | 0:40:20 | 0:40:23 | |
-Feels like silk. -..into fabric. | 0:40:23 | 0:40:25 | |
Wow! | 0:40:27 | 0:40:28 | |
So that's the process. | 0:40:28 | 0:40:30 | |
This is almost unbelievable, isn't it? | 0:40:30 | 0:40:33 | |
Or we take it and make headphones. | 0:40:33 | 0:40:36 | |
Oh! That's a tail coat! Please! | 0:40:36 | 0:40:39 | |
Yeah. | 0:40:39 | 0:40:40 | |
My husband's a conductor - do you think I could ever get him | 0:40:40 | 0:40:43 | |
into one of these again? | 0:40:43 | 0:40:45 | |
This is so nice. He might wear this. | 0:40:45 | 0:40:46 | |
He doesn't like the pompous ones. | 0:40:46 | 0:40:48 | |
-Am I allowed to buy this? -No, that's a gift. | 0:40:48 | 0:40:51 | |
-No, it can't be a gift. -OK, cool, that'll cost 2,000. | 0:40:51 | 0:40:54 | |
Amazing. Amazing. | 0:41:00 | 0:41:03 | |
Oh! I just love this. | 0:41:03 | 0:41:05 | |
I mean, this is surely one of the most extraordinary | 0:41:05 | 0:41:08 | |
sidelines for somebody who's kind of a rock idol. | 0:41:08 | 0:41:12 | |
The man amazes. | 0:41:13 | 0:41:14 | |
Whoa! | 0:41:16 | 0:41:17 | |
You feel the torque. | 0:41:19 | 0:41:21 | |
-Did you feel that? -Whoa! | 0:41:22 | 0:41:24 | |
It's crazy. | 0:41:24 | 0:41:25 | |
That was us going zoom, wasn't it? | 0:41:29 | 0:41:31 | |
Yeah, that was that we just did. | 0:41:31 | 0:41:33 | |
RAP MUSIC | 0:41:33 | 0:41:35 | |
Well, Will, thank you so much. | 0:41:45 | 0:41:47 | |
-Thanks, Joanna. -Thanks for today. | 0:41:47 | 0:41:50 | |
-See you later. -Thank you, babe. | 0:41:50 | 0:41:52 | |
-See you later. -See you tomorrow. | 0:41:52 | 0:41:54 | |
So, an extraordinary day. I've got this sensational Coca-Cola bottle. | 0:42:01 | 0:42:09 | |
I mean, can you believe it? Miracles or what? | 0:42:09 | 0:42:12 | |
# I went to sleep last night | 0:42:14 | 0:42:17 | |
# Tired from the fight | 0:42:17 | 0:42:19 | |
# I've been fighting for tomorrow all my life | 0:42:19 | 0:42:23 | |
# I woke up this morning | 0:42:23 | 0:42:25 | |
# Feeling brand-new... # | 0:42:25 | 0:42:28 | |
I have to keep reminding myself that will.i.am makes music but you can | 0:42:28 | 0:42:33 | |
sometimes forget that with his enthusiasm for new technology | 0:42:33 | 0:42:36 | |
and what it can do. | 0:42:36 | 0:42:38 | |
He's launched products through his own hardware business, | 0:42:41 | 0:42:44 | |
taken a computer science course... | 0:42:44 | 0:42:47 | |
But his biggest investment to date is a state-of-the-art building | 0:42:47 | 0:42:51 | |
appropriately called The Future. | 0:42:51 | 0:42:53 | |
This is the place that Will has been longing to show us. | 0:42:55 | 0:42:58 | |
The technology I think he will have installed there will be mesmeric. | 0:42:58 | 0:43:02 | |
I won't understand a lot of it | 0:43:02 | 0:43:03 | |
because I'm extremely stupid about things like this. | 0:43:03 | 0:43:07 | |
There's a truck the size of a train coming past us. | 0:43:07 | 0:43:10 | |
Anyway, driving in his car with him, | 0:43:13 | 0:43:15 | |
that fantastic car which is electric and white | 0:43:15 | 0:43:18 | |
and seemed to be about as futuristic as you can get, he already found | 0:43:18 | 0:43:21 | |
that the technology in that has been leapfrogged, is slightly outdated. | 0:43:21 | 0:43:25 | |
He's going, "This wouldn't work with that because that would work with that." | 0:43:25 | 0:43:28 | |
He's thinking, in a way, light years ahead. It's fascinating. | 0:43:28 | 0:43:32 | |
Is Will around? | 0:43:40 | 0:43:42 | |
Hey, Willy! What is this? | 0:43:42 | 0:43:45 | |
-How are ya? -Good to see you. | 0:43:45 | 0:43:47 | |
Good to see you too. | 0:43:47 | 0:43:48 | |
-Want to do a tour? -Would you do that? -Yeah. Yeah. | 0:43:50 | 0:43:53 | |
As you can see, we're still doing construction. | 0:43:53 | 0:43:56 | |
Oh, shucks. I'll be right back. I'll come in from the side. | 0:43:56 | 0:43:59 | |
-I'll guard the door for you. -Wait for me there. | 0:43:59 | 0:44:01 | |
Oh, God! | 0:44:03 | 0:44:04 | |
So when it's all complete and it's all finished it'll be | 0:44:04 | 0:44:07 | |
the ultimate audio, visual, social creative facility. | 0:44:07 | 0:44:14 | |
-Over there, on that side, is, like, our vocal booth. -Yeah. | 0:44:14 | 0:44:18 | |
So, when this is complete, this will be the editing facility. | 0:44:18 | 0:44:20 | |
You don't have to wait, | 0:44:20 | 0:44:22 | |
like, five months to do a video or five months of fine product for it. | 0:44:22 | 0:44:27 | |
It all happens here. | 0:44:27 | 0:44:29 | |
It's like Willy Wonka and the Chocolate Factory. | 0:44:29 | 0:44:31 | |
Remember Mike Teavee? That was my favourite movie, Willy Wonka And The Chocolate Factory. | 0:44:31 | 0:44:36 | |
I used to love Willy Wonka. | 0:44:36 | 0:44:38 | |
-So, in a way, it's like today's Willy Wonka. -Yes, it is. | 0:44:38 | 0:44:42 | |
Except for I'm Willy and I'm chocolate and this is my factory. | 0:44:42 | 0:44:45 | |
So now the only light that's in the room is coming from the walls. | 0:44:47 | 0:44:51 | |
And here is our conference room. | 0:44:51 | 0:44:53 | |
So, over here, is where the 3D printing will be. | 0:44:53 | 0:44:56 | |
So here's our rest room. | 0:44:56 | 0:44:58 | |
Oh, look at this! | 0:44:59 | 0:45:00 | |
Oh! | 0:45:01 | 0:45:02 | |
We haven't been in here, have we? | 0:45:10 | 0:45:11 | |
No, I'd have recognised this guy. | 0:45:11 | 0:45:13 | |
This is for the comic book | 0:45:13 | 0:45:16 | |
that I wrote called Wizards And Robots. | 0:45:16 | 0:45:18 | |
This is our lead character for our comic. | 0:45:18 | 0:45:20 | |
We have all the technical details of how he operates and what he's made of. | 0:45:20 | 0:45:23 | |
And just one red eye? | 0:45:23 | 0:45:25 | |
-Well, he doesn't really need eyes. -He doesn't need to see. | 0:45:25 | 0:45:30 | |
The world of comics, that's not my world | 0:45:30 | 0:45:32 | |
but I respect that world. | 0:45:32 | 0:45:33 | |
-Yeah. -My world is music, entertainment. | 0:45:33 | 0:45:36 | |
Being here in The Future with Will shows all the different aspects | 0:45:36 | 0:45:40 | |
of his grasshopper personality | 0:45:40 | 0:45:42 | |
but the heart of this whole place is still a recording studio | 0:45:42 | 0:45:45 | |
and he's about to create a song for me from scratch. | 0:45:45 | 0:45:49 | |
I'll call it Joanna. | 0:45:49 | 0:45:52 | |
Joanna. | 0:45:52 | 0:45:54 | |
I realise that it's in here he feels most at home | 0:45:54 | 0:45:58 | |
and perhaps it's here that I'll find the real man behind the music. | 0:45:58 | 0:46:02 | |
Right, so now I've got that. Boom-boom. Boom-boom. Ba-doom-boom. | 0:46:02 | 0:46:07 | |
No, that was very George Of The Jungle. | 0:46:07 | 0:46:10 | |
Let me get rid of that. I didn't like that. | 0:46:10 | 0:46:13 | |
Me in the house with Joanna-anna. | 0:46:13 | 0:46:17 | |
I'm in the house with Joanna-anna-wanna. | 0:46:17 | 0:46:19 | |
I got my little rhythm. I got a blueprint. Jam! | 0:46:19 | 0:46:26 | |
Shazam! Now I gotta put some music in there, right? | 0:46:26 | 0:46:29 | |
Some instruments. Some emotion. | 0:46:29 | 0:46:31 | |
HARSH BLEEP Not that. | 0:46:31 | 0:46:33 | |
Will, you seem to me a sort of person who, no matter what you've achieved, | 0:46:33 | 0:46:36 | |
you're always taking risks. You're always going a bit further. | 0:46:36 | 0:46:39 | |
-Why is that, do you think? -I remember living in that ghetto, coming from nothing, | 0:46:39 | 0:46:43 | |
and I never dreamed I would have a studio like this. | 0:46:43 | 0:46:47 | |
What do I want to do? Imagine you won the World Cup. | 0:46:47 | 0:46:50 | |
First thing you'd say is, like, "Man, we did it!" | 0:46:50 | 0:46:52 | |
It's cool. It's going. It's growing, it's growing. | 0:46:52 | 0:46:55 | |
Pretty cool. Almost got it. | 0:46:55 | 0:46:57 | |
Almost got it. | 0:46:57 | 0:46:59 | |
That's cool. | 0:47:02 | 0:47:03 | |
You're just about to do your first solo tour, is that scary? | 0:47:03 | 0:47:07 | |
Feels weird. | 0:47:07 | 0:47:09 | |
Why? | 0:47:09 | 0:47:11 | |
Because I'm used to performing with the Peas. | 0:47:11 | 0:47:14 | |
I miss my group. It's going to be a great show. | 0:47:14 | 0:47:18 | |
Let me get this chord right. | 0:47:24 | 0:47:26 | |
I don't need to make music any more, but I love to make music. | 0:47:26 | 0:47:31 | |
But there's something else I have to get. I'm reaching for something else. | 0:47:31 | 0:47:35 | |
MUSIC PLAYS | 0:47:35 | 0:47:37 | |
That's it, right there. | 0:47:48 | 0:47:50 | |
Yes! Then, it's rockings. Then, it's rockings. | 0:47:50 | 0:47:53 | |
'I'm ignoring my problems and I'm paying attention to my dreams.' | 0:47:53 | 0:47:57 | |
HE SINGS TO HIMSELF | 0:47:57 | 0:47:59 | |
'So, you just got to put yourself in the situation of opportunity, | 0:47:59 | 0:48:03 | |
'optimism, confidence, | 0:48:03 | 0:48:05 | |
'determination, discipline,' | 0:48:05 | 0:48:08 | |
surrounding yourself with good people. | 0:48:08 | 0:48:10 | |
You know? | 0:48:11 | 0:48:12 | |
Good people. That's how you get there. | 0:48:15 | 0:48:18 | |
Even though I love my neighbourhood that I come from. | 0:48:19 | 0:48:22 | |
We still go back there. | 0:48:22 | 0:48:25 | |
But I love my neighbourhood, but, damn, imagine I stayed there? | 0:48:25 | 0:48:28 | |
What?! | 0:48:28 | 0:48:30 | |
Imagine I never met apl. Life would be fucked. | 0:48:30 | 0:48:35 | |
Imagine I had a different mom. What?! | 0:48:36 | 0:48:40 | |
Or my brother was a... You know, if he went the other way | 0:48:41 | 0:48:46 | |
and joined a gang, my life would be fucked. | 0:48:46 | 0:48:50 | |
And I never would've had this place. | 0:48:52 | 0:48:55 | |
Don't be afraid of the dark. | 0:48:57 | 0:49:00 | |
Look inside, grab your heart, let it shine, let it shine. | 0:49:00 | 0:49:03 | |
If it's dark outside, shine your light. | 0:49:03 | 0:49:06 | |
Oh, shit, that's nice. | 0:49:06 | 0:49:08 | |
# Don't be afraid of the dark | 0:49:08 | 0:49:12 | |
# Grab your light in your heart | 0:49:12 | 0:49:15 | |
# Cos you will be all right | 0:49:15 | 0:49:18 | |
# You will be all right. # | 0:49:18 | 0:49:21 | |
If you had to think of one word | 0:49:21 | 0:49:25 | |
that's most important to you or that sums you up | 0:49:25 | 0:49:27 | |
or that would be, kind of, like a little beacon. | 0:49:27 | 0:49:29 | |
Will. | 0:49:29 | 0:49:30 | |
Not in an egotistical way, either. Just the will | 0:49:32 | 0:49:36 | |
and not the thing you write before you die. | 0:49:36 | 0:49:38 | |
The will... To have will... Determination. | 0:49:38 | 0:49:44 | |
To have strength, courage - will. | 0:49:44 | 0:49:49 | |
MUSIC PLAYS | 0:49:49 | 0:49:51 | |
# You'll be all right | 0:49:51 | 0:49:54 | |
# You will be all right | 0:49:54 | 0:49:57 | |
# You will be all right | 0:49:57 | 0:50:01 | |
# Don't be afraid | 0:50:01 | 0:50:02 | |
# Of the sky | 0:50:02 | 0:50:04 | |
# Spread your wings Then just take to the sky | 0:50:04 | 0:50:08 | |
# And just fly | 0:50:08 | 0:50:09 | |
# And just fly | 0:50:10 | 0:50:12 | |
# You won't fall, you won't fall Cos you know you can fly | 0:50:12 | 0:50:16 | |
# You'll be all right | 0:50:16 | 0:50:18 | |
# You will be all right | 0:50:18 | 0:50:21 | |
# You will be all right | 0:50:21 | 0:50:24 | |
# You will be all | 0:50:24 | 0:50:26 | |
# Right, all right, all right... # | 0:50:26 | 0:50:29 | |
-That's cool. -Fantastic! | 0:50:31 | 0:50:34 | |
-Thanks, babe. -Thanks, Joanna. | 0:50:35 | 0:50:38 | |
I love you! | 0:50:39 | 0:50:41 | |
HE SINGS | 0:50:41 | 0:50:42 | |
'That was just extraordinary.' | 0:50:42 | 0:50:44 | |
'We spent four hours in there and, like a patchwork quilt being made, | 0:50:44 | 0:50:49 | |
the privilege of watching Will gradually putting | 0:50:49 | 0:50:53 | |
the piece together, the way that he does it. | 0:50:53 | 0:50:57 | |
He invented that song while he was sitting there. | 0:50:57 | 0:50:59 | |
He hadn't thought of it before. Fantastic. | 0:50:59 | 0:51:01 | |
It's going be called All Right. | 0:51:01 | 0:51:05 | |
Whoa! I was there. | 0:51:05 | 0:51:07 | |
It's my last morning in Los Angeles. | 0:51:13 | 0:51:16 | |
I thought about Will in the recording studio last night | 0:51:19 | 0:51:22 | |
and just how aware he is of where his story might have ended | 0:51:22 | 0:51:26 | |
without his family's deep love and support. | 0:51:26 | 0:51:28 | |
I feel he is grateful to them every day. | 0:51:33 | 0:51:35 | |
He has asked me to meet him back at Boyle Heights, | 0:51:40 | 0:51:43 | |
before I go to the airport. | 0:51:43 | 0:51:46 | |
He wants me to see his charity, i.am College Track. | 0:51:46 | 0:51:50 | |
It's a programme that helps local kids go to college. | 0:51:50 | 0:51:55 | |
So, here it is. | 0:51:56 | 0:51:58 | |
-i.am College? -i.am College Track Centre. | 0:51:58 | 0:52:02 | |
And my aunt works across the street, at the police station. | 0:52:02 | 0:52:05 | |
So if any of our students get out of hand, | 0:52:05 | 0:52:07 | |
we're connected to some pretty cool people. | 0:52:07 | 0:52:10 | |
So, let's go meet some of the kids. | 0:52:10 | 0:52:11 | |
Thank you. | 0:52:12 | 0:52:13 | |
Hi. | 0:52:15 | 0:52:16 | |
-We've only been doing this for two years now. -Yeah. | 0:52:16 | 0:52:20 | |
Expected outcomes by 2016 - | 0:52:20 | 0:52:22 | |
100% of seniors will graduate from high school, 95% will be eligible | 0:52:22 | 0:52:26 | |
for a four-year college and 75% will graduate from college in six years. | 0:52:26 | 0:52:30 | |
Will kick-started this after-school programme | 0:52:31 | 0:52:34 | |
and helped raise the 15 million needed for the building | 0:52:34 | 0:52:37 | |
and for teaching 120 students. | 0:52:37 | 0:52:38 | |
-He come from the same projects as me. What street? -100th Street. | 0:52:41 | 0:52:46 | |
Yeah, that's where my grandma used to live, on 100th Street. | 0:52:46 | 0:52:49 | |
My aunt used to live right down the street from there. | 0:52:49 | 0:52:51 | |
ALARM WAILS | 0:52:51 | 0:52:54 | |
# Clear the place! | 0:52:55 | 0:52:56 | |
-# Clear the place! # -They want you out! | 0:52:58 | 0:53:00 | |
'Will is a conscious philanthropist. | 0:53:02 | 0:53:05 | |
Last year, he donated £500,000 to The Prince's Trust in the UK, | 0:53:05 | 0:53:09 | |
to fund enterprise schemes, with a focus on technology. | 0:53:09 | 0:53:13 | |
Will.i.am - that means future eye. | 0:53:16 | 0:53:20 | |
This i.am College Track is, | 0:53:21 | 0:53:24 | |
sort of, everything he's really been dreaming of. | 0:53:24 | 0:53:28 | |
This extraordinary thing of, not so much giving it back, | 0:53:28 | 0:53:31 | |
but passing on all the good luck and all the fortune and love | 0:53:31 | 0:53:34 | |
and support and inspiration he had. | 0:53:34 | 0:53:37 | |
'Unlike most people in the world, he wants to pass it on. | 0:53:37 | 0:53:41 | |
'A lot of people just go, "Oh, well, I was lucky and that's the way | 0:53:41 | 0:53:44 | |
"it was." Keep their doors shut. Will's got all his doors open | 0:53:44 | 0:53:48 | |
'all the time.' | 0:53:48 | 0:53:49 | |
Gosh, the sun's beginning to set and I've got to go now. | 0:53:49 | 0:53:53 | |
-Oh, have a safe flight. -I hate it. -I'll see you in London. | 0:53:53 | 0:53:56 | |
-I'll see you in London. -Maybe see you backstage? -I will. Can I? | 0:53:56 | 0:53:59 | |
-You take care. -You, too. Doo-wop. Bam! Boom! Wham! Jam! | 0:53:59 | 0:54:03 | |
THEY LAUGH | 0:54:03 | 0:54:06 | |
-Bye, Will! -Bam! Boom! Wham! Jam! | 0:54:06 | 0:54:08 | |
This man has become a bit of a hero for me. | 0:54:08 | 0:54:11 | |
I get why he needs to give back. It's his way of saying thanks. | 0:54:13 | 0:54:17 | |
For now, it's goodbye LA and goodbye Mr Will.i.am. | 0:54:21 | 0:54:26 | |
Well, it's a month since I left Will in California | 0:54:42 | 0:54:46 | |
and now, this is mid-winter in England and Will's coming over | 0:54:46 | 0:54:50 | |
to do his first solo gig, at the O2 Arena, which is just extraordinary. | 0:54:50 | 0:54:54 | |
# If you love it like I love it | 0:54:54 | 0:54:57 | |
# And you feel what I feel inside... # | 0:54:58 | 0:55:00 | |
And I know he's a bit jittery about doing a solo gig. | 0:55:01 | 0:55:05 | |
Not jittery, he's never jittery, he's not a jittery guy, | 0:55:05 | 0:55:08 | |
but this is the first time he's performed on his own. | 0:55:08 | 0:55:11 | |
It's something else. It's really thrilling. | 0:55:11 | 0:55:13 | |
I wonder what it'll be like. | 0:55:13 | 0:55:14 | |
I wonder... | 0:55:14 | 0:55:15 | |
-FAKE DRAMATICISM: -I wonder if he'll remember me. | 0:55:15 | 0:55:19 | |
20,000 fans will see Will tonight | 0:55:22 | 0:55:25 | |
and a lucky few get to meet him backstage. | 0:55:25 | 0:55:27 | |
-I like your shirt. -Thank you! | 0:55:27 | 0:55:30 | |
Good to see you again. | 0:55:37 | 0:55:39 | |
-Hey! -Are you talking, Will? -No, no. -Are you doing stuff? | 0:55:49 | 0:55:52 | |
-Good to see you. -How are you? -I'm all right. -It's great to see you. | 0:55:52 | 0:55:56 | |
-Good to see you, too. -Yeah. -I'm in your city. -Yeah. You're here. | 0:55:56 | 0:55:59 | |
-It's your city, as well. -Yeah, but it's your city first. | 0:55:59 | 0:56:03 | |
-No, you're an honorary Brit. You are. -No. -You are. -Kind of. | 0:56:03 | 0:56:07 | |
I wanted to ask you something - is it going to be odd without the Peas? | 0:56:07 | 0:56:10 | |
-This will be show number four. -Yeah. -So... -How was the first show | 0:56:10 | 0:56:14 | |
-without them? -The first show was emotional. | 0:56:14 | 0:56:16 | |
-Yeah. -Yeah, that brings some water in the eyes. | 0:56:16 | 0:56:20 | |
-Did you start? -No, I controlled them. I was gangster about it. -Yeah! | 0:56:20 | 0:56:24 | |
-Last thing you want to do is be like boo-hooing on stage. -Sure. | 0:56:24 | 0:56:28 | |
Will, what do you do? As an actor, before we going on stage, | 0:56:28 | 0:56:32 | |
we do, kind of, mouth exercises... | 0:56:32 | 0:56:34 | |
Do you do anything before the show? | 0:56:36 | 0:56:37 | |
-We go on the internet. -Yeah. -We Google things. | 0:56:37 | 0:56:42 | |
We talk about what we did wrong yesterday, try to fix it. We laugh. | 0:56:42 | 0:56:46 | |
-What time is it? -Time we left. -6.48. | 0:56:51 | 0:56:53 | |
-Auf wiedersehen. -Danke schon. -Bye-bye, babe. -Bye-bye. | 0:56:53 | 0:56:57 | |
Danke schon, in German, means "I thank you". | 0:56:59 | 0:57:01 | |
Will has only got 15 minutes to change before the show begins. | 0:57:04 | 0:57:07 | |
And in the arena, the anticipation is building. | 0:57:07 | 0:57:10 | |
Have a great show. It's going to be so fantastic. | 0:57:22 | 0:57:25 | |
-I'm real nervous. -I love you, Will. Come on! Don't be afraid. | 0:57:25 | 0:57:30 | |
-I'm not afraid. I'm nervous. Nerves are good. -Nerves are good. | 0:57:30 | 0:57:33 | |
You just control them. | 0:57:33 | 0:57:36 | |
You're beautiful. | 0:57:36 | 0:57:37 | |
-See you soon. -Bye-bye. | 0:57:37 | 0:57:39 | |
MUFFLED CHEERING AND CLAPPING | 0:57:40 | 0:57:44 | |
Let's do it. | 0:57:44 | 0:57:46 | |
With his charm and courtesy, his energy, generosity | 0:57:52 | 0:57:55 | |
and inventiveness, Will.i.am is surely a Renaissance Man | 0:57:55 | 0:57:59 | |
for our times. And I've enjoyed every moment of being with him. | 0:57:59 | 0:58:05 | |
CHEERING AND APPLAUSE | 0:58:05 | 0:58:06 | |
# Bigger, better, stronger, power | 0:58:08 | 0:58:12 | |
# I got that power | 0:58:15 | 0:58:16 | |
# I got that power | 0:58:19 | 0:58:20 | |
# I got that power | 0:58:22 | 0:58:24 | |
# Power, power, power | 0:58:24 | 0:58:27 | |
# They call me Will-A | 0:58:27 | 0:58:28 | |
# Stay so cool, I'm chilly | 0:58:28 | 0:58:31 | |
# I done made that milli | 0:58:31 | 0:58:32 | |
# On my way to that billi | 0:58:32 | 0:58:34 | |
# Used to have a piggy bank | 0:58:34 | 0:58:36 | |
# But now I got that bigger bank | 0:58:36 | 0:58:38 | |
# Who cares what the haters think? | 0:58:38 | 0:58:40 | |
# They hatin' on me cos I'm doin' what they can't | 0:58:40 | 0:58:43 | |
# I stay on that hustle I flex that mental muscle.... # | 0:58:43 | 0:58:45 |