
Browse content similar to Rich Hall's California Stars. Check below for episodes and series from the same categories and more!
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This programme contains some strong language. | 0:00:02 | 0:00:06 | |
This is the General Sherman, the largest tree in the world. | 0:00:06 | 0:00:08 | |
It's here in the Sequoia National Park of California. | 0:00:08 | 0:00:10 | |
It's not the tallest tree in the world, that's in the Redwoods National Park of California. | 0:00:10 | 0:00:14 | |
It's not the oldest tree in the world, that's in the Inyo National Forest of California. | 0:00:14 | 0:00:18 | |
For the record, California is also home | 0:00:18 | 0:00:20 | |
to the world's biggest pine cone. | 0:00:20 | 0:00:22 | |
In terms of natural superlatives, California is home | 0:00:22 | 0:00:25 | |
to some of the most astonishing natural wonders on the planet. | 0:00:25 | 0:00:29 | |
It has the highest waterfall, the hottest spot | 0:00:29 | 0:00:32 | |
and the deepest canyon in North America. | 0:00:32 | 0:00:36 | |
So you have to ask yourself, how can a place | 0:00:36 | 0:00:39 | |
with so much breathtaking beauty | 0:00:39 | 0:00:41 | |
spawn an addled twit like Miley Cyrus? | 0:00:41 | 0:00:44 | |
MUSIC: "California Sun" by The Rivieras | 0:00:44 | 0:00:47 | |
When Miley Cyrus packed up her hillbilly skank trunk | 0:00:47 | 0:00:51 | |
and sidled off to California in search of stardom, | 0:00:51 | 0:00:54 | |
she was just emulating the long line of no-hopers, down-and-outers, | 0:00:54 | 0:00:59 | |
dreamers, prospectors, robber barons, missionaries, | 0:00:59 | 0:01:03 | |
rheumatics, asthmatics, snake-oil salesmen, refugees | 0:01:03 | 0:01:07 | |
and human detritus who bought into the idea | 0:01:07 | 0:01:10 | |
that California was the pot at the end of the rainbow. | 0:01:10 | 0:01:13 | |
Since its birth, California more than any other US state | 0:01:14 | 0:01:18 | |
has always believed it was the maker of dreams and legends. | 0:01:18 | 0:01:22 | |
California entered history as a myth. | 0:01:22 | 0:01:25 | |
New York, New Hampshire and New Jersey | 0:01:25 | 0:01:28 | |
are named after British place names, | 0:01:28 | 0:01:30 | |
the Carolinas and Maryland after British royalty, | 0:01:30 | 0:01:33 | |
Nebraska, Illinois after Indian tribes. | 0:01:33 | 0:01:35 | |
California was named after a giant woman. | 0:01:35 | 0:01:39 | |
Calafia was a mythical pagan warrior queen who first appeared | 0:01:40 | 0:01:44 | |
in a 15th-century fantasy novel called The Adventures Of Esplandian. | 0:01:44 | 0:01:49 | |
In the novel, | 0:01:49 | 0:01:51 | |
Calafia rules an island inhabited entirely by Amazon women. | 0:01:51 | 0:01:55 | |
She raises an army of female warriors | 0:01:55 | 0:01:58 | |
and sails away from her island, called California, | 0:01:58 | 0:02:01 | |
and then, armed with a killer flock of trained griffins, enters a battle | 0:02:01 | 0:02:06 | |
between Muslims and Christians who are defending Constantinople. | 0:02:06 | 0:02:10 | |
At the Disney California Adventure Park in Anaheim, | 0:02:11 | 0:02:15 | |
Calafia, an Amazon woman, | 0:02:15 | 0:02:17 | |
was portrayed by the 5' 4" Whoopi Goldberg. | 0:02:17 | 0:02:21 | |
The attraction was called Golden Dreams, | 0:02:21 | 0:02:25 | |
designed to teach tourists the history of California. | 0:02:25 | 0:02:28 | |
Well, the excitement was palpable. | 0:02:28 | 0:02:30 | |
Golden Dreams was demolished in July 2009 | 0:02:30 | 0:02:33 | |
to make way for the construction of a really scary ride | 0:02:33 | 0:02:36 | |
called The Little Mermaid: Ariel's Undersea Adventure. | 0:02:36 | 0:02:41 | |
And that's California in a nutshell. | 0:02:42 | 0:02:44 | |
A place that's always been willing to instantly forget its past | 0:02:44 | 0:02:47 | |
so that it can recreate it for tourists and dreamers. | 0:02:47 | 0:02:51 | |
Its state flower is the poppy - an opiate - | 0:02:51 | 0:02:54 | |
so really, what do you expect of its people? | 0:02:54 | 0:02:57 | |
# I'd like to rest my heavy head tonight | 0:02:57 | 0:03:03 | |
# On a bed of California stars | 0:03:03 | 0:03:07 | |
# I'd like to lay my weary bones tonight | 0:03:07 | 0:03:11 | |
# On a bed of California stars | 0:03:11 | 0:03:16 | |
# I'd love to feel your hand touching mine | 0:03:16 | 0:03:20 | |
# And tell me why I must keep working on | 0:03:20 | 0:03:24 | |
# Yes, I'd give my life | 0:03:24 | 0:03:26 | |
# To lay my head tonight on a bed. # | 0:03:26 | 0:03:30 | |
Virtue and vice is all there is, there's no other story. | 0:03:33 | 0:03:37 | |
John Steinbeck said that. | 0:03:37 | 0:03:39 | |
You remember John Steinbeck. | 0:03:39 | 0:03:41 | |
He was the influential American writer whose career was cut short | 0:03:41 | 0:03:44 | |
by a crazed assassin named Michael Gove. | 0:03:44 | 0:03:48 | |
Steinbeck mined the underside of California, its broken promise, | 0:03:48 | 0:03:52 | |
and most of the impressionable writing, art and music since then | 0:03:52 | 0:03:55 | |
has been by people who either lost faith in the place | 0:03:55 | 0:03:58 | |
or never had it to begin with. | 0:03:58 | 0:03:59 | |
The stories of Charles Bukowski and Raymond Chandler. | 0:04:02 | 0:04:06 | |
The poetry of Allen Ginsberg and the City Lights poets. | 0:04:06 | 0:04:09 | |
I saw the best minds of my generation destroyed by madness | 0:04:09 | 0:04:13 | |
Starving hysterical naked... | 0:04:13 | 0:04:17 | |
The music of Tom Waits. | 0:04:17 | 0:04:19 | |
# Liar, liar with your pants on fire... # | 0:04:19 | 0:04:22 | |
The films of Arnold Schwarzenegger. | 0:04:22 | 0:04:25 | |
Wait a minute. I've just confused artistic merit with celebrity hood. | 0:04:25 | 0:04:30 | |
How did that happen? | 0:04:30 | 0:04:32 | |
Well, it's easy if you apply the California standard of human quality. | 0:04:32 | 0:04:35 | |
In 2003, Schwarzenegger ran for Governor of California | 0:04:35 | 0:04:39 | |
against Cruz Bustamente. | 0:04:39 | 0:04:42 | |
Let's compare credentials. | 0:04:42 | 0:04:44 | |
Bustamente was California's Lieutenant Governor at the time. | 0:04:44 | 0:04:48 | |
He had an inside understanding of California politics. | 0:04:48 | 0:04:51 | |
Schwarzenegger was once Mr Junior Europe. | 0:04:51 | 0:04:54 | |
Bustamente had a Bachelor of Arts degree from Cal State, Fresno. | 0:04:54 | 0:04:59 | |
But he didn't look good in a unitard. | 0:04:59 | 0:05:02 | |
Bustamente was the highest-ranking Latino office-holder in the United States, | 0:05:03 | 0:05:07 | |
but Schwarzenegger had landed the coveted role | 0:05:07 | 0:05:10 | |
of T-800 Model 101 in Terminator. | 0:05:10 | 0:05:14 | |
Human quality isn't even a virtue in California. | 0:05:16 | 0:05:19 | |
Humans occupy places like Sherman Oaks or Tarzana. | 0:05:19 | 0:05:23 | |
If you achieve god-like status, you can occupy the Governor's mansion | 0:05:23 | 0:05:27 | |
or the White House, and in order to achieve god-like status, | 0:05:27 | 0:05:31 | |
you only need to have appeared in at least three B movies. | 0:05:31 | 0:05:35 | |
Arnold Schwarzenegger is coming your way, | 0:05:35 | 0:05:37 | |
magnificent as Hercules! | 0:05:37 | 0:05:41 | |
The story begins quietly enough, high atop fabled Mount Olympus. | 0:05:41 | 0:05:45 | |
Hercules annoys Zeus just once too often with his need for adventure. | 0:05:45 | 0:05:49 | |
I'm tired of the same old faces, the same old things. | 0:05:49 | 0:05:54 | |
It's an easy place to exaggerate. | 0:05:56 | 0:06:00 | |
The fact that they named the territory after the goddess Calafia. | 0:06:00 | 0:06:05 | |
That didn't happen anywhere else. | 0:06:05 | 0:06:07 | |
-Right. -It was very easy to translate all that into mythological image. | 0:06:07 | 0:06:12 | |
Arnold Schwarzenegger - he's totally awesome. | 0:06:12 | 0:06:16 | |
That's what this town has always been, | 0:06:18 | 0:06:20 | |
Greek mythology with pictures. | 0:06:20 | 0:06:22 | |
You see, the California stars have all the same desires | 0:06:22 | 0:06:26 | |
and longings as us, but they have the clout to do something about it. | 0:06:26 | 0:06:29 | |
So they're both human and immortal. | 0:06:29 | 0:06:32 | |
-We are entering the Garden of Legends? -Garden of Legends. | 0:06:38 | 0:06:41 | |
That is the area of the cemetery | 0:06:41 | 0:06:43 | |
that's probably most heavily populated | 0:06:43 | 0:06:46 | |
with famous people from the film industry. | 0:06:46 | 0:06:48 | |
The building on the right is the cathedral mausoleum, | 0:06:53 | 0:06:56 | |
where our probably most legendary resident lies, | 0:06:56 | 0:07:00 | |
Rudolph Valentino. | 0:07:00 | 0:07:02 | |
Cecil B DeMille and his family, | 0:07:02 | 0:07:05 | |
a memorial to the director Tony Scott. | 0:07:05 | 0:07:08 | |
Douglas Fairbanks right next to Johnny Ramone. | 0:07:08 | 0:07:12 | |
That's Alfalfa, from the Little Rascals. | 0:07:15 | 0:07:18 | |
He had a very tragic end. | 0:07:18 | 0:07:21 | |
-He was stabbed in a knife fight, over, like, 50 bucks. -Really? | 0:07:21 | 0:07:25 | |
Only in California can immortality be anointed. | 0:07:28 | 0:07:31 | |
Barring that, it can be purchased. | 0:07:31 | 0:07:33 | |
So we make video biographies of everybody, | 0:07:33 | 0:07:37 | |
not just of famous people, and we take it very seriously, | 0:07:37 | 0:07:42 | |
and some people will do basically instalments from their entire lives. | 0:07:42 | 0:07:47 | |
And what would something like this cost? | 0:08:08 | 0:08:10 | |
The biographies start at about 3,500 | 0:08:10 | 0:08:16 | |
for one chapter, and then each chapter after that. | 0:08:16 | 0:08:19 | |
Each chapter is probably about eight to ten minutes long. | 0:08:19 | 0:08:22 | |
We do also offer broadcasting, | 0:08:22 | 0:08:25 | |
live webcasting of funeral services. | 0:08:25 | 0:08:29 | |
That's always been California's greatest trick - | 0:08:31 | 0:08:35 | |
its promise of immortality, fame, wealth or a better life | 0:08:35 | 0:08:39 | |
by merely setting your foot across a state line. | 0:08:39 | 0:08:42 | |
If you look at California history over the centuries, | 0:08:42 | 0:08:45 | |
it's this series of waves of people coming here | 0:08:45 | 0:08:49 | |
to improve their lives. | 0:08:49 | 0:08:50 | |
From the very beginning, it was so Eden-like | 0:08:50 | 0:08:53 | |
in its properties, and so full of possibility, | 0:08:53 | 0:08:56 | |
and then the gold rush - wham! | 0:08:56 | 0:08:59 | |
And from that point forward, it was just the land of dreams. | 0:08:59 | 0:09:04 | |
It's gold. It's gold! | 0:09:04 | 0:09:08 | |
Before the discovery of gold, | 0:09:09 | 0:09:12 | |
the West was a vast plains in need of people. | 0:09:12 | 0:09:15 | |
It would be a place called Coloma, 140 miles east of San Francisco, | 0:09:15 | 0:09:20 | |
that two men would make a single discovery that would instigate | 0:09:20 | 0:09:24 | |
the largest global migration in American history. | 0:09:24 | 0:09:27 | |
On the morning of January 24th 1848, | 0:09:28 | 0:09:31 | |
a man named James Marshall was inspecting the flutter wheel | 0:09:31 | 0:09:34 | |
on the tailrace of a sawmill on the American River. | 0:09:34 | 0:09:38 | |
I don't know what any of those words meant. | 0:09:38 | 0:09:41 | |
But the mill was owned by a man named John Sutter. | 0:09:41 | 0:09:44 | |
Marshall was his foreman. | 0:09:44 | 0:09:46 | |
Marshall looked down in the water, saw something gleaming, | 0:09:46 | 0:09:49 | |
about the size of a pea, | 0:09:49 | 0:09:52 | |
picked it up, inspected it, then took it back | 0:09:52 | 0:09:54 | |
and showed it to his workers. | 0:09:54 | 0:09:57 | |
They couldn't have cared less. | 0:09:58 | 0:10:00 | |
They were being paid a dollar a day, guaranteed wage. | 0:10:00 | 0:10:04 | |
Marshall took the nugget to Sutter himself. Sutter tested it | 0:10:04 | 0:10:07 | |
and realised it was indeed gold. | 0:10:07 | 0:10:10 | |
Well, you can imagine what happened after that. | 0:10:10 | 0:10:13 | |
Nothing. | 0:10:13 | 0:10:15 | |
No-one was willing to give much credence to a pair | 0:10:15 | 0:10:18 | |
of mud-caked mill-workers. | 0:10:18 | 0:10:20 | |
But, for some reason, when the news hit San Francisco, | 0:10:20 | 0:10:23 | |
the shit hit the fan. | 0:10:23 | 0:10:25 | |
In May of that year, a Mormon merchant named Sam Brannan | 0:10:25 | 0:10:28 | |
raced through the streets of San Francisco on horseback yelling, | 0:10:28 | 0:10:31 | |
"Gold, gold, gold from the American River!" | 0:10:31 | 0:10:34 | |
Within two days, two-thirds of the city of San Francisco was deserted. | 0:10:34 | 0:10:39 | |
Physicians walked away from their patients, | 0:10:39 | 0:10:42 | |
sailors deserted their ships. | 0:10:42 | 0:10:44 | |
The military chief of the army resigned, grabbed a pick, | 0:10:44 | 0:10:47 | |
a shovel, a mule, and headed for the American River. | 0:10:47 | 0:10:50 | |
One of the great mysteries of the California gold rush | 0:10:50 | 0:10:53 | |
is how no-one would believe people like Sutter and Marshall, | 0:10:53 | 0:10:56 | |
who had an understanding of hydrology and minerals, | 0:10:56 | 0:10:59 | |
but when a Mormon - a Mormon! - | 0:10:59 | 0:11:01 | |
a guy who believes that if you're black and convert to Mormonism | 0:11:01 | 0:11:05 | |
you'll turn white, | 0:11:05 | 0:11:07 | |
a guy who believes that the Garden of Eden is in Missouri, | 0:11:07 | 0:11:11 | |
a guy who believes that if you wear flip-flops in church | 0:11:11 | 0:11:14 | |
you'll go to hell, that Satan has control over the ocean - | 0:11:14 | 0:11:18 | |
so don't go swimming - a guy who believes that a baby in the womb | 0:11:18 | 0:11:22 | |
is technically in Heaven, | 0:11:22 | 0:11:24 | |
a guy who believes that you could start a religion by claiming | 0:11:24 | 0:11:27 | |
to have found 18 gold tablets but then somehow "lost" them... | 0:11:27 | 0:11:32 | |
Yeah, when a person believes in that and says, "Gold," | 0:11:32 | 0:11:36 | |
people go fucking nuts. | 0:11:36 | 0:11:39 | |
The news spread rapidly. | 0:11:40 | 0:11:42 | |
Some made the hazardous trip, | 0:11:42 | 0:11:44 | |
moving swiftly over the plains in covered wagons. | 0:11:44 | 0:11:47 | |
Others took the long journey in sailing vessels, | 0:11:49 | 0:11:52 | |
going down the coast of South America around Cape Horn. | 0:11:52 | 0:11:57 | |
As news of the gold fever spread, | 0:11:58 | 0:12:01 | |
it turned California into a truly global frontier. | 0:12:01 | 0:12:04 | |
The word got out on the ships, | 0:12:04 | 0:12:06 | |
and so the Chileans, South Americans, people from Mexico, they came. | 0:12:06 | 0:12:10 | |
The word got to China, and they overran everything. | 0:12:10 | 0:12:15 | |
Sutter has a diary, and it's interesting. | 0:12:15 | 0:12:17 | |
"More people coming, heading for the mountains. | 0:12:17 | 0:12:19 | |
"More people coming." | 0:12:19 | 0:12:21 | |
Then in May of 1848, | 0:12:21 | 0:12:22 | |
remember gold was discovered in January, | 0:12:22 | 0:12:25 | |
by May he stops keeping the diary, he's just been overrun. | 0:12:25 | 0:12:28 | |
Within 12 months, over 100,000 grizzled gold-seeking prospectors | 0:12:31 | 0:12:36 | |
came to stake their claim. | 0:12:36 | 0:12:38 | |
So this is what caused the fever, | 0:12:38 | 0:12:41 | |
and it truly is beautiful. | 0:12:41 | 0:12:43 | |
You can imagine how addictive it would be | 0:12:43 | 0:12:45 | |
to be chasing something this lovely. | 0:12:45 | 0:12:47 | |
Wow. Is this the way they would find it in the river? | 0:12:47 | 0:12:50 | |
No. What they were finding in the river were little nuggets, | 0:12:50 | 0:12:54 | |
and they looked sort of like brass, they didn't have this sparkle. | 0:12:54 | 0:12:57 | |
Sometimes it was just dust and that's why they would have to take a pan | 0:12:57 | 0:13:00 | |
into the river and they would just wash it around | 0:13:00 | 0:13:03 | |
and the tiny, tiny flakes would separate from the black sand. | 0:13:03 | 0:13:06 | |
# I've travelled all over this country | 0:13:06 | 0:13:09 | |
# Prospecting and digging for gold... # | 0:13:09 | 0:13:12 | |
They stood knee-deep in icy water all day, filling a pan with dirt, | 0:13:12 | 0:13:17 | |
lowering it into the water, sifting through it or packing it in and out | 0:13:17 | 0:13:21 | |
by wagon. They slept in the cold and damp, | 0:13:21 | 0:13:24 | |
they ate bacon or sourdough bread, | 0:13:24 | 0:13:26 | |
fought pneumonia and dysentery, and every time more people showed up, | 0:13:26 | 0:13:30 | |
they had to wander off and find a new spot to dig. | 0:13:30 | 0:13:33 | |
The work was so hard. | 0:13:34 | 0:13:36 | |
And if you worked all day, you might make the equivalent of one ounce, | 0:13:36 | 0:13:40 | |
which would be worth about 16, | 0:13:40 | 0:13:43 | |
which would buy you a couple of dinners. | 0:13:43 | 0:13:46 | |
# For each man who got rich by mining | 0:13:46 | 0:13:49 | |
# Perceiving that hundreds grew poor... # | 0:13:49 | 0:13:53 | |
The truth is there was no guarantee of success for these prospectors. | 0:13:53 | 0:13:57 | |
They could be panning and digging for months and find nothing at all, | 0:13:57 | 0:14:01 | |
but that's the essence of the California spirit. | 0:14:01 | 0:14:04 | |
Come on and try your luck. | 0:14:04 | 0:14:06 | |
Few of the miners had any knowledge of geology or hydraulics, | 0:14:06 | 0:14:10 | |
but quite often there would be these gold-mining fortune-telling machines | 0:14:10 | 0:14:14 | |
at every camp where you merely put in 50 cents | 0:14:14 | 0:14:16 | |
and they would tell you whether or not you were going to find gold. | 0:14:16 | 0:14:20 | |
I have seen the greatest minds of my generation | 0:14:21 | 0:14:26 | |
destroyed by insanity, | 0:14:26 | 0:14:28 | |
naked, starving... | 0:14:28 | 0:14:31 | |
It was the irresistible temptation of striking the mother lode | 0:14:31 | 0:14:34 | |
that kept people coming to California, | 0:14:34 | 0:14:36 | |
and as more migrants came, towns sprang up and cities grew. | 0:14:36 | 0:14:41 | |
The transformation was unbelievable, | 0:14:41 | 0:14:44 | |
because we went from a few tents on the sand dunes in 1848. | 0:14:44 | 0:14:49 | |
Five years later, you've got one of the major cities. | 0:14:49 | 0:14:52 | |
You've got a state. It was bountiful. | 0:14:52 | 0:14:56 | |
California was flourishing, but it wasn't because | 0:14:56 | 0:14:59 | |
the prospectors were finding their dreams. | 0:14:59 | 0:15:02 | |
Most of the people who made money in the gold rush | 0:15:04 | 0:15:06 | |
didn't do it by sifting through mud. | 0:15:06 | 0:15:09 | |
They were the people who sold the shovels, who ran the hotels, | 0:15:09 | 0:15:13 | |
the boarding houses, the hardware stores and the whorehouses. | 0:15:13 | 0:15:17 | |
All those in favour of bringing prostitution to this camp | 0:15:17 | 0:15:21 | |
say aye! | 0:15:21 | 0:15:22 | |
ALL: Aye! | 0:15:22 | 0:15:24 | |
In 1849, a state constitution was written. | 0:15:27 | 0:15:30 | |
A governor and a legislature were chosen, | 0:15:30 | 0:15:33 | |
and a year later, California became a state. | 0:15:33 | 0:15:37 | |
The Golden State, they called it. | 0:15:38 | 0:15:41 | |
The state is based on this illusion of gold, right? | 0:15:45 | 0:15:49 | |
Created the whole romantic image of California, | 0:15:49 | 0:15:52 | |
this is where you want to be, this is where opportunity is, | 0:15:52 | 0:15:55 | |
where the sunshine is. Where you can reach out your bedroom window | 0:15:55 | 0:15:58 | |
and grab an orange off your orange tree in the middle of December. | 0:15:58 | 0:16:02 | |
It's all based on a lie. | 0:16:02 | 0:16:04 | |
The gold rush dispersed the Native American population of California. | 0:16:09 | 0:16:13 | |
Within ten years, it was one-fifth the population it was in 1849. | 0:16:13 | 0:16:17 | |
Americans loathed the presence of any other race, | 0:16:17 | 0:16:20 | |
they believed that the gold was just for them. | 0:16:20 | 0:16:23 | |
That's what the gold rush did. It destroyed that agrarian ethos, | 0:16:23 | 0:16:27 | |
that sense of virtue, that Protestant work ethic. | 0:16:27 | 0:16:30 | |
Just cashed it in for a fly-by-night, get-rich-quick, | 0:16:30 | 0:16:34 | |
something-for-nothing worship of the almighty dollar | 0:16:34 | 0:16:37 | |
that's pretty much been the backbone of American society ever since. | 0:16:37 | 0:16:41 | |
In 1846, a congressman named Charles Cathcart from Indiana | 0:16:53 | 0:16:58 | |
stood on the floor of the House of Representatives in Washington DC | 0:16:58 | 0:17:02 | |
and invoked the following statement. | 0:17:02 | 0:17:05 | |
"The Iron Horse, on the wings of the wind, | 0:17:05 | 0:17:09 | |
"his nostrils distended with flame, salamander-like, vomiting fire | 0:17:09 | 0:17:15 | |
"and smoke, trembling with power, yet made subservient to the steel | 0:17:15 | 0:17:20 | |
"curb imposed upon him by the hand of man, flies across the continent | 0:17:20 | 0:17:26 | |
"in less time than it took our ancestry to visit a neighbouring city." | 0:17:26 | 0:17:31 | |
And with that short, succinct statement, a mania was born - | 0:17:31 | 0:17:36 | |
to build a railroad to connect two oceans. | 0:17:36 | 0:17:39 | |
A railroad uniting America's east and west coast | 0:17:42 | 0:17:45 | |
was needed now more than ever. | 0:17:45 | 0:17:46 | |
It was decided two companies would build it, | 0:17:46 | 0:17:49 | |
one from the east and one from the west. | 0:17:49 | 0:17:51 | |
America was a giant pair of trousers, | 0:17:53 | 0:17:56 | |
and the 2,000 miles of track would be the belt holding it up. | 0:17:56 | 0:18:00 | |
But there was one major obstacle, the Sierra Nevada mountains, | 0:18:01 | 0:18:05 | |
the highest peaks in continental America. | 0:18:05 | 0:18:08 | |
One man thought he could do it, Theodore Judah. | 0:18:08 | 0:18:11 | |
Now, Judah was a civil engineer so unlike the fat cats back east, | 0:18:11 | 0:18:15 | |
he actually knew a thing or two about building railroads | 0:18:15 | 0:18:18 | |
because he'd built railroads before. | 0:18:18 | 0:18:20 | |
He surveyed the Sierra mountains and concluded that, conceivably, | 0:18:20 | 0:18:24 | |
the railroad could come through here, Donner Pass. | 0:18:24 | 0:18:26 | |
6,400 feet high. | 0:18:26 | 0:18:29 | |
If the name Donner rings a bell, it's because it's the most | 0:18:29 | 0:18:32 | |
notable incidence of cannibalism in American history. | 0:18:32 | 0:18:35 | |
17 years before construction of the transcontinental railroad, | 0:18:37 | 0:18:40 | |
a group of pioneers set off from Springfield, Illinois, for California. | 0:18:40 | 0:18:44 | |
22 men, women and children broke off from the main group | 0:18:46 | 0:18:50 | |
to take an ill-advised short cut. | 0:18:50 | 0:18:52 | |
This group would be known as the "Donner party". | 0:18:52 | 0:18:55 | |
The Donner party got stranded in 20-foot snowdrifts | 0:18:57 | 0:19:00 | |
and slowly realising they were going to perish, | 0:19:00 | 0:19:03 | |
resorted to cannibalism. Who knows what really happened? | 0:19:03 | 0:19:07 | |
Given the vagaries of strangers travelling together, | 0:19:07 | 0:19:09 | |
it's possible that some of the pioneers had been snacking | 0:19:09 | 0:19:12 | |
on their companions as far back as Wyoming. | 0:19:12 | 0:19:14 | |
I'll leave it to you to draw conclusions on how California | 0:19:14 | 0:19:18 | |
induces a certain kind of cut-throat mentality on its people. | 0:19:18 | 0:19:21 | |
All I'm saying is, these people were in Nevada, | 0:19:21 | 0:19:24 | |
they got each other's back. | 0:19:24 | 0:19:25 | |
Soon as they cross into California, they start eating each other. | 0:19:25 | 0:19:29 | |
The point is, the Donner pass was a formidable obstacle. | 0:19:30 | 0:19:34 | |
Judah believed it could be conquered. | 0:19:34 | 0:19:36 | |
He just needed some backers and, in 1861, | 0:19:36 | 0:19:39 | |
he succeeded in bringing together four men who would turn out | 0:19:39 | 0:19:43 | |
to be the biggest crooks in American history. | 0:19:43 | 0:19:46 | |
And when I say "crooks", I mean the kind of scheming, conniving, | 0:19:46 | 0:19:51 | |
four-flushing, profligate, cut-throat, slimeball varlets, | 0:19:51 | 0:19:56 | |
scullions and mountebanks that would make the average crook | 0:19:56 | 0:19:59 | |
run to a dictionary to look up what those words mean. | 0:19:59 | 0:20:02 | |
Mark Hopkins, a failed miner who had opted to open a grocery store. | 0:20:04 | 0:20:08 | |
Charles Crocker, failed miner, now a dry goods merchant. | 0:20:08 | 0:20:12 | |
Leland Stanford, failed miner, now a lawyer and general store owner. | 0:20:12 | 0:20:16 | |
And Collis Huntington, who hadn't even bothered to fail at mining. | 0:20:16 | 0:20:20 | |
He owned a hardware store. | 0:20:20 | 0:20:22 | |
On the evening of November 9 1860, | 0:20:22 | 0:20:24 | |
Huntington, Hopkins, Crocker and Stanford met upstairs | 0:20:24 | 0:20:29 | |
at this Sacramento hardware store owned by Collis Huntington. | 0:20:29 | 0:20:33 | |
Theodore Judah laid out his plans, and the men agreed to back him. | 0:20:33 | 0:20:38 | |
They were bonded by this realisation | 0:20:38 | 0:20:42 | |
that there is an opportunity | 0:20:42 | 0:20:46 | |
to stop being merchants and become extremely, extremely rich men. | 0:20:46 | 0:20:52 | |
These four men, who became known as the Associates, | 0:20:55 | 0:20:58 | |
invested a total of 7,000 in the venture. | 0:20:58 | 0:21:02 | |
They formed the Central Pacific Railroad and started selling stock | 0:21:02 | 0:21:06 | |
in an enterprise which to this point was nothing but an idea on paper. | 0:21:06 | 0:21:10 | |
Leland Stanford ran for office and managed to get himself | 0:21:10 | 0:21:13 | |
elected Governor of California - | 0:21:13 | 0:21:15 | |
not too much of a conflict of interest there(!) | 0:21:15 | 0:21:18 | |
So with bags full of cash, the Associates set out to win | 0:21:18 | 0:21:22 | |
the contract to build the western section of the railroad. | 0:21:22 | 0:21:25 | |
What ensued was textbook Karl Marx capitalism. | 0:21:29 | 0:21:33 | |
The government pretends to be neutral in order to maintain order, | 0:21:33 | 0:21:37 | |
while unfailingly serving the interest of the rich. | 0:21:37 | 0:21:41 | |
Collis Huntington went to Washington | 0:21:41 | 0:21:43 | |
and, for 200,000, bribed a contract. | 0:21:43 | 0:21:46 | |
The US government gave the Central Pacific Railroad - | 0:21:46 | 0:21:49 | |
that is four guys with beards | 0:21:49 | 0:21:51 | |
who called themselves the Central Pacific Railroad - | 0:21:51 | 0:21:55 | |
access to over nine million acres of land. | 0:21:55 | 0:21:58 | |
These men would have the right of way for up to 200 yards | 0:21:58 | 0:22:01 | |
on either side of the railroad. Sweet! | 0:22:01 | 0:22:04 | |
The government gave them over 100 million to start building | 0:22:07 | 0:22:11 | |
the railroad and, on top of that, agreed to pay them | 0:22:11 | 0:22:14 | |
16,000 per mile over flat lands, 32,000 per mile over hill terrain | 0:22:14 | 0:22:21 | |
and 48,000 per mile through the mountains. | 0:22:21 | 0:22:25 | |
Leland Stanford went out and hired a crooked surveyor | 0:22:25 | 0:22:28 | |
who immediately concluded that hilly terrain started | 0:22:28 | 0:22:32 | |
just east of Sacramento, altitude 30 feet. | 0:22:32 | 0:22:35 | |
When Theodore Judah realised that his idea | 0:22:35 | 0:22:37 | |
was being turned into a major scam, | 0:22:37 | 0:22:40 | |
he decided to pay the Associates their money back | 0:22:40 | 0:22:42 | |
and reclaim his idea. | 0:22:42 | 0:22:44 | |
He headed off to New York by boat, via the Isthmus of Panama, | 0:22:44 | 0:22:47 | |
to find some new investors. | 0:22:47 | 0:22:50 | |
Theodore Judah caught pneumonia in Panama and died. | 0:22:50 | 0:22:53 | |
How convenient for the Associates. | 0:22:53 | 0:22:56 | |
You know those Hollywood stories about the scriptwriter | 0:22:56 | 0:22:59 | |
who comes up with the idea, fashions the script, | 0:22:59 | 0:23:02 | |
does about a dozen rewrites, then shows up at the studio | 0:23:02 | 0:23:05 | |
only to find out he's been locked out by the producers? | 0:23:05 | 0:23:09 | |
That all began with Theodore Judah. | 0:23:09 | 0:23:11 | |
On January 8th 1863, | 0:23:11 | 0:23:14 | |
construction began on the Central Pacific Railroad, | 0:23:14 | 0:23:18 | |
and with Judah gone, the Associates could exploit the situation | 0:23:18 | 0:23:22 | |
like nobody's business. | 0:23:22 | 0:23:23 | |
Oh, they bamboozled everybody they came in contact with. | 0:23:23 | 0:23:26 | |
They built companies within companies within companies, | 0:23:26 | 0:23:30 | |
like little Russian dolls of corruption. | 0:23:30 | 0:23:32 | |
For instance, they would mine their own coal for 2 a tonne | 0:23:32 | 0:23:36 | |
and then sell it back to themselves for 6 a tonne. | 0:23:36 | 0:23:40 | |
They chopped down all the trees along the way to build sleepers. | 0:23:42 | 0:23:45 | |
They tore up the land, they relocated the Indians. | 0:23:45 | 0:23:48 | |
Charles Crocker would arrive at a small settlement or town | 0:23:48 | 0:23:51 | |
and shake down the local politicians. | 0:23:51 | 0:23:54 | |
"Fork over, or the train doesn't come through here. | 0:23:54 | 0:23:58 | |
"You will dry up and die in a year." | 0:23:58 | 0:24:00 | |
You might ask yourself, how did these guys get away with it? | 0:24:00 | 0:24:04 | |
Well, first of all, America was involved in a Civil War | 0:24:04 | 0:24:07 | |
so the President was a little distracted. | 0:24:07 | 0:24:10 | |
Also, this was California, so far away from the rest | 0:24:10 | 0:24:13 | |
of the country that they weren't being scrutinised. | 0:24:13 | 0:24:17 | |
The building of the transcontinental railroad | 0:24:17 | 0:24:20 | |
is the greatest entwining of technical achievement | 0:24:20 | 0:24:22 | |
and outright financial plunder ever. | 0:24:22 | 0:24:26 | |
When the Central Pacific reached the Sierra Nevada mountains, | 0:24:31 | 0:24:35 | |
the new chief engineer, James Strobridge, was faced with his most daunting task yet - | 0:24:35 | 0:24:39 | |
getting iron rail up a 12,000-foot summit | 0:24:39 | 0:24:42 | |
and drilling a tunnel into granite. | 0:24:42 | 0:24:45 | |
He didn't have nearly enough people. | 0:24:45 | 0:24:47 | |
Charles Crocker's idea was to hire Chinese labourers from San Francisco. | 0:24:48 | 0:24:53 | |
Foreman Strobridge thought that was stupid. | 0:24:53 | 0:24:56 | |
"They built the Great Wall of China," said Crocker. | 0:24:56 | 0:24:59 | |
So reluctantly, Strobridge agreed. | 0:24:59 | 0:25:02 | |
Crocker hired 50 Chinese workers, at the rate of a dollar a day. | 0:25:02 | 0:25:06 | |
Put them on a flat car, brought them up into these mountains | 0:25:06 | 0:25:09 | |
and dumped them off. | 0:25:09 | 0:25:10 | |
Pretty safe to say the Chinese were fatalistic about the whole thing. | 0:25:10 | 0:25:13 | |
They didn't even look around at their surroundings. | 0:25:13 | 0:25:16 | |
They just pitched their tents, cooked up some cuttlefish and rice | 0:25:16 | 0:25:18 | |
and went to bed. Next morning, got up, picked up an axe and shovel | 0:25:18 | 0:25:22 | |
and started busting rock. | 0:25:22 | 0:25:23 | |
Strobridge waited for them to pass out from exhaustion | 0:25:23 | 0:25:26 | |
but 12 hours later, they were still going at it. | 0:25:26 | 0:25:29 | |
Damnedest thing he'd ever seen. | 0:25:29 | 0:25:31 | |
So Crocker sent for more Chinese. | 0:25:31 | 0:25:33 | |
Then more Chinese. | 0:25:33 | 0:25:34 | |
By the end of 1865, almost every able-bodied | 0:25:34 | 0:25:38 | |
Chinese man in California was working on this railroad. | 0:25:38 | 0:25:42 | |
Meanwhile, as the Union Pacific was pushing westward across the plains, | 0:25:44 | 0:25:48 | |
covering 10 miles a day, | 0:25:48 | 0:25:50 | |
the Central Pacific of California was bogged down at the Donner Summit, | 0:25:50 | 0:25:54 | |
averaging ten inches a day. | 0:25:54 | 0:25:56 | |
The granite was impossible. | 0:25:56 | 0:25:58 | |
Fortunately, good old nitroglycerine saved the day. | 0:25:58 | 0:26:03 | |
It dramatically sped up the construction, | 0:26:03 | 0:26:06 | |
at the expense of a few Chinese labourers. | 0:26:06 | 0:26:08 | |
OK, not a few. A lot. | 0:26:08 | 0:26:11 | |
The two companies become so subsumed with laying track | 0:26:13 | 0:26:16 | |
and snaffling up land, that they actually bypassed each other. | 0:26:16 | 0:26:20 | |
For a while, they were building tracks in opposite directions, | 0:26:20 | 0:26:23 | |
side by side. | 0:26:23 | 0:26:25 | |
Finally, Congress has enough of the absurdity and decrees | 0:26:25 | 0:26:28 | |
that on May 10th 1869, | 0:26:28 | 0:26:30 | |
the tracks will meet at Promontory Summit, Utah. | 0:26:30 | 0:26:33 | |
A golden spike is hammered into the ground, | 0:26:38 | 0:26:41 | |
everyone celebrates, and then the spike is put away for safekeeping. | 0:26:41 | 0:26:45 | |
Obviously, who's going to leave a golden spike | 0:26:45 | 0:26:47 | |
laying in the ground in Utah. They're not stupid. | 0:26:47 | 0:26:51 | |
Nine years after that seminal meeting of shopkeepers | 0:26:54 | 0:26:57 | |
in that hardware store, the greatest engineering feat | 0:26:57 | 0:27:00 | |
of the 19th century was complete. | 0:27:00 | 0:27:02 | |
Oh, brass bands played and newspapers rejoiced | 0:27:04 | 0:27:07 | |
and people crowed and beat their chests, | 0:27:07 | 0:27:10 | |
and then they all went back to shipping stuff by boat. | 0:27:10 | 0:27:13 | |
That's right. No-one used the fucking railroad. | 0:27:13 | 0:27:16 | |
No-one knew how to use the railroad. | 0:27:16 | 0:27:19 | |
There was no commercial interest in the railroad, | 0:27:19 | 0:27:21 | |
no-one knew how to transport goods, no-one knew how to regulate tariffs. | 0:27:21 | 0:27:25 | |
It was still much cheaper to ship stuff by boat around South America. | 0:27:25 | 0:27:30 | |
Quite simply, the railroad had been built before its time. | 0:27:33 | 0:27:36 | |
Within five years, a good portion of it was ripped up and relocated. | 0:27:36 | 0:27:40 | |
Collis Huntington eventually bribed the shipping companies | 0:27:40 | 0:27:44 | |
to raise their rates so the railroads could compete. | 0:27:44 | 0:27:47 | |
For the next 25 years, these four men, the Associates, | 0:27:47 | 0:27:50 | |
would become astoundingly wealthy. | 0:27:50 | 0:27:52 | |
They controlled almost all of the track in the American West. | 0:27:52 | 0:27:56 | |
They built communities or destroyed communities, | 0:27:56 | 0:27:59 | |
and they literally defined the space and the shape of California. | 0:27:59 | 0:28:02 | |
They were an octopus - four fat guys in one corpus, | 0:28:02 | 0:28:06 | |
spreading their slimy tentacles of influence throughout the West. | 0:28:06 | 0:28:10 | |
So do you see these guys ultimately as heroes or as conmen? | 0:28:12 | 0:28:16 | |
I see them as Californians, which means they're both those things. | 0:28:16 | 0:28:21 | |
That's what California always is. It's the dream of | 0:28:21 | 0:28:24 | |
there it is, take it, exploit it, | 0:28:24 | 0:28:27 | |
and buy yourself a Ferrari and swagger about. | 0:28:27 | 0:28:32 | |
The true legacy of the Associates isn't a 1,000-mile stretch | 0:28:36 | 0:28:39 | |
of iron and steel. Their true legacy is the economic concept | 0:28:39 | 0:28:44 | |
of creative destruction. | 0:28:44 | 0:28:45 | |
Overbuild it, overhype it, manage it wretchedly | 0:28:45 | 0:28:49 | |
and leave a wake of environmental and human destruction behind you. | 0:28:49 | 0:28:53 | |
Most importantly, make your profit not from selling any real product, | 0:28:53 | 0:28:57 | |
like transportation, but from financial finagling and insider contracts. | 0:28:57 | 0:29:02 | |
Empty technology. | 0:29:02 | 0:29:04 | |
These guys wrote the blueprint for economic disaster | 0:29:04 | 0:29:07 | |
still embraced by California today. | 0:29:07 | 0:29:10 | |
California is currently suffering a horrendous drought. | 0:29:10 | 0:29:13 | |
It diverts its water from the Owens Valley 400 miles south | 0:29:13 | 0:29:17 | |
to feed the lawns of people in Hollywood. | 0:29:17 | 0:29:19 | |
It built a nuclear reactor on a fault line. | 0:29:19 | 0:29:22 | |
It's got a 60 billion high-speed rail line in Los Angeles | 0:29:22 | 0:29:27 | |
that people just stare at. | 0:29:27 | 0:29:28 | |
Right? | 0:29:28 | 0:29:30 | |
But of all the boneheaded civil engineering projects | 0:29:30 | 0:29:33 | |
ever perpetrated on the people of California, | 0:29:33 | 0:29:36 | |
nothing matches the corruption and ineptitude of the Associates. | 0:29:36 | 0:29:40 | |
MUSIC: "California" by Joni Mitchell | 0:29:40 | 0:29:45 | |
Despite this greed and corruption, | 0:29:50 | 0:29:54 | |
Californians are always looking forward. | 0:29:54 | 0:29:57 | |
This positive attitude has created an eternal optimism. | 0:29:57 | 0:30:01 | |
Are you cynical about California or, as a native, are you hopeful? | 0:30:01 | 0:30:06 | |
Very hopeful. | 0:30:06 | 0:30:07 | |
California is wonderfully entrepreneurial, | 0:30:07 | 0:30:12 | |
it's endlessly expansive in its ideas. | 0:30:12 | 0:30:15 | |
That's the whole point, right? People come here, | 0:30:15 | 0:30:19 | |
it's the repository of the nation's dreams. | 0:30:19 | 0:30:21 | |
They run out of space, of the land, and then they look to... | 0:30:21 | 0:30:25 | |
cyberspace, space. That next thing to conquer. | 0:30:25 | 0:30:30 | |
Nowhere in California are people more optimistic | 0:30:38 | 0:30:41 | |
than in San Francisco. When your city is constantly at risk | 0:30:41 | 0:30:45 | |
from an earthquake, you have to be optimistic. | 0:30:45 | 0:30:47 | |
San Francisco grew so fast it was called the Instant City. | 0:30:52 | 0:30:55 | |
In fact it was called the Instant City six times, | 0:30:55 | 0:30:57 | |
because that's how many times it burnt down. | 0:30:57 | 0:31:00 | |
And every time, it came back quicker and more spectacularly, | 0:31:00 | 0:31:03 | |
built on equal parts radicalism and guilt-driven philanthropy. | 0:31:03 | 0:31:07 | |
In its earliest incarnation, it was known as Yerba Buena | 0:31:07 | 0:31:11 | |
and it was controlled entirely by Australian ex-convicts | 0:31:11 | 0:31:14 | |
who called themselves the Sydney Ducks. | 0:31:14 | 0:31:17 | |
The Ducks were so ruthless that even the police | 0:31:18 | 0:31:21 | |
didn't want anything to do with them. | 0:31:21 | 0:31:23 | |
They basically terrorised the town | 0:31:23 | 0:31:26 | |
and worst of all, they set fire to it, | 0:31:26 | 0:31:29 | |
because the town was largely made out of wood, | 0:31:29 | 0:31:32 | |
so one of the ways you could loot what wealth there was | 0:31:32 | 0:31:36 | |
was by setting fire to it. In the resulting panic, | 0:31:36 | 0:31:38 | |
they would basically loot the place. | 0:31:38 | 0:31:41 | |
In 1851, a vigilante society was formed which, through | 0:31:41 | 0:31:44 | |
a self-appointed process of kangaroo trials, lynchings and deportations, | 0:31:44 | 0:31:49 | |
managed to restore some semblance of control to the place. | 0:31:49 | 0:31:53 | |
San Francisco prospered. | 0:31:57 | 0:31:59 | |
It was being called "the Paris of the West". | 0:31:59 | 0:32:02 | |
So Huntington, Crocker, Stanford and Hopkins had parlayed | 0:32:02 | 0:32:06 | |
their fortunes into mansions sitting side by side overlooking the town. | 0:32:06 | 0:32:11 | |
The area was called Nob Hill, because that's what these men were. | 0:32:11 | 0:32:15 | |
Seriously, though, where do you think the term "hobnob" comes from? | 0:32:15 | 0:32:19 | |
And because occasionally, rarely, this is a perfect world, | 0:32:19 | 0:32:23 | |
all four of the mansions were destroyed by the earthquake of 1906. | 0:32:23 | 0:32:27 | |
Unfortunately, so was most of the rest of San Francisco. | 0:32:27 | 0:32:30 | |
The resultant fires that followed the earthquake | 0:32:34 | 0:32:37 | |
did tonnes more damage than the quake itself. | 0:32:37 | 0:32:39 | |
It's the only place I know of in which you had terraced houses | 0:32:39 | 0:32:44 | |
built cheek by jowl made out of wood, and so it was | 0:32:44 | 0:32:46 | |
a very dangerous situation. | 0:32:46 | 0:32:49 | |
It took six days for the bankers' and insurance companies' safes to cool down. | 0:32:49 | 0:32:54 | |
But once they did, San Francisco sprang up even more fervently, | 0:32:54 | 0:32:58 | |
so quickly that, within nine years, it reintroduced itself | 0:32:58 | 0:33:02 | |
to the world at the 1915 Pan-American Exhibit. | 0:33:02 | 0:33:06 | |
In 1937, it unveiled one of the most remarkable | 0:33:06 | 0:33:09 | |
engineering feats in the world. | 0:33:09 | 0:33:12 | |
The Golden Gate Bridge is the orangest structure ever built. | 0:33:15 | 0:33:19 | |
In fact, if you took all the women of Newcastle and put them | 0:33:19 | 0:33:22 | |
side by side, the Golden Gate Bridge would be the second-orangest | 0:33:22 | 0:33:25 | |
thing on the planet. Critics said it couldn't be built, | 0:33:25 | 0:33:28 | |
that its orange-to-weight ratio would cause it to collapse, | 0:33:28 | 0:33:32 | |
but those critics were wrong. | 0:33:32 | 0:33:34 | |
OK, it's not really orange at all. It's kind of reddish-brown, ochre. | 0:33:34 | 0:33:38 | |
San Francisco's geography, its workers' rights' history, | 0:33:43 | 0:33:47 | |
its achievements, have fostered a romanticism | 0:33:47 | 0:33:49 | |
that it's always fought hard to protect. | 0:33:49 | 0:33:52 | |
Its open, tolerant attitude has roots in the longshoreman's | 0:33:52 | 0:33:55 | |
labour movements of the 1800s. | 0:33:55 | 0:33:57 | |
San Franciscans are proud of their spaces. | 0:33:57 | 0:34:00 | |
The writer Jerry Kamstra... probably said it best, | 0:34:09 | 0:34:12 | |
"San Francisco is what's left of America." | 0:34:12 | 0:34:15 | |
That works on a lot of levels. | 0:34:15 | 0:34:16 | |
In fact, old Karl Marx himself visited the place in 1880, | 0:34:16 | 0:34:20 | |
and he remarked, "Rising out of the feverish swirl of the gold rush, | 0:34:20 | 0:34:24 | |
"nowhere has the upheaval of shameless capitalism arrived with greater speed." | 0:34:24 | 0:34:30 | |
Well, Karl Marx should have stuck around | 0:34:30 | 0:34:32 | |
because this town has embraced his radical polemics like no other. | 0:34:32 | 0:34:36 | |
It's always attracted weirdos, non-conformists, | 0:34:36 | 0:34:39 | |
people with a nothing-to-lose attitude, hippies, | 0:34:39 | 0:34:43 | |
freaks and a guy named Jerry Kamstra. | 0:34:43 | 0:34:47 | |
San Francisco has always accommodated the so-called alternative lifestyle. | 0:34:53 | 0:34:58 | |
In 1950, while the rest of the country basked in conformity, | 0:34:58 | 0:35:01 | |
the gay rights movement was founded by Harry Hay, | 0:35:01 | 0:35:05 | |
a communist workers' rights advocate. | 0:35:05 | 0:35:07 | |
Hay founded the Mattachine Society, the first LGBT society in America. | 0:35:07 | 0:35:13 | |
Actually, that was in Los Angeles, | 0:35:13 | 0:35:15 | |
but as soon as they heard the clang, clang, clang of the trolley, | 0:35:15 | 0:35:18 | |
they headed for San Francisco. | 0:35:18 | 0:35:20 | |
Why today, it's estimated that upwards of three dozen gays | 0:35:20 | 0:35:23 | |
either reside in or are visiting San Francisco. | 0:35:23 | 0:35:26 | |
Oscar Wilde once said that, "Whenever anybody disappears in any part of the world, | 0:35:26 | 0:35:31 | |
"they're almost certain to show up in San Francisco." And he did too. | 0:35:31 | 0:35:34 | |
And, of course, he was quite a sensation when he did. | 0:35:34 | 0:35:37 | |
Something else remarkable happened in San Francisco in 1955. | 0:35:39 | 0:35:44 | |
Something that will never happen again. | 0:35:44 | 0:35:47 | |
People got worked up over a poem. | 0:35:47 | 0:35:49 | |
I saw the best minds of my generation destroyed by madness | 0:35:49 | 0:35:53 | |
Starving hysterical naked | 0:35:53 | 0:35:57 | |
Dragging themselves through the Negro streets at dawn | 0:35:57 | 0:36:00 | |
Looking for an angry fix. | 0:36:00 | 0:36:03 | |
Only in San Francisco could a poem start a cultural revolution. | 0:36:03 | 0:36:07 | |
Allen Ginsberg's Howl was first performed at the Six Gallery, | 0:36:07 | 0:36:10 | |
and then subsequently broadcast on radio station KPFA. | 0:36:10 | 0:36:14 | |
The poem was a glorious mess. | 0:36:14 | 0:36:17 | |
It championed sexual liberation, | 0:36:17 | 0:36:19 | |
it savaged the very norms of society and good taste and even poetry. | 0:36:19 | 0:36:23 | |
It kicked off an obscenity trial. The one thing San Franciscans | 0:36:23 | 0:36:27 | |
won't tolerate is being told they can't say what they want to say. | 0:36:27 | 0:36:31 | |
Who let themselves be fucked in the ass by saintly motorcyclists | 0:36:31 | 0:36:36 | |
And screamed with joy. | 0:36:36 | 0:36:38 | |
San Francisco had always been noted for being rather lively | 0:36:41 | 0:36:44 | |
and unconventional. | 0:36:44 | 0:36:47 | |
We didn't know anything but that. | 0:36:47 | 0:36:49 | |
It was just... It was natural. | 0:36:49 | 0:36:51 | |
It was like a fireplace, you know? | 0:36:51 | 0:36:55 | |
I was there in the midst of it. One didn't think of themselves... | 0:36:55 | 0:37:00 | |
But not seeing yourself within that? | 0:37:00 | 0:37:02 | |
All we saw was a group of like-minded strugglers. | 0:37:02 | 0:37:06 | |
The free speech movement essentially just explodes at Berkeley, | 0:37:10 | 0:37:14 | |
at the University of California. | 0:37:14 | 0:37:16 | |
They were like-minded strugglers with strong leadership | 0:37:17 | 0:37:20 | |
who got themselves organised. | 0:37:20 | 0:37:22 | |
People like Mario Savio, and he knew what he was fighting for. | 0:37:22 | 0:37:26 | |
..that you can't take part. You can't even passively take part | 0:37:26 | 0:37:30 | |
and you've got to put your bodies upon the gears, upon the wheels, | 0:37:30 | 0:37:34 | |
upon the levers, upon all the apparatus | 0:37:34 | 0:37:37 | |
and you've got to make it stop. | 0:37:37 | 0:37:39 | |
Unlike those students in 1964, | 0:37:39 | 0:37:41 | |
today's activists, like the Occupy Sacramento group, | 0:37:41 | 0:37:45 | |
seem to have no idea why they're occupying. | 0:37:45 | 0:37:48 | |
..is why are they here? So, why are you here? | 0:37:48 | 0:37:51 | |
I'm here... | 0:37:53 | 0:37:54 | |
-Right now it's kind of vague. -Anthony Bondi says Occupy Sacramento | 0:37:54 | 0:37:57 | |
has what he calls a message team, working on the answer | 0:37:57 | 0:38:00 | |
-to why they're here. -As it stands right now, that message team | 0:38:00 | 0:38:04 | |
will reveal that tomorrow morning. | 0:38:04 | 0:38:07 | |
So you guys are in the process of forming the reasons why you're here? | 0:38:07 | 0:38:11 | |
That is correct. | 0:38:11 | 0:38:13 | |
And you've got to indicate to the people who run it, | 0:38:13 | 0:38:15 | |
to the people who own it, that unless you're free, | 0:38:15 | 0:38:18 | |
the machine will be prevented from working at all! | 0:38:18 | 0:38:20 | |
I'm here to support... | 0:38:20 | 0:38:23 | |
-People! -People, of course. | 0:38:23 | 0:38:26 | |
Here's something to try and remember when you're starting a revolution. | 0:38:26 | 0:38:29 | |
Try to occupy a space that actually means something to you. | 0:38:29 | 0:38:33 | |
The Occupy movements of St Paul's Cathedral and Zuccotti Park in New York | 0:38:33 | 0:38:39 | |
fizzled out because those spaces had no incipient meaning | 0:38:39 | 0:38:43 | |
to the people gathered there. | 0:38:43 | 0:38:45 | |
So it turned into a big Facebook party and everyone got | 0:38:45 | 0:38:48 | |
a souvenir glow-in-the-dark key-chain and went back | 0:38:48 | 0:38:51 | |
to occupying the one thing that does mean something to them - cyberspace. | 0:38:51 | 0:38:55 | |
There's not going to be a revolution | 0:38:55 | 0:38:57 | |
until Twitter starts charging 25p a pop to tweet. | 0:38:57 | 0:39:00 | |
That's when the shit will hit the fan. | 0:39:00 | 0:39:03 | |
The free speech movement that began here on Telegraph Avenue | 0:39:03 | 0:39:06 | |
in Berkeley in 1964 did start a cultural revolution. | 0:39:06 | 0:39:10 | |
The University of California was the largest | 0:39:14 | 0:39:16 | |
institute of learning in the world. | 0:39:16 | 0:39:18 | |
It also ran the government's nuclear weapons lab. | 0:39:18 | 0:39:21 | |
It's safe to say the administration was at increasing odds | 0:39:21 | 0:39:24 | |
with its students. | 0:39:24 | 0:39:26 | |
Students would gather in places like People's Park to set out tables, | 0:39:28 | 0:39:32 | |
hand out literature, or organise support for their causes. | 0:39:32 | 0:39:35 | |
People's Park was the equivalent of Speakers' Corner, times a thousand. | 0:39:35 | 0:39:40 | |
These young people believe they are working on behalf | 0:39:40 | 0:39:43 | |
of a nationwide crusade for social justice. | 0:39:43 | 0:39:48 | |
It's linked with the civil rights movement in the South, | 0:39:48 | 0:39:51 | |
many people were getting involved with that, | 0:39:51 | 0:39:54 | |
and then it really grows with the opposition to the Vietnam War. | 0:39:54 | 0:39:58 | |
The adult world might also be thankful that these young people | 0:39:58 | 0:40:02 | |
are here and that they care. | 0:40:02 | 0:40:05 | |
In 1964, The Berkeley administration came down heavy on the students. | 0:40:05 | 0:40:09 | |
They told them they could no longer organise | 0:40:09 | 0:40:12 | |
outside-campus activities. | 0:40:12 | 0:40:14 | |
They thought the students would acquiesce, | 0:40:17 | 0:40:20 | |
but they didn't count on Joan Baez showing up. | 0:40:20 | 0:40:23 | |
We're going to march in, singing We Shall Overcome. | 0:40:23 | 0:40:29 | |
# We shall overcome... # | 0:40:29 | 0:40:34 | |
In reaction to the pressure put on them by | 0:40:34 | 0:40:36 | |
the university administration, the students increased their activity. | 0:40:36 | 0:40:40 | |
These were college students, and they wanted not to be clamped down | 0:40:40 | 0:40:43 | |
in terms of the kinds of events they did, and what kind | 0:40:43 | 0:40:47 | |
of speakers they had on campus. | 0:40:47 | 0:40:49 | |
The following years saw tensions between the university | 0:40:51 | 0:40:55 | |
and the students, the government, the police and the army escalate. | 0:40:55 | 0:40:59 | |
By '68, clashes between students and police were a common sight on American TV. | 0:40:59 | 0:41:04 | |
It came to a head in early 1969. | 0:41:05 | 0:41:07 | |
The university president banned speeches, rallies | 0:41:07 | 0:41:10 | |
and any disruptive events on the central campus. | 0:41:10 | 0:41:13 | |
He threatened to have any student arrested who participated in protests. | 0:41:13 | 0:41:17 | |
California Governor Ronald Reagan declared a state | 0:41:17 | 0:41:20 | |
of extreme emergency at UC, Berkeley. | 0:41:20 | 0:41:23 | |
I was at Berkeley in 1969 when Governor Reagan | 0:41:23 | 0:41:27 | |
sent military helicopters over the university | 0:41:27 | 0:41:31 | |
to dispense tear gas onto the students. | 0:41:31 | 0:41:34 | |
The National Guard came in with drawn bayonets. | 0:41:36 | 0:41:39 | |
We got to see the real, vicious face of state power. | 0:41:39 | 0:41:45 | |
The movement wasn't suppressed. It mushroomed. | 0:41:49 | 0:41:52 | |
And within five years, it exerted a gravitational pull | 0:41:52 | 0:41:55 | |
over dozens of disparate movements and organisations. | 0:41:55 | 0:41:59 | |
The Yippies, the hippies, the SDS, the Chicago 7, | 0:41:59 | 0:42:03 | |
the Weathermen, Angela Davis, the Black Panthers, | 0:42:03 | 0:42:07 | |
and Gloria Estefan and the Miami Sound Machine. | 0:42:07 | 0:42:10 | |
Not sure about that last one. | 0:42:10 | 0:42:12 | |
At no other time in history has America's fashion, music | 0:42:12 | 0:42:16 | |
and lifestyles and culture changed more dramatically | 0:42:16 | 0:42:19 | |
than in those five years between 1964 and 1969. | 0:42:19 | 0:42:23 | |
A worldwide confluence of people trying to change things | 0:42:25 | 0:42:29 | |
was eventually rolled into one unifying word - hippies. | 0:42:29 | 0:42:32 | |
The one tiny thing hippies didn't manage to change was basic, | 0:42:41 | 0:42:44 | |
shitty, evil, human behaviour. | 0:42:44 | 0:42:46 | |
Let it rain, baby. | 0:42:46 | 0:42:48 | |
On February 4th 1974, | 0:42:55 | 0:42:57 | |
Patty Hearst was kidnapped from her Berkeley campus apartment | 0:42:57 | 0:43:00 | |
by the Symbionese Liberation Army, a militant group that claimed | 0:43:00 | 0:43:05 | |
it wanted to feed the poor and free the planet from suppression. | 0:43:05 | 0:43:08 | |
The SLA fed Patty a lot of LSD, brainwashed her | 0:43:08 | 0:43:12 | |
and forced her to rob banks. | 0:43:12 | 0:43:14 | |
On April 28 1975, Patty Hearst, the granddaughter | 0:43:16 | 0:43:20 | |
of William Randolph Hearst, drove the getaway car when the SLA | 0:43:20 | 0:43:24 | |
robbed the Crocker Bank of California, | 0:43:24 | 0:43:27 | |
owned by the grandson of Charles Crocker. | 0:43:27 | 0:43:29 | |
So, in some weird kind of way, the greed and corruption of California | 0:43:29 | 0:43:32 | |
had come around full circle. | 0:43:32 | 0:43:35 | |
Nowadays, the people of People's Park probably aren't | 0:43:35 | 0:43:38 | |
sitting around discussing Herbert Marcuse or thinking of starting up | 0:43:38 | 0:43:42 | |
an underground newspaper or a revolution. | 0:43:42 | 0:43:45 | |
But no-one says they're not allowed to. | 0:43:45 | 0:43:48 | |
# Which side are you on, boys? | 0:43:48 | 0:43:51 | |
# Which side are you on? | 0:43:51 | 0:43:55 | |
# Which side are you on, boys? | 0:43:55 | 0:43:57 | |
# Which side are you on? # | 0:43:57 | 0:43:59 | |
They call me Mayor Of The Streets for the whole town, | 0:43:59 | 0:44:02 | |
because I stand up for the people on the streets. | 0:44:02 | 0:44:04 | |
But I'm definitely associated with People's Park. | 0:44:04 | 0:44:07 | |
This is still a radical People's Park? | 0:44:07 | 0:44:09 | |
There is still... Not to the degree it was, | 0:44:09 | 0:44:12 | |
and for me it's really important to bring in the young radicals. | 0:44:12 | 0:44:15 | |
That's the history. | 0:44:15 | 0:44:17 | |
It seems like, astrologically, the '60s is kicking in | 0:44:17 | 0:44:21 | |
on a bigger level right now. That's the whole prophecy | 0:44:21 | 0:44:24 | |
the native people talk about. | 0:44:24 | 0:44:26 | |
They're the second generation. There's a lot of despair here, | 0:44:26 | 0:44:29 | |
but I'm like, "No, we can turn this around." | 0:44:29 | 0:44:32 | |
I know they're bringing everything down, ecological destruction... | 0:44:32 | 0:44:36 | |
Like they took down the oak trees there, | 0:44:36 | 0:44:39 | |
but for me, this was about people and this was what needs to happen. | 0:44:39 | 0:44:46 | |
You know, don't wait for some leader in Washington that's going to bring you hope! | 0:44:46 | 0:44:50 | |
That's not the way it works. | 0:44:50 | 0:44:53 | |
# ..Which side are you on? | 0:44:53 | 0:44:55 | |
# Which side are you on? # | 0:44:55 | 0:44:58 | |
-Do you still maintain hope for California? -Everything. | 0:44:58 | 0:45:01 | |
Just to commit a creative gesture, | 0:45:01 | 0:45:06 | |
no matter how gloomy dark it is, | 0:45:06 | 0:45:08 | |
is hope. Dissidence is based on hope, for transformation, | 0:45:08 | 0:45:14 | |
and the belief that something that you can do can effect | 0:45:14 | 0:45:19 | |
some kind of change for the better. | 0:45:19 | 0:45:22 | |
# I'm so much cooler online | 0:45:34 | 0:45:37 | |
# Yeah, I'm cooler online... # | 0:45:37 | 0:45:40 | |
The next generation of Californians trying to change the world | 0:45:40 | 0:45:44 | |
are only 40 miles south, in Palo Alto. | 0:45:44 | 0:45:47 | |
The gateway to Silicon Valley, | 0:45:50 | 0:45:52 | |
nexus of nerd-ulence, | 0:45:52 | 0:45:54 | |
the great basin of propeller-headed Poindexters and start-up pioneers. | 0:45:54 | 0:45:58 | |
Apple, Google, Facebook, Intel, | 0:45:58 | 0:46:01 | |
eBay, AOL, Yahoo, they're all here. | 0:46:01 | 0:46:06 | |
This is the Google campus - "campus" implying that they're all | 0:46:06 | 0:46:10 | |
happy little academics, when in fact they're just worker bees | 0:46:10 | 0:46:15 | |
and drones, forced to demean themselves by driving around | 0:46:15 | 0:46:19 | |
on multicoloured bikes. | 0:46:19 | 0:46:21 | |
Why don't you put them in little clown cars? | 0:46:21 | 0:46:23 | |
Silicon Valley is an area of non-descript buildings. | 0:46:26 | 0:46:29 | |
Inside is a workforce taught to believe that work | 0:46:29 | 0:46:31 | |
should be play, not duty, | 0:46:31 | 0:46:34 | |
so they just keep tap dancing on their keyboards all day long. | 0:46:34 | 0:46:38 | |
Looks like they're having a normal conversation | 0:46:38 | 0:46:40 | |
but they're talking in binary code, actually. | 0:46:40 | 0:46:44 | |
Everybody here having a conversation is just going... | 0:46:44 | 0:46:48 | |
"0-0-11-00-11," | 0:46:48 | 0:46:51 | |
and the other guy's going, "I know what you mean, yeah. | 0:46:51 | 0:46:53 | |
"0-1-011." "No, 01-11-0-0." | 0:46:53 | 0:46:56 | |
There are more millionaires per capita here than anywhere else on Earth. | 0:47:00 | 0:47:03 | |
If you've got an idea for the next search engine, social media site | 0:47:05 | 0:47:09 | |
or an app for finding your nearest drug-dealer, | 0:47:09 | 0:47:13 | |
you can become rich overnight. | 0:47:13 | 0:47:15 | |
And if you're looking to do the next big deal, | 0:47:15 | 0:47:19 | |
you come down to Buck's in Woodside | 0:47:19 | 0:47:21 | |
and over a nine-pound omelette, | 0:47:21 | 0:47:23 | |
sign a contract that'll make you millions. | 0:47:23 | 0:47:26 | |
Back in the '90s, we saw Hotmail, we saw Netscape, PayPal. | 0:47:26 | 0:47:32 | |
-You saw those fulminate right here at these tables? -Yeah. | 0:47:32 | 0:47:35 | |
They come here and get a cup of coffee and form a multi-million-dollar... | 0:47:35 | 0:47:38 | |
There was the pitch, and you never know what's big, just a couple of guys talking. | 0:47:38 | 0:47:42 | |
It was here that venture capitalists Steve Jurvetson and Sabeer Bhatir | 0:47:44 | 0:47:48 | |
joined forces to create Hotmail, | 0:47:48 | 0:47:51 | |
a company they would eventually sell for 400 million. | 0:47:51 | 0:47:56 | |
Who's in here right now? | 0:47:56 | 0:47:58 | |
Well, Tim Kugel's over there, he was the first president of Yahoo. | 0:47:58 | 0:48:03 | |
He took them to greatness. All these firms, they were here. | 0:48:03 | 0:48:06 | |
Steve Jobs. I used to work for Steve Jobs. I was his home remodelling contractor in '79. | 0:48:06 | 0:48:11 | |
-Is he a slave-driver? -He was tough. | 0:48:11 | 0:48:14 | |
He was mean but he wasn't the cruel Steve he became later. | 0:48:14 | 0:48:18 | |
When he grew into himself and got confidence, then you had to | 0:48:18 | 0:48:21 | |
really stay out of his way. I knew him when he was still not sure | 0:48:21 | 0:48:23 | |
if he was right about what he was telling me to do. | 0:48:23 | 0:48:27 | |
Maybe you've asked yourself, "Hey, how come the Silicon Valley | 0:48:32 | 0:48:36 | |
"is the hi-tech rock star of the universe?" | 0:48:36 | 0:48:39 | |
Why not Boston? Or Singapore, or that decrepit-looking cluster | 0:48:39 | 0:48:42 | |
of buildings by the roundabout at St Agnes Well shopping centre | 0:48:42 | 0:48:46 | |
in London, right where City Road crosses Old Street? | 0:48:46 | 0:48:48 | |
Why isn't that technological ground zero? | 0:48:48 | 0:48:51 | |
Well, the simple answer is...blimps. | 0:48:51 | 0:48:55 | |
Blimps were a key World War II defence component | 0:48:59 | 0:49:02 | |
against the Japanese invasion of California that never happened. | 0:49:02 | 0:49:07 | |
They were stored in hangars like these, | 0:49:07 | 0:49:09 | |
here at Moffett Airfield in Sunnyvale. | 0:49:09 | 0:49:12 | |
The idea was, supposing you had an airborne aircraft carrier, | 0:49:15 | 0:49:19 | |
something that could carry a bunch of fighter planes, | 0:49:19 | 0:49:22 | |
that could go fairly quickly | 0:49:22 | 0:49:24 | |
and patrol up and down the coast. | 0:49:24 | 0:49:26 | |
Then they built two operational airships. | 0:49:26 | 0:49:29 | |
The trouble was, at the time we didn't really understand wind shear | 0:49:29 | 0:49:33 | |
and other weather problems, and within a couple of months, | 0:49:33 | 0:49:37 | |
both airships went down. At that time, it was decided | 0:49:37 | 0:49:40 | |
this isn't the way to patrol up and down the coast. | 0:49:40 | 0:49:43 | |
A number of technology firms, mostly involved in radio technology, | 0:49:43 | 0:49:48 | |
soon located nearby. | 0:49:48 | 0:49:50 | |
After the war, the blimps left, those companies stayed. | 0:49:50 | 0:49:55 | |
In the ensuing years, Sunnyvale has given rise to new blimps. | 0:49:55 | 0:49:58 | |
Atari comes to mind. Remember Atari? Right. | 0:49:58 | 0:50:02 | |
But after World War II, a lot of these companies | 0:50:02 | 0:50:05 | |
turned their attention to aerospace and technological research. | 0:50:05 | 0:50:08 | |
Amongst the residents was a man named William Shockley, | 0:50:10 | 0:50:13 | |
often called the father of Silicon Valley. | 0:50:13 | 0:50:16 | |
Shockley went to work for Bell Laboratories in New York, | 0:50:17 | 0:50:21 | |
and with John Bardeen and Walter Brattain invented the transistor. | 0:50:21 | 0:50:25 | |
He relocated to California | 0:50:25 | 0:50:29 | |
and set up an R&D lab. He came up with the idea of using | 0:50:29 | 0:50:34 | |
silicon instead of germanium for conduction in electrical switches. | 0:50:34 | 0:50:38 | |
He was awarded a Nobel prize. | 0:50:38 | 0:50:41 | |
He hired eight highly trained, incredibly skilful assistants | 0:50:41 | 0:50:45 | |
to help him develop and market semiconductors. | 0:50:45 | 0:50:49 | |
Not a single one of them could stand working for Shockley. | 0:50:49 | 0:50:52 | |
He had an irritating habit of berating them in public | 0:50:52 | 0:50:55 | |
and occasionally hooking them up to lie-detectors to make sure | 0:50:55 | 0:50:58 | |
they weren't withholding technical secrets. They all quit. | 0:50:58 | 0:51:02 | |
These eight men would go on to found 65 different hi-tech companies, | 0:51:02 | 0:51:06 | |
amongst them Intel, which invented the microprocessor. | 0:51:06 | 0:51:09 | |
And that begat Hewlett-Packard which begat Dell, | 0:51:09 | 0:51:12 | |
blah-blah-blah, until it all falls into place. | 0:51:12 | 0:51:15 | |
Silicon Valley would not be what it is today | 0:51:15 | 0:51:17 | |
if William Shockley had not been such an obstreperous douche bag. | 0:51:17 | 0:51:22 | |
Shockley went on to become a professor at Stanford | 0:51:23 | 0:51:26 | |
and managed to make himself one of the most despised men in America | 0:51:26 | 0:51:30 | |
by going on TV and pointing out the difference in average IQ | 0:51:30 | 0:51:33 | |
between whites and blacks, waxing at large on eugenics, | 0:51:33 | 0:51:37 | |
and advocating that the government forbid less intelligent people to reproduce. | 0:51:37 | 0:51:42 | |
My research leads me inescapably to the opinion | 0:51:42 | 0:51:44 | |
that the major cause of the American Negro's intellectual | 0:51:44 | 0:51:47 | |
and social deficits is hereditary | 0:51:47 | 0:51:50 | |
and racially genetic in origin, and thus not remediable | 0:51:50 | 0:51:53 | |
to a major degree by practical improvements in environment. | 0:51:53 | 0:51:57 | |
Something tells me Old Man Shockley | 0:51:57 | 0:51:58 | |
would have choked on one of his transistors when he realised one day | 0:51:58 | 0:52:02 | |
Dr Dre would sell his Beats brand to Apple computers | 0:52:02 | 0:52:06 | |
for 3 billion. | 0:52:06 | 0:52:09 | |
Yep. | 0:52:12 | 0:52:13 | |
That is the father of Silicon Valley, | 0:52:13 | 0:52:16 | |
the place that's generally considered to be the home | 0:52:16 | 0:52:19 | |
of the technological revolution that changed the world | 0:52:19 | 0:52:22 | |
and catapulted California into the eighth-largest economy in the world. | 0:52:22 | 0:52:27 | |
But let's get one thing straight. | 0:52:27 | 0:52:29 | |
Silicon Valley did not invent the computer. Or the internet. | 0:52:29 | 0:52:34 | |
Or the PC. Or Facebook. | 0:52:34 | 0:52:36 | |
What Silicon Valley does is to exploit all those things | 0:52:36 | 0:52:41 | |
invented in Singapore or China, | 0:52:41 | 0:52:45 | |
or even that squirrely little roundabout in London, | 0:52:45 | 0:52:48 | |
and then they make it more aerodynamic | 0:52:48 | 0:52:50 | |
and sleek and user friendly and eye catching, | 0:52:50 | 0:52:54 | |
and then they stuff it into the feedback loop | 0:52:54 | 0:52:58 | |
of web-fingered, guppy-mouthed youths | 0:52:58 | 0:53:00 | |
sitting around pining for the next new gadget or social media concept. | 0:53:00 | 0:53:07 | |
"I'm going to invent a search engine for people | 0:53:07 | 0:53:12 | |
"who are fans of Belinda Carlisle called Go Go Google." | 0:53:12 | 0:53:18 | |
The people of Silicon Valley, | 0:53:26 | 0:53:27 | |
whether they want to acknowledge it or not, | 0:53:27 | 0:53:29 | |
are the children of the generation that wanted to change the world. | 0:53:29 | 0:53:33 | |
You know, hippies. | 0:53:33 | 0:53:34 | |
In the '60s, they thought they could do that through free love. | 0:53:34 | 0:53:37 | |
Now it's through Match.com. | 0:53:37 | 0:53:40 | |
But in both movements, the protagonists created | 0:53:40 | 0:53:42 | |
their best ideas while they were young and reckless. | 0:53:42 | 0:53:45 | |
If you're over 35 in Silicon Valley, you're done. | 0:53:45 | 0:53:48 | |
Collect your Tesla and hit the road, Jack. | 0:53:48 | 0:53:51 | |
Silicon Valley prides itself on taking chances | 0:53:53 | 0:53:55 | |
and thinking outside the box and not being afraid to make mistakes, | 0:53:55 | 0:53:59 | |
which happens to be true if you're a male, white 20-something. | 0:53:59 | 0:54:03 | |
82% of the hi-tech companies in Silicon Valley | 0:54:04 | 0:54:07 | |
are owned by white males, | 0:54:07 | 0:54:08 | |
18% by Asians or Pacific Islanders. | 0:54:08 | 0:54:11 | |
Of that number, 8% are women. | 0:54:11 | 0:54:13 | |
Blacks, 0%. Yep, the great dream of eugenics is coming true | 0:54:13 | 0:54:18 | |
here in Techville. | 0:54:18 | 0:54:21 | |
Sometime this year, YouTube will register | 0:54:21 | 0:54:24 | |
its one-billionth racist comment. | 0:54:24 | 0:54:26 | |
It's quite possible, within our lifetime, that systematic | 0:54:26 | 0:54:29 | |
Facebook bullying will prompt the inferior people on the planet | 0:54:29 | 0:54:32 | |
to top themselves and do us all a favour, | 0:54:32 | 0:54:34 | |
thus leaving a world of superior mental beings - | 0:54:34 | 0:54:38 | |
just the way Shockley would have wanted it. | 0:54:38 | 0:54:40 | |
MUSIC: "God Only Knows" by the Beach Boys | 0:54:40 | 0:54:44 | |
It seems, here in California, the only way to run a business | 0:54:44 | 0:54:47 | |
is to be an unflinching jerk. By dividing and conquering, | 0:54:47 | 0:54:51 | |
poisoning the workplace, focusing your hostility on the less powerful, | 0:54:51 | 0:54:55 | |
you will ultimately enrich the lives of Americans everywhere. | 0:54:55 | 0:54:58 | |
So thank you, Collis P Huntington, | 0:55:02 | 0:55:04 | |
even though you once ran over a woman with your own train | 0:55:04 | 0:55:08 | |
travelling on your own railroad | 0:55:08 | 0:55:10 | |
and then refused to pay her medical bill and subsequent funeral charges, | 0:55:10 | 0:55:14 | |
because you didn't want to be perceived as a softie. | 0:55:14 | 0:55:17 | |
And thank you, Steve Jobs. | 0:55:17 | 0:55:19 | |
Even though you refused to acknowledge the paternity | 0:55:19 | 0:55:22 | |
of your own daughter and forced her mom to live on welfare, | 0:55:22 | 0:55:25 | |
you gave us the iPod. | 0:55:25 | 0:55:27 | |
So thanks a million, dead guy! | 0:55:27 | 0:55:29 | |
California is one continuous diaspora. | 0:55:48 | 0:55:50 | |
Every day, people come here from Chicago, from Dayton, from Mexico. | 0:55:50 | 0:55:55 | |
They move to Los Angeles to be actors, rappers, stand-up comedians. | 0:55:55 | 0:55:59 | |
They move to the Silicon Valley to be techno-whizzes, | 0:55:59 | 0:56:03 | |
but the people who arrived in California to escape the Dust Bowl | 0:56:03 | 0:56:07 | |
weren't looking for hipster kudos. | 0:56:07 | 0:56:09 | |
They were just looking for survival. | 0:56:09 | 0:56:11 | |
The Dust Bowl was a tragedy in the most privileged, | 0:56:16 | 0:56:20 | |
white American sense of the word. | 0:56:20 | 0:56:22 | |
Already reeling from the financial crash of 1929, | 0:56:22 | 0:56:25 | |
the states of Oklahoma, Kansas, Missouri and Arkansas | 0:56:25 | 0:56:29 | |
underwent a series of crippling economic and environmental disasters. | 0:56:29 | 0:56:34 | |
In 1932, the Midwest suffered its worst drought in recorded history. | 0:56:34 | 0:56:40 | |
That didn't look too staged, did it? | 0:56:42 | 0:56:45 | |
It scorched the land from Texas to South Dakota. | 0:56:48 | 0:56:51 | |
Farmers could do nothing but watch their crops die. | 0:56:51 | 0:56:55 | |
And then, in the summer of 1935, the most devastating punch arrived | 0:56:55 | 0:56:59 | |
in the form of dust storms that blackened the sky and roiled | 0:56:59 | 0:57:04 | |
through farms, towns and houses, choking everything in their wake. | 0:57:04 | 0:57:09 | |
I'll tell you, that looked like the worst storm you ever saw. | 0:57:09 | 0:57:14 | |
The whole sky was just a black cloud, | 0:57:14 | 0:57:18 | |
but it was all dirt. | 0:57:18 | 0:57:20 | |
60 years later, geologists would discover that had any of these | 0:57:23 | 0:57:26 | |
farmers sunk their wells deep enough, they would have found | 0:57:26 | 0:57:30 | |
the Ogalalla Aquifer, | 0:57:30 | 0:57:31 | |
the largest deposit of freshwater in the Northern Hemisphere. | 0:57:31 | 0:57:35 | |
The collapse of the agricultural economy had seeped | 0:57:38 | 0:57:41 | |
into everyone's life, so they grabbed their families | 0:57:41 | 0:57:44 | |
and they came west - pushed, not pulled. | 0:57:44 | 0:57:46 | |
There was never any question where they were heading, | 0:57:46 | 0:57:50 | |
California. The question is, why? | 0:57:50 | 0:57:54 | |
# Lots of folks back east they say | 0:57:54 | 0:57:56 | |
# Is leaving home every day | 0:57:56 | 0:57:58 | |
# Beating the hot, old dusty way | 0:57:58 | 0:58:00 | |
# To the California line | 0:58:00 | 0:58:03 | |
# Across the desert sands they roll | 0:58:03 | 0:58:04 | |
# Getting out of that old Dust Bowl | 0:58:04 | 0:58:06 | |
# They think they're going to a sugar bowl but here's what they find. # | 0:58:06 | 0:58:10 | |
California has always pretty much sent out mixed signals | 0:58:10 | 0:58:13 | |
to the rest of the country. | 0:58:13 | 0:58:15 | |
The state government's bottom line was always one of migration control, | 0:58:15 | 0:58:19 | |
but the tourist industry and the media have always tried to sell | 0:58:19 | 0:58:22 | |
California as the land of opportunity | 0:58:22 | 0:58:25 | |
or, more succinctly, luck. | 0:58:25 | 0:58:27 | |
Those vacation ads in the '30s always came with fine-print warning. | 0:58:27 | 0:58:31 | |
"Advise anyone coming to California to seek employment | 0:58:31 | 0:58:35 | |
"to look elsewhere, lest they be disappointed." | 0:58:35 | 0:58:37 | |
But those government pamphlets were never going to compete with Hollywood. | 0:58:37 | 0:58:41 | |
You see, during the Depression, the one thing Americans never | 0:58:41 | 0:58:43 | |
stopped doing was going to the movies, | 0:58:43 | 0:58:45 | |
and all those feel-good comedies and horse operas | 0:58:45 | 0:58:48 | |
and romantic musicals were always set in California. | 0:58:48 | 0:58:52 | |
Midwesterners didn't read the fine print at the bottom | 0:58:52 | 0:58:55 | |
of government pamphlets. | 0:58:55 | 0:58:56 | |
They watched WC Fields inherit an orange grove | 0:58:56 | 0:58:59 | |
and move his entire family to California | 0:58:59 | 0:59:01 | |
and in the space of one reel, | 0:59:01 | 0:59:03 | |
go from devastation to pure good fortune. | 0:59:03 | 0:59:06 | |
That orange ranch, and 40... | 0:59:06 | 0:59:10 | |
44,000. Mr Abernathy here's got to get his commission. | 0:59:10 | 0:59:14 | |
That's a hold-up! | 0:59:14 | 0:59:16 | |
-But it's a deal. -OK. Excuse me. | 0:59:21 | 0:59:24 | |
It was stories like this that reaffirmed California's promise | 0:59:24 | 0:59:29 | |
of dream fulfilment. | 0:59:29 | 0:59:31 | |
You know, if you'd asked any of those Okies | 0:59:31 | 0:59:33 | |
why they came to California, they'd probably have been | 0:59:33 | 0:59:35 | |
as tight-lipped and stoic as possible. | 0:59:35 | 0:59:38 | |
"Well, mister, I was just farming there in Oklahoma | 0:59:38 | 0:59:41 | |
"and it's just getting droughtier and droughtier." | 0:59:41 | 0:59:45 | |
But underneath this understatement was this vague notion, | 0:59:45 | 0:59:48 | |
something they possibly couldn't even verbalise, | 0:59:48 | 0:59:50 | |
but that they'd heard in a hundred songs. | 0:59:50 | 0:59:53 | |
# They say, come on, you Okies | 0:59:53 | 0:59:56 | |
# Work is easy found | 0:59:56 | 0:59:58 | |
# Bring along your cotton pack | 0:59:58 | 1:00:00 | |
# You can pick the whole year round | 1:00:00 | 1:00:02 | |
# Get your money every night | 1:00:02 | 1:00:04 | |
# And spread your blanket down | 1:00:04 | 1:00:07 | |
# It's always bright and warm | 1:00:07 | 1:00:09 | |
# You can sleep out on the ground. # | 1:00:09 | 1:00:11 | |
Between 1935 and 1940, 250,000 Okies, Arkies and hillbillies | 1:00:12 | 1:00:18 | |
had moved to California. | 1:00:18 | 1:00:20 | |
They had no schools, no insurance, no health care, | 1:00:20 | 1:00:23 | |
no union. Those who didn't find work were settled | 1:00:23 | 1:00:26 | |
into farm security administration camps | 1:00:26 | 1:00:29 | |
set up by the US government. | 1:00:29 | 1:00:31 | |
-How are you doing? -Hello there, Cowboy. | 1:00:31 | 1:00:34 | |
How are you, Cowboy? Good to meet you. | 1:00:34 | 1:00:36 | |
-I'm doing pretty good for an old man. -Are you Earl? -I'm Earl. | 1:00:36 | 1:00:40 | |
Have to look down every now and then. | 1:00:40 | 1:00:44 | |
How are you doing? Rich. | 1:00:44 | 1:00:46 | |
-WC Stamps. -WC, nice to meet you. | 1:00:46 | 1:00:49 | |
Earl and WC are Okies. They were brought here | 1:00:49 | 1:00:53 | |
by their parents to the Sunset labour camp in the 1930s. | 1:00:53 | 1:00:56 | |
This picture here is an aerial view and it shows the camp. | 1:00:56 | 1:00:59 | |
So how many buildings were there? This is huge. | 1:00:59 | 1:01:02 | |
There were probably a good 100 or more families. | 1:01:02 | 1:01:05 | |
WC and his family came to California from Oklahoma. | 1:01:05 | 1:01:10 | |
This is a house that we lived in on a ranch. | 1:01:10 | 1:01:13 | |
-Where's you? -Right there. | 1:01:13 | 1:01:16 | |
About a year-and-a-half old, but you can see | 1:01:16 | 1:01:19 | |
-the sun coming through the roof. -Yeah. | 1:01:19 | 1:01:22 | |
So it was not too well put together. | 1:01:22 | 1:01:25 | |
What did you imagine California was going to be like? | 1:01:25 | 1:01:28 | |
I was just hoping things were going to be better. | 1:01:28 | 1:01:31 | |
It was destitute where we were. | 1:01:31 | 1:01:33 | |
But things didn't get better for everyone. | 1:01:33 | 1:01:36 | |
Some of the migrants found work on the massive corporate-owned farms | 1:01:36 | 1:01:39 | |
where they became a source of cheap labour. | 1:01:39 | 1:01:42 | |
I started picking cotton when I was seven years old. | 1:01:42 | 1:01:45 | |
I could pick 50lb a day. | 1:01:45 | 1:01:49 | |
There were so many migrants available for work | 1:01:52 | 1:01:54 | |
that they drove down wages and became a target for resentment. | 1:01:54 | 1:01:58 | |
The great welcoming arms of California turned a white | 1:01:58 | 1:02:02 | |
American subculture into a scapegoat for the state's problems. | 1:02:02 | 1:02:06 | |
This was seen as an invasion by a lot of people in California. | 1:02:06 | 1:02:09 | |
Police forces were organised to stop them at the border. | 1:02:09 | 1:02:12 | |
Editorials ran, claiming that they were degenerates, | 1:02:12 | 1:02:16 | |
just out for a free hand-out. | 1:02:16 | 1:02:19 | |
People from Oklahoma didn't think anything of being called "Okies", | 1:02:19 | 1:02:23 | |
but it was becoming a dirty word. | 1:02:23 | 1:02:25 | |
Much like we were looked down on | 1:02:27 | 1:02:30 | |
but people just didn't want to associate with us. | 1:02:30 | 1:02:33 | |
-Why? -We were Okies. | 1:02:33 | 1:02:35 | |
We were American citizens, | 1:02:35 | 1:02:37 | |
born and raised in the United States of America, | 1:02:37 | 1:02:40 | |
and we're like refugees. We're coming, trying to survive. | 1:02:40 | 1:02:44 | |
And they were turning them around at the state border. | 1:02:44 | 1:02:47 | |
If you didn't have so much money, or if there'd been supposedly so many | 1:02:47 | 1:02:50 | |
come through this day, then no more. | 1:02:50 | 1:02:52 | |
"You've got to go back to where you come from." | 1:02:52 | 1:02:55 | |
What we lived through, you can't believe what it was. | 1:02:55 | 1:03:01 | |
But I cherish my memories, that I'll grant you. | 1:03:01 | 1:03:06 | |
Photographers and folklorists have made a field day | 1:03:09 | 1:03:12 | |
of imprinting on us the harshness of the Okie migration. | 1:03:12 | 1:03:15 | |
In 1935, the farm security administration hired | 1:03:15 | 1:03:19 | |
photographer Dorothea Lange to document the growing number | 1:03:19 | 1:03:22 | |
of homeless Dust Bowl refugees. | 1:03:22 | 1:03:24 | |
She really strove to give a sense of dignity and power, | 1:03:27 | 1:03:31 | |
self-reliance. You'll notice she often shoots from below. | 1:03:31 | 1:03:35 | |
The person fills the frame and feels much more prominent | 1:03:35 | 1:03:39 | |
instead of looking downward and making them appear pitiable and so forth. | 1:03:39 | 1:03:43 | |
I think that's one of her strongest traits. | 1:03:43 | 1:03:46 | |
They were trying to appeal to people's hearts | 1:03:49 | 1:03:51 | |
and make a case for immediate action, | 1:03:51 | 1:03:55 | |
and if photographs could be used to humanise these people, | 1:03:55 | 1:03:59 | |
and make people aware that they were suffering unnecessarily, | 1:03:59 | 1:04:02 | |
then that was a very good step. | 1:04:02 | 1:04:05 | |
The writers and the photographers had a field day capturing | 1:04:05 | 1:04:07 | |
this exodus in pitiable black and white, | 1:04:07 | 1:04:10 | |
high definition, close up. | 1:04:10 | 1:04:12 | |
You know, the gunnysack kids, and the hard-lived faces. | 1:04:12 | 1:04:16 | |
But it wasn't a 1,200-mile road trip across Route 66 | 1:04:16 | 1:04:20 | |
that made people look like this. | 1:04:20 | 1:04:22 | |
They looked like this before they left. | 1:04:22 | 1:04:24 | |
I would venture to say the kids had a great time. | 1:04:24 | 1:04:26 | |
They were on a road trip, for crying out loud. | 1:04:26 | 1:04:29 | |
The Grapes Of Wrath has forever overwrought this tableau on our psyches. | 1:04:30 | 1:04:35 | |
Steinbeck, himself a Californian, highlighted the mistreatment | 1:04:35 | 1:04:39 | |
and the exploitation of the Dust Bowl workers by the farm owners. | 1:04:39 | 1:04:43 | |
These farm owners dismissed the novel as a pack of lies. | 1:04:43 | 1:04:47 | |
The truth of the matter is, for the majority of these people, | 1:04:47 | 1:04:49 | |
old man Joad didn't cop it along the way. | 1:04:49 | 1:04:52 | |
They didn't get chased and beaten up by vigilantes with sticks | 1:04:52 | 1:04:55 | |
or succumb to consumption. | 1:04:55 | 1:04:59 | |
The Dust Bowl migrants, for the most part, didn't really care | 1:04:59 | 1:05:02 | |
for The Grapes Of Wrath, because it demeaned them, it humiliated them. | 1:05:02 | 1:05:06 | |
And Steinbeck, for all his intentions, | 1:05:06 | 1:05:09 | |
ended up debasing the very people that he meant to champion. | 1:05:09 | 1:05:12 | |
The book, The Grapes Of Wrath, do you think that | 1:05:12 | 1:05:15 | |
did you a favour...? | 1:05:15 | 1:05:16 | |
No, no. I don't think so. | 1:05:16 | 1:05:20 | |
I don't either. The thing is, it's a novel | 1:05:20 | 1:05:23 | |
and it's fiction, and he made a tonne of money on that. | 1:05:23 | 1:05:26 | |
I always felt that Steinbeck's characters | 1:05:31 | 1:05:35 | |
were kind of ruthlessly honest. I found him very unsentimental. | 1:05:35 | 1:05:39 | |
They didn't like him at all in his home town because of it. | 1:05:39 | 1:05:44 | |
They celebrate him now but he got the cold shoulder from a lot of people, | 1:05:44 | 1:05:48 | |
because he was showing a side of California nobody wanted to acknowledge. | 1:05:48 | 1:05:53 | |
The whole time that people were looking at Fred Astaire and Ginger Rogers | 1:05:53 | 1:05:57 | |
and that manufactured world, he was also saying, | 1:05:57 | 1:06:00 | |
"Hey, let's do something about not killing these people." | 1:06:00 | 1:06:04 | |
The California government didn't really like the FSA camps | 1:06:09 | 1:06:12 | |
because they thought they would foment union activity. | 1:06:12 | 1:06:16 | |
And they did. Steinbeck published The Grapes Of Wrath in 1939 | 1:06:16 | 1:06:19 | |
and he quickly fell into the same trap as the sympathists before him. | 1:06:19 | 1:06:23 | |
He politicised the problem, and suddenly this group | 1:06:23 | 1:06:26 | |
of hard-working Protestant stock, rural people, | 1:06:26 | 1:06:30 | |
were co-opted by a neo-populist left-wing movement. | 1:06:30 | 1:06:34 | |
# I'm a-looking for a job at honest pay | 1:06:34 | 1:06:38 | |
# I'm a-looking for a job at honest pay... # | 1:06:38 | 1:06:40 | |
Woodrow Wilson Guthrie is defined by the music | 1:06:40 | 1:06:43 | |
he produced at the time of the Dust Bowl and the Great Depression. | 1:06:43 | 1:06:47 | |
His songs earned him the nickname the Dust Bowl Troubadour. | 1:06:47 | 1:06:51 | |
He wrote songs about the working man and hosted a radio show | 1:06:51 | 1:06:55 | |
that allowed him to perform these protest songs. | 1:06:55 | 1:06:58 | |
They would highlight the plight of the blue-collar worker. | 1:06:58 | 1:07:01 | |
The listeners found in Woody something they could relate to - | 1:07:01 | 1:07:04 | |
an imagined sense of community. | 1:07:04 | 1:07:06 | |
Woody, of course, has inspired reams of musical scholarship. | 1:07:09 | 1:07:14 | |
He's the god. The god of folk music, | 1:07:14 | 1:07:16 | |
the guy with the guitar that killed fascists. | 1:07:16 | 1:07:18 | |
But in 1937, he was just a hillbilly LA DJ | 1:07:18 | 1:07:21 | |
playing train and minstrel songs | 1:07:21 | 1:07:23 | |
and advertising his own headache pills over the air. | 1:07:23 | 1:07:27 | |
But he understood the alienation of the blue-collar worker, | 1:07:27 | 1:07:30 | |
the low-income guy, in a way that appealed to them emotionally. | 1:07:30 | 1:07:34 | |
Woody's description of the kind of songs he despised | 1:07:34 | 1:07:37 | |
could easily be ascribed to Steinbeck's novel. | 1:07:37 | 1:07:41 | |
Woody is a populist hero. He would go on to invent Bob Dylan. | 1:07:55 | 1:07:58 | |
And that, of course, would run its ugly course | 1:07:58 | 1:08:01 | |
and eventually regurgitate something as synthetic and void of humanity | 1:08:01 | 1:08:05 | |
as Mumford & Sons. | 1:08:05 | 1:08:07 | |
Woody's greatest contribution to music was his DIY ethic. | 1:08:10 | 1:08:14 | |
An untrained, unorthodox, personal perspective | 1:08:14 | 1:08:17 | |
that was central to his work. | 1:08:17 | 1:08:19 | |
And that ethic has carried over from Dylan to the Clash | 1:08:19 | 1:08:22 | |
to Springsteen to God knows where next, | 1:08:22 | 1:08:25 | |
but the people he was singing about probably never even heard | 1:08:25 | 1:08:28 | |
of Woody Guthrie or his songs. | 1:08:28 | 1:08:30 | |
Why? Because they were too goddamn busy picking lettuce | 1:08:30 | 1:08:32 | |
in the San Joaquin Valley to be listening to radio! | 1:08:32 | 1:08:38 | |
I don't know how much effect his songs had, really, | 1:08:38 | 1:08:41 | |
on the Dust Bowl migrants. | 1:08:41 | 1:08:44 | |
They wouldn't have been able to hear it. | 1:08:44 | 1:08:46 | |
They probably wouldn't, but he certainly defined | 1:08:46 | 1:08:51 | |
that era of California. | 1:08:51 | 1:08:54 | |
Woody was what he was. He was an itinerant songwriter. | 1:08:54 | 1:08:59 | |
He certainly didn't have the effect that Lefty Frizzell had, | 1:08:59 | 1:09:02 | |
or Spade Cooley or Bob Wills. | 1:09:02 | 1:09:05 | |
Those guys were the big stars out here. | 1:09:05 | 1:09:08 | |
Now, friends, we're going to play an old breakdown, | 1:09:08 | 1:09:10 | |
the kind that you can just roll up the rug, move back the chairs | 1:09:10 | 1:09:14 | |
and turn on. You know, one of the old deep-in-the-heart-of-Texas tunes, | 1:09:14 | 1:09:18 | |
here it is. Let's go, boys, a breakdown! | 1:09:18 | 1:09:20 | |
On any weekend night in every FSA camp | 1:09:22 | 1:09:26 | |
or on the outskirts of towns like Bakersfield, Fresno, Modesto | 1:09:26 | 1:09:30 | |
or Tulare, there was a Pioneer Club, or a Texahoma Club, | 1:09:30 | 1:09:33 | |
full of drinking, dancing, fist-fighting Okies. | 1:09:33 | 1:09:36 | |
There was always a live band. | 1:09:36 | 1:09:38 | |
Turns out, Americans don't turn to politics or religion | 1:09:38 | 1:09:41 | |
to find their working consensus. | 1:09:41 | 1:09:43 | |
Not on Saturday night anyway. They find it in music. | 1:09:43 | 1:09:47 | |
Bob Wills and his Texas Playboys. | 1:09:49 | 1:09:51 | |
Bob Wills. He'd go, "Aah-ha!" | 1:09:51 | 1:09:55 | |
He was the first live band that I ever went to | 1:09:55 | 1:09:59 | |
and we went 17 miles in the wagon to see Bob Wills. | 1:09:59 | 1:10:04 | |
It was Western Swing led by Bob Wills that the California migrants | 1:10:07 | 1:10:12 | |
felt belonged to them. | 1:10:12 | 1:10:13 | |
It was made by people like them and it reminded them of home. | 1:10:13 | 1:10:18 | |
And with others like Gene Autry, Rose Maddox, | 1:10:18 | 1:10:22 | |
Spade Cooley and his Orchestra, | 1:10:22 | 1:10:25 | |
the Light Crust Doughboys and Tex Ritter, | 1:10:25 | 1:10:28 | |
Western Swing was having a huge influence on Californian music. | 1:10:28 | 1:10:32 | |
# I've been working hard the whole week long | 1:10:32 | 1:10:35 | |
# But I'm a-gonna have some wine, women and song | 1:10:35 | 1:10:38 | |
# Got to work next week but that's all right | 1:10:38 | 1:10:41 | |
# I've got five dollars and it's Saturday night. # | 1:10:41 | 1:10:44 | |
Those Okies, 1,000 miles from home, | 1:10:44 | 1:10:47 | |
didn't need to sift through the metaphors. | 1:10:47 | 1:10:49 | |
The rest of California considered them to be pitiable, illiterate hillbillies. | 1:10:49 | 1:10:54 | |
The California public schools instituted a programme | 1:10:54 | 1:10:57 | |
to eradicate the accents of the migrant workers' children. | 1:10:57 | 1:11:01 | |
They were scorned by the so-called sophisticated urban population. | 1:11:01 | 1:11:06 | |
And their response was music. Real music. | 1:11:06 | 1:11:10 | |
# Where's that gal with the red dress on? | 1:11:12 | 1:11:14 | |
# Some folks call her Dinah | 1:11:14 | 1:11:16 | |
# Stole my heart away from me down in Louisiana... # | 1:11:16 | 1:11:19 | |
So a guy getting up on stage in a cowboy suit | 1:11:19 | 1:11:21 | |
with an "aw, shucks" attitude and singing about open spaces, | 1:11:21 | 1:11:25 | |
the dignity of hard work, the genuineness of friends and family, | 1:11:25 | 1:11:28 | |
was their single most important source of group integrity. | 1:11:28 | 1:11:32 | |
It was the language of their subculture. | 1:11:32 | 1:11:35 | |
# I came here looking for something... # | 1:11:37 | 1:11:40 | |
In the years following World War II, | 1:11:44 | 1:11:46 | |
Bakersfield had tonnes of honky-tonks, most notably | 1:11:46 | 1:11:49 | |
the Blackboard Cafe, where Western Swing was being played. | 1:11:49 | 1:11:53 | |
But a new sound was emerging, the Bakersfield sound, | 1:11:53 | 1:11:57 | |
and at the forefront would be Buck Owens and his Buckaroos. | 1:11:57 | 1:12:01 | |
# And I've worn blisters on my heels | 1:12:01 | 1:12:05 | |
# Trying to find me something better... # | 1:12:06 | 1:12:10 | |
Owens' music was a response to Nashville, which was churning out | 1:12:13 | 1:12:17 | |
soppy arrangements with strings and harmony singers. | 1:12:17 | 1:12:20 | |
The Bakersfield sound was stewed in a big vat of roadhouse beer. | 1:12:20 | 1:12:25 | |
Telecaster licks, pedal steel whines and a rockabilly attitude. | 1:12:25 | 1:12:29 | |
When you hear the Beatles sing Act Naturally | 1:12:29 | 1:12:32 | |
or the Stones sing Far Away Eyes, | 1:12:32 | 1:12:34 | |
you're listening to the Bakersfield sound. | 1:12:34 | 1:12:37 | |
Just the sound of those records was influential. | 1:12:38 | 1:12:41 | |
In the summer of 1969, the same year as Woodstock | 1:13:09 | 1:13:12 | |
and the Summer of Love in San Francisco, | 1:13:12 | 1:13:15 | |
the same year that man first walked on the moon, | 1:13:15 | 1:13:17 | |
the same year that the Beatles gave their last live performance | 1:13:17 | 1:13:21 | |
and the Stones played Altamont and hired Hell's Angels as security guards, | 1:13:21 | 1:13:25 | |
and 150,000 people packed the Isle of Wight to see Jimi Hendrix, | 1:13:25 | 1:13:30 | |
a marginally popular country singer walked up onto a tiny stage | 1:13:30 | 1:13:35 | |
in Fort Bragg, North Carolina, | 1:13:35 | 1:13:36 | |
to perform for a handful of non-commissioned officers. | 1:13:36 | 1:13:39 | |
Well, that fella's name was Merle Haggard. | 1:13:39 | 1:13:44 | |
He was born in California to migrant parents. | 1:13:44 | 1:13:47 | |
He'd spent his youth in prison, reformed and become a musician. | 1:13:47 | 1:13:51 | |
The audience gave him a pretty lukewarm reception, | 1:13:51 | 1:13:54 | |
not really buying what he had to say, so he decided to try out | 1:13:54 | 1:13:57 | |
a new song that he'd been working on on the way to the gig. | 1:13:57 | 1:14:00 | |
That song was called Okie From Muskogee. | 1:14:00 | 1:14:03 | |
# I'm proud to be an Okie from Muskogee... # | 1:14:03 | 1:14:08 | |
To this day, Okie From Muscogee is one of the most polarising songs ever recorded, | 1:14:08 | 1:14:13 | |
and it catapulted Merle Haggard into the ranks of superstardom | 1:14:13 | 1:14:17 | |
along with Willie Nelson, Johnny Cash and Waylon Jennings. | 1:14:17 | 1:14:22 | |
# The place where even squares can have a ball... # | 1:14:23 | 1:14:29 | |
You can view Okie From Muskogee as an ode to simple American living, | 1:14:29 | 1:14:33 | |
or as an anti-protest song | 1:14:33 | 1:14:34 | |
meant to anger the counterculture of its time. | 1:14:34 | 1:14:38 | |
Few songs have ever created such a shit storm of misinterpretation | 1:14:38 | 1:14:42 | |
or misappropriation. | 1:14:42 | 1:14:44 | |
Whatever you think of the song Okie From Muskogee, | 1:14:44 | 1:14:47 | |
what it achieved was to open up a reservoir of group pride | 1:14:47 | 1:14:51 | |
amongst the migrant California culture. | 1:14:51 | 1:14:54 | |
What did you think when you first heard Okie From Muskogee? | 1:14:54 | 1:14:58 | |
I thought it was pretty great, myself! | 1:14:58 | 1:15:00 | |
When we first came in, "Okie" was a dirty word. | 1:15:00 | 1:15:03 | |
They called you an Okie and you just wanted to... | 1:15:03 | 1:15:07 | |
"OK, let's draw a line and we'll just get it on." | 1:15:07 | 1:15:09 | |
Now we look at it, you know, we're proud of it. | 1:15:09 | 1:15:13 | |
# I'm proud to be an Okie from Muskogee... # | 1:15:13 | 1:15:18 | |
Haggard tried to point out that he had meant for it to be satirical, | 1:15:19 | 1:15:23 | |
but the right wing cloaked themselves in the song. | 1:15:23 | 1:15:26 | |
George Wallace, the bullet-headed race-baiting Governor of Alabama, | 1:15:26 | 1:15:30 | |
used it as his re-election anthem. | 1:15:30 | 1:15:32 | |
Richard Nixon invited Haggard to come to the White House to sing it. | 1:15:32 | 1:15:36 | |
By 1969, the Okies were absorbed into the California hustle and flow. | 1:15:39 | 1:15:44 | |
Nowadays, the Okie just seems like an invention, | 1:15:44 | 1:15:47 | |
a collective work of shared trauma and real fiction. | 1:15:47 | 1:15:52 | |
But it was country music that bridged that gap. | 1:15:52 | 1:15:55 | |
APPLAUSE AND CHEERING | 1:15:57 | 1:16:00 | |
The original lyrics to Okie From Muskogee are on display | 1:16:00 | 1:16:03 | |
at the Smithsonian Institute. And there's a copy of the song | 1:16:03 | 1:16:05 | |
buried in a time capsule on the moon. | 1:16:05 | 1:16:08 | |
Not bad for a three-chord ditty from a California ex-con guitarist. | 1:16:08 | 1:16:13 | |
# Tonight the bottle let me down... # | 1:16:13 | 1:16:18 | |
Merle was born right out of that Dust Bowl refugee period | 1:16:18 | 1:16:23 | |
that Woody Guthrie wrote about, so he's the descendant of that. | 1:16:23 | 1:16:26 | |
And all that stuff gave California a certain kind of musical soul | 1:16:26 | 1:16:30 | |
that maybe it didn't have before. | 1:16:30 | 1:16:33 | |
Once California musicians realised that their music could take on | 1:16:34 | 1:16:38 | |
all kinds of overtly critical manifestations, | 1:16:38 | 1:16:41 | |
they headed in a myriad of directions. | 1:16:41 | 1:16:43 | |
Gram Parsons and the Flying Burrito Brothers | 1:16:43 | 1:16:46 | |
emulated the Bakersfield sound, but in a way | 1:16:46 | 1:16:48 | |
that both countered the right-wing mentality of those singers, | 1:16:48 | 1:16:51 | |
and paid tribute to them as well. | 1:16:51 | 1:16:53 | |
They were Buck Owens' hippie doppelgangers. | 1:16:53 | 1:16:56 | |
MUSIC: "Christine's Tune" by the Flying Burrito Brothers | 1:16:56 | 1:16:59 | |
Gram Parsons just took the Bakersfield sound | 1:17:00 | 1:17:03 | |
to another direction. Cos it was kind of open for that out here. | 1:17:03 | 1:17:07 | |
He couldn't have done what he did in Nashville. | 1:17:07 | 1:17:09 | |
He could do it out here. | 1:17:09 | 1:17:11 | |
So then you started getting groups that grew up out here, | 1:17:11 | 1:17:15 | |
that had really less concern about being genre-specific. | 1:17:15 | 1:17:20 | |
So you had, you know, groups like the Grateful Dead or Quicksilver, | 1:17:20 | 1:17:23 | |
that could mix all those things together. | 1:17:23 | 1:17:25 | |
Unlike Haggard, Gram Parsons smoked a LOT of marijuana. | 1:17:27 | 1:17:31 | |
Then he took too much heroin and died. | 1:17:31 | 1:17:33 | |
They buried his body in Joshua Tree, California, | 1:17:33 | 1:17:36 | |
then his fans dug it up and hid it somewhere. | 1:17:36 | 1:17:38 | |
Out of the Burrito Brothers came the Byrds, | 1:17:38 | 1:17:41 | |
then Crosby, Stills and Nash, Neil Young, and finally the Eagles... | 1:17:41 | 1:17:46 | |
# Welcome to the Hotel California... # | 1:17:46 | 1:17:50 | |
..who would eventually distil the California Country sound | 1:17:52 | 1:17:56 | |
into the ultimate all-time fuck-you valentine to this state - | 1:17:56 | 1:18:00 | |
Hotel California. | 1:18:00 | 1:18:03 | |
# ..Any time of year... # | 1:18:05 | 1:18:08 | |
Now, the Eagles, of course, | 1:18:08 | 1:18:10 | |
would become so big that they were basically their own corporation. | 1:18:10 | 1:18:13 | |
The rest of pop music didn't fare so well, | 1:18:13 | 1:18:15 | |
and country music became so homogenised that it began to | 1:18:15 | 1:18:19 | |
resemble those giant farm factories from the '30s. | 1:18:19 | 1:18:22 | |
And out of this faux-hillbilly cesspool crawled | 1:18:22 | 1:18:26 | |
Billy Ray Cyrus singing Achy Breaky Heart, | 1:18:26 | 1:18:29 | |
and HIS loins begat a cloacal combination | 1:18:29 | 1:18:33 | |
of sperm and mucus and synthesised slime that is | 1:18:33 | 1:18:37 | |
Miley Cyrus, Hammer Licker. | 1:18:37 | 1:18:40 | |
It's all gone to shit, people. | 1:18:40 | 1:18:43 | |
But it all began in the San Joaquin Valley. | 1:18:43 | 1:18:47 | |
And the music that came out of those fields | 1:18:47 | 1:18:49 | |
is still the most important source of Okie integrity. | 1:18:49 | 1:18:53 | |
Almost to a person, anyone who moves to California | 1:18:53 | 1:18:55 | |
lets the prevailing culture shape them. | 1:18:55 | 1:18:57 | |
But every once in a while, | 1:18:57 | 1:18:59 | |
someone in California shapes the culture itself. | 1:18:59 | 1:19:03 | |
# How many of you that sit and judge me | 1:19:03 | 1:19:06 | |
# Ever walked the streets of Bakersfield? | 1:19:07 | 1:19:10 | |
# Yeah! # | 1:19:10 | 1:19:13 | |
APPLAUSE AND CHEERING | 1:19:15 | 1:19:17 | |
# I'd like to rest my heavy head tonight | 1:19:28 | 1:19:33 | |
# On a bed of California stars... # | 1:19:33 | 1:19:38 | |
In the beginning, people came to California in search of gold. | 1:19:39 | 1:19:43 | |
Now it's hammered into Oscar statuettes | 1:19:43 | 1:19:46 | |
and the Golden State welcomes you to come and try your luck in Hollywood. | 1:19:46 | 1:19:50 | |
Hollywood, of course, | 1:19:51 | 1:19:53 | |
is the universal centre of mainstream cinema - | 1:19:53 | 1:19:55 | |
home of the epic and the blockbuster | 1:19:55 | 1:19:58 | |
and the bromance and the romcom and pretty much 99% | 1:19:58 | 1:20:01 | |
of all the cinematic turds foisted upon mankind. | 1:20:01 | 1:20:05 | |
But in the beginning, every film made in Hollywood | 1:20:05 | 1:20:08 | |
was actually an indie film. | 1:20:08 | 1:20:10 | |
That's right - made by renegades and upstarts. | 1:20:10 | 1:20:12 | |
And weirdest of all, the birth of cinema can be traced back | 1:20:12 | 1:20:16 | |
to the same guy who fleeced California | 1:20:16 | 1:20:18 | |
for everything it was worth. | 1:20:18 | 1:20:20 | |
Good ol' Leland Stanford. | 1:20:20 | 1:20:22 | |
# ..Crash, bang, wallop What a picture... # | 1:20:22 | 1:20:25 | |
To win a bet, Stanford paid the photographer Eadweard Muybridge | 1:20:25 | 1:20:29 | |
to prove that all four hooves of a galloping horse | 1:20:29 | 1:20:32 | |
left the ground at the same time. | 1:20:32 | 1:20:34 | |
They did, and this event led to the first motion picture projector. | 1:20:35 | 1:20:39 | |
But you'll already know that from other BBC Four documentaries. | 1:20:39 | 1:20:44 | |
But what this bet did was give rise to the birth of Hollywood. | 1:20:48 | 1:20:51 | |
Hollywood was built by a couple named Harvey and Daeida Wilcox. | 1:20:55 | 1:21:01 | |
They bought 160 acres in 1887 | 1:21:01 | 1:21:04 | |
when there was nothing here but peach and apricot groves. | 1:21:04 | 1:21:08 | |
Harvey tried to farm it, but he failed. | 1:21:08 | 1:21:10 | |
Then he carved it up into little plots | 1:21:10 | 1:21:12 | |
and tried to build a Christian Utopia. | 1:21:12 | 1:21:14 | |
His wife named it Hollywood. | 1:21:17 | 1:21:19 | |
Harvey envisioned a place where teetotallers could worship their god | 1:21:19 | 1:21:23 | |
without outside interference. | 1:21:23 | 1:21:24 | |
Yeah, you can see how that worked out. | 1:21:24 | 1:21:26 | |
The place quickly went to shit, filled up with hookers, | 1:21:26 | 1:21:29 | |
down-and-outers, actors... | 1:21:29 | 1:21:31 | |
pretty much the same group of people who live here now. | 1:21:31 | 1:21:36 | |
The replacement of a real god with a preferred god | 1:21:36 | 1:21:38 | |
is one of the don't-go-theres in the Bible. | 1:21:38 | 1:21:41 | |
But don't tell that to Hollywood, | 1:21:41 | 1:21:43 | |
because the Bible didn't invent the close-up. | 1:21:43 | 1:21:45 | |
Movies did. | 1:21:45 | 1:21:46 | |
And when moviegoers first saw a close-up, some of them passed out. | 1:21:46 | 1:21:51 | |
It's still the greatest special effect ever. | 1:21:51 | 1:21:54 | |
See, God is a very far-off concept. | 1:21:55 | 1:21:58 | |
But this face is right in front of you, just like Theda Bara. | 1:21:58 | 1:22:03 | |
Never mind that she was really Theodosia Goodman, | 1:22:05 | 1:22:08 | |
a nice Jewish girl from Cincinnati. | 1:22:08 | 1:22:11 | |
Hollywood transformed Theda Bara | 1:22:11 | 1:22:13 | |
into the love child of a French artist and an Egyptian princess, | 1:22:13 | 1:22:16 | |
conceived on the Nile, born in the shadow of the Sphinx. | 1:22:16 | 1:22:20 | |
The damn girl had barely ever been out of Ohio. | 1:22:20 | 1:22:23 | |
She became the greatest screen vamp of early films. | 1:22:23 | 1:22:26 | |
Hollywood had discovered it could create a goddess | 1:22:26 | 1:22:29 | |
out of nothing but pure hype. | 1:22:29 | 1:22:32 | |
The greatest trick of Hollywood | 1:22:34 | 1:22:36 | |
was to invent a participatory religion. | 1:22:36 | 1:22:38 | |
It's like we have an intimate relationship with these "gods". | 1:22:38 | 1:22:41 | |
We sit at the altar and eat sacramental popcorn, | 1:22:41 | 1:22:45 | |
while worshipping at the foot of Matthew McConaughey. | 1:22:45 | 1:22:49 | |
And we're given plot information that even the gods aren't aware of. | 1:22:49 | 1:22:52 | |
We get to fill in the narrative gaps. | 1:22:52 | 1:22:55 | |
It's like we're controlling the story. | 1:22:55 | 1:22:57 | |
We get to reward or punish these gods with box-office receipts. | 1:22:57 | 1:23:01 | |
We dress them up and put them on the red carpet. | 1:23:01 | 1:23:03 | |
We humiliate them by putting them on the cover of People magazine. | 1:23:03 | 1:23:06 | |
We cry for them when they're in rehab. | 1:23:06 | 1:23:08 | |
We breathlessly await the arrival of the Messiah god child | 1:23:08 | 1:23:13 | |
delivered onto Earth by Brangelina - a child so special | 1:23:13 | 1:23:17 | |
they closed down the borders of an entire African nation | 1:23:17 | 1:23:20 | |
to give birth to it. | 1:23:20 | 1:23:21 | |
The hell is wrong with mankind?! | 1:23:21 | 1:23:24 | |
# I feel pretty Oh, so pretty... # | 1:23:24 | 1:23:28 | |
It shouldn't surprise you | 1:23:28 | 1:23:29 | |
that the Barbie doll was invented in El Segundo, California. | 1:23:29 | 1:23:34 | |
Cos in California, if you look perfect, you are perfect. | 1:23:34 | 1:23:37 | |
So Southern Cal types slice and dice themselves up, they hit the gym, | 1:23:37 | 1:23:41 | |
they dine at the Ivy, they climb behind the wheel | 1:23:41 | 1:23:44 | |
of a precision German-made chariot | 1:23:44 | 1:23:46 | |
so they can look just like their idols. | 1:23:46 | 1:23:49 | |
In 2004, California passed Proposition 71, | 1:23:51 | 1:23:55 | |
legalising therapeutic cloning. | 1:23:55 | 1:23:57 | |
I think you can replace the word "therapeutic" with "cosmetic". | 1:23:57 | 1:24:00 | |
So there you go - just replace the middleman, the face-lift guy, | 1:24:00 | 1:24:04 | |
and just go right to creating | 1:24:04 | 1:24:06 | |
your own blue-eyed, blonde-haired, perfectly eugenicised Aryan | 1:24:06 | 1:24:11 | |
David Hasselhoff knock-off. | 1:24:11 | 1:24:13 | |
The kind of god child that would make William Shockley himself | 1:24:13 | 1:24:16 | |
want to go out and get a face-lift. | 1:24:16 | 1:24:19 | |
California used to mine gold. Now they mines genes. | 1:24:19 | 1:24:23 | |
Do you see this face, people? | 1:24:23 | 1:24:25 | |
This is the kind of face that has | 1:24:25 | 1:24:27 | |
kept me out of the Hollywood big time for 40 years. | 1:24:27 | 1:24:30 | |
This is a BBC face - a BBC Four face, | 1:24:30 | 1:24:36 | |
the kind of face you can't even see in the daytime, only at night. | 1:24:36 | 1:24:40 | |
# They're gonna put me in the movies | 1:24:42 | 1:24:46 | |
# They're gonna make a big star out of me | 1:24:46 | 1:24:52 | |
# We'll make a film about a man that's sad and lonely | 1:24:52 | 1:24:58 | |
# And all I gotta do is act naturally... # | 1:24:58 | 1:25:02 | |
California will always be selling itself, | 1:25:02 | 1:25:06 | |
to quote Jed Clampett, as "the place you oughta be". | 1:25:06 | 1:25:09 | |
But Californians aren't drinking that Kool-Aid any more. | 1:25:09 | 1:25:12 | |
The government is currently 35 billion dollars in the hole. | 1:25:12 | 1:25:16 | |
For the first time, California is losing population. | 1:25:16 | 1:25:20 | |
But it will always consume more than it produces, | 1:25:20 | 1:25:23 | |
and mostly what it consumes is history. | 1:25:23 | 1:25:26 | |
The most memorable films about California | 1:25:27 | 1:25:30 | |
have almost always been film-noir - | 1:25:30 | 1:25:33 | |
Chinatown, LA Confidential, Sunset Boulevard. | 1:25:33 | 1:25:37 | |
They use a historical context - the Owens Valley water scandal, | 1:25:37 | 1:25:41 | |
rampant LAPD corruption in the '50s, the faded Hollywood star system - | 1:25:41 | 1:25:46 | |
and then mine them for cynicism and sexual predation. | 1:25:46 | 1:25:49 | |
Why? | 1:25:49 | 1:25:50 | |
Because it's more entertaining than real history. | 1:25:52 | 1:25:56 | |
California has always hated its past. | 1:25:56 | 1:25:59 | |
True reality has never been good enough for Californians, | 1:25:59 | 1:26:02 | |
who are always vaguely dissatisfied with things - | 1:26:02 | 1:26:05 | |
their bodies, their cars, their history, their government. | 1:26:05 | 1:26:09 | |
If you want to watch the definitive film about California, | 1:26:09 | 1:26:12 | |
forget Sunset Boulevard or Chinatown or LA Confidential. | 1:26:12 | 1:26:18 | |
Two epic airheads. | 1:26:18 | 1:26:20 | |
Who was Joan of Arc? | 1:26:20 | 1:26:22 | |
Noah's wife? | 1:26:22 | 1:26:24 | |
We are in danger of flunking most heinously tomorrow, Ted. | 1:26:24 | 1:26:27 | |
Woah! | 1:26:27 | 1:26:28 | |
Bill And Ted's Excellent Adventure | 1:26:28 | 1:26:30 | |
states simply that the California attitude trumps everything. | 1:26:30 | 1:26:35 | |
Two high school students are in danger of flunking history. | 1:26:35 | 1:26:39 | |
They find a phone booth that's actually a time machine, | 1:26:39 | 1:26:43 | |
and they transport the world's most notable historical figures | 1:26:43 | 1:26:46 | |
back to San Dimas, California, | 1:26:46 | 1:26:47 | |
to appear in their high school assembly. | 1:26:47 | 1:26:50 | |
It's based on a true story, just like Gravity. | 1:26:50 | 1:26:54 | |
Thus Socrates, Genghis Khan, Billy the Kid, | 1:26:56 | 1:26:59 | |
Beethoven and Abe Lincoln | 1:26:59 | 1:27:01 | |
are snatched out of any historical context, | 1:27:01 | 1:27:04 | |
their philosophies and achievements are manipulated | 1:27:04 | 1:27:07 | |
to serve Bill and Ted's mission - to pass a history course. | 1:27:07 | 1:27:11 | |
In the end, the historical figures, not Bill and Ted, | 1:27:11 | 1:27:14 | |
learn the true meaning of life. | 1:27:14 | 1:27:16 | |
Party on, dude! | 1:27:16 | 1:27:18 | |
MUSIC: "California" by Joni Mitchell | 1:27:18 | 1:27:23 | |
# Will you take me as I am | 1:27:25 | 1:27:27 | |
# Strung out on another man? | 1:27:27 | 1:27:29 | |
# California, I'm comin' home... # | 1:27:29 | 1:27:33 | |
Well, that's California, dudes. | 1:27:33 | 1:27:36 | |
The scariest thing is that we're all becoming Californians, | 1:27:36 | 1:27:39 | |
who've always known that the myth is more important than the history, | 1:27:39 | 1:27:43 | |
and that the image is more important than the word. | 1:27:43 | 1:27:46 | |
Some of you watching this thing | 1:27:46 | 1:27:47 | |
will take this as a definitive history of California. | 1:27:47 | 1:27:50 | |
Well, it's not - it's just another | 1:27:50 | 1:27:52 | |
digitally stored piece of television pop culture. | 1:27:52 | 1:27:55 | |
Eventually, you'll forget it was even about California. | 1:27:55 | 1:27:58 | |
You'll just remember this mug. And that's fine. | 1:27:58 | 1:28:01 | |
Let me put it to you another way. Do you know who San Dimas was? | 1:28:01 | 1:28:04 | |
He was the guy beside Jesus on the cross when they got crucified. | 1:28:04 | 1:28:09 | |
But no-one remembers that, because people only remember the headliner. | 1:28:09 | 1:28:13 | |
# We came out west together with a common desire | 1:28:16 | 1:28:21 | |
# The fever we had might have set the West Coast on fire | 1:28:23 | 1:28:29 | |
# Two months later got trouble in mind | 1:28:30 | 1:28:34 | |
# Oh, my baby moved out and left me behind | 1:28:34 | 1:28:37 | |
# But it's all right cos it's midnight | 1:28:37 | 1:28:41 | |
# And I got two more bottles of wine. # | 1:28:41 | 1:28:44 |