Marty Goes to Hollywood


Marty Goes to Hollywood

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Transcript


LineFromTo

This is kind of where it started.

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I was actually sitting here, Marty was sitting there

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and he was just back from filming in Berlin -

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playing a part in Cloud Atlas with a lot of big stars. He was buzzing.

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He was totally buzzing.

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He was just back and it had been a great job

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working with great actors and all that,

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and he had lots of great stories - so I just naturally said to him,

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"You've got to go to the premiere, that would be great.

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"You've got to get out to LA and go to the premiere.

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He was like, "No way, man. I can't afford it.

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"There's no way I can afford to go to the premiere."

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I went to the toilet and phoned you.

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-You phoned me.

-I phoned you.

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You said to me, "Marty has just come back from making Cloud Atlas

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"playing Tom Hanks' Irish brother.

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"He wants to go to the premiere, but he can't afford it.

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"Let's make a film where we never accept no for an answer."

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We had written a song on the banjo and the guitar.

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This was the beginning of our journey.

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Tonight, downstairs, in the State Bar.

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Marty Goes To Hollywood shall be, indeed, launched.

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The show will resume in two minutes,

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we are going to resume in two minutes.

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Do you really want me to go up there and say why we are doing this?

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Put your hands together for Martyn and Ian.

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APPLAUSE

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# There was a young man from Castlemilk

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# Called Martin Docherty... #

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That's him.

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# He was born roundabout January 1973

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# Well, he played a lot of football

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# But he wasn't as good as you or me... #

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Actually, he was quite good.

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# But when he started acting, he was better than anyone from Glee. #

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LAUGHTER

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I am Martin Docherty.

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I am 38 years of age.

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I have been a professional actor now for 15 years.

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I was born and bred right here

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in sunny Castlemilk.

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The last six years, I done quite a lot of TV.

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I've been in most of the TV programmes in Scotland

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like Still Game, Rab C Nesbitt,

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River City, Gary Tank Commander,

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Dear Green Place -

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so I think I would possibly be a little bit recognisable

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for people, for being on BBC.

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# His first role was in Oliver

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# The Artful Dodger, he did play

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# Which was the first of many character roles to come his way... #

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I mean, what would you cast him as?

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Guess what he's played.

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# He's played junkies, drugs, drugs and junkies

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# And a junkie too... #

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LAUGHTER

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Keep your shitty bike, prick.

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# He even got a recall

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# For an advert about Irn-Bru

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# Won't you get Marty to Hollywood?

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# That would put the wee guy in an awfy good mood

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# If you've got some money, spread your wealth

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# Cos wee Marty from Castlemilk

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# He hasn't got money himself. #

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LAUGHTER

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Wahey!

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Wahey!

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PAPARAZZI CLAMOUR

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HE SCREAMS

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HE SIGHS

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Well, my low points are when you're just not getting any work

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and you have to do so many other things to get your money on

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and keep you going.

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The more you spend at doing those things,

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the less you start to believe you're an actor,

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because you start to believe that you do this job.

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It is a pretty hard and lonely game.

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Sometimes you can be sitting in the house,

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you've not worked for a year,

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the auditions aren't very big or very good

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and you're not doing very well at them either, that's the other thing.

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When you're not doing very well,

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you tend not to do well at your auditions because your charisma,

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your personality, your confidence just isn't there.

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You've got to get up and do something,

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you've got to read a play or go to the theatre, turn on Radio Four

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and listen to something,

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sight-read the newspaper.

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I also sing in a restaurant at weekends.

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Friday, Saturday nights - I sing in a tiny, little restaurant.

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It holds about 40 people.

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With a wee laptop and a hard drive, and a small PA,

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no microphone or anything.

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# Sing us a song, you're the piano man

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# Sing us a song tonight... #

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Hi, maw.

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BUZZER

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Lovely to see you.

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-Are you all right?

-I'm fine.

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From a toddler,

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he was just up to everything.

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Constantly singing, constantly make-believing.

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He even had a friend...

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that was actually an invisible friend.

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There's a few things about Marty's acting style.

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For one, he's very authentic.

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He's very sharp.

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So we've set up all the gear and the DJ's sweating

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because he can't find Wonderful Tonight -

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because that's the first song.

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My brother had that at his first two weddings.

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Marty's got a lot of presence on camera.

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I have seen him on stage.

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I have seen him doing Greek tragedy,

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I've seen him doing pantomime,

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I've seen them doing comedy stuff on stage -

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but on camera, not everybody has got that, but Marty has.

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I think he is one of these people who is a born actor.

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Last year, I made a huge leap

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and I had a casting for a feature film, made by Warner Brothers.

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I was up to play Tom Hanks' Irish brother.

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Which, I didn't think I had any idea of getting.

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The people in reading before me and after me

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were nothing like me at all.

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They were older, bigger - a lot bigger -

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and I just thought it was one of those auditions you go for

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and you'll never, ever hear again.

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I got recalled for it to London,

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to a posh hotel in Covent Garden,

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and it was only five of us left for three parts.

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Somehow, the gods shined on me a wee bit and I managed to pull it off.

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Consequently, I had a scene with Jim Broadbent

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and another scene with Hugo Weaving.

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If you told me that, even two years ago,

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I would have said you were crazy.

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Opportunities like this maybe don't come along...

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..at all, never mind very often.

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I think the chance to go to a premiere of this movie

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would be something I would really have to try and take.

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I'm sure we'll be invited.

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General, we better go down and see Warner Brothers about this premiere.

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Good idea, Bussy.

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Hello, hello. Can I speak to somebody dead important?

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Somebody connected with that big film, Cloud Atlas?

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LOONEY TUNES THEME PLAYS

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So we are kind of making an observational,

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life-of-an-actor type story.

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In style, I would say it is like Anvil meets...

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Shut it, Bussy.

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Look, big man, can we film at your premiere?

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Hmm.

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That sounds like a lovely idea.

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I'll do everything I can to help.

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It's a week since the comedy club, roughly,

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the clip's now online and Marty's Facebook site has been started.

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We have created an Indiegogo site.

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Fundraising campaign website is live.

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We have an Indiegogo.

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I'm just trying to find the number for Alex Salmond's office...

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..in Edinburgh.

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Right, OK, I'll go back to them.

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All right, thank you.

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He's a hard man to find, big Eck.

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So, here we are, outside the world-famous Daily Record -

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Scotland's national newspaper, some would argue.

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What were they like?

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I mean, obviously that's a great experience in itself.

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All get behind Marty, because it's going to work

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and, when he makes it, he better remember who his friends are.

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This is going to 653,000 people.

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Here we are on a...

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beautiful Glasgow Wednesday morning.

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Outside the City Chambers, about to meet the Lady Provost,

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which is very exciting.

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Now we've got the Sunday Mail involved

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and we're getting other people involved.

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What happens if I'm not in this thing?

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And the next day you're like that, "You're in the trailer."

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We're just going into an ISDN link to Radio Clyde.

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I thought it was a once in a lifetime opportunity

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for Martin to get to Hollywood and that was why,

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when he'd asked me and approached me,

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I thought it was right that I would help support him.

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HE EXHALES

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Nae word from Rob on those tickets yet, Bussy?

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Naw.

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Hello?

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Hello, Rob, it's Bussy.

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Any word in the premiere tickets yet, big man?

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Hi, Bussy.

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The request has gone through but no feedback yet.

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I'll keep you posted.

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Another like, but still nae dosh.

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Our campaign was getting lots of attention, but very little money.

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We went to Real Radio as a last gasp attempt

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to get Marty to the red carpet.

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HE LIP-SYNCS

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Good morning to you, Scotland.

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If you've just joined us,

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Scottish actor Marty Docherty

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is in the studio with us this morning.

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So, you're desperate to get to Hollywood

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to walk the red carpet with your co-stars

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-in the big blockbuster Cloud Atlas.

-Absolutely.

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So, you need £2,000 and... What else do you need?

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You've not got anything to wear, is that right?

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-Well, aye, we could do with a kilt.

-LAUGHTER

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-So, you've not got any kilts...

-No.

-..and you need £2,000.

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This is beginning to sound like a bit of a scam, boys.

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LAUGHTER

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Marty, tell me,

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how will you be representing Scotland if you get to Hollywood?

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What do you mean?

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Will you be partying till 6am?

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-Oh, no. I'll be on my best behaviour.

-No, we want you to.

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Oh, right, OK.

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Well, whatever you want me to do for the £2,000, I will do it.

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Cameron Ross Kilt Hire has just given us a little call,

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you might not be going to Hollywood, but four kilts are!

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CHEERING

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# Marty got a break

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# And a film with big Tom Hanks

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# They asked him to play Tam's brother and Marty said, "Aye, thanks"

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# There's Susan Sarandon, Halle Berry and Jim Broadbent too

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# On the set, Marty offered Halle

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# A vodka and Irn-Bru

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# Won't you get Marty to Hollywood?

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# That will put the wee guy in a awfy good mood

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# If you've got some money, spread the wealth

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# Because wee Marty from Castlemilk

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# He hasn't got money himself. #

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So, we found ourselves driving to a building site in Helensburgh

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to meet a complete stranger, called Joel Lafferty,

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who had been listening to the radio show.

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Nice to meet you. How's it going, all right?

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-Did you own this space, Joe, or did you...?

-Aye.

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Obviously, the front half's going to be the coffee shop.

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-Will we go next door and get a wee drink, guys?

-That would be great.

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I've just been a jobbing actor, really.

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Then, last year, I got an audition in Glasgow

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-to be Tom Hanks' Irish brother.

-Right.

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A heavy Irish brother.

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The whole thing was just enormous.

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All of a sudden, you're meeting

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all these incredible people.

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As Ian said to me,

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if you cannae go when you're playing Tom Hanks' brother,

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when are you going to be able to go?

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I have been quarantined to a storeroom

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away from the other passengers and crew.

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-IRISH ACCENT:

-Where's our money?

-LAUGHTER

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Right, you have won my support. Who gets the cheque?

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How amazing. Thank you very, very, very much.

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You are welcome, mate. Good luck to you.

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I can't thank you enough as well.

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-Thanks very much.

-Right, pal.

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Appreciate it. Superb.

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How good was that?!

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-What a brilliant guy.

-A quality guy.

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This is amazing.

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It sealed the deal.

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So, hopefully, I'll go to the premiere

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and try and mingle with some of the folk,

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maybe make some connections.

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It would be crazy to think that being in one movie,

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and a small part in one movie,

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would then an open up an enormous amount of doors for you

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for Hollywood casting...

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but it's a funny game, acting, you just never know.

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Shall we just go for the full outfit, like that?

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-That's you, Marty.

-Yeah, we'll go for that.

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I think we'll all look very good, mate. Very smart indeed.

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I didn't recognise you there.

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Jesus, how are you?

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Fantastic. It's all happening, eh?

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The gas man.

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If he goes on to bigger and better things, more parts in movies,

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if he ends up he's living in Hollywood,

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he's living the dream

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and we can then say, "I know Martin."

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You have done well, boys.

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Hollywood is renowned for plastic people.

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Big tits, false hair, all of that stuff - and Marty is none of that.

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I think he would be a breath of fresh air going there.

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And maybe somebody, because it happens with actors,

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they pick him up.

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Not literally pick him up, because he's quite small.

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It would be easy to do that.

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I mean give him an actual part.

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He gets what he deserves - good parts because he's a good actor.

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There's a lot of actors who are not so great out there.

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It's good to see an actor doing well

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and hopefully he'll get what he wants.

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What about me?

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I've worked with Anne Hathaway, Gary Oldman, Tom Hardy

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and Noel Edmonds and not one fucking person has thought,

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"What about Cammy goes to Hollywood?

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"Cammy goes to fucking Hollywood?"

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Nobody has fucking done anything for me.

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I've come up the hard way as well.

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I have had to be on benefits, fucking wife left me and all that.

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Get to fuck.

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You've got to be careful in Hollywood.

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It's a conveyor belt, you can get used up

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and...you're out the other side.

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Then, where are you?

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Seven days later, you're back here, back in Castlemilk.

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Was it all a dream?

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Did it really happen?

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ALL: Bye!

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I have clarification and it is not good news.

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The producers have said that they are unable

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to accommodate Marty at the US premiere.

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All the best, Rob.

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BUSSY CHUCKLES

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Hollywood, here we come.

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I saw your story on STV this morning

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and you're in the Metro,

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the Sun, the Record...

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Have you secured the tickets through other means?

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'We hope you haven't missed any important e-mails

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'whilst flying with us. We will now begin our descent.

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'Welcome to Hollywood!'

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America.

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Outside that window is America.

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I've never been to America. I'm an American virgin.

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The wee man wants a fag.

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The wee man's desperate for a fag.

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He's ganting for a fag, Bussy.

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-This one?

-Yeah, it's a little dirty, though.

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Listen, we're quite dirty.

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-What do you think, Marty?

-It's the Batmobile, isn't it, Bussy?

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I'll be right back.

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This is mental. Isn't it?

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We couldn't afford to stay in LA

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so we headed to a friend's house in San Diego.

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Spirits were high as we weren't to receive the e-mail from Rob

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until the next morning.

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We need to start our pressure on Warner Brothers on this side today,

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cos I don't think Rob is going to do anything about it.

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He might, but it's certainly not something we can rely on.

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The last e-mail suggests to me that...

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I think he's going to give it up now.

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I don't think he's going to give it up, I think he just hopes that

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we go out here and nothing happens.

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-There is a possibility he'll just ignore our e-mails anyway.

-Yep.

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So...

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We need to put some pressure on them, starting today.

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Aye, we need... Aye.

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What a big car.

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It is a fucking massive car.

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Guys, I had an amazing dream last night.

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I dreamt that I woke up and we were in LA,

0:16:050:16:07

and we had a big, massive car.

0:16:070:16:08

-Oh, hang on.

-Bussy, it's the truth.

-Oh, wow.

0:16:080:16:12

Please bear with me while I adjust to the other side of the road.

0:16:120:16:16

Day one.

0:16:200:16:22

We've fucked the car.

0:16:220:16:23

They shouldn't have given us such an expensive car.

0:16:250:16:28

You never have total big smashes - like, exciting smashes.

0:16:290:16:33

-You always have wee bangs.

-Shit fucking kerb dunce.

0:16:330:16:36

Marty had a daylong session at the Acting Centre on Hollywood Boulevard.

0:16:400:16:44

We were late because we crashed the car

0:16:460:16:48

and Marty had to partner with Bussy

0:16:480:16:50

for the warm up and the first exercise.

0:16:500:16:53

One of the first drills you're going to do

0:16:530:16:55

is actually going out and talking to people.

0:16:550:16:57

Talking to real people and getting insight into who they are.

0:16:570:17:00

It's Hollywood so you're going to meet some great people.

0:17:000:17:04

For the first exercise,

0:17:040:17:06

Marty and Bussy were sent out on

0:17:060:17:08

the streets of LA to talk to people.

0:17:080:17:11

-Are you from Los Angeles?

-Of course. Hollywood, man.

0:17:110:17:13

They then had to capture the essence of the person

0:17:130:17:15

and perform it back to each other.

0:17:150:17:18

BUSSY: Do you like LA? Love it. Do you?

0:17:180:17:20

What's so good about it?

0:17:200:17:22

Well, the weather and the palm trees.

0:17:220:17:25

One of the philosophies of the Acting Centre

0:17:260:17:29

was that you couldn't be critical

0:17:290:17:30

so, at the end of any performance,

0:17:300:17:32

you had to tell your partner that they were good.

0:17:320:17:35

HE GRUNTS

0:17:410:17:44

Come on! More! More!

0:17:490:17:51

There are occasional lucky people

0:17:540:17:57

who meet one guy at a coffee shop

0:17:570:17:59

and suddenly their whole career is made, but that's very rare.

0:17:590:18:01

Usually, you've got to find a good acting class, such as...

0:18:010:18:05

I love this place.

0:18:050:18:06

You have to make sure that you get great head shots

0:18:060:18:09

and then you have to know and be willing to...

0:18:090:18:12

meet people.

0:18:120:18:14

-I don't know what to do.

-Maybe you should phone someone.

0:18:140:18:17

I have! I've been calling my sister!

0:18:170:18:20

Listen to what I'm telling you, please.

0:18:200:18:23

I'm sorry.

0:18:230:18:24

All right, cut.

0:18:240:18:26

APPLAUSE

0:18:260:18:30

You know, just deciding that you're going to help your mate out.

0:18:300:18:34

Putting that idea forward to get him here -

0:18:340:18:38

that alone - because it's such a very wonderful idea

0:18:380:18:42

and such a helpful, fun thing to do for a friend -

0:18:420:18:45

creates opportunities.

0:18:450:18:47

We just wanted to say thank you.

0:18:470:18:49

It's been really lovely having us.

0:18:490:18:51

We got a message from Craig Young, who runs Brits In LA,

0:18:550:18:59

giving Marty and introduction to Louisa Spring -

0:18:590:19:02

who runs Spring Management Agency.

0:19:020:19:04

Hello, Louisa?

0:19:080:19:11

Hi, my name's Martin. Martin Docherty.

0:19:110:19:13

I got your number from Craig, who runs Brits In LA.

0:19:130:19:16

Oh, sorry, is that not good at all? I do apologise.

0:19:200:19:23

Oh, sorry, I do apologise about that.

0:19:280:19:31

Yes.

0:19:430:19:45

Yes.

0:19:530:19:54

Will I call you tomorrow?

0:19:560:19:58

Any time from the afternoon onwards, Louisa, would be great

0:19:590:20:02

but any time that would suit you also.

0:20:020:20:04

Thank you very much, Louisa. Sorry for calling you so late.

0:20:040:20:08

OK, bye.

0:20:080:20:09

Wasn't a good start.

0:20:140:20:15

We were invited to a party in West Hollywood at the Palais Hotel.

0:20:160:20:20

The party was full of leading people from the film industry,

0:20:200:20:24

so we weren't allowed to film inside.

0:20:240:20:26

By complete chance,

0:20:260:20:28

Louisa Spring was there.

0:20:280:20:30

-So, you're Marty Docherty.

-Yeah.

0:20:300:20:33

Nice to meet you, I'm Louisa Spring.

0:20:330:20:35

-Hello.

-So, why the fuck did you call me at 7pm on a Sunday night?

0:20:360:20:40

-Eh...

-That really pissed me off.

0:20:400:20:44

But I have you say,

0:20:440:20:45

you've got great cheekbones.

0:20:450:20:47

She came over later on and said,

0:20:480:20:51

"Does anyone have a fag?"

0:20:510:20:53

I said, "I've got a fag."

0:20:530:20:55

Obviously, "I've got a fag, Louisa. I've got a fag."

0:20:550:20:57

She went, "Let's go for a fag then."

0:20:570:20:59

Then she said, "You know, I'm a manager to some of the top stars.

0:20:590:21:03

She went, "So I'd really like to manage you."

0:21:040:21:07

-Marry you?

-"Manage you!"

0:21:070:21:09

"I'd really like to manage you."

0:21:100:21:14

I thought you got a marriage proposal...

0:21:140:21:16

That would have been nice.

0:21:160:21:18

I would have married her if it meant she took me on.

0:21:180:21:20

But I think her husband might have something to say about that.

0:21:200:21:24

She sat me down and she said, "I'd love to.

0:21:240:21:26

"I know I have all these big stars and therefore...

0:21:260:21:32

"for some reason," she said,

0:21:320:21:33

"I would love to manage you because of that."

0:21:330:21:35

Wednesday night, you'll be walking down the red carpet

0:21:350:21:38

going to the premiere.

0:21:380:21:39

Well, if I'm not then...

0:21:390:21:41

..it would be incredibly disappointing,

0:21:420:21:45

incredibly disappointing if I don't walk down the red carpet.

0:21:450:21:48

Today is the day...

0:21:540:21:56

..we take on the might of Warner Brothers.

0:21:570:22:00

Indeed.

0:22:000:22:02

All right, pal.

0:22:040:22:07

The travelling's killing us, so we're going to move

0:22:070:22:09

into LA a night earlier.

0:22:090:22:10

Just so that we can chill a wee bit,

0:22:100:22:13

because if we don't get back till 4am, then we get three hours kip

0:22:130:22:15

and we're away.

0:22:150:22:17

Things are also starting to happen now, for Marty,

0:22:170:22:19

in terms of the people he's meeting,

0:22:190:22:22

so we really need to be in the centre of LA,

0:22:220:22:24

so he can jump out and have a meeting

0:22:240:22:26

and speak to the kind of folk that he's starting to get in front of.

0:22:260:22:30

Our new base in LA was called the Banana Bungalow,

0:22:300:22:34

a luxury hotel, six foot wide, by six foot long -

0:22:340:22:37

with bunk beds and no locks on the doors.

0:22:370:22:40

The premiere was now two days away.

0:22:400:22:42

We decided to let Rob know about some of Marty's messages of support.

0:22:420:22:47

Rob, we're having a great time here in LA,

0:22:470:22:50

but we still have not got any tickets for the premiere.

0:22:500:22:52

Marty is making some friends in high places though.

0:22:520:22:55

Alex Salmond here, the First Minister of Scotland.

0:22:550:22:58

I'm delighted to send a message of support from Holyrood

0:22:580:23:01

for Martin Docherty's quest to reach the red carpet.

0:23:010:23:04

My grandfather was Jack Warner.

0:23:050:23:08

Jack Warner founded Warner Brothers.

0:23:080:23:12

I have to say that the determination and initiative

0:23:120:23:15

shown by Marty and his friends

0:23:150:23:18

is every bit as impressive

0:23:180:23:20

as that of Merida in Brave.

0:23:200:23:23

My grandfather founded the studio with this motto,

0:23:230:23:27

"Never give up on one's dreams, no matter what the odds."

0:23:270:23:32

OK, we have got potentially two ways into Tom Hanks.

0:23:340:23:38

One through Christine

0:23:380:23:40

and one through Marty turning up on the doorstep.

0:23:400:23:43

Then we've got Bussy and Martyn

0:23:430:23:45

on the phone to Warner Brothers

0:23:450:23:47

and that could result in Tom Hanks,

0:23:470:23:49

and it could result in the premiere.

0:23:490:23:51

And here we have the thing that I think will get us there,

0:23:510:23:56

and it's going to be something completely fucking random.

0:23:560:24:02

How do you think I look, Chris? All right?

0:24:020:24:04

-Very suave.

-Thank you, sir.

0:24:040:24:06

You look like James Bond.

0:24:060:24:08

A wee, mini, Castlemilk James Bond?

0:24:080:24:10

-Definitely.

-James Bond.

0:24:100:24:12

Jimmy Bond, know what I mean?

0:24:120:24:13

-Nice to meet you.

-Nice to meet you.

0:24:220:24:23

-Thank you for taking the time to see me.

-Sure.

0:24:230:24:26

Now, as far as... Are you going to come back to America?

0:24:260:24:29

-Like, you'll come back to Los Angeles?

-We would love to.

0:24:290:24:31

I'm meeting a manager later on today,

0:24:310:24:34

so I'm on a slightly tight schedule.

0:24:340:24:37

I'm meeting her and I think it will depend on that.

0:24:370:24:40

-Who are you meeting?

-Louisa Spring.

0:24:400:24:42

Good. She represents quite a...

0:24:420:24:44

Yeah, she has got a really... A lot of great clients.

0:24:440:24:46

-Take a look at this.

-OK.

-Go outside and work on it for five minutes.

0:24:460:24:51

-Whatever you feel like till you're ready.

-"The Western Director."

0:24:510:24:54

You don't have to do American.

0:24:540:24:55

Just have fun with it. It's a comedy thing we did a while back.

0:24:550:24:58

We genuinely don't have any tickets to the premiere at the moment

0:24:580:25:01

-and that is...

-A big problem.

-..not great.

0:25:010:25:04

All right, when I say action,

0:25:100:25:13

I want you, blondie,

0:25:130:25:14

to climb to that second storey,

0:25:140:25:15

but Lex is going to try and stop you.

0:25:150:25:18

You pick up a chair, you crack it over his back,

0:25:180:25:20

then use the broken chair leg to impale Rich.

0:25:200:25:22

-That sounds violent.

-Damn skippy it is.

0:25:220:25:24

Now, as you start to climb, Billy is going to grab you by the ankle

0:25:240:25:27

and fling you onto that horse trough over there.

0:25:270:25:29

-And the inside of it is made of some special, soft...

-Wood.

0:25:290:25:34

I think it's pine. Now, that's a soft wood.

0:25:340:25:36

Meanwhile, YOU, come out those doors, all guns a-blazing.

0:25:360:25:39

Obviously, you know, he can play the annoying guy -

0:25:390:25:42

that is what he seemed like in that.

0:25:420:25:44

Maybe the nerdy guy or...

0:25:440:25:47

Then I had the thought that

0:25:470:25:48

maybe he would be, like, in...

0:25:480:25:50

like Billy Elliot.

0:25:500:25:52

That kind of...

0:25:520:25:54

One of those workers.

0:25:540:25:55

The blue-collar worker guys.

0:25:550:25:56

So, let's make some calls and get on the social networks again

0:25:560:26:01

and try and push these contacts.

0:26:010:26:04

Yeah, and I think tomorrow,

0:26:040:26:07

the Brits In LA thing...

0:26:070:26:09

It's our objective to go there and find anybody that knows anybody at

0:26:090:26:13

-Warner Brothers and talk to every single person in there.

-Yeah.

0:26:130:26:18

This is the Fred Segal Cafe

0:26:180:26:20

on Melrose Avenue

0:26:200:26:22

where I'm meeting a manager called Louisa Spring,

0:26:220:26:25

who seems quite a big manager -

0:26:250:26:30

in the sense, she's got some really big names on her books.

0:26:300:26:34

It's quite an important meeting

0:26:340:26:35

so, for that reason,

0:26:350:26:37

we're not going to be able to film because I think it might...

0:26:370:26:39

It might not do anything for us and I don't want to hinder ourselves

0:26:390:26:43

or harm ourselves in any way.

0:26:430:26:45

Chris is going to wait here, I'm going to go in for the meeting

0:26:450:26:47

and when I come back out, I'll let you know how it goes.

0:26:470:26:50

-All right, pal?

-Good luck, Marty.

-No bother. Cheers, mate.

0:26:500:26:53

It was good and bad, mate. Good and bad.

0:26:530:26:55

Turned up, met her and said, "It's a bit warm, isn't it?"

0:26:580:27:01

She said, "Well, you're wearing a three-piece suit,

0:27:010:27:04

"what do you expect?"

0:27:040:27:05

She went, "However, I am impressed that you wore a suit."

0:27:050:27:08

Then she said...

0:27:100:27:11

I told the story about Warner Brothers...

0:27:110:27:14

and the premiere

0:27:140:27:16

and she said it was breaking her heart,

0:27:160:27:19

so she asked the assistant, Tommy,

0:27:190:27:21

to put a call into Warner Brothers to try and see

0:27:210:27:23

if the contact they've got, if they can help.

0:27:230:27:26

Then she asked my age, I said "38,"

0:27:260:27:28

she said, "I think you look 45."

0:27:280:27:32

She thinks my showreel is pretty bad. Certainly the first scene.

0:27:320:27:35

The headshot has to be colour.

0:27:380:27:40

Then she asked me if I had a green card, I said no.

0:27:430:27:45

She asked me if I had an O-1, I said no.

0:27:450:27:47

She said, "I don't really know why you're meeting me

0:27:470:27:49

"because there is nothing I can do. You can't work."

0:27:490:27:52

I said, "Well, we came over trying to get the premiere

0:27:520:27:55

"and if we could make contacts in that time, we could.

0:27:550:27:57

"Now I have made this contact with you,

0:27:570:27:59

"this is where we're at, at the moment." She went, "Right, OK."

0:27:590:28:02

She went, "The thing is,

0:28:020:28:04

"I think you've got a great look."

0:28:040:28:06

So, if I get in touch with her,

0:28:060:28:09

get the showreel done well

0:28:090:28:10

and she thinks that's good enough,

0:28:100:28:12

then I think she probably would take on and help me.

0:28:120:28:16

We still had no tickets.

0:28:160:28:18

It was time to take the campaign to the streets.

0:28:180:28:21

# Won't you get Marty to Hollywood?

0:28:210:28:25

# That will put the wee guy in an awfy good mood

0:28:250:28:28

# If you've got some money, spread the wealth

0:28:280:28:32

# Cos wee Marty from Castlemilk

0:28:320:28:34

# Wee Marty from Castlemilk

0:28:340:28:36

# Wee Marty from Castlemilk

0:28:360:28:38

# Wee Marty from Castlemilk

0:28:380:28:40

-# Wee Marty from Castlemilk... #

-Let's hear you, Hollywood!

0:28:400:28:43

# Wee Marty from Castlemilk

0:28:430:28:44

# Wee Marty from Castlemilk

0:28:440:28:47

# Wee Marty from Castlemilk...

0:28:470:28:48

# He hasn't got money himself. #

0:28:500:28:51

YEAH!

0:28:510:28:54

Well done.

0:28:540:28:56

It is all fate.

0:28:560:28:58

This is fate here.

0:28:580:28:59

Marty's going to be a big star.

0:28:590:29:01

This kid is going to be in the picture, let me tell you, he is.

0:29:010:29:04

My long lost son.

0:29:040:29:07

# One love

0:29:070:29:09

# One love

0:29:090:29:12

# One love

0:29:120:29:14

# You've got to do what you should

0:29:140:29:16

# One love

0:29:170:29:20

# With each other

0:29:200:29:23

# Sisters... #

0:29:230:29:24

It's not failure, I actually thought it was failure when I seen it.

0:29:290:29:32

It said, "Hi, Ian, there is no change."

0:29:320:29:34

I thought it said, "There is no chance," when I looked at it.

0:29:340:29:36

"We've still not got any time, there is no change,

0:29:360:29:38

"there is no availability through my Warner Brothers channels

0:29:380:29:41

"as the producers have declined your request."

0:29:410:29:44

So, obviously... I don't know.

0:29:440:29:46

"We are glad you're enjoying LA, though,

0:29:460:29:48

"and good luck with your endeavours.

0:29:480:29:50

"Do let me know if you want to take up the Berlin opportunity.

0:29:500:29:52

"The Berlin premiere is scheduled for the 5th of November.

0:29:520:29:55

"All the best, Rob."

0:29:550:29:56

I don't understand why I can go to Berlin but I can't come here.

0:29:580:30:03

-I don't either.

-What's the difference?

0:30:030:30:05

HE SOBS

0:30:090:30:12

I asked Warner.

0:30:560:30:58

She said, "Hi. Oh, dear...

0:30:580:30:59

"I wish I could be more helpful.

0:30:590:31:01

"Is there any way you can find out who made that decision

0:31:010:31:03

"of him not attending and speak to them to find out the concern?

0:31:030:31:06

"Perhaps it's that they don't want it to be filmed.

0:31:060:31:08

"If you say you won't film it, and you just want Marty to get there,

0:31:080:31:11

"that might work."

0:31:110:31:13

We went to Brits In LA,

0:31:140:31:16

a networking breakfast established to help

0:31:160:31:18

the expat community in Hollywood.

0:31:180:31:21

We'd been in touch with many of these people by e-mail

0:31:210:31:24

and hoped that they would help us.

0:31:240:31:26

Everybody, this is Marty.

0:31:310:31:36

Hi. Hello, everyone, how are you?

0:31:360:31:37

Hi. Nice to meet you, sir.

0:31:370:31:40

With regards to the premiere, you can't go...?

0:31:400:31:42

At the moment, they are saying, "No."

0:31:420:31:45

Do you know how to get hold of Tom Hanks?

0:31:450:31:47

Because he is a very nice man, he would get it for you.

0:31:470:31:49

I think the issue is slightly maybe about the documentary.

0:31:490:31:52

I think they maybe think I'm going to wear a microphone or something

0:31:520:31:56

or I'm going to try and film it or that we are going to do something.

0:31:560:31:59

-Eddie Michaels is a big publicity guy.

-Would he get tickets?

0:31:590:32:02

He'll get you into anything you want, that's his job.

0:32:020:32:04

This guy I'm about to introduce you to is called Sandro Monetti.

0:32:040:32:07

Sandro Monetti has been an entertainment journalist

0:32:070:32:09

for many years. He used to work for the Daily Star.

0:32:090:32:12

Has he got a good part in the film?

0:32:120:32:13

Yeah. He's playing Tom Hanks' brother.

0:32:130:32:15

Right, then he should have... Why hasn't he got a...?

0:32:150:32:17

He's in Hollywood, man. Get him a fucking publicist.

0:32:170:32:19

I believe in fate and this was fate that I met Simon

0:32:190:32:23

and then he introduced me to you,

0:32:230:32:25

and I definitely believe in fate.

0:32:250:32:27

I think if you try hard enough,

0:32:270:32:29

you can find a way to make things happen.

0:32:290:32:32

You have got to get this poor guy to the premiere.

0:32:320:32:35

It's his big moment. I can't believe

0:32:350:32:37

that they would not give him a ticket.

0:32:370:32:39

What you have to learn about Hollywood is,

0:32:390:32:42

never play by the rules.

0:32:420:32:43

Everyone always tells you no and there's a way around everything.

0:32:430:32:46

-Martyn.

-What's your name?

-Stephen.

0:32:460:32:48

Stephen, nice to meet you.

0:32:480:32:51

I'm looking at your kilt.

0:32:510:32:53

Kilt - so I'm guessing that's you. Have you got a kilt on?

0:32:530:32:56

To e-mail me pronto, got some contacts willing to help.

0:32:560:32:59

So, have you got Darren's e-mail?

0:32:590:33:01

It's Ian, or as you called me, the kilted one -

0:33:010:33:04

which I'm quite happy with that name, I quite like that name.

0:33:040:33:07

I'm sitting here with a chap called Marty.

0:33:070:33:09

He needs a publicist immediately.

0:33:090:33:10

He's here with a film crew from Scotland.

0:33:100:33:13

He's the second lead in the movie and he's just got off a plane

0:33:130:33:17

and he's in our town and he needs help.

0:33:170:33:19

You will get in tomorrow. I have no doubt about it.

0:33:190:33:21

Where there's a will, there's a way.

0:33:210:33:23

I have no doubt you'll be there tomorrow.

0:33:230:33:25

Thank you, Mark.

0:33:250:33:26

-Hey. So, you're the man of the hour?

-I'm the man of the hour.

0:33:260:33:29

So, I'm thinking...

0:33:290:33:30

Cos it's been a hard week for you, being fabulous.

0:33:300:33:33

I was thinking maybe we got you a beautiful massage, a facial,

0:33:330:33:37

a little scrub down, a Jacuzzi,

0:33:370:33:40

a little bit of champagne

0:33:400:33:41

and we spend an afternoon doing that.

0:33:410:33:44

We were talking about potentially

0:33:440:33:47

red carpet access for all of us.

0:33:470:33:49

Well, we're going to reach out.

0:33:490:33:51

Christine's offered Marty a day in the spa tomorrow with treatments.

0:33:510:33:56

And us? Only kidding.

0:33:560:33:57

-We need it.

-We need it more. Look at the state of us.

0:33:570:34:00

One miracle at a time, boys.

0:34:000:34:02

It was at this point that we met two very important people.

0:34:040:34:07

Christine Peake, a publicist

0:34:070:34:09

and organiser of red-carpet events.

0:34:090:34:12

And Darren, who didn't want to appear in our film.

0:34:120:34:14

A specialist at getting people into Hollywood events

0:34:140:34:17

when they haven't been invited.

0:34:170:34:19

He also told us a way that, if we can't get in the front,

0:34:210:34:23

he told us a way to get in the back.

0:34:230:34:26

-Get arrested?

-Aye.

0:34:260:34:27

You can take the man out of Scotland.

0:34:270:34:30

-Deported.

-Yes.

0:34:300:34:33

-Never let back in again.

-He told us a really good way to get in the back.

0:34:330:34:37

# Won't you get Marty to Hollywood? #

0:34:370:34:42

An absolute frenzy in there

0:34:420:34:45

of people willing and wanting to help us.

0:34:450:34:48

We've got a publicist who is going to take the whole project on.

0:34:480:34:54

'In 0.1 miles, turn right on Melrose Avenue.'

0:34:540:34:56

It has just been pretty mental.

0:34:560:34:58

That whole morning was absolutely insane...

0:34:580:35:00

-It's not this one, Bussy, is it?

-No, it is the next one.

0:35:000:35:03

We've got four or five people

0:35:030:35:07

working on Warner Brothers for us now.

0:35:070:35:10

-We've got...

-No, I know. The whole thing is just crazy.

0:35:100:35:13

The amount of people we met in there was just amazing.

0:35:130:35:16

Where it all went was just totally wild.

0:35:160:35:18

We were so down going in and...

0:35:180:35:20

I think what we got in those two hours was...

0:35:220:35:25

I think what we got was the benefit of all the energy

0:35:250:35:28

we've put in from the start.

0:35:280:35:30

It has suddenly...

0:35:300:35:31

We have put in so much energy and nothing has happened, so many doors,

0:35:310:35:34

and then all of a sudden, it went boom and paid off.

0:35:340:35:37

So, he e-mailed me a happy face.

0:35:370:35:40

So, that means... I don't want to say the words that I want to say.

0:35:420:35:46

All I'm saying is, it's going to be weird tomorrow

0:35:500:35:52

if Marty goes for a fucking spray tan and all that

0:35:520:35:54

and then he doesn't get to go to the premiere.

0:35:540:35:57

Aye, and I end up with a fucking spray tan

0:35:570:36:00

then back on the plane with it...

0:36:000:36:02

like a right fanny,

0:36:020:36:04

sitting in my kilt and all that with a big, bright red face. "Hiya."

0:36:040:36:07

I've e-mailed them, mate.

0:36:140:36:16

-Nothing back.

-Fuck sake, man.

0:36:160:36:18

It's a fucking joke.

0:36:190:36:22

Ultimately, if we don't get in, what we do is we embarrass them tonight.

0:36:220:36:25

-That's what we do.

-Will we do a Braveheart scene on the red carpet?

0:36:250:36:29

I'm getting more and more frustrated.

0:36:330:36:35

Every phone call, I keep thinking...

0:36:370:36:39

Christine Peake had organised a five-star spa treatment,

0:36:410:36:45

but Marty was finding it very hard to contemplate relaxing.

0:36:450:36:49

Well, I'm hoping we can get a bit of relaxation,

0:36:490:36:52

and Marty can relax, while we work on...

0:36:520:36:54

While we work on the tickets.

0:36:550:36:57

-I'll get that.

-It's all right, I'm good.

0:36:590:37:01

-So, listen, you're in a five-star spa, enjoy yourself.

-I know.

0:37:010:37:05

-It's just hard.

-I know.

0:37:070:37:09

You've got to trust us to try and get on with it.

0:37:090:37:12

How are we?

0:37:120:37:14

-You must be Spencer.

-I am, yes.

0:37:140:37:16

This is Spencer, this is Alan.

0:37:160:37:18

-He's going to be taking pictures.

-Nice to meet you.

0:37:180:37:20

Hi, Alan, I'm Martin.

0:37:200:37:21

This is my colleague, Ian, over here and Chris.

0:37:210:37:24

Marty, nice to meet you.

0:37:240:37:26

So, this is Niki.

0:37:270:37:29

Martin, who is here all the way from Scotland.

0:37:290:37:32

This is Niki, who owns this amazing spa, that's new and

0:37:320:37:35

it's where a lot of Holywood people come

0:37:350:37:37

when they're getting ready for the Oscars and the Emmys and all this.

0:37:370:37:41

Taste of luxury.

0:37:430:37:45

-Is it 15 years you've been an actor?

-15.

-15.

0:37:450:37:48

So, in these 15 years,

0:37:480:37:50

with this being the first big break,

0:37:500:37:53

what were you doing before Cloud Atlas?

0:37:530:37:55

So, if you like, we can offer you

0:37:550:37:58

the chair with steam first

0:37:580:37:59

-and, from there, we can do the cream and body scrub.

-I'll do...

0:37:590:38:02

After that, if you have time, we can give you a massage and facial.

0:38:020:38:05

It all depends on what time you have.

0:38:050:38:07

-I would like to do all that, please.

-OK, great.

0:38:070:38:10

-That's great.

-These guys can...

0:38:100:38:12

Could you tell him about the vaginal steam and the anal steam?

0:38:120:38:14

-Yeah.

-LAUGHTER

0:38:140:38:17

Is it true he peed in the Jacuzzi or is that just a rumour?

0:38:170:38:20

-Who?

-Marty Docherty.

-Oh!

0:38:200:38:24

While Marty was getting an anal steam, we were talking to Christine.

0:38:250:38:29

I did what I said I would do and I called everybody.

0:38:290:38:33

I e-mailed everybody

0:38:330:38:35

and I did what I said yesterday, remember.

0:38:350:38:37

And...

0:38:370:38:38

I did get to the people you wanted me to get to, and...

0:38:380:38:42

Everybody has heard of you

0:38:440:38:45

and a studio in Los Angeles,

0:38:450:38:48

in Hollywood, they run this town.

0:38:480:38:50

They've spent hundreds of millions of dollars on Cloud Atlas.

0:38:500:38:54

It's the biggest movie of the year.

0:38:540:38:56

Last night, I was up late.

0:38:560:38:58

Thousands of people in LA are tweeting

0:38:580:39:01

about Marty Docherty and your movie.

0:39:010:39:04

They're tweeting Tom Hanks and

0:39:040:39:06

they're tweeting Warner Brothers.

0:39:060:39:09

How cool is that?

0:39:090:39:11

I can feel as if I'm relaxed now.

0:39:110:39:12

I can feel my heartbeat slowing down.

0:39:120:39:14

-How was that?

-How was it? Amazing?

0:39:140:39:16

-The scrub was amazing, right?

-The scrub, the...

0:39:160:39:19

The steam up the bum...

0:39:190:39:20

LAUGHTER

0:39:200:39:22

How was the steam up the bum?

0:39:220:39:24

-It was amazing!

-Was it?

0:39:240:39:25

Marty, Christine's got news.

0:39:250:39:28

There's two ways you can look at it.

0:39:290:39:31

I'm just going to give it to you and you need to listen to my words.

0:39:310:39:35

OK, everybody knows about this movie.

0:39:350:39:37

I'm just saying that...

0:39:370:39:40

it has affected decisions,

0:39:400:39:42

because the movie that's important

0:39:420:39:45

is Cloud Atlas

0:39:450:39:47

and you're making a documentary

0:39:470:39:49

that hasn't been...

0:39:490:39:50

Have Warner Brothers authorising it.

0:39:500:39:53

It doesn't mean it's over

0:39:540:39:57

but I honestly think that if you came here without a crew

0:39:570:40:00

and there was no Marty Goes To Hollywood...

0:40:000:40:04

-It would be fine.

-Well, because nobody would have heard about you.

0:40:040:40:08

So, I'd rather be known and acknowledged

0:40:080:40:12

and make a difference than blend in.

0:40:120:40:15

That's just me.

0:40:150:40:17

I see you as a great guy,

0:40:170:40:18

who's loved, who's protected.

0:40:180:40:22

You've got newspaper articles.

0:40:220:40:24

I can't speak for Warner Brothers but for me personally,

0:40:240:40:28

I've spent a couple of hundred million dollars making a movie,

0:40:280:40:31

say I'm Warner Brothers,

0:40:310:40:32

and I'm reading articles about Scotland and this film crew,

0:40:320:40:36

and you -

0:40:360:40:37

it's taking the focus off of my film.

0:40:370:40:39

I can't speak for them, but that's what I would feel.

0:40:390:40:44

This hand, you have a role in a blockbuster movie.

0:40:440:40:47

That's what's in that hand.

0:40:490:40:51

You watch it with the actors.

0:40:510:40:54

Or in this hand,

0:40:540:40:56

you have a movie that's about you

0:40:560:40:58

and a journey that will touch people.

0:40:580:41:00

You touched me, you touched Eileen, Craig

0:41:010:41:05

and everyone that's come into contact with you guys

0:41:050:41:08

has shown kindness and respect and everybody has just caught on.

0:41:080:41:12

You've got cameras today, press -

0:41:120:41:14

it's not easy for me to call them last night

0:41:140:41:16

and tell them to be here at 9am.

0:41:160:41:18

People are supporting you.

0:41:180:41:21

Because I live here and I've lived here for a long time,

0:41:210:41:24

I will tell you right now,

0:41:240:41:25

-what is in this hand is way better.

-PHONE RINGS

0:41:250:41:28

Hello, is that Darren?

0:41:280:41:30

Darren, hold on a second.

0:41:300:41:32

-Darren?

-'Yes?'

0:41:470:41:49

The end.

0:41:490:41:50

You are the legend.

0:41:500:41:52

-You going?

-Yeah.

0:41:520:41:55

We'd love to take it.

0:41:550:41:57

He just had his arse steamed,

0:41:580:42:00

for the love of God.

0:42:000:42:01

Of course he's going.

0:42:010:42:03

Sorry, Darren, he'd love to go.

0:42:030:42:05

He'd love to take it.

0:42:050:42:06

-How would we make it work?

-That's the Hollywood dream.

0:42:060:42:09

Marty, man...

0:42:090:42:10

That's the dream.

0:42:100:42:14

That's the dream.

0:42:140:42:16

So, you got the movie

0:42:160:42:19

AND you got the premiere.

0:42:190:42:20

Yeah, man, you got everything.

0:42:200:42:22

I'll tell you who needs to be on this, is him and him.

0:42:220:42:25

OK. Darren, you're an absolute star.

0:42:260:42:28

Thank you so much for that.

0:42:280:42:30

Just like when we drove to meet Joe Lafferty in Helensburgh,

0:42:300:42:33

we were driving to meet a complete stranger

0:42:330:42:36

who could make or break our quest.

0:42:360:42:38

We've asked everyone if they believe in fate and chance because...

0:42:400:42:45

-Is this not totally fate and chance?

-Course it is.

0:42:450:42:47

I hadn't met you guys till a minute ago.

0:42:470:42:50

Here we are and here it is.

0:42:500:42:53

LAUGHTER

0:42:540:42:57

Two tickets.

0:42:570:42:59

God bless you, Peter. God bless you.

0:43:000:43:03

'This is a permit to film the Hollywood sign.

0:43:060:43:09

'To film the sign costs 450 and,

0:43:090:43:11

'as all you watching this film will know, we don't have any money.'

0:43:110:43:15

'People said we would never get here

0:43:150:43:17

'but Marty did get to Hollywood.

0:43:170:43:19

'We made this film with no money at all.

0:43:190:43:22

'450 for a permit?

0:43:220:43:24

'We'll make our own sign.'

0:43:240:43:25

I'm sure we can film the outskirts of the Hollywood sign

0:43:270:43:30

and what's behind it.

0:43:300:43:32

CHEERING

0:43:340:43:36

Your dreams came true, Marty.

0:43:360:43:38

Well done, son.

0:43:380:43:39

At the last minute, Warner Brothers came through

0:43:390:43:42

and gave us another two tickets -

0:43:420:43:44

meaning we all got to go to the premiere.

0:43:440:43:46

Marty even got to go to the afterparty

0:43:460:43:49

at a swanky Hollywood hotel.

0:43:490:43:51

PAPARAZZI CLAMOUR

0:43:520:43:56

When I was turning up, I was like...really, really nervous.

0:43:560:43:59

The minute you see Jimmy Broadbent sitting on that toilet pan,

0:43:590:44:01

I knew, "Right, the door's opening in a minute and through we come.

0:44:010:44:06

-IRISH ACCENT:

-Timothy Cavendish, I presume.

0:44:060:44:10

'It was like... It was kind of surreal and...

0:44:100:44:12

'..a little bit bizarre but wild exciting.

0:44:140:44:17

'Then of course, you get a close-up of me

0:44:170:44:19

'like 50 foot square on the screen.'

0:44:190:44:21

Where's our fucking money?

0:44:210:44:23

'I never thought for a minute that you'd be in the Chinese Theatre

0:44:250:44:28

'watching yourself in a premiere of a Hollywood film.

0:44:280:44:31

'It was nuts.'

0:44:310:44:34

Hello, everybody,

0:44:340:44:35

this is Santa Monica beach.

0:44:350:44:39

Probably the nicest beach I've ever seen

0:44:390:44:41

and that's the Pacific ocean

0:44:410:44:42

and what I'm going to do now is write a wee postcard to my maw.

0:44:420:44:46

Dear Mum,

0:44:460:44:48

I am standing at Santa Monica beach.

0:44:480:44:51

These last four days

0:44:510:44:54

have been life-changing.

0:44:540:44:56

Guys, thank you so much

0:44:560:44:59

for all of your hard work and effort to get us to here.

0:44:590:45:04

Honestly.

0:45:040:45:06

Thank you so much.

0:45:060:45:07

-Listen, Marty, we wouldn't be here if it wasn't for you.

-I know but...

0:45:070:45:10

And you wouldn't be here if it wasn't for us.

0:45:100:45:12

He shouldn't be here at all, he's a chancer.

0:45:120:45:15

Cannot wait to tell you...our stories.

0:45:150:45:19

Much love, your wee boy, Marty.

0:45:220:45:24

And at the after party, the Cloud Atlas director's wife said to me,

0:45:260:45:30

"Did you guys make some crazy documentary to get here?"

0:45:300:45:34

I took Marty up there, past the press, and his eyes...

0:45:450:45:48

I've never seen a man's eyes open so much in my life.

0:45:480:45:52

He was just like... Wah!

0:45:520:45:53

I was like, "Marty, slow down."

0:45:530:45:55

He ran up the fluming gangway

0:45:550:45:58

and I was like, "Marty, slow down,

0:45:580:46:00

"you're not going to get another chance at this.

0:46:000:46:02

"Slow down."

0:46:020:46:04

It was a bit trancelike.

0:46:040:46:05

I was still dead edgy.

0:46:050:46:07

"Have I got the ticket, man?"

0:46:070:46:09

Cos I just...

0:46:090:46:10

still wasn't convinced, you know,

0:46:100:46:13

right up to the last minute, that we were getting in.

0:46:130:46:15

You know what it's like.

0:46:150:46:17

This week's been so many promises.

0:46:170:46:19

It was great to see Marty on the big screen and I think he had

0:46:190:46:21

a real blast seeing himself, because it's his first feature.

0:46:210:46:24

He's never seen himself on the big screen.

0:46:240:46:26

Tom Hanks came up and shook his hand after it.

0:46:260:46:28

I think it made his week,

0:46:280:46:30

it made his entire trip,

0:46:300:46:32

which was just brilliant.

0:46:320:46:34

Being here in LA,

0:46:340:46:37

in Hollywood, the Chinese Theatre,

0:46:370:46:39

it was just immense.

0:46:390:46:40

It was just an immense experience. It was brilliant.

0:46:400:46:43

It started off in Glasgow and, the next second, we're sitting here,

0:46:430:46:46

in Hollywood, watching the biggest film

0:46:460:46:49

that has come out and we're just...

0:46:490:46:51

We have made it here to the premiere.

0:46:510:46:54

Me and you were thinking,

0:46:540:46:55

we were so close to not getting in and we got in.

0:46:550:46:59

It made me think that,

0:46:590:47:01

if you want to do something,

0:47:010:47:04

if you're prepared to work hard for it

0:47:040:47:06

and you're concentrated on your goal,

0:47:060:47:09

then anything can happen.

0:47:090:47:11

When Marty comes on - you, Marty -

0:47:110:47:14

and there you are, holding your own on a massive screen.

0:47:140:47:19

Holding your own with the best actors in the world.

0:47:190:47:21

You're just like that -

0:47:210:47:23

"There's Marty up there!

0:47:230:47:25

"Holding his own with the best actors in the world."

0:47:250:47:27

I couldn't have been prouder.

0:47:270:47:29

Here we are, you're from Glasgow, right?

0:47:290:47:31

He's from Aberdeen - where I was born.

0:47:310:47:33

You're from Glasgow - the city I'm setting

0:47:330:47:35

my show, The Circus.

0:47:350:47:37

It's an incredible TV show.

0:47:370:47:38

Like the Mad Men of rock and roll.

0:47:380:47:40

How cool is that?

0:47:400:47:41

You're an actor. He's an actor.

0:47:410:47:43

Marty's an actor.

0:47:430:47:45

He's in a Tom Hanks film, Cloud.

0:47:450:47:47

I'm going to put him in my show.

0:47:470:47:49

You're going to go on my show - that's fate, right?

0:47:490:47:51

By the way, when I practise as strong as you, you know,

0:47:510:47:54

that's what it's all about.

0:47:540:47:55

Somebody is like, "There's no accident."

0:47:550:47:58

There are no accidents. It's all fate.

0:47:580:48:00

It's all fate here.

0:48:000:48:01

Marty's going to be a big star.

0:48:010:48:03

This kid's going to be in the pictures. Let me tell you.

0:48:030:48:06

Oh, yes.

0:48:060:48:08

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