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| Line | From | To | |
|---|---|---|---|
MUSIC: Pina by Thom Hanreich | 0:00:05 | 0:00:08 | |
MUSIC FROM NELKEN BEGINS | 0:01:14 | 0:01:17 | |
MAN YELLS | 0:02:20 | 0:02:23 | |
QUIET CHATTERING | 0:02:28 | 0:02:30 | |
CONTAINERS BANG | 0:02:30 | 0:02:32 | |
MUSIC: The Rite Of Spring by Stravinsky | 0:02:48 | 0:02:52 | |
LONE BASSOON PLAYS | 0:02:52 | 0:02:55 | |
SOMBRE ACCOMPANIMENT BEGINS | 0:03:08 | 0:03:11 | |
MUSIC BUILDS IN VOLUME | 0:05:21 | 0:05:24 | |
MUSIC GROWS MORE INTENSE | 0:05:29 | 0:05:32 | |
MUSIC CRESCENDOES | 0:05:38 | 0:05:42 | |
LONE BASSOON PLAYS | 0:05:42 | 0:05:45 | |
WOMAN PANTS SOFTLY | 0:05:45 | 0:05:48 | |
EDGY STRING ACCOMPANIMENT | 0:05:53 | 0:05:56 | |
WOMEN PANT NERVOUSLY | 0:06:02 | 0:06:05 | |
MUSIC GROWS DARK AND TENSE | 0:06:13 | 0:06:17 | |
SHE GIVES ENCOURAGEMENT | 0:06:30 | 0:06:33 | |
MUSIC RECEDES IN VOLUME | 0:06:33 | 0:06:36 | |
PINA: Sechs, sieben... | 0:06:37 | 0:06:40 | |
SHE CONTINUES TO ENCOURAGE DANCERS | 0:06:45 | 0:06:48 | |
MUSIC FADES OUT | 0:06:50 | 0:06:53 | |
UPBEAT MUSIC PLAYS | 0:06:54 | 0:06:58 | |
TENSION BUILDS IN MUSIC | 0:07:01 | 0:07:04 | |
MUSIC GROWS MORE INTENSE | 0:07:06 | 0:07:09 | |
MUSIC CRESCENDOES | 0:07:33 | 0:07:35 | |
MUSIC BEGINS TO BUILD AGAIN | 0:07:35 | 0:07:38 | |
TENSION BUILDS IN MUSIC | 0:07:50 | 0:07:53 | |
STEADY MARCHING BEAT | 0:07:55 | 0:07:59 | |
MUSIC GROWS DARKER | 0:08:05 | 0:08:08 | |
MUSIC GROWS MORE INTENSE | 0:08:17 | 0:08:20 | |
MUSIC BUILDS TO A CRESCENDO | 0:08:33 | 0:08:36 | |
MUSIC STOPS ALL PANT | 0:08:36 | 0:08:39 | |
MUSIC QUIETLY RESTARTS | 0:08:39 | 0:08:41 | |
INTENSE AND RAPID DRUMMING | 0:08:59 | 0:09:02 | |
NERVY STRING SECTION MUSIC PLAYS | 0:09:14 | 0:09:17 | |
LONE BASSOON ACCOMPANIES | 0:09:17 | 0:09:20 | |
MUSIC STOPS | 0:09:54 | 0:09:56 | |
MUSIC GENTLY RESTARTS | 0:09:56 | 0:09:58 | |
WOMEN PANT SOFTLY | 0:09:58 | 0:10:01 | |
SOMBRE MUSIC SLOWLY BUILDS | 0:10:04 | 0:10:07 | |
SHE GASPS | 0:10:53 | 0:10:55 | |
SHE GASPS | 0:11:19 | 0:11:21 | |
SHE QUIVERS | 0:11:21 | 0:11:23 | |
TENSION BUILDS WITH HORN SECTION | 0:11:43 | 0:11:46 | |
MUSIC CRESCENDOES | 0:11:51 | 0:11:53 | |
INTENSE DRUMMING | 0:11:53 | 0:11:56 | |
MUSIC FADES OUT | 0:11:56 | 0:11:59 | |
BOTH PANT | 0:12:00 | 0:12:02 | |
SOMBRE MUSIC BUILDS | 0:12:02 | 0:12:05 | |
MUSIC GROWS UNEASY | 0:12:12 | 0:12:15 | |
LOUD AND INTENSE MUSIC | 0:12:50 | 0:12:53 | |
INTENSITY OF MUSIC REDUCES WOMAN GASPS | 0:13:01 | 0:13:04 | |
TENSION OF MUSIC BUILDS | 0:13:28 | 0:13:31 | |
LOUD AND INTENSE MUSIC | 0:13:32 | 0:13:35 | |
MUSIC SUBSIDES TO A SINGLE DRUMBEAT | 0:13:47 | 0:13:50 | |
LONE BASSOON PLAYS | 0:13:50 | 0:13:53 | |
'Meeting Pina was like finding a language, finally. | 0:13:58 | 0:14:02 | |
'Before, I didn't know how to talk and then she suddenly gave me | 0:14:02 | 0:14:06 | |
'a way to express myself, a vocabulary. | 0:14:06 | 0:14:09 | |
'When I began, I was pretty shy - I still am - | 0:14:09 | 0:14:13 | |
'and after many months of rehearsing, she called me and said, | 0:14:13 | 0:14:19 | |
' "You just have to get crazier" | 0:14:19 | 0:14:21 | |
'and that was the only comment in almost 20 years.' | 0:14:21 | 0:14:25 | |
# Spawn inside this memory again | 0:14:26 | 0:14:29 | |
# One earthbound minute | 0:14:29 | 0:14:31 | |
# Unbent | 0:14:33 | 0:14:34 | |
# A moment broken | 0:14:42 | 0:14:44 | |
# Softly spoken | 0:14:45 | 0:14:46 | |
# Magic | 0:14:48 | 0:14:49 | |
# So here we are | 0:14:55 | 0:14:58 | |
# Night has thrown its heels at our door | 0:15:01 | 0:15:04 | |
# And stormed its way in | 0:15:04 | 0:15:06 | |
# Bidden | 0:15:08 | 0:15:09 | |
# Our feet in drunken | 0:15:22 | 0:15:24 | |
# Incantations | 0:15:25 | 0:15:26 | |
# Moving | 0:15:28 | 0:15:29 | |
# Happily, happily | 0:15:36 | 0:15:39 | |
# Ever after | 0:15:39 | 0:15:41 | |
# With kisses and curses | 0:15:41 | 0:15:44 | |
# Dripped in laughter | 0:15:44 | 0:15:46 | |
# Happily, happily | 0:15:46 | 0:15:49 | |
# Would I disappear | 0:15:49 | 0:15:51 | |
# Wishes and wasted breath... # | 0:15:51 | 0:15:54 | |
# Counting down in twos and in threes | 0:16:31 | 0:16:34 | |
# With never a word | 0:16:34 | 0:16:37 | |
# Out loud... # | 0:16:38 | 0:16:40 | |
FILM PROJECTOR RATTLES | 0:16:42 | 0:16:45 | |
MUSIC FROM CAFE MULLER PLAYS | 0:16:47 | 0:16:50 | |
QUIET CHATTERING | 0:17:46 | 0:17:49 | |
"You know... | 0:18:16 | 0:18:18 | |
"Oh, but it's not the same on stage, we have to put something, | 0:18:18 | 0:18:21 | |
"I don't know... | 0:18:21 | 0:18:22 | |
"It's so empty..." | 0:18:22 | 0:18:23 | |
-MAN SPEAKS IN FRENCH -Yes. | 0:18:23 | 0:18:24 | |
MUSIC: O Let Me Weep, For Ever Weep by English Chamber Orchestra | 0:18:36 | 0:18:39 | |
CHAIRS CLATTER AND BANG | 0:18:39 | 0:18:42 | |
HAUNTING INSTRUMENTAL | 0:18:42 | 0:18:45 | |
FEMALE SINGER REJOINS PIECE | 0:19:02 | 0:19:06 | |
CHAIRS RATTLE | 0:19:21 | 0:19:24 | |
CHAIRS CLATTER | 0:19:43 | 0:19:45 | |
CHAIRS CLATTER | 0:19:59 | 0:20:02 | |
MUSIC FADES OUT | 0:20:07 | 0:20:10 | |
SWING-JAZZ MUSIC PLAYS | 0:20:10 | 0:20:13 | |
DOG BARKS | 0:20:21 | 0:20:23 | |
DOG BARKS | 0:20:26 | 0:20:28 | |
SHEEP BAAS | 0:20:32 | 0:20:33 | |
Ein, zwei...sieben, acht, zehn. Ich komme! | 0:20:33 | 0:20:36 | |
DOG BARKS | 0:20:38 | 0:20:40 | |
MUSIC: O Let Me Weep, For Ever Weep by English Chamber Orchestra | 0:21:04 | 0:21:07 | |
MUSIC FADES | 0:22:16 | 0:22:19 | |
EERIE MUSIC BEGINS | 0:22:24 | 0:22:27 | |
RHYTHMIC BEAT KICKS IN | 0:22:30 | 0:22:33 | |
FEMALE VOICE ECHOES TO BEAT | 0:22:34 | 0:22:37 | |
# This love | 0:23:19 | 0:23:21 | |
# This love | 0:23:25 | 0:23:27 | |
# This love | 0:23:31 | 0:23:33 | |
# This love | 0:23:38 | 0:23:40 | |
# This love. # | 0:23:44 | 0:23:46 | |
MUSIC FADES | 0:23:49 | 0:23:51 | |
BOTH GASP | 0:24:13 | 0:24:14 | |
SHE INHALES DEEPLY | 0:24:39 | 0:24:41 | |
MAN AND WOMAN BREATHE HEAVILY | 0:24:41 | 0:24:44 | |
BOTH GASP | 0:24:50 | 0:24:52 | |
MAN AND WOMAN PANT | 0:24:53 | 0:24:56 | |
MAN AND WOMAN GASP | 0:25:06 | 0:25:08 | |
MAN AND WOMAN PANT | 0:25:08 | 0:25:11 | |
MAN GASPS | 0:25:12 | 0:25:14 | |
-MAN: -Oh! | 0:25:14 | 0:25:16 | |
MAN AND WOMAN PANT | 0:25:16 | 0:25:19 | |
MAN GASPS | 0:25:22 | 0:25:24 | |
MAN AND WOMAN PANT | 0:25:24 | 0:25:27 | |
MAN AND WOMAN GASP | 0:25:28 | 0:25:30 | |
MAN AND WOMAN PANT | 0:25:30 | 0:25:33 | |
MAN AND WOMAN GASP | 0:25:35 | 0:25:37 | |
MAN AND WOMAN PANT | 0:25:37 | 0:25:39 | |
BOTH GASP AND PANT | 0:25:42 | 0:25:45 | |
-WOMAN: -Oh! | 0:25:53 | 0:25:54 | |
SHE PANTS | 0:25:54 | 0:25:56 | |
TANGO MUSIC PLAYS | 0:26:17 | 0:26:20 | |
# Thy hand, Belinda | 0:27:52 | 0:27:57 | |
# Darkness shades me, | 0:27:57 | 0:28:06 | |
# On thy bosom | 0:28:06 | 0:28:11 | |
# Let me rest | 0:28:13 | 0:28:17 | |
# More I would | 0:28:19 | 0:28:22 | |
# But Death invades me | 0:28:22 | 0:28:27 | |
# Death is now | 0:28:29 | 0:28:34 | |
# A welcome guest | 0:28:34 | 0:28:41 | |
# When I am laid | 0:28:58 | 0:29:05 | |
# Am laid in earth | 0:29:05 | 0:29:13 | |
# May my wrongs create | 0:29:13 | 0:29:21 | |
# No trouble... # | 0:29:21 | 0:29:25 | |
IN FRENCH: | 0:29:25 | 0:29:27 | |
# But ah! | 0:29:50 | 0:29:56 | |
# Forget my fate | 0:29:56 | 0:30:03 | |
# Remember me | 0:30:03 | 0:30:08 | |
# But ah! | 0:30:08 | 0:30:12 | |
# Forget my fate | 0:30:12 | 0:30:20 | |
# Remember me | 0:30:22 | 0:30:26 | |
# Remember me | 0:30:31 | 0:30:34 | |
# But ah! | 0:30:35 | 0:30:41 | |
# Forget my fate... # | 0:30:41 | 0:30:47 | |
IN FRENCH: | 0:30:47 | 0:30:50 | |
# Remember me | 0:31:36 | 0:31:40 | |
# But ah! | 0:31:40 | 0:31:46 | |
# Forget my fate. # | 0:31:47 | 0:31:56 | |
QUIET SOBBING | 0:32:53 | 0:32:56 | |
IN ITALIAN: | 0:33:32 | 0:33:35 | |
IN FRENCH: | 0:34:24 | 0:34:27 | |
"I'm walking with angels. You are an angel, you are beautiful." | 0:34:44 | 0:34:48 | |
IN GERMAN: | 0:35:40 | 0:35:43 | |
CRASHING | 0:36:30 | 0:36:32 | |
RHYTHMIC INHUMAN GROWLING | 0:37:06 | 0:37:10 | |
SNARLING | 0:37:13 | 0:37:15 | |
SNARLING | 0:37:19 | 0:37:22 | |
RHYTHMIC INHUMAN GROWLING | 0:37:22 | 0:37:25 | |
BASHING SOUNDS | 0:37:30 | 0:37:33 | |
SNARLING | 0:37:34 | 0:37:37 | |
RHYTHMIC INHUMAN GROWLING | 0:37:37 | 0:37:40 | |
SNARLING | 0:37:44 | 0:37:47 | |
DEEP BREATHING | 0:37:59 | 0:38:03 | |
BRASS BAND MUSIC PLAYS | 0:38:14 | 0:38:18 | |
IN GERMAN: | 0:38:40 | 0:38:43 | |
# Gosto muito de te ver, leaozinho | 0:39:08 | 0:39:11 | |
# Caminhando sob o sol | 0:39:11 | 0:39:14 | |
# Gosto muito de voce, leaozinho | 0:39:14 | 0:39:18 | |
# Para desentristecer, leaozinho | 0:39:21 | 0:39:25 | |
# O meu coracao tao so | 0:39:25 | 0:39:27 | |
# Basta eu encontrar voce no caminho | 0:39:27 | 0:39:31 | |
# Um filhote de leao, raio da manha | 0:39:34 | 0:39:38 | |
# Arrastando o meu olhar como um ima | 0:39:40 | 0:39:45 | |
# O meu coracao e o sol pai de toda cor | 0:39:47 | 0:39:52 | |
# Quando ele lhe doura a pele ao leu | 0:39:54 | 0:39:58 | |
# Gosto de te ver ao sol, leaozinho | 0:40:00 | 0:40:02 | |
# De te ver entrar no mar | 0:40:03 | 0:40:05 | |
# Tua pele, tua luz, tua juba. # | 0:40:07 | 0:40:11 | |
RHYTHMIC MUSIC PLAYS | 0:40:21 | 0:40:25 | |
Pina was so beautiful to watch when she was watching us. | 0:40:48 | 0:40:51 | |
In the rehearsals, I often used to look over | 0:40:51 | 0:40:53 | |
to see her sitting behind that desk and watching us every day, | 0:40:53 | 0:40:57 | |
living every moment with her dancers, | 0:40:57 | 0:40:59 | |
sometimes like a little child, | 0:40:59 | 0:41:01 | |
full of all the feelings that we were having. | 0:41:01 | 0:41:04 | |
I often thought, | 0:42:07 | 0:42:09 | |
Pina sat behind that table and actually watched me for 22 years, | 0:42:09 | 0:42:15 | |
and that was even longer than my parents saw me. | 0:42:15 | 0:42:17 | |
MUSIC: Fruling Und Sonnerschein by Juan Llossas, Feat Rudi Schuricke | 0:42:18 | 0:42:23 | |
SHE SPEAKS GERMAN | 0:43:52 | 0:43:55 | |
SPARSE KOTO MUSIC PLAYS | 0:44:06 | 0:44:09 | |
MUSIC: Fruling Und Sonnerschein by Juan Llossas, Feat Rudi Schuricke | 0:45:22 | 0:45:26 | |
MUSIC: Einmal Ist Keinmal By Juan Llossas, feat Rudi Schuricke | 0:46:23 | 0:46:27 | |
LIVELY JIVE MUSIC PLAYS | 0:47:53 | 0:47:58 | |
SHE SPEAKS GERMAN | 0:49:03 | 0:49:05 | |
CLASSICAL VIOLIN MUSIC PLAYS | 0:49:13 | 0:49:17 | |
MUSIC: Du Bist Nicht Die Erste by Leo Monosson & Juan Llossas | 0:51:17 | 0:51:22 | |
HE SPEAKS SLOVENIAN | 0:52:29 | 0:52:33 | |
MUSIC: My One and Only Love by Thom Hanreich | 0:52:43 | 0:52:47 | |
# I'm just a fool to hold you | 0:52:52 | 0:52:58 | |
# I'm such a fool to think you'll wait | 0:53:00 | 0:53:05 | |
# I cannot feel what once was so real | 0:53:08 | 0:53:14 | |
# Without your love how I need your love | 0:53:14 | 0:53:22 | |
# Listen to me cos your eyes just won't see | 0:53:33 | 0:53:39 | |
# The magic of having you here | 0:53:39 | 0:53:45 | |
# So please listen to me | 0:53:45 | 0:53:51 | |
# You're my one and only love. # | 0:53:51 | 0:54:00 | |
SHE SPEAKS KOREAN | 0:54:22 | 0:54:26 | |
MUSIC: La Prima Vez by Owain Phyfe | 0:54:39 | 0:54:43 | |
MUSIC: Memoires Du Futur 1 by Rene Aubry | 0:56:07 | 0:56:11 | |
MUSIC: Bahamut by Hazmat Modine | 0:57:57 | 0:58:01 | |
# Well Bohemoth calls us his own | 0:58:09 | 0:58:13 | |
# While Bahamut wanders alone | 0:58:13 | 0:58:16 | |
# They both go out to play | 0:58:16 | 0:58:19 | |
# On that cold and rainy day | 0:58:19 | 0:58:21 | |
# And Bohemoth sings us his song | 0:58:21 | 0:58:25 | |
# While Bahamut wanders along | 0:58:25 | 0:58:28 | |
# But in the glory of this spring | 0:58:28 | 0:58:31 | |
# You can hear Bahamut sing | 0:58:31 | 0:58:34 | |
# Whoa-ho-ho Are you as big as me? | 0:58:34 | 0:58:39 | |
# Whoa-ho-ho-ho Way too big to see | 0:58:40 | 0:58:46 | |
# Whoa-ho-ho-ho-ho Bahamut he goes so slow | 0:58:46 | 0:58:51 | |
# Whoa-ho-ho-ho Too big a place to go. # | 0:58:52 | 0:58:57 | |
MUSIC: Pina by Thom Hanreich | 0:59:17 | 0:59:20 | |
MUSIC: Fruling Und Sonnenschein by Juan Llossas, feat Rudi Schuricke | 1:00:55 | 1:00:59 | |
MUSIC BECOMES DISTORTED | 1:02:25 | 1:02:28 | |
FRANTIC ELECTRONIC MUSIC PLAYS | 1:02:33 | 1:02:37 | |
HE SPEAKS SPANISH | 1:03:56 | 1:03:59 | |
MUSIC: Fatass Joint by Cujo | 1:04:17 | 1:04:21 | |
SHE SPEAKS GERMAN | 1:05:01 | 1:05:03 | |
MUSIC: Life and Death by Balanescu Quartet | 1:05:24 | 1:05:27 | |
ATMOSPHERIC CLASSICAL MUSIC PLAYS | 1:07:38 | 1:07:44 | |
SHE SPEAKS SPANISH | 1:08:48 | 1:08:52 | |
MUSIC: Deo by Amon Tobin | 1:09:02 | 1:09:06 | |
BIRDS TWITTER | 1:10:10 | 1:10:12 | |
MUSIC: Rooftop by Thom Hanreich | 1:10:13 | 1:10:18 | |
LEAFBLOWER WHIRRS | 1:10:57 | 1:10:59 | |
MUSIC: Luna De Margarita by Simon Diaz | 1:11:17 | 1:11:20 | |
Andre. | 1:12:26 | 1:12:27 | |
Andre! | 1:12:28 | 1:12:31 | |
Andre. | 1:12:53 | 1:12:54 | |
Andre! | 1:12:54 | 1:12:56 | |
Andre! | 1:12:58 | 1:13:01 | |
Andre! | 1:13:01 | 1:13:02 | |
MUSIC: Glasshouse by Thom Hanreich | 1:13:37 | 1:13:41 | |
SHE WHINES | 1:14:09 | 1:14:11 | |
SHE WHINES | 1:14:12 | 1:14:14 | |
SHE WHINES | 1:14:16 | 1:14:17 | |
SHE WHINES | 1:14:23 | 1:14:25 | |
SHE WHINES | 1:14:26 | 1:14:28 | |
SHE WHINES | 1:14:30 | 1:14:32 | |
SHE WHINES | 1:14:44 | 1:14:46 | |
SHE WHINES | 1:14:47 | 1:14:49 | |
SHE WHINES | 1:14:49 | 1:14:50 | |
MUSIC: Lillies Of The Valley by Jun Miyake | 1:14:50 | 1:14:56 | |
I am young! | 1:16:40 | 1:16:41 | |
My ears hear poems. | 1:16:43 | 1:16:46 | |
My mind is power. | 1:16:48 | 1:16:50 | |
My eyes see dreams! | 1:16:52 | 1:16:55 | |
My thoughts are high | 1:16:57 | 1:16:59 | |
and my body is strong. | 1:17:00 | 1:17:02 | |
Oh! | 1:17:07 | 1:17:08 | |
Oh! | 1:17:16 | 1:17:17 | |
SOFT MUSIC PLAYS | 1:19:32 | 1:19:37 | |
"Dance for love." | 1:20:22 | 1:20:23 | |
All of her pieces were about love and pain, | 1:20:52 | 1:20:54 | |
and beauty and sorrow and loneliness. | 1:20:54 | 1:20:57 | |
When I had this love affair with the hippopotamus, | 1:20:58 | 1:21:01 | |
I was about 28 when I did that piece. | 1:21:01 | 1:21:04 | |
I even identified her with this big, sweet hippo monster. | 1:21:04 | 1:21:08 | |
I was trying to understand her, | 1:21:08 | 1:21:11 | |
figure out why she had to keep working and working and working | 1:21:11 | 1:21:15 | |
and working and always working and working. | 1:21:15 | 1:21:18 | |
MUSIC: All Names by Jun Miyake | 1:21:49 | 1:21:53 | |
The way Pina walked allowed all of us to be sad, furious, | 1:24:11 | 1:24:16 | |
to cry or to laugh or to scream. | 1:24:16 | 1:24:19 | |
It could bring out all our qualities. | 1:24:19 | 1:24:22 | |
It was as if Pina hidden in each and every one of us. | 1:24:22 | 1:24:25 | |
Or the other way around, as if we were all a part of her. | 1:24:25 | 1:24:29 | |
OPERATIC MUSIC | 1:28:43 | 1:28:47 | |
MUSIC: West End Blues By Louis Armstrong | 1:30:46 | 1:30:51 | |
SCAT SINGING | 1:31:03 | 1:31:05 | |
PORTUGUESE TRADITIONAL SINGING | 1:33:01 | 1:33:08 | |
Dance, dance. Otherwise, we are lost. | 1:33:15 | 1:33:18 | |
Dance, dance. | 1:33:18 | 1:33:21 | |
SOMBRE SINGING | 1:33:21 | 1:33:27 | |
Andreas, music! | 1:33:30 | 1:33:33 | |
FAST PACED INSTRUMENTAL MUSIC | 1:33:33 | 1:33:37 |