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'I'm Philippa Perry. | 0:00:02 | 0:00:04 | |
'I've been a psychotherapist for 20 years | 0:00:04 | 0:00:06 | |
and now I've achieved my lifelong ambition | 0:00:06 | 0:00:09 | |
'of becoming an agony aunt. | 0:00:09 | 0:00:10 | |
'In this programme I'll explore the problem page's enduring | 0:00:10 | 0:00:14 | |
'appeal to everyone from 17th-century men | 0:00:14 | 0:00:17 | |
'to 1970s teenagers.' | 0:00:17 | 0:00:20 | |
Any lumpy envelopes, you were very cautious, | 0:00:20 | 0:00:23 | |
because they tended to contain bits of body parts. | 0:00:23 | 0:00:28 | |
'I'll pick my way through three centuries of advice on | 0:00:28 | 0:00:31 | |
'broken hearts, cheating partners and adolescent angst | 0:00:31 | 0:00:36 | |
'to uncover a revealing portrait of our social history. | 0:00:36 | 0:00:40 | |
'I'll immerse myself in the world | 0:00:40 | 0:00:42 | |
'of agony aunts and uncles and find them fighting | 0:00:42 | 0:00:45 | |
'on the front line of the battle of the sexes...' | 0:00:45 | 0:00:48 | |
Women think that willies are more complicated creatures than they are. | 0:00:48 | 0:00:54 | |
'..and leading a revolution in social attitudes.' | 0:00:54 | 0:00:57 | |
"This lady wishes to know, 'What is a blow job?'" | 0:00:57 | 0:01:01 | |
I said, "Leave it to me." | 0:01:01 | 0:01:02 | |
PHILIPPA LAUGHS | 0:01:02 | 0:01:04 | |
'And I'll discover just what | 0:01:04 | 0:01:05 | |
'makes other people's problems so irresistible.' | 0:01:05 | 0:01:09 | |
I'll give you the e-mail address. So, it's [email protected]... | 0:01:19 | 0:01:24 | |
'Denise Robertson is proof that the nation's | 0:01:24 | 0:01:27 | |
'agony aunts are still in huge demand.' | 0:01:27 | 0:01:30 | |
OK, so he has said he wants to leave? | 0:01:30 | 0:01:32 | |
Is he physically abusive? | 0:01:33 | 0:01:36 | |
Oh. OK, then. | 0:01:36 | 0:01:38 | |
So what is it that you want to ask Denise today? | 0:01:38 | 0:01:41 | |
How can you help him? | 0:01:43 | 0:01:44 | |
She's kept her place on the This Morning sofa | 0:01:47 | 0:01:50 | |
for over a quarter of a century and remains as busy as ever. | 0:01:50 | 0:01:54 | |
-I want to get straight on to the phone. -We've got Sarah there. | 0:01:54 | 0:01:56 | |
-Hello, Sarah. -You've been married for over 20 years, | 0:01:56 | 0:02:00 | |
and since the kids left home it's just been the two of you | 0:02:00 | 0:02:04 | |
and there's nothing there. The only... | 0:02:04 | 0:02:08 | |
Denise conforms to all our stereotypes | 0:02:08 | 0:02:10 | |
about what an agony aunt is. | 0:02:10 | 0:02:13 | |
She's older, wiser and is full of common sense | 0:02:13 | 0:02:17 | |
and gives the answer that you sort of expect to hear and want to hear. | 0:02:17 | 0:02:22 | |
If you ever were happy, then | 0:02:22 | 0:02:25 | |
it's worth exploring whether you can get that happiness back again. | 0:02:25 | 0:02:31 | |
Find out if there's any mileage left in the marriage | 0:02:31 | 0:02:34 | |
before you decide to go. If you... | 0:02:34 | 0:02:36 | |
Good advice is what you know anyway and might not have put into words. | 0:02:36 | 0:02:40 | |
Well, Denise certainly puts it into words. | 0:02:40 | 0:02:43 | |
'TV agony aunts like Denise may be a relatively recent | 0:02:43 | 0:02:46 | |
'phenomenon, but advice columnists | 0:02:46 | 0:02:49 | |
'have been around a lot longer than one might imagine. | 0:02:49 | 0:02:53 | |
'The problem page began life | 0:02:53 | 0:02:55 | |
'in the coffee shops of late-17th-century London. | 0:02:55 | 0:02:58 | |
'Aside from their wheeling and dealing, gentlemen readers | 0:02:58 | 0:03:02 | |
'still found time to revel in other people's agony. | 0:03:02 | 0:03:05 | |
'The earliest advice columns proved unputdownable because, | 0:03:05 | 0:03:10 | |
'just as today, they were the perfect place | 0:03:10 | 0:03:13 | |
'to confess unsavoury secrets.' | 0:03:13 | 0:03:15 | |
"Dear sir, I addicted myself to a most grievous sin. | 0:03:17 | 0:03:22 | |
"Although I refrain from the commission of it when I am | 0:03:22 | 0:03:26 | |
"awake, in my dreams I commit it and take pleasure in it. | 0:03:26 | 0:03:29 | |
"I desire your opinion whether it is still a sin." | 0:03:29 | 0:03:34 | |
The very first agony aunt wasn't an aunt at all, he was an uncle. | 0:03:36 | 0:03:41 | |
John Dunton, a London bookseller, | 0:03:41 | 0:03:44 | |
in 1691 founded the country's first problem page, the Athenian Mercury, | 0:03:44 | 0:03:51 | |
a periodical made up entirely of questions and answers. | 0:03:51 | 0:03:56 | |
But what made Dunton's invention so brilliant was that he hit upon | 0:03:56 | 0:04:01 | |
an idea that was a founding principle | 0:04:01 | 0:04:04 | |
of problem pages ever since, | 0:04:04 | 0:04:06 | |
that the questioner remain anonymous. | 0:04:06 | 0:04:09 | |
To help him in his pioneering work, Dunton founded the Athenian Society, | 0:04:14 | 0:04:20 | |
a panel of the great and the good - all men, naturally - | 0:04:20 | 0:04:23 | |
who passed down their judgment on readers' problems. | 0:04:23 | 0:04:27 | |
You have figures seated behind a table. | 0:04:27 | 0:04:30 | |
There's supposed to be 12 of them, which of course | 0:04:30 | 0:04:33 | |
conjures up the idea of a jury or perhaps the 12 disciples. | 0:04:33 | 0:04:36 | |
And in the centre you have John Dunton, who is the publisher. | 0:04:36 | 0:04:40 | |
He is gathering up the questions that men | 0:04:40 | 0:04:42 | |
and women are sending to him and his friends in a coffee house. | 0:04:42 | 0:04:46 | |
On the right we have John Norris, who was a Cambridge mathematician. | 0:04:46 | 0:04:50 | |
And on his left we have Samuel Wesley, | 0:04:50 | 0:04:52 | |
who was an Anglican clergyman. | 0:04:52 | 0:04:54 | |
But in fact they are the only three real people here. | 0:04:54 | 0:04:57 | |
All of the rest of the Athenian Society are fictitious. | 0:04:57 | 0:05:01 | |
So basically, it's John Dunton and a couple of mates in a coffee shop. | 0:05:01 | 0:05:06 | |
But the way he's promoting it, | 0:05:06 | 0:05:08 | |
it's a very canny marketing ploy, isn't it? | 0:05:08 | 0:05:11 | |
It is. And it captures something of the spirit of the times. | 0:05:11 | 0:05:14 | |
And it becomes a really national phenomenon. | 0:05:14 | 0:05:16 | |
People send in questions from all over the country. | 0:05:16 | 0:05:19 | |
And underneath them, what's this lot supposed to represent? | 0:05:19 | 0:05:22 | |
So, this is the kind of mass of ordinary labouring people, | 0:05:22 | 0:05:25 | |
men and women. | 0:05:25 | 0:05:26 | |
But this is definitely a picture of disorder among the lower orders. | 0:05:26 | 0:05:29 | |
So you have the woman, and she's trying to stab her husband, | 0:05:29 | 0:05:32 | |
and he's crying "Help, help, noble Athenians". | 0:05:32 | 0:05:35 | |
What sort of questions were they answering? | 0:05:35 | 0:05:38 | |
I mean, really, there were no holds barred. | 0:05:38 | 0:05:40 | |
I think we might be surprised at how frank | 0:05:40 | 0:05:42 | |
people could be in the 1690s about everyday life and their | 0:05:42 | 0:05:47 | |
problems with love and courtship and relationship questions. | 0:05:47 | 0:05:52 | |
We have a lady here who's asking, | 0:05:52 | 0:05:53 | |
"Where is the likeliest place to get a husband in?" | 0:05:53 | 0:05:56 | |
Where should she go to find a man? I really want to know. | 0:05:56 | 0:05:59 | |
Yes, well, they do recommend that, | 0:05:59 | 0:06:01 | |
"Tis likeliest place to get a lover where there are the fewest women. | 0:06:01 | 0:06:05 | |
"And accordingly, if she'll venture to ship herself | 0:06:05 | 0:06:08 | |
"to some of the plantations by the next fleet, | 0:06:08 | 0:06:11 | |
"if she's but anything marketable ten to one, | 0:06:11 | 0:06:13 | |
"but one or another there will save her longing." | 0:06:13 | 0:06:16 | |
-Right. -And this is what some women were doing, | 0:06:16 | 0:06:19 | |
they were going off and forging new families overseas. | 0:06:19 | 0:06:22 | |
And it's said that if you want a man, the best place to go is Alaska. | 0:06:22 | 0:06:26 | |
-Even today. -Today, yes. | 0:06:26 | 0:06:29 | |
And then you get these wonderful questions that children | 0:06:29 | 0:06:32 | |
might ask about everyday occurrences. | 0:06:32 | 0:06:35 | |
So, there's one here about a horse, | 0:06:35 | 0:06:38 | |
why a horse with a round fundament emits a square excrement. | 0:06:38 | 0:06:42 | |
Is it so? Is a horse's excrement really square? | 0:06:42 | 0:06:46 | |
It makes you look twice! | 0:06:46 | 0:06:48 | |
And then it goes into a great, long, quasi-scientific discussion | 0:06:48 | 0:06:53 | |
-about the oblong cakes. -Oh! | 0:06:53 | 0:06:55 | |
People were quite upfront, really, about bodily functions. | 0:06:55 | 0:06:58 | |
So I see in this one. "Sphincter, anus, orifice." | 0:06:58 | 0:07:02 | |
It's all coming out in the horse's, erm, excrement question. | 0:07:02 | 0:07:06 | |
There's no squeamishness. | 0:07:06 | 0:07:08 | |
That's a really interesting feature of the 17th century, I think. | 0:07:08 | 0:07:11 | |
We tend to think these days that problem pages are a very | 0:07:11 | 0:07:15 | |
female-dominated area. | 0:07:15 | 0:07:18 | |
This is one of the really remarkable things, that in the late 1600s | 0:07:18 | 0:07:22 | |
you had this periodical where women | 0:07:22 | 0:07:25 | |
and men were thought to be interested in questions relating | 0:07:25 | 0:07:29 | |
to domestic life and to happiness and to love and sex and marriage, | 0:07:29 | 0:07:33 | |
and as many men were writing in as women with those sorts of questions. | 0:07:33 | 0:07:37 | |
'In the 18th century, there was an explosion in printing, | 0:07:40 | 0:07:44 | |
'as Britain's rising prosperity created an insatiable demand | 0:07:44 | 0:07:48 | |
'for newspapers and magazines. | 0:07:48 | 0:07:50 | |
'Well-to-do readers had a vast array of new periodicals to choose from, | 0:07:50 | 0:07:55 | |
'and many of them featured the tried and tested formula | 0:07:55 | 0:07:58 | |
'of a problem page. | 0:07:58 | 0:08:01 | |
'Whether the questions came from men or women, the subject of | 0:08:01 | 0:08:05 | |
'relations with the opposite sex remained a perennial favourite. | 0:08:05 | 0:08:09 | |
'A few hundred years on, the 18th-century answers | 0:08:09 | 0:08:13 | |
'may be showing their age, but many of the problems | 0:08:13 | 0:08:16 | |
'are timeless, so I want to put a few of them | 0:08:16 | 0:08:19 | |
'to a modern agony uncle.' | 0:08:19 | 0:08:21 | |
"I have a great mind to be rid of my wife. | 0:08:21 | 0:08:24 | |
"Never was man so enamoured as I was of her fair forehead, neck and arms. | 0:08:24 | 0:08:30 | |
"But, to my great astonishment, | 0:08:30 | 0:08:33 | |
"I find they were all the effect of art. | 0:08:33 | 0:08:36 | |
"When she wakes in the morning, she scarce seems young enough | 0:08:36 | 0:08:40 | |
"to be the mother of her whom | 0:08:40 | 0:08:41 | |
-"I carried to bed the night before." -GRAHAM CHUCKLES | 0:08:41 | 0:08:44 | |
"What would you advise?" | 0:08:44 | 0:08:47 | |
He...was very naive, this man. | 0:08:47 | 0:08:50 | |
Er, I mean, you know, she must be caked in make-up. | 0:08:50 | 0:08:54 | |
She must be wearing so much of it, | 0:08:54 | 0:08:56 | |
I mean in that to the point where you'd suspect she's a man, | 0:08:56 | 0:08:59 | |
-not just an old lady. -But everything was by candlelight. | 0:08:59 | 0:09:01 | |
So you could probably get away with a lot more. | 0:09:01 | 0:09:03 | |
-No daytime dates. -Yeah, yeah, yeah. | 0:09:03 | 0:09:07 | |
I suppose it is that thing, you know, | 0:09:07 | 0:09:09 | |
if you buy a miniature poodle and it grows into a dachshund, you'll | 0:09:09 | 0:09:14 | |
never love it quite as much as you would have the miniature poodle. | 0:09:14 | 0:09:18 | |
You have been sold a pup. | 0:09:18 | 0:09:20 | |
But also here's the thing, agony aunts | 0:09:20 | 0:09:22 | |
and uncles across time immemorial, | 0:09:22 | 0:09:25 | |
they're not always right. Because who knows if you're right? | 0:09:25 | 0:09:28 | |
You're in an odd position, because you're | 0:09:28 | 0:09:30 | |
meddling in strangers' lives and you're judging a whole | 0:09:30 | 0:09:33 | |
situation from one side, you're not getting both sides of the story. | 0:09:33 | 0:09:37 | |
You try to imagine what else is going on in-between the lines and outside. | 0:09:37 | 0:09:42 | |
And do you worry a lot about the advice you give, | 0:09:42 | 0:09:45 | |
whether it's right or it's wrong? | 0:09:45 | 0:09:47 | |
Sometimes. Look, sometimes I don't, because who cares, really, you know, | 0:09:47 | 0:09:51 | |
because the problem is sort of like, "Duh! Really? You're writing to me?" | 0:09:51 | 0:09:56 | |
Do you think being a man makes any difference to being an agony aunt? | 0:09:56 | 0:10:02 | |
With women, you can give them a male perspective on this, | 0:10:03 | 0:10:07 | |
because I think women overthink men far too much | 0:10:07 | 0:10:11 | |
and they think that men are thinking when they're not, | 0:10:11 | 0:10:15 | |
they're just doing. | 0:10:15 | 0:10:17 | |
Most men get into trouble through their wallet or their willy. | 0:10:17 | 0:10:21 | |
Yeah, willies do lead their poor owners astray rather a lot. | 0:10:21 | 0:10:26 | |
They really, really do. That's the problem. | 0:10:26 | 0:10:28 | |
I think women think that willies | 0:10:28 | 0:10:32 | |
are more complicated creatures than they are. | 0:10:32 | 0:10:36 | |
So don't feel TOO bad when it ends up somewhere else. | 0:10:36 | 0:10:40 | |
-Oh, really? -Well, you will feel bad. Of course, you're devastated. | 0:10:40 | 0:10:45 | |
But... And trust is the worst... | 0:10:45 | 0:10:49 | |
-..thing, I mean to try and rebuild trust. -Yeah, yeah. | 0:10:50 | 0:10:53 | |
I never know, really, what to tell people. | 0:10:53 | 0:10:55 | |
I just always kind of go, "Well, maybe over time." | 0:10:55 | 0:10:58 | |
But really I'm thinking, "Nah. That trust is not coming back." | 0:10:58 | 0:11:03 | |
'In the 17th and 18th centuries, agony aunts and uncles addressed | 0:11:09 | 0:11:13 | |
'the concerns of a small elite with the money to spend on magazines, | 0:11:13 | 0:11:17 | |
'but in the 19th century, cheaper printing and the growth | 0:11:17 | 0:11:21 | |
'of the middle classes brought their columns to a massive new audience. | 0:11:21 | 0:11:26 | |
'These upwardly mobile new readers were desperate to learn the | 0:11:26 | 0:11:30 | |
'do's and don'ts of polite society and turned to the Victorian | 0:11:30 | 0:11:34 | |
'advice columnists as the arbiters of good taste.' | 0:11:34 | 0:11:37 | |
"Madam, the expense of white kid gloves is ruining me, | 0:11:42 | 0:11:46 | |
"as they grow dirty so quickly. | 0:11:46 | 0:11:49 | |
"Would it be a great offence against etiquette | 0:11:49 | 0:11:52 | |
"to wear black lace mitts instead?" | 0:11:52 | 0:11:54 | |
Publishers like Samuel Beeton, | 0:11:56 | 0:11:58 | |
husband of the original domestic goddess, Mrs Beeton, | 0:11:58 | 0:12:02 | |
were quick to take advantage of this new middle-class market. | 0:12:02 | 0:12:06 | |
In 1852, Beeton launched the Englishwoman's Domestic Magazine, | 0:12:06 | 0:12:12 | |
the first cheap monthly magazine aimed at the same | 0:12:12 | 0:12:15 | |
housewives who lapped up his wife's recipes for steamed pudding. | 0:12:15 | 0:12:19 | |
'Beeton was the magazine's editor and agony uncle, answering the | 0:12:21 | 0:12:24 | |
'usual queries about manners and morals. | 0:12:24 | 0:12:28 | |
'But these problem-page standards were subverted by certain | 0:12:29 | 0:12:33 | |
'letters which took a far darker turn.' | 0:12:33 | 0:12:37 | |
And you get things like, "How do I get rid of my blackheads?" | 0:12:37 | 0:12:40 | |
"What's the best kind of shampoo for greasy hair?" | 0:12:40 | 0:12:42 | |
"What colours should I wear if I've got brown hair?" | 0:12:42 | 0:12:45 | |
And I understand that in 1867 the problems took a different turn. | 0:12:45 | 0:12:51 | |
Yeah, so in 1867 something called the corset controversy started | 0:12:51 | 0:12:55 | |
with quite an innocent letter from a lady from Edinburgh. | 0:12:55 | 0:12:59 | |
She sent her daughter away to school | 0:12:59 | 0:13:02 | |
and didn't see her for quite a long time, | 0:13:02 | 0:13:04 | |
and when she saw her again her daughter had been tight-laced, | 0:13:04 | 0:13:07 | |
which is put into an extremely tight corset | 0:13:07 | 0:13:10 | |
to alter the figure permanently. | 0:13:10 | 0:13:12 | |
And she was really annoyed that this had been done | 0:13:12 | 0:13:15 | |
without her permission. | 0:13:15 | 0:13:17 | |
And this kind of started a huge, huge series of letters | 0:13:17 | 0:13:20 | |
that went on for at least two years, | 0:13:20 | 0:13:23 | |
almost every month people saying | 0:13:23 | 0:13:25 | |
that they were either for or against corsets. | 0:13:25 | 0:13:27 | |
And mostly, it had to be said, they were for them. | 0:13:27 | 0:13:29 | |
So, in the very next month, you get this letter from somebody | 0:13:29 | 0:13:32 | |
who calls themselves Staylace, | 0:13:32 | 0:13:34 | |
because everyone has a pseudonym in this. | 0:13:34 | 0:13:36 | |
And she, presuming it's a woman, is very, very pro tight-lacing. | 0:13:36 | 0:13:41 | |
And she goes on to say, "To me, the sensation of being tightly laced | 0:13:41 | 0:13:45 | |
"in a pair of elegant, well-made, tightly fitting corsets is superb, | 0:13:45 | 0:13:49 | |
"and I've never felt any evil to arise therefrom. | 0:13:49 | 0:13:51 | |
"I rejoice in quite a collection of these much-abused | 0:13:51 | 0:13:54 | |
"objects, in silk, satin and coutil of every style and colour." | 0:13:54 | 0:13:58 | |
I'm a little bit suspicious that this was not from a lady. | 0:13:58 | 0:14:03 | |
I've got a feeling this is from a gentleman who was | 0:14:03 | 0:14:06 | |
turned on by the Edinburgh letter and now feels that this | 0:14:06 | 0:14:12 | |
is like a confessional of his very, very private life... | 0:14:12 | 0:14:17 | |
-Yeah. -..because he's obviously a transvestite, | 0:14:17 | 0:14:20 | |
and he's enjoying the display he's getting through these pages. | 0:14:20 | 0:14:24 | |
I mean, that's just my theory, obviously. | 0:14:24 | 0:14:26 | |
Yeah. Well, it's very possible, and it gave you the ability to | 0:14:26 | 0:14:30 | |
air your most private thoughts under a pseudonym. | 0:14:30 | 0:14:33 | |
You quite often get men writing in saying, | 0:14:33 | 0:14:35 | |
"I'm very interested in the corset question. Can you tell me more?" | 0:14:35 | 0:14:39 | |
I bet you did! | 0:14:39 | 0:14:41 | |
So, was that a one-off? | 0:14:41 | 0:14:43 | |
Or did this type of sort of going over into sort of male | 0:14:43 | 0:14:48 | |
fantasy happen ever again? | 0:14:48 | 0:14:51 | |
It did, actually, and in 1870 | 0:14:51 | 0:14:53 | |
there was a controversy that was even more strong. | 0:14:53 | 0:14:56 | |
Uh-oh. I dread to think. | 0:14:56 | 0:14:58 | |
It started out being about whether it was right or wrong to | 0:14:58 | 0:15:02 | |
whip your children, and it quickly got into quite dark avenues. | 0:15:02 | 0:15:05 | |
The letter starts here and it's somebody called, "A rejoicer in the | 0:15:05 | 0:15:08 | |
"restoration of the rod". | 0:15:08 | 0:15:10 | |
So it kind of starts off saying there's a great need for | 0:15:10 | 0:15:14 | |
there to be kind of more discipline, | 0:15:14 | 0:15:16 | |
and it essentially moves on to a very, | 0:15:16 | 0:15:19 | |
very detailed description of a school in Kentish Town. | 0:15:19 | 0:15:23 | |
"She then laid the cane aside, and when he had taken off his | 0:15:23 | 0:15:25 | |
"trousers and had tucked his shirt, at her bidding, under his waistcoat | 0:15:25 | 0:15:29 | |
"and laid himself across the little bed with his person bare, she told | 0:15:29 | 0:15:32 | |
"him that she should birch him now, for refusing to obey her orders." | 0:15:32 | 0:15:36 | |
So... | 0:15:36 | 0:15:38 | |
Ooh! | 0:15:38 | 0:15:40 | |
-It kind of go... -It goes into that detail, doesn't it, | 0:15:40 | 0:15:43 | |
that kind of shows that he is getting off on this? | 0:15:43 | 0:15:46 | |
Yeah, and, I mean, this is one of the most disturbing ones, I think. | 0:15:46 | 0:15:50 | |
But some of them talk about things like tying a 17-year-old | 0:15:50 | 0:15:53 | |
girl's hands to a peg on the wall so that you could beat her. | 0:15:53 | 0:15:57 | |
And it starts getting very kind of sexualised and weird. | 0:15:57 | 0:16:00 | |
-It's making me feel a bit sick, actually. -It's really not nice. | 0:16:00 | 0:16:04 | |
So, what's going on here? | 0:16:04 | 0:16:06 | |
This is a polite magazine for English women, English ladies, | 0:16:06 | 0:16:10 | |
and it seems to be taken over by men who... | 0:16:10 | 0:16:13 | |
Well, it's getting a bit pornographic, I think. | 0:16:13 | 0:16:17 | |
It's obvious that some of the people found it quite uncomfortable, | 0:16:17 | 0:16:20 | |
because you get some letters, and people have written in saying, | 0:16:20 | 0:16:23 | |
"I used to lend this magazine to my friends, but now I don't | 0:16:23 | 0:16:26 | |
"really feel comfortable doing so because of some of the content". | 0:16:26 | 0:16:29 | |
In fact, people got kind of so upset about the fact that these | 0:16:29 | 0:16:32 | |
letters were appearing that Samuel Beeton decided that he was | 0:16:32 | 0:16:35 | |
going to separate them out from the main magazine, and he published | 0:16:35 | 0:16:38 | |
them in a supplement instead, which you could buy separately. | 0:16:38 | 0:16:41 | |
On the title page it says, "Letters addressed to the editor of the | 0:16:41 | 0:16:44 | |
"Englishwoman's Domestic Magazine | 0:16:44 | 0:16:45 | |
-"on the whipping of girls". -Oh, my goodness. | 0:16:45 | 0:16:48 | |
Is this still pretending it's asking for rules to how to | 0:16:48 | 0:16:53 | |
discipline your children and servants? | 0:16:53 | 0:16:56 | |
There are genuine concerns amongst the blatant pornography, to us. | 0:16:56 | 0:17:01 | |
I'm actually quite annoyed, really, that men seem to have | 0:17:01 | 0:17:05 | |
hijacked this women's magazine. | 0:17:05 | 0:17:07 | |
And I think they're using the unwitting woman | 0:17:07 | 0:17:11 | |
as part of their audience. | 0:17:11 | 0:17:13 | |
They're getting off on the idea of women reading this | 0:17:13 | 0:17:16 | |
and not knowing what's going on. It's a form of abuse, really. | 0:17:16 | 0:17:20 | |
Yeah, I think that's what makes it so kind of weirdly transgressive, | 0:17:20 | 0:17:23 | |
that it's in this kind of very innocent problem page and that when | 0:17:23 | 0:17:26 | |
they were initially being published, it was in-between somebody writing in | 0:17:26 | 0:17:30 | |
about what shampoo was the best to use and how to cook a salmon. | 0:17:30 | 0:17:33 | |
When I used to volunteer for a telephone helpline, | 0:17:35 | 0:17:39 | |
we used to get a lot of calls from transvestites, | 0:17:39 | 0:17:42 | |
many of whom were genuinely worried about their compulsion. | 0:17:42 | 0:17:47 | |
But a few just telephoned in to tell the telephone operator what | 0:17:47 | 0:17:53 | |
they were wearing, how sharp their heels were, how big their hair was. | 0:17:53 | 0:17:58 | |
And I think that's not unlike the Englishwoman's Domestic Magazine. | 0:17:58 | 0:18:04 | |
I think a lot of those people that wrote in did so | 0:18:04 | 0:18:09 | |
not only for the anonymity but also for the audience. | 0:18:09 | 0:18:14 | |
Aside from the occasional interloper, | 0:18:17 | 0:18:19 | |
agony aunts have long been the last resort of young women | 0:18:19 | 0:18:23 | |
with very genuine questions that nobody else could answer. | 0:18:23 | 0:18:28 | |
In comparison to the tight-laced Victorians, | 0:18:28 | 0:18:31 | |
the flappers of the new century looked like thoroughly modern | 0:18:31 | 0:18:34 | |
misses, but when it came to the birds and the bees, they were | 0:18:34 | 0:18:38 | |
just as clueless as their predecessors. | 0:18:38 | 0:18:41 | |
"Dear Mrs Marriott, | 0:18:43 | 0:18:44 | |
"I'm getting married shortly and have asked my mother to tell me | 0:18:44 | 0:18:48 | |
"the intimate facts of life. | 0:18:48 | 0:18:50 | |
"She says I am thoroughly | 0:18:50 | 0:18:52 | |
nasty and morbid" and shall find out soon enough. Can you help?" | 0:18:52 | 0:18:57 | |
At one time, agony aunts really were the keepers of secret knowledge. | 0:19:00 | 0:19:06 | |
They were this source of answers | 0:19:06 | 0:19:08 | |
to a whole list of unmentionable problems. | 0:19:08 | 0:19:10 | |
But far from breaking taboos, agony aunts kept their secrets, | 0:19:10 | 0:19:16 | |
because the replies to this sort of question were kept private. | 0:19:16 | 0:19:20 | |
They were only given via the stamped, addressed envelope. | 0:19:20 | 0:19:25 | |
Ignorant Betty was one of the lucky ones. She will have got her answer. | 0:19:25 | 0:19:30 | |
But the other readers, they will have been left in the dark. | 0:19:30 | 0:19:33 | |
'In the 19th century, agony aunts had become the trusted confidantes | 0:19:37 | 0:19:42 | |
'of the middle classes, but in the new century | 0:19:42 | 0:19:44 | |
'they gained true mass-market appeal. | 0:19:44 | 0:19:47 | |
'Newspapers looking to increase their circulation introduced problem | 0:19:49 | 0:19:53 | |
'pages to attract more female readers. | 0:19:53 | 0:19:56 | |
'The Daily Mirror was the first national paper to do so, in 1935, | 0:19:56 | 0:20:01 | |
'and others soon followed suit. | 0:20:01 | 0:20:03 | |
'The Mirror's agony aunt was the American Dorothy Dix, whose | 0:20:05 | 0:20:09 | |
'column was syndicated internationally in 300 | 0:20:09 | 0:20:12 | |
'newspapers and boasted a readership of 60 million. | 0:20:12 | 0:20:15 | |
'Until now, agony aunts had been largely anonymous, but Dix | 0:20:17 | 0:20:21 | |
'was a new type of aunt and a major personality in her own right. | 0:20:21 | 0:20:25 | |
'And although newspaper advice columns were | 0:20:26 | 0:20:29 | |
'aimed at female readers, they were to prove just as popular with men. | 0:20:29 | 0:20:34 | |
'In the two decades after the end of the First World War, | 0:20:39 | 0:20:43 | |
universal suffrage and improving job prospects brought women new | 0:20:43 | 0:20:47 | |
'opportunities and new expectations of a life that offered | 0:20:47 | 0:20:51 | |
'more than marriage and motherhood. | 0:20:51 | 0:20:53 | |
'But the problem pages of the period | 0:20:54 | 0:20:57 | |
'reveal that a generation of young men were left bemused and bewildered | 0:20:57 | 0:21:01 | |
'by this new mood of female independence. | 0:21:01 | 0:21:05 | |
'The discovery of an agony aunt's reply to just such a letter | 0:21:05 | 0:21:09 | |
'from 16-year-old Len Tebbutt sparked his daughter's interest in | 0:21:09 | 0:21:14 | |
'the advice columns of the inter-war years.' | 0:21:14 | 0:21:17 | |
It's a little bit fragile. | 0:21:17 | 0:21:19 | |
Oh, goodness. And what is the advice? | 0:21:19 | 0:21:23 | |
Fairly practical, actually. | 0:21:23 | 0:21:24 | |
He'd clearly been writing to a girl that he'd got a bit of a crush on | 0:21:24 | 0:21:29 | |
and she'd not been writing back to him for several months. | 0:21:29 | 0:21:32 | |
And her advice was that | 0:21:32 | 0:21:35 | |
he was unlikely to get any satisfaction by just | 0:21:35 | 0:21:38 | |
continuing writing to her. | 0:21:38 | 0:21:39 | |
So, it was fairly, you know, down to earth. | 0:21:39 | 0:21:42 | |
I think, you know, there's not much chance | 0:21:42 | 0:21:44 | |
of this going anywhere further, really. | 0:21:44 | 0:21:47 | |
He must have taken the advice, because here you are. | 0:21:47 | 0:21:49 | |
So he must have gone on to pastures new and got better luck next time. | 0:21:49 | 0:21:52 | |
That was quite a long time later, I think, because he would | 0:21:52 | 0:21:55 | |
have been about 16, I think, which is an interesting period of | 0:21:55 | 0:21:59 | |
transition, when boys are beginning to get more interested in girls. | 0:21:59 | 0:22:02 | |
I kind of thought that agony columns were a sort of female domain. | 0:22:02 | 0:22:07 | |
I didn't realise that men used them so much. | 0:22:07 | 0:22:10 | |
Well, I think in those sorts of boys' cultures there was a great | 0:22:10 | 0:22:14 | |
fear of having your leg pulled. | 0:22:14 | 0:22:16 | |
You know, talking about personal matters, it was | 0:22:16 | 0:22:19 | |
kind of opening yourself up in ways that would make you look weak. | 0:22:19 | 0:22:23 | |
So writing to somebody who was very distant could offer | 0:22:23 | 0:22:27 | |
an anonymous form of advice, could be very, you know, very attractive. | 0:22:27 | 0:22:32 | |
They speak a lot of kind of being shy, being unconfident, | 0:22:32 | 0:22:36 | |
not being able to understand why women or girls weren't | 0:22:36 | 0:22:41 | |
necessarily interested in them, how to make a first move, how to | 0:22:41 | 0:22:46 | |
sort of break off a relationship, all those sorts of things. | 0:22:46 | 0:22:49 | |
This is from the Manchester Evening News. | 0:22:49 | 0:22:53 | |
The column was called The Voice Of Experience, | 0:22:53 | 0:22:55 | |
and this is called | 0:22:55 | 0:22:57 | |
"No appreciation from her". | 0:22:57 | 0:23:00 | |
"For two years I have been friendly with a girl who is always | 0:23:00 | 0:23:04 | |
"telling me of the wonderful times she had before she met me. | 0:23:04 | 0:23:08 | |
"I'm not in a position to give her much, and when I ask her if she | 0:23:08 | 0:23:11 | |
"is happy with me, she puts me off with a flippant, 'Oh, I'm all right'. | 0:23:11 | 0:23:16 | |
"And sometimes she says it so curtly that it hurts my feelings." | 0:23:16 | 0:23:20 | |
-Oh, dear! -"I do my best to give her an enjoyable time, | 0:23:20 | 0:23:24 | |
"but what a difference a little appreciation would make. | 0:23:24 | 0:23:28 | |
"Can you advise me how to make her realise this? | 0:23:28 | 0:23:32 | |
"Baffled, Levenshulme." | 0:23:32 | 0:23:34 | |
Oh, dear! I expect he was attracted | 0:23:34 | 0:23:38 | |
to her hard-to-get manner and now it's wearing very thin. | 0:23:38 | 0:23:42 | |
It's quite interesting. There are a number of... Letters are often | 0:23:42 | 0:23:46 | |
described, you know... signed "Baffled" or "Fed up". | 0:23:46 | 0:23:51 | |
I think part of it is to do with this frustration that | 0:23:51 | 0:23:55 | |
girls are not sharing the same desire to settle down. | 0:23:55 | 0:23:59 | |
These young women are working, | 0:23:59 | 0:24:02 | |
there's dancing, the cinema has expanded, | 0:24:02 | 0:24:05 | |
and there's a new idea of dating rather than courtship, | 0:24:05 | 0:24:09 | |
you know, the idea that you can go out with several young men | 0:24:09 | 0:24:12 | |
and you don't have to settle down with the first one that you meet. | 0:24:12 | 0:24:16 | |
And I think some of these letters | 0:24:16 | 0:24:18 | |
are expressing some of that frustration. | 0:24:18 | 0:24:21 | |
What was the advice that the agony aunts gave to these young people? | 0:24:21 | 0:24:26 | |
I think they're often quite frustrated | 0:24:26 | 0:24:29 | |
when young men write in and express their sort of difficulty | 0:24:29 | 0:24:33 | |
in establishing a relationship or the fact that they're rather shy | 0:24:33 | 0:24:36 | |
and they find it difficult to make the first movement towards a girl. | 0:24:36 | 0:24:40 | |
You know, they get a bit annoyed with them. | 0:24:40 | 0:24:43 | |
You know, they're not being sufficiently manly, masculine. | 0:24:43 | 0:24:47 | |
They are always encouraged to be more assertive, | 0:24:47 | 0:24:49 | |
whereas the girls tend to be told to tone it down. | 0:24:49 | 0:24:53 | |
But there would be no return to the old certainties of a world | 0:24:55 | 0:24:59 | |
where men were men | 0:24:59 | 0:25:00 | |
and women were demure and deferential. | 0:25:00 | 0:25:03 | |
Instead, the outbreak of war in 1939 | 0:25:03 | 0:25:07 | |
left agony aunts and their readers facing | 0:25:07 | 0:25:10 | |
a host of very modern dilemmas. | 0:25:10 | 0:25:12 | |
"Dear Mrs Isles, I married the best husband in the world, but whilst he | 0:25:14 | 0:25:19 | |
"was away in the Army I had an affair and fell pregnant. | 0:25:19 | 0:25:23 | |
"My husband assumes the child is his. Should I tell him the truth?" | 0:25:23 | 0:25:28 | |
A modern agony aunt might tell a woman who'd had an affair | 0:25:31 | 0:25:36 | |
and got pregnant because of it that it would be | 0:25:36 | 0:25:39 | |
best to come clean, but that assumption that honesty is | 0:25:39 | 0:25:43 | |
integral to a good relationship is a very modern one. | 0:25:43 | 0:25:47 | |
In the 1940s, the advice would have been, | 0:25:47 | 0:25:50 | |
"Stay shtoom and sweep it all under the carpet". | 0:25:50 | 0:25:54 | |
After the war, sales of women's magazines boomed. | 0:25:59 | 0:26:04 | |
On their pages, an elite | 0:26:04 | 0:26:05 | |
band of advice columnists reigned supreme, confident in their | 0:26:05 | 0:26:10 | |
ability to right the country's emotional wrongs. | 0:26:10 | 0:26:13 | |
In 1945, just after the war, Woman's Own appointed a new agony aunt, | 0:26:16 | 0:26:22 | |
Mary Grant, and she wrote a very rousing mission statement. | 0:26:22 | 0:26:28 | |
It's actually difficult not to sound a bit like Churchill | 0:26:28 | 0:26:31 | |
when I'm reading this, but here we go. | 0:26:31 | 0:26:33 | |
"In the last six years, we have seen what lack of understanding, | 0:26:33 | 0:26:37 | |
"greed and blind selfishness can do to humanity. | 0:26:37 | 0:26:42 | |
"Lack of understanding of ourselves and our emotional problems | 0:26:42 | 0:26:46 | |
"can have a more far-reaching effect than many of us dream, | 0:26:46 | 0:26:51 | |
"like a stone thrown into a pond, | 0:26:51 | 0:26:54 | |
"when the circles grow wider and wider. | 0:26:54 | 0:26:57 | |
"If only we can set our problems right | 0:26:57 | 0:27:01 | |
"before the circles ripple disturbingly out of reach..." | 0:27:01 | 0:27:06 | |
This reads like a rallying cry for the nation's agony aunts. | 0:27:06 | 0:27:11 | |
Germany may have been defeated, but there's still | 0:27:11 | 0:27:14 | |
the battle of the emotions to be fought and won on the home front. | 0:27:14 | 0:27:19 | |
Mary Grant may have advocated a new era of emotional openness, | 0:27:21 | 0:27:26 | |
but she left her readers in no doubt that their place remained | 0:27:26 | 0:27:30 | |
very firmly in the home. | 0:27:30 | 0:27:33 | |
Katharine Whitehorn was one of Grant's fellow journalists | 0:27:34 | 0:27:37 | |
at Woman's Own and witnessed at first hand | 0:27:37 | 0:27:40 | |
the good old-fashioned family values promoted on her page. | 0:27:40 | 0:27:45 | |
There were certain things, I mean, that they | 0:27:45 | 0:27:47 | |
had to be sort of extraordinarily prissy about. | 0:27:47 | 0:27:50 | |
I mean, here's the thing. There was | 0:27:50 | 0:27:53 | |
a marvellous one that always came about, was this, | 0:27:53 | 0:27:55 | |
where you got the answer but you didn't get the question. | 0:27:55 | 0:28:00 | |
But the one that I particularly remember was, the answer was, | 0:28:00 | 0:28:04 | |
"What you describe is not unusual and very few people would call it wrong". | 0:28:04 | 0:28:10 | |
So you were then going, "Well, what was it, anyway?" | 0:28:10 | 0:28:12 | |
Masturbation, but you couldn't mention it on that kind of paper. | 0:28:12 | 0:28:17 | |
It wasn't OK. | 0:28:17 | 0:28:19 | |
So, let's have a look at one of these. | 0:28:19 | 0:28:22 | |
"I can't trust my husband. | 0:28:22 | 0:28:24 | |
"My husband and I have always been happy and have one little girl. | 0:28:24 | 0:28:28 | |
"For the past few months, I have employed a baby-sitter. | 0:28:28 | 0:28:32 | |
"Last week, we went out separately, | 0:28:32 | 0:28:34 | |
"and when I got in he had already arrived home. | 0:28:34 | 0:28:37 | |
"After the baby-sitter had left, I saw that my husband had | 0:28:38 | 0:28:41 | |
"lipstick on his face. | 0:28:41 | 0:28:43 | |
"He admitted that he'd had a few drinks and had kissed the girl. | 0:28:43 | 0:28:47 | |
"He says it was only silliness and apologised, | 0:28:47 | 0:28:50 | |
"but I feel I can't trust him again." | 0:28:50 | 0:28:53 | |
-Oh! -This is the reply. "I realise how upsetting an incident | 0:28:53 | 0:28:58 | |
"like this can be, but I think you are exaggerating its importance. | 0:28:58 | 0:29:02 | |
"Your husband is right in saying it was only silliness. | 0:29:02 | 0:29:05 | |
"Put the incident right out of your mind. | 0:29:05 | 0:29:07 | |
"It certainly is not worth making yourself unhappy about." | 0:29:07 | 0:29:11 | |
-Yeah. -She's told by the paper, "Don't make a fuss about it". | 0:29:11 | 0:29:14 | |
Is that typical? | 0:29:14 | 0:29:15 | |
It was assumed that what women really wanted to do | 0:29:15 | 0:29:19 | |
was to be happily married, | 0:29:19 | 0:29:21 | |
and the best way to go on being that would be, on some occasions, | 0:29:21 | 0:29:26 | |
not to make an enormous fuss about something that they could get over. | 0:29:26 | 0:29:31 | |
And therefore you didn't want to say, | 0:29:31 | 0:29:34 | |
"Kick him in the balls and go away and get a proper job." | 0:29:34 | 0:29:37 | |
This was not what one was about. | 0:29:37 | 0:29:39 | |
Even if he has been having it off with his secretary, which he | 0:29:39 | 0:29:42 | |
probably has, then you don't want it to ruin your marriage. | 0:29:42 | 0:29:47 | |
So there's a sort of double standard in Woman's Own at this time, | 0:29:47 | 0:29:51 | |
like men were allowed to behave in one way, women were supposed to | 0:29:51 | 0:29:55 | |
behave in another. And the magazine just... | 0:29:55 | 0:29:57 | |
They were supposed to cope with it, yeah. | 0:29:57 | 0:29:59 | |
I'd like to read you some of this particular problem. | 0:29:59 | 0:30:03 | |
It's more of a careers-based one. | 0:30:03 | 0:30:05 | |
"Must I be a working wife? | 0:30:05 | 0:30:08 | |
"I'm engaged to a wonderful boy and we hope to marry this summer. | 0:30:08 | 0:30:12 | |
"We have been lucky enough to get a house, | 0:30:12 | 0:30:14 | |
"and so long as we do not live extravagantly | 0:30:14 | 0:30:16 | |
"we'll be able to manage quite well on my future husband's salary. | 0:30:16 | 0:30:21 | |
"The problem is that my fiance's family seem to think | 0:30:21 | 0:30:24 | |
"that I should carry on with my job after our marriage, | 0:30:24 | 0:30:28 | |
"but I feel that a wife only should work if it is essential. | 0:30:28 | 0:30:32 | |
"I have never had to run a home before, and | 0:30:32 | 0:30:34 | |
"I feel that if I went on working | 0:30:34 | 0:30:36 | |
"I might not be able to look after it properly." | 0:30:36 | 0:30:39 | |
And the opinion of Mary Grant is that, | 0:30:39 | 0:30:43 | |
"You are evidently quite inexperienced in domestic | 0:30:43 | 0:30:46 | |
"things, and the art of running a home has to be learnt. | 0:30:46 | 0:30:50 | |
"To run even a small house competently takes a good deal | 0:30:50 | 0:30:54 | |
"of time and thought, | 0:30:54 | 0:30:56 | |
"and I think that at first you will find it a full-time job." | 0:30:56 | 0:30:59 | |
How do you feel about that one? | 0:30:59 | 0:31:01 | |
Would anybody say that now? | 0:31:01 | 0:31:04 | |
I don't think they would. | 0:31:04 | 0:31:06 | |
To put it in those terms makes me froth at the mouth, actually. | 0:31:06 | 0:31:12 | |
You know, after all these years. | 0:31:12 | 0:31:13 | |
Thank God we've moved on a bit from that. | 0:31:13 | 0:31:16 | |
'In the past 60-odd years, the most dramatic change of all | 0:31:18 | 0:31:22 | |
'has been the agony aunt's attitude to sex. | 0:31:22 | 0:31:26 | |
'My forebears of the '50s avoided any mention of trouble in the | 0:31:26 | 0:31:30 | |
'bedroom, but today sex takes pride of place on the problem page.' | 0:31:30 | 0:31:35 | |
I hope I brought the right clothes, Laura. | 0:31:35 | 0:31:38 | |
This is a sort of wrap dress thing. | 0:31:38 | 0:31:41 | |
-Yes, that's quite Dear Deidre, yeah. -It's the only dress I've got. | 0:31:43 | 0:31:46 | |
-That's the only dress you've got? -The only girlie dress I've got. -Wow. | 0:31:46 | 0:31:49 | |
-I mostly have big shifts. -OK. Suck it and see. | 0:31:49 | 0:31:51 | |
I also brought a black slip... | 0:31:51 | 0:31:53 | |
I don't think you'll be needing that. | 0:31:53 | 0:31:55 | |
..in case there was a lovely bedroom scene. | 0:31:55 | 0:31:56 | |
I thought, you know... | 0:31:56 | 0:31:59 | |
-It's also very long. -I'd have to rewrite the story, so probably not. | 0:31:59 | 0:32:02 | |
You're shuddering. All right, OK. OK, right. | 0:32:02 | 0:32:04 | |
Out, out, out! I'll go and get changed, then. | 0:32:04 | 0:32:07 | |
'I've been given a starring role | 0:32:08 | 0:32:11 | |
'in the Sun's Dear Deidre Photo Casebook, | 0:32:11 | 0:32:14 | |
'which brings readers' problems to life | 0:32:14 | 0:32:16 | |
'in photo stories run over the course of a week.' | 0:32:16 | 0:32:19 | |
There! | 0:32:19 | 0:32:21 | |
'The Photo Casebook is one of the Sun's most popular features | 0:32:24 | 0:32:28 | |
'and has been going strong for over 20 years.' | 0:32:28 | 0:32:32 | |
Right... | 0:32:32 | 0:32:33 | |
'I'm playing Edie, who makes the shocking discovery | 0:32:33 | 0:32:36 | |
'that her daughter's new boyfriend Jamie is in fact a woman...' | 0:32:36 | 0:32:41 | |
Gesture with your left hand, Philippa. | 0:32:41 | 0:32:43 | |
'..and has to break the news to her homophobic husband.' | 0:32:43 | 0:32:47 | |
So, um, right, Philippa, you're doing something strange with your feet. | 0:32:47 | 0:32:52 | |
She's not a natural. | 0:32:52 | 0:32:54 | |
Right. | 0:32:55 | 0:32:57 | |
Two, three. | 0:32:57 | 0:32:58 | |
Soph, you're going to tell your mum that you're a lesbian. | 0:33:01 | 0:33:04 | |
Not going to wear those glasses, are you? | 0:33:04 | 0:33:06 | |
No, I wouldn't dream of it. | 0:33:06 | 0:33:09 | |
-They're not very Dear Deidre. -No. | 0:33:09 | 0:33:10 | |
I don't want to be unkind about your glasses, but, you know... | 0:33:10 | 0:33:13 | |
-Here we go. -OK. | 0:33:13 | 0:33:16 | |
That's it. | 0:33:16 | 0:33:17 | |
So, you've got to look really angry. | 0:33:21 | 0:33:23 | |
Come off it, love. You can't choose your sexuality, you know. | 0:33:23 | 0:33:28 | |
Philippa, look a bit worried. | 0:33:31 | 0:33:33 | |
"I can't tell a lie, Crystal, I am disappointed." | 0:33:33 | 0:33:36 | |
-OK. -Sophie, mouth open. | 0:33:38 | 0:33:40 | |
What's the most common question that you play in the Casebook? | 0:33:43 | 0:33:47 | |
The recurring theme that always comes up is infidelity with | 0:33:47 | 0:33:52 | |
members of the same sex, or the opposite sex, or whatever. | 0:33:52 | 0:33:56 | |
But because it takes so many forms, you can | 0:33:56 | 0:33:58 | |
get plenty of material out of it. | 0:33:58 | 0:33:59 | |
I think men like looking at the pictures, | 0:33:59 | 0:34:01 | |
they have absolutely no idea what's going on in the story, | 0:34:01 | 0:34:05 | |
but women read the story quite closely. | 0:34:05 | 0:34:07 | |
There's an awful lot of bedroom scenes, aren't there? | 0:34:07 | 0:34:10 | |
Well... | 0:34:10 | 0:34:11 | |
I don't always have bed scenes as such. | 0:34:12 | 0:34:16 | |
I sometimes have a woman getting ready to go out, | 0:34:16 | 0:34:18 | |
but I do always have a girl in her lingerie. | 0:34:18 | 0:34:22 | |
You know, that's the recurring theme, is the girl in her underwear. | 0:34:22 | 0:34:25 | |
Not necessarily always the girl in bed. | 0:34:25 | 0:34:28 | |
But also, lots of problems ARE based around sex. | 0:34:28 | 0:34:33 | |
You know, "I can't get it up," or, you know, | 0:34:33 | 0:34:37 | |
"I've turned the other way," or whatever. | 0:34:37 | 0:34:40 | |
They are sexual in nature, a lot of people's problems. | 0:34:40 | 0:34:44 | |
So, you know, that's what we're addressing. | 0:34:44 | 0:34:46 | |
-I'm going to do the scenes with your daughter... -And her girlfriend. | 0:34:46 | 0:34:49 | |
-..and her girlfriend. -In bed? In their bras? | 0:34:49 | 0:34:52 | |
Is that OK? | 0:34:52 | 0:34:53 | |
Yeah. Why can't I get in bed with my bra? | 0:34:53 | 0:34:56 | |
You're looking at the phone saying, "Oh, my gosh, it's my dad. | 0:34:59 | 0:35:01 | |
"Shall I answer?" | 0:35:01 | 0:35:03 | |
Rach, I would like to be able to see a bit more of you, so push... | 0:35:03 | 0:35:06 | |
Exactly. Right. | 0:35:06 | 0:35:08 | |
Three... | 0:35:08 | 0:35:09 | |
And with that left hand, Sophie, just say, | 0:35:11 | 0:35:12 | |
"Dad, I beg you, give me a chance." | 0:35:12 | 0:35:15 | |
Bring your left hand into the picture a bit. | 0:35:15 | 0:35:18 | |
Evelyn Home was the agony aunt for Woman magazine in the 1950s, | 0:35:19 | 0:35:24 | |
and she wasn't allowed to say the word "bottom" in her column, | 0:35:24 | 0:35:28 | |
as in "bottom of the garden" or "bottom of the saucepan". | 0:35:28 | 0:35:31 | |
It was...too saucy. | 0:35:31 | 0:35:33 | |
It wasn't until the late '60s, early '70s that the agony aunts | 0:35:33 | 0:35:38 | |
walked through the bedroom door and started to give sexual advice. | 0:35:38 | 0:35:43 | |
Right, this is the famous Dear Deidre sad picture, | 0:35:45 | 0:35:49 | |
because you're torn now between your husband and your daughter. | 0:35:49 | 0:35:52 | |
Look up a little bit, Philippa. | 0:35:52 | 0:35:55 | |
Make a fist rather than the whole hand. That's it. | 0:35:55 | 0:35:58 | |
By today's standards, the Photo Casebook is pretty tame. | 0:36:03 | 0:36:07 | |
But not so long ago, it would have been considered positively racy. | 0:36:07 | 0:36:11 | |
The sexual revolution on the problem page was prompted by social changes | 0:36:12 | 0:36:17 | |
like the introduction of the pill in 1961 and the legalisation of | 0:36:17 | 0:36:21 | |
abortion and decriminalisation of homosexuality in 1967. | 0:36:21 | 0:36:27 | |
Far from remaining anonymous, a new breed of frank and fearless | 0:36:27 | 0:36:31 | |
agony aunts became household names. | 0:36:31 | 0:36:34 | |
Queen bee of the '70s problem page was Marje Proops, | 0:36:34 | 0:36:38 | |
advice columnist for the Mirror, then the biggest-selling | 0:36:38 | 0:36:42 | |
daily paper in the Western world. | 0:36:42 | 0:36:44 | |
People are so ignorant. They are abysmally ignorant about sex. | 0:36:44 | 0:36:50 | |
And combined with a lack of education about contraceptives, | 0:36:50 | 0:36:55 | |
about everything relating to sex... | 0:36:55 | 0:36:57 | |
..produces 50,000 problems a year for me. | 0:36:59 | 0:37:03 | |
Marje's great rival was Claire Rayner, | 0:37:04 | 0:37:07 | |
who started her career as a nurse in the '50s, | 0:37:07 | 0:37:10 | |
and then in the '60s became a crusading advice columnist | 0:37:10 | 0:37:14 | |
for Woman's Own and teen magazines Rave and Petticoat. | 0:37:14 | 0:37:18 | |
Claire Rayner was no holds barred when it came to giving | 0:37:21 | 0:37:25 | |
her teenage readers of Petticoat magazine some advice. | 0:37:25 | 0:37:29 | |
She really got the backs up of moral campaigners like Mary Whitehouse, | 0:37:29 | 0:37:34 | |
who actually branded her the Antichrist. | 0:37:34 | 0:37:36 | |
So, what was Mary getting so upset about? | 0:37:36 | 0:37:39 | |
Well, I think it might have been letters like these, | 0:37:39 | 0:37:42 | |
about masturbation. | 0:37:42 | 0:37:44 | |
"I am sure no-one else in the world is like me. | 0:37:44 | 0:37:48 | |
"It has taken me a year to pluck up the courage to write this letter. | 0:37:48 | 0:37:52 | |
"I am 16 and I have masturbated all my life, | 0:37:52 | 0:37:56 | |
"although I didn't know what I was doing. | 0:37:56 | 0:37:59 | |
"Lately I told a friend about it, and she was horrified. | 0:37:59 | 0:38:03 | |
"She said I will go blind and deaf and that my skin will become pitted | 0:38:03 | 0:38:06 | |
"and it stunts your growth and makes you ugly. | 0:38:06 | 0:38:08 | |
"She says if you've masturbated for a long time | 0:38:08 | 0:38:11 | |
"you can never have children. | 0:38:11 | 0:38:12 | |
"I can't believe I have ruined my life about this." | 0:38:12 | 0:38:16 | |
And actually, in response to this, | 0:38:16 | 0:38:18 | |
Claire doesn't just give reassurance, she's really angry, | 0:38:18 | 0:38:23 | |
and she says, "All letters like this make me seethe with anger. | 0:38:23 | 0:38:27 | |
"Not because of the sad people who have written them, but because | 0:38:27 | 0:38:31 | |
"of the stupid, destructive rubbish they have been lumbered with. | 0:38:31 | 0:38:35 | |
"Look, masturbation is not wrong. | 0:38:35 | 0:38:37 | |
"Everybody does it at some time or another." | 0:38:37 | 0:38:40 | |
This is more than reassurance, this is rabble-rousing. | 0:38:40 | 0:38:44 | |
This is a call to arms. | 0:38:44 | 0:38:46 | |
Or at least to fingers. | 0:38:46 | 0:38:48 | |
There's no-one else, is there? | 0:38:52 | 0:38:53 | |
It's all wrong. I mean, it shouldn't be like this. | 0:38:53 | 0:38:56 | |
It makes me really angry that people of 15, 16 and 17 still | 0:38:56 | 0:39:00 | |
in touch with school should have to write to a total stranger like me. | 0:39:00 | 0:39:03 | |
'In 1973, Claire hit the big time | 0:39:06 | 0:39:09 | |
'when she became agony aunt for the Sun. | 0:39:09 | 0:39:12 | |
'Writing for a tabloid brought her no-nonsense sex advice | 0:39:14 | 0:39:18 | |
'to a huge new audience. | 0:39:18 | 0:39:20 | |
'But even with a readership of millions, she never | 0:39:20 | 0:39:23 | |
'lost her very personal approach.' | 0:39:23 | 0:39:27 | |
Her standards book was her way of answering every letter. | 0:39:27 | 0:39:30 | |
She was very insistent that the thousand or so letters a week | 0:39:30 | 0:39:32 | |
that she got should get an answer that had her imprint upon them. | 0:39:32 | 0:39:37 | |
But it would be impossible to do | 0:39:37 | 0:39:38 | |
if you literally answered every single one, and what she'd done | 0:39:38 | 0:39:42 | |
was come up with a set of standard answers to standard problems. | 0:39:42 | 0:39:46 | |
So under C it goes circumcision, contraception, climax, crabs, | 0:39:46 | 0:39:50 | |
pubic... | 0:39:50 | 0:39:51 | |
cross-dressing. | 0:39:51 | 0:39:53 | |
Then you get to D, which is discharge after intercourse. | 0:39:53 | 0:39:55 | |
There's a lot of them. | 0:39:55 | 0:39:57 | |
Claire was working at the golden age of agony aunts, | 0:39:57 | 0:40:01 | |
and that sort of level of reach doesn't really exist any more. | 0:40:01 | 0:40:06 | |
The glorious thing about those years of the '60s, | 0:40:06 | 0:40:08 | |
'70s and '80s is you could be a font of all knowledge. | 0:40:08 | 0:40:12 | |
You could sit on your problem page and everything would come to you. | 0:40:12 | 0:40:16 | |
How did the family business run? | 0:40:16 | 0:40:17 | |
She had her office at the front of the house. | 0:40:17 | 0:40:19 | |
My father, who was her manager, was next door. | 0:40:19 | 0:40:22 | |
She would advertise a leaflet. | 0:40:22 | 0:40:25 | |
Say somebody had written in, and at the end of her answer, | 0:40:25 | 0:40:27 | |
a short answer, you know, | 0:40:27 | 0:40:28 | |
"If you want a leaflet on this, write in to PO Box" blah, blah, blah. | 0:40:28 | 0:40:32 | |
Literally sacks of mail would be dropped in the hall. | 0:40:32 | 0:40:35 | |
And sometimes you'd just have a single line saying, | 0:40:35 | 0:40:37 | |
"Please send me the leaflet," | 0:40:37 | 0:40:39 | |
and other times you would get their whole life story, | 0:40:39 | 0:40:41 | |
which would end with, "Please send the leaflet". | 0:40:41 | 0:40:43 | |
My job was to slit open all the envelopes, | 0:40:43 | 0:40:46 | |
check that they didn't need something else, | 0:40:46 | 0:40:48 | |
and if they did need something else, to put it on one side | 0:40:48 | 0:40:50 | |
for my mother to attend to. | 0:40:50 | 0:40:53 | |
Disgraceful, this, isn't it? I was 10, 11, 12 when I was doing this. | 0:40:53 | 0:40:56 | |
And sometimes you'd go, "Well, that's interesting. Oh!" | 0:40:56 | 0:40:59 | |
I learnt an awful lot. | 0:40:59 | 0:41:01 | |
And she's using those letters as a jumping-off point to do | 0:41:01 | 0:41:04 | |
something bigger. | 0:41:04 | 0:41:06 | |
She was one of the first people to write in great | 0:41:06 | 0:41:08 | |
detail about homosexuality in the '70s. | 0:41:08 | 0:41:11 | |
Gay men, lesbian women were writing in, | 0:41:11 | 0:41:13 | |
concerned about how they felt about themselves and how the rest | 0:41:13 | 0:41:17 | |
of society would deal with them, how their families would deal with them. | 0:41:17 | 0:41:20 | |
And she found a way to reassure them that they were normal | 0:41:20 | 0:41:23 | |
and that everybody else had a problem, not them. | 0:41:23 | 0:41:26 | |
Our Christmases were basically gays, Jews and actors, | 0:41:26 | 0:41:29 | |
people who had nowhere else to go. | 0:41:29 | 0:41:31 | |
And she would gather them unto her, waifs and strays. | 0:41:31 | 0:41:34 | |
You've turned out straight, Jay. | 0:41:34 | 0:41:36 | |
That must probably have been a huge disappointment to my mother, yeah! | 0:41:36 | 0:41:39 | |
PHILIPPA LAUGHS | 0:41:39 | 0:41:41 | |
But it was, you know, it was a very, very open household. | 0:41:41 | 0:41:44 | |
And she was something of a pioneer | 0:41:44 | 0:41:46 | |
when it came to giving frank sexual advice. | 0:41:46 | 0:41:49 | |
She was an extraordinarily stroppy woman, and if you told her | 0:41:49 | 0:41:54 | |
that you couldn't do something, she'd find a way to do it. | 0:41:54 | 0:41:57 | |
She hated silence about things, and she wanted to kick against it. | 0:41:57 | 0:42:01 | |
Some people might think that intercourse with a condom | 0:42:01 | 0:42:03 | |
ought to be a low risk. Why isn't it? Claire Rayner. | 0:42:03 | 0:42:07 | |
Well, it is if you use the right equipment and use it properly. | 0:42:07 | 0:42:10 | |
First of all, choose quality. Look for the kite mark. | 0:42:10 | 0:42:14 | |
A chap wrote to Claire to say that he was | 0:42:14 | 0:42:17 | |
concerned about the shape of his erection. | 0:42:17 | 0:42:19 | |
He could have taken a Polaroid and sent it in so she could have | 0:42:19 | 0:42:23 | |
a look and tell him it was...but that obviously would be unbecoming. | 0:42:23 | 0:42:26 | |
So he carved it lovingly out of wood and polished it up. | 0:42:26 | 0:42:29 | |
When the advent of safe sex and condom use | 0:42:29 | 0:42:32 | |
came along in the early '80s, when we first begin to understood the | 0:42:32 | 0:42:36 | |
challenges of AIDS, she used that to demonstrate putting a condom on. | 0:42:36 | 0:42:40 | |
So what is the proper way to use a condom? | 0:42:40 | 0:42:42 | |
I need a model. I've got this. A reader sent me this when I published | 0:42:42 | 0:42:45 | |
a letter from a boy who was afraid he didn't measure up, | 0:42:45 | 0:42:47 | |
and he said he hadn't measured up when he was a lad. Look at him now. | 0:42:47 | 0:42:51 | |
So we'll use that as a model. It's my paperweight. Right... | 0:42:51 | 0:42:54 | |
So, you pinch that firmly to push the air out of the way | 0:42:54 | 0:42:58 | |
and apply the end, the open end of the... | 0:42:58 | 0:43:00 | |
obviously, of the condom to the erect penis. | 0:43:00 | 0:43:03 | |
And you need to do it in good time, | 0:43:03 | 0:43:05 | |
I mean as soon as a man's got an erection | 0:43:05 | 0:43:08 | |
and well before, er, inserting it into the vagina. | 0:43:08 | 0:43:12 | |
Now, this is a rather wooden, hard penis. | 0:43:12 | 0:43:14 | |
A nice human one is soft and easier to handle. | 0:43:14 | 0:43:16 | |
In this new age of openness, one of the last taboos of the problem | 0:43:19 | 0:43:23 | |
page was finally shattered as agony aunts at last published | 0:43:23 | 0:43:28 | |
letters from readers confused about their sexuality. | 0:43:28 | 0:43:31 | |
"Dear Claire, I met a girl at the local tennis club, and we get on | 0:43:36 | 0:43:40 | |
"really well. | 0:43:40 | 0:43:41 | |
"But I worry about the male sexual fantasies I indulge in when | 0:43:41 | 0:43:45 | |
"I'm with her. | 0:43:45 | 0:43:46 | |
"Could I have been prejudiced against relationships with the | 0:43:46 | 0:43:49 | |
"opposite sex by my experiences at my very expensive public school?" | 0:43:49 | 0:43:54 | |
'Trailblazers like Claire Rayner had put sex on the agony aunts' agenda, | 0:43:59 | 0:44:03 | |
'although some of her colleagues struggled to | 0:44:03 | 0:44:06 | |
'answer the more upfront questions they received | 0:44:06 | 0:44:10 | |
'and some readers fretted that they weren't having nearly as much fun | 0:44:10 | 0:44:14 | |
'as they should be.' | 0:44:14 | 0:44:16 | |
In the early '70s, | 0:44:16 | 0:44:19 | |
suddenly there were words like "penis" and "vagina" | 0:44:19 | 0:44:22 | |
and "orgasm" and "premature ejaculation" on the page. | 0:44:22 | 0:44:28 | |
And it was absolutely extraordinary, | 0:44:28 | 0:44:30 | |
because although I was quite a rackety girl in the '60s, | 0:44:30 | 0:44:33 | |
I still found it very difficult to... | 0:44:33 | 0:44:35 | |
You know, I mean, I didn't like to... | 0:44:35 | 0:44:38 | |
None of us would want to actually use the word "vagina". | 0:44:38 | 0:44:42 | |
And indeed I don't think today one actually bandies | 0:44:42 | 0:44:44 | |
the word around every day. | 0:44:44 | 0:44:46 | |
But one was expected to be quite frank in the page. | 0:44:46 | 0:44:52 | |
People would write in, because it was as if a cork | 0:44:52 | 0:44:55 | |
had come out of a champagne bottle. | 0:44:55 | 0:44:57 | |
They'd been so repressed about sex for so long, | 0:44:57 | 0:45:01 | |
suddenly every single question was about sex. | 0:45:01 | 0:45:04 | |
Can you give me an example of the sort of letter you had to answer? | 0:45:04 | 0:45:08 | |
It was painful. People would write saying, "Where is my G-spot?" | 0:45:08 | 0:45:13 | |
You know, and I'd be there, sort of, "I don't know where your G-spot is". | 0:45:13 | 0:45:17 | |
And it was extremely hard for me. | 0:45:17 | 0:45:19 | |
One woman wrote in saying, "How many calories are there in semen?" | 0:45:19 | 0:45:23 | |
I mean, it was a difficult one to answer. | 0:45:23 | 0:45:27 | |
Did you have help answering the questions? | 0:45:27 | 0:45:29 | |
I did, but unfortunately I'd inherited the letter answerers, | 0:45:29 | 0:45:32 | |
who were 80-year-old spinsters. | 0:45:32 | 0:45:35 | |
And one of them actually died at her desk. | 0:45:35 | 0:45:37 | |
And these women were absolutely sweet | 0:45:37 | 0:45:39 | |
and they were adept at answering any question like | 0:45:39 | 0:45:42 | |
"Do I take my gloves off when shaking hands with a bishop?", | 0:45:42 | 0:45:46 | |
or, "How do I eat an avocado pear?" | 0:45:46 | 0:45:47 | |
There was actually a leaflet we had on how to eat an avocado pear. | 0:45:47 | 0:45:52 | |
But of course they were baffled by these, erm, sex questions. | 0:45:52 | 0:45:56 | |
And they'd come into me holding these letters like used tissues, | 0:45:56 | 0:46:01 | |
saying, "What do I...? We don't understand." | 0:46:01 | 0:46:04 | |
I always remember one of them coming into my room | 0:46:04 | 0:46:06 | |
looking extremely worried, saying, "How can I answer this?" | 0:46:06 | 0:46:09 | |
And I said, "What's it about?" | 0:46:09 | 0:46:11 | |
She said, "This lady wishes to know, 'What is a blow job?'" | 0:46:11 | 0:46:15 | |
I said, "Leave it to me." | 0:46:15 | 0:46:16 | |
PHILIPPA LAUGHS | 0:46:16 | 0:46:18 | |
We've gone from a time in the early '60s | 0:46:19 | 0:46:21 | |
when sex isn't discussed at all on the problem page to a time, | 0:46:21 | 0:46:26 | |
just ten years later, when it's the main thing. | 0:46:26 | 0:46:30 | |
Yes, and what was interesting was that there was a huge | 0:46:30 | 0:46:33 | |
pressure on women when sex wasn't discussed, of course, | 0:46:33 | 0:46:36 | |
because there was no knowledge at all. | 0:46:36 | 0:46:38 | |
And the number of girls who must have gone to bed sick with worry, | 0:46:38 | 0:46:42 | |
thinking that they were going to get pregnant | 0:46:42 | 0:46:44 | |
because they'd kissed their boyfriends. | 0:46:44 | 0:46:47 | |
And that was one kind of pressure that you had then, | 0:46:47 | 0:46:50 | |
terror of sex, and probably a great deal of anxiety surrounding it. | 0:46:50 | 0:46:54 | |
But then, when the sexual revolution came in, there was another | 0:46:54 | 0:46:57 | |
kind of anxiety, which was that you weren't having enough, | 0:46:57 | 0:47:00 | |
that it wasn't good enough, you weren't having enough orgasms, | 0:47:00 | 0:47:04 | |
you weren't doing it, you know, on the kitchen table. | 0:47:04 | 0:47:09 | |
I remember there was a lot of talk about, you know, | 0:47:09 | 0:47:11 | |
"You must do it in every room in the house," | 0:47:11 | 0:47:14 | |
and somehow the kitchen table always came into it. | 0:47:14 | 0:47:17 | |
There seemed to be far too much attention | 0:47:17 | 0:47:20 | |
paid to sex and the implication that if you didn't have | 0:47:20 | 0:47:25 | |
a good sex life you were going to get ill and possibly get cancer, | 0:47:25 | 0:47:29 | |
that certainly if you didn't have simultaneous orgasms, you and your | 0:47:29 | 0:47:33 | |
husband were totally incompatible, and, you know, you were doomed. | 0:47:33 | 0:47:37 | |
There was a terrible kind of compulsory feeling about sex, | 0:47:37 | 0:47:41 | |
that it had to be had and enjoyed or... | 0:47:41 | 0:47:44 | |
Mm, there's a sort of tyranny about it. | 0:47:44 | 0:47:46 | |
Well, a terrible tyranny, yes. | 0:47:46 | 0:47:48 | |
"You will like sex, whether you like it or not." | 0:47:48 | 0:47:51 | |
-"You will orgasm simultaneously!" -Yes, exactly. | 0:47:51 | 0:47:54 | |
And again, however much I wrote saying, "Don't worry, | 0:47:54 | 0:47:57 | |
"don't worry, don't worry," it didn't seem to make any difference. | 0:47:57 | 0:48:00 | |
'But these alarming new "anything goes" attitudes had no place | 0:48:05 | 0:48:09 | |
'in the last bastions of traditionalism. | 0:48:09 | 0:48:12 | |
'Jackie magazine, for one, | 0:48:12 | 0:48:14 | |
'stuck with the lighter side of teenage angst. | 0:48:14 | 0:48:17 | |
'Jackie was launched in 1964, and by the '70s, it was the | 0:48:18 | 0:48:22 | |
'country's most popular teen magazine, | 0:48:22 | 0:48:25 | |
'shifting over half a million copies a week.' | 0:48:25 | 0:48:28 | |
When I was a teenager growing up in the 1970s, I was at an all-girls' | 0:48:28 | 0:48:33 | |
boarding school, and boys were like alien creatures to me. | 0:48:33 | 0:48:37 | |
And how I found out about the world of boys was through | 0:48:37 | 0:48:41 | |
the pages of Jackie magazine and the agony aunts, Cathy and Claire. | 0:48:41 | 0:48:46 | |
They replied to 100 letters a day, | 0:48:46 | 0:48:49 | |
and they sent individual replies to every reader that wrote in. | 0:48:49 | 0:48:53 | |
And I've got a few of the copies of their replies here. | 0:48:53 | 0:48:57 | |
Now, here's some advice for everyone out there. | 0:48:57 | 0:49:00 | |
"Dear Jackie, love bites usually go away surprisingly quickly. | 0:49:00 | 0:49:05 | |
"There is no possibility of contracting cancer. | 0:49:05 | 0:49:09 | |
"Meanwhile, try covering them up with Max Factor's Erace Plus..." | 0:49:09 | 0:49:14 | |
- that's a good tip - "and don't let it happen again. | 0:49:14 | 0:49:18 | |
"Love, Cathy and Claire." | 0:49:18 | 0:49:20 | |
Quite a moralistic tone there at the end of that one. | 0:49:20 | 0:49:24 | |
"Dear Karen, well, we passed your photo round the office, | 0:49:24 | 0:49:30 | |
"and three boys agreed | 0:49:30 | 0:49:31 | |
"there was absolutely nothing wrong with your looks, | 0:49:31 | 0:49:35 | |
"while the other three thought you were pretty but slightly plump." | 0:49:35 | 0:49:40 | |
Poor Karen. I don't know what I would have done if I'd got that. | 0:49:40 | 0:49:43 | |
"Hope we've helped! Love, Cathy and Claire." | 0:49:43 | 0:49:46 | |
Oh, I love this one. "Dear Wendy, | 0:49:47 | 0:49:50 | |
"we agree that Lesley is being a bitch, love, and we suggest | 0:49:50 | 0:49:54 | |
"that you have the whole thing out in the open with her." | 0:49:54 | 0:49:58 | |
Ooh, that's going to be one to watch, isn't it? | 0:49:59 | 0:50:02 | |
Cathy and Claire's readers confided everything to them, | 0:50:02 | 0:50:07 | |
but Cathy and Claire themselves were keeping two pretty big secrets. | 0:50:07 | 0:50:12 | |
The first one was although they invited readers to write | 0:50:12 | 0:50:16 | |
to them at this glamorous London office, actually they did all | 0:50:16 | 0:50:21 | |
the replies from Dundee, where the Jackie offices were. | 0:50:21 | 0:50:24 | |
They used to get the whole bag of letters, send them up to Dundee. | 0:50:24 | 0:50:29 | |
They used to reply to them there, | 0:50:29 | 0:50:30 | |
and then they'd send the bag back down to London, | 0:50:30 | 0:50:33 | |
so all the letters could be sent out with a London postmark. | 0:50:33 | 0:50:37 | |
And their other big secret | 0:50:38 | 0:50:39 | |
was that Cathy and Claire didn't exist at all. | 0:50:39 | 0:50:42 | |
Hundreds of miles from swinging London, in the Dundee office | 0:50:46 | 0:50:50 | |
of Jackie publisher DC Thomson, | 0:50:50 | 0:50:53 | |
a succession of young female journalists played the parts | 0:50:53 | 0:50:57 | |
of Cathy and Claire. | 0:50:57 | 0:50:59 | |
They were kept under close watch to ensure they adhered to the | 0:50:59 | 0:51:02 | |
publisher's strict moral code. | 0:51:02 | 0:51:05 | |
When I was Cathy and Claire, I saw myself not as their mother | 0:51:10 | 0:51:17 | |
or their teacher or a nurse, | 0:51:17 | 0:51:19 | |
I saw myself as their big sister. | 0:51:19 | 0:51:21 | |
They didn't feel they can speak to their mums, | 0:51:21 | 0:51:24 | |
they didn't feel they can speak to their teachers | 0:51:24 | 0:51:27 | |
and all their friends. I mean, there was no social media. | 0:51:27 | 0:51:32 | |
You know, now you would Google a problem, | 0:51:32 | 0:51:34 | |
but we were Google, you know. We were the '80s Google, really. | 0:51:34 | 0:51:38 | |
They were sitting there almost waiting for puberty to hit, like | 0:51:38 | 0:51:42 | |
some kind of time bomb, | 0:51:42 | 0:51:43 | |
and they didn't know what was going to happen. | 0:51:43 | 0:51:45 | |
They didn't have sex education, mainly, at schools. | 0:51:45 | 0:51:49 | |
We were always wary of 3D envelopes. | 0:51:49 | 0:51:51 | |
3D envelopes? | 0:51:51 | 0:51:52 | |
Any lumpy envelopes, you were very cautious, | 0:51:52 | 0:51:55 | |
because they tended to contain bits of body parts that had fallen off. | 0:51:55 | 0:52:00 | |
So usually attached to Sellotape. | 0:52:02 | 0:52:05 | |
There was a time when I opened an envelope and a 1/2p fell out. | 0:52:05 | 0:52:09 | |
And I kind of randomly just picked it up | 0:52:09 | 0:52:11 | |
and absent-mindedly flipped it in my hand, and I read the letter. | 0:52:11 | 0:52:14 | |
And the letter said, "Dear Cathy and Claire, I have genital warts, | 0:52:14 | 0:52:19 | |
"I measured them with this 1/2p coin." | 0:52:19 | 0:52:22 | |
PHILIPPA LAUGHS | 0:52:22 | 0:52:23 | |
So cue a rush to the toilets to do a Lady Macbeth on my hands. | 0:52:23 | 0:52:28 | |
Sandy, I think this must have been one of yours. | 0:52:28 | 0:52:30 | |
-Oh, yes. -"They hate the boy I love. | 0:52:30 | 0:52:33 | |
"Dear Cathy and Claire, | 0:52:33 | 0:52:35 | |
"Dick and I are planning to get engaged at Christmas. | 0:52:35 | 0:52:37 | |
"I've saved up a lot of money. | 0:52:37 | 0:52:39 | |
"I know I'm only 16 and they say I'm too young." | 0:52:39 | 0:52:43 | |
What did I say? | 0:52:43 | 0:52:44 | |
You said, "Try and see your parents' point of view, love." | 0:52:44 | 0:52:47 | |
Yes, that's right, yes. | 0:52:47 | 0:52:48 | |
The parents had the authority. We were just giving advice. | 0:52:48 | 0:52:52 | |
I did have a couple of instances with parents phoning the office... | 0:52:52 | 0:52:56 | |
-Really? -..and saying, "I believe my daughter's written in, | 0:52:56 | 0:52:59 | |
"and I'd like to know what she's written." | 0:52:59 | 0:53:01 | |
You know, you had this angry parent saying, "Are you Cathy? | 0:53:01 | 0:53:05 | |
"Are you Claire?" You know? | 0:53:05 | 0:53:06 | |
I'd say, "No, I'm sorry, I'm the cleaner. They've all gone home." | 0:53:06 | 0:53:10 | |
When it came to talking about | 0:53:10 | 0:53:12 | |
sex, how much were you allowed to say? | 0:53:12 | 0:53:15 | |
You were allowed to say "heavy petting" or "love bites". | 0:53:15 | 0:53:19 | |
You might also get away with the occasional "grope". | 0:53:19 | 0:53:23 | |
But you would have letters on the Cathy and Claire page that said, | 0:53:23 | 0:53:27 | |
"I think I'm pregnant," | 0:53:27 | 0:53:28 | |
but you would never have any letters saying how they got to be pregnant. | 0:53:28 | 0:53:32 | |
They would read that someone was pregnant | 0:53:32 | 0:53:33 | |
or read about heavy petting, but there was nothing in-between. | 0:53:33 | 0:53:36 | |
So as far as they were concerned, if they had heavy petting, | 0:53:36 | 0:53:39 | |
they would be pregnant. So perhaps it was our fault. | 0:53:39 | 0:53:42 | |
In the '70s, Jackie sort of held sway over teenage sexuality, | 0:53:43 | 0:53:49 | |
love bites and everything. | 0:53:49 | 0:53:51 | |
But in the '80s, there were a lot of new magazines onto | 0:53:51 | 0:53:54 | |
the market like, for instance, Just 17, | 0:53:54 | 0:53:56 | |
and they were a lot more candid about sex. | 0:53:56 | 0:53:59 | |
What was that like for Cathy and Claire? | 0:53:59 | 0:54:02 | |
Well, Just 17 were our biggest rivals. | 0:54:02 | 0:54:06 | |
And while we could compete with them on some levels, with the pop | 0:54:06 | 0:54:10 | |
and the fashion, there was a great sense of frustration | 0:54:10 | 0:54:14 | |
when it came to things like the problem pages, | 0:54:14 | 0:54:16 | |
because they were allowed to say so much more | 0:54:16 | 0:54:19 | |
and we were still stuck in that, you know, '70s vibe. | 0:54:19 | 0:54:24 | |
But readers had moved on, quite considerably, and we | 0:54:24 | 0:54:28 | |
started to lose a lot of readers, because the advice they needed | 0:54:28 | 0:54:32 | |
and wanted was being provided by Just 17 and other magazines, | 0:54:32 | 0:54:37 | |
who could speak about pregnancy, who could, you know... | 0:54:37 | 0:54:40 | |
They kept up with the cultural times. | 0:54:40 | 0:54:42 | |
-Absolutely. -Jackie didn't. -Yeah. | 0:54:42 | 0:54:44 | |
She was just this girl stuck in the '70s with her love bites and her... | 0:54:44 | 0:54:49 | |
-Flared trousers. -..flared trousers and... | 0:54:49 | 0:54:51 | |
-And her knitting patterns. -And her knitting patterns! | 0:54:51 | 0:54:54 | |
'Today's agony aunts no longer have the same clout as those | 0:55:03 | 0:55:07 | |
'queens of the problem page from the '60s, '70s and '80s. | 0:55:07 | 0:55:11 | |
'But the one who comes closest | 0:55:11 | 0:55:13 | |
'works from an office hidden away in the leafy Home Counties. | 0:55:13 | 0:55:17 | |
'The Sun's Dear Deidre has been dispensing advice for the past | 0:55:17 | 0:55:21 | |
'34 years and boasts by far the country's biggest readership.' | 0:55:21 | 0:55:26 | |
This is today's problem, and I'd say it's fairly typical. | 0:55:26 | 0:55:31 | |
So I have "Steamy love triangle with mate's girl". | 0:55:31 | 0:55:34 | |
-That's quite a sexy one, isn't it? -It absolutely is. | 0:55:34 | 0:55:37 | |
We've got a family row here, a mum who's very upset because she's | 0:55:37 | 0:55:40 | |
fallen out with her grown-up daughter and partner over the kids. | 0:55:40 | 0:55:44 | |
And we've got someone who was abused by his baby-sitter | 0:55:44 | 0:55:48 | |
when he was young. | 0:55:48 | 0:55:49 | |
Just always, of course, a very full page. | 0:55:49 | 0:55:52 | |
The problem page is one of the most popular parts of the paper. | 0:55:52 | 0:55:56 | |
I mean, it creates footfall, as they say these days. | 0:55:56 | 0:55:59 | |
I do get about, like, 100 problems a day, and I need that coming in. | 0:55:59 | 0:56:04 | |
I mean, out of that, I'm going to need seven | 0:56:04 | 0:56:08 | |
every weekday, ten on Saturdays. That's a lot of copy to be finding. | 0:56:08 | 0:56:12 | |
It's a lot of copy, so, yeah. | 0:56:12 | 0:56:13 | |
And you need a spread of subjects and interests all the time. | 0:56:13 | 0:56:16 | |
How has the column changed since you've been doing it? | 0:56:16 | 0:56:20 | |
I mean, I think human nature actually evolves very, very slowly. | 0:56:20 | 0:56:24 | |
So while I've been doing this job for over 30 years, | 0:56:24 | 0:56:27 | |
human nature does not change. | 0:56:27 | 0:56:29 | |
I feel as though the underlying issues, | 0:56:29 | 0:56:31 | |
like loneliness or difficulty in forming a relationship, | 0:56:31 | 0:56:35 | |
are the same, but the internet has given | 0:56:35 | 0:56:39 | |
so much more scope for ways this can express itself. | 0:56:39 | 0:56:44 | |
'Deidre's promise of an answer | 0:56:44 | 0:56:47 | |
'to every problem ensures that her column remains a thriving cottage | 0:56:47 | 0:56:51 | |
'industry, just as it was in her predecessor Claire Rayner's day.' | 0:56:51 | 0:56:56 | |
So, here we have my leaflet list. | 0:56:56 | 0:56:58 | |
This is the whole 250 of them, divided into different sections. | 0:56:58 | 0:57:03 | |
So you start off, we've got a whole section on abuse, | 0:57:03 | 0:57:05 | |
going from child abuse, abuse of partners and rape. | 0:57:05 | 0:57:09 | |
And then everything to do with appearance, | 0:57:09 | 0:57:11 | |
so it's breasts and cosmetic surgery, tattoos, skin, hair, weight. | 0:57:11 | 0:57:16 | |
Dependence, so drink, smoking, gambling, drugs. | 0:57:16 | 0:57:20 | |
F for family. Adoption... | 0:57:20 | 0:57:23 | |
'An endless stream of problems that shows no sign of slowing.' | 0:57:23 | 0:57:26 | |
"Mum, Jamie isn't who you think." | 0:57:33 | 0:57:35 | |
"I don't understand. Is Jamie a woman?" | 0:57:35 | 0:57:39 | |
"So Crystal's chosen her girlfriend over us. | 0:57:39 | 0:57:41 | |
"Well, she's no daughter of mine!" | 0:57:41 | 0:57:44 | |
"Bob's making me choose between him and Crystal. I can't cope." | 0:57:44 | 0:57:48 | |
'Even at a time when advice is more easily available than ever before, | 0:57:53 | 0:57:58 | |
'the problem page is often still our first port of call.' | 0:57:58 | 0:58:01 | |
The golden age of agony aunts may have passed, but after three | 0:58:03 | 0:58:07 | |
centuries I don't think we'll ever learn to live without them, because | 0:58:07 | 0:58:11 | |
the best agony aunts offer something that Google can't, | 0:58:11 | 0:58:15 | |
a relationship, | 0:58:15 | 0:58:17 | |
even if it is at arm's length. | 0:58:17 | 0:58:19 | |
And another reason they may be sticking around a while yet is | 0:58:19 | 0:58:23 | |
because I don't think we'll ever tire | 0:58:23 | 0:58:26 | |
of reading about other people's problems... | 0:58:26 | 0:58:29 | |
especially if they make us | 0:58:29 | 0:58:31 | |
feel a little bit more smug about our own lives. | 0:58:31 | 0:58:35 |