
Browse content similar to Connie Fisher on Make-Up. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
I won't go out without putting my face on. | 0:00:02 | 0:00:05 | |
And I'm not the only one. | 0:00:05 | 0:00:07 | |
This is the daily routine for many women across Wales. | 0:00:07 | 0:00:11 | |
But it takes time and money. | 0:00:14 | 0:00:17 | |
The average woman spends two years of her life | 0:00:17 | 0:00:20 | |
putting on an estimated ?12,000-worth of cosmetics. | 0:00:20 | 0:00:24 | |
So why do we do it? | 0:00:24 | 0:00:26 | |
And who are we really doing it for? | 0:00:26 | 0:00:30 | |
I think girls will say that it's for themselves, | 0:00:30 | 0:00:32 | |
but I think it will always be for other people as well. | 0:00:32 | 0:00:35 | |
Well, I've got to wear it, it's like a mask to me, you know. | 0:00:35 | 0:00:39 | |
Because I feel naked without it then. | 0:00:39 | 0:00:41 | |
I'm 82, me, now. And I'm 88. | 0:00:41 | 0:00:44 | |
And you love make-up? Yes. Yes. | 0:00:44 | 0:00:47 | |
It seems to me men are judged on their intelligence | 0:00:49 | 0:00:52 | |
and competence, while women are judged on their looks. | 0:00:52 | 0:00:55 | |
I do care when people assume that I'm probably a little bit stupid | 0:00:55 | 0:00:59 | |
because I like lipstick. | 0:00:59 | 0:01:02 | |
For men, make-up is a mystery. | 0:01:02 | 0:01:05 | |
I don't see why girls do this. It's too much effort. | 0:01:06 | 0:01:09 | |
I'd rather look shocking. | 0:01:09 | 0:01:11 | |
But some experts believe it is only for the men that we wear it. | 0:01:11 | 0:01:15 | |
When girls go out on a night out and they wear lots of make-up | 0:01:15 | 0:01:18 | |
and they show a lot of flesh, they're saying, | 0:01:18 | 0:01:20 | |
"I've got eggs, I'm fertile." | 0:01:20 | 0:01:22 | |
I can't.... Sorry, I can't believe you're saying this! | 0:01:22 | 0:01:24 | |
Our face is our identity, | 0:01:24 | 0:01:28 | |
so is it wrong to use make-up to try to make the best of it? | 0:01:28 | 0:01:31 | |
Or by wearing it, are we distorting ourselves, | 0:01:31 | 0:01:33 | |
therefore creating a caricature, or a stereotype of women? | 0:01:33 | 0:01:37 | |
Ultimately, as I talk to you now, | 0:01:37 | 0:01:39 | |
am I covering up just an uneven complexion | 0:01:39 | 0:01:42 | |
or am I hiding insecurities behind a mask of make-up? | 0:01:42 | 0:01:47 | |
Believe it or not, I wasn't that interested in make-up | 0:01:56 | 0:01:59 | |
until I was well into my teens. | 0:01:59 | 0:02:01 | |
For a while there, I was even a bit of a tomboy. | 0:02:01 | 0:02:03 | |
But once I got into it, I loved it. | 0:02:03 | 0:02:06 | |
And I've barely had a day without it since. | 0:02:06 | 0:02:09 | |
But I can't help wondering, have the pressures on young women changed | 0:02:09 | 0:02:13 | |
even in the short time since I was a youngster? | 0:02:13 | 0:02:16 | |
Much as they are lovely... | 0:02:22 | 0:02:23 | |
These four young women are preparing for a typical night out. | 0:02:24 | 0:02:28 | |
You're not putting falsies on? No. | 0:02:28 | 0:02:30 | |
I'm too tired. | 0:02:30 | 0:02:32 | |
The conversation is all about make-up and how much to wear. | 0:02:32 | 0:02:36 | |
Without it, I look about 12. | 0:02:36 | 0:02:38 | |
Oh, yeah, yeah, I still get ID'd. | 0:02:38 | 0:02:41 | |
Yeah. It's like, we have to prove our age by wearing make-up. | 0:02:41 | 0:02:43 | |
Getting ready is a serious business. | 0:02:43 | 0:02:46 | |
The girls each spend between ?50 and ?100 a month on cosmetics. | 0:02:46 | 0:02:50 | |
On a night out, drinking with friends, putting your make-up on, it's the best. | 0:02:50 | 0:02:54 | |
It's quite sociable as well. We always get ready with the girls. | 0:02:54 | 0:02:57 | |
After about an hour, they're ready to hit the town. | 0:02:57 | 0:03:00 | |
Girls, you're all glammed up and looking gorgeous. | 0:03:06 | 0:03:08 | |
Grace, how long did it take you, honestly? | 0:03:08 | 0:03:10 | |
Probably about an hour. An hour? Yeah. We were being sociable. | 0:03:10 | 0:03:15 | |
You know, the chatting, the drinking. Yeah. | 0:03:15 | 0:03:19 | |
And what's the average time? | 0:03:19 | 0:03:21 | |
Yeah, it's normally about an hour every day for me. | 0:03:21 | 0:03:24 | |
An hour every day of make-up? Yeah. | 0:03:24 | 0:03:25 | |
Would you ever go out without make-up? | 0:03:25 | 0:03:28 | |
Never anywhere. Why? I just don't feel confident enough. | 0:03:28 | 0:03:31 | |
I was saying earlier, even swimming, I wear my entire face going. | 0:03:31 | 0:03:36 | |
Well, the girls look fabulous. | 0:03:39 | 0:03:41 | |
But the fashion certainly seems to have changed | 0:03:41 | 0:03:43 | |
since I was young. It used to be simple. | 0:03:43 | 0:03:46 | |
And now it seems to have become a bit of an art. | 0:03:46 | 0:03:49 | |
No longer do you need to be a Hollywood film star | 0:03:49 | 0:03:51 | |
to put false eyelashes on, everyone seems to be doing it. | 0:03:51 | 0:03:55 | |
But where has this commitment to cosmetics really come from? | 0:03:55 | 0:03:58 | |
Since the dawn of humankind, us women have been applying colour, | 0:03:58 | 0:04:03 | |
oils and creams to enhance our looks. | 0:04:03 | 0:04:06 | |
Celebrity culture and Hollywood have turned that fascination | 0:04:06 | 0:04:10 | |
into a multi-billion pound industry. | 0:04:10 | 0:04:13 | |
From simple powders and lippies, we've moved on to foundations, | 0:04:14 | 0:04:18 | |
primers, correctors, concealer and creams, | 0:04:18 | 0:04:21 | |
lip tint, lip balm, lip stain, lip liner, | 0:04:21 | 0:04:24 | |
lip plumper, lip booster and lip gloss. | 0:04:24 | 0:04:26 | |
Rouge, blusher, bronzer, highlighter, | 0:04:26 | 0:04:28 | |
eye shadows, eye creams, | 0:04:28 | 0:04:30 | |
eyeliner, eyebrow wax, pencils and pens, | 0:04:30 | 0:04:32 | |
mascara, volumising mascara, strengthening mascara, | 0:04:32 | 0:04:35 | |
smoky eye mascara, lengthening and conditioning mascara. | 0:04:35 | 0:04:38 | |
Oh, and lest we forget, good old falsies. | 0:04:38 | 0:04:41 | |
SHE SIGHS | 0:04:41 | 0:04:43 | |
Now more than a quarter of a million people are employed | 0:04:43 | 0:04:47 | |
in the beauty industry across the UK, | 0:04:47 | 0:04:49 | |
and we have more than our fair share of those jobs here in Wales. | 0:04:49 | 0:04:53 | |
This is Coleg y Cymoedd in Nantgarw, near Caerphilly, | 0:04:53 | 0:04:56 | |
where the salons are filled with women | 0:04:56 | 0:04:59 | |
training to become beauticians. | 0:04:59 | 0:05:01 | |
It's an excellent place to meet somebody who believes | 0:05:01 | 0:05:04 | |
a woman's interest in make-up is not just something | 0:05:04 | 0:05:07 | |
light and fanciful, | 0:05:07 | 0:05:09 | |
it's a biological necessity. | 0:05:09 | 0:05:12 | |
Evolutionary psychologist Dr Lance Workman. | 0:05:12 | 0:05:16 | |
Lance, what exactly is an evolutionary psychologist? | 0:05:16 | 0:05:20 | |
Well, if we look at traditional psychologists, | 0:05:20 | 0:05:22 | |
they're interested in what's going on in the mind and the brain | 0:05:22 | 0:05:25 | |
and what's going on here and now, very much. | 0:05:25 | 0:05:27 | |
But evolutionary psychologists, they're also interested in that, | 0:05:27 | 0:05:30 | |
but they look at another layer of explanation. | 0:05:30 | 0:05:32 | |
It's what happened in our evolutionary past to create | 0:05:32 | 0:05:36 | |
the repertoire of behaviours we have today | 0:05:36 | 0:05:37 | |
and what's going on in the mind now. | 0:05:37 | 0:05:39 | |
And this really helps when we come to look at things like | 0:05:39 | 0:05:42 | |
why do people wear make-up, for example. | 0:05:42 | 0:05:43 | |
Part of the reason I'm on this journey is because | 0:05:43 | 0:05:46 | |
I don't like the idea that I'm in some way | 0:05:46 | 0:05:48 | |
forced to wear make-up. Am I? No, you're not. | 0:05:48 | 0:05:51 | |
All the findings... Some feminist theorists, not all, | 0:05:51 | 0:05:54 | |
some have claimed that it's actually patriarchal society | 0:05:54 | 0:05:57 | |
that forces women to wear make-up. | 0:05:57 | 0:05:58 | |
But the evidence is actually quite the reverse. | 0:05:58 | 0:06:01 | |
If you look at highly patriarchal societies, women wear less make-up. | 0:06:01 | 0:06:04 | |
Men control things and they decide women shouldn't be wearing make-up, | 0:06:04 | 0:06:08 | |
which is interesting. | 0:06:08 | 0:06:09 | |
If you look at very equal societies, women choose to wear more make-up. | 0:06:09 | 0:06:13 | |
If you're in a country where lots of women are wearing lots of make-up, | 0:06:13 | 0:06:16 | |
you'll find that's a country where things, | 0:06:16 | 0:06:18 | |
there's a lot of equality there. It's a signal of it. | 0:06:18 | 0:06:21 | |
So women choose to do that. | 0:06:21 | 0:06:22 | |
No woman should ever be forced to wear make-up | 0:06:22 | 0:06:24 | |
and men certainly don't force women to wear make-up. | 0:06:24 | 0:06:26 | |
It's a sign of equality in my eyes. | 0:06:26 | 0:06:28 | |
So, why do women like myself wear make-up? | 0:06:28 | 0:06:31 | |
Well, women have to show sexiness to show that they're fertile. | 0:06:31 | 0:06:35 | |
And when girls go out on a night out and wear lots of make-up, | 0:06:35 | 0:06:38 | |
and they show a lot of flesh, | 0:06:38 | 0:06:40 | |
they're saying, "I've got eggs, I'm fertile." | 0:06:40 | 0:06:42 | |
I can't believe... Sorry, I can't believe you're saying this! | 0:06:42 | 0:06:45 | |
They don't know they're saying that, | 0:06:45 | 0:06:47 | |
it's not at a conscious level. Right. | 0:06:47 | 0:06:48 | |
But an evolutionary analysis of sexual selection tends to suggest | 0:06:48 | 0:06:52 | |
cross-culturally, that's what women actually do. | 0:06:52 | 0:06:55 | |
Lipstick is probably one of the most important things. | 0:06:55 | 0:06:58 | |
We know that when a woman is aroused, her lips go red. | 0:06:58 | 0:07:01 | |
Especially in young women. So wearing lipstick is successful. | 0:07:01 | 0:07:05 | |
They've studied... I'm really conscious now, stop looking at me! | 0:07:05 | 0:07:08 | |
Sorry! Sorry about that! I'm not wearing red lipstick any more. | 0:07:08 | 0:07:13 | |
Red is the number one colour. | 0:07:13 | 0:07:15 | |
It's the most popular and it's the most popular with men as well. | 0:07:15 | 0:07:18 | |
They've done studies in bars, | 0:07:18 | 0:07:20 | |
and if you put women without make-up, the women with lipstick | 0:07:20 | 0:07:22 | |
attract a lot more men to them than the women without. | 0:07:22 | 0:07:25 | |
Well, that was quite an amusing theory. | 0:07:27 | 0:07:31 | |
Lance hasn't quite convinced me that we are wearing make-up | 0:07:31 | 0:07:35 | |
to attract a mate, although a lot of it does add up. | 0:07:35 | 0:07:38 | |
Every choice I make in the morning is affecting what people | 0:07:38 | 0:07:41 | |
think of me, which I hadn't really considered before. | 0:07:41 | 0:07:44 | |
I thought I was making the choices. | 0:07:44 | 0:07:46 | |
But the idea that we're trying to attract a mate | 0:07:48 | 0:07:51 | |
doesn't make sense to me. | 0:07:51 | 0:07:52 | |
There's got to be more to it than this. | 0:07:52 | 0:07:54 | |
Evolutionary theory tells us that | 0:07:56 | 0:07:58 | |
this interest in make-up is instinctive. | 0:07:58 | 0:08:00 | |
And, yes, some young girls find a make-up box fascinating. | 0:08:00 | 0:08:06 | |
But others don't. | 0:08:06 | 0:08:07 | |
Student Jessie-Ann Lewis writes a make-up blog called | 0:08:13 | 0:08:17 | |
All Things Beautiful. | 0:08:17 | 0:08:19 | |
Where did her love of make-up come from? | 0:08:19 | 0:08:22 | |
I've always liked make-up. | 0:08:22 | 0:08:23 | |
I used to dance when I was younger, | 0:08:23 | 0:08:24 | |
so I used to wear stage make-up. | 0:08:24 | 0:08:26 | |
But I think it was probably when I was about teenage years, | 0:08:26 | 0:08:29 | |
experimenting with different styles and things, | 0:08:29 | 0:08:32 | |
that I really got into make-up. | 0:08:32 | 0:08:34 | |
Now I guess it's kind of second nature to me, really, | 0:08:34 | 0:08:37 | |
as it is for a lot of women in Wales. | 0:08:37 | 0:08:38 | |
I think it's kind of part of your daily routine. | 0:08:38 | 0:08:41 | |
You put it on without having any second thoughts about it, really. | 0:08:41 | 0:08:45 | |
And your first job was in a make-up store, wasn't it? | 0:08:45 | 0:08:47 | |
What did you learn about women's obsession, perhaps, | 0:08:47 | 0:08:50 | |
with their appearance? | 0:08:50 | 0:08:51 | |
I think for a lot of women, they used to come in the store | 0:08:51 | 0:08:54 | |
not just to look good, but to feel good as well. | 0:08:54 | 0:08:57 | |
So while they used to come in for their skincare essentials, | 0:08:57 | 0:09:00 | |
for make-up, it was more of a treat. | 0:09:00 | 0:09:02 | |
So it was kind of, if they've had a good week, | 0:09:02 | 0:09:05 | |
and thought, "I'll treat myself to a new lipstick." | 0:09:05 | 0:09:08 | |
I think it was... I was quite shocked | 0:09:08 | 0:09:09 | |
that it was more about feeling good rather than just looking good. | 0:09:09 | 0:09:12 | |
I do believe that sometimes, | 0:09:12 | 0:09:14 | |
when women care about putting loads of make-up on, | 0:09:14 | 0:09:17 | |
maybe spend half an hour in the morning | 0:09:17 | 0:09:19 | |
and they touch up through the day, they are considered sometimes | 0:09:19 | 0:09:21 | |
too superficial to be, perhaps, successful businesswomen. | 0:09:21 | 0:09:24 | |
What do you think? I think there is a lot of perceptions around | 0:09:24 | 0:09:28 | |
that people who wear make-up can sometimes be seen as an airhead, | 0:09:28 | 0:09:31 | |
or that sort of thing. | 0:09:31 | 0:09:33 | |
And quite superficial. | 0:09:33 | 0:09:35 | |
But I don't think that's true. | 0:09:35 | 0:09:37 | |
There's a lot, myself and a lot of my friends, we've done our degrees, | 0:09:37 | 0:09:40 | |
we're training to be teachers, working in journalism and things. | 0:09:40 | 0:09:44 | |
So I think it's a massive misconception, yeah. | 0:09:44 | 0:09:47 | |
When you walk through the make-up counters of any department store, | 0:09:50 | 0:09:54 | |
it is simply astounding to see the variety of products on offer. | 0:09:54 | 0:09:59 | |
So what about Swansea girls of all ages? | 0:09:59 | 0:10:01 | |
What's their relationship with make-up? | 0:10:01 | 0:10:03 | |
Do you think you would ever go out without make-up? | 0:10:03 | 0:10:07 | |
No. I look as if I'm something from Day Of The Dead. | 0:10:07 | 0:10:10 | |
I haven't got much colour anyway. | 0:10:10 | 0:10:12 | |
In the evenings, I use a lot of...oil. | 0:10:12 | 0:10:16 | |
I feel confident, but I feel more confident when I wear make-up. | 0:10:16 | 0:10:20 | |
Then I get a bit of bush, whatever you call it! | 0:10:20 | 0:10:24 | |
How long does it take you? Two... Well, three minutes at most? | 0:10:27 | 0:10:31 | |
I go like that. | 0:10:31 | 0:10:33 | |
So here I am, right? | 0:10:33 | 0:10:35 | |
Would you ever, ever, ever step out of the house without make-up? | 0:10:35 | 0:10:39 | |
No, only for the gym. | 0:10:39 | 0:10:41 | |
I even wear make-up to the gym, so...! | 0:10:41 | 0:10:45 | |
My husband always says that we are deceivers. Oh, yes! | 0:10:45 | 0:10:50 | |
Because without make-up... We look like different people. Yeah. | 0:10:50 | 0:10:54 | |
Just in case you see, you know, your future husband or something. | 0:10:54 | 0:10:57 | |
You never know. | 0:10:57 | 0:10:58 | |
I see it as an art, really, I quite like trying different looks | 0:11:00 | 0:11:04 | |
and experimenting, you can look like a completely different person. | 0:11:04 | 0:11:08 | |
I agree with that. Applying make-up is an art. | 0:11:08 | 0:11:12 | |
It takes patience, skill and an awful lot of practice to perfect. | 0:11:15 | 0:11:20 | |
Don't believe me? | 0:11:20 | 0:11:21 | |
I asked some of the boys from the football team at Coleg y Cymoedd | 0:11:21 | 0:11:24 | |
to have a go with my make-up box. | 0:11:24 | 0:11:27 | |
That's... Pass. | 0:11:27 | 0:11:29 | |
Can't even get the wrappers off. | 0:11:29 | 0:11:30 | |
Too much. | 0:11:31 | 0:11:33 | |
It's like, you have to watch how not to poke yourself in the eye. | 0:11:36 | 0:11:39 | |
One eye for the rest of your life. | 0:11:39 | 0:11:40 | |
I'm an expert. | 0:11:42 | 0:11:44 | |
Do you keep your lips wide, or do you bring them in like that? | 0:11:44 | 0:11:47 | |
Ridiculous. | 0:11:50 | 0:11:52 | |
No, definitely not! | 0:11:52 | 0:11:56 | |
You look like a million dollars. | 0:12:01 | 0:12:03 | |
Rather look shocking. | 0:12:05 | 0:12:07 | |
It's actually quite fun. | 0:12:07 | 0:12:08 | |
Urgh! | 0:12:08 | 0:12:09 | |
Well, they tried, didn't they? But it is harder than it looks. | 0:12:09 | 0:12:13 | |
How does it come off? | 0:12:13 | 0:12:14 | |
It's clear to me that women | 0:12:18 | 0:12:19 | |
have more than one relationship with make-up. | 0:12:19 | 0:12:22 | |
To boost confidence, to cover up a spot or a blemish, | 0:12:22 | 0:12:25 | |
to make us feel ready to face a stressful situation, | 0:12:25 | 0:12:28 | |
like a job interview. | 0:12:28 | 0:12:29 | |
And, yes, sometimes to impress a partner. Why not? | 0:12:29 | 0:12:34 | |
But when it comes to making ourselves attractive, | 0:12:34 | 0:12:36 | |
is it a case of less is more? | 0:12:36 | 0:12:39 | |
Academics at Bangor University recently carried out a large study | 0:12:40 | 0:12:44 | |
to find out how much make-up men and women found to be attractive. | 0:12:44 | 0:12:48 | |
The results were surprising. | 0:12:48 | 0:12:50 | |
We wanted to find out what the optimum level of cosmetics was. | 0:12:50 | 0:12:53 | |
And to do that, what we did was, we asked some women volunteers, | 0:12:53 | 0:12:57 | |
we called them our models, | 0:12:57 | 0:12:58 | |
and we photographed them with and without their make-up. | 0:12:58 | 0:13:01 | |
We showed these to people and said, | 0:13:01 | 0:13:03 | |
just choose the one that you think looks most attractive. | 0:13:03 | 0:13:05 | |
Our first result was that men and women preferred some cosmetics use, | 0:13:05 | 0:13:11 | |
but our models were using way too much in the way of make-up. | 0:13:11 | 0:13:16 | |
So in fact, our observers preferred about half the level of make-up | 0:13:16 | 0:13:19 | |
that the models were actually using. | 0:13:19 | 0:13:21 | |
The biggest misunderstanding that we found was | 0:13:22 | 0:13:27 | |
women's expectations about what men liked. | 0:13:27 | 0:13:29 | |
Women assumed men really liked high levels of cosmetics. | 0:13:31 | 0:13:36 | |
But in fact, what people prefer is less make-up. | 0:13:36 | 0:13:40 | |
Inspired by Bangor's study, I set up an experiment of my own. | 0:13:43 | 0:13:48 | |
I used three photos of the same girl. | 0:13:48 | 0:13:51 | |
One without make-up, one with just a little, | 0:13:51 | 0:13:54 | |
and one very heavily made up. | 0:13:54 | 0:13:56 | |
The rugby boys of Coleg y Cymoedd came along to help me out. | 0:13:56 | 0:13:59 | |
Did they agree with the Bangor University study? | 0:13:59 | 0:14:03 | |
The one that's most attractive is on the right. | 0:14:03 | 0:14:05 | |
The one on the right. I think the one on the right. | 0:14:05 | 0:14:07 | |
Yes, the photo on the right was the one with just a little make-up. | 0:14:07 | 0:14:11 | |
It's like it's got a nice balance to it, | 0:14:11 | 0:14:14 | |
like, make-up and natural. | 0:14:14 | 0:14:15 | |
She looks more natural. She doesn't look fake. | 0:14:15 | 0:14:18 | |
She's got like a natural look to her. She looks genuine. | 0:14:18 | 0:14:21 | |
One of the really powerful effects in psychology | 0:14:21 | 0:14:25 | |
is the attractiveness halo. | 0:14:25 | 0:14:27 | |
So if we judge someone to be attractive | 0:14:27 | 0:14:29 | |
then we also infer that that person is not only attractive | 0:14:29 | 0:14:34 | |
but they're friendly, they're trustworthy, they're smart. | 0:14:34 | 0:14:38 | |
Which one looks most friendly? Yeah, I think it's the one on the right. | 0:14:38 | 0:14:42 | |
The one that's most likeable is the one on the right, because again, | 0:14:42 | 0:14:46 | |
she looks normal, genuine and down-to-earth. | 0:14:46 | 0:14:50 | |
Perceptions about the feminine ideal are deep-set. | 0:14:50 | 0:14:54 | |
A recent survey of British teenage girls | 0:14:54 | 0:14:57 | |
found that 87% of those questioned | 0:14:57 | 0:14:59 | |
felt that women were judged more on their appearance | 0:14:59 | 0:15:02 | |
than on their ability. | 0:15:02 | 0:15:03 | |
For me, it's all about this. | 0:15:03 | 0:15:06 | |
Page after page after page of perfect faces. | 0:15:06 | 0:15:11 | |
Airbrushed images of models and Hollywood stars. | 0:15:11 | 0:15:14 | |
A pressure to have the perfect skin, the perfect eyes, the perfect lips. | 0:15:14 | 0:15:17 | |
And everything magnified by selfies and social media. | 0:15:17 | 0:15:22 | |
Dr Yan Wu has researched the relationship between the media | 0:15:25 | 0:15:29 | |
and the beauty industry. | 0:15:29 | 0:15:30 | |
Does she agree with me about the pressure women are put under? | 0:15:34 | 0:15:38 | |
Advertisement today is very cleverly designed. | 0:15:40 | 0:15:44 | |
They often incorporate feminist ideals into selling. | 0:15:44 | 0:15:48 | |
So even, you are forced into buying, | 0:15:48 | 0:15:52 | |
but the advertisers give you the impression you make that choice. | 0:15:52 | 0:15:56 | |
You made yourself look better | 0:15:56 | 0:15:59 | |
and you are the one who achieved that look. | 0:15:59 | 0:16:02 | |
If audiences are exposed to the same message, repeated message, | 0:16:02 | 0:16:08 | |
again and again, their outlook will be shaped by that message. | 0:16:08 | 0:16:12 | |
What about in the workplace? | 0:16:12 | 0:16:14 | |
Are women more successful if they wear make-up? | 0:16:14 | 0:16:17 | |
I would like to ask another question. | 0:16:17 | 0:16:20 | |
Do we judge men on the way they look or on their ability? | 0:16:20 | 0:16:25 | |
We rarely see men wear heavy make-up, | 0:16:25 | 0:16:28 | |
especially in the workplace. | 0:16:28 | 0:16:30 | |
So why has the woman's face become like the extension of your suit? | 0:16:30 | 0:16:35 | |
You have to put on make-up to complete this formal look, | 0:16:35 | 0:16:40 | |
when men are not subject to such control. | 0:16:40 | 0:16:43 | |
I think in the workplace, women should be judged by their ability, | 0:16:43 | 0:16:47 | |
just like men. | 0:16:47 | 0:16:49 | |
So this singling women out itself, I think, | 0:16:49 | 0:16:53 | |
is a kind of sexist attitude. | 0:16:53 | 0:16:55 | |
If we apply a double...apply double standards to men and women, | 0:16:55 | 0:17:00 | |
we can never achieve real gender equality, can we? | 0:17:00 | 0:17:04 | |
One very modern issue is the phenomenon of selfies, | 0:17:05 | 0:17:10 | |
people taking photographs of themselves to post online, | 0:17:10 | 0:17:13 | |
and the way women feel they have to make themselves up before doing it. | 0:17:13 | 0:17:17 | |
I can take pictures on Snapchat or selfies without me wearing make-up. | 0:17:17 | 0:17:23 | |
But I think... Whenever I put make-up, I prefer to take selfies. | 0:17:23 | 0:17:28 | |
Are you a selfie taker? I am. Yes, she is. Big time. | 0:17:28 | 0:17:34 | |
When you're snapping, would you ever do it without make-up? No. No. | 0:17:34 | 0:17:37 | |
Really? Never? I've done it once, but that's to, like, my friends. | 0:17:37 | 0:17:41 | |
I wouldn't put it on Facebook or nothing. | 0:17:41 | 0:17:45 | |
It's got to be perfect to go on Facebook. Yeah. | 0:17:45 | 0:17:47 | |
The selfie has become a culture, the self, so many young people, | 0:17:49 | 0:17:54 | |
they can't avoid taking a selfie. | 0:17:54 | 0:17:56 | |
And I have to say the beauty industry | 0:17:56 | 0:17:58 | |
tapped into this market again. | 0:17:58 | 0:18:00 | |
I noticed in some recent glossy magazine, | 0:18:00 | 0:18:03 | |
there's actually a line of a beauty product | 0:18:03 | 0:18:07 | |
tailored for girls who use the gym and take selfies at the same time. | 0:18:07 | 0:18:12 | |
So you can achieve that natural look in the gym | 0:18:12 | 0:18:15 | |
and your selfie will look great. | 0:18:15 | 0:18:17 | |
And what about the barefaced selfie, what did you make of all that? | 0:18:17 | 0:18:21 | |
Now we regard wearing make-up as the norm, while not wearing make-up | 0:18:21 | 0:18:26 | |
is something courageous, something brave, something exceptional. | 0:18:26 | 0:18:30 | |
So the natural look, without make-up, | 0:18:30 | 0:18:33 | |
becomes something so strange, so alien to our culture, | 0:18:33 | 0:18:37 | |
while the norm is wearing make-up. | 0:18:37 | 0:18:40 | |
So, aren't our faces good enough? | 0:18:40 | 0:18:43 | |
As a woman, I do feel that there's an expectation to wear make-up. | 0:18:54 | 0:18:58 | |
And whether I'm going to the supermarket for a pint of milk | 0:18:58 | 0:19:01 | |
or going out for the evening, I would be no more likely | 0:19:01 | 0:19:04 | |
to forget my make-up than forget my shoes. | 0:19:04 | 0:19:06 | |
But there are women who don't or won't wear make-up. | 0:19:06 | 0:19:09 | |
And I'm intrigued to find out why. | 0:19:09 | 0:19:11 | |
Connie! Hello, come on in. Hi! Hiya. | 0:19:22 | 0:19:25 | |
Myfanwy, facially, I feel overdressed, speaking to you now. | 0:19:27 | 0:19:30 | |
Why do you choose not to wear make-up? | 0:19:30 | 0:19:32 | |
Well, there's a number of reasons, Connie. | 0:19:32 | 0:19:34 | |
The first one is, I'm not very good at it. | 0:19:34 | 0:19:37 | |
And I also have a little bit of a thing about | 0:19:37 | 0:19:40 | |
having to present myself through a mask, | 0:19:40 | 0:19:43 | |
and I kind of think, well, this is who I am. | 0:19:43 | 0:19:48 | |
I think we all present ourselves in different ways. | 0:19:48 | 0:19:51 | |
It's about the way we talk, it's about how we choose... | 0:19:51 | 0:19:54 | |
the words we choose to use, the gestures, the way we dress. | 0:19:54 | 0:19:58 | |
And some people feel that make-up helps them present themselves. | 0:19:58 | 0:20:04 | |
But it's something I've never actually felt I needed to do, | 0:20:04 | 0:20:07 | |
and I suppose, for that reason, I've never felt pressured to do it. | 0:20:07 | 0:20:12 | |
And I've never started. | 0:20:12 | 0:20:13 | |
And you went on University Challenge, didn't you? | 0:20:13 | 0:20:16 | |
Yeah, that was quite an interesting thing, | 0:20:16 | 0:20:18 | |
because I was on University Challenge with three chaps. | 0:20:18 | 0:20:20 | |
And we all went into make-up | 0:20:20 | 0:20:22 | |
and the chaps came out looking identical to how they'd gone in, | 0:20:22 | 0:20:25 | |
with just a bit of something to take the shine down. | 0:20:25 | 0:20:27 | |
Bit of powder. Yeah, just to take the shine down. | 0:20:27 | 0:20:30 | |
I was completely transformed into someone unrecognisable. | 0:20:30 | 0:20:33 | |
So I went to the loo and I washed my face. | 0:20:33 | 0:20:36 | |
And then I got a tremendous row. | 0:20:36 | 0:20:39 | |
And they said, "You can't appear like this." | 0:20:39 | 0:20:43 | |
And I said, "Why not? Because this is how I am." | 0:20:43 | 0:20:46 | |
I felt that... What was quite noticeable to me | 0:20:46 | 0:20:49 | |
was that the three chaps | 0:20:49 | 0:20:50 | |
were not expected to change the way they looked | 0:20:50 | 0:20:54 | |
in order to appear on television. | 0:20:54 | 0:20:56 | |
But I was expected to transform myself in order to be acceptable. | 0:20:56 | 0:21:01 | |
And without putting on my tired and faded old feminist hat, | 0:21:01 | 0:21:05 | |
you know, I felt that was a bit odd. | 0:21:05 | 0:21:07 | |
Have you ever felt less feminine, in any way, | 0:21:07 | 0:21:09 | |
for not choosing to wear make-up? I don't think I have. | 0:21:09 | 0:21:13 | |
But then again, | 0:21:13 | 0:21:14 | |
it's worth saying that I suppose my ovaries have done that for me. | 0:21:14 | 0:21:17 | |
I have had six children. So nobody can accuse me of not being a woman. | 0:21:17 | 0:21:22 | |
I mean, I spent the '80s pregnant. So it's never been political, | 0:21:22 | 0:21:25 | |
you'll never wave a placard at me? Oh, gosh, no, definitely not. | 0:21:25 | 0:21:28 | |
Make-up should be about making you more yourself, | 0:21:28 | 0:21:31 | |
not just a mask to hide behind. | 0:21:31 | 0:21:33 | |
Well, that was very interesting. | 0:21:34 | 0:21:36 | |
Myfanwy clearly has a very different relationship | 0:21:36 | 0:21:38 | |
with make-up to the one I have. | 0:21:38 | 0:21:40 | |
She's very relaxed about not wearing it, | 0:21:40 | 0:21:42 | |
and it's got me thinking maybe I should be more relaxed about it too. | 0:21:42 | 0:21:47 | |
But if I did have a day, or do without make-up completely, | 0:21:47 | 0:21:51 | |
I don't know if I'd feel like myself. | 0:21:51 | 0:21:54 | |
I'm clearly not alone in thinking that. | 0:21:54 | 0:21:57 | |
While Myfanwy says she spends her money on books and red wine, | 0:21:57 | 0:22:01 | |
many of us are out buying cosmetics. | 0:22:01 | 0:22:04 | |
British women spend more than ?8 billion every year on make-up, | 0:22:04 | 0:22:09 | |
making the cosmetics industry a hugely powerful one. | 0:22:09 | 0:22:13 | |
Welsh writer Sali Hughes is the author of Pretty Honest, | 0:22:13 | 0:22:17 | |
a book about the beauty industry. | 0:22:17 | 0:22:19 | |
Through her columns in Cosmopolitan, Grazia and the Guardian, | 0:22:19 | 0:22:23 | |
Sali has become one of Britain's leading commentators | 0:22:23 | 0:22:26 | |
on the world of make-up. | 0:22:26 | 0:22:27 | |
It's a really complex issue. | 0:22:27 | 0:22:29 | |
I wear make-up every day and I'm wondering why I do it. | 0:22:29 | 0:22:31 | |
Is it presentation or is it pressure in some way? | 0:22:31 | 0:22:36 | |
I mean, it can be a million different things | 0:22:36 | 0:22:39 | |
and it can be a different thing on a different day. | 0:22:39 | 0:22:41 | |
Make-up helps you to decide who you want to be that day. | 0:22:41 | 0:22:44 | |
Do you want to be very glamorous, do you want to be more pared down? | 0:22:44 | 0:22:48 | |
It's a really powerful tool in that way. | 0:22:48 | 0:22:51 | |
For very many women, putting on their make-up is the only time | 0:22:51 | 0:22:55 | |
they spend on themselves all day, | 0:22:55 | 0:22:56 | |
and that sort of ritual can be a pleasure. | 0:22:56 | 0:22:59 | |
So we're using it as an expression, but what would you say to someone | 0:22:59 | 0:23:02 | |
who thinks it's frivolous, superficial vanity? | 0:23:02 | 0:23:05 | |
I don't... I mean, I don't really care that they think that. | 0:23:05 | 0:23:09 | |
But what I do care about is, | 0:23:09 | 0:23:12 | |
as somebody who writes a great deal about beauty, | 0:23:12 | 0:23:14 | |
I do care when people assume that I'm probably a little bit stupid | 0:23:14 | 0:23:19 | |
because I like lipstick. | 0:23:19 | 0:23:21 | |
This seems to me to be the most spectacularly thick way | 0:23:21 | 0:23:25 | |
of looking at the world and people generally. | 0:23:25 | 0:23:28 | |
You know, we're multi-faceted people, it's perfectly possible | 0:23:28 | 0:23:30 | |
to be engaged in politics and current affairs. | 0:23:30 | 0:23:33 | |
I have to be because of my job, I could not be more engaged | 0:23:33 | 0:23:35 | |
with those things, but I also like lipstick. | 0:23:35 | 0:23:38 | |
I cannot see why women are presumed to only be able | 0:23:38 | 0:23:42 | |
to focus on one thing, their appearance. | 0:23:42 | 0:23:44 | |
There are many, many things that you can think and do at the same time | 0:23:44 | 0:23:48 | |
because that is the human condition. | 0:23:48 | 0:23:50 | |
So many women who've gone through the worst times | 0:23:50 | 0:23:54 | |
because they've had cancer, or they've gone through | 0:23:54 | 0:23:57 | |
some dreadful bereavement, or other illness, | 0:23:57 | 0:23:59 | |
they have really relied on those daily rituals | 0:23:59 | 0:24:03 | |
of putting on their make-up, feeling their best, choosing an outfit. | 0:24:03 | 0:24:07 | |
It becomes a hugely important coping strategy | 0:24:07 | 0:24:10 | |
when everything feels chaotic and a mess. | 0:24:10 | 0:24:13 | |
And I completely understand that, and I think anybody | 0:24:13 | 0:24:15 | |
who knows anything about women will understand that. | 0:24:15 | 0:24:18 | |
Sali's point about needing to look good | 0:24:19 | 0:24:22 | |
even when we feel at our lowest speaks volumes to me. | 0:24:22 | 0:24:25 | |
It tells me that beauty isn't just a skin deep issue, | 0:24:25 | 0:24:28 | |
it can make us feel better on the inside too. | 0:24:28 | 0:24:32 | |
Shall we get started? | 0:24:32 | 0:24:34 | |
Let's get started. | 0:24:34 | 0:24:35 | |
What we're going to do today, we're going to follow a 12-step programme. | 0:24:35 | 0:24:39 | |
So we're going to start with your cleanse and make-up. | 0:24:39 | 0:24:42 | |
These three women have been treated for cancer. | 0:24:44 | 0:24:47 | |
They have had a huge amount on their minds, | 0:24:47 | 0:24:48 | |
but how they look is still important to them. | 0:24:48 | 0:24:51 | |
More important than ever, perhaps. | 0:24:51 | 0:24:53 | |
I could do with confidence-boosting. | 0:24:53 | 0:24:56 | |
After, you know, five stone I've put on, nearly, through treatment. | 0:24:56 | 0:25:00 | |
Oh, is this right? | 0:25:00 | 0:25:02 | |
They are at a make-up workshop organised by Look Good Feel Better. | 0:25:03 | 0:25:07 | |
The charity uses cosmetics to improve the self-confidence | 0:25:07 | 0:25:11 | |
and morale of women who are going through treatment for cancer. | 0:25:11 | 0:25:14 | |
Ladies, all three of you have been affected by cancer. | 0:25:16 | 0:25:19 | |
Sandra, what effect did that have on your identity? | 0:25:19 | 0:25:21 | |
I think the obvious thing is visually, is losing my hair. | 0:25:21 | 0:25:27 | |
Losing my eyebrows and eyelashes. | 0:25:27 | 0:25:31 | |
And that was because of chemo? | 0:25:31 | 0:25:33 | |
That was through chemotherapy, yeah. | 0:25:33 | 0:25:35 | |
And even though I was expecting it to happen, I thought | 0:25:35 | 0:25:39 | |
I was prepared for it, but I wasn't. | 0:25:39 | 0:25:40 | |
And when your hair is coming out by the handful, | 0:25:40 | 0:25:43 | |
I didn't want to go out. | 0:25:43 | 0:25:45 | |
By using the make-up, it sort of detracts, I think, from the hair. | 0:25:46 | 0:25:51 | |
So it... Even though I was feeling unwell, and I do feel unwell, | 0:25:51 | 0:25:56 | |
I don't have to look unwell. | 0:25:56 | 0:25:58 | |
For a woman, it can be really devastating to lose your hair. | 0:25:58 | 0:26:02 | |
And I think the fact that I could put the make-up on, | 0:26:02 | 0:26:06 | |
and it sort of detracted away | 0:26:06 | 0:26:08 | |
from the fact that I didn't have any hair, | 0:26:08 | 0:26:10 | |
it made so much of a difference. | 0:26:10 | 0:26:12 | |
Sarah's cancer is terminal | 0:26:13 | 0:26:15 | |
She's been given only a few years to live. | 0:26:15 | 0:26:18 | |
Inside, you're thinking, "Oh, gosh, just don't feel good." | 0:26:18 | 0:26:22 | |
But the make-up just looks... makes you look good. | 0:26:22 | 0:26:26 | |
Regardless of how you're feeling inside, really. | 0:26:26 | 0:26:29 | |
Like to look in the mirror? How do you feel? I love it. You love it. | 0:26:29 | 0:26:34 | |
Gorgeous, yeah. Good! | 0:26:34 | 0:26:35 | |
So, for me, today, it was great coming | 0:26:35 | 0:26:38 | |
and speaking to other people about it as well. | 0:26:38 | 0:26:41 | |
It makes you open up, I think. | 0:26:41 | 0:26:44 | |
Especially if you're not a person that opens up. | 0:26:44 | 0:26:46 | |
And the finished effect, sparkle. Yeah! | 0:26:46 | 0:26:51 | |
Talking to the three ladies tells me that for them, | 0:26:51 | 0:26:55 | |
it's not about attracting a mate. | 0:26:55 | 0:26:58 | |
It's not even about confidence. | 0:26:58 | 0:27:00 | |
It's about wearing it for themselves. | 0:27:00 | 0:27:03 | |
Using make-up as a tool to brighten their darkest days. | 0:27:03 | 0:27:07 | |
And it surprised me, actually, that something so seemingly superficial | 0:27:07 | 0:27:11 | |
can have such an empowering effect on women. | 0:27:11 | 0:27:14 | |
And I think that has moved me more than I knew lip gloss | 0:27:15 | 0:27:19 | |
and blusher ever could. | 0:27:19 | 0:27:21 | |
It's become clear to me that to so many of us, | 0:27:24 | 0:27:27 | |
make-up means a whole lot more than applying | 0:27:27 | 0:27:30 | |
a superficial layer of slap to our skin. | 0:27:30 | 0:27:33 | |
And that while our appearance may instantly say something about us, | 0:27:33 | 0:27:37 | |
ultimately, to wear or not to wear is our own choice to make. | 0:27:37 | 0:27:42 | |
So it seems the power of make-up is in our hands. | 0:27:47 | 0:27:51 | |
If we want to, we can use it to subtly highlight our beauty, | 0:27:51 | 0:27:54 | |
or, if we prefer, plaster over our insecurities. | 0:27:54 | 0:27:58 | |
It's a modern-day magic wand. | 0:27:58 | 0:28:01 | |
And, if used to best effect, | 0:28:01 | 0:28:03 | |
it can transform us, physically and emotionally. | 0:28:03 | 0:28:07 | |
And that, I think, is a very handy thing to have at our fingertips. | 0:28:07 | 0:28:13 | |
# Baby, you light up my world like nobody else | 0:28:14 | 0:28:17 | |
# The way that you flip your hair gets me overwhelmed | 0:28:17 | 0:28:21 | |
# But when you smile at the ground It ain't hard to tell | 0:28:21 | 0:28:25 | |
# You don't know | 0:28:25 | 0:28:28 | |
# You don't know you're beautiful | 0:28:28 | 0:28:31 | |
# If only you saw what I can see | 0:28:31 | 0:28:33 | |
# You'd understand why I want you so desperately | 0:28:33 | 0:28:37 | |
# Right now, I'm looking at you and I can't believe | 0:28:37 | 0:28:40 | |
# You don't know | 0:28:40 | 0:28:43 | |
# You don't know you're beautiful | 0:28:43 | 0:28:46 | |
# You don't know you're beautiful | 0:28:47 | 0:28:49 | |
# That's what makes you beautiful. # | 0:28:51 | 0:28:53 |