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HOWLING | 0:00:02 | 0:00:04 | |
SHE HOWLS | 0:00:20 | 0:00:24 | |
Manchester is where the idea of Communism was born, | 0:00:37 | 0:00:40 | |
the first industrial city, not Imperial Russia. | 0:00:40 | 0:00:43 | |
Friedrich Engels, whose work with Karl Marx | 0:00:43 | 0:00:46 | |
inspired the Russian Revolution, lived here for more than 20 years. | 0:00:46 | 0:00:51 | |
His most famous work, The Condition of the Working Class in England, | 0:00:51 | 0:00:55 | |
was based on what he saw in Manchester. | 0:00:55 | 0:00:58 | |
I wanted to bring a symbol of Communism back to its roots, | 0:00:58 | 0:01:01 | |
and to make this connection concrete. | 0:01:01 | 0:01:03 | |
Ceremony is three things seen through the prism of Engels. | 0:01:03 | 0:01:07 | |
One, the search for a statue of him and its journey back home. | 0:01:07 | 0:01:12 | |
Two, the everyday stories of people from Manchester who welcomed me | 0:01:12 | 0:01:14 | |
into their lives. | 0:01:14 | 0:01:16 | |
And three, a homecoming party to inaugurate the statue. | 0:01:16 | 0:01:20 | |
Since the financial crash, Britain has changed beyond recognition. | 0:01:21 | 0:01:25 | |
It seems to many that the parallels between the conditions Engels was | 0:01:25 | 0:01:29 | |
writing about and the realities of life in Britain today | 0:01:29 | 0:01:32 | |
are blindingly obvious. | 0:01:32 | 0:01:33 | |
I am awake. | 0:01:42 | 0:01:44 | |
Again. | 0:01:44 | 0:01:45 | |
Unawake, I think... | 0:01:45 | 0:01:47 | |
And me, I never left the area. | 0:01:48 | 0:01:51 | |
The words they used against us changed around me. | 0:01:51 | 0:01:55 | |
The litany of tabs and sanctions, | 0:01:55 | 0:01:58 | |
the imperative sell yourself. | 0:01:58 | 0:02:01 | |
Sell yourself again. | 0:02:01 | 0:02:03 | |
As if you have an appetite. | 0:02:04 | 0:02:06 | |
So I set out to look for a statue of Engels. | 0:02:10 | 0:02:14 | |
I hit the road in Russia, Belarus, Ukraine, | 0:02:14 | 0:02:17 | |
and I discover that an Engels in good nick with a passport out | 0:02:17 | 0:02:20 | |
is a hard thing to find. | 0:02:20 | 0:02:22 | |
The poster boys of the revolution have always been Lenin and Marx. | 0:02:22 | 0:02:28 | |
Engels, for the most part, appears only as Marx's sidekick. | 0:02:28 | 0:02:32 | |
In some countries, they still keep pride of place. | 0:02:34 | 0:02:37 | |
In others, the statues are removed, | 0:02:37 | 0:02:39 | |
but the villages hide them, just in case. | 0:02:39 | 0:02:41 | |
As they explained, things might change, you never know. | 0:02:43 | 0:02:46 | |
Well, true enough, you don't. | 0:02:46 | 0:02:48 | |
1989 means different things to different places. | 0:02:51 | 0:02:54 | |
Mention it in Manchester, epicentre of a pop cultural revolution, | 0:02:55 | 0:02:59 | |
and people remember acid house, ecstasy, Hacienda. | 0:02:59 | 0:03:04 | |
Mention it in the former East, | 0:03:05 | 0:03:07 | |
and people talk about the fall of the Berlin Wall. | 0:03:07 | 0:03:09 | |
CHEERING | 0:03:11 | 0:03:14 | |
"Workers. | 0:03:59 | 0:04:00 | |
"To you, I dedicate a work in which I have tried to lay before | 0:04:00 | 0:04:05 | |
"my German countrymen a faithful picture of your condition. | 0:04:05 | 0:04:08 | |
"I wanted more than a mere abstract knowledge of my subject. | 0:04:15 | 0:04:19 | |
"I wanted to see you in your own homes, | 0:04:19 | 0:04:22 | |
"to observe you in your everyday life. | 0:04:22 | 0:04:24 | |
"To witness your struggles against the social and political power | 0:04:26 | 0:04:30 | |
"of your oppressors. | 0:04:30 | 0:04:31 | |
"Having, at the same time, | 0:04:34 | 0:04:36 | |
"ample opportunity to watch the middle classes, | 0:04:36 | 0:04:39 | |
"your opponent. | 0:04:39 | 0:04:41 | |
"I soon came to the conclusion that you are right. | 0:04:42 | 0:04:46 | |
"Perfectly right in expecting no support whatever from them. | 0:04:46 | 0:04:51 | |
"Though they always will try to maintain the country, | 0:04:51 | 0:04:54 | |
"and to make you believe in their most hearty sympathy | 0:04:54 | 0:04:57 | |
"with your fates, their actions give them the lie." | 0:04:57 | 0:05:01 | |
NOISY CHATTER | 0:05:14 | 0:05:18 | |
All right, OK. | 0:09:12 | 0:09:14 | |
See you, man. | 0:09:14 | 0:09:16 | |
Oh, yeah, I got a job now. | 0:09:18 | 0:09:20 | |
No, it's in a corner shop store. | 0:09:22 | 0:09:24 | |
But I get £7 an hour, so I'll be rolling. | 0:09:24 | 0:09:29 | |
And then I'll come visit you, probably. Probably, if you're lucky. | 0:09:30 | 0:09:33 | |
If you're lucky. | 0:09:33 | 0:09:35 | |
No, I'm joking! | 0:09:36 | 0:09:38 | |
As soon as I get my first pay cheque, train booked, everything. | 0:09:38 | 0:09:42 | |
I have missed you, I have missed you. | 0:09:46 | 0:09:48 | |
Like the smidge-ist bit, you get me? Not too much. | 0:09:50 | 0:09:52 | |
Not too little, though, | 0:09:52 | 0:09:54 | |
so I don't want you to think that I don't miss you at all. | 0:09:54 | 0:09:57 | |
I'll speak to you in a bit, then. | 0:09:58 | 0:10:00 | |
All right then. | 0:10:00 | 0:10:01 | |
All right. Easy. | 0:10:02 | 0:10:05 | |
It's like, nothing can touch me at that moment of time, like, | 0:10:21 | 0:10:25 | |
I'm the coolest dancer in Manchester. In my head, obviously! | 0:10:25 | 0:10:29 | |
But that's what you've got to think. | 0:10:29 | 0:10:31 | |
I'd love to be a dancer, that is what I want to be. | 0:10:33 | 0:10:36 | |
But, like, I look after my little brother, so that's kind of a stop. | 0:10:38 | 0:10:42 | |
Because I have to look after him from 8am to 8pm. | 0:10:42 | 0:10:45 | |
Money comes in here a lot, because if you don't have money, | 0:10:47 | 0:10:50 | |
then you can't get to the place where you need to perform, | 0:10:50 | 0:10:52 | |
or the place where you need to audition. | 0:10:52 | 0:10:54 | |
Because if you're low on money, then you can't get there. | 0:10:54 | 0:10:57 | |
If you can get there, how you getting back? | 0:10:57 | 0:10:59 | |
CHILDREN SING IN OWN LANGUAGE | 0:11:02 | 0:11:08 | |
And that's us off. A year after the uprising of 2014, | 0:11:32 | 0:11:35 | |
the Ukrainian government passed a law | 0:11:35 | 0:11:37 | |
insisting that all Communist monuments had to be removed. | 0:11:37 | 0:11:40 | |
Over 2,500 statues were taken down, | 0:11:42 | 0:11:45 | |
and one lucky Engels gets a new home in Manchester. | 0:11:45 | 0:11:48 | |
When he arrives, he will be taken to Engels's Exchange, | 0:11:51 | 0:11:54 | |
a square transformed for one day into a shared space of ideas, | 0:11:54 | 0:11:58 | |
and the kind of a good time which Engels loved. | 0:11:58 | 0:12:00 | |
As well as being a committed revolutionary, | 0:12:02 | 0:12:05 | |
his favourite saying, unbelievably, was the very Mancunian, | 0:12:05 | 0:12:09 | |
"take it easy". | 0:12:09 | 0:12:11 | |
I invited local activists and community groups | 0:12:11 | 0:12:14 | |
to set up stations where they could discuss with the public | 0:12:14 | 0:12:17 | |
the continuities between today's situation and Engels's work. | 0:12:17 | 0:12:20 | |
He should be as relevant to us today | 0:12:22 | 0:12:24 | |
as he was for the Russian Revolution. | 0:12:24 | 0:12:26 | |
You get sent home now. You get sent home. | 0:12:26 | 0:12:29 | |
Why are you going to the palace? | 0:12:33 | 0:12:35 | |
Because that's where the Emperor is. | 0:12:35 | 0:12:37 | |
We got him, we've got Russia. | 0:12:37 | 0:12:39 | |
We've got factories! | 0:12:39 | 0:12:42 | |
Roll the dice. | 0:12:42 | 0:12:44 | |
Boom! | 0:12:44 | 0:12:45 | |
THEY CHEER | 0:12:45 | 0:12:47 | |
So, that was Friedrich Engels on his way. | 0:13:06 | 0:13:11 | |
Who is Friedrich Engels? | 0:13:15 | 0:13:17 | |
Well, the son of a German mill owner. | 0:13:18 | 0:13:22 | |
And the family owned a factory in Weaste in Salford. | 0:13:24 | 0:13:28 | |
It's called Ermen and Engels. | 0:13:28 | 0:13:31 | |
And later on, it gets called Winterbottoms, | 0:13:31 | 0:13:34 | |
some of you might remember it as Winterbottoms. | 0:13:34 | 0:13:37 | |
In 1842, Engels's dad says, "Right, son, | 0:13:37 | 0:13:41 | |
"it's your turn to go to Manchester and take over the family business." | 0:13:41 | 0:13:46 | |
So he's 22 years old, and he comes over here, starts off as a clerk, | 0:13:46 | 0:13:52 | |
and later steps into the boss seat. | 0:13:52 | 0:13:55 | |
And that's the brilliant contradiction about this man. | 0:13:55 | 0:13:59 | |
He's a capitalist boss by day, | 0:13:59 | 0:14:02 | |
but he's a Communist party animal by night. | 0:14:02 | 0:14:05 | |
And he spends the next 20 years living, and loving, | 0:14:05 | 0:14:09 | |
and working in Manchester. | 0:14:09 | 0:14:11 | |
And he does fall in love, | 0:14:11 | 0:14:14 | |
he falls in love with a woman on the factory floor, | 0:14:14 | 0:14:16 | |
and her name is Mary Burns. | 0:14:16 | 0:14:19 | |
They don't get married, because they don't believe in marriage. | 0:14:19 | 0:14:24 | |
They don't believe in the idea of women as property. | 0:14:24 | 0:14:27 | |
We haven't got any pictures of Mary, we don't know what she looked like. | 0:14:29 | 0:14:33 | |
But she's really important in the story of Engels, | 0:14:33 | 0:14:36 | |
because she took him into the back streets of Manchester, | 0:14:36 | 0:14:39 | |
and she showed him the real life of the working people, | 0:14:39 | 0:14:42 | |
which at that time was poor housing, ill health, | 0:14:42 | 0:14:47 | |
exploitation, overcrowding, | 0:14:47 | 0:14:49 | |
and a general lack of workers' rights. | 0:14:49 | 0:14:52 | |
Sound familiar? | 0:14:52 | 0:14:54 | |
And after Mary's death, he actually takes up with her sister, Lizzie, | 0:14:57 | 0:15:01 | |
and on Lizzie's deathbed, | 0:15:01 | 0:15:03 | |
Engels goes against his principles | 0:15:03 | 0:15:05 | |
and he marries her, to fulfil her dying wish. | 0:15:05 | 0:15:08 | |
What a guy. | 0:15:08 | 0:15:11 | |
You know, I was 28 when I had my stroke. | 0:15:14 | 0:15:17 | |
I woke up and thought, "this is unusual". | 0:15:17 | 0:15:19 | |
I always remember your face just dropped, | 0:15:19 | 0:15:23 | |
you just looked... | 0:15:23 | 0:15:25 | |
I tried to stay strong, | 0:15:25 | 0:15:27 | |
but that broke my heart when I seen you walking like that. | 0:15:27 | 0:15:30 | |
-What have you got for dinner? -Salad sandwich. | 0:15:31 | 0:15:34 | |
Woohoo, not beans on toast today, then, with cheese on top? | 0:15:34 | 0:15:38 | |
-No, that's your speciality, isn't it? -Yeah. | 0:15:38 | 0:15:41 | |
I still get stiffness now. | 0:15:44 | 0:15:46 | |
When I tell people about it, I say that you can't see it | 0:15:46 | 0:15:48 | |
until you really look. | 0:15:48 | 0:15:50 | |
Because, like, when you're picking up stuff, you know... | 0:15:50 | 0:15:52 | |
Or carrying them cups, and spill it all over people? | 0:15:52 | 0:15:55 | |
But if people just see you how you are... | 0:15:55 | 0:15:57 | |
I thought that was funny, that isn't funny. | 0:15:57 | 0:15:59 | |
Remember when I kicked someone? I was riding my bike! | 0:15:59 | 0:16:02 | |
I was riding my bike once, because I weren't allowed to drive at first, | 0:16:02 | 0:16:06 | |
and then I kicked someone! | 0:16:06 | 0:16:08 | |
Oh, no, I've had a stroke! | 0:16:08 | 0:16:10 | |
They were looking at me like they were going to beat me up! | 0:16:10 | 0:16:12 | |
She was dead good though, you came back to work quite quickly. | 0:16:12 | 0:16:15 | |
I couldn't afford to stay off, could I? | 0:16:15 | 0:16:17 | |
I've got no money. | 0:16:17 | 0:16:19 | |
But that's how it is, isn't it? | 0:16:19 | 0:16:21 | |
I don't know how we do it. | 0:16:21 | 0:16:22 | |
Sometimes I don't know how we do it. | 0:16:22 | 0:16:25 | |
"Of course, only a few actually die of hunger. | 0:16:29 | 0:16:33 | |
"But what guarantee has the worker | 0:16:33 | 0:16:35 | |
"that this will not be her fate tomorrow? | 0:16:35 | 0:16:38 | |
"Who will give her security of employment, | 0:16:39 | 0:16:41 | |
"if for any cause her employer dismisses her? | 0:16:41 | 0:16:44 | |
"Who will ensure that success will follow the practice of honesty, | 0:16:44 | 0:16:48 | |
"hard work, and thrift? | 0:16:48 | 0:16:50 | |
"Those virtues so heartily recommended | 0:16:50 | 0:16:53 | |
"by the middle classes in their wisdom. | 0:16:53 | 0:16:56 | |
"Nobody. | 0:16:56 | 0:16:57 | |
"The worker knows only too well that employment and food today | 0:16:57 | 0:17:02 | |
"do not mean employment and food tomorrow." | 0:17:02 | 0:17:05 | |
Make no mistake. | 0:17:10 | 0:17:13 | |
The tenor of the times, paying for banks to lift your pockets. | 0:17:13 | 0:17:18 | |
For millionaires to vent their fears and rage on you. | 0:17:18 | 0:17:23 | |
Watching your freedom like an egg timer. | 0:17:23 | 0:17:28 | |
Like some limping sitcom you can't switch off. | 0:17:28 | 0:17:33 | |
Forking out | 0:17:33 | 0:17:35 | |
to be a hostage of pleasure. | 0:17:35 | 0:17:38 | |
Wanking over bank statements, | 0:17:38 | 0:17:42 | |
and paying for your own prison cell in easy instalments. | 0:17:42 | 0:17:46 | |
Hi, there! Have you ever thought about shoplifting? | 0:17:47 | 0:17:50 | |
It's a really great time to start. | 0:17:50 | 0:17:51 | |
There's 2,000 less police on the streets. | 0:17:51 | 0:17:54 | |
Crime's down, shoplifting's up. | 0:17:54 | 0:17:56 | |
It's a fantastic time to do it. | 0:17:56 | 0:17:59 | |
SHE MAKES A BEEPING SOUND | 0:18:02 | 0:18:05 | |
But they're not on my case because I've actually created a mystery bag. | 0:18:05 | 0:18:08 | |
Are you anti-austerity? | 0:18:08 | 0:18:10 | |
Well, actually, there is an increase in shoplifting due to austerity, | 0:18:10 | 0:18:13 | |
a lot of people shoplift for their dinner and personal hygiene. | 0:18:13 | 0:18:16 | |
But you do not know about pioneers, for example. | 0:18:17 | 0:18:21 | |
-The pioneers' work. Partisans. -Oh, partisans? -Yeah. | 0:18:21 | 0:18:26 | |
-Chetniks? -Chetniks? Yeah. -National Liberation Army? | 0:18:26 | 0:18:30 | |
"Instead of rising with the progress of industry, | 0:20:35 | 0:20:38 | |
"the modern labourer sinks deeper and deeper | 0:20:38 | 0:20:42 | |
"below the conditions of existence, | 0:20:42 | 0:20:45 | |
"and is allowed to live only insofar | 0:20:45 | 0:20:49 | |
"as the interest of the ruling class requires it. | 0:20:49 | 0:20:53 | |
"The worker is, in fact, the slave of the middle-class capitalists. | 0:20:54 | 0:20:58 | |
"He is a slave because he is sold in the same way as goods are sold. | 0:20:58 | 0:21:04 | |
"He is sold piecemeal by the day, | 0:21:04 | 0:21:07 | |
"the week, or by the year. | 0:21:07 | 0:21:11 | |
"He is not sold by one owner to another, | 0:21:11 | 0:21:14 | |
"but he is forced to sell himself in this fashion." | 0:21:14 | 0:21:18 | |
Hi, good morning. I'm ringing from a work club in Cheatham Hill | 0:21:23 | 0:21:27 | |
in Manchester, on behalf of one of my clients, | 0:21:27 | 0:21:29 | |
who would like to apply for Job-seeker's Allowance. | 0:21:29 | 0:21:31 | |
-Have you had Job-seeker's Allowance in the last six months? -No. | 0:21:33 | 0:21:36 | |
No, he hasn't, he hasn't, no. | 0:21:36 | 0:21:38 | |
He's had a job at the Amazon warehouse. | 0:21:41 | 0:21:46 | |
Yes, he has, he's had housing benefit, yeah. | 0:21:48 | 0:21:50 | |
Oh, so you can put a claim in for housing benefit at the same time? | 0:21:53 | 0:21:56 | |
Do you want us to put a claim for housing benefit at the same time? | 0:21:56 | 0:21:59 | |
-Please, yeah. -Yes, please, yes, please. | 0:21:59 | 0:22:01 | |
-No, you don't own the property, do you? -No. -No. He'd like to. | 0:22:01 | 0:22:05 | |
No, I'm only joking, he doesn't own it, no. | 0:22:05 | 0:22:07 | |
Who lives at the property where you are now? | 0:22:10 | 0:22:12 | |
There's eight other people, it's like a shared house. | 0:22:12 | 0:22:15 | |
He lives with eight other people. | 0:22:15 | 0:22:17 | |
Yeah. Have you got a partner? | 0:22:19 | 0:22:22 | |
-No. -No, he doesn't have a partner, no. | 0:22:22 | 0:22:24 | |
Um... | 0:22:27 | 0:22:28 | |
Sorry, what's your sexuality? | 0:22:29 | 0:22:31 | |
-Do you know? -I'm a man. | 0:22:31 | 0:22:34 | |
-Yeah, do you... -I'm male. | 0:22:34 | 0:22:35 | |
Do you like women, or... | 0:22:35 | 0:22:38 | |
-Cars? -..men? | 0:22:38 | 0:22:40 | |
Yeah, he's heterosexual. | 0:22:40 | 0:22:43 | |
Huh?! | 0:22:43 | 0:22:44 | |
INAUDIBLE | 0:22:44 | 0:22:47 | |
-You don't share your room? -No. | 0:22:50 | 0:22:52 | |
No, he doesn't, no, he's on his own. | 0:22:52 | 0:22:53 | |
Do you have your own bathroom? | 0:22:56 | 0:22:57 | |
No. | 0:22:59 | 0:23:00 | |
No, it's a communal bathroom. | 0:23:00 | 0:23:02 | |
-Yeah. -Do you have your own kitchen? | 0:23:02 | 0:23:04 | |
-No, it's a shared kitchen. -Shared kitchen, as well. | 0:23:05 | 0:23:08 | |
Yeah, it's communal, a communal kitchen. | 0:23:08 | 0:23:11 | |
Yeah, yeah, he's just been working, so he is permitted to work. | 0:23:12 | 0:23:16 | |
Do you have £16,000 in savings? | 0:23:16 | 0:23:19 | |
It'd be nice. I wish I had it. No, he doesn't have it. | 0:23:21 | 0:23:24 | |
No, no, sorry. I haven't got it either. No, he hasn't got £16,000. | 0:23:24 | 0:23:27 | |
Have you got any more small plates? | 0:23:31 | 0:23:33 | |
..with ballpoint pens, cooking up schemes to cost cut your future. | 0:23:38 | 0:23:44 | |
Can they charge you for walking? | 0:23:45 | 0:23:47 | |
They'd probably like to. | 0:23:47 | 0:23:49 | |
Charge you for drinking water, they already do. | 0:23:49 | 0:23:52 | |
Charge you for pissing? | 0:23:52 | 0:23:54 | |
They do that, too. | 0:23:54 | 0:23:55 | |
For breathing in air, or looking up at the stars at night. | 0:23:55 | 0:23:59 | |
And the marketing companies are the extremists of the age, | 0:24:14 | 0:24:18 | |
writing large, | 0:24:18 | 0:24:21 | |
believing in nothing. | 0:24:21 | 0:24:23 | |
They don't care about you. | 0:24:23 | 0:24:25 | |
They'll never care about you. | 0:24:25 | 0:24:28 | |
APPLAUSE | 0:24:28 | 0:24:30 | |
..the different connections between people who are sat here, yeah? | 0:24:33 | 0:24:37 | |
We've got the phone line, | 0:24:37 | 0:24:40 | |
and a brother, and he's connected to the driver | 0:24:40 | 0:24:43 | |
by trying to make phone calls... | 0:24:43 | 0:24:45 | |
"The whole legal system has been devised | 0:24:45 | 0:24:47 | |
"to protect those who own property from those who do not. | 0:24:47 | 0:24:51 | |
"The laws are needed only because people exist who have no property. | 0:24:52 | 0:24:56 | |
"If the worker cannot find employment, | 0:24:58 | 0:25:00 | |
"he can steal. | 0:25:00 | 0:25:02 | |
"Unless he's afraid of the police. | 0:25:02 | 0:25:05 | |
"Or he can go hungry, | 0:25:05 | 0:25:07 | |
"and then the police will see to it that he will die of hunger | 0:25:07 | 0:25:10 | |
"in such a way as not to disturb the equanimity of the middle classes. | 0:25:10 | 0:25:15 | |
"The English workers call this social murder." | 0:25:16 | 0:25:20 | |
SHE LAUGHS | 0:25:44 | 0:25:47 | |
A ceremony is ultimately an act of collaboration, | 0:26:07 | 0:26:10 | |
and I knew I'd need an anthem to roll out the red carpet for Engels. | 0:26:10 | 0:26:14 | |
And if you want an anthem for statue of a communist revolutionary... | 0:26:16 | 0:26:20 | |
..who better to ask than Gruff Rhys, | 0:26:23 | 0:26:25 | |
a North Walian Renaissance socialist pop star | 0:26:25 | 0:26:28 | |
with an original Soviet Polivoks synth at hand? | 0:26:28 | 0:26:31 | |
This sort of thing any good, Gruff, this sound? | 0:26:33 | 0:26:37 | |
TECHNO BEAT | 0:26:38 | 0:26:42 | |
# All that's saw it | 0:26:54 | 0:26:56 | |
# Melts into it | 0:26:58 | 0:27:00 | |
# We've got nothing to lose | 0:27:02 | 0:27:05 | |
# But our chains | 0:27:05 | 0:27:08 | |
# Hail the oppressor | 0:27:10 | 0:27:13 | |
# That frees the oppressed | 0:27:13 | 0:27:16 | |
# We've got nothing to lose | 0:27:16 | 0:27:21 | |
# But our chains | 0:27:21 | 0:27:24 | |
# Renationalise | 0:27:25 | 0:27:28 | |
# The hope in your eyes | 0:27:29 | 0:27:32 | |
# We've got nothing to lose | 0:27:34 | 0:27:37 | |
# But your chains | 0:27:37 | 0:27:40 | |
# Don't rationalise | 0:27:41 | 0:27:45 | |
# The jars on your mind | 0:27:45 | 0:27:48 | |
# We've got nothing to lose | 0:27:48 | 0:27:53 | |
# But your chains... # | 0:27:53 | 0:27:56 | |
What does Engels think of as he travels from east to west? | 0:27:56 | 0:28:00 | |
Does he recognise places and sites? | 0:28:00 | 0:28:03 | |
Have they changed much since his time? | 0:28:03 | 0:28:05 | |
I've lived in Berlin for ten years now. | 0:28:07 | 0:28:10 | |
It's a city which forces you to confront the fact | 0:28:10 | 0:28:14 | |
that society's unwilling to reflect on its own ideological structures. | 0:28:14 | 0:28:17 | |
East Germany was an autocratic police state, | 0:28:22 | 0:28:24 | |
with a ruling elite obsessed with surveillance, | 0:28:24 | 0:28:27 | |
and unelected leaders dominated by the interests of the superpower. | 0:28:27 | 0:28:31 | |
Sound like anywhere you know? | 0:28:31 | 0:28:33 | |
The mass-organised May Day parades, | 0:28:41 | 0:28:43 | |
with their emphasis on solidarity and liberation movements, | 0:28:43 | 0:28:46 | |
were part of what I thought of when I dreamed of Engel's Exchange. | 0:28:46 | 0:28:50 | |
I wanted to remember a socialism not of uniform activity, | 0:28:51 | 0:28:55 | |
but of collective interests. | 0:28:55 | 0:28:57 | |
Berlin still has competing ideologies riven into the city. | 0:29:00 | 0:29:03 | |
With the West cannibalizing the East, | 0:29:06 | 0:29:08 | |
building castles and banks in what was once public space. | 0:29:08 | 0:29:11 | |
Which begs the central question, what is liberation? | 0:29:13 | 0:29:17 | |
Liberated into what? | 0:29:17 | 0:29:19 | |
Good morning, Julie! | 0:29:21 | 0:29:23 | |
How many orders have you got in? | 0:29:23 | 0:29:25 | |
Right, seven. OK, that's not a problem. | 0:29:28 | 0:29:30 | |
How many children in the families? | 0:29:30 | 0:29:33 | |
Right, OK. So baby formula, wipes... Er... | 0:29:35 | 0:29:39 | |
Yeah, brilliant. | 0:29:41 | 0:29:43 | |
No, I can do that, I'm just getting to the food bank now. | 0:29:43 | 0:29:46 | |
Yeah, that's great. All right, see you in a little while. | 0:29:47 | 0:29:50 | |
Bye-bye! | 0:29:50 | 0:29:51 | |
-All right, Jude? -Yeah, I delivered the food. | 0:30:03 | 0:30:06 | |
-I think I managed to get everything, even the nappies. -Oh, good. | 0:30:06 | 0:30:09 | |
-Right, no worries, I'll copy you into it as usual. -Okey doke. | 0:30:19 | 0:30:23 | |
Where have you come from? | 0:30:33 | 0:30:35 | |
-Wythenshawe. -Wythenshawe? -Yeah. -Didn't realise it was that far away. | 0:30:35 | 0:30:38 | |
What's it like, the place you're in? Is it all right? | 0:30:38 | 0:30:41 | |
-Yeah, it's all right, yeah. -Is it all women, or all men, or... | 0:30:41 | 0:30:44 | |
It's all men, and there's me, and one old woman. | 0:30:44 | 0:30:47 | |
-Is that all? -Yeah. | 0:30:47 | 0:30:49 | |
There's only two women in the place? | 0:30:49 | 0:30:51 | |
-Yeah. -What are they like? What sort of people are in there? | 0:30:51 | 0:30:53 | |
Like, everyone, obviously apart from me... | 0:30:53 | 0:30:56 | |
-Yeah? -..takes heroin and stuff. | 0:30:56 | 0:30:59 | |
-Really? -Crack, spice, and drinks... | 0:30:59 | 0:31:01 | |
And what do the staff do about it? | 0:31:01 | 0:31:04 | |
It's a wet house, you're allowed. | 0:31:04 | 0:31:06 | |
Oh, is it a wet house? Right, I didn't realise. | 0:31:06 | 0:31:08 | |
-When I went to the Booth Centre... -Mm? | 0:31:08 | 0:31:11 | |
..someone hit me. | 0:31:11 | 0:31:13 | |
-Right. -So, then I got took straight to the top of the list, | 0:31:13 | 0:31:18 | |
because it was a danger, me being on the street. | 0:31:18 | 0:31:20 | |
-How old is he? -He's six. | 0:31:24 | 0:31:26 | |
Because I was thinking about supervised visits... | 0:31:27 | 0:31:31 | |
Like babies, because you've had him for five years, | 0:31:31 | 0:31:33 | |
with babies, if someone's homeless and pregnant, | 0:31:33 | 0:31:36 | |
the baby's more or less usually removed at birth, | 0:31:36 | 0:31:39 | |
and then they've got to jump through all the hoops with social services | 0:31:39 | 0:31:41 | |
before they can have the baby back. | 0:31:41 | 0:31:43 | |
And you had him for five years before he went away, | 0:31:43 | 0:31:45 | |
so you got that built-up relationship with him. | 0:31:45 | 0:31:48 | |
-Yeah. -So, I think the stuff that we're going to do with you | 0:31:48 | 0:31:52 | |
is increase contact first, what do you think? | 0:31:52 | 0:31:54 | |
It wouldn't be suitable for him to him stay overnight, would it? | 0:31:54 | 0:31:58 | |
No, he's not allowed in. He's got to be over 16 to stay there. | 0:31:58 | 0:32:01 | |
Right. Where are you up to with him at the minute? | 0:32:01 | 0:32:04 | |
I see him every two weeks, so twice a month, | 0:32:04 | 0:32:08 | |
and I have phone contact on a Sunday. | 0:32:08 | 0:32:11 | |
When he gets on the phone, like, if he's got something in front of him, | 0:32:11 | 0:32:15 | |
he's, like, showing me. | 0:32:15 | 0:32:17 | |
You know what I mean? I can't see, though! | 0:32:17 | 0:32:19 | |
-He thinks he's showing you. -Yeah, he goes, "Can you see it?". | 0:32:19 | 0:32:22 | |
-I see. -Yeah. -If I could wave a magic wand and sort everything out for you | 0:32:22 | 0:32:26 | |
now, what would it be? | 0:32:26 | 0:32:28 | |
Um... | 0:32:28 | 0:32:29 | |
Just me and Thomas in our own house together. | 0:32:29 | 0:32:33 | |
"So what, they said to the poor is, | 0:32:45 | 0:32:48 | |
"you have the right to exist, but just to exist, and no more. | 0:32:48 | 0:32:53 | |
"You have certainly no right to breed, | 0:32:53 | 0:32:56 | |
"still less to live in a civilised world like normal human beings. | 0:32:56 | 0:33:00 | |
"You are like a plague. | 0:33:00 | 0:33:02 | |
"We shall stop you from contaminating others | 0:33:02 | 0:33:06 | |
"who might become idle or unemployed through your evil example. | 0:33:06 | 0:33:10 | |
"We shall let you live, | 0:33:11 | 0:33:13 | |
"but only as an awful example to others | 0:33:13 | 0:33:16 | |
"who might be tempted to become superfluous." | 0:33:16 | 0:33:18 | |
Public statues are interesting, | 0:33:23 | 0:33:25 | |
because even though they memorialize the ideology of a nation, | 0:33:25 | 0:33:28 | |
they become invisible over time. | 0:33:28 | 0:33:30 | |
Like everybody, when I look at a statue, I ask myself, | 0:33:32 | 0:33:35 | |
can statues feel? And, what do they see? | 0:33:35 | 0:33:39 | |
Are they excited about the changes in fashions and tastes? | 0:33:41 | 0:33:45 | |
The tourists and the stray dogs, the spliffs and the cruisers? | 0:33:45 | 0:33:49 | |
The demonstrations and rallies? | 0:33:49 | 0:33:51 | |
First dates and break-ups? | 0:33:51 | 0:33:53 | |
Pension days and riot squads? | 0:33:53 | 0:33:55 | |
Are they minded by the bird shit, the piss, and the drizzle? | 0:33:55 | 0:34:00 | |
The scorching heat, and the slow death of snow? | 0:34:00 | 0:34:02 | |
What does the onslaught of decades feel like? | 0:34:04 | 0:34:06 | |
In 2010, I was working on a film with former Marxist teachers. | 0:34:08 | 0:34:11 | |
I heard that an iconic statue of Marx and Engels | 0:34:11 | 0:34:15 | |
was going to be moved from its original location | 0:34:15 | 0:34:17 | |
to a nearby less conspicuous site. | 0:34:17 | 0:34:19 | |
Discreetly obscured by bushes, | 0:34:19 | 0:34:22 | |
and cruelly reorientated to face the West. | 0:34:22 | 0:34:25 | |
Ah! | 0:35:28 | 0:35:29 | |
Ooh! | 0:35:29 | 0:35:31 | |
If you're paying in order to be cared for in the home, | 0:35:32 | 0:35:35 | |
then what happens is that your first and foremost experience | 0:35:35 | 0:35:38 | |
of that violence is coming from that institution. | 0:35:38 | 0:35:41 | |
If you're a service user of the welfare state, or job centre, | 0:35:41 | 0:35:45 | |
if you're a job seeker, | 0:35:45 | 0:35:46 | |
your first and foremost experience of that violence | 0:35:46 | 0:35:49 | |
is coming from the job centre. | 0:35:49 | 0:35:51 | |
If you're a service user of the NHS, | 0:35:51 | 0:35:52 | |
your experience of violence has come from the NHS, | 0:35:52 | 0:35:55 | |
and that's what we mean by "institutional violence". | 0:35:55 | 0:35:58 | |
Can you take the front off. I'm going to do the mounting underneath. | 0:36:14 | 0:36:18 | |
-How much did you pay for this one? -80 quid. | 0:36:18 | 0:36:22 | |
What do you reckon we'll get for it? | 0:36:22 | 0:36:24 | |
Eh? | 0:36:25 | 0:36:27 | |
Hopefully more than £80! | 0:36:27 | 0:36:29 | |
Yeah, I know, but what though? | 0:36:29 | 0:36:31 | |
The cat's 60. | 0:36:31 | 0:36:33 | |
Yeah, that was £60 for the engine. | 0:36:33 | 0:36:35 | |
£60 for the engine, that's 120. | 0:36:35 | 0:36:38 | |
60, for the car, the shell... | 0:36:39 | 0:36:42 | |
Yeah, that'll cover... | 0:36:42 | 0:36:44 | |
So that's £180, is it? | 0:36:44 | 0:36:46 | |
-Yeah. -And then you've got, how many good tyres for it? | 0:36:46 | 0:36:49 | |
-Wheels, three. -Three good tyres, tenner a tyre. -30 quid. | 0:36:49 | 0:36:51 | |
£210, alloys? | 0:36:51 | 0:36:53 | |
-And the alloys, yeah. -£40? | 0:36:53 | 0:36:55 | |
-Yeah. -250, spend £80 on it. | 0:36:55 | 0:36:58 | |
-Do the maths. -You didn't go to school, you? | 0:36:58 | 0:37:01 | |
No, I'm no good at maths! You know I'm not, I'm useless at it! | 0:37:01 | 0:37:04 | |
-I did go to school! -Yeah, not very often. | 0:37:05 | 0:37:07 | |
I didn't start learning to read and write, though, till I was about 13. | 0:37:07 | 0:37:11 | |
-You know what book I read, don't you? -Uh, The Governor? | 0:37:39 | 0:37:42 | |
-The only book I've ever read... -LAUGHTER | 0:37:42 | 0:37:45 | |
What are you laughing at?! | 0:37:45 | 0:37:46 | |
-It's the only book. -It don't mean I'm what's it called, illiterate? | 0:37:46 | 0:37:49 | |
-Is that the right word? -No. | 0:37:49 | 0:37:51 | |
-I can read. -Well, you ain't illiterate then. | 0:37:51 | 0:37:54 | |
I can read a newspaper. | 0:37:54 | 0:37:55 | |
-Doesn't make a difference. -You know where I read that book? | 0:37:55 | 0:37:58 | |
-Eh? -Buckley Hall. -Yeah. | 0:37:58 | 0:38:00 | |
-Robbery, wasn't it? -Robbery, yeah. | 0:38:00 | 0:38:02 | |
Two sleeves with eyes cut out of it! | 0:38:02 | 0:38:06 | |
Two knots at the end of it. | 0:38:06 | 0:38:08 | |
I remember! I still remember that like yesterday! | 0:38:08 | 0:38:11 | |
"The middle classes have little to hope and much to fear | 0:38:17 | 0:38:21 | |
"from the education of the workers. | 0:38:21 | 0:38:23 | |
"It is in the interest of the middle classes that wages should be high | 0:38:25 | 0:38:29 | |
"enough to enable the workers to bring up their children, | 0:38:29 | 0:38:32 | |
"who will, in due course, be fit for regular employment. | 0:38:32 | 0:38:35 | |
"On the other hand, the worker's wages must be low enough | 0:38:35 | 0:38:40 | |
"to force him to send his children to the factory, | 0:38:40 | 0:38:43 | |
"rather than encourage them to improve their lot by training | 0:38:43 | 0:38:47 | |
"for something better than mere factory labour." | 0:38:47 | 0:38:50 | |
-I have to do six more than you. -Yeah, I know, I told you to do that. | 0:38:50 | 0:38:54 | |
-All right, Dad? -All right, love? | 0:38:56 | 0:38:58 | |
-What have you been up to? -School. -Everything all right at school? | 0:38:58 | 0:39:01 | |
How did the exam go? | 0:39:01 | 0:39:04 | |
Ahh, don't shut my fingers... | 0:39:04 | 0:39:06 | |
-It went crap! -Why? | 0:39:06 | 0:39:08 | |
-Well, I just couldn't do it. -What do you mean, you couldn't do it? | 0:39:08 | 0:39:11 | |
-Dad, I just couldn't do it. -You revised for it, didn't you? | 0:39:11 | 0:39:14 | |
Well, I've tried, I just can't do it. | 0:39:14 | 0:39:17 | |
You need to try harder, mate, try harder. | 0:39:17 | 0:39:19 | |
Try harder? I'm trying my hardest! | 0:39:19 | 0:39:21 | |
-Yeah, whatever. -Oh, you know what? I don't care, whatever. | 0:39:21 | 0:39:24 | |
Let's get these in, Dave. Get the ramps put in. | 0:39:24 | 0:39:27 | |
Come on, love. | 0:39:36 | 0:39:37 | |
-Eh? -What? -Well, tell us, you know, how bad's it gone? | 0:39:37 | 0:39:41 | |
Rubbish, dad, it went crap. | 0:39:41 | 0:39:43 | |
Why did it go crap? Did you finish it, did you complete it? | 0:39:43 | 0:39:46 | |
-No. -Well, you've had time to revise it. | 0:39:46 | 0:39:49 | |
Dad, I've not been able to do it, | 0:39:49 | 0:39:51 | |
I don't have a clue about what's going on with any of these papers. | 0:39:51 | 0:39:54 | |
I told the teacher, and she just couldn't care less. | 0:39:54 | 0:39:57 | |
I can see your teacher, see if you can do it again, or something. | 0:39:57 | 0:40:00 | |
There's got to be something we can do, isn't there? Eh? | 0:40:00 | 0:40:03 | |
-Having my own room would help. -What? | 0:40:03 | 0:40:06 | |
I just can't focus in there, Dad. | 0:40:06 | 0:40:08 | |
All there ever is screaming and mess. | 0:40:08 | 0:40:10 | |
Listen, people make do with what they've got, yeah? | 0:40:10 | 0:40:13 | |
That's what they do, love, so cheer up. | 0:40:13 | 0:40:16 | |
Come on. I'll see your teacher, see if you can get a re-sit, yeah? | 0:40:16 | 0:40:19 | |
-Like she's going to listen to you! -Yeah, she's going to listen to me. | 0:40:19 | 0:40:23 | |
Stop trying to cheer me up. | 0:40:23 | 0:40:24 | |
Why? Is this cheering you up? | 0:40:24 | 0:40:26 | |
-Is it? -No... | 0:40:26 | 0:40:27 | |
Oh, come on, I know what I'm talking about. | 0:40:27 | 0:40:30 | |
I know what I'm doing, I'll see your teacher. | 0:40:30 | 0:40:32 | |
Cheer up, don't let it get you down, yeah? | 0:40:32 | 0:40:34 | |
-You don't want to work at McDonald's, do you? -No. | 0:40:34 | 0:40:36 | |
-So what do you want to do? -I want to be a poet. | 0:40:36 | 0:40:39 | |
Well there you go. Don't let it get you down, yeah? | 0:40:39 | 0:40:42 | |
-All right. -All right, don't worry about it. -Ow! | 0:40:42 | 0:40:45 | |
Stop right away! | 0:40:45 | 0:40:47 | |
-All right? Don't let it worry you. Yeah? -All right. | 0:40:47 | 0:40:51 | |
You make me proud. | 0:40:51 | 0:40:52 | |
There's not that many traces of Engels left in Manchester. | 0:41:17 | 0:41:20 | |
Partly because he moved around a lot, and lived under pseudonyms. | 0:41:20 | 0:41:24 | |
Partly because they knock everything down in Manchester | 0:41:24 | 0:41:28 | |
to build luxury flats and office blocks. | 0:41:28 | 0:41:32 | |
But, in the working-class movement library, | 0:41:39 | 0:41:41 | |
there's a portfolio scrapbook made by a local schoolteacher, | 0:41:41 | 0:41:45 | |
Roy Whitfield, who, when he retired in the 1980s, | 0:41:45 | 0:41:48 | |
dedicated his life to going around Manchester and Salford, | 0:41:48 | 0:41:52 | |
photographing the sites where Engels lived and work. | 0:41:52 | 0:41:55 | |
OK, so the portfolio's called Friedrich Engels in Manchester. | 0:41:55 | 0:42:00 | |
1842 to 1844, | 0:42:00 | 0:42:03 | |
and 1851 to 1870. | 0:42:03 | 0:42:05 | |
So those were the two crucial periods when Engels was resident | 0:42:05 | 0:42:09 | |
-in Manchester. -Yeah. -And... | 0:42:09 | 0:42:11 | |
..according to this photograph, | 0:42:13 | 0:42:14 | |
this is where they began writing the manifesto. | 0:42:14 | 0:42:18 | |
-Yeah. -The Communist Manifesto. | 0:42:18 | 0:42:20 | |
It's just to the back of Victoria Station. | 0:42:20 | 0:42:22 | |
-That was where they moved from. -Right. | 0:42:32 | 0:42:34 | |
-And that's Cecil Street now. -Yeah, yeah. Wow, gosh. It's changed. | 0:42:34 | 0:42:39 | |
-And this is... -Moss Lane East. -Yeah. -Yeah. | 0:42:42 | 0:42:45 | |
That must be the Central Library. | 0:42:48 | 0:42:50 | |
That's the Central Library. | 0:42:50 | 0:42:52 | |
1856. | 0:42:52 | 0:42:54 | |
Probably around the time that Dickens was doing talks there. | 0:42:54 | 0:42:58 | |
I think this is Victoria Mills. | 0:43:08 | 0:43:11 | |
That was Engels's factory, wasn't it? | 0:43:11 | 0:43:13 | |
-Yeah. -This is obviously the photographs from the 1980s. | 0:43:13 | 0:43:16 | |
-And it's changed already since the 1980s. -Yeah. | 0:43:18 | 0:43:20 | |
I think it's a motorway, isn't it? | 0:43:20 | 0:43:22 | |
I keep getting confused with my bearings | 0:43:22 | 0:43:25 | |
because it's changed so much. | 0:43:25 | 0:43:27 | |
But this was the area where people emigrated to during the famine... | 0:43:29 | 0:43:33 | |
-Ah. -..in Ireland. | 0:43:33 | 0:43:35 | |
There used to be a homeless hostel. | 0:43:35 | 0:43:37 | |
And that's gone now. | 0:43:37 | 0:43:39 | |
A few months before Ceremony, | 0:43:45 | 0:43:46 | |
I came across a rooftop protest just across from what in Engels's time | 0:43:46 | 0:43:50 | |
used to be the slums of "Little Ireland". | 0:43:50 | 0:43:53 | |
A group of rough sleepers squatted in an empty building for shelter. | 0:43:55 | 0:43:59 | |
It's been slated for redevelopment, | 0:44:00 | 0:44:02 | |
and the authorities have tried to evict them. | 0:44:02 | 0:44:04 | |
Homelessness in Manchester is at an all-time high. | 0:44:07 | 0:44:11 | |
The protest made me think again about the magnetic power of simple, | 0:44:14 | 0:44:17 | |
everyday resistance, | 0:44:17 | 0:44:19 | |
and its immediate abstraction into spectacle. | 0:44:19 | 0:44:21 | |
Abroad on a raft. | 0:44:36 | 0:44:38 | |
In my own back yard. | 0:44:38 | 0:44:40 | |
Discounted outlet to drive to on the edges of town. | 0:44:40 | 0:44:43 | |
And the breadline queues of Britain, its prisons fit to bursting. | 0:44:43 | 0:44:49 | |
And you? | 0:44:49 | 0:44:50 | |
Tired for the ache of admiring all the new cars owned by no-one. | 0:44:50 | 0:44:56 | |
Arm wrestled into convenience, | 0:44:56 | 0:44:59 | |
frog marched into debt. | 0:44:59 | 0:45:02 | |
Lie back, and take one up the arse | 0:45:02 | 0:45:05 | |
for an England of white teeth detention centres, | 0:45:05 | 0:45:09 | |
and the undeserving persecuted. | 0:45:09 | 0:45:12 | |
"Terrible poverty prevails among factory workers in Wuppertal. | 0:45:30 | 0:45:34 | |
"Out of 2,500 children of school age, | 0:45:34 | 0:45:38 | |
"1,200 are deprived of education and grow up in factories, | 0:45:38 | 0:45:44 | |
"mainly so that the manufacturer need not pay the adults | 0:45:44 | 0:45:48 | |
"twice the wage he pays a child. | 0:45:48 | 0:45:51 | |
"But the wealthy manufacturers have a flexible conscience, | 0:45:51 | 0:45:55 | |
"and causing the death of one child more, or one less, | 0:45:55 | 0:45:59 | |
"does not doom a pietous soul to hell, | 0:45:59 | 0:46:02 | |
"especially if he goes to Church twice every Sunday." | 0:46:02 | 0:46:06 | |
CHURCH BELLS TOLL | 0:46:06 | 0:46:09 | |
I live half my time in Wuppertal. | 0:46:48 | 0:46:50 | |
It's in North Rhine-Westphalia, the industrial heartland of Europe. | 0:46:50 | 0:46:54 | |
And in the 19th century, | 0:46:54 | 0:46:55 | |
Wuppertal was known as the Manchester of Germany. | 0:46:55 | 0:46:58 | |
It's where Engels was born and grew up. | 0:46:58 | 0:47:01 | |
There's a replica of his family home, | 0:47:03 | 0:47:06 | |
and a museum for early industrialization. | 0:47:06 | 0:47:08 | |
And the Chinese, for whom Engels is still a household name, | 0:47:08 | 0:47:12 | |
recently sent a new statue as a gift to the city. | 0:47:12 | 0:47:15 | |
Next to the area north of Jordan, | 0:49:52 | 0:49:56 | |
next to Palestine and Lebanon. | 0:49:56 | 0:49:58 | |
I'm from this small town, it's called Dafna. | 0:49:58 | 0:50:01 | |
I used to live in Damascus, and I used to study in the city. | 0:50:01 | 0:50:05 | |
I fell in love with a girl. | 0:50:07 | 0:50:09 | |
I asked my dad, I want to marry that girl. | 0:50:09 | 0:50:11 | |
He said, "How do you want to marry her if you don't have money?" | 0:50:11 | 0:50:15 | |
"Though my English may not be pure, | 0:50:31 | 0:50:34 | |
"I hope you will find it plain English. | 0:50:34 | 0:50:38 | |
"No working man in England treated me as a foreigner. | 0:50:38 | 0:50:42 | |
"With the greatest pleasure, | 0:50:44 | 0:50:45 | |
"I observe you to be free from that blasting curse. | 0:50:45 | 0:50:49 | |
"National prejudice and national pride, | 0:50:49 | 0:50:52 | |
"which, after all, means nothing but wholesale selfishness. | 0:50:52 | 0:50:57 | |
"I observe you to sympathise with everyone | 0:50:58 | 0:51:02 | |
"who earnestly applies his powers to human progress, | 0:51:02 | 0:51:06 | |
"to admire everything great and good, | 0:51:06 | 0:51:09 | |
"whether nursed on your native soil or not. | 0:51:09 | 0:51:12 | |
"I found you to be more than mere Englishmen, | 0:51:14 | 0:51:17 | |
"members of a single isolated nation..." | 0:51:17 | 0:51:20 | |
"I found you to be man. | 0:51:21 | 0:51:24 | |
"Members of a great and universal family of mankind, | 0:51:24 | 0:51:28 | |
"who know their interest, and that of all the human race | 0:51:28 | 0:51:33 | |
"to be the same." | 0:51:33 | 0:51:35 | |
So we make it back with a statue born in a Ukrainian Village in 1970, | 0:51:57 | 0:52:01 | |
made by an unknown sculptor. | 0:52:01 | 0:52:03 | |
What would Engels think of England today? | 0:52:05 | 0:52:08 | |
Why is the undisclosed war on those with the least | 0:52:08 | 0:52:12 | |
dressed in the rhetoric of nationalism and xenophobia? | 0:52:12 | 0:52:15 | |
In what forms are the relentless pursuit of profit and resources | 0:52:17 | 0:52:20 | |
responsible for the violence of austerity and the refugee crisis? | 0:52:20 | 0:52:24 | |
And who would he see as the new proletariat? | 0:52:26 | 0:52:28 | |
I imagine he'd see links where we seem to have stopped looking, | 0:52:33 | 0:52:37 | |
and that he'd read them as part of the ongoing struggle | 0:52:37 | 0:52:40 | |
between property, capital, and the working-class. | 0:52:40 | 0:52:43 | |
And without a doubt, the sites of potential change. | 0:52:43 | 0:52:46 | |
# Engels had an angle | 0:53:20 | 0:53:23 | |
# On this world I've joined | 0:53:23 | 0:53:26 | |
# With the workers international | 0:53:28 | 0:53:31 | |
# World-wide | 0:53:31 | 0:53:34 | |
# But Weaste was his base | 0:53:34 | 0:53:38 | |
# To reconfigure our race | 0:53:38 | 0:53:42 | |
# Against capitalism's brutal shackles | 0:53:42 | 0:53:48 | |
# And pain | 0:53:48 | 0:53:50 | |
# Maybe Marxism had the x-factor | 0:53:50 | 0:53:55 | |
# That's Engels-ism never had... # | 0:53:55 | 0:54:01 | |
Watch you don't go on the road! | 0:54:01 | 0:54:03 | |
-Are you all right? -Yes. -You look tired. | 0:54:03 | 0:54:07 | |
-Are they new shoes? -Yeah! -You've got the creep! | 0:54:11 | 0:54:15 | |
I wanted to ask her if it's all right. | 0:54:15 | 0:54:18 | |
She might want white shoes. | 0:54:18 | 0:54:20 | |
Give me a hand with crossing the road. | 0:54:27 | 0:54:29 | |
So you can sunbathe! | 0:54:31 | 0:54:33 | |
-Watch your step, Auntie Mary. -How was work yesterday? -OK. | 0:54:35 | 0:54:38 | |
I know you guys have got two weeks off. | 0:54:38 | 0:54:41 | |
-Yes! -I'm not! It'll cost a fortune. | 0:54:41 | 0:54:44 | |
# But our chains | 0:54:46 | 0:54:48 | |
# Hail the oppressor | 0:54:49 | 0:54:52 | |
# That freed the oppressed... # | 0:54:53 | 0:54:56 | |
Yeah! | 0:54:56 | 0:54:57 | |
When we're busking, we can go, one, two, three! | 0:54:57 | 0:55:02 | |
And one more time. | 0:55:06 | 0:55:07 | |
Yeah!! | 0:55:11 | 0:55:14 | |
They're not ready for this dance, man! | 0:55:14 | 0:55:16 | |
# But our chains | 0:55:16 | 0:55:20 | |
# ..the new age oligarch | 0:55:24 | 0:55:28 | |
# Got nothing to lose | 0:55:30 | 0:55:32 | |
# But our chains... # | 0:55:33 | 0:55:36 | |
We find him a permanent site in Tony Wilson Place, | 0:55:36 | 0:55:40 | |
outside an art centre fittingly called Home, | 0:55:40 | 0:55:43 | |
and a stone's throw away from Little Ireland. | 0:55:43 | 0:55:47 | |
Why bring Communism back to where it all started? | 0:55:47 | 0:55:50 | |
1989 brought the curtain down on one historical chapter, | 0:55:51 | 0:55:55 | |
but socialism continues to evolve, | 0:55:55 | 0:55:58 | |
and remains our best shot at human dignity. | 0:55:58 | 0:56:00 | |
Or, in Engels's words, the choice is socialism or barbarism. | 0:56:00 | 0:56:05 | |
Overhead in the skies above. | 0:56:05 | 0:56:09 | |
The ghouls now speak on our behalf, | 0:56:09 | 0:56:14 | |
half choked from burgers in the bins, | 0:56:14 | 0:56:17 | |
half crazed from watching marathons of property shows, | 0:56:17 | 0:56:23 | |
selling luxury flats that aren't yet built, | 0:56:23 | 0:56:27 | |
to babies who aren't yet born. | 0:56:27 | 0:56:29 | |
Turn your living rooms into cash, | 0:56:29 | 0:56:32 | |
turn your cupboards into cash, | 0:56:32 | 0:56:35 | |
turn your bedrooms into cash. | 0:56:35 | 0:56:38 | |
Petty hatreds, cash. | 0:56:38 | 0:56:41 | |
Here's a TV show idea. | 0:56:42 | 0:56:44 | |
Children storm the palace, and the Windsors in electric chairs. | 0:56:44 | 0:56:48 | |
Here's some primetime entertainment. | 0:56:48 | 0:56:51 | |
Bankers in Strangeways hunger strike. | 0:56:51 | 0:56:54 | |
Free, but ticketed event. | 0:56:54 | 0:56:57 | |
CHEERING AND APPLAUSE | 0:57:06 | 0:57:10 | |
# Communism's coming home | 0:57:12 | 0:57:14 | |
# Communism's coming home | 0:57:14 | 0:57:16 | |
# Communism's coming home | 0:57:16 | 0:57:18 | |
# Communism's coming home | 0:57:18 | 0:57:20 | |
# To roost | 0:57:20 | 0:57:22 | |
# To roost | 0:57:23 | 0:57:26 | |
# To roost | 0:57:27 | 0:57:30 | |
# To roost | 0:57:31 | 0:57:34 | |
# Communism's coming home | 0:57:35 | 0:57:37 | |
# Communism's coming home | 0:57:37 | 0:57:40 | |
# Communism's coming home | 0:57:40 | 0:57:42 | |
# Communism's coming home | 0:57:42 | 0:57:44 | |
# Communism's coming home | 0:57:44 | 0:57:47 | |
# Communism's coming home | 0:57:47 | 0:57:48 | |
# Communism's coming home | 0:57:48 | 0:57:50 | |
# Communism's coming home | 0:57:50 | 0:57:52 | |
# To roost | 0:57:52 | 0:57:54 | |
# To roost | 0:57:55 | 0:57:58 | |
# Nothing to lose | 0:57:59 | 0:58:02 | |
# But our chains | 0:58:02 | 0:58:06 | |
# We've got nothing to lose | 0:58:08 | 0:58:10 | |
# But our chains | 0:58:10 | 0:58:14 | |
# We've got nothing to lose | 0:58:16 | 0:58:18 | |
# But our chains. # | 0:58:18 | 0:58:22 |