
Browse content similar to An Adventure in Space and Time: Behind the Scenes. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
ANNOUNCER: 'This is the BBC.' | 0:00:01 | 0:00:04 | |
WOMAN: 'We're back in the birthplace of a television phenomenon.' | 0:00:04 | 0:00:07 | |
It feels like only yesterday that I was working at TV Centre | 0:00:08 | 0:00:11 | |
on Doctor Who. | 0:00:11 | 0:00:13 | |
And what a role! | 0:00:13 | 0:00:15 | |
The Doctor's granddaughter. | 0:00:15 | 0:00:16 | |
'The original. | 0:00:16 | 0:00:17 | |
'When I walked through those doors 50 years ago, it would've been hard | 0:00:17 | 0:00:21 | |
'to believe that the show would still be going strong now. | 0:00:21 | 0:00:24 | |
'And to celebrate its anniversary, we're back, | 0:00:24 | 0:00:26 | |
'filming An Adventure In Space And Time - | 0:00:26 | 0:00:29 | |
'a drama about the show's remarkable beginnings. And it's something | 0:00:29 | 0:00:32 | |
'writer Mark Gatiss has wanted to get off the ground for some time.' | 0:00:32 | 0:00:36 | |
MARK: I still can't quite believe it | 0:00:36 | 0:00:38 | |
because I first sort of pitched this idea about 13 years ago. | 0:00:38 | 0:00:40 | |
And then I tried very strongly to get it made for the 40th anniversary. | 0:00:40 | 0:00:46 | |
I'm delighted it's all come together for the 50th. | 0:00:46 | 0:00:48 | |
It has a sort of roundness to it | 0:00:48 | 0:00:51 | |
- which is very appealing. - ALL: Cheers! | 0:00:51 | 0:00:52 | |
CAROLE ANN: 'Mark was to kick-start An Adventure In Space And Time, | 0:00:52 | 0:00:55 | |
'but it was a certain man I met in 1963 | 0:00:55 | 0:00:58 | |
'that was to get the ball rolling for Doctor Who itself.' | 0:00:58 | 0:01:01 | |
We find ourselves now in Sydney Newman's office | 0:01:01 | 0:01:04 | |
on the seventh floor of TV Centre. | 0:01:04 | 0:01:06 | |
Not the real one, | 0:01:06 | 0:01:07 | |
and I think probably a bit more swish than Sydney's office actually was. | 0:01:07 | 0:01:11 | |
One day, all this will be mine. | 0:01:11 | 0:01:13 | |
HE CHUCKLES | 0:01:13 | 0:01:14 | |
CAROLE ANN: 'Sydney Newman was the man | 0:01:15 | 0:01:16 | |
'who brought together a dream team to put the show on the road. | 0:01:16 | 0:01:19 | |
'And what a character!' | 0:01:19 | 0:01:21 | |
I'd first worked at the BBC in 1965. I was 19. | 0:01:21 | 0:01:25 | |
I met Sydney, very briefly, in the club. | 0:01:25 | 0:01:28 | |
Cos you could always tell Sydney in the club | 0:01:28 | 0:01:30 | |
because he was a very brightly coloured kind of personality | 0:01:30 | 0:01:33 | |
and literally wore cravats. | 0:01:33 | 0:01:34 | |
He wore waistcoats. He was very different. | 0:01:34 | 0:01:36 | |
'I think Sydney really thought of himself as a movie mogul.' | 0:01:36 | 0:01:40 | |
And...action! | 0:01:40 | 0:01:41 | |
Fun. Fun. Have you heard of fun, Mervyn? | 0:01:41 | 0:01:45 | |
CAROLE ANN: 'And Sydney was making some ground-breaking appointments - | 0:01:45 | 0:01:48 | |
'the BBC's very first female drama producer. | 0:01:48 | 0:01:51 | |
'Verity Lambert. | 0:01:51 | 0:01:54 | |
'And the world she was entering was a bit of a challenge.' | 0:01:54 | 0:01:57 | |
There's a line in the script where Verity says, | 0:01:57 | 0:01:58 | |
"It's a sea of fag smoke, tweed and sweaty men," | 0:01:58 | 0:02:01 | |
'which it clearly was. | 0:02:01 | 0:02:03 | |
'And it was quite hard to penetrate, as a woman, | 0:02:03 | 0:02:06 | |
'because no woman had ever done that before.' | 0:02:06 | 0:02:09 | |
- Can I help you? - I think you're in my office. | 0:02:09 | 0:02:12 | |
To research the role, I... | 0:02:12 | 0:02:14 | |
'did YouTube her to see if there was any footage. | 0:02:14 | 0:02:17 | |
'She was very composed, very classy,' | 0:02:17 | 0:02:20 | |
very warm, | 0:02:20 | 0:02:21 | |
'but you could see a real steel there.' | 0:02:21 | 0:02:24 | |
Not old enough for the Doctor, surely? | 0:02:24 | 0:02:26 | |
CAROLE ANN: 'So, does Jessica feel she's anything like Verity herself?' | 0:02:26 | 0:02:29 | |
That would be very flattering, if anyone compared me to Verity Lambert. | 0:02:29 | 0:02:33 | |
That would be very nice. | 0:02:33 | 0:02:35 | |
CAROLE ANN: 'And despite opposition, Verity Lambert was to fight very hard | 0:02:37 | 0:02:41 | |
'to have a distinguished, older actor play the role of the first Doctor. | 0:02:41 | 0:02:46 | |
'William Hartnell.' | 0:02:46 | 0:02:47 | |
I just think he was one of the great character actors of British cinema. | 0:02:47 | 0:02:53 | |
Settle, please. | 0:02:53 | 0:02:54 | |
'I think he felt rather typecast as authority figures, sergeant majors | 0:02:54 | 0:02:59 | |
'or petty crooks. Doctor Who kind of released' | 0:02:59 | 0:03:02 | |
a kind of playfulness in him. | 0:03:02 | 0:03:05 | |
I think he felt that he was actually born to play the Doctor. | 0:03:05 | 0:03:10 | |
But he had very strong opinions about the way it should be done | 0:03:10 | 0:03:14 | |
and wouldn't take any kind of advice. Quite often, | 0:03:14 | 0:03:17 | |
because I was the smallest person, everybody around me was | 0:03:17 | 0:03:21 | |
taking the light from me, and he'd point this out. | 0:03:21 | 0:03:23 | |
So he looked after me. He was lovely. | 0:03:23 | 0:03:26 | |
Cut. | 0:03:26 | 0:03:27 | |
He was always giving you little tips, | 0:03:27 | 0:03:30 | |
like, "Don't make the gesture like that," he said. | 0:03:30 | 0:03:32 | |
"It'll be out of the camera. | 0:03:32 | 0:03:34 | |
"Make it here, you see?" | 0:03:34 | 0:03:36 | |
The whole thing about Bill was that he was so unpredictable. | 0:03:36 | 0:03:42 | |
There was this mystery about him. I miss that. I mean, | 0:03:42 | 0:03:46 | |
he remains the best Doctor Who for me... | 0:03:46 | 0:03:49 | |
quite naturally. | 0:03:49 | 0:03:52 | |
I can't imagine how I would've reacted | 0:03:52 | 0:03:55 | |
if someone had told me 50 years ago | 0:03:55 | 0:03:57 | |
'that I'd be playing Doctor Who. | 0:03:57 | 0:04:01 | |
'It's been one of those great jobs' | 0:04:01 | 0:04:03 | |
and, er, an experience I'll always remember. | 0:04:03 | 0:04:06 | |
It wasn't just the Doctor or my own character that was new in 1963. | 0:04:09 | 0:04:13 | |
I remember when I met another addition to the cast. | 0:04:13 | 0:04:16 | |
And 50 years on, | 0:04:16 | 0:04:18 | |
London is in for a bit of a treat as they're wheeled out yet again. | 0:04:18 | 0:04:22 | |
Today, we are recreating the famous Dalek invasion of Earth shot | 0:04:24 | 0:04:28 | |
of the Daleks parading across Westminster Bridge. | 0:04:28 | 0:04:31 | |
- This is a really iconic moment. - And...action, Daleks! | 0:04:31 | 0:04:36 | |
CAROLE ANN: 'Who would have thought that an egg whisk and a plunger | 0:04:36 | 0:04:38 | |
'would have made such an impact? | 0:04:38 | 0:04:41 | |
'But these design classics still have one big flaw.' | 0:04:41 | 0:04:44 | |
We've put in a bit where he's sort of veering off towards the kerb. | 0:04:44 | 0:04:48 | |
It was difficult then, | 0:04:48 | 0:04:49 | |
it's still difficult to manoeuvre the bloody things. | 0:04:49 | 0:04:51 | |
MARK CHUCKLES | 0:04:51 | 0:04:54 | |
It gives you an old-fashioned kind of thrill. | 0:04:54 | 0:04:56 | |
SIRENS WAIL | 0:04:56 | 0:04:58 | |
Doctor Who was started by a talented bunch of originals - | 0:04:59 | 0:05:04 | |
the flamboyant Sydney Newman and the remarkable Verity Lambert. | 0:05:04 | 0:05:09 | |
And they were joined by an Asian director, | 0:05:09 | 0:05:11 | |
the charismatic and ambitious Waris Hussein. | 0:05:11 | 0:05:15 | |
What is this? | 0:05:15 | 0:05:16 | |
What are we going to do with this? | 0:05:16 | 0:05:18 | |
Well, I play Waris Hussein, who was the first ever | 0:05:18 | 0:05:21 | |
'director of Doctor Who.' | 0:05:21 | 0:05:23 | |
It's crazy. | 0:05:23 | 0:05:24 | |
Cavemen and disappearing bloody police boxes... | 0:05:24 | 0:05:27 | |
'As soon as I got the part,' | 0:05:27 | 0:05:28 | |
I got in touch with Waris straightaway. | 0:05:28 | 0:05:30 | |
'And our first meeting, actually, we were a bit kind of' | 0:05:31 | 0:05:33 | |
weird with each other. | 0:05:33 | 0:05:35 | |
'He's looking at me going, | 0:05:35 | 0:05:36 | |
"You're watching everything I'm doing, aren't you?" | 0:05:36 | 0:05:39 | |
But, yeah, we hit it off straightaway. | 0:05:39 | 0:05:41 | |
WARIS: 'I said, "Look, play him as someone' | 0:05:41 | 0:05:43 | |
"who's anxious to get things right as a director," | 0:05:43 | 0:05:46 | |
'because that's what I wanted in those days.' | 0:05:46 | 0:05:48 | |
It'll never work. | 0:05:48 | 0:05:49 | |
"Play it with a great deal of 'What do I do with this?' | 0:05:50 | 0:05:53 | |
"Terrified because I don't know how to cope." | 0:05:53 | 0:05:55 | |
When do we start? | 0:05:55 | 0:05:57 | |
CAROLE ANN: 'It was quite a scary prospect for Sacha, playing Waris, | 0:05:57 | 0:06:01 | |
'especially whilst the man himself was watching closely.' | 0:06:01 | 0:06:03 | |
At the read through, I think that's when I was most nervous. | 0:06:03 | 0:06:07 | |
'He was hearing himself for the first time and he was sitting' | 0:06:07 | 0:06:09 | |
right behind me. | 0:06:10 | 0:06:11 | |
'I was like, "Oh, this is scary." He started welling up' | 0:06:11 | 0:06:14 | |
and getting quite moved by it. | 0:06:14 | 0:06:16 | |
So I hope that was in a good way, not in a bad way. | 0:06:16 | 0:06:19 | |
'But, yeah, I think he seemed happy.' | 0:06:19 | 0:06:21 | |
WARIS: 'I've never been played by anybody before. I'm looking forward' | 0:06:21 | 0:06:25 | |
to seeing myself portrayed when I do see the film. | 0:06:25 | 0:06:29 | |
MARK: The whole thing's been a labour of love for everybody. | 0:06:29 | 0:06:32 | |
Planet Vortis we did yesterday from The Web Planet. | 0:06:32 | 0:06:34 | |
It was conjured out of virtually nothing - | 0:06:34 | 0:06:36 | |
sand, and polystyrene rocks | 0:06:36 | 0:06:38 | |
and painted hardboard, and it looks absolutely beautiful. | 0:06:38 | 0:06:42 | |
Incredible, the attention to detail across the board. | 0:06:42 | 0:06:44 | |
CAROLE ANN: 'Mark is right about the attention to detail. | 0:06:44 | 0:06:46 | |
'I was lucky enough to visit the set during filming, which I found to be | 0:06:46 | 0:06:50 | |
'very emotional. | 0:06:50 | 0:06:52 | |
'What really brought a lump to my throat is when' | 0:06:52 | 0:06:54 | |
we saw David Bradley | 0:06:54 | 0:06:56 | |
'playing Bill. | 0:06:56 | 0:06:57 | |
'They were showing that Bill occasionally forgot his lines.' | 0:06:57 | 0:07:02 | |
- We have no gloves...drugs. - And, er... | 0:07:02 | 0:07:06 | |
..It was, it was difficult to watch it. | 0:07:07 | 0:07:10 | |
'He certainly gets the essence of Bill beautifully. | 0:07:10 | 0:07:13 | |
'It was clear from my visit that filming TV has changed a bit over | 0:07:14 | 0:07:17 | |
'over the years, | 0:07:17 | 0:07:18 | |
'and time-travelling back to 1963 was quite enjoyable for the cast.' | 0:07:18 | 0:07:23 | |
I think my favourite stuff is actually re-enacting the episode, | 0:07:23 | 0:07:27 | |
um, because she has | 0:07:27 | 0:07:29 | |
'some cracking lines and it's really fun to do.' | 0:07:29 | 0:07:31 | |
What are you doing here? | 0:07:31 | 0:07:33 | |
JAMIE GLOVER: 'The world of television in 1963 | 0:07:33 | 0:07:35 | |
'seems a million miles away' | 0:07:35 | 0:07:36 | |
from the television that we work in now. | 0:07:36 | 0:07:38 | |
BELL RINGS OK. Into position, everyone. | 0:07:38 | 0:07:40 | |
'They would rehearse it for a week | 0:07:41 | 0:07:42 | |
'and then they'd shoot the episode, and they'd shoot' | 0:07:42 | 0:07:44 | |
like a half-an-hour episode in an hour-and-a-half. | 0:07:44 | 0:07:46 | |
'When you go back and look at some of the earlier episodes, it's a bit | 0:07:46 | 0:07:49 | |
'bumpy in places.' | 0:07:49 | 0:07:50 | |
Move the bloody camera. | 0:07:50 | 0:07:52 | |
Often, one actor's blocking the other, | 0:07:52 | 0:07:54 | |
or someone stumbles on their line. | 0:07:54 | 0:07:56 | |
Is that your excuse for this unwarrantable... | 0:07:56 | 0:07:59 | |
unwarranted intrusion? | 0:07:59 | 0:08:01 | |
You can see them sort off ploughing through. | 0:08:01 | 0:08:03 | |
I know this is absurd but... | 0:08:03 | 0:08:05 | |
CREAKING The doors! | 0:08:05 | 0:08:07 | |
'There's a kind of live, exciting quality.' | 0:08:07 | 0:08:09 | |
That's something that, for good and bad, we've lost nowadays. | 0:08:09 | 0:08:13 | |
CAROLE ANN: 'But the cast and crew | 0:08:13 | 0:08:14 | |
'were keen to get some of that live feel into the drama, | 0:08:14 | 0:08:16 | |
'and were more than happy to record | 0:08:16 | 0:08:19 | |
'some additional dialogue... 1963 style.' | 0:08:19 | 0:08:21 | |
Sorry about that. | 0:08:21 | 0:08:23 | |
I tried to make the thing work but it come off in me 'and. | 0:08:23 | 0:08:26 | |
- Punishment rations all round! - I only asked. | 0:08:26 | 0:08:30 | |
Gold! | 0:08:30 | 0:08:31 | |
CAROLE ANN: 'An Adventure In Space And Time is packed full of | 0:08:32 | 0:08:35 | |
'references to Doctor Who's long history, | 0:08:36 | 0:08:37 | |
'and Mark was keen to cast as many cameos as possible | 0:08:37 | 0:08:41 | |
'from those connected to the show.' | 0:08:41 | 0:08:44 | |
We are at Verity Lambert's leaving party in 1965, | 0:08:44 | 0:08:46 | |
and we're very privileged to have | 0:08:46 | 0:08:48 | |
'with us lots of faces from the programme, from the time. | 0:08:48 | 0:08:52 | |
AMERICAN ACCENT: This is a great party. | 0:08:52 | 0:08:53 | |
'And the party continued with cameos from William Russell, | 0:08:53 | 0:08:57 | |
'who played one of the Doctor's first companions, and Mark Eden, | 0:08:57 | 0:09:00 | |
'who stepped into Marco Polo's shoes in the very first series. | 0:09:01 | 0:09:04 | |
'And someone couldn't resist stepping into the shoes of the Doctor | 0:09:04 | 0:09:08 | |
'for his own cameo. | 0:09:08 | 0:09:10 | |
'Here's a little treat you won't have seen in the show itself. | 0:09:10 | 0:09:13 | |
'Another regeneration. | 0:09:13 | 0:09:15 | |
'Hope you enjoy.' | 0:09:15 | 0:09:17 | |
MARK: I don't know what it is about Doctor Who, | 0:09:22 | 0:09:24 | |
partly childhood nostalgia. | 0:09:24 | 0:09:25 | |
It's partly the fact that it instantly connects with | 0:09:25 | 0:09:28 | |
a very happy time for me and for hundreds of thousands of people. | 0:09:28 | 0:09:32 | |
CAROLE ANN: 'The Doctor has delighted audiences now for half a century, | 0:09:32 | 0:09:36 | |
'and I'm sure we all hope that his adventure in space and time | 0:09:36 | 0:09:40 | |
'will continue for quite a while longer.' | 0:09:40 | 0:09:43 | |
Well, like a great wine, you've survived a very long time. | 0:09:43 | 0:09:46 | |
Doctor Who, happy birthday. | 0:09:46 | 0:09:48 | |
I wish Doctor Who a very happy anniversary. | 0:09:49 | 0:09:53 | |
Here's to another 50 years of Daleks and weeping angels. | 0:09:53 | 0:09:57 | |
And who knows? | 0:09:57 | 0:09:58 | |
Maybe some people watching this will be watching in 50 years' time | 0:09:58 | 0:10:01 | |
to celebrate its 100th birthday. | 0:10:01 | 0:10:03 | |
I hope you're going when I have grandchildren. | 0:10:03 | 0:10:05 | |
And may you continue to travel | 0:10:05 | 0:10:07 | |
through time and space for the next 100 years. | 0:10:07 | 0:10:10 | |
Yeah, happy 50th anniversary. And here's to many more years to come. | 0:10:10 | 0:10:15 | |
I feel more like a dad than a director about this | 0:10:15 | 0:10:19 | |
because I was at the birth of this show. | 0:10:19 | 0:10:21 | |
And that makes me very proud. | 0:10:21 | 0:10:24 | |
I just want to say happy anniversary, Doctor Who. | 0:10:24 | 0:10:28 | |
May I say...on behalf of all the Doctor Whos... | 0:10:29 | 0:10:33 | |
..happy anniversary. Happy 50th. | 0:10:34 | 0:10:36 |