Alone with Chrissie Hynde Arena


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Alone with Chrissie Hynde

Arena spends the summer with super cool self-confessed rock chick, Chrissie Hynde. Featuring a glorious live performance at one of London's most intimate venues.


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Transcript


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This programme contains strong language.

0:00:020:00:09

APPLAUSE AND CHEERING

0:00:150:00:18

All the way from Hereford...

0:00:250:00:27

CHEERING

0:00:270:00:30

..Martin Chambers. I've been with him for over 30 years.

0:00:300:00:33

What about that?

0:00:330:00:34

CHEERING AND APPLAUSE

0:00:340:00:37

You only get 20 for murder!

0:00:390:00:40

# What am I going to do today?

0:01:080:01:10

# Go to the newsstand Check out the war zone

0:01:130:01:18

# And read the lists and see what's good on

0:01:180:01:20

# Oh, there's one I've been wanting to see... #

0:01:200:01:24

Anyone here up for a movie? I am!

0:01:240:01:26

# Nobody tells me I can't

0:01:290:01:31

# Nobody tells me I shan't

0:01:330:01:35

# No-one to say, "You're doing it wrong"

0:01:370:01:39

# I'm at my best I'm where I belong, alone

0:01:410:01:45

# Hey! Yeah, I like it

0:01:470:01:50

# Now I'm down on the street

0:02:000:02:01

# Making out with the poets and the Greeks and the deadbeats

0:02:010:02:05

# I'm taking my time sitting on park benches

0:02:050:02:07

# And all the glamour It starts down here

0:02:070:02:10

# This is where the trends begin Life's a canvas, and I'm on it

0:02:100:02:14

# Nobody tells me I can't

0:02:160:02:18

# Nobody tells me I shan't

0:02:190:02:22

# No-one to say, "You're doing it wrong"

0:02:230:02:27

# I'm at my best I'm where I belong, alone

0:02:270:02:32

# Yeah, I like it

0:02:320:02:34

# I like being alone. #

0:02:340:02:36

'All songs are written on basically the same events,

0:02:370:02:41

'which is usually just human relationships.'

0:02:410:02:44

You broke my heart, I broke your heart.

0:02:440:02:47

I'm alone, I'm so miserable being alone.

0:02:470:02:50

I met you, now I feel good.

0:02:500:02:52

I just want to be with you, let's waste some time together.

0:02:520:02:55

I want to spend the rest of my life with you.

0:02:550:02:58

Oh, no, you've left me. I can't believe I'm alone again.

0:02:580:03:02

If only, oh, I saw someone today.

0:03:040:03:07

He was a stranger but my heart was full of joy.

0:03:070:03:10

And, you know, it just goes on, and on, and on, you know.

0:03:100:03:15

You know, it's just.. You know.

0:03:150:03:17

After a while, it's like...

0:03:170:03:18

But it's always relevant.

0:03:200:03:21

And then, when I thought about it, I've never heard another song

0:03:230:03:28

that celebrates that it's fun to be on your own.

0:03:280:03:30

I still can't think of one.

0:03:300:03:33

Maybe cos it's crap to be on your own.

0:03:330:03:35

'What my friend Marie says is

0:03:460:03:48

'she's never alone because she's always got herself.

0:03:480:03:52

'That's a great attitude.'

0:03:520:03:53

ACCORDION PLAYS

0:03:530:03:56

He's with you?

0:04:100:04:12

Go. Go.

0:04:170:04:20

Ask me the question you want to know, and you've never asked.

0:04:210:04:24

I have an answer for everything. Important. Not bullshit.

0:04:240:04:28

Um, hm.

0:04:300:04:32

I'm thinking.

0:04:340:04:35

You must have some questions.

0:04:360:04:38

I guess I don't.

0:04:510:04:53

HE SNORTS

0:04:530:04:54

You know how many times did you come to this Earth?

0:04:570:05:02

-What do you think?

-What do I think?

-Yeah.

0:05:030:05:06

-What do you think?

-About 8,400,000.

-No.

0:05:060:05:09

Don't bullshitting me. Speak serious.

0:05:090:05:12

I'm asking you a serious question.

0:05:120:05:14

-I can only guess.

-OK.

0:05:140:05:18

-So you don't know, I tell you.

-All right.

0:05:180:05:20

1,000 times. Around 1,000.

0:05:200:05:22

-1,000 times?

-Yes.

-No way.

-Each of us, yes.

-No way.

0:05:220:05:26

-Yeah, yeah.

-Much more than that.

-No.

0:05:260:05:30

-You think I'm bullshitting you?

-I don't think you're bullshitting me.

0:05:300:05:32

-But I think you're wrong.

-No, I'm not wrong.

0:05:320:05:34

-I think you think you're right.

-No, no. I don't think, I know.

0:05:340:05:38

-OK, well, then you're definitely wrong.

-No.

0:05:380:05:40

That's the difference between me and you.

0:05:400:05:42

You think. I know.

0:05:420:05:44

I'm living astro and physical, in the same time.

0:05:460:05:50

Shit, that's sweet. Huh? It's good, huh?

0:05:530:05:57

JC Maxim.

0:05:570:05:59

JC, like Jesus Christ Superstar.

0:05:590:06:02

Yeah, man. That's good. I knew it's going to be good. I knew it.

0:06:020:06:06

-I like it.

-Of course you like it.

-Uh-huh.

0:06:110:06:14

I like the fact I look eight.

0:06:140:06:16

He knows he's a phoney.

0:06:160:06:18

Anyone would know that who was doing that.

0:06:190:06:23

He's just a con artist.

0:06:230:06:24

I like a con.

0:06:240:06:26

I don't like to be conned, but I appreciate it if I am.

0:06:260:06:29

You know, I have to think, touche, if someone has a good con.

0:06:290:06:35

And I've been conned before, of course, many times.

0:06:350:06:38

-INTERVIEWER:

-I can't imagine you conning others, though, really.

0:06:410:06:45

Well, I conned you guys!

0:06:470:06:49

SHE LAUGHS

0:06:490:06:51

# Nobody tells me I can't

0:07:080:07:11

# Nobody tells me I shan't

0:07:120:07:14

# No-one to say, "You're doing it wrong"

0:07:160:07:19

# I'm at my best I'm where I belong, alone. #

0:07:190:07:24

IN FRENCH:

0:07:350:07:37

OK, OK. Oui.

0:07:370:07:39

Non, franchement, c'est pas...

0:07:390:07:40

Franchement...

0:07:490:07:51

Oui. Super.

0:07:560:07:58

'Once in a while, you meet someone

0:07:580:08:00

'who's really in charge of their looks.'

0:08:000:08:02

The New York Dolls.

0:08:020:08:03

David Johansen, immaculate. Johnny Thunders, immaculate.

0:08:030:08:07

Charlie Sexton who used to play with Bob Dylan. Immaculate.

0:08:070:08:10

Dylan, a very stylish guy.

0:08:100:08:13

He really pays attention to what...

0:08:130:08:15

He's really careful about his image, you know.

0:08:150:08:18

And people that are careful about looking like they don't care.

0:08:180:08:22

They even have to have another level of caring

0:08:220:08:24

to make it look like they don't care.

0:08:240:08:26

That... You know, that it's casual and that it just comes naturally.

0:08:260:08:30

But, you know, it's such an important part of music.

0:08:300:08:33

IN FRENCH:

0:08:330:08:34

'Johnny Cash, Willie Nelson, Maria Callas.

0:08:370:08:41

'It was all about obsessively trying to be glamorous

0:08:410:08:44

'and presenting something to the world.

0:08:440:08:46

'Of course it's important.

0:08:460:08:48

'Amy Winehouse. Any of the greats.'

0:08:480:08:51

None of them looked like bums, from Hendrix to...

0:08:510:08:54

You can't look like a bum. You can't.

0:08:540:08:58

Actors do - that's why they need stylists.

0:08:580:09:01

But in a band, you can't do that.

0:09:010:09:03

You have to be who you are on the street and when you're on stage.

0:09:030:09:06

You can't change.

0:09:060:09:08

Being in rock 'n' roll, it's not about changing,

0:09:080:09:10

it's about being yourself all the time.

0:09:100:09:13

HE SPEAKS FRENCH

0:09:160:09:17

OK. Super.

0:09:170:09:19

OK. No, no, I don't want anything. I don't want anything.

0:09:320:09:35

MUSIC: Brass In Pocket by The Pretenders

0:09:370:09:40

'# Got brass

0:09:400:09:41

'# In pocket

0:09:410:09:44

'# Got bottle

0:09:440:09:46

'# I'm gonna use it

0:09:460:09:48

'# Intention I feel inventive'

0:09:480:09:53

# Gonna make you, make you Make you notice

0:09:530:09:58

# Got motion Restrained emotion

0:09:580:10:03

# Been driving Detroit leaning

0:10:030:10:08

# No reason Just seems so pleasing

0:10:080:10:12

# Gonna make you, make you Make you notice

0:10:120:10:18

# Gonna use my arms

0:10:180:10:20

# Gonna use my legs

0:10:200:10:23

# Gonna use my style

0:10:230:10:25

# Gonna use my sidestep

0:10:250:10:27

# Gonna use my fingers

0:10:270:10:30

# Gonna use my, my My imagination

0:10:300:10:35

# Oh, cos I gonna make you see

0:10:350:10:40

# There's nobody else here No-one like me

0:10:400:10:45

# I'm special

0:10:450:10:46

# Special

0:10:460:10:47

# So special

0:10:470:10:49

# Special

0:10:490:10:50

# I gotta have some of your attention

0:10:500:10:53

# Give it to me

0:10:530:10:55

# Got rhythm

0:10:570:10:58

# I can't miss a beat

0:10:580:11:01

# Got new skank

0:11:010:11:03

# So reet... #

0:11:030:11:06

-INTERVIEWER:

-Where did you get the T-shirt?

0:11:060:11:08

When I got here, I forgot to bring any shirts,

0:11:080:11:10

so I just went and got a stack of Paris shirts.

0:11:100:11:13

I look like a tourist, so sue me!

0:11:130:11:17

You know, what are you going to do about it?

0:11:170:11:19

MUSIC: Precious by The Pretenders

0:11:290:11:33

# I like the way you cross the street

0:11:400:11:43

# Cos you're precious

0:11:430:11:46

# Moving through the Cleveland heat How precious

0:11:460:11:50

# Taking rides and all the kicks was so precious

0:11:510:11:56

# But you know I was shittin' bricks cos I'm precious

0:11:560:12:01

# Made me wanna

0:12:030:12:04

# Made me wanna

0:12:050:12:07

# You made me make it Oh. #

0:12:080:12:11

'I'm here, kids.

0:12:190:12:21

'I'll stand by you.

0:12:210:12:23

'# I'll stand by you

0:12:240:12:28

'# I'll stand by you

0:12:280:12:32

'# Won't hurt you

0:12:320:12:35

'# Stand by you, yeah'

0:12:350:12:40

# Darkest hour

0:12:400:12:43

# You...know I'll stand by you

0:12:430:12:47

# I'll stand by you

0:12:470:12:51

-AUDIENCE:

-# I'll stand by you

0:12:510:12:54

# Won't let nobody hurt you

0:12:540:12:58

# I'll stand by you

0:12:580:13:01

# If you're mad, get mad

0:13:050:13:09

# Don't hold it all inside

0:13:090:13:13

# Come on and talk to me now

0:13:130:13:17

# Hey, what you got to hide?

0:13:180:13:23

# I get angry too

0:13:240:13:26

# Well, I'm a lot like you

0:13:270:13:32

# When you're standing at the crossroads

0:13:320:13:35

# And don't know which path to choose

0:13:350:13:39

# Let me come along

0:13:390:13:42

# Cos even if you're wrong

0:13:420:13:44

# I'll stand by you

0:13:460:13:48

# I'll stand by you

0:13:490:13:52

# You...

0:13:520:13:55

# Stand by you, stand by you

0:13:550:13:59

# Whoo, I'll stand by you

0:13:590:14:03

# I'll stand I'll stand by you. #

0:14:030:14:08

Here I am, I'm back, in Sandyland.

0:14:080:14:12

# Won't let nobody hurt you. #

0:14:120:14:14

-Ah!

-Ah, look at that.

0:14:140:14:17

Tail wagging furiously.

0:14:170:14:19

-Hello.

-Baby.

-Aw!

0:14:190:14:23

Finally, so you're on the show now, live, instead of...

0:14:230:14:26

-Love the jacket.

-Thank you.

0:14:260:14:28

Always... Ooh, look at you in that fabulous shoe!

0:14:280:14:31

-Yeah, let's get superficial. Let's start on the clothes.

-I know, but...

0:14:310:14:35

-Yeah, I...

-I mean, we're going to get heavy and intense, so...

0:14:350:14:38

-Of course we are.

-..can we just say for a minute, you look good?

0:14:380:14:41

You do, too.

0:14:410:14:42

'This is Sandyland, with Sandy Bernhard.'

0:14:420:14:44

-We're here live and you can feel the tension.

-Yeah, you can feel...

0:14:440:14:47

-The excitement.

-..the magic.

-Yeah.

0:14:470:14:49

-The fizzy...

-The sparks, the sparks are flying.

0:14:490:14:52

You're back to a more classic Chrissie cut.

0:14:520:14:54

How did that haircut first come about?

0:14:540:14:56

Did you do it to yourself or did somebody do it?

0:14:560:14:59

Yeah, I did to myself. No-one did it back then.

0:14:590:15:02

What was your hair like before it turned into the classic Chrissie?

0:15:020:15:06

Uh, pretty much the same.

0:15:060:15:08

I think if you shaved your head and let it grow out, you'd have this.

0:15:080:15:11

-Was your hair ever long growing up?

-Yeah.

0:15:110:15:14

Your hair only gets so long before it falls out - did you know that?

0:15:140:15:17

-Yeah.

-That's how it works.

0:15:170:15:20

Thank God, because it's nature protecting you from being a witch.

0:15:200:15:23

-But some people's hair goes right down to their knees.

-I know.

0:15:230:15:26

Mine would only get to about shoulder length.

0:15:260:15:28

-Back in the hippie days...

-My hair was longer then.

0:15:280:15:31

But I was so much older then!

0:15:310:15:34

-Are you still in Maida Vale?

-Yeah.

0:15:340:15:36

-Is it a small place you got for yourself?

-It's small.

0:15:360:15:38

I got a place where I can paint. You know me - I live alone.

0:15:380:15:41

I'm a lone, hungry, irritable wolf.

0:15:410:15:43

But I thought you lived with the kids?

0:15:430:15:45

No, I moved out of the house.

0:15:450:15:47

You... Chrissie, you are a true Buddhist nomad.

0:15:470:15:52

I'm a recluse is what I am.

0:15:520:15:54

England's at its best when it's a bit wet.

0:16:160:16:19

Doesn't look right in the bright sunlight

0:16:190:16:22

although, on a day when the sky is high and it's a balmy, sunny day,

0:16:220:16:26

it's the best.

0:16:260:16:28

But you need a lot of this to make that look.

0:16:330:16:35

-INTERVIEWER:

-Do you think... Are you definitely urban? Are you urban?

0:16:350:16:39

Um. Yeah, I think I am.

0:16:400:16:43

But, because I'm a little bit of a loner,

0:16:440:16:47

I would have liked to have maybe had a family out in the country -

0:16:470:16:51

that would be great.

0:16:510:16:52

But that would have needed a male counterpart to do all that.

0:16:520:16:55

I couldn't do that on my own without a team.

0:16:550:16:57

And I've generally been more...

0:16:570:17:00

..you know, on my own doing stuff.

0:17:020:17:04

So I wouldn't move out to the country now.

0:17:040:17:06

I'd just be sitting there in a field, like,

0:17:060:17:08

"What the fuck am I doing here?"

0:17:080:17:10

You know, but if I had a team,

0:17:100:17:13

I could have some dogs and stuff but...

0:17:130:17:15

So, I don't really think about it.

0:17:160:17:18

But when I get out in the country, it's... I think about it,

0:17:180:17:22

and it's what I would have assumed I'd be doing when I was a child,

0:17:220:17:25

because I wanted to be in the country around animals

0:17:250:17:27

and it just never happened.

0:17:270:17:29

I love cities.

0:17:290:17:31

In fact, I've been in places out in the country

0:17:350:17:39

and they're near a motorway,

0:17:390:17:41

and you hear that awful sound, that nee-ow, that sound of a car going,

0:17:410:17:46

and you're like, well, you know, it's quieter here.

0:17:460:17:49

I don't hear anything at night. That's what I like, is quiet.

0:17:490:17:53

Quiet, trees, birds.

0:17:530:17:56

MUSIC: Stepping Razor by Peter Tosh

0:17:560:18:00

# If you wanna live

0:18:100:18:13

# Treat me good

0:18:140:18:17

# If you wanna live, live

0:18:180:18:22

# I beg you, treat me good

0:18:220:18:24

# I'm like a walking razor

0:18:250:18:28

# Don't you watch my size

0:18:280:18:29

# I'm dangerous Said I'm dangerous

0:18:290:18:33

# I'm like a walking razor Don't you watch my size

0:18:330:18:37

# I'm dangerous Dangerous. #

0:18:370:18:40

At the end of last year, that's when I began.

0:18:410:18:46

So I did this pot, which is a favourite pot of mine.

0:18:460:18:50

It sort of kick-started this thing I've been doing.

0:18:500:18:55

I like to choose colours that I'm not necessarily that fond of.

0:18:550:18:58

You see a lot of yellow here.

0:18:580:19:00

I think yellow is a colour people get into when they become old.

0:19:000:19:05

So I've tried to embrace that.

0:19:050:19:07

What I want to do with my music and my paintings

0:19:070:19:09

is just cheer people up. I'm not trying to disturb anyone.

0:19:090:19:13

I think modern art can be disturbing. I'm already disturbed.

0:19:130:19:16

So I don't need to add that, incorporate any more of that.

0:19:160:19:20

Then I went away for about... For some time, ten days.

0:19:200:19:24

That's when I came back and thought,

0:19:240:19:26

"Oh, I wonder if I can still paint."

0:19:260:19:28

You always think that, if you write a song or do anything -

0:19:280:19:31

that's what I find, anyway. And other people have said that.

0:19:310:19:34

You think you've done it and you'll never be able to do it again.

0:19:340:19:36

So you panic into the next one to see if you can still do it.

0:19:360:19:40

So I did that one.

0:19:400:19:42

I think that's one of my more successful, if I do say so.

0:19:420:19:45

Then I thought, some abstracts.

0:19:450:19:49

So I thought, "Well, that's something I've never done."

0:19:490:19:53

Oh, can you move around there?

0:19:530:19:55

So I did that one.

0:19:550:19:57

That one.

0:19:580:20:00

This one's called West London.

0:20:010:20:03

Not one of mine!

0:20:050:20:07

SHE GIGGLES

0:20:070:20:08

And then, one night, I thought, "I've got to stop painting.

0:20:090:20:14

"This is becoming, like. too compulsive."

0:20:140:20:16

Oh, I couldn't have done this when I was living with people.

0:20:230:20:27

Cos your whole morning when you get started,

0:20:290:20:31

you're, you know, taking someone tea or, you know.

0:20:310:20:36

I think being alone is a huge luxury.

0:20:380:20:40

And it's an epidemic of sorrow for millions of people too.

0:20:400:20:45

And that's kind of what my meditations take me around to,

0:20:450:20:48

is try to address this thing of loneliness,

0:20:480:20:50

and, you know, what that really means in a person's life.

0:20:500:20:54

Why are we lonely?

0:20:540:20:56

You can be distracted from it, but when you're really alone,

0:20:560:20:58

you have to start to face that.

0:20:580:21:00

I don't know if that's necess... You don't want to over-face it.

0:21:000:21:03

Like I say, it's a luxury to have the time to do these meditations.

0:21:030:21:11

But now I'm in the more later stages of my life,

0:21:110:21:13

and I think that's an important thing to do.

0:21:130:21:16

MUSIC: Private Life by The Pretenders

0:21:220:21:25

# Your private life drama, baby Leave me out

0:21:440:21:48

# Your private life drama, baby Leave me out

0:21:510:21:55

# Your private life drama, baby Leave me out

0:22:000:22:03

# Your private life drama, baby Leave me out

0:22:070:22:11

# J'ai les glandes with your theatrics

0:22:160:22:18

# Your acting's a drag

0:22:180:22:20

# It's OK on TV cos you can turn it off

0:22:240:22:27

# But don't try me

0:22:270:22:28

# Yes, your marriage is a tragedy

0:22:320:22:34

# But it's not my concern

0:22:340:22:35

# I'm very superficial I hate anything official

0:22:390:22:43

# Your private life drama, baby Leave me out

0:22:470:22:52

# Your private life drama, baby Leave me out

0:22:560:22:59

# Your private life drama, baby Leave me out

0:23:040:23:08

# Your private life drama, baby Leave me out

0:23:120:23:15

# Your sentimental gestures only bore me to death

0:23:360:23:40

# You've made a desperate appeal Now save your breath

0:23:440:23:48

# Attachment to obligation through guilt and regret

0:23:520:23:55

# Shit, that's so wet

0:23:550:23:57

# And your sex-life complications are not my fascinations

0:24:000:24:04

# Private life drama, baby Leave me out... #

0:24:080:24:12

-INTERVIEWER:

-Now, I have been surprised over this summer

0:24:170:24:20

that you believe in rock and are a rock... You are a rock...

0:24:200:24:25

Did you want to say "rock chick", but you didn't want to say "chick"?

0:24:250:24:28

Cos I might have a go at you? REPORTER LAUGHS

0:24:280:24:31

What do you think of that phrase, "rock chick"?

0:24:310:24:33

Rock chick? I don't care.

0:24:330:24:36

Not everyone was a rock chick. Not everyone else...

0:24:430:24:45

You know, not everyone gets to be a rock chick.

0:24:450:24:48

SONG: Whatcha Gonna Do 'Bout It

0:24:480:24:51

-What's a guy? A rocker.

-Yeah.

-What's wrong with that?

0:24:550:24:59

-Nothing?

-Yeah, no, I'm just asking.

0:25:030:25:05

I don't know if... This language, question of language these days.

0:25:050:25:10

# Want you to know that I love you, baby

0:25:340:25:37

# Want you to know that I care

0:25:370:25:39

# I'm so happy when you're with me and I'm sad when you're not there

0:25:390:25:45

# Boys

0:25:450:25:46

# What you gonna do about it?

0:25:460:25:48

-# Whoa-oh-oh

-What you gonna do about it?

0:25:480:25:51

-# Yeah

-What you gonna do about it?

0:25:510:25:55

# What you gonna do about it?

0:25:550:25:58

# Want you to give me your sweet, sweet kisses

0:25:580:26:01

# Want you to hold me tight

0:26:010:26:03

# I want you to come whenever I call you

0:26:030:26:07

# Want you to walk me home tonight

0:26:070:26:10

# What you gonna do about it?

0:26:100:26:13

# What you gonna do about it?

0:26:130:26:15

# Well

0:26:150:26:16

-# What you gonna do about it?

-Whatcha gonna give me?

0:26:160:26:19

# What you gonna do about it? #

0:26:190:26:21

Yeah, I was...

0:26:540:26:55

..sent by the NME to meet... To do...

0:26:570:26:59

There was some sort of feminist forum or something.

0:26:590:27:01

This was ages ago, like 1973. 1974, maybe.

0:27:010:27:05

And so I was the...

0:27:050:27:07

Maybe I was the only chick on the force, I can't remember.

0:27:070:27:10

They sent me.

0:27:100:27:12

And so this American woman asked me if I was a feminist,

0:27:120:27:16

and I said, "I don't know."

0:27:160:27:20

And she goes... That already put her nose out of joint cos I wasn't...

0:27:200:27:24

I didn't know if I was or not.

0:27:240:27:25

So she started questioning me

0:27:250:27:27

to, you know,

0:27:270:27:29

encourage me to admit that I was a feminist, I guess,

0:27:290:27:32

I don't know. I actually didn't know what it meant exactly, so I was...

0:27:320:27:36

I wasn't trying to be cantankerous or anything.

0:27:360:27:38

Um...

0:27:380:27:40

And she said, "Well, let's say that you want to get a credit card,"

0:27:400:27:45

and I said, "I don't want a credit card."

0:27:450:27:47

She said, "All right, well, let me...

0:27:470:27:50

"What about if you wanted to buy a car?"

0:27:500:27:53

I said, "I don't want to buy a car."

0:27:530:27:56

She said...

0:27:560:27:58

"All right, well, let's say that you want to get a house,

0:27:580:28:01

"buy a house," and I said, "I don't want to get a house."

0:28:010:28:04

And by now, I was only answering truthfully,

0:28:040:28:07

but she was getting really kind of pissed off at me.

0:28:070:28:09

She was older than me too, and she was a feminist.

0:28:090:28:11

And she said, "Well, what if some other woman did want those things?"

0:28:110:28:16

And I said, "Well, what's that got to do with me?"

0:28:160:28:18

And she said, "Well, you are NOT a feminist."

0:28:180:28:21

So, after that, I thought, "Well, if she's a leading feminist,

0:28:210:28:23

"she must know." And I just assumed...

0:28:230:28:25

She said I wasn't a feminist, I guess I wasn't a feminist.

0:28:250:28:28

But you still haven't, you know, trotted down the party line,

0:28:310:28:34

have you?

0:28:340:28:36

I don't trot down any party line.

0:28:360:28:38

Well, there's a few tyrannies around that are kind of

0:28:380:28:41

winding me up.

0:28:410:28:43

-Give me examples.

-The vegan tyranny winds me up.

-Meaning?

0:28:430:28:46

-It's all become about nutrition.

-Right.

0:28:460:28:49

-I find that quite offensive.

-But you feel like...?

0:28:490:28:51

It's not about compassion any more.

0:28:510:28:53

-I mean...

-Yes.

-As a matter of fact, to my vegan brethren,

0:28:530:28:57

I am in practice vegan but in theory vegetarian.

0:28:570:29:01

-Uh-huh.

-They don't like that.

0:29:010:29:02

-So you started to...

-The feminists don't like me.

0:29:020:29:05

The word "empowerment" also winds me up.

0:29:050:29:08

-What is that all about?

-Oh, honey, I don't know.

0:29:080:29:10

"You've empowered me. I feel empowered."

0:29:100:29:12

And I loathe the art world.

0:29:120:29:14

-You don't have to.

-The investment and all that bullshit.

0:29:140:29:16

-Oh, investment!

-Yeah, the whole thing.

0:29:160:29:18

Well, it's just everything.

0:29:180:29:19

-It's like curated, eating, food...

-I hate everything.

0:29:190:29:22

..art, everything has become, like...

0:29:220:29:24

What is the endgame of this?

0:29:240:29:27

Everyone defines themselves by what they like or what they... You know?

0:29:270:29:30

-I don't give a fuck.

-Yeah.

-I just wish everyone would fuck off.

0:29:300:29:33

SONG: Gotta Wait

0:29:330:29:35

# You gotta wait

0:29:460:29:47

# Think you belong?

0:29:490:29:51

# You gotta wait

0:29:520:29:54

# At the pharmacy at Walmart

0:29:550:29:57

# You gotta wait

0:29:590:30:01

# For an oxycontin come-down

0:30:010:30:03

# You gotta wait

0:30:040:30:06

# I'm loaded, could you bend down?

0:30:070:30:09

# You gotta wait, wait Hold the date, hesitate

0:30:100:30:13

# Wait Wait, wait

0:30:130:30:15

# Don't be late Read the date

0:30:150:30:17

# Wait Wait, wait

0:30:170:30:18

# Save a plate Hold the date

0:30:180:30:19

# Wait!

0:30:190:30:20

# You gotta wait

0:30:470:30:48

# And the waiting list is long

0:30:500:30:51

# You gotta wait

0:30:530:30:54

# Can you see where you belong?

0:30:550:30:57

# You gotta wait

0:30:590:31:01

# A hundred million faces

0:31:010:31:03

# You gotta wait

0:31:050:31:06

# You'll be going 200 places. #

0:31:070:31:10

BIRDS CHIRP

0:31:130:31:16

The wonderful thing about London

0:31:340:31:36

is there's parks everywhere, all across London.

0:31:360:31:39

Wherever you go, there's a park nearby.

0:31:400:31:42

If you live here, you can do this -

0:31:440:31:47

find all the moments when it's quiet and...

0:31:470:31:51

You can make it really personal, London.

0:31:510:31:53

There's this little island we can go on.

0:32:010:32:04

Do you want to go on this little island?

0:32:040:32:05

Look at this beauty here.

0:32:150:32:16

SHE CLICKS TONGUE Come, come.

0:32:190:32:22

Come on. Come on.

0:32:270:32:30

Come.

0:32:320:32:33

They say that swans are... They mate for life.

0:32:380:32:42

Which is probably why they're so...

0:32:420:32:45

supposedly, so ill-tempered.

0:32:450:32:47

That's just me being cynical, though.

0:32:480:32:50

It's hard not to be romantic - we're in the park.

0:32:500:32:53

I try not to be romantic, but who can not be when you're here?

0:32:530:32:57

I just got a strange look from that guy

0:33:020:33:04

who thinks I'm talking to myself.

0:33:040:33:06

We're right in the middle of the summer now.

0:33:110:33:15

This is the summer solstice, the longest day of the year.

0:33:150:33:19

This is where...

0:33:220:33:24

lovers do come to go for a stroll.

0:33:240:33:27

So all the roses here are named.

0:33:290:33:31

These little plaques with their name.

0:33:310:33:33

Majestic, these lovely pink ones.

0:33:330:33:37

And these are called Remember Me.

0:33:370:33:40

All the roses have romantic names.

0:33:420:33:45

What a nice thing, to have a rose named after you.

0:33:460:33:49

# Let's get lost

0:33:520:33:54

# Let's get lost

0:33:560:33:58

# Let's get lost

0:34:010:34:03

# Let's get lost

0:34:050:34:08

# I wear it like a charm

0:34:120:34:14

# A tattoo on my arm

0:34:140:34:16

# Your name in a horseshoe

0:34:180:34:20

# Your talismans and such

0:34:210:34:23

# I rely on them to touch

0:34:230:34:25

# Get close to you

0:34:250:34:28

# Oh, I get high just a little

0:34:280:34:32

# High just a little

0:34:320:34:35

# Keepin' my fingers crossed

0:34:350:34:37

# Oh, and I try just a little

0:34:370:34:41

# Try just a little

0:34:410:34:42

# Now I've found you

0:34:440:34:46

# Let's get lost

0:34:460:34:48

# Let's get lost

0:34:500:34:53

# Let's get lost. #

0:34:550:34:57

Generally, you do the show.

0:35:010:35:03

That finishes. You go straight onto the coach.

0:35:030:35:07

Maybe hang around backstage if you have guests.

0:35:070:35:09

I like to get straight onto the coach.

0:35:090:35:12

You're going to have to sleep in a bunk, so that's a discipline.

0:35:120:35:16

There might be 12 bunks, so they're really stacked up.

0:35:170:35:19

They're more like coffins, you know.

0:35:190:35:21

And you have to jump up to get into your bunk.

0:35:210:35:23

But once you're in there, you're on your own. You have a little curtain.

0:35:230:35:26

It's definitely a love/hate relationship.

0:35:260:35:28

You hate it for lots of reasons - you're not sleeping,

0:35:280:35:31

it's noisy, you're confined, you're sharing the toilet with,

0:35:310:35:35

you know, all these guys and there's no real...

0:35:350:35:38

..comfort. But, on the other hand,

0:35:390:35:42

it's like a little cocoon and when you get in there, you know you're

0:35:420:35:45

going to wake up in the next town and that's kind of a great feeling.

0:35:450:35:47

MUSIC: Never Be Together by The Pretenders

0:35:470:35:50

I love living in hotels. It's my favourite thing, to be honest.

0:36:110:36:15

It just represents moving - that you're always moving.

0:36:150:36:18

In fact, the number-one thing I'm asked by people...

0:36:200:36:23

When they know that you're out on tour, they always say,

0:36:230:36:26

"Oh, you probably can't wait to get home so you can sleep in your own bed,"

0:36:260:36:29

and I think, "That's exactly what I DON'T want to do.

0:36:290:36:32

# Oh, no

0:36:350:36:37

# We'll never

0:36:380:36:40

# We'll never be together. #

0:36:420:36:44

People always have these weird ideas about why you do this.

0:36:570:37:00

The whole idea of being on stage -

0:37:000:37:03

that it's all about this adulation or this energy from the audience.

0:37:030:37:08

Really, it's just about feeling like you're...

0:37:080:37:11

You actually know what you're doing for an hour.

0:37:110:37:13

You know, the rest of the time, you're kind of bumbling around,

0:37:130:37:15

trying to make sense of your life.

0:37:150:37:18

You've still got 22 hours to deal with in between the shows,

0:37:210:37:25

so you have to kind of get into the waiting.

0:37:250:37:28

Cos that's really what this game is about - it's a waiting game.

0:37:280:37:30

But I like to think of my waiting time as goof-off time.

0:37:320:37:35

And I like to goof off, so I just rethink it.

0:37:350:37:38

It's Sunday. It's going to get hot, so I can't be out for long.

0:37:450:37:48

But I need to get some scarves so I can modify the lighting in my room.

0:37:500:37:53

I never seem to pack what I need. It gets worse and worse.

0:37:530:37:58

Like jet lag. The two things in life that get...

0:37:590:38:02

They seem to get worse with experience. So, here we go.

0:38:020:38:05

The thing is, when you're out

0:38:080:38:10

trying to go for a walk in most of these towns now,

0:38:100:38:13

you don't really feel like you're in the human zone but, you know,

0:38:130:38:18

I soldier on, determined to go for a walk anyway.

0:38:180:38:22

That's a nice effort, to make a little...

0:38:350:38:37

..fountain, water feature, here. I don't know who's looking at it,

0:38:390:38:42

because it faces nothing but concrete and cars.

0:38:420:38:45

-I

-looked at it, OK? And I appreciate it.

0:38:460:38:48

What I love is, on these places that have been concreted over,

0:38:550:38:59

how all the plants seem to force their way up and you can kind of

0:38:590:39:04

see what it will look like...

0:39:040:39:06

This is kind of what I think of as an Armageddon scene, you know?

0:39:060:39:09

They're going to...

0:39:090:39:10

..push the concrete out of the way and, er, this is just the beginning.

0:39:110:39:17

These are the things that I always notice in cities because I...

0:39:170:39:21

I don't know, I like the ghostly presence of what was.

0:39:210:39:24

Local talent just ignoring me.

0:39:310:39:34

As you can see, most people are wearing shorts

0:39:340:39:37

but, you know, being in an English rock band, that's just prohibited.

0:39:370:39:41

That can't happen, so...

0:39:410:39:42

Although I've... I've been told I have very nice legs.

0:39:440:39:48

It will have to be left to the imagination.

0:39:480:39:50

And there's the romantic tracks.

0:39:550:39:58

Source of many, many songs, getting on the train.

0:40:020:40:07

Which is where my baby used to leave on but I guess now,

0:40:100:40:14

they just get a flight.

0:40:140:40:16

SONG: Back On The Chain Gang

0:40:190:40:22

CHEERING AND APPLAUSE

0:40:260:40:28

# I found a picture of you

0:40:350:40:37

# Oh-oh-oh-oh

0:40:390:40:41

# What hijacked my world that night

0:40:420:40:45

# To a place in the past

0:40:480:40:50

# We've been cast out of?

0:40:500:40:52

# Oh-oh-oh-oh

0:40:530:40:54

# Now we're back in the fight

0:40:560:40:59

# Ooh, we're back on the train

0:41:010:41:05

# Oh, back on the chain gang

0:41:080:41:12

# A circumstance beyond our control

0:41:190:41:22

# Oh-oh-oh-oh

0:41:230:41:26

# The phone, TV and the News Of The World

0:41:260:41:30

# Got in the house like a pigeon from hell

0:41:330:41:36

# Oh-oh-oh-oh

0:41:370:41:39

# Threw sand in our eyes and descended like flies

0:41:390:41:43

# Put us back on the train

0:41:460:41:49

# Oh, back on the chain gang

0:41:520:41:57

# The powers that be

0:42:150:42:17

# That force us to live like we do

0:42:180:42:20

# Bring me to my knees

0:42:220:42:24

# When I see what they've done to you

0:42:240:42:27

# But I'll die as I stand here today

0:42:340:42:37

# Knowing that deep in my heart

0:42:380:42:42

# They'll fall to ruin one day

0:42:420:42:45

# For making us part

0:42:450:42:53

# I found a picture of you

0:42:560:42:59

# Oh-oh-oh-oh

0:43:000:43:03

# Those were the happiest days of my life

0:43:030:43:06

# Like a break in the battle was your part

0:43:090:43:13

# Oh-oh-oh-oh

0:43:140:43:15

# In the wretched life of a lonely heart

0:43:150:43:20

# Ooh, back on the train

0:43:220:43:26

# Oh, back on the chain gang. #

0:43:290:43:32

This groove is fucking awesome. Check this out.

0:43:360:43:38

# You ought to see my baby

0:43:460:43:50

# Lord, that girl's so fine

0:43:500:43:52

# She loves me every morning and every night

0:43:540:43:57

# And she's always on my mind

0:43:570:44:00

# She got sugar-coated love... #

0:44:000:44:02

-MUSIC DROWNS SPEECH

-# Yeah, sugar-coated love

0:44:020:44:05

# She's a real-gone baby

0:44:080:44:10

# I don't mean maybe She's mine... #

0:44:100:44:13

They were, like, known for doing...

0:44:130:44:15

-They made blues into, like, pop songs.

-Mm-hm.

0:44:150:44:17

They would put little quirky hits in.

0:44:170:44:19

Little quirky, you know, hooks all over the place, you know?

0:44:190:44:23

-# I don't have to worry about. #

-MUSIC STOPS

0:44:230:44:26

But I fucking love their sound. They're so quirky.

0:44:260:44:29

# Well, I'm a king bee

0:44:290:44:31

# Buzzing around your hive... #

0:44:310:44:34

Just hooks everywhere, right? Subtle, nothing special.

0:44:370:44:42

# Buzzing around your hive

0:44:420:44:45

# Well, I can make honey, baby

0:44:480:44:51

# Let me come inside... #

0:44:510:44:54

Yeah, fucking... I've just been getting obsessed with this label.

0:44:560:45:00

This one guy produced all these records.

0:45:000:45:02

All these different people, they all have this one certain quality.

0:45:020:45:06

-'Your new album was recorded in Nashville. Are you done?

-Yeah, yeah.

0:45:060:45:10

'With... Oh, I didn't know that the guy from Black Keys,

0:45:100:45:14

'Dan Ow-er-back was also...'

0:45:140:45:15

-Dan Auerbach.

-Ar-Ar...?

0:45:150:45:17

That's a good Jewish name - you should be able to pronounce that.

0:45:170:45:19

-No. AUR...

-Auerbach.

-Auerbach.

0:45:190:45:22

-It's not "buck", it's "bach".

-Bach. Auerbach.

-From Akron.

0:45:220:45:24

-H-H-He's Jewish?

-Yeah.

-Oh.

0:45:240:45:28

-His dad's an antiques dealer.

-Oh, I love them!

0:45:280:45:30

Oh, no, he's not, because his mom's not,

0:45:300:45:33

-so he can't be Jewish.

-Then he's not Jewish, no.

-All right, sorry.

0:45:330:45:36

-Sorry, we've just lost one.

-Yeah.

-See?

0:45:360:45:38

-Hopes are dashed in the course of a minute.

-Just like that.

0:45:380:45:41

First we have a member of the tribe, and then they're not.

0:45:410:45:44

MUSIC: Holy Commotion by The Pretenders

0:45:440:45:46

Remember doing this one?

0:45:480:45:49

It's the club mix.

0:45:590:46:01

-Huh?

-The club mix.

0:46:010:46:03

# Ah-ah, ah-ah-ah

0:46:200:46:22

# Massive devotion

0:46:220:46:24

# Ah-ah, ah-ah-ah

0:46:270:46:29

# And a holy commotion

0:46:290:46:31

# I just want, I want, I want

0:46:330:46:36

# To see your face

0:46:360:46:38

# I just want, I want, I want

0:46:400:46:43

# To change your place

0:46:430:46:46

# Lift your veil... #

0:46:460:46:48

'Yeah, so I was, er, talking to Dan Auerbach and I said...'

0:46:500:46:54

Just in passing, I said, "Yeah, I do all this stuff on my own, usually.

0:46:540:46:58

"Go to the cinema alone..."

0:46:580:47:00

I don't know what prompted me to say this.

0:47:000:47:02

Maybe it was just, you know, self pitying or something,

0:47:020:47:04

and he goes, "Write a song about it."

0:47:040:47:06

I don't think anyone really WANTS to be alone.

0:47:100:47:12

You know, you just make the most of what you have and, you know,

0:47:120:47:17

that's all I'm trying to say.

0:47:170:47:18

I look at it more...

0:47:210:47:22

It's not a young man's game, it's not for young people,

0:47:220:47:25

but as you get older it's more a matter of renunciation,

0:47:250:47:29

where you retire from a lot of the pursuits of...

0:47:290:47:32

You know, which come from, er,

0:47:320:47:36

you know, being in a relationship.

0:47:360:47:38

You've done the family, you've got that out of the way,

0:47:380:47:41

you've done your duty and your job and then you have some time

0:47:410:47:44

to really reflect on, you know, whatever you need to reflect on.

0:47:440:47:50

And that's a luxury of...

0:47:500:47:52

That most people probably can't afford

0:47:520:47:54

unless they really are renounced and are willing to go off with nothing.

0:47:540:47:58

Most people won't do that.

0:47:580:47:59

It's a very high order.

0:47:590:48:01

That would be called a "sanyassi" in Indian culture, Vedic culture,

0:48:010:48:05

and you don't meet many people who are capable of that.

0:48:050:48:08

I'm not renounced cos I'm in a rock band

0:48:110:48:12

and I'm going to go on tour, so that's not really renounced.

0:48:120:48:15

You know, renounced is when you're not really featuring

0:48:150:48:19

all these worldly pleasures any more.

0:48:190:48:21

Hold on a minute. Chrissie Hynde's just told me

0:48:260:48:28

-she has done a song with Kate Moss.

-Yeah.

0:48:280:48:31

-This is, like, the best news I've ever heard in my entire life.

-Yeah.

0:48:310:48:35

She went from vapid consumerism to sort of rock goddess.

0:48:350:48:39

-In your eyes.

-In my eyes. I always loved her, but...

0:48:390:48:43

I adore Kate... You know I...

0:48:430:48:45

-She's amazing. She sings great.

-Does she?

-She sings great.

-Really?

-Yeah.

0:48:450:48:49

She should back off the fags a little bit and get serious.

0:48:490:48:52

-She could really be a singer.

-Better than Naomi Campbell?

-Er, I...

0:48:520:48:57

-Have you heard Naomi sing?

-I think Naomi can sing, too.

-Yeah.

0:48:570:48:59

You know she had a hit album in Japan years ago? Baby Woman.

0:48:590:49:02

-I sang on it.

-No!

-Yeah.

-This is getting crazier by the minute!

0:49:020:49:06

# But if you love him... #

0:49:080:49:11

CHEERING AND APPLAUSE

0:49:110:49:13

Is this her?

0:49:140:49:16

-# Even though he's hard... #

-That's Kate.

0:49:170:49:21

# To understand... #

0:49:210:49:22

Where did you find it?

0:49:220:49:24

Oh, yeah. Is that OK with you?

0:49:260:49:28

# If you love him

0:49:280:49:30

# Be proud of him

0:49:310:49:35

# Cos after all

0:49:350:49:37

# He's just a man. #

0:49:380:49:41

-Wow!

-Amazing!

-Sexy.

0:49:410:49:42

I wanted to do Foolish Little Girl with her -

0:49:420:49:45

-you know, the Shirelles?

-Yes.

0:49:450:49:47

You broke his heart and made him cry

0:49:470:49:49

And he's been blue since then

0:49:490:49:50

Now he's found somebody else

0:49:500:49:52

And you want him back again.

0:49:520:49:55

-Is it true? Does she?

-She didn't want to sing it.

0:49:550:49:58

She goes, "I went through a divorce." I think the lyrics were a little sensitive.

0:49:580:50:01

-I mean...

-So she said...

0:50:010:50:03

-But she was agreeable to do Stand By Your Man.

-Unbelievable. Mm-hm.

0:50:030:50:07

I coached her for two days singing into Mason Pearson brushes.

0:50:070:50:10

-Had she ever...?

-In her bedroom.

0:50:100:50:12

It was hard for me to get her to settle down -

0:50:120:50:14

she kept running into her dressing room and taking her clothes off

0:50:140:50:17

-and trying on different dresses.

-Yeah.

0:50:170:50:19

That's what she likes to do

0:50:190:50:20

but she needs someone like you to, like, rein her in.

0:50:200:50:23

MUSIC: I Hate Myself by The Pretenders

0:50:240:50:26

# I hate myself, I hate myself

0:50:390:50:42

# I hate myself for backing the wrong horse

0:50:420:50:46

# I hate myself

0:50:480:50:50

# I hate my phony masquerade of black and blue

0:50:500:50:55

# I hate myself

0:50:580:50:59

# I hate my phony, reckless self-destruction course

0:50:590:51:04

# And coming last, conceding

0:51:070:51:11

# Second best to you

0:51:110:51:13

# And if on Judgment Day

0:51:160:51:19

# I'm told to make my way

0:51:190:51:21

# To take up lasting residence downstairs

0:51:210:51:25

# I'll look to see if others

0:51:260:51:28

# Who backstabbed their own brothers

0:51:280:51:31

# Got a lighter sentence

0:51:310:51:33

# Showing mercy and repentance

0:51:330:51:35

# I hate myself, I hate myself, I hate myself

0:51:380:51:41

# I guess I'm just too smart

0:51:410:51:45

# I hate myself, I hate myself, I hate myself

0:51:470:51:51

# In body and in mind

0:51:510:51:54

# I hate myself, I hate myself

0:51:570:51:59

# I hate these perversions of the heart

0:51:590:52:03

# I hate myself up front

0:52:060:52:08

# I hate myself from behind

0:52:090:52:12

# So take my hand

0:52:140:52:17

# To the witness stand

0:52:190:52:22

# I deserve the worst

0:52:260:52:27

# My heart is gonna burst

0:52:270:52:30

# So validate me, hate me where it hurts

0:52:300:52:33

# I hate myself, I hate myself, I hate myself

0:52:370:52:40

# I hate myself, I hate myself

0:52:400:52:43

# I hate myself, I hate myself, I hate myself

0:52:470:52:50

# I hope that you do too

0:52:500:52:53

# I hate myself, I hate myself

0:52:560:52:59

# I hate myself, I hate myself

0:52:590:53:02

# But most of all I hate myself

0:53:060:53:09

# Hating you. #

0:53:120:53:16

You're catching me doing what I'm really...

0:53:350:53:37

What I do best, and that's just hanging out and doing nothing.

0:53:370:53:41

It's kind of what I specialise in.

0:53:420:53:44

DISTANT SINGING

0:53:460:53:49

This is the whole manor that George Harrison

0:53:530:53:57

gave to the devotees.

0:53:570:53:59

And this is his personal garden.

0:53:590:54:03

And, uh...

0:54:030:54:05

It's open to the public,

0:54:050:54:06

so anyone that wants to hang out at George Harrison's gaff, here it is.

0:54:060:54:10

RHYTHMIC CHANTING

0:54:100:54:16

-I milked a cow the other day.

-Where?

-Just to put my money where my...

0:54:370:54:40

At the manor that George Harrison bought for the Krishna devotees.

0:54:400:54:44

They have one where they call it Goshala,

0:54:440:54:47

which is a cowherd which is milked by hand and they play,

0:54:470:54:50

you know, Ravi Shankar to them...

0:54:500:54:53

-And massage them and stuff?

-Oh, absolutely.

0:54:530:54:56

-Cows should be massaged.

-So while I am milking... Yeah, they should be.

0:54:560:55:00

You know, I believe they are sacred animals.

0:55:000:55:02

COW MOOS

0:55:020:55:05

And I understand that if you treat animals badly,

0:55:050:55:08

it's better not to use animal products, which is...

0:55:080:55:11

I'm obviously in agreement with.

0:55:110:55:14

But what if you treated them well?

0:55:140:55:16

What if you treated a cow well? I am all for one cow per family.

0:55:160:55:19

I am actually having a book on cow protection written.

0:55:190:55:22

There's four principles - you never kill one,

0:55:220:55:26

they suckle by their mothers, you milk them by hand

0:55:260:55:29

and you give the oxen work,

0:55:290:55:31

and that can sustain the environment and a human family.

0:55:310:55:35

-Wow.

-Uh-huh.

-I love that.

0:55:350:55:36

Despite the fact that I look like such an enthusiast here,

0:55:440:55:48

I personally don't think I've had a glass of milk

0:55:480:55:51

in at least 30 years, maybe more.

0:55:510:55:53

These boots, by the way, come from Vegetarian Shoes in Brighton,

0:55:540:55:58

one of the original non-leather sources of footwear in this country.

0:55:580:56:03

Just for anyone there who thinks I'm being a big hypocrite,

0:56:030:56:06

wearing leather boots.

0:56:060:56:07

I am a big hypocrite, probably, but not in that regard.

0:56:090:56:13

Cows have got a very bad rap because of the methane they produce.

0:56:160:56:20

When produced by bulk...

0:56:200:56:23

But in actual fact,

0:56:260:56:28

they perfectly fertilise the soil and add nutrients to it,

0:56:280:56:32

when done in the right way.

0:56:320:56:34

The cow dung, it'd be used for building houses, it's used for fuel.

0:56:370:56:41

In fact, the urine from the cow is used as an antiseptic.

0:56:410:56:45

They're kind of like the answer to all of...

0:56:480:56:52

the ecological problems we're having.

0:56:520:56:55

There's just nothing about these creatures that's not good.

0:56:550:56:59

Do you think she is getting close now?

0:57:030:57:06

To being milked?

0:57:060:57:08

THUNDER RUMBLES

0:57:130:57:15

Giddy-up!

0:57:210:57:22

Ah-ah, ah-ah.

0:57:270:57:29

Giddy-up!

0:57:290:57:32

Giddy-up!

0:57:370:57:39

Life in the fast lane(!)

0:57:390:57:41

Yeah, there we go.

0:57:480:57:50

DISTANT MUSIC

0:57:580:58:01

# Well, who's been playing around with you?

0:58:240:58:27

# A real cool cat with eyes of blue

0:58:270:58:30

# Triflin', baby, are you being true?

0:58:300:58:33

# Who's been playing around with you?

0:58:330:58:38

# Who's been playing around... #

0:58:390:58:40

If you're 16, there is nothing you can do that's better - not drugs,

0:58:400:58:45

not sex, not sniffing glue,

0:58:450:58:47

not getting good grades, not anything.

0:58:470:58:50

Nothing is better than picking up a guitar and making a noise.

0:58:500:58:53

It's just THE BEST.

0:58:530:58:55

# He held your hand and he sang you a song... #

0:58:550:58:58

And I think that when people enjoy doing something, they'll do it,

0:58:580:59:01

they'll find a way.

0:59:010:59:03

That's where I missed the boat, cos I wasn't really...

0:59:040:59:07

I couldn't really jam with guys.

0:59:070:59:09

I was, like, too shy.

0:59:090:59:10

Thank you very much!

0:59:150:59:16

Ladies and gentlemen, we have a very special guest.

0:59:170:59:20

Would you please give it up?

0:59:200:59:21

Ms Chrissie Hynde is going to do a song.

0:59:210:59:23

CHEERING

0:59:230:59:25

All the way from down the road.

0:59:310:59:33

'After the first, like, ten years of doing this and you get over

0:59:340:59:38

'the stage fright, then you actually start enjoying doing the shows

0:59:380:59:41

'and you just look forward to them.

0:59:410:59:43

'I used to dread shows for years, but, you know,

0:59:430:59:47

'you can't let that kind of thing get in your way.'

0:59:470:59:50

# Hush, little darlin'

1:00:061:00:08

# Go to sleep

1:00:081:00:11

# Look out the window

1:00:111:00:13

# Count the sheep

1:00:131:00:15

# That dot the hillsides

1:00:151:00:18

# And the fields of wheat

1:00:181:00:20

# Across America

1:00:201:00:22

# As we cross America

1:00:221:00:24

# What's important

1:00:241:00:26

# Here today

1:00:261:00:28

# The broken line

1:00:281:00:31

# On the highway

1:00:311:00:32

# All the love in the world for you, girl

1:00:381:00:41

# Thumbelina In a great big scary world

1:00:411:00:45

# All the love in the world for you, girl

1:00:461:00:49

# Take my hand and we'll make it through this world. #

1:00:491:00:53

All right, James, go, go, go!

1:00:531:00:55

'I hear people say,

1:01:051:01:06

' "Oh, it must be such a rush to be out there,"

1:01:061:01:10

'but that's not really what it's really about,

1:01:101:01:12

'it's more about looking around and seeing the band coming to life

1:01:121:01:16

'and everyone is playing well,

1:01:161:01:18

'and that's the part of it that turns me on,

1:01:181:01:20

'is just being in that little group.

1:01:201:01:22

'That's the one time in my life when I'm a real team player.'

1:01:221:01:26

# Hush, little darlin'

1:01:361:01:39

# My poor little thing

1:01:391:01:41

# You've been shuffled about

1:01:411:01:43

# Like a pawned wedding ring

1:01:431:01:45

# It must seem strange

1:01:451:01:47

# Love was here, then gone

1:01:471:01:49

# And the Oklahoma sunrise becomes the Amarillo dawn

1:01:491:01:54

# What's important in this life?

1:01:541:01:58

# Ask the man

1:01:581:02:00

# Who's lost his wife. #

1:02:001:02:02

One, two, three, four!

1:02:261:02:27

TEMPO SPEEDS UP

1:02:271:02:30

Whoo!

1:02:491:02:50

TEMPO BECOMES FRENETIC

1:02:541:02:58

Thank you!

1:03:091:03:10

Mother's Little Helper, thank you.

1:03:171:03:20

That's Chrissie Hynde, everyone!

1:03:211:03:23

You can have it.

1:03:231:03:24

So, that's Mother's Little Helper,

1:03:311:03:32

-the little...

-Who came up with the name? Did you?

1:03:321:03:36

I did. They were saying, "What can we call ourselves?"

1:03:361:03:38

It's good, though, isn't it?

1:03:381:03:40

I saw the Sid and Nancy film last night at the Curzon.

1:03:441:03:46

I saw it at the time. I noticed it was...

1:03:461:03:49

No-one really wanted to see it.

1:03:491:03:51

I didn't want to see it at the time,

1:03:511:03:53

and, you know, we were like, "Nah."

1:03:531:03:55

It just seemed like an establishment thing or something, I don't know.

1:03:551:03:59

And also knowing everyone, it was like...

1:03:591:04:01

And, you know, frankly, all the guys in the band

1:04:011:04:04

were depicted as some pretty ugly characters

1:04:041:04:07

so, I don't know, you just wouldn't have watched it

1:04:071:04:10

and no-one talked to anyone

1:04:101:04:13

that was doing the film that I remember, anyway,

1:04:131:04:16

erm, for research or anything.

1:04:161:04:19

Anyway, and then...

1:04:191:04:21

It was at the Curzon last night,

1:04:221:04:24

there was absolutely nothing playing in town

1:04:241:04:26

and I thought, "Fuck it, I'm going to go see that,"

1:04:261:04:28

and I thought it was really good. I don't like biopics, usually,

1:04:281:04:30

but, first of all, Gary Oldman was fantastic as Sid.

1:04:301:04:33

He really played him well. I just think...

1:04:331:04:35

And the girl that plays...

1:04:351:04:37

Chloe Webb that played Nancy wasn't quite as evil as Nancy,

1:04:371:04:41

I didn't think, so, at the time, I didn't quite...

1:04:411:04:43

Erm...

1:04:431:04:45

But, all in all, to see the whole as a sort of timepiece of the times,

1:04:451:04:52

I thought it was really well done.

1:04:521:04:54

I think I needed 35 years away from it to be able to recognise that.

1:04:541:04:57

And last night, I passed the Moonlight Club.

1:05:001:05:05

I don't know if it's called that any more.

1:05:051:05:07

It's a pub on West End Lane

1:05:071:05:09

and it's the first place The Pretenders ever played in London.

1:05:091:05:12

We'd done some gigs outside of London

1:05:121:05:14

and in France, but never here

1:05:141:05:16

and it was the night that it was announced that Sid died.

1:05:161:05:20

And no-one was going to tell me cos it was my first gig,

1:05:211:05:23

I was obviously nervous, and just as I was about to walk on stage,

1:05:231:05:28

someone said, "What about Sid, then?"

1:05:281:05:31

I went, "I don't know, what about him?"

1:05:311:05:32

"Oh, you know, he died."

1:05:321:05:35

I went, "Oh! We've got to do this show now."

1:05:351:05:38

Good to see so many really old faces up at the front.

1:05:441:05:48

CHEERING

1:05:481:05:50

It's kind of freaky, to be honest.

1:05:501:05:52

All right! Fuck it.

1:05:521:05:55

Yeah, I mean...

1:05:551:05:57

Yeah, there's no good young bands. Fuck 'em.

1:05:571:05:59

There are, actually. They're coming back, I predict that.

1:05:591:06:03

A lot of bands. If you love bands like I do,

1:06:031:06:05

it's all going to happen in the next, I don't know...

1:06:051:06:09

-AUDIENCE MEMBER:

-We'll be dead!

1:06:091:06:10

LAUGHTER

1:06:101:06:12

Well, that's the good news.

1:06:121:06:13

OK.

1:06:131:06:15

One, two, three, four!

1:06:161:06:18

# A good time was guaranteed for one and all

1:06:271:06:30

# The tattoos did target practice in the hall

1:06:301:06:35

# While waiting for their number to get called out

1:06:351:06:39

# I-I-I-I found out what the wait was about

1:06:391:06:44

# I was a good time

1:06:451:06:47

# Yeah, I got pretty good

1:06:471:06:51

# At changing tyres upstairs, bro

1:06:531:06:56

# I shot my mouth off and you showed me what that hole was for

1:06:561:07:01

# Now I see you

1:08:041:08:06

# All impressed and half-undressed

1:08:061:08:09

# You got paint stick all over the scars and lumps and bumps

1:08:091:08:12

# Tattooed love boys

1:08:121:08:15

# Have got you where you used to lay

1:08:151:08:17

# Well, ha-ha, too bad

1:08:171:08:19

# But you know what they say

1:08:191:08:23

# Stop snivellin'!

1:08:231:08:26

# You're going to make some plastic surgeon a rich man!

1:08:261:08:29

# Oh, but the prestige and the glory

1:08:311:08:33

# Another human interest story

1:08:351:08:38

# You are that. #

1:08:411:08:44

I can get out and just go in,

1:08:441:08:46

hang a left here and just go straight through, can't I?

1:08:461:08:49

Yeah, you can get in there.

1:08:491:08:51

-So...

-All right, let me do that. That's the best way, isn't it?

1:08:531:08:56

-I think so.

-Rather than make you go all the way around.

1:08:561:08:59

Yeah, I can go right in there.

1:08:591:09:00

-ANNOUNCEMENT:

-'Baggage left unattended

1:09:081:09:10

'will be removed and destroyed.'

1:09:101:09:11

# I got this strange, strange feeling

1:09:521:10:01

# Deep down in my heart

1:10:011:10:07

# I can't tell what it is

1:10:081:10:14

# But it won't let go

1:10:141:10:20

# It happens every time

1:10:221:10:26

# I give you more than what I have

1:10:261:10:33

# Now all I need is a little time... #

1:10:331:10:37

There's a few voices that, as soon as you hear their voice,

1:10:371:10:39

you're already sort of transported into another place.

1:10:391:10:42

Of course, what they're singing matters,

1:10:451:10:46

but it's just the sound of their voice that does it.

1:10:461:10:49

And he's one of them.

1:10:491:10:50

When I was 17, I walked into a record store and saw that face.

1:10:511:10:55

That face only said one thing to me and that is, "Take me home."

1:10:551:10:59

And, you know,

1:10:591:11:00

I listened to that album a thousand times when I was 17.

1:11:001:11:04

# When you're home all alone

1:11:041:11:11

# Oh, don't you need

1:11:121:11:18

# Somebody to talk your troubles to

1:11:181:11:25

# Oh, Lord, I know

1:11:251:11:31

# I want to take

1:11:311:11:37

# The morning train, Lord

1:11:371:11:40

# The break of day

1:11:401:11:43

# Oh, I don't want to lose you, you see... #

1:11:431:11:47

This was the country when I lived here.

1:11:541:11:56

What we called the country,

1:11:561:11:58

you went out to the country to buy corn and tomatoes.

1:11:581:12:01

This is what it is now, and that was within, you know, my lifetime.

1:12:051:12:11

You know, this is how Middle America is, from here

1:12:151:12:18

all the way over to California.

1:12:181:12:20

See, it just goes on and on.

1:12:201:12:22

Just warehouses of stuff.

1:12:231:12:24

If you live anywhere here,

1:12:281:12:30

the only way you can go anywhere is just to get in your car.

1:12:301:12:32

There is no place you can walk to.

1:12:321:12:34

And there's no interaction on the street at all. There's no life.

1:12:361:12:39

Everyone is in their car.

1:12:391:12:41

It's a shift in human society.

1:12:411:12:43

The Unabomber.

1:12:471:12:48

Ted Kaczynski, who was like a sort of maths genius.

1:12:481:12:52

I don't know if you know anything about him.

1:12:521:12:54

He ended up sending letter bombs and killing people.

1:12:541:12:57

But his manifesto was all about the disconnected,

1:12:571:13:00

how isolated it was going to make people, and lonely,

1:13:001:13:02

by this car culture.

1:13:021:13:04

We're going to come up all round the back, or the front or side

1:13:121:13:16

or whatever the hell it is there.

1:13:161:13:18

And there is the wonderful Summit Mall

1:13:231:13:25

where I spent many, many, many, many, many hours

1:13:251:13:27

of my life.

1:13:271:13:29

Miserable...

1:13:301:13:32

..unhappy...

1:13:341:13:35

..disenfranchised, depressed hours.

1:13:371:13:40

I worked as a waitress in there.

1:13:401:13:43

Awful.

1:13:461:13:47

# O'Neil's is such an exciting department store

1:13:511:13:56

# A lively fashion where

1:13:561:13:58

# Our two-barrel living

1:13:581:14:00

# A warehouse-value goodie

1:14:001:14:03

# At O'Neil's you're assured of quality. #

1:14:031:14:07

-Hi.

-Hiya.

1:14:071:14:09

What's the plainest popcorn? Just plain popcorn.

1:14:091:14:11

Ah...

1:14:111:14:13

It's...

1:14:131:14:14

slightly buttered.

1:14:141:14:16

Great.

1:14:161:14:18

And can I have just a small, like,

1:14:181:14:19

what do you have that's closest to water? Water?

1:14:191:14:22

Yeah, we have water. It'll be ten cents, is that OK?

1:14:221:14:26

Sure.

1:14:261:14:27

# Our voucher's ability

1:14:341:14:36

# Will buy wonders every store

1:14:361:14:40

# You get such satisfaction shopping at O'Neil's. #

1:14:401:14:44

So this really is the heartland.

1:14:471:14:49

We actually are going to pass my old street.

1:14:511:14:53

We could go down it and find my house where I grew up

1:14:531:14:56

from the age of 8 to 17 or something,

1:14:561:14:58

so significant years.

1:14:581:14:59

# Now you say you're lonely

1:15:151:15:23

# You cry the whole night through

1:15:231:15:29

# Well, you can cry me a river

1:15:291:15:35

# Cry me a river

1:15:351:15:39

# I cried a river over you... #

1:15:391:15:44

See where that American flag is? That was my old house.

1:15:461:15:49

It's been there for over 50 years,

1:15:491:15:51

so it's all mature now and the trees.

1:15:511:15:53

But when I lived there it was a brand-new housing development.

1:15:531:15:57

My parents had two records, and they were Julie London records at home.

1:15:571:16:00

And then a box set of Glenn Miller records.

1:16:001:16:03

I never heard them play them.

1:16:031:16:05

I don't think they ever played music in the house.

1:16:051:16:07

But they had, I don't know...

1:16:071:16:09

So that, when I see that picture,

1:16:091:16:10

I'm back, you know...

1:16:101:16:13

Back in my parents' house next to the hi-fi,

1:16:131:16:15

which, they never played it but...

1:16:151:16:17

That picture meant a lot to me.

1:16:181:16:20

I think that's why I wanted to be a singer, was seeing her face there.

1:16:201:16:23

I'm sure it was.

1:16:231:16:25

# While you never shed a tear

1:16:251:16:32

# Remember, I remember

1:16:341:16:37

# All that you said

1:16:371:16:41

# Told me love was too plebeian

1:16:411:16:45

# Told me you were through with me... #

1:16:451:16:48

1805.

1:16:481:16:49

It was painted differently then.

1:16:521:16:54

But they've maintained it very nicely.

1:16:541:16:56

So my parents would be happy.

1:16:561:16:59

# Just to prove you do

1:16:591:17:03

# Come on and cry me a river

1:17:031:17:07

# Cry me a river

1:17:081:17:11

# I cried a river... #

1:17:131:17:15

Keep going straight.

1:17:151:17:16

Keep going straight.

1:17:191:17:20

Caution.

1:17:211:17:23

Proceed.

1:17:241:17:26

SHE LAUGHS

1:17:261:17:28

There's a lot more. There's a lot you'll never see.

1:17:281:17:31

You haven't even seen the underbelly yet.

1:17:311:17:34

-SATNAV:

-'Turn right, then arrive at destination.'

1:17:371:17:40

You've arrived, but that doesn't mean you're there.

1:17:451:17:48

I loved this place when I was a teenager.

1:17:541:17:57

If you grew up in the new suburbs,

1:17:571:18:00

there was something really mystical

1:18:001:18:03

about hanging out in a place like this.

1:18:031:18:05

I lived in a place where everything old was torn down,

1:18:081:18:12

so, you know, something like this had immense charm.

1:18:121:18:16

Since I don't see having a fondness for cemeteries

1:18:321:18:37

as anything remotely...

1:18:371:18:40

..morbid.

1:18:421:18:43

Some people say, "Why would you want to hang out in a cemetery?"

1:18:431:18:47

For me, they are nature reserves.

1:18:471:18:49

Usually, there's no-one in them.

1:18:491:18:52

They're very unspoiled because no-one's in them.

1:18:521:18:55

And, um...

1:18:561:18:58

there's often just nothing else like it in a city.

1:18:581:19:01

Spicer.

1:19:041:19:06

That's a big name, Akron name.

1:19:061:19:08

Spicer, there's a lot of things named after Spicer.

1:19:081:19:11

Schumacher, same. That's another big Akron name.

1:19:111:19:14

The first guy I loved, that I was in love with, was named Burnett.

1:19:231:19:27

Maybe that was his family.

1:19:271:19:29

He's dead now.

1:19:291:19:30

Urbane Watkins, yeah, I have never heard of someone named Urbane.

1:19:331:19:37

Good name.

1:19:371:19:39

See, I could do this for hours. Not hours, but...

1:19:431:19:47

And it's a great thing if, you know, back in the day,

1:19:471:19:49

you could smoke a joint.

1:19:491:19:51

And just...

1:19:511:19:52

That's a good old name, "Fanny".

1:19:551:19:57

When I'm alone and I can walk through a cemetery,

1:20:021:20:04

I like to say their names out loud cos I just think,

1:20:041:20:06

"When was the last time anyone ever said your name out loud?"

1:20:061:20:10

And I don't know that that means anything. It's just something I do.

1:20:101:20:13

# Keep beckoning to me

1:20:171:20:20

# From behind that closed door

1:20:201:20:24

# The maid and the mother and the crone that's grown old

1:20:241:20:29

# I hear your voice

1:20:291:20:33

# Coming out of that hole

1:20:331:20:37

# I listen to you

1:20:371:20:40

# And I want some more

1:20:401:20:44

# I listen to you

1:20:441:20:47

# And I want some more

1:20:471:20:52

# And she will always carry on

1:20:531:20:58

# Something is lost

1:20:581:21:01

# Something is found

1:21:011:21:04

# They will keep on speaking her name

1:21:041:21:09

# Some things change

1:21:091:21:12

# Some stay the same

1:21:121:21:17

# And she will always carry on

1:21:171:21:22

# Something is lost

1:21:231:21:26

# Something is found

1:21:261:21:29

# They will keep on speaking her name

1:21:291:21:36

# Some things change

1:21:361:21:40

# Some stay the same

1:21:401:21:44

# Ah. #

1:21:471:21:52

CHEERING AND APPLAUSE

1:21:551:21:58

So this is, really, what I sort of grew up with,

1:22:101:22:15

all these woods and everything.

1:22:151:22:16

And they went right up to the back of where the house was.

1:22:181:22:22

This is right in the height of the summer.

1:22:231:22:25

In the winter time, there's no leaves. And it's fucking cold.

1:22:251:22:30

And there is snow and slush and sleet.

1:22:301:22:33

When it's the most spectacular is in the month of October, here.

1:22:331:22:37

Because everything's like scarlet and gold,

1:22:371:22:39

and, I mean, it's breathtaking.

1:22:391:22:41

I used to love coming out to places like this.

1:22:451:22:47

Getting lost.

1:22:471:22:49

My thing was always trees.

1:22:571:22:58

When you're a child, and you're in the woods a lot,

1:23:011:23:04

this has a lot to do with... in forming the way you think.

1:23:041:23:07

When I'm in there, I feel like I'm surrounded by people.

1:23:101:23:13

They are living entities.

1:23:131:23:15

Only, you know, they're kind of more cool than people.

1:23:151:23:19

For the most part.

1:23:191:23:20

I always thought, when I was little, that I would end up,

1:23:291:23:32

that was my dream scenario, was to end up going down

1:23:321:23:35

one of those gullies and having my own little cabin.

1:23:351:23:38

A tiny, little thing.

1:23:381:23:41

And I would live alone there.

1:23:411:23:42

These two weird trees that have gone together.

1:23:511:23:53

That's a cool thing.

1:24:011:24:02

I'm not wearing the right shoes for this.

1:24:061:24:08

# Long ago

1:24:331:24:35

# And oh so far away

1:24:351:24:38

# I fell in love with you

1:24:381:24:40

# Before the second show

1:24:401:24:43

# And your guitar

1:24:431:24:45

# It sounds so sweet and clear

1:24:451:24:48

# But you're not really here

1:24:481:24:51

# It's just the radio

1:24:511:24:55

# Don't you remember you told me you love me, baby?

1:24:551:25:00

# Said you'd be coming back again, baby

1:25:021:25:06

# Baby, baby, baby, baby, oh, baby

1:25:081:25:14

# I love you

1:25:141:25:17

# I really do... #

1:25:171:25:20

-Where's Chrissie?

-Where are you?

1:25:251:25:27

-I'm like...

-What are you doing?

-I'm looking for you.

1:25:291:25:33

-Where are we at? You were in Akron last week?

-Well, they wanted a...

1:25:341:25:38

I said, "Instead of a retrospective thing,

1:25:381:25:40

"where you get people talking about me..." gross,

1:25:401:25:43

"Just follow me around doing what I do anyway."

1:25:431:25:46

Really?!

1:25:461:25:47

Look at all these little...

1:25:491:25:50

There's hummus.

1:25:501:25:52

-I'm all for that.

-We could sit on the street and eat some hummus.

1:25:531:25:57

Pockets.

1:25:571:25:59

-Aztec, Moroccan...

-It's vegetarian.

1:25:591:26:01

-So we can eat this.

-Do you want get that?

-Sure.

-Can I have a falafel?

1:26:031:26:07

Abdul, do they come out with samples or no?

1:26:071:26:09

Oh, I don't want one, I want this, I want it.

1:26:111:26:15

-Yeah.

-Abdul, Abdul. You don't listen to me.

1:26:151:26:17

I talk to you, you don't listen.

1:26:171:26:19

We just want a falafel sandwich, the way you do it.

1:26:201:26:23

And I'm getting the classic, but the bowl.

1:26:241:26:27

Right there, we're going to go, if they don't go there first.

1:26:281:26:31

Ah, shit, those guys just nabbed that table.

1:26:331:26:35

All right. Perfection.

1:26:401:26:43

-It's OK?

-Great.

1:26:431:26:46

I wear sunglasses, people notice me more. Isn't that weird?

1:26:491:26:52

Yeah, no-one else around here has them on and, look,

1:26:521:26:54

no-one's paying attention to them. See how it works?

1:26:541:26:58

-Those key earrings, I love those.

-Oh, Kate loved those too.

1:26:581:27:02

Those are totally cute.

1:27:021:27:03

They come from a little, tiny padlock that cost, like,

1:27:031:27:06

-you know, 4.99 in a hardware store.

-But... So those are just, like...

1:27:061:27:11

-What about the...the thing?

-That was just some earrings I had.

1:27:111:27:14

-Oh, and you just put them on!

-Yeah.

1:27:141:27:16

-I'll get you some if I see some in a hardware store.

-Adorable!

1:27:161:27:18

-Have you met anybody in the past couple of years you like?

-Uh-uh.

1:27:211:27:25

Yeah, I do like people, but I would never go after anyone.

1:27:251:27:29

For instance.

1:27:291:27:30

I can't think of anyone.

1:27:311:27:33

Just people you meet out in the world?

1:27:331:27:36

I don't know.

1:27:361:27:37

I haven't thought about it.

1:27:371:27:39

I just need a place where I can paint and be left alone.

1:27:461:27:50

Fabulous.

1:27:501:27:51

They came over for the summer,

1:27:551:27:57

and looked at my paintings.

1:27:571:27:59

That's all I've been doing.

1:27:591:28:00

Not now, I've stopped.

1:28:011:28:02

I was doing one a day,

1:28:021:28:04

but I ground to a halt when I had other things to do.

1:28:041:28:06

You realise that you are going to make this happen now,

1:28:091:28:12

and you are making it happen.

1:28:121:28:13

More productive than ever.

1:28:161:28:18

It's from isolation.

1:28:191:28:21

What do you mean?

1:28:231:28:25

I don't have... I spend all my time alone.

1:28:251:28:27

I have nothing else to do.

1:28:271:28:29

I understand.

1:28:311:28:32

That's my choice. I like it.

1:28:341:28:36

-You're OK with it.

-I get lonely and morose, but you know...

-Do you?

1:28:391:28:42

Of course!

1:28:421:28:44

You know.

1:28:441:28:46

I'm a prize. If no-one wants to pick up on that, fuck them.

1:28:461:28:49

The eighth wonder of the world.

1:28:561:28:58

# What you gonna do about it?

1:29:001:29:02

# What you gonna do about it?

1:29:021:29:05

# Whoa! Yeah!

1:29:051:29:08

# What you gonna do about it?

1:29:111:29:14

# What you gonna do about it?

1:29:141:29:17

# What you gonna do about it?

1:29:171:29:19

# Oh! #

1:29:191:29:21

Arena spends the summer with super cool self-confessed rock chick, Chrissie Hynde - shopping for clothes in Paris, hanging out with Sandra Bernhard in New York, life in London and a special trip back to her home town of Akron, Ohio.

A thoughtful and intimate portrait of a 'lone, hungry, irritable wolf', featuring a glorious live performance at one of London's newest venues.