Browse content similar to Routemasters! The Double Decker Bus Conductors. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
# On top of a bus | 0:00:31 | 0:00:34 | |
# There you'll find us | 0:00:34 | 0:00:36 | |
# Snug in the back seat On the top of a bus | 0:00:36 | 0:00:40 | |
# Me and my miss | 0:00:40 | 0:00:43 | |
# We steal a kiss | 0:00:43 | 0:00:45 | |
# When no-one's looking | 0:00:45 | 0:00:47 | |
# We do, do, do what you would do | 0:00:47 | 0:00:49 | |
# On top of a bus | 0:00:49 | 0:00:52 | |
# Love knows no cares | 0:00:52 | 0:00:54 | |
# Why should we worry? | 0:00:54 | 0:00:56 | |
# When we've paid our fares | 0:00:56 | 0:00:59 | |
# Spinsters, bachelors How they envy us | 0:00:59 | 0:01:03 | |
# Riding on top of a bus. # | 0:01:03 | 0:01:06 | |
Whee-hee! | 0:01:08 | 0:01:10 | |
Hey! | 0:01:10 | 0:01:12 | |
Oh, I miss my friends. | 0:01:27 | 0:01:30 | |
-The job was great. -I miss the buses. | 0:01:30 | 0:01:32 | |
-I've been doing it for the last 24 years. -The people you work with. | 0:01:32 | 0:01:36 | |
The company in the garage. | 0:01:36 | 0:01:37 | |
They were good people, good friends. | 0:01:37 | 0:01:39 | |
-We got on like a family. -You miss just... -Life on the road. | 0:01:39 | 0:01:42 | |
-Contact with the people. -Doing a day's work. | 0:01:42 | 0:01:45 | |
-Regular employment. -The money's useless... -You think, "I can't wait to be off..." | 0:01:45 | 0:01:49 | |
But the crack's great. | 0:01:49 | 0:01:51 | |
Now I've left, I wish I was still on 'em. | 0:01:51 | 0:01:54 | |
BIG BEN CHIMES | 0:01:57 | 0:02:02 | |
-BICYCLE BELL -Morning, all! -Morning, Ted. | 0:02:02 | 0:02:06 | |
-RADIO: -Well, it's nine o'clock, | 0:02:27 | 0:02:29 | |
and today the last British bus conductor takes his final trip around the streets of London, | 0:02:29 | 0:02:34 | |
so we're going to play a jolly little tune to send him on his way. | 0:02:34 | 0:02:37 | |
# Gather round, people | 0:02:56 | 0:02:58 | |
# Let me tell you 'bout Dupree | 0:02:58 | 0:03:02 | |
# Gather round, people let me tell you 'bout Dupree | 0:03:04 | 0:03:09 | |
# And his woman | 0:03:11 | 0:03:13 | |
# Back in 1903 | 0:03:13 | 0:03:16 | |
# Betty was her name Said she wanted a diamond ring | 0:03:19 | 0:03:23 | |
# Betty was her name said she wanted a diamond ring | 0:03:26 | 0:03:31 | |
# Dupree told Betty | 0:03:33 | 0:03:35 | |
# "You can have most anything | 0:03:35 | 0:03:38 | |
# "Just lay down, pretty Betty See what tomorrow brings" | 0:03:40 | 0:03:45 | |
# Said, "Lay down, pretty Betty See what tomorrow brings... # | 0:03:48 | 0:03:53 | |
Any more fares, please? | 0:03:55 | 0:03:57 | |
# ..It may be your diamond ring... # | 0:03:57 | 0:04:00 | |
HE COUGHS | 0:04:00 | 0:04:03 | |
# Dupree went downtown A .44 in his hand... # | 0:04:03 | 0:04:07 | |
Coming from Scotland, coming to London, the lights, the people, | 0:04:07 | 0:04:12 | |
lots of different fashions and so many different cultures. | 0:04:12 | 0:04:16 | |
It was just wonderful, you know, it was a new life, a different life. | 0:04:18 | 0:04:22 | |
When I was young, much younger than I am now, erm, in 1966, | 0:04:26 | 0:04:32 | |
I used to have my hair short, as I have it now, but I looked more like a boy, I suppose, in my uniform. | 0:04:32 | 0:04:37 | |
And one day I had a busy bus and I was taking fares, | 0:04:37 | 0:04:42 | |
and a little boy kept saying, "Is that a man or a lady? | 0:04:42 | 0:04:45 | |
"Is that a man or a lady?" | 0:04:45 | 0:04:47 | |
And, in the end, I went up, and I said to the little boy, | 0:04:47 | 0:04:49 | |
"It's a lady, but shush, don't tell anybody." | 0:04:49 | 0:04:53 | |
You were your own boss. | 0:04:54 | 0:04:56 | |
And so long as you did the job probably, you never had problems from anyone. | 0:04:56 | 0:05:00 | |
Tourists were absolutely loved on our route, | 0:05:03 | 0:05:05 | |
because we used to travel through town and we used to point out all places of interest to them | 0:05:05 | 0:05:10 | |
and giving them a history of London, you know. | 0:05:10 | 0:05:14 | |
That was very important. | 0:05:14 | 0:05:16 | |
And sometimes, often, you would get a tourist asking you | 0:05:16 | 0:05:19 | |
if you would give them a guided tour of London, "I'll pay you for a guided tour." | 0:05:19 | 0:05:26 | |
"No, I'll give you it while you're on the bus," you know. | 0:05:26 | 0:05:29 | |
You see, they went back to their countries, | 0:05:29 | 0:05:32 | |
saying and remembering how good it was to travel on a London bus, | 0:05:32 | 0:05:36 | |
and especially on a Routemaster. | 0:05:36 | 0:05:38 | |
They liked the idea of a conductor being on the back of the bus, | 0:05:48 | 0:05:51 | |
because then you could help them, whereas on a one-person operated bus you can't. | 0:05:51 | 0:05:55 | |
Good afternoon, everybody. | 0:05:55 | 0:05:57 | |
On behalf of Driver Sykes and his crew, | 0:05:57 | 0:06:00 | |
we welcome you aboard Routemaster 136. | 0:06:00 | 0:06:04 | |
There will be no smoking on the lower decks. | 0:06:04 | 0:06:08 | |
We will be travelling at about nine miles per hour. | 0:06:08 | 0:06:11 | |
The time of day is 10 past 11, our time. | 0:06:11 | 0:06:16 | |
I trust you will all have a pleasant journey. | 0:06:16 | 0:06:18 | |
The weather in Copshill is fine. | 0:06:18 | 0:06:21 | |
Bonjour, mesdames et messieurs. | 0:06:22 | 0:06:25 | |
Bienvenue. Maitre... | 0:06:25 | 0:06:27 | |
BELL RINGS | 0:06:29 | 0:06:30 | |
The regulation position was to stand facing outwards on the platform, | 0:06:30 | 0:06:35 | |
but for me personally there was always a tendency to be looking in there | 0:06:35 | 0:06:40 | |
so you could see what was coming up next. | 0:06:40 | 0:06:43 | |
I normally stand facing... facing the platform. | 0:06:43 | 0:06:46 | |
You weren't supposed to sit down. | 0:06:46 | 0:06:48 | |
I normally stand like this or... or like that. | 0:06:48 | 0:06:51 | |
We used to have a...fire extinguisher there, and you could sit on it. | 0:06:51 | 0:06:56 | |
Once you left the garage, you were on your own, so there was nobody looking over your shoulder. | 0:06:56 | 0:07:02 | |
Nothing better than working on an open-platform bus. | 0:07:02 | 0:07:05 | |
In the summer, it's nice. | 0:07:05 | 0:07:07 | |
In the winter months, no. | 0:07:07 | 0:07:09 | |
It is bloody cold. | 0:07:09 | 0:07:11 | |
You could stand here and, while it was going along, | 0:07:11 | 0:07:15 | |
you have all the nice cool air blowing in. | 0:07:15 | 0:07:19 | |
I think of it as freedom. | 0:07:19 | 0:07:21 | |
And that's what I loved about it. | 0:07:21 | 0:07:22 | |
When I first arrived in England, | 0:07:32 | 0:07:35 | |
I really thought that...life was going to be quiet. | 0:07:35 | 0:07:40 | |
But it turned out to be very, very difficult indeed. | 0:07:40 | 0:07:46 | |
If it was I could afford to go back home the very first week I started on the buses, I would have done so. | 0:07:46 | 0:07:53 | |
But I was stuck. | 0:07:53 | 0:07:55 | |
I was stuck. | 0:07:55 | 0:07:56 | |
FILM: The control of immigration in this crowded island is one of the big questions of the moment. | 0:08:00 | 0:08:05 | |
In the last ten months, over 57,000 chose to come from the West Indies alone. | 0:08:05 | 0:08:09 | |
I think that all immigrants into this country should be controlled. | 0:08:09 | 0:08:13 | |
Half of them come over here without jobs. | 0:08:13 | 0:08:16 | |
Consequently, they're making it very hard for our own people to find jobs and housing. | 0:08:16 | 0:08:20 | |
They come here without any hopes of work. | 0:08:20 | 0:08:25 | |
They don't have a job when they come here. | 0:08:25 | 0:08:27 | |
And...that's my opinion. | 0:08:27 | 0:08:30 | |
They should be stopped. | 0:08:30 | 0:08:32 | |
# London is the place for me | 0:08:51 | 0:08:54 | |
# Dum-dum dum-dum | 0:08:54 | 0:08:56 | |
# London, this lovely city | 0:08:56 | 0:09:00 | |
# You can go to France or America | 0:09:01 | 0:09:04 | |
# India, Asia or Australia But you must come back | 0:09:04 | 0:09:08 | |
# To London City Dum-dum dum-dum... # | 0:09:08 | 0:09:11 | |
I could have cried. | 0:09:12 | 0:09:14 | |
I did actually cry one night. | 0:09:14 | 0:09:16 | |
When I think back, when my life was quite pleasant at home, why did I come here? | 0:09:16 | 0:09:23 | |
My first week on the buses was hell in a basket. | 0:09:24 | 0:09:29 | |
Because your very first week, in fact your first day, | 0:09:29 | 0:09:34 | |
and you do not even know where you are. | 0:09:34 | 0:09:36 | |
You had your landmarks, | 0:09:36 | 0:09:39 | |
but you were looking around and you wouldn't know where you were. | 0:09:39 | 0:09:42 | |
You'd get remarks, "I don't know why our government sent for you. | 0:09:42 | 0:09:46 | |
"Why did they send for people like you to work on the buses when you don't know where you're going?" | 0:09:46 | 0:09:51 | |
So sometimes you'll get somebody scratching, | 0:09:51 | 0:09:53 | |
"How the hell you know where you're going when he doesn't know where he is?" | 0:09:53 | 0:09:58 | |
At that time, there was a lot of fog and smog about. | 0:10:01 | 0:10:06 | |
Well, as a black person, I couldn't see my hand. | 0:10:06 | 0:10:10 | |
You couldn't! | 0:10:10 | 0:10:13 | |
Those were bad days and especially...cold? | 0:10:13 | 0:10:16 | |
Oh, my God... | 0:10:16 | 0:10:18 | |
The officials, the inspectors, | 0:10:21 | 0:10:23 | |
if they saw you standing by the heat, you would be on report. | 0:10:23 | 0:10:28 | |
I got reported several times. | 0:10:28 | 0:10:30 | |
You were supposed to be standing on the platform at all times, other than when collecting fares. | 0:10:31 | 0:10:36 | |
# ..Well, believe me I am speaking broad-mindedly | 0:10:37 | 0:10:42 | |
# I am glad to know my mother country | 0:10:43 | 0:10:47 | |
# I've been travelling the countries Years ago | 0:10:48 | 0:10:51 | |
# But this is the place I wanted to know, darling London... # | 0:10:51 | 0:10:55 | |
Anyone who were anybody travelled on the buses at that time. | 0:10:55 | 0:10:59 | |
You could be full up from about half past six up until half past eight all the time, all the time. | 0:10:59 | 0:11:06 | |
The workmen, or the people who were doing menial jobs, | 0:11:08 | 0:11:11 | |
mostly travelled on the top saloon. | 0:11:11 | 0:11:15 | |
Most of the people who travelled on the top saloon, the top deck, would be smokers or potential smokers, | 0:11:15 | 0:11:21 | |
and when all 38 of them light up, all 35 of them light up, some smoke up there, you know, mmm! | 0:11:21 | 0:11:29 | |
All of the posh ones would travel downstairs, | 0:11:29 | 0:11:32 | |
and even the ones who worked in the City. | 0:11:32 | 0:11:36 | |
They would always travel with a rolled-up umbrella, a briefcase and a bowler hat. | 0:11:36 | 0:11:42 | |
And they always struggled to sit to the front. Always, up to the front. | 0:11:42 | 0:11:47 | |
Snooty! | 0:11:47 | 0:11:50 | |
I'll be a bus conductor, and you can be a really funny passenger on a bus. | 0:11:50 | 0:11:54 | |
Any more fares, please? | 0:11:57 | 0:11:59 | |
I've got a chauffeur, | 0:11:59 | 0:12:00 | |
and every time I go to the lavatory, he drives me potty! | 0:12:00 | 0:12:03 | |
-Boom-boom, one in a row! I'm not unusual... -Fivepenny, please! | 0:12:03 | 0:12:07 | |
Five beautiful pennies going into the bag, | 0:12:07 | 0:12:10 | |
and you are the lucky winner of...one fivepenny ticket! | 0:12:10 | 0:12:13 | |
It's how I was brought up, to interact, erm... | 0:12:13 | 0:12:17 | |
and always be civil and polite to people. | 0:12:17 | 0:12:19 | |
And I found that throughout the job, that's a very good thing to be. | 0:12:19 | 0:12:23 | |
-Would you like a blanket? -Oh, no, thank you. | 0:12:24 | 0:12:27 | |
I'm getting off at Market Street. | 0:12:27 | 0:12:29 | |
And when I first went route learning, at Putney... | 0:12:29 | 0:12:32 | |
I got on the bus and I rode on the bus to learn the route. | 0:12:33 | 0:12:37 | |
It's record time, and our first record this evening has been requested by a...Mr Taylor? | 0:12:37 | 0:12:45 | |
Ah, who I believe is making his first trip with us this evening. | 0:12:45 | 0:12:48 | |
And I was amazed at some of the conductors and the public in how they dealt with people. | 0:12:48 | 0:12:54 | |
Coffee, anyone? | 0:12:56 | 0:12:57 | |
And after about six weeks, I was on the 74s... | 0:12:57 | 0:13:01 | |
and I went upstairs, | 0:13:02 | 0:13:05 | |
stood at the front of the bus and... | 0:13:05 | 0:13:09 | |
Good morning, can I have your attention? | 0:13:10 | 0:13:12 | |
And I said, "I'm your friendly bus conductor, | 0:13:12 | 0:13:15 | |
I've come among you for the last six weeks, saying, | 0:13:15 | 0:13:17 | |
"Fares, please," and "Thank you," and all I get is... "Ngh. Uh." | 0:13:17 | 0:13:21 | |
"Ngh. Uh." | 0:13:21 | 0:13:22 | |
I'm not coming down to your level, how about coming up to mine? Thank you. | 0:13:22 | 0:13:26 | |
In London Transport, you have... | 0:13:30 | 0:13:33 | |
officials who had little badges, | 0:13:33 | 0:13:34 | |
and it was a lady with a little silver badge got on my bus the next day and she said, | 0:13:34 | 0:13:39 | |
"Very nicely done, conductor, I like the way you did that." | 0:13:39 | 0:13:42 | |
-More! -More! | 0:13:42 | 0:13:44 | |
More! More! | 0:13:44 | 0:13:46 | |
More! | 0:13:46 | 0:13:48 | |
People come on the bus, | 0:13:48 | 0:13:51 | |
and you see the character, the way that they behave | 0:13:51 | 0:13:56 | |
and how you approach them. | 0:13:56 | 0:13:58 | |
Some people get on miserable. | 0:13:58 | 0:14:00 | |
"Hello, good morning!" | 0:14:00 | 0:14:02 | |
Everybody would tell you their problems and their jokes. | 0:14:02 | 0:14:06 | |
They like to talk to somebody. | 0:14:06 | 0:14:08 | |
You also hear an awful lot of stories. | 0:14:08 | 0:14:11 | |
-Sometimes you could be a predictor. -You do see a lot of life, yeah. | 0:14:11 | 0:14:15 | |
Sometimes you can be a healer. | 0:14:15 | 0:14:16 | |
Take care of them, they take care of you, too. | 0:14:16 | 0:14:19 | |
You see everything on this job. | 0:14:19 | 0:14:22 | |
# Just lay down, pretty Betty See what tomorrow brings | 0:14:25 | 0:14:30 | |
# Said, "Lay down, pretty Betty See what tomorrow brings... # | 0:14:32 | 0:14:39 | |
You've taken children to school, | 0:14:42 | 0:14:45 | |
they grow up, they have babies, | 0:14:45 | 0:14:46 | |
and then their babies you take to school as well, you know, so you feel really old. | 0:14:46 | 0:14:51 | |
But because these children have grown up with you, | 0:14:51 | 0:14:55 | |
they can confide in you something | 0:14:55 | 0:14:58 | |
they probably can't tell their mother, ask advice on their lives. | 0:14:58 | 0:15:02 | |
You have people who have broken relationships who you go through the saga with them, | 0:15:02 | 0:15:08 | |
or if they've lost a pet, or how they're feeling. | 0:15:08 | 0:15:11 | |
Some of the older people who used to ride on the bus all day long because they couldn't afford their heating. | 0:15:11 | 0:15:17 | |
So when we used to get to the points, we'd buy them a cup of tea. | 0:15:17 | 0:15:22 | |
And if children were crying at a bus stop, | 0:15:22 | 0:15:25 | |
they'd no money, someone used to let them ride on the bus. | 0:15:25 | 0:15:28 | |
I've had one or two people who, you know, have had mental problems | 0:15:28 | 0:15:32 | |
that I could talk round and help | 0:15:32 | 0:15:35 | |
until such time as we got someone else to take care of them. | 0:15:35 | 0:15:39 | |
And that's... that's quite sad, | 0:15:39 | 0:15:42 | |
because people taking advantage, making a fool of... | 0:15:42 | 0:15:47 | |
There but for the grace of God go we. | 0:15:47 | 0:15:49 | |
-FILM: -Here, in the near countryside, | 0:15:56 | 0:15:58 | |
two African students studying in London | 0:15:58 | 0:16:00 | |
have been enjoying a walk in the fields and now have to get back to their studies. | 0:16:00 | 0:16:06 | |
Visitors from overseas are always impressed | 0:16:06 | 0:16:09 | |
by the efficiency and comfort of the London Transport bus service. | 0:16:09 | 0:16:13 | |
Collecting fares and giving tickets is very important business, | 0:16:18 | 0:16:22 | |
and when passengers help the conductor by having their money ready, his task is made easier. | 0:16:22 | 0:16:27 | |
Any more fares, please? | 0:16:39 | 0:16:40 | |
Sometimes you would get the passenger | 0:16:44 | 0:16:48 | |
who, when you go to them for a fare, | 0:16:48 | 0:16:51 | |
they would throw the money on to the seat and tell you, "There it is." | 0:16:51 | 0:16:56 | |
And you would have to pick it up. | 0:16:56 | 0:16:58 | |
And when you gave them the ticket, | 0:17:00 | 0:17:03 | |
they would stare. They would still say, "Thank you," | 0:17:03 | 0:17:06 | |
but they would snatch the ticket in the process. | 0:17:06 | 0:17:09 | |
This man, he got onto the bus and left his luggage on the pavement, | 0:17:12 | 0:17:17 | |
and then he said to me, "Pick it up." | 0:17:17 | 0:17:21 | |
I smile, I says, "No! | 0:17:21 | 0:17:23 | |
"It's yours, you pick it up." | 0:17:23 | 0:17:26 | |
So he says, | 0:17:26 | 0:17:28 | |
"I'm telling you to pick it up!" | 0:17:28 | 0:17:30 | |
And I said, "And I'm telling you that it has nothing to do with me." | 0:17:30 | 0:17:34 | |
But he almost threatened me. | 0:17:34 | 0:17:37 | |
I have never yet been accosted in that manner in my life in Barbados, | 0:17:37 | 0:17:43 | |
so when I got here to be accosted like that, | 0:17:43 | 0:17:46 | |
it was terrible, I thought, "Oh, no, I thought that this was supposed to be a civilised country." | 0:17:46 | 0:17:52 | |
I was at Tottenham Court Road when somebody came on. | 0:17:52 | 0:17:56 | |
A lady | 0:17:56 | 0:17:57 | |
with a dog on the seat. | 0:17:57 | 0:17:59 | |
I told him point-blank that the bus was full up. | 0:17:59 | 0:18:02 | |
-"Excuse me, madam, your dog isn't allowed on the seat." -I don't know why it happened. | 0:18:02 | 0:18:07 | |
-But she was getting off at North End Road! -He just spit at me. | 0:18:07 | 0:18:12 | |
"You're a nigger, and don't you forget it!" | 0:18:12 | 0:18:14 | |
# London is the place for me | 0:18:14 | 0:18:17 | |
# London | 0:18:17 | 0:18:19 | |
# This lovely city | 0:18:19 | 0:18:22 | |
# You can go to France or America India, Asia... # | 0:18:22 | 0:18:26 | |
There were 32 of us who came, at that time there were 32 garages, | 0:18:26 | 0:18:30 | |
and we were scattered all over London, and we all kept in contact with one another | 0:18:30 | 0:18:35 | |
because it was just us, we didn't know anyone in London. | 0:18:35 | 0:18:39 | |
Imagine a youngster leaving home, coming from school, 18 or 19, | 0:18:39 | 0:18:44 | |
then to have to come here and do that. | 0:18:44 | 0:18:47 | |
# ..My mother country | 0:18:47 | 0:18:49 | |
# I've been travelling to countries years ago | 0:18:49 | 0:18:52 | |
# But this is the place I wanted to know... # | 0:18:52 | 0:18:54 | |
The boys, when they finished their normal duty, they would hibernate in the canteen, | 0:18:54 | 0:19:00 | |
because you could get something to eat and never have to go home and cook. | 0:19:00 | 0:19:05 | |
Some of them came out here and were about to take their A levels or O levels or whatever. | 0:19:07 | 0:19:12 | |
One boy, in particular he was so intense, | 0:19:12 | 0:19:17 | |
and the problems started when he was doing late turns. | 0:19:17 | 0:19:21 | |
And he would finish at say half past one in the morning. | 0:19:21 | 0:19:26 | |
By the time he reached home, it might be two or half past two, and he would go straight to his books. | 0:19:26 | 0:19:32 | |
And he would study all the time until about five or six o'clock | 0:19:32 | 0:19:36 | |
the following morning, then he would leave the books, | 0:19:36 | 0:19:39 | |
and he was doing this concurrently from week to week. | 0:19:39 | 0:19:43 | |
And I'd be telling him, "Man, you've got to give it a break!" | 0:19:43 | 0:19:46 | |
But it never happened. | 0:19:46 | 0:19:49 | |
BLUES HARMONICA PLAYS | 0:19:51 | 0:19:57 | |
I'm going to work one morning, | 0:20:19 | 0:20:21 | |
and everybody's looking at the common, Ealing Common. | 0:20:21 | 0:20:25 | |
And my friend is walking on the common in the winter naked! | 0:20:27 | 0:20:31 | |
Stark naked! | 0:20:31 | 0:20:33 | |
Because he'd had a mental breakdown. | 0:20:35 | 0:20:38 | |
But that's the kind of pressures that we were under. | 0:20:38 | 0:20:41 | |
We met in the Green some years ago, | 0:20:43 | 0:20:46 | |
and by then he had left the buses and was driving a London cab. | 0:20:46 | 0:20:51 | |
I was so pleased to see him, and I said, "Are you all right?" | 0:20:54 | 0:20:58 | |
He says, "Yes, boss, I'm all right now. | 0:20:58 | 0:21:00 | |
"I am all right now." | 0:21:00 | 0:21:02 | |
London's always had double-decker buses with a front engine and entrance at the rear. | 0:21:05 | 0:21:10 | |
Now these conventional buses are being compared with a design that reverses the familiar pattern, | 0:21:10 | 0:21:15 | |
with engine at the rear, entrance at the front. | 0:21:15 | 0:21:18 | |
It's the driver who operates the front entrance door. | 0:21:20 | 0:21:23 | |
Front-entrance buses are nothing new | 0:21:27 | 0:21:29 | |
but they'd not been tried in the congested streets of the capital, | 0:21:29 | 0:21:32 | |
and this caused a bit of a hoo-hah right at the start. | 0:21:32 | 0:21:35 | |
Police said the demonstration bus had been causing obstruction. | 0:21:35 | 0:21:39 | |
At least one passenger was distinctly puzzled by the whole thing. | 0:21:42 | 0:21:46 | |
BELL RINGS | 0:21:52 | 0:21:53 | |
Now, is the winter of our discontent | 0:21:58 | 0:22:02 | |
made glorious summer by this son of York. | 0:22:02 | 0:22:06 | |
Fares, please! All the fares... | 0:22:06 | 0:22:08 | |
I was never, ever bored as a conductor, because you never knew what was coming next. | 0:22:08 | 0:22:14 | |
-Any more fares before the soliloquy? -No, no, no! | 0:22:14 | 0:22:16 | |
Ha, such stars as do collide... And stand back! | 0:22:16 | 0:22:20 | |
Each journey would be different. | 0:22:20 | 0:22:23 | |
-A man got on with a snake. -Each few yards would be different. | 0:22:23 | 0:22:26 | |
And he put it straight around my neck. | 0:22:26 | 0:22:28 | |
-Two women started to fight. -One of them was hitting the other one's encyclopaedia. | 0:22:28 | 0:22:33 | |
The guy then wobbled a bit on the platform. | 0:22:33 | 0:22:35 | |
He'd just about lost his legs at that point. | 0:22:35 | 0:22:38 | |
He head-butted the railings near the Marquis Estate. | 0:22:38 | 0:22:41 | |
And literally disappeared into an abyss at about 30 mile an hour | 0:22:41 | 0:22:46 | |
and rolled up this side turning like a sack of potatoes. | 0:22:46 | 0:22:49 | |
-Come on then, start if off. Let's go. -Ring the bell. | 0:23:03 | 0:23:06 | |
-You want to start it off? -Ding Ding. -All right. | 0:23:06 | 0:23:09 | |
Ding ding! | 0:23:09 | 0:23:11 | |
-What's Granny's name? -Meager. | 0:23:15 | 0:23:16 | |
-What's Granddad's name? -Meager. -What's Mummy's name? -Meager. | 0:23:16 | 0:23:20 | |
-What's Uncle James's name? -Meager. | 0:23:20 | 0:23:22 | |
-What's your name? -Stephens. | 0:23:22 | 0:23:23 | |
I started driving buses because my husband was a bus driver. | 0:23:30 | 0:23:34 | |
He lost his licence for two years, so he was my conductor for two years. | 0:23:37 | 0:23:41 | |
The reason I started conducting was that I got done for drink-driving | 0:23:44 | 0:23:49 | |
and then lost my licence for two years. | 0:23:49 | 0:23:51 | |
Dad drives like a complete and utter nutter. | 0:23:51 | 0:23:54 | |
My mum, she's just so calm and just toddles along. | 0:23:58 | 0:24:01 | |
The men's meant to be driving and the women's on the back. | 0:24:01 | 0:24:04 | |
In our case, it was me on the back and you driving. | 0:24:04 | 0:24:07 | |
I'm the man you see. | 0:24:07 | 0:24:09 | |
It felt like I was taking over a woman's place. | 0:24:09 | 0:24:12 | |
You should have put a skirt on. You'd have been right at home. | 0:24:12 | 0:24:15 | |
In the mornings when I go in there, I have to get his time pass, | 0:24:17 | 0:24:21 | |
his log cards, sort his money out for his cash tray. | 0:24:21 | 0:24:25 | |
And when he gets off, he comes in - I cash in for him, take his module off, | 0:24:25 | 0:24:30 | |
sign off - he doesn't even take his emergency pack out of his back pocket. | 0:24:30 | 0:24:35 | |
I have to take the emergency pack out the back pocket. | 0:24:35 | 0:24:38 | |
He does nothing. All he does is get on his bus, drive. | 0:24:38 | 0:24:41 | |
And when I go in the canteen, all you hear is "Helen? Helen?" | 0:24:41 | 0:24:44 | |
And it's not just from him, it's from a few other drivers in there, as well. | 0:24:44 | 0:24:48 | |
"I'll have tea." I'm carrying six teas with lids on - juggling them. | 0:24:48 | 0:24:52 | |
When I get there, they say, "Oh, you forgot the sugar." | 0:24:52 | 0:24:55 | |
You're only good for two things, cooking and cleaning. | 0:24:55 | 0:24:58 | |
Nothing else. | 0:24:59 | 0:25:01 | |
Ain't it marvellous(!) | 0:25:01 | 0:25:03 | |
They won't let us have equal pay. | 0:25:03 | 0:25:05 | |
They won't let us become inspectors. | 0:25:05 | 0:25:07 | |
They won't let us drive the buses. What will you let us do? | 0:25:07 | 0:25:10 | |
Shall we tell her? | 0:25:10 | 0:25:12 | |
# When I was just a little boy | 0:25:18 | 0:25:21 | |
# My mother said to me | 0:25:21 | 0:25:23 | |
# Sonny You don't have to beam at strangers | 0:25:23 | 0:25:27 | |
# Lucky as can be... # | 0:25:27 | 0:25:30 | |
For the sexually promiscuous male... | 0:25:30 | 0:25:33 | |
working on the buses would be ideal. | 0:25:34 | 0:25:38 | |
# ..Lucky lips are always kissing Lucky lips are never blue | 0:25:38 | 0:25:44 | |
# Lucky lips will always find A pair of lips or two... # | 0:25:44 | 0:25:50 | |
It has ruined my life, I know that. | 0:25:50 | 0:25:54 | |
Cos I've been married twice and I've been divorced twice and the ladies would not leave me alone. | 0:25:55 | 0:26:01 | |
No, correction - I could not leave them alone. | 0:26:01 | 0:26:05 | |
# ..You don't need A four-leafed clover | 0:26:05 | 0:26:08 | |
# Just as your good luck charm | 0:26:08 | 0:26:11 | |
# For with lucky lips | 0:26:11 | 0:26:13 | |
# You'll always have A baby in your arms! # | 0:26:13 | 0:26:21 | |
That's it. OK. Yeah. | 0:26:21 | 0:26:24 | |
THEY CHUCKLE | 0:26:24 | 0:26:26 | |
When we came here, | 0:26:26 | 0:26:28 | |
we saw the conductors were so filthy. | 0:26:28 | 0:26:32 | |
Their uniforms were filthy. | 0:26:32 | 0:26:34 | |
I'm sure that if you had taken them off some of those fellows uniforms and put the trousers to stand up | 0:26:34 | 0:26:40 | |
they would start walking. | 0:26:40 | 0:26:42 | |
They were really filthy. | 0:26:42 | 0:26:44 | |
They started to have a go at us. | 0:26:46 | 0:26:48 | |
Telling us that they've come here to show us the job. | 0:26:48 | 0:26:50 | |
Your shoes would be shining and your hat would be clean. | 0:26:52 | 0:26:56 | |
Your clothes would be pristine and the passengers recognised that. | 0:26:56 | 0:27:01 | |
They did. | 0:27:01 | 0:27:03 | |
What was your ideal way to pick up the ladies? | 0:27:03 | 0:27:08 | |
You had to psychoanalyse them first. | 0:27:11 | 0:27:14 | |
You couldn't just go straightaway. | 0:27:14 | 0:27:16 | |
You talked to them | 0:27:17 | 0:27:19 | |
and if they responded, then you make a move. | 0:27:19 | 0:27:22 | |
They would struggle to sit on the long seat. At that time, it was cold, | 0:27:24 | 0:27:28 | |
there wasn't any heating on the buses. They would sit... | 0:27:28 | 0:27:32 | |
HIS FEET "CHATTER" | 0:27:32 | 0:27:34 | |
"Why don't you go up there and sit?" "No, I'm OK here." We start talking. | 0:27:34 | 0:27:38 | |
Until I get myself into trouble again. | 0:27:38 | 0:27:41 | |
I'd put my thumbs in my pocket, and they'd find interest in my pockets. | 0:27:42 | 0:27:47 | |
You get what I mean. Sometimes They say, "You want a sweet?" | 0:27:47 | 0:27:51 | |
Oh, yes, but it wouldn't be a sweet, there'd be a note with the sweet. So what do you do? | 0:27:51 | 0:27:56 | |
If, for instance, I had seen a lady that I really fancied, | 0:27:58 | 0:28:03 | |
I had a trick. | 0:28:03 | 0:28:05 | |
Especially if it was early-morning. | 0:28:05 | 0:28:07 | |
I would go looking smart, | 0:28:09 | 0:28:12 | |
change my clothes every day, in fact. I changed my shirt every day. | 0:28:12 | 0:28:16 | |
Then I get some aftershave, and when I'd go to collect her fare... | 0:28:16 | 0:28:20 | |
I would crawl down low beside her... | 0:28:20 | 0:28:25 | |
..and she would say, "Oh, you smell nice." | 0:28:27 | 0:28:29 | |
I'd say, "Yes, and you look nice." I'd start a conversation like that. | 0:28:29 | 0:28:33 | |
-MUSIC: "Lucky Lips" by Cliff Richard -# Lucky lips are always kissin' Lucky lips are never blue... # | 0:28:33 | 0:28:40 | |
-Sometimes you'd find yourself with three or even four girlfriends on the bus at one time. -Yeah? -Yes. | 0:28:40 | 0:28:47 | |
One particular incident sticks in my mind - my wife was sitting at the front. | 0:28:50 | 0:28:57 | |
The girl that I went with was here... | 0:28:57 | 0:29:00 | |
..and I had another girlfriend on the top deck. | 0:29:07 | 0:29:10 | |
Everybody wanted to talk, and I couldn't do that. | 0:29:12 | 0:29:15 | |
If the two girlfriends were on the bus and not my wife, it would have been OK. | 0:29:20 | 0:29:24 | |
Up and down like a yo-yo. | 0:29:24 | 0:29:26 | |
You liberty-taker! Give me my darts back. | 0:29:33 | 0:29:35 | |
-Come here, give 'em back! -BOTH GIGGLE | 0:29:35 | 0:29:37 | |
Now stop! | 0:29:37 | 0:29:39 | |
-No, look, stop it. -OW! -What's the matter? | 0:29:40 | 0:29:43 | |
-Blimey, your badge is sticking in me. -Oh, sorry. | 0:29:43 | 0:29:46 | |
-What's going on, then? -He's practising self-defence, All-in wrestling. | 0:29:47 | 0:29:51 | |
That the "busman's grab", is it? | 0:29:51 | 0:29:53 | |
No, the clippie's clutch. | 0:29:53 | 0:29:56 | |
# Every day I get in the queue | 0:30:19 | 0:30:21 | |
# To get on the bus That takes me to you... # | 0:30:24 | 0:30:28 | |
I used to love to ride on my mum's bus when I was little. | 0:30:28 | 0:30:32 | |
Then I felt very important because my mum was a bus conductress. | 0:30:32 | 0:30:36 | |
She was in charge of this vehicle. | 0:30:36 | 0:30:38 | |
Maybe I had it in my blood to begin with, that at one point, I would go on the buses. | 0:30:45 | 0:30:50 | |
So, at 18 years old, in May 1972, I started on the buses. | 0:30:51 | 0:30:56 | |
My first trip, I had to book on at 4.44 in the morning. | 0:31:08 | 0:31:15 | |
I didn't realise that that time existed! | 0:31:15 | 0:31:18 | |
and the bus was packed full of chars going to the City to clean offices. | 0:31:18 | 0:31:23 | |
They said things to me like, "You don't look old enough to do this, darling, you only look about 14". | 0:31:23 | 0:31:29 | |
Back in the '70s, London was the place to be. | 0:31:33 | 0:31:37 | |
Buses would be heaving. And I truly felt that London was a melting pot. | 0:31:39 | 0:31:43 | |
And the bus was a melting pot, as well. | 0:31:43 | 0:31:46 | |
You have to remember, there wasn't anywhere like as many passes. | 0:31:48 | 0:31:52 | |
So you're fiddling around with ½p, 2p and goodness knows what else. | 0:31:52 | 0:31:57 | |
At 18, I was a pretty young thing. | 0:31:59 | 0:32:02 | |
I had men chatting me up - and I didn't know it! | 0:32:03 | 0:32:07 | |
They'd start asking me questions, "What time did you start today?" | 0:32:07 | 0:32:10 | |
"Do you live far from the garage?" "Who do you live with?" | 0:32:10 | 0:32:14 | |
Working as a bus conductor you could have a reason for looking at people. | 0:32:23 | 0:32:27 | |
So sometimes, people would look back. | 0:32:27 | 0:32:30 | |
"What are they thinking?" "Why is he looking at me like that?" | 0:32:30 | 0:32:35 | |
And then sometimes the look would be just a bit longer than normal. | 0:32:35 | 0:32:39 | |
# ..I want it, I want it I want it, I want it... | 0:32:45 | 0:32:50 | |
-# (You can't have it!) -I want it I want it, I want it, I want it | 0:32:50 | 0:32:55 | |
# Thruppence and sixpence every day | 0:32:55 | 0:32:58 | |
# Just to drive to my baby... # | 0:33:00 | 0:33:03 | |
With a job like this... You're a woman, | 0:33:07 | 0:33:10 | |
so, of course, you take, you WOULD get...attention from passengers, men passengers. | 0:33:10 | 0:33:17 | |
I stand here and sometimes I look at the mini-skirts them come on the bus. | 0:33:17 | 0:33:22 | |
You'd have bus groupies. Girls would follow you around on the bus. | 0:33:22 | 0:33:25 | |
-Conductors were trained in first aid... -Had some streakers follow me down the road... | 0:33:25 | 0:33:30 | |
I'd only learned mouth-to-mouth resuscitation. | 0:33:30 | 0:33:33 | |
..run up the bus, run back and jumped off. | 0:33:33 | 0:33:35 | |
I've caught a pair making love upstairs. | 0:33:35 | 0:33:37 | |
..both female. | 0:33:37 | 0:33:39 | |
MUSIC: "Love Is The Drug" by Roxy Music | 0:33:39 | 0:33:42 | |
I hadn't started on the buses that long, and I met Frank. | 0:34:15 | 0:34:19 | |
# Love is the drug I'm thinking of | 0:34:19 | 0:34:22 | |
# Oh oh can't you see? | 0:34:22 | 0:34:26 | |
# Love is the drug for me | 0:34:26 | 0:34:30 | |
# Oh o-o-o-oh | 0:34:30 | 0:34:34 | |
# Oh o-o-o-oh. # | 0:34:37 | 0:34:42 | |
This knicker elastic don't half cut into your legs! | 0:34:50 | 0:34:53 | |
You're not turning funny, are you? | 0:34:58 | 0:35:00 | |
-What you got those things on for?! -What? | 0:35:02 | 0:35:05 | |
I'm not going up the stairs on a bus without them, I'm telling you! | 0:35:05 | 0:35:09 | |
You won't get away with it. One day, you'll forget to put them on, | 0:35:09 | 0:35:12 | |
the conductor will catch you and you'll BOTH go inside. | 0:35:12 | 0:35:16 | |
A handsome city, needs a handsome public transport to keep it looking and feeling its best. | 0:35:20 | 0:35:25 | |
By employing top designers for everything, London has a one-class system with a first-class look. | 0:35:25 | 0:35:32 | |
Once we decided that we were going to move in together, | 0:35:35 | 0:35:39 | |
it seemed like the most natural thing in the world to work together. | 0:35:39 | 0:35:43 | |
It's almost like it was meant to be. | 0:35:45 | 0:35:47 | |
The first few months, every shift was special. | 0:36:10 | 0:36:14 | |
It was not like going to work. | 0:36:14 | 0:36:17 | |
It was just like going out together. The two of us are getting paid for this and this is great! | 0:36:17 | 0:36:23 | |
# I want it, I want it I want it, I want it... | 0:36:30 | 0:36:34 | |
-# (You can't have it!) -I want it I want, I want, I want... # | 0:36:37 | 0:36:42 | |
We left home together, we got in the car together, | 0:36:42 | 0:36:45 | |
we got to the garage together, we signed on and we went to work. And it just worked so well. | 0:36:45 | 0:36:52 | |
Frank and I, we were a well-respected crew because we always did a good job. | 0:36:55 | 0:36:59 | |
We worked hard, we didn't muck about. | 0:36:59 | 0:37:02 | |
I'm quite sure a lot of people realised what our relationship was, | 0:37:02 | 0:37:06 | |
but nobody in our garage batted an eyelid. | 0:37:06 | 0:37:10 | |
That bit of glass made all the difference. | 0:37:10 | 0:37:14 | |
If I wanted him to turn round, | 0:37:14 | 0:37:16 | |
I could get him to do that simply by slowing up the way I rang the bell. | 0:37:16 | 0:37:20 | |
DING...DING! | 0:37:22 | 0:37:24 | |
And he knew that he had to look at something. | 0:37:24 | 0:37:28 | |
He hated working with some other conductors, because they only gave him one bell signal to go. | 0:37:30 | 0:37:35 | |
I thought, "I know how to wind him up!" | 0:37:35 | 0:37:38 | |
So through Aldgate, all along Whitechapel, Stepney Green, I'm giving him a one-bell signal to go. | 0:37:40 | 0:37:47 | |
-Got to Marylebone station... -DING! | 0:37:47 | 0:37:50 | |
Bus didn't go. | 0:37:50 | 0:37:53 | |
So we've got 40 people trying to get to their destination | 0:37:53 | 0:37:57 | |
not knowing that the driver and conductor are having a bit of a row! | 0:37:57 | 0:38:01 | |
So I came down the stairs, quite slowly and deliberately, and went... | 0:38:01 | 0:38:07 | |
DING...DING! | 0:38:07 | 0:38:09 | |
Frank turned around with a great big cheesy grin that said, "I've won". | 0:38:09 | 0:38:15 | |
I ain't got no change! | 0:38:37 | 0:38:39 | |
We had a good laugh, messing about, | 0:38:41 | 0:38:44 | |
joking about with passengers from Finchley Park to Battersea Bridge. | 0:38:44 | 0:38:48 | |
Battersea Bridge and back again. Four rounders a day. | 0:38:48 | 0:38:51 | |
It was the worst two years of my life. | 0:38:53 | 0:38:56 | |
He used to bully me, he used to pick on me. He was forever telling me how to drive. | 0:38:56 | 0:39:01 | |
I'd be thinking, "Please, lights, change, so he don't come down the bus and nag at me." | 0:39:01 | 0:39:06 | |
He used to come out because I wasn't driving quick enough. | 0:39:06 | 0:39:11 | |
He poked me with a walking stick and told me to go faster . | 0:39:11 | 0:39:14 | |
Everybody on the bus knew he would pick on me at some time during the day. | 0:39:14 | 0:39:18 | |
They'd get on the bus to watch him have a pop at me. | 0:39:18 | 0:39:21 | |
If he was upstairs - you could feel him going up, cos the whole stairs went plonk - | 0:39:21 | 0:39:25 | |
as soon as he was up, I put the brake on. You'd hear him bang, bang, bang...he hit the front of the bus. | 0:39:25 | 0:39:31 | |
I was always worrying where he was. if I couldn't hear him or see him, | 0:39:31 | 0:39:35 | |
I would be looking at all the buses passing, making sure he wasn't on them. I'm sitting there... | 0:39:35 | 0:39:39 | |
Next thing I see is a 22 go past me, and he's standing on the platform going "Woo-hoo!" | 0:39:39 | 0:39:46 | |
He'd say to me, "Come on, come on". So I'd go behind the 22 and pick him up at Green Park. | 0:39:46 | 0:39:50 | |
-I don't do nothing, just stand on the bus. "Fares, please." -You fibber. | 0:39:52 | 0:39:56 | |
-I've never done what she says. -You're a lying fibber. | 0:39:56 | 0:39:59 | |
All change please! | 0:39:59 | 0:40:02 | |
So, if you're feeling hungry, just stick out your hand for a Cadbury's Double-Decker. | 0:40:03 | 0:40:08 | |
DING-DING! | 0:40:13 | 0:40:14 | |
There were times when men used to start talking to me. | 0:40:17 | 0:40:20 | |
And I'd realise that... "This guy's chatting me up, here." | 0:40:20 | 0:40:25 | |
I would often say to them, "It's very nice of you, but my other half's driving the bus". | 0:40:25 | 0:40:31 | |
And when they got off, you'd see them walk up the side of the bus and they'd stare at Frank, and walk off. | 0:40:31 | 0:40:39 | |
Frank would say, "What was that guy looking at me for?!" | 0:40:39 | 0:40:43 | |
Settling down at the age of 18 - | 0:40:44 | 0:40:47 | |
it seemed great at the time. And it was very romantic. | 0:40:47 | 0:40:51 | |
But there was a lot of living to do out there | 0:40:51 | 0:40:54 | |
and, after five or six years, I probably thought I'd missed out on a bit. | 0:40:54 | 0:41:00 | |
There was one particular gentleman, | 0:41:03 | 0:41:07 | |
a stunningly good-looking businessman dressed in a suit... | 0:41:07 | 0:41:12 | |
I got the businessman's fare - he was travelling to Davis Street. | 0:41:12 | 0:41:17 | |
There was a pensioner on the front seat. He was just looking out of the window. | 0:41:18 | 0:41:24 | |
I got the pensioner's fare - they had to pay then - | 0:41:24 | 0:41:28 | |
And I slowly and deliberately walked towards the back. | 0:41:28 | 0:41:32 | |
I was looking at him, he was looking at me. | 0:41:33 | 0:41:36 | |
We both knew exactly what was what. | 0:41:36 | 0:41:39 | |
Four minutes later, he got off. | 0:41:42 | 0:41:45 | |
And it was a very pleasant four minutes. | 0:41:45 | 0:41:48 | |
When that happened, exciting as it was, | 0:41:48 | 0:41:52 | |
it was also a realisation that... | 0:41:52 | 0:41:54 | |
things between Frank and I were not as it should be. | 0:41:54 | 0:41:59 | |
It was the beginning of the end, if you like. | 0:42:00 | 0:42:03 | |
When we realised that things weren't working out, it was very difficult working together. | 0:42:07 | 0:42:13 | |
It was very strange. | 0:42:13 | 0:42:16 | |
We did try to swap shifts so we wouldn't work together. | 0:42:32 | 0:42:36 | |
But we would see each other at some point during the day, when we were out on the road. | 0:42:36 | 0:42:42 | |
I went to see my manager at the garage, | 0:42:46 | 0:42:49 | |
who was very, very accepting of the situation | 0:42:49 | 0:42:54 | |
and he arranged that I could transfer to another garage, | 0:42:54 | 0:42:58 | |
quite quickly. | 0:42:58 | 0:43:00 | |
When I told Frank that I'd got the transfer, | 0:43:00 | 0:43:03 | |
he arranged that we did work together on the last day. | 0:43:03 | 0:43:07 | |
It was very special, it was very sad. | 0:43:11 | 0:43:15 | |
It was nine years ago that Frank died. | 0:43:17 | 0:43:19 | |
We became such good friends. | 0:43:22 | 0:43:25 | |
But you didn't know that at the time. | 0:43:25 | 0:43:28 | |
And I often think now, "Wonder what Frank would've thought of that?" | 0:43:33 | 0:43:37 | |
A whole new plan for London buses is in hand. | 0:43:56 | 0:44:00 | |
This includes special lanes for buses only, exempting them from certain traffic regulations. | 0:44:00 | 0:44:06 | |
A much bigger part of the plan is the new type of service - | 0:44:06 | 0:44:09 | |
shorter routes to get more regular running and buses worked by one man to step up productivity and wages. | 0:44:09 | 0:44:17 | |
Whether one likes them or not, there must always be changes | 0:44:17 | 0:44:21 | |
if we are to keep the vital bloodstream of the capital circulating, and London on the move. | 0:44:21 | 0:44:27 | |
When I heard the conductors jobs were going, I then made the decision to become a driver. | 0:44:27 | 0:44:33 | |
After being a conductor for so many years, I found it so lonely, | 0:44:36 | 0:44:40 | |
SO lonely sitting in that cab. | 0:44:40 | 0:44:42 | |
Although you were higher up and could see everything that was happening on the road, the one thing you missed | 0:44:42 | 0:44:47 | |
was interacting with the public. | 0:44:47 | 0:44:50 | |
I did love conducting. | 0:44:51 | 0:44:53 | |
I would still say we need conductors on the back of buses. | 0:44:53 | 0:44:58 | |
It's the greatest ambassadors we could have - | 0:44:58 | 0:45:02 | |
on the backs of buses, speaking to the public, representing the company. | 0:45:02 | 0:45:06 | |
Representing Great Britain, actually. | 0:45:06 | 0:45:09 | |
In this traffic nightmare, the mood of the commuters mostly matches the colour of the sky. | 0:45:14 | 0:45:19 | |
It's part of the fun for "Duke" Baysee, going out to perform before the toughest possible audience. | 0:45:19 | 0:45:25 | |
How did it all start? To shine a little light in the deep ravines of human misery, perhaps? | 0:45:25 | 0:45:31 | |
..Desde Londres, reporto par ustedes, Juan Carlo Vejerano... | 0:45:31 | 0:45:34 | |
I am the London singing bus conductor. | 0:45:34 | 0:45:38 | |
Duke's been entertaining his passengers with Motown hits for years. | 0:45:40 | 0:45:43 | |
SPANISH REPORTER CONTINUES | 0:45:43 | 0:45:47 | |
But now, he's got a hit of his own. No. 1 in the South African charts. | 0:45:49 | 0:45:54 | |
A CAPELLA: # You can run you can run for the bus | 0:46:04 | 0:46:07 | |
# But it's rolling on | 0:46:07 | 0:46:08 | |
# And if you wait any longer, girl, I'll come strolling on | 0:46:08 | 0:46:14 | |
# So don't forget who's taking you home | 0:46:14 | 0:46:16 | |
# And in whose bus you're gonna be | 0:46:16 | 0:46:19 | |
# Oh darling, catch the last bus with me. # | 0:46:19 | 0:46:22 | |
I started singing on the bus to piss people off. | 0:46:22 | 0:46:26 | |
# Bus stop...! Do the bus stop | 0:46:26 | 0:46:29 | |
# Are you ready to do the bus stop? # Once again, my friends! | 0:46:30 | 0:46:34 | |
Some people say, "Why don't you f*** shut up?!" And others say, "Are you singing today?" | 0:46:34 | 0:46:39 | |
A bloke from the BBC got on my bus the other day and asked me to appear in one of his programmes. | 0:46:39 | 0:46:44 | |
I said to him, | 0:46:44 | 0:46:45 | |
"Nah, I'm a bit busy mate". | 0:46:45 | 0:46:48 | |
People get on the bus and ask me, "Why are you still here?" And I tell them, "The bus is my agent!" | 0:46:48 | 0:46:53 | |
When I started, I came straight from the streets. | 0:47:28 | 0:47:32 | |
Taking fares was like begging, to me. | 0:47:32 | 0:47:35 | |
It was an embarrassment! | 0:47:35 | 0:47:37 | |
I don't beg for NOTHING - cos I'm a HUSTLER. | 0:47:39 | 0:47:42 | |
I'd never had to deal with the public before | 0:47:46 | 0:47:50 | |
and I was getting it very wrong. | 0:47:50 | 0:47:53 | |
I was getting into lots of trouble. | 0:47:56 | 0:47:58 | |
My record was three telephone directories thick. | 0:47:58 | 0:48:02 | |
Poor attendance, bad language, uncollected fares, aggressive behaviour, abuse to officials, | 0:48:02 | 0:48:09 | |
using a mobile on the job. | 0:48:09 | 0:48:11 | |
I wanted to be a zoologist to study animal behaviour, but I ended up doing it on here, didn't I? | 0:48:11 | 0:48:16 | |
We had girls selling drugs in Dalston, blokes chasing the dragon, | 0:48:16 | 0:48:19 | |
pickpockets in Shaftesbury Avenue, kids with guns in Clapton, | 0:48:19 | 0:48:23 | |
two black eyes, one broken nose and a punctured kidney. | 0:48:23 | 0:48:27 | |
The first thing ever happened to me on a bus was when I got assaulted. | 0:48:27 | 0:48:30 | |
I was assaulted once. | 0:48:30 | 0:48:32 | |
I was standing collecting fares and this bloke came up to me. | 0:48:32 | 0:48:35 | |
He had two carers with him... | 0:48:35 | 0:48:36 | |
-"Fares, please". "Why?" -..I'm standing here... -"What do you mean, why? You're on a bus." | 0:48:36 | 0:48:41 | |
Thought it was a joke. | 0:48:41 | 0:48:43 | |
-And just there... -He's hit me... -He just punched me in the face... | 0:48:43 | 0:48:47 | |
Kicked me in the head... | 0:48:47 | 0:48:48 | |
-Knocked me against that... -Broke my watch... -My jawbone is still... -Broke my glasses... -..dislocated. | 0:48:48 | 0:48:54 | |
And just ran off. | 0:48:54 | 0:48:56 | |
BAYSEE: One of our guys was held up at gunpoint. | 0:49:05 | 0:49:08 | |
But I narrowly escaped it being me cos I was late. We went straight past their bus at Clapton Pond. | 0:49:08 | 0:49:14 | |
The bus conductor was inside his bus having a break. | 0:49:17 | 0:49:20 | |
Seconds later, a gang stepped into the bus and started robbing them at gunpoint. | 0:49:22 | 0:49:27 | |
The crew was too scared to call for the police until they had gone. | 0:49:27 | 0:49:32 | |
If I had been on time, it would've been me | 0:49:32 | 0:49:35 | |
and I probably would've got shot. | 0:49:35 | 0:49:37 | |
Cos there's no way I'm letting a punk with a gun intimidate me. | 0:49:37 | 0:49:41 | |
# ..With me now and evermore. # | 0:49:51 | 0:49:56 | |
The trade union family, of which Ronald Jones was a member, | 0:49:56 | 0:50:00 | |
will do all it can to bring to an end the assaults and the vandalism | 0:50:00 | 0:50:05 | |
and bring about respect for others, which should be a mark of a civilised society. | 0:50:05 | 0:50:11 | |
BIG BEN RINGS | 0:50:11 | 0:50:14 | |
BIG BEN BEGINS TO STRIKE THE HOUR | 0:50:32 | 0:50:34 | |
It's a transport treasure that's been as synonymous with London | 0:51:10 | 0:51:13 | |
as any one of the City's famous landmarks, now, for 50-odd years. | 0:51:13 | 0:51:17 | |
Yes, but the familiar sight of the red double-decker bus with the open-back platform and conductor | 0:51:17 | 0:51:22 | |
will soon be a thing of the past. | 0:51:22 | 0:51:24 | |
There's nothing dangerous about a Routemaster. | 0:51:34 | 0:51:36 | |
It's the PEOPLE that make 'em dangerous. | 0:51:36 | 0:51:40 | |
Look how a dog behaves on one. | 0:51:40 | 0:51:45 | |
He waits, hangs on, gets off when it stops. | 0:51:45 | 0:51:49 | |
Never seen a dog jump off while it's moving. | 0:51:49 | 0:51:52 | |
# London pride has been handed down to us | 0:52:04 | 0:52:07 | |
# London pride is a flower that's sweet | 0:52:07 | 0:52:11 | |
# London pride means our own dear town to us | 0:52:11 | 0:52:14 | |
# And our pride it forever will be | 0:52:14 | 0:52:17 | |
# Oh, my word see the coster-barrows | 0:52:17 | 0:52:20 | |
# The vegetable marrows and the fruit piled high | 0:52:20 | 0:52:24 | |
# Oh, Liza, little London sparrows Covent Garden market | 0:52:24 | 0:52:28 | |
# Where the costers cry... # | 0:52:28 | 0:52:30 | |
No bus impresses no-one in the world like a London bus. | 0:52:30 | 0:52:36 | |
It's going to mean a lot to me when the Routemasters go. | 0:52:38 | 0:52:41 | |
All those people, all those contacts who'll go. | 0:52:41 | 0:52:46 | |
I'm going to lose my agent! | 0:52:46 | 0:52:48 | |
Going to lose my agent! | 0:52:49 | 0:52:51 | |
The beauty of this bus is the platform. | 0:53:04 | 0:53:07 | |
You just stand there and watch the world go by. | 0:53:10 | 0:53:14 | |
All the scenes - it's like an action-packed movie. | 0:53:14 | 0:53:18 | |
And the passenger just steps on board. | 0:53:20 | 0:53:24 | |
# ..Nothing ever could break or harm The charm of London town. # | 0:53:24 | 0:53:32 | |
The time has come for Man to move on. | 0:53:34 | 0:53:37 | |
Cos, if they are moving on, yeah, you've got to move in the same way. | 0:53:37 | 0:53:42 | |
I'll miss it but... one way or the other... | 0:53:42 | 0:53:45 | |
what can you say? | 0:53:46 | 0:53:48 | |
Life goes on. Right. | 0:53:48 | 0:53:51 | |
-Step along. -One at a time, now. -Any more fares, please? | 0:54:03 | 0:54:07 | |
-Hold tight! -Hold on, here we go! | 0:54:07 | 0:54:10 | |
Your stop next, madam. | 0:54:10 | 0:54:12 | |
Fulham Broadway, Fulham Broadway next stop. | 0:54:12 | 0:54:15 | |
-Any more fares, please? -Any more fares, now? | 0:54:15 | 0:54:18 | |
Hold tight, now. Ding-ding! | 0:54:18 | 0:54:20 | |
How far? You're saying...? OK, Howard's - next stop. | 0:54:20 | 0:54:23 | |
-Fares, please. -Move along please! -Hold on tight, please. Thank you. -Hold tight now, please... | 0:54:23 | 0:54:29 | |
I can do the bell if you like. | 0:54:29 | 0:54:31 | |
Standing inside only! Ding-ding! Away we go. | 0:54:31 | 0:54:34 | |
Any more fares? | 0:54:34 | 0:54:35 | |
-Pass down the bus, please. -We can get everybody on. | 0:54:35 | 0:54:38 | |
Will you please sit down? | 0:54:38 | 0:54:40 | |
We have got a timetable to run to. | 0:54:40 | 0:54:43 |