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'Tom Ingledew, a North Country labourer, thought he would make a cathedral.' | 0:00:02 | 0:00:06 | |
Britain is a nation of hobbyists. | 0:00:06 | 0:00:09 | |
'So he bought some very simple tools and got on with it.' | 0:00:09 | 0:00:12 | |
We are collectors. We are model makers. | 0:00:12 | 0:00:16 | |
We are a people that have always used our spare time | 0:00:19 | 0:00:22 | |
in all manner of playful ways. | 0:00:22 | 0:00:23 | |
Having a hobby was something you were kind of supposed to do. | 0:00:23 | 0:00:27 | |
Our pursuits define us, both as individuals and as a nation. | 0:00:32 | 0:00:37 | |
A genuinely British hobby has a kind of slight air | 0:00:38 | 0:00:42 | |
of eccentricity about it. | 0:00:42 | 0:00:43 | |
It maybe even is the defining characteristic of the British hobby, | 0:00:45 | 0:00:49 | |
that you make something | 0:00:49 | 0:00:50 | |
which no-one in their right mind would ever want. | 0:00:50 | 0:00:53 | |
The 20th century saw the heyday of the pastime. | 0:00:53 | 0:00:57 | |
The devil made work for idle hands, | 0:00:57 | 0:01:00 | |
so the British made sure their fingers were always fully occupied. | 0:01:00 | 0:01:04 | |
The truth is, you can trust someone who has a hobby. | 0:01:04 | 0:01:08 | |
Someone who doesn't, you get a bit anxious, don't you? | 0:01:08 | 0:01:11 | |
During the 19th century, | 0:01:40 | 0:01:41 | |
leisure time was the near exclusive preserve of the upper classes. | 0:01:41 | 0:01:46 | |
The moneyed elite would gather at the racecourses | 0:01:47 | 0:01:50 | |
or while away the hours with genteel games like tennis or croquet. | 0:01:50 | 0:01:54 | |
For those of lesser means, | 0:01:59 | 0:02:01 | |
the working week was often a long and joyless one. | 0:02:01 | 0:02:05 | |
But eventually, the great British worker | 0:02:05 | 0:02:07 | |
would discovered the pleasure of spare time. | 0:02:07 | 0:02:10 | |
We see hobbies and leisure really increasing by the late 19th century, | 0:02:10 | 0:02:15 | |
when you see the Saturday half day and Sunday as leisure time. | 0:02:15 | 0:02:18 | |
And leisure events are placed on these days, such as football matches, | 0:02:18 | 0:02:24 | |
music halls are booked on Saturday afternoons | 0:02:24 | 0:02:26 | |
and Saturday evenings for the first time. | 0:02:26 | 0:02:29 | |
And so, you see leisure beginning to be part of people's lives more. | 0:02:29 | 0:02:32 | |
By the start of the 20th century, | 0:02:32 | 0:02:35 | |
workers' free time was often well structured and organised. | 0:02:35 | 0:02:39 | |
Employers like the General Electric Company started social clubs | 0:02:39 | 0:02:44 | |
that offered their staff their own sports facilities. | 0:02:44 | 0:02:48 | |
Funfairs and fetes were greatly anticipated events, | 0:02:48 | 0:02:53 | |
where people wore their Sunday best and made merry. | 0:02:53 | 0:02:56 | |
These social gatherings would become central | 0:02:59 | 0:03:01 | |
to Britain's emerging leisure culture. | 0:03:01 | 0:03:05 | |
Hobbies in the earlier part of the 20th century are seen to be | 0:03:05 | 0:03:08 | |
more collective in form, so people would describe their hobby as | 0:03:08 | 0:03:11 | |
going to see a football match, or going to the cinema, | 0:03:11 | 0:03:14 | |
quite collective activities, where people would participate | 0:03:14 | 0:03:17 | |
in a large event. | 0:03:17 | 0:03:19 | |
Yet by 1914, the national mood was anything but playful. | 0:03:26 | 0:03:32 | |
Europe was lurching towards its bloodiest conflict ever, | 0:03:32 | 0:03:36 | |
as a generation of young men was dispatched to the trenches. | 0:03:36 | 0:03:41 | |
In these serious times, | 0:03:41 | 0:03:43 | |
the frivolity of pre-war pastimes | 0:03:43 | 0:03:46 | |
gave way to more productive pursuits. | 0:03:46 | 0:03:50 | |
For the women left behind, free time was not to be taken lightly. | 0:03:50 | 0:03:57 | |
Those ladies disinclined to engage in the grubby business of war work | 0:04:03 | 0:04:08 | |
were exhorted to help a nation in peril and get their hands dirty. | 0:04:08 | 0:04:13 | |
They buckled to and they joined the hastily mustered Land Army. | 0:04:18 | 0:04:24 | |
They went to work in munitions, | 0:04:26 | 0:04:28 | |
which was a vital part of keeping the war effort going. | 0:04:28 | 0:04:33 | |
And they did innumerable other things. | 0:04:33 | 0:04:35 | |
All jobs that previously had been done by men. | 0:04:39 | 0:04:42 | |
Four years of war took a catastrophic toll on the country. | 0:04:45 | 0:04:50 | |
Over 700,000 British servicemen perished at the front. | 0:04:50 | 0:04:55 | |
That had a profound impact on the gender balance of British society. | 0:04:55 | 0:05:00 | |
When the census was taken in 1921, | 0:05:00 | 0:05:04 | |
there were two million more women than men in this country. | 0:05:04 | 0:05:08 | |
And those women were described as pretty much surplus to requirements. | 0:05:08 | 0:05:12 | |
And those single women had to find something else to do, | 0:05:12 | 0:05:16 | |
they have to make their own living, they had to find their own identity, | 0:05:16 | 0:05:19 | |
it was a very interesting social phenomenon, | 0:05:19 | 0:05:23 | |
because all these women flooded the market | 0:05:23 | 0:05:25 | |
and they changed how society worked, | 0:05:25 | 0:05:28 | |
in a very significant way. | 0:05:28 | 0:05:29 | |
The new confidence women acquired in the post-war workplace | 0:05:32 | 0:05:37 | |
trickled into their leisure time. | 0:05:37 | 0:05:39 | |
Trailblazing ladies began to storm | 0:05:39 | 0:05:42 | |
the hitherto male dominated worlds of sport. | 0:05:42 | 0:05:45 | |
'This is to introduce Miss Molly Gourlay. | 0:05:45 | 0:05:48 | |
'She has the distinction of being the present holder | 0:05:48 | 0:05:51 | |
'of the English Close Championship and the French Open Championship.' | 0:05:51 | 0:05:54 | |
In the field of sports, | 0:06:10 | 0:06:12 | |
there were women who took up mountaineering, | 0:06:12 | 0:06:15 | |
there were women cricketers, there was a champion woman sculler | 0:06:15 | 0:06:18 | |
in the 1930s. | 0:06:18 | 0:06:21 | |
So, really moving into male dominated areas in sport. | 0:06:21 | 0:06:24 | |
And of course, they were moving into male dominated areas | 0:06:24 | 0:06:28 | |
in all other fields as well, whether it was the law, the arts, medicine, | 0:06:28 | 0:06:32 | |
science, politics, trades unions, | 0:06:32 | 0:06:36 | |
open any male door | 0:06:36 | 0:06:37 | |
and you will find a woman slips in there, in the inter-war period. | 0:06:37 | 0:06:41 | |
Some of the old class divides also started to blur. | 0:06:41 | 0:06:45 | |
What had traditionally been working-class pastimes | 0:06:47 | 0:06:50 | |
found new followers in all strata of British society. | 0:06:50 | 0:06:52 | |
'If you like to be a perfect little devil with a dart, gather round. | 0:06:55 | 0:06:58 | |
'The board is usually of elm. | 0:06:58 | 0:07:00 | |
'Its face, 18 inches across and divided into 20 equal segments | 0:07:00 | 0:07:03 | |
'and numbered, but not consecutively. | 0:07:03 | 0:07:06 | |
'It's hung on a wall with the centre five foot eight from the floor | 0:07:06 | 0:07:09 | |
'and the player stands nine feet away.' | 0:07:09 | 0:07:11 | |
For most working men, this would be second nature. | 0:07:11 | 0:07:14 | |
But it was very clearly aimed at a more middle-class audience. | 0:07:14 | 0:07:18 | |
'The game is now the industry of Islington | 0:07:18 | 0:07:21 | |
'and the craze of Kensington. | 0:07:21 | 0:07:23 | |
'The board with the double and the trouble has even invaded the shingle. | 0:07:23 | 0:07:26 | |
'So far, there is no special costume for darts, | 0:07:26 | 0:07:28 | |
'but those will do quite nicely, thank you.' | 0:07:28 | 0:07:31 | |
I think it is a good illustration of how that cultural divide | 0:07:31 | 0:07:33 | |
really went through hobbies, as well as everyday life in 1930s Britain. | 0:07:33 | 0:07:38 | |
During the inter-war years, a new world of leisure started to emerge. | 0:07:38 | 0:07:44 | |
With the growth of the suburbs, | 0:07:44 | 0:07:47 | |
more people had the space to enjoy hobbies at home. | 0:07:47 | 0:07:50 | |
Handicrafts enjoyed unprecedented popularity, | 0:07:53 | 0:07:55 | |
as people experimented with new techniques | 0:07:55 | 0:07:58 | |
and some unconventional materials. | 0:07:58 | 0:08:01 | |
'Mr Newman is an entomologist. That isn't his fault. | 0:08:01 | 0:08:05 | |
'It's the way they playfully refer to people who collect insects. | 0:08:05 | 0:08:09 | |
'Our friend preserves butterflies for decorative purposes. | 0:08:09 | 0:08:11 | |
'A deft manipulation of a strand of wire | 0:08:11 | 0:08:14 | |
'and Madame Butterfly is ready to keep a date with the calendar.' | 0:08:14 | 0:08:17 | |
There is an estimated 200,000 self-styled artists | 0:08:17 | 0:08:21 | |
in the 1930s in this country, making the most extraordinary things | 0:08:21 | 0:08:27 | |
And employing their weird and wonderful talents. | 0:08:27 | 0:08:32 | |
'To see a piece of wood in the raw | 0:08:34 | 0:08:35 | |
'is like a pain in the neck to Mr Denton. | 0:08:35 | 0:08:37 | |
'He must turn it into skyscrapers, or boats. | 0:08:37 | 0:08:40 | |
'In fact, anything from a felucca to a flagship. | 0:08:40 | 0:08:43 | |
'And after 20 years, he has made about 4,000 of them. | 0:08:43 | 0:08:46 | |
'Eileen and Audrey are art students, and their hobby is making | 0:08:46 | 0:08:50 | |
'masks of film stars with ordinary paper and extraordinary skill. | 0:08:50 | 0:08:55 | |
'The lovely, long, silken lashes are really gorgeous dog hair. | 0:08:55 | 0:08:58 | |
'So is an old newspaper transformed into a beautiful film star.' | 0:09:01 | 0:09:05 | |
With the outbreak of the Second World War, | 0:09:05 | 0:09:09 | |
many British women were urged to apply their craft skills | 0:09:09 | 0:09:12 | |
to help the nation once more. | 0:09:12 | 0:09:15 | |
'In the shade of the sheltering palms on the banks of the Nile, | 0:09:15 | 0:09:19 | |
'girls of the ATS arrange classes | 0:09:19 | 0:09:21 | |
'to teach Tommy Atkins how to sew and darn. | 0:09:21 | 0:09:23 | |
'At first, their fingers are all thumbs, but soon, they can sew a shirt | 0:09:23 | 0:09:26 | |
'on a button or patch a hole as neatly as a first-class plumber.' | 0:09:26 | 0:09:30 | |
Skills and pursuits that were merely recreational before the war | 0:09:30 | 0:09:33 | |
were now applied to the war effort. | 0:09:33 | 0:09:36 | |
Women welders, who were doing almost as masculine a job | 0:09:38 | 0:09:41 | |
as you could hope for. | 0:09:41 | 0:09:43 | |
It turns out that welding was a very skilled and precise job | 0:09:43 | 0:09:48 | |
and these women were partly selected because | 0:09:48 | 0:09:51 | |
they had worked in confectionery and had done cake icing. | 0:09:51 | 0:09:54 | |
There was the feeling that women had to be doing things that they | 0:09:56 | 0:09:59 | |
were fitted for, that were appropriate for them. | 0:09:59 | 0:10:01 | |
'The Queen joins the ladies in the Blue Drawing Room of Buckingham Palace. | 0:10:03 | 0:10:08 | |
'The ladies are members of the palace staff | 0:10:08 | 0:10:10 | |
'and these twice weekly meetings are Her Majesty's idea, to work | 0:10:10 | 0:10:13 | |
'for the Red Cross or do knitting for the troops. | 0:10:13 | 0:10:16 | |
'There's a complete absence of formality. | 0:10:18 | 0:10:21 | |
'It's just a job to be done - an example to us all | 0:10:21 | 0:10:23 | |
'of the way to win a war.' | 0:10:23 | 0:10:25 | |
My grandmother would unravel a jumper and re-knit it. | 0:10:27 | 0:10:31 | |
When you'd grown out of it, the wool would be re-knitted | 0:10:31 | 0:10:34 | |
and for years, I half-believed that all wool was kinky | 0:10:34 | 0:10:38 | |
because it had been unravelled and had the old shaping in it. | 0:10:38 | 0:10:42 | |
With the war uppermost in people's minds, it's not surprising | 0:10:42 | 0:10:47 | |
that military icons inspired the nation's craft enthusiasts. | 0:10:47 | 0:10:52 | |
It was an age when you could find a Lancaster bomber | 0:10:52 | 0:10:55 | |
in your neighbour's back garden. | 0:10:55 | 0:10:57 | |
'Dad is tuning up. | 0:10:57 | 0:10:59 | |
'The air screw turns and very soon, they'll be on their way. | 0:10:59 | 0:11:02 | |
'It's a grand trip. | 0:11:02 | 0:11:05 | |
'They've run into a lot of flak and the pilot's taking | 0:11:05 | 0:11:10 | |
'evasive action, but do they reach their target? | 0:11:10 | 0:11:13 | |
'Well, look. Bomb's gone.' | 0:11:13 | 0:11:16 | |
The scale and ambition of these creations testify to British | 0:11:19 | 0:11:23 | |
resourcefulness in a period of prolonged privations | 0:11:23 | 0:11:26 | |
and severe shortages. | 0:11:26 | 0:11:28 | |
After the Second World War, Britain is exhausted - | 0:11:28 | 0:11:30 | |
it's bombed out, it's hidebound by rationing, | 0:11:30 | 0:11:34 | |
it's a very grey country in the late '40s and early '50s. | 0:11:34 | 0:11:37 | |
People did things that were generally cheap. | 0:11:37 | 0:11:41 | |
'They're just oddments from grocers' packing cases yet they're | 0:11:41 | 0:11:45 | |
'the basis of a toymaker's art. | 0:11:45 | 0:11:46 | |
'Yootha Rowes discovered her talent during the war | 0:11:48 | 0:11:51 | |
'when she was an evacuee on a Dorset farm. | 0:11:51 | 0:11:54 | |
'She's come a long way since making toys for that Dorset village, | 0:11:54 | 0:11:57 | |
'but the memory of the country is with her | 0:11:57 | 0:11:59 | |
'as she puts the finishing touches to her midget stagecoach.' | 0:11:59 | 0:12:01 | |
In ration-book Britain, many hobbies embraced affordable and quirky | 0:12:04 | 0:12:07 | |
pastimes, but demanded dedication and perseverance rather than cash. | 0:12:07 | 0:12:13 | |
Many turned to pursuits that indulged the more obsessive | 0:12:15 | 0:12:18 | |
aspects of our national character. | 0:12:18 | 0:12:21 | |
The reason this country is fundamentally sane | 0:12:23 | 0:12:25 | |
and has survived so long and well is that we are all mad. | 0:12:25 | 0:12:30 | |
And the thing we're most mad about is collecting. | 0:12:30 | 0:12:34 | |
This is a nation of collectors. | 0:12:34 | 0:12:37 | |
The desire to collect, to classify, that is very distinctively British. | 0:12:48 | 0:12:54 | |
Which foreigners find baffling. | 0:12:54 | 0:12:59 | |
'Another LIGHT subject - matchbox labels. | 0:12:59 | 0:13:01 | |
'79-year-old Mr Charles Crabton collects them. | 0:13:01 | 0:13:04 | |
'He's done so for 50 years. | 0:13:04 | 0:13:06 | |
'Today, he has 42,000 from 83 countries. | 0:13:06 | 0:13:10 | |
'these labels from Korea could tell a story. | 0:13:10 | 0:13:14 | |
'A truer one than these Japanese wartime propaganda epics. | 0:13:14 | 0:13:17 | |
'They're just a lot of flaming nonsense.' | 0:13:17 | 0:13:20 | |
Perhaps driven by the constant struggle against never-ending | 0:13:22 | 0:13:26 | |
shortages, many British collectors started to amass ever more | 0:13:26 | 0:13:30 | |
unlikely items. | 0:13:30 | 0:13:31 | |
When I was a little boy, | 0:13:31 | 0:13:34 | |
I had the best collection of cheese labels in Southwest London. | 0:13:34 | 0:13:38 | |
'Three years ago, Mrs Mabel Smith, | 0:13:38 | 0:13:39 | |
'a South London housewife, started collecting cheese labels as a hobby. | 0:13:39 | 0:13:44 | |
'she found interest in this hobby so widespread that, last year, | 0:13:44 | 0:13:47 | |
'she started to go into the cheese label business.' | 0:13:47 | 0:13:49 | |
The most brilliant one, if you loved cheese, was to collect cheese labels | 0:13:49 | 0:13:54 | |
because you can ring up cheese producers | 0:13:54 | 0:13:56 | |
and say, "Could you send me | 0:13:56 | 0:13:58 | |
"a selection of your cheeses cos I'm going to promote your labels." | 0:13:58 | 0:14:02 | |
'With the support of cheese importers who save labels | 0:14:03 | 0:14:06 | |
'she's able to fulfil her orders.' | 0:14:06 | 0:14:07 | |
'Since she started in business, | 0:14:09 | 0:14:11 | |
'she's bought more than 600,000 cheese labels and sold 200,000. | 0:14:11 | 0:14:15 | |
'She says it's work she'll never get CHEESED OFF with. | 0:14:15 | 0:14:19 | |
After the war, an abundance of war-related mementoes was | 0:14:21 | 0:14:23 | |
readily available for even the most cash-strapped collector. | 0:14:23 | 0:14:28 | |
My dad liked to collect bits of bombs that had dropped. | 0:14:28 | 0:14:31 | |
And bullets and bits of armoury. | 0:14:31 | 0:14:35 | |
That was a big thing for working class kids. | 0:14:35 | 0:14:37 | |
The more agile and less scrupulous even managed to build | 0:14:38 | 0:14:42 | |
impressive collections out of what had once been public property. | 0:14:42 | 0:14:47 | |
'A young man who collects street lamps. Still don't believe it? | 0:14:47 | 0:14:50 | |
'Well, watch his technique as he climbs up to work.' | 0:14:50 | 0:14:53 | |
Is that not just theft? | 0:14:55 | 0:14:56 | |
He's wandered up and gone, "I'll have that," and taken it away. | 0:14:56 | 0:14:59 | |
That's what it looks like. | 0:14:59 | 0:15:00 | |
At every stage, there's no suggestion that he's been given | 0:15:00 | 0:15:03 | |
permission to take this street lamp away. | 0:15:03 | 0:15:06 | |
'Through his collection of lamps, | 0:15:06 | 0:15:07 | |
'dating back to Trafalgar, Peter Barnam has now added one more.' | 0:15:07 | 0:15:10 | |
You're talking about a street thief. | 0:15:10 | 0:15:13 | |
I can't believe no-one stopped him. | 0:15:15 | 0:15:18 | |
As Britain's post-war economic woes subsided, | 0:15:19 | 0:15:24 | |
people had more cash to spend on the serious business of having fun. | 0:15:24 | 0:15:26 | |
The economy went through a great boom in the mid '50s. | 0:15:35 | 0:15:40 | |
Rationing was lifted, full employment, | 0:15:40 | 0:15:42 | |
rising living standards, rising wages. | 0:15:42 | 0:15:44 | |
Britain is going through this economic golden age. | 0:15:44 | 0:15:47 | |
It was a real sense of economic optimism. | 0:15:47 | 0:15:49 | |
From that, you get this vast cornucopia of entertainments. | 0:15:49 | 0:15:54 | |
Increased disposable income gave some Britons an opportunity | 0:16:12 | 0:16:16 | |
to indulge their taste for the exotic. | 0:16:16 | 0:16:18 | |
The relatively drab monochrome items collected hitherto found competition | 0:16:20 | 0:16:25 | |
from a range of new, unusual and colourful objects of desire. | 0:16:25 | 0:16:29 | |
Millicent Rich saw the opportunity to cash in on the increasingly | 0:16:32 | 0:16:37 | |
adventurous appetites of Britain's collectors. | 0:16:37 | 0:16:39 | |
'Now many thousands of these shells and sea phenomena are brought | 0:16:40 | 0:16:43 | |
'to this country by Millicent Rich, Europe's only woman importer.' | 0:16:43 | 0:16:48 | |
I started to import them | 0:16:50 | 0:16:53 | |
when I realised they could be very decorative in the home. | 0:16:53 | 0:16:56 | |
In bathrooms, bathroom ornaments. | 0:16:58 | 0:17:00 | |
You could stick your toothbrushes in them. | 0:17:00 | 0:17:02 | |
You could put flowers in them, you could embed the side panels | 0:17:02 | 0:17:09 | |
of the bath in beautiful patterns with them, every home should have a selection | 0:17:09 | 0:17:13 | |
of shells, cos they attract attention and they're something to talk about | 0:17:13 | 0:17:18 | |
should the subject of the neighbours dry up or anything similar. | 0:17:18 | 0:17:22 | |
'The shells fit ideally into the pattern of modern | 0:17:22 | 0:17:25 | |
'decoration for the subtle colouring and smooth line make a striking | 0:17:25 | 0:17:29 | |
'contrast to the bold shading and right angles of contemporary | 0:17:29 | 0:17:33 | |
'furniture, like that of Terence Conran.' | 0:17:33 | 0:17:35 | |
The jewellery was very successful. | 0:17:35 | 0:17:38 | |
We made rings, inlaid things and we sold quite a lot to Biba, | 0:17:38 | 0:17:44 | |
a very famous shop. | 0:17:44 | 0:17:47 | |
'For after all, she sells seashells from the she... Ahem. Never mind.' | 0:17:47 | 0:17:51 | |
By the late '50s, British tastes were increasingly | 0:17:53 | 0:17:56 | |
influenced by an emerging global popular culture. | 0:17:56 | 0:17:59 | |
Millions of Britons were exposed to American TV and pop music. | 0:18:01 | 0:18:05 | |
Some could afford to travel to Europe | 0:18:05 | 0:18:07 | |
and beyond for the very first time. | 0:18:07 | 0:18:10 | |
With these windows opening on other worlds, there was a new | 0:18:11 | 0:18:14 | |
willingness to embrace leisure pursuits from abroad. | 0:18:14 | 0:18:19 | |
You have things from Europe coming in. For example, the sauna. | 0:18:19 | 0:18:25 | |
The idea of a sauna as a hobby might seem odd | 0:18:25 | 0:18:28 | |
but there were these early pioneers of saunas, birching themselves with | 0:18:28 | 0:18:32 | |
birch twigs and getting very excited with Continental sophistication. | 0:18:32 | 0:18:37 | |
'As you've probably guessed, | 0:18:37 | 0:18:39 | |
'we're at the only private sauna bath in London.' | 0:18:39 | 0:18:41 | |
'The sauna is the Finnish version of the Turkish bath - | 0:18:43 | 0:18:45 | |
'a light beating with the twigs opens the pores | 0:18:45 | 0:18:48 | |
'and stimulates the circulation of the blood.' | 0:18:48 | 0:18:50 | |
Some imported activities were given an idiosyncratic, | 0:18:52 | 0:18:56 | |
yet typically British twist. | 0:18:56 | 0:19:00 | |
'Bullfighting in England is illegal, but that doesn't worry matador Alf. | 0:19:00 | 0:19:03 | |
'He's about to demonstrate his self-taught Spanish style | 0:19:03 | 0:19:06 | |
'and you'll marvel at the capework.' | 0:19:06 | 0:19:09 | |
'If you're disappointed by the sight of Bimbo, the pet ram, | 0:19:15 | 0:19:18 | |
'imagine what a letdown it was for the fans who turned up when Alf promised to face a real bull. | 0:19:18 | 0:19:23 | |
'He had a last-minute change of heart | 0:19:23 | 0:19:25 | |
'and it was probably the best move he ever made.' | 0:19:25 | 0:19:28 | |
Men with rams and women with prams | 0:19:32 | 0:19:34 | |
took on hazardous pursuits in Britain's new leisure age. | 0:19:34 | 0:19:38 | |
'A remarkable woman is Renee Bennett, because her family | 0:19:39 | 0:19:42 | |
'is more than just baby Charles, daughter Julie and husband Howard. | 0:19:42 | 0:19:46 | |
'The other love in her life is motorcycling.' | 0:19:46 | 0:19:49 | |
When I was about... | 0:19:49 | 0:19:52 | |
20 I suppose it was, I said, right, I want to ride a motorbike. | 0:19:52 | 0:19:56 | |
Dad taught me to ride. | 0:19:56 | 0:19:59 | |
Er, bit hairy it was, cos I had no idea how to ride. | 0:19:59 | 0:20:03 | |
'Renee's just about tops | 0:20:03 | 0:20:05 | |
'when invading the skid-lid male world of motorcycle competitions.' | 0:20:05 | 0:20:08 | |
Then I entered my first trial. | 0:20:08 | 0:20:12 | |
I thought, oh, my God, I'll never be able to do this. | 0:20:12 | 0:20:15 | |
When I think now, dropping down the hill, going over, | 0:20:15 | 0:20:18 | |
head over heels, the bike hitting me, covered in bruises. | 0:20:18 | 0:20:22 | |
Anyway, I overcame it, and I just...from then on, that was it. | 0:20:22 | 0:20:27 | |
And I rode for...25 years. | 0:20:27 | 0:20:29 | |
Using your feet too often loses marks. | 0:20:29 | 0:20:32 | |
It must be one of the few times | 0:20:32 | 0:20:35 | |
a woman can't afford to put her foot down. | 0:20:35 | 0:20:38 | |
Meanwhile, I was doing the modelling, film work, stunts. | 0:20:38 | 0:20:44 | |
'Just because you're a woman doesn't earn any favoured treatment | 0:20:44 | 0:20:48 | |
'in this competitive two-wheeled world.' | 0:20:48 | 0:20:51 | |
I gradually became one of them. | 0:20:51 | 0:20:53 | |
I used to beat them anyway, so they couldn't really... couldn't really say anything! | 0:20:53 | 0:20:58 | |
'Whichever way you look at it, it's a puzzle to know | 0:20:59 | 0:21:01 | |
'how Renee Bennett keeps everything going at full throttle. | 0:21:01 | 0:21:04 | |
'But this was one occasion when husband Howard had the last laugh. | 0:21:04 | 0:21:09 | |
'He pipped Renee on the post.' | 0:21:09 | 0:21:11 | |
Throughout the period, most women's hobbies were pursued at home. | 0:21:15 | 0:21:20 | |
Some male pastimes were also based indoors | 0:21:20 | 0:21:24 | |
and would become a source of domestic strife for years to come. | 0:21:24 | 0:21:28 | |
The virtues of home improvement were extolled to television viewers | 0:21:29 | 0:21:34 | |
by the '60s answer to Laurence Llewelyn-Bowen. | 0:21:34 | 0:21:38 | |
Hello. | 0:21:38 | 0:21:39 | |
Barry Bucknell is one of the great unheralded figures | 0:21:39 | 0:21:42 | |
of recent British history, because he's somebody who absolutely | 0:21:42 | 0:21:45 | |
pioneers the DIY ethos and he symbolises | 0:21:45 | 0:21:48 | |
the domesticity and the affluence of the sort of '50s onwards. | 0:21:48 | 0:21:53 | |
Well, there it is. Headlamps in position. | 0:21:53 | 0:21:56 | |
No wiring but, er, | 0:21:56 | 0:21:57 | |
you see that it has given you a really nice furnished effect. | 0:21:57 | 0:22:02 | |
And when you've varnished this and got this woodwork, | 0:22:02 | 0:22:05 | |
which looks as well as anything you'd buy in a shop, | 0:22:05 | 0:22:08 | |
I think you'll be very pleased that you've tackled this bedhead problem. | 0:22:08 | 0:22:12 | |
For me, DIY was too much like hard work. | 0:22:12 | 0:22:15 | |
And Barry Bucknell, too much of a real man. | 0:22:15 | 0:22:18 | |
Next week, the same time, I'll show you how to make the fittings for this wardrobe, | 0:22:18 | 0:22:23 | |
so, till then, I'll say, "Bye, now." | 0:22:23 | 0:22:25 | |
All too easily, private passions can turn into personal obsessions. | 0:22:27 | 0:22:31 | |
'Every part of the house was built by Jack in his spare time | 0:22:33 | 0:22:37 | |
'over a period of six years. | 0:22:37 | 0:22:38 | |
'Jack was advised against building the house by doctors | 0:22:38 | 0:22:42 | |
'because of his thrice-fractured skull, | 0:22:42 | 0:22:44 | |
'first a shell splinter in World War One, | 0:22:44 | 0:22:46 | |
'second a motorcycle accident and third a fall of bricks, | 0:22:46 | 0:22:50 | |
'but it took more than that to stand in the way | 0:22:50 | 0:22:53 | |
'of this proud achievement, truly the house that Jack built.' | 0:22:53 | 0:22:56 | |
Jack Punter wasn't alone in his determination | 0:22:58 | 0:23:02 | |
to realise his grand design. | 0:23:02 | 0:23:04 | |
Many were equally dogged in pursuit of their idea of perfection, | 0:23:04 | 0:23:08 | |
albeit on a much smaller scale. | 0:23:08 | 0:23:11 | |
By the '60s and '70s you have a great fad for models of all kinds, | 0:23:11 | 0:23:18 | |
model cars, model aeroplanes, sailing model boats. | 0:23:18 | 0:23:21 | |
You don't really go to a park now and see people with their model boats. | 0:23:21 | 0:23:26 | |
'Perfect scale models of ships scurry back and forth | 0:23:26 | 0:23:30 | |
'across their tideless oceans on journeys to nowhere. | 0:23:30 | 0:23:33 | |
'But for the men who build and sail their mini fleets | 0:23:33 | 0:23:35 | |
'the worlds of commerce and industry are forgotten. | 0:23:35 | 0:23:39 | |
'On Sundays, their horizons are unbounded.' | 0:23:39 | 0:23:42 | |
Britain's model makers consistently demonstrated remarkable | 0:23:42 | 0:23:46 | |
precision, dedication and fastidiousness. | 0:23:46 | 0:23:49 | |
'It was an old-fashioned carousel like this, | 0:23:49 | 0:23:53 | |
'but lifesize, that inspired Mr Turner to become an engineer. | 0:23:53 | 0:23:57 | |
'Now he's created a model of his inspiration, | 0:23:57 | 0:24:00 | |
'so the old showground world comes round again.' | 0:24:00 | 0:24:03 | |
'This Lincoln bomber, for example, accurate in every detail | 0:24:05 | 0:24:08 | |
'on a scale of one sixteenth, took him six months to build.' | 0:24:08 | 0:24:11 | |
The late '60s were a high point | 0:24:22 | 0:24:25 | |
in the British post-war leisure revolution, | 0:24:25 | 0:24:28 | |
but grey clouds were once again looming over the country's economy. | 0:24:28 | 0:24:33 | |
For many families, there were turbulent times ahead. | 0:24:33 | 0:24:38 | |
I think the kind of optimism and the affluence of the '60s | 0:24:38 | 0:24:41 | |
had really run out of steam by, really, 1970. | 0:24:41 | 0:24:44 | |
People aren't putting the same energy into their hobbies outside the home | 0:24:44 | 0:24:48 | |
as beforehand, cos they're staying in and watching the telly. | 0:24:48 | 0:24:51 | |
Television had a contradictory effect on Britain's hobbyists. | 0:24:51 | 0:24:56 | |
While it distracted many people from traditional pursuits, | 0:24:57 | 0:25:01 | |
programmes like Blue Peter | 0:25:01 | 0:25:03 | |
positively encouraged a new generation of young model makers | 0:25:03 | 0:25:07 | |
and craftspeople to express their creativity. | 0:25:07 | 0:25:11 | |
There was lots of TV programmes that promoted collecting, | 0:25:11 | 0:25:15 | |
like Saturday Swap Shop, Tiswas and Blue Peter, | 0:25:15 | 0:25:18 | |
collecting knick-knacks and making things. | 0:25:18 | 0:25:20 | |
So the TV promoted collection, I think, more in the '70s. | 0:25:20 | 0:25:24 | |
You can decorate them in all sorts of different ways, | 0:25:24 | 0:25:26 | |
with ribbons, with gold doilies, with cut-out bits from magazines. | 0:25:26 | 0:25:30 | |
When they tell you to do something with your sticky-back plastic | 0:25:30 | 0:25:33 | |
and your egg box, you can create a whole world | 0:25:33 | 0:25:36 | |
with bits and pieces you find around the house. | 0:25:36 | 0:25:39 | |
Well, here's one party, though, that never gets rained off. | 0:25:39 | 0:25:43 | |
It's all taking place in a cardboard box, | 0:25:43 | 0:25:46 | |
and if you'd like to make one, I'll show you how it's done. | 0:25:46 | 0:25:49 | |
I used to watch Blue Peter and Take Hart with such a religious fervour. | 0:25:49 | 0:25:54 | |
Really did love them, because I knew I couldn't have done it. | 0:25:58 | 0:26:02 | |
I knew that there were going to be some things where it would be like, | 0:26:02 | 0:26:05 | |
"How can you even see that well, let alone draw that well?" | 0:26:05 | 0:26:09 | |
-Right, now...this one's ready. -There! | 0:26:11 | 0:26:13 | |
But the computer was to become the game changer | 0:26:15 | 0:26:18 | |
for the British hobbyist. | 0:26:18 | 0:26:20 | |
You can't get away from them. | 0:26:20 | 0:26:22 | |
There are shops in the high street Where you can buy where you can buy | 0:26:22 | 0:26:26 | |
a PET, an Apple, an Acorn, a Tangerine, even a Newbrain. | 0:26:26 | 0:26:29 | |
In fact, computers suddenly seem to be everywhere. | 0:26:29 | 0:26:32 | |
I bet there's hardly a pub in the country | 0:26:32 | 0:26:34 | |
which doesn't have a couple of computers in the lounge bar. | 0:26:34 | 0:26:38 | |
Children who once spent hours with empty cereal packets | 0:26:39 | 0:26:43 | |
and sticky-backed plastic now had their thumbs stuck to handsets | 0:26:43 | 0:26:47 | |
and games controllers. | 0:26:47 | 0:26:48 | |
I don't understand it. | 0:26:48 | 0:26:50 | |
I'm of that age but I don't have the patience to throw a bird off a wall. | 0:26:50 | 0:26:54 | |
If I want to deal wi' an angry bird, we've got pigeons | 0:26:54 | 0:26:56 | |
in the city centre of Glasgow that try and steal your sandwich. | 0:26:56 | 0:27:00 | |
I'm quite happy to do that live. | 0:27:00 | 0:27:01 | |
And I don't have the inclination to sit and say, | 0:27:01 | 0:27:05 | |
"Oh, no, somebody's poured salt on my pine trees." | 0:27:05 | 0:27:09 | |
I need to buy a fur coat for my child's winter months coming on. | 0:27:09 | 0:27:13 | |
Houseville. Seriously, there's stuff happening in the world. | 0:27:13 | 0:27:17 | |
Get off your computer and stop buying sheep. | 0:27:17 | 0:27:20 | |
You live in Castlemilk. | 0:27:20 | 0:27:22 | |
The British treasure their leisure. | 0:27:25 | 0:27:28 | |
For over a century we've devoted hours to making and collecting. | 0:27:28 | 0:27:32 | |
We're resourceful, even when resources are in short supply. | 0:27:37 | 0:27:40 | |
And our ingenuity, perfectionism | 0:27:40 | 0:27:43 | |
and sometimes eccentricity always shine through. | 0:27:43 | 0:27:47 | |
The pastimes of times past show that we've adopted and adapted | 0:27:52 | 0:27:57 | |
the passions of other nations and magically made them our own. | 0:27:57 | 0:28:01 | |
Our obsessions demonstrate that Britons are never more serious | 0:28:03 | 0:28:06 | |
than when we are at our most playful. | 0:28:06 | 0:28:11 | |
Well, I've just taken up ukulele playing. | 0:28:12 | 0:28:15 | |
I've never played an instrument ever. I've learnt four chords. Erm... | 0:28:15 | 0:28:20 | |
my family and friends think it's a midlife crisis and a call for help | 0:28:20 | 0:28:24 | |
but I think hobbies are there for your own enjoyment, | 0:28:24 | 0:28:27 | |
so I enjoy it, even if they don't. | 0:28:27 | 0:28:29 | |
Subtitles by Red Bee Media Ltd | 0:28:48 | 0:28:52 |