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BBC Four Collections - archive programmes chosen by experts. | 0:00:02 | 0:00:07 | |
For this collection, Janet Street-Porter | 0:00:07 | 0:00:09 | |
has selected programmes about post-war architecture. | 0:00:09 | 0:00:12 | |
More programmes on this theme and other BBC Four Collections | 0:00:12 | 0:00:15 | |
are available on BBC iPlayer. | 0:00:15 | 0:00:17 | |
Throughout the Industrial Revolution, | 0:00:37 | 0:00:40 | |
people have tried to escape from the slums, | 0:00:40 | 0:00:43 | |
and architects have dreamt of cities in the sky, | 0:00:43 | 0:00:47 | |
cities and towers amongst green landscapes. | 0:00:47 | 0:00:52 | |
What we see here, on the edge of Richmond Park, | 0:00:52 | 0:00:56 | |
is probably the most exciting statement of that utopian ideal. | 0:00:56 | 0:01:02 | |
People can see, from their buildings, this park, | 0:01:02 | 0:01:07 | |
and, as we look at it, so we can imagine, not only cities of today, | 0:01:07 | 0:01:13 | |
but cities of the Renaissance, | 0:01:13 | 0:01:15 | |
the San Gimignanos, the idea of a new world. | 0:01:15 | 0:01:20 | |
The Alton Estate is one of the best examples of public housing | 0:01:37 | 0:01:41 | |
anywhere in the world. | 0:01:41 | 0:01:42 | |
It stands next to Roehampton village with its pubs and churches, | 0:01:46 | 0:01:50 | |
but it's got a neighbourhood feeling all of its own. | 0:01:50 | 0:01:55 | |
There are shops, schools, libraries and sports clubs. | 0:01:55 | 0:01:58 | |
It's a thriving community. | 0:01:58 | 0:02:00 | |
It was built in the '50s by the London County Council, | 0:02:03 | 0:02:08 | |
as an early example of mixed development. | 0:02:08 | 0:02:11 | |
On the same site, there are terraced houses, tower blocks, maisonettes, | 0:02:11 | 0:02:17 | |
and old people's homes. | 0:02:17 | 0:02:19 | |
Different sorts of housing to suit different people's needs. | 0:02:19 | 0:02:24 | |
Alton was designed by a group of young architects | 0:02:28 | 0:02:32 | |
working for the council under Leslie Martin, | 0:02:32 | 0:02:35 | |
chief designer of the Royal Festival Hall. | 0:02:35 | 0:02:37 | |
They were excited by new ideas being tried out in Europe, | 0:02:40 | 0:02:44 | |
and believed in the social importance of architecture. | 0:02:44 | 0:02:49 | |
They wanted Alton to be a modern utopia. | 0:02:49 | 0:02:51 | |
Its fame spread from Baghdad to Belgrade, | 0:02:57 | 0:03:00 | |
and people came from all over the world to see it. | 0:03:00 | 0:03:04 | |
The site is magnificent. | 0:03:09 | 0:03:11 | |
It used to be occupied by several Georgian mansions | 0:03:11 | 0:03:14 | |
set in landscaped gardens. | 0:03:14 | 0:03:16 | |
The council architects were just as imaginative | 0:03:16 | 0:03:19 | |
when they designed the new estate. | 0:03:19 | 0:03:22 | |
This is a great view of these white towers | 0:03:22 | 0:03:26 | |
marching across the soft green landscape. | 0:03:26 | 0:03:30 | |
It's a very English view of landscape. | 0:03:30 | 0:03:33 | |
Capability Brown worked here before and you can see this tradition. | 0:03:33 | 0:03:37 | |
And against that are much more cubistic, much more stark buildings | 0:03:37 | 0:03:42 | |
which float above the landscape, | 0:03:42 | 0:03:45 | |
but yet, at the same time, mark the sky | 0:03:45 | 0:03:49 | |
with their crisp whiteness. | 0:03:49 | 0:03:51 | |
BLACKBIRD SINGS | 0:04:00 | 0:04:03 | |
Alton was built in two main phases by rival teams from the LCC, | 0:04:03 | 0:04:08 | |
as if a theoretical debate was being argued out in practice. | 0:04:08 | 0:04:12 | |
The east side shows the influence of Scandinavian architecture. | 0:04:12 | 0:04:17 | |
The buildings are modern but they are made of traditional materials. | 0:04:17 | 0:04:21 | |
Both the towers and the maisonettes are clad in brick. | 0:04:21 | 0:04:25 | |
There are trees everywhere, and the overall effect is very natural. | 0:04:25 | 0:04:29 | |
It's what I'd call a soft approach. | 0:04:29 | 0:04:32 | |
The towers are 11 storeys high, | 0:04:32 | 0:04:35 | |
but they retain the feel of an English house, | 0:04:35 | 0:04:38 | |
just built upwards. | 0:04:38 | 0:04:40 | |
Alton West is quite different. | 0:04:44 | 0:04:47 | |
The architecture feels Mediterranean, | 0:04:47 | 0:04:50 | |
presided over by Le Corbusier. | 0:04:50 | 0:04:53 | |
The buildings are arranged in more formal patterns. | 0:04:53 | 0:04:57 | |
There's a tremendous feeling of space. | 0:04:57 | 0:05:01 | |
The blocks are like a stripped-down version of a Palladian house, | 0:05:01 | 0:05:04 | |
precise, geometrical, beautifully detailed, | 0:05:04 | 0:05:07 | |
their balconies etched into the walls. | 0:05:07 | 0:05:11 | |
They have weathered remarkably well, and look as good today | 0:05:13 | 0:05:18 | |
as when the estate won an architectural award in 1959. | 0:05:18 | 0:05:23 | |
These great slab blocks | 0:05:31 | 0:05:33 | |
are probably the most distinctive feature of this estate, | 0:05:33 | 0:05:37 | |
floating over the ground, like ships in the air. | 0:05:37 | 0:05:42 | |
The columns allow the green space to float through. | 0:05:42 | 0:05:47 | |
And the houses, these two-storey houses, | 0:05:47 | 0:05:50 | |
are plugged into the concrete framework, | 0:05:50 | 0:05:54 | |
like a traditional house, | 0:05:54 | 0:05:57 | |
two storeys, bedrooms upstairs, living room downstairs, terraced. | 0:05:57 | 0:06:01 | |
Facing south, they get maximum light, | 0:06:01 | 0:06:03 | |
and, of course, the great view. | 0:06:03 | 0:06:06 | |
The idea is Mediterranean, | 0:06:08 | 0:06:10 | |
and comes specifically from Le Corbusier's Marseilles block. | 0:06:10 | 0:06:15 | |
He dreamt of a vertical world surrounded by trees, | 0:06:15 | 0:06:20 | |
with buildings stacked up within a steel or concrete frame, | 0:06:20 | 0:06:25 | |
letting in the maximum light, giving people maximum views, | 0:06:25 | 0:06:30 | |
and creating a really healthy new world. | 0:06:30 | 0:06:32 | |
Today, there's almost a vendetta against high buildings | 0:06:43 | 0:06:47 | |
which ignores the fact that many people enjoy living high up. | 0:06:47 | 0:06:51 | |
Inside, the flats are airy and beautifully light. | 0:06:51 | 0:06:56 | |
They may not be large, but they're a fine example of low-cost housing. | 0:06:56 | 0:07:01 | |
For too long, council housing has been a dirty word. | 0:07:04 | 0:07:08 | |
People forget there are as many good estates as there are bad ones. | 0:07:08 | 0:07:12 | |
Alton is living proof that you can create a totally modern environment | 0:07:15 | 0:07:20 | |
and keep a strong sense of community. | 0:07:20 | 0:07:23 | |
Eve, what do you feel about the architecture and the landscape? | 0:07:23 | 0:07:27 | |
I think it's exceptional. | 0:07:27 | 0:07:29 | |
They've not bunched it all together, | 0:07:29 | 0:07:32 | |
they've left us this lovely area where we hold an annual festival, | 0:07:32 | 0:07:36 | |
and there's space everywhere. | 0:07:36 | 0:07:38 | |
You're not condensed. It's lovely. | 0:07:38 | 0:07:42 | |
There's so little being built now, and so many homeless. | 0:07:42 | 0:07:47 | |
Hardly any general stock being built at all. | 0:07:47 | 0:07:49 | |
The figure's on one hand, the amount of houses or flats being built. | 0:07:49 | 0:07:54 | |
They should do it like this. | 0:07:54 | 0:07:57 | |
They're all individual types, not one lot of concrete jungle. | 0:07:57 | 0:08:03 | |
You have your own units, and that's different. | 0:08:03 | 0:08:07 | |
No other estate is like this. | 0:08:07 | 0:08:09 | |
Alton has a strong tenants' association, | 0:08:10 | 0:08:13 | |
and I'm convinced this is an important factor in its success. | 0:08:13 | 0:08:17 | |
People need control in the running of their estates. | 0:08:17 | 0:08:23 | |
Today, we're facing a severe housing shortage. | 0:08:23 | 0:08:27 | |
In the past, governments from both parties | 0:08:27 | 0:08:30 | |
were involved in massive construction programmes | 0:08:30 | 0:08:34 | |
reaching up to 300,000 units per year. | 0:08:34 | 0:08:38 | |
Today, we'll be lucky to reach 6,000 units. | 0:08:38 | 0:08:43 | |
It's a disgrace. | 0:08:43 | 0:08:44 | |
Nowadays, there's a lack of vision and concern about public housing. | 0:08:44 | 0:08:50 | |
We only remember the mistakes, and not our successes. | 0:08:50 | 0:08:55 | |
Alton is proof of what is possible. | 0:08:55 | 0:08:58 | |
We should be proud of this great estate. | 0:08:58 | 0:09:01 |