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What do Mollie Sugden, Joanna Lumley, EastEnders and the Munich Olympics have in common? | 0:00:20 | 0:00:27 | |
Guessed it? | 0:00:27 | 0:00:29 | |
# ..Perfumery, Stationery and Leather Goods... # | 0:00:29 | 0:00:33 | |
Yes. The answer is Are You Being Served? | 0:00:33 | 0:00:37 | |
We're off on a journey through 40 years of comedy - | 0:00:39 | 0:00:43 | |
charting the careers of the best of the golden age of sitcom. | 0:00:43 | 0:00:48 | |
From Hancock's Half Hour to 'Allo 'Allo and beyond. | 0:00:48 | 0:00:52 | |
Are You Being Served was born when, in 1969, | 0:00:54 | 0:00:57 | |
BBC comedy producer David Croft met fellow writer Jeremy Lloyd for the first time. | 0:00:57 | 0:01:04 | |
Our story begins when Lloyd was known for playing chinless toffs on an American comedy show. | 0:01:04 | 0:01:11 | |
# Here comes the Judge Here comes the Judge | 0:01:11 | 0:01:14 | |
# Order in the courtroom Here comes the Judge. # | 0:01:14 | 0:01:17 | |
Dan Rowan and...Dick Martin. | 0:01:17 | 0:01:20 | |
After Rowan And Martin's Laugh-in, Lloyd fell in love with an English rose and said goodbye to America. | 0:01:20 | 0:01:28 | |
Really I think what persuaded me to write Are You Being Served? | 0:01:28 | 0:01:32 | |
was Joanna Lumley, my friend and ex-wife, said, | 0:01:32 | 0:01:36 | |
"You've run out of money, you've come back from America. | 0:01:36 | 0:01:41 | |
"Why not write about something you really know about? | 0:01:41 | 0:01:44 | |
"How about your time at Simpson's in Piccadilly?" | 0:01:44 | 0:01:49 | |
Meanwhile, David Croft was producing a show | 0:01:51 | 0:01:55 | |
as influential in Britain as Laugh-in was in America. | 0:01:55 | 0:01:59 | |
I am wearing a toupee. | 0:01:59 | 0:02:02 | |
A wig, if that makes it any clearer. | 0:02:04 | 0:02:06 | |
So if any of you want a good laugh, at my expense, now's your chance. | 0:02:06 | 0:02:12 | |
Cos I'm going to show it to you. | 0:02:13 | 0:02:15 | |
While Dad's Army was going from strength to strength, | 0:02:20 | 0:02:24 | |
It's Awfully Bad For Your Eyes, Darling needed expert help. | 0:02:24 | 0:02:29 | |
David Croft worked on the scripts and met Jeremy Lloyd, | 0:02:29 | 0:02:33 | |
appearing with wife Joanna Lumley. | 0:02:33 | 0:02:36 | |
The Croft and Lloyd partnership was to last longer than the marriage. | 0:02:36 | 0:02:41 | |
I think, while we were doing that, | 0:02:43 | 0:02:45 | |
he told me of a show in a department store. | 0:02:45 | 0:02:48 | |
In fact, he had written it as a gentleman's department | 0:02:48 | 0:02:53 | |
because he had experience of that. | 0:02:53 | 0:02:56 | |
I thought it'd be fun for them to share the department, | 0:02:56 | 0:03:00 | |
so there was conflict, and Are You Being Served? was born. | 0:03:00 | 0:03:05 | |
The pilot script was written in three days. | 0:03:05 | 0:03:08 | |
For Jeremy, it was easier than measuring inside legs for a living, | 0:03:08 | 0:03:13 | |
though not always as pleasurable. | 0:03:13 | 0:03:16 | |
-The lift operator should be here to help us move. -Never mind! Come along. | 0:03:16 | 0:03:21 | |
-Oh, Miss Brahms! -What? -Pull your skirt down! | 0:03:26 | 0:03:29 | |
Some of them were at Simpson's, yes. The Captain Peacocks were there. | 0:03:29 | 0:03:34 | |
Mrs Slocombes were in a department. | 0:03:34 | 0:03:37 | |
Slightly more upmarket Mrs Slocombes but the same. Mr Humphries was there. | 0:03:37 | 0:03:43 | |
Croft and Lloyd found their perfect Captain Peacock | 0:03:43 | 0:03:47 | |
in an actor displaying his tail feathers in Steptoe And Son | 0:03:47 | 0:03:51 | |
and Hancock's most famous half hour. | 0:03:51 | 0:03:55 | |
-Do you come here often? -This is my 12th time. | 0:03:55 | 0:03:59 | |
There's no need to boast! | 0:03:59 | 0:04:01 | |
-How much did you give to the Arab refugees? -Oh, really! | 0:04:01 | 0:04:05 | |
Come on. You're shouting about how much blood you've given. | 0:04:05 | 0:04:09 | |
-How much did you give to refugees? -I gave £5. | 0:04:09 | 0:04:13 | |
Oh, well, there you are. I mean... | 0:04:14 | 0:04:17 | |
'I was known as a useful type, you know. | 0:04:17 | 0:04:21 | |
'I'd do one episode of that.' | 0:04:21 | 0:04:23 | |
I didn't make a fortune but worked regularly - | 0:04:23 | 0:04:27 | |
supporting my wife and daughter. | 0:04:27 | 0:04:29 | |
But then, Are You Being Served? came along. | 0:04:31 | 0:04:34 | |
Suddenly Frank Thornton disappears and there's Captain Peacock. | 0:04:34 | 0:04:40 | |
I'm afraid the whole occasion just...overcame us. | 0:04:40 | 0:04:44 | |
Can we have a little more decorum, please? | 0:04:44 | 0:04:47 | |
In 1962, David Croft's first comedy caper was Hugh And I, with Terry Scott and Hugh Lloyd. | 0:04:48 | 0:04:55 | |
The girl in the crash helmet | 0:04:55 | 0:04:58 | |
would soon own the most famous pussy in comedy. | 0:04:58 | 0:05:01 | |
-We're going to the coast. -Brighton? | 0:05:01 | 0:05:04 | |
Nothing so common. | 0:05:04 | 0:05:07 | |
Hove. | 0:05:07 | 0:05:09 | |
I thought Mollie'd be marvellous as the frosty lady behind the counter. | 0:05:09 | 0:05:14 | |
People come in for that reason - | 0:05:14 | 0:05:17 | |
you know them and they'll make a great job of it. | 0:05:17 | 0:05:21 | |
He said, "Oh, there's something we've written with you in mind." | 0:05:21 | 0:05:27 | |
I said, "Ooh, what is it?" He said, | 0:05:27 | 0:05:29 | |
"You'll know. You'll get the script quite soon." | 0:05:29 | 0:05:33 | |
In about two weeks I got Are You Being Served? | 0:05:33 | 0:05:37 | |
From the DM stroke CR to FW stroke L&GD stroke SP, RE: T. | 0:05:38 | 0:05:44 | |
Captain Peacock? What language are you speaking? | 0:05:44 | 0:05:48 | |
After the old battleaxe, the handsome hunk. | 0:05:48 | 0:05:52 | |
Rummaging around in the ITV hit The Dustbinmen, | 0:05:52 | 0:05:56 | |
Croft got his hands on Trevor Bannister. | 0:05:56 | 0:05:59 | |
-Hey, Mam! -What? -The Dustbinmen! | 0:05:59 | 0:06:02 | |
It was enormously popular - 21.5 million viewers on its first episode | 0:06:03 | 0:06:08 | |
and maintained that for 21 episodes. | 0:06:08 | 0:06:11 | |
Never been done before or since. It's in the Guinness Book Of Records. | 0:06:11 | 0:06:17 | |
I'm like Winston Churchill, you see. | 0:06:17 | 0:06:19 | |
Naturally brilliant, but no good at exams. | 0:06:19 | 0:06:23 | |
Or, to put it another way... | 0:06:23 | 0:06:25 | |
-I'm just ignorant. -Mr Breathing, I don't care about ignorance. | 0:06:25 | 0:06:31 | |
Give us a bit of pigging bliss! | 0:06:31 | 0:06:34 | |
I went down to the famous Gerry's club, which is where all of us go, | 0:06:34 | 0:06:39 | |
and I bumped into a man called David Croft whom I'd not met before. | 0:06:39 | 0:06:44 | |
He said, "I'm glad I've met you. I have a script for a pilot and I want you to do it." | 0:06:44 | 0:06:51 | |
I said, "Oh, well. Great, fine." | 0:06:51 | 0:06:53 | |
I read it and, er...thought it very amusing. | 0:06:53 | 0:06:57 | |
Croft added little-known actors Nicholas Smith, | 0:06:57 | 0:07:00 | |
John Inman and Wendy Richard to make the gang complete. | 0:07:00 | 0:07:04 | |
The pilot was recorded and they waited for Are You Being Served? to debut in the Comedy Playhouse. | 0:07:04 | 0:07:11 | |
If the ratings were good, and the management liked it, it was on. | 0:07:11 | 0:07:16 | |
The BBC didn't like the pilot. | 0:07:16 | 0:07:18 | |
They disliked it so much, that when the series of short plays | 0:07:18 | 0:07:23 | |
called Comedy Playhouse was on, they didn't show it. | 0:07:23 | 0:07:28 | |
And then they had a disaster at the Olympic Games in Munich, | 0:07:28 | 0:07:33 | |
where there was a terrible tragedy. | 0:07:33 | 0:07:36 | |
They suddenly had blank screens, they needed something, | 0:07:36 | 0:07:40 | |
and somebody reached for the nearest show - Are You Being Served? | 0:07:40 | 0:07:44 | |
They put it on, 19 million people saw it and sufficient numbers of them absolutely loved it. | 0:07:44 | 0:07:51 | |
And we took off from that. | 0:07:51 | 0:07:54 | |
It got such a reaction, they said, "We'll book this one for a series." | 0:07:55 | 0:08:00 | |
And that was it. | 0:08:00 | 0:08:02 | |
But that wasn't quite it. | 0:08:02 | 0:08:05 | |
The BBC were unsure about giving Grace Brothers their custom. | 0:08:05 | 0:08:10 | |
One of the staff was causing a problem. | 0:08:10 | 0:08:13 | |
-Camping! -I beg your pardon... | 0:08:13 | 0:08:16 | |
Bill Cotton, running the BBC, said, | 0:08:16 | 0:08:19 | |
"The show's wonderful, get rid of the poof." | 0:08:19 | 0:08:22 | |
And I thought, which one's that? "John Inman." | 0:08:22 | 0:08:25 | |
I said, "He's a sissy. He's a bit of a mother's boy and he walks funny." | 0:08:25 | 0:08:31 | |
But it never occurred to me that he was overtly a homosexual. | 0:08:31 | 0:08:36 | |
I said, "Bill, there's no show without a poof. It's vital." | 0:08:41 | 0:08:47 | |
And David is reputed to have said, "Well, if the poof goes, I go!" | 0:08:47 | 0:08:52 | |
The poof stayed. | 0:08:52 | 0:08:55 | |
The poof stayed, Are You Being Served? opened for business | 0:08:55 | 0:08:59 | |
and audiences flocked to it like the first day of the Harrods sale. | 0:08:59 | 0:09:04 | |
There was no honeymoon period before we really got up and running on the first series after the pilot. | 0:09:04 | 0:09:10 | |
Sometimes you get a mix of actors and it might take them two series, | 0:09:10 | 0:09:16 | |
even longer when you've got a largish cast, | 0:09:16 | 0:09:19 | |
for them to really know each other, to trust each other. | 0:09:19 | 0:09:23 | |
And...that wasn't the case with us. | 0:09:23 | 0:09:26 | |
-Morning Mrs Slocombe, Miss Brahms. -Captain Peacock. -One minute late. | 0:09:26 | 0:09:32 | |
You're lucky to have me at all, Captain Peacock. I had to thaw me pussy out before I came. | 0:09:32 | 0:09:38 | |
When they came to a scene they knew how to work on it, to rehearse it, | 0:09:38 | 0:09:44 | |
where the laughs were, timing. | 0:09:44 | 0:09:47 | |
It took 70 million years to build resources of coal and oil. | 0:09:47 | 0:09:51 | |
-In the space of 70 short years, man has ravished them. -Typical of men! | 0:09:51 | 0:09:56 | |
The fact is, we cannot get enough. | 0:09:57 | 0:10:00 | |
BOTH: True. | 0:10:00 | 0:10:02 | |
They knew how to play an audience and hear the reaction | 0:10:02 | 0:10:07 | |
and it's a great art. They were absolute masters at it. | 0:10:07 | 0:10:12 | |
Keeping men interested in shopping was Wendy Richard as Miss Brahms. | 0:10:12 | 0:10:17 | |
Leggy, lippy - a saucy seaside postcard come to life. | 0:10:17 | 0:10:20 | |
You've got a problem there. | 0:10:20 | 0:10:23 | |
-Well, you men should know. -We haven't got the same problem. | 0:10:23 | 0:10:29 | |
I remember at work saying something about, "I'm the sex symbol" | 0:10:29 | 0:10:33 | |
and John Inman said, "No, it's me." | 0:10:33 | 0:10:36 | |
And I believed him. But, if you saw the fan mail and stuff I got... | 0:10:36 | 0:10:40 | |
I was so thick - Wendy, not Miss Brahms - | 0:10:40 | 0:10:44 | |
that I didn't realise, you know, to a load of Americans and other chaps, | 0:10:44 | 0:10:50 | |
Miss Brahms really was quite a sex symbol. | 0:10:50 | 0:10:54 | |
And I never realised. | 0:10:54 | 0:10:56 | |
Wendy had previously been in ITV's Please Sir! and On The Buses | 0:10:56 | 0:11:02 | |
and was also the first Essex girl in ancient Rome. | 0:11:02 | 0:11:07 | |
Soppia! Please! Leave him alone, the young master. | 0:11:07 | 0:11:10 | |
I know where he hasn't been. Now, find your straws and get out. | 0:11:10 | 0:11:16 | |
-I've still got them on. -Straws, not drawers! | 0:11:16 | 0:11:20 | |
Ooh, she is common! She really is. | 0:11:22 | 0:11:25 | |
-Oh, you mean those straws. -Straws, yes. Come on, then. | 0:11:25 | 0:11:29 | |
-Here you are. Having another raffle? -What? -Raffle. -Yes. | 0:11:29 | 0:11:33 | |
This time you aren't the prize! Oh, dear, poor soul. | 0:11:33 | 0:11:38 | |
What a weight to carry all day. | 0:11:40 | 0:11:43 | |
Wendy had also appeared in Dad's Army and The Likely Lads. | 0:11:43 | 0:11:47 | |
Her earliest link with Croft was an episode of Hugh And I, now lost. | 0:11:47 | 0:11:52 | |
It began her comedy partnership with Mollie Sugden. | 0:11:52 | 0:11:57 | |
I think it was probably one of her first jobs. She was very young. | 0:11:57 | 0:12:02 | |
And, er...so we had a little basis to start with. | 0:12:02 | 0:12:06 | |
She was wonderful to be behind the counter with. | 0:12:06 | 0:12:10 | |
We spent a lot of time behind that counter. | 0:12:10 | 0:12:14 | |
Mostly, if you're not doing a scene on television, you just go away and chat. | 0:12:14 | 0:12:21 | |
You couldn't in Are You Being Served?, | 0:12:21 | 0:12:24 | |
because there was a chance they would see you in the background. | 0:12:24 | 0:12:29 | |
You had to be behind the counter. I can't think of anyone I'd rather be behind a counter with than Wendy. | 0:12:29 | 0:12:36 | |
She was so interesting, and fascinating, and, er...great fun. | 0:12:36 | 0:12:41 | |
So...and there was a slight mother and daughter feeling about it. | 0:12:41 | 0:12:47 | |
There still is a bit. | 0:12:47 | 0:12:50 | |
I-I still...worry about her and... | 0:12:51 | 0:12:53 | |
..want the best for her. | 0:12:54 | 0:12:57 | |
By the third series the show had entered the national consciousness | 0:12:57 | 0:13:02 | |
and workplaces would ring with, "I'm free!" | 0:13:02 | 0:13:06 | |
Everyone had a favourite. A number rooted for big-ears in the office. | 0:13:06 | 0:13:12 | |
-Everything down, Miss Ainsworth? -I've taken it down. | 0:13:12 | 0:13:15 | |
"Knock, knock. I believe you wanted a word. | 0:13:15 | 0:13:19 | |
"I've been waiting, Mr Grainger. | 0:13:19 | 0:13:22 | |
"Do you recognise this book? | 0:13:22 | 0:13:24 | |
"Yes. Take everything down, Miss Ainsworth. I've taken it down." | 0:13:24 | 0:13:29 | |
Don't put down what YOU say! | 0:13:30 | 0:13:33 | |
-Shall I put that down? -No! Let's start again. | 0:13:34 | 0:13:38 | |
The thing about Rumbold, I read the first script and thought, he's an eager idiot. | 0:13:38 | 0:13:43 | |
He misunderstands everything. He's also devious. | 0:13:43 | 0:13:47 | |
Like many of the cast, Nicholas Smith was no stranger to comedy when David Croft came calling. | 0:13:47 | 0:13:54 | |
He'd been in Doctor In The House, Up Pompeii and The Liver Birds | 0:13:54 | 0:13:59 | |
and had perfect preparation for Rumbold on The Frost Report. | 0:13:59 | 0:14:05 | |
The council has decided to advance a grant to improve your property. | 0:14:06 | 0:14:12 | |
You're going to have a row of pylons across your vegetable patch. | 0:14:12 | 0:14:16 | |
He thought hard about Are You Being Served? So pin your ears back for Mr Rumbold's theory of comedy. | 0:14:16 | 0:14:23 | |
It's extremely difficult, I think, in modern society | 0:14:23 | 0:14:27 | |
to write comedy either for theatre or television or films, | 0:14:27 | 0:14:32 | |
because most comedy is based on there being rules you can't break. | 0:14:32 | 0:14:38 | |
I think I should tell you, Sir, we're not doing the dance. | 0:14:39 | 0:14:43 | |
-But you've got to. -The answer is no. | 0:14:43 | 0:14:47 | |
You've got to find a situation where there are rules. | 0:14:47 | 0:14:51 | |
If I topple, I'll drag you with me. You get nowhere without a reference. | 0:14:51 | 0:14:55 | |
-The men are behind me, Sir. -True. | 0:14:55 | 0:14:59 | |
Nicholas is right. Take away the funny costumes and Bavarian Oompah band | 0:14:59 | 0:15:05 | |
and Are You Being Served? Is a comedy of manners in an institution. | 0:15:05 | 0:15:11 | |
Add some catchphrases and pussy jokes...and fame awaits. | 0:15:11 | 0:15:16 | |
I was decorating my bathroom. | 0:15:16 | 0:15:18 | |
Er...when it first happened and... | 0:15:20 | 0:15:22 | |
I went for some thinners, for some turpentine, to Woolworth's in Portobello Road. | 0:15:22 | 0:15:29 | |
I lived in Notting Hill Gate, then. | 0:15:29 | 0:15:31 | |
I was attacked by several ladies with prams screaming, | 0:15:31 | 0:15:35 | |
"There he is!" It went in a phase. It was, that's him from the shop, | 0:15:35 | 0:15:41 | |
that's Mr Humphries and then, thank God, it went to - | 0:15:41 | 0:15:45 | |
Ooh, look, there's John Inman. | 0:15:45 | 0:15:47 | |
It was a great success and at one time we had over 20 million viewers. | 0:15:47 | 0:15:53 | |
When it's on now there are younger viewers who enjoy it. | 0:15:53 | 0:15:57 | |
By 1977, Are You Being Served? was so successful that the obligatory movie of the hit series was made. | 0:15:57 | 0:16:05 | |
The comedy connections start shooting off in all directions as the stars get their own shows. | 0:16:05 | 0:16:11 | |
John Inman was lured to ITV with his own show and new character. | 0:16:11 | 0:16:17 | |
Well, sort of. | 0:16:17 | 0:16:19 | |
And THIS is what I want. | 0:16:20 | 0:16:23 | |
Hundreds on the assembly line. We must keep the wheels | 0:16:23 | 0:16:27 | |
of this rock factory turning faster than ever! | 0:16:27 | 0:16:31 | |
Turn the wheel and let's get cracking! | 0:16:31 | 0:16:35 | |
Jeremy Lloyd and David Croft | 0:16:41 | 0:16:43 | |
gave Mollie Sugden a star vehicle that sent her into space. | 0:16:43 | 0:16:48 | |
Do you know, I still get letters saying, when will you do more? | 0:16:49 | 0:16:54 | |
At my age! Can you imagine me floating about on a wire now? | 0:16:54 | 0:16:58 | |
Come Back Mrs Noah was a good idea which David Croft had about, um... | 0:17:06 | 0:17:12 | |
using, um...Mollie Sugden, basically, | 0:17:12 | 0:17:15 | |
as a lady that won an atomic kettle in the year 2035 | 0:17:15 | 0:17:20 | |
and went to the British space station to investigate it, | 0:17:20 | 0:17:24 | |
pressed a button and it took off with a bulb changer, two scientists | 0:17:24 | 0:17:29 | |
and somebody else who couldn't do anything. | 0:17:29 | 0:17:32 | |
We had great effects but only six shows cos the BBC didn't like it. | 0:17:32 | 0:17:37 | |
-But of a shock to you, Mrs Noah. -It's a bit of a shock to all of us. | 0:17:37 | 0:17:42 | |
I should think so - I've left a chicken in the oven! | 0:17:42 | 0:17:46 | |
Come Back Mrs Noah shows Croft's unofficial repertory company. | 0:17:46 | 0:17:51 | |
Ian Lavender from Dad's Army was the man in the specs. | 0:17:51 | 0:17:54 | |
Co-stars Michael Knowles and Donald Hewlett were in Dad's Army, | 0:17:54 | 0:17:59 | |
Are You Being Served? and in the 1988 comedy, You Rang M'Lord? | 0:17:59 | 0:18:04 | |
They're best remembered as Ashwood and Reynolds in Croft's next hit. | 0:18:04 | 0:18:09 | |
Teaming up with Jimmy Perry, | 0:18:09 | 0:18:11 | |
It Ain't Half Hot Mum combined a forces setting with social comedy | 0:18:11 | 0:18:16 | |
and gave us class warfare in the jungle. | 0:18:16 | 0:18:20 | |
SHUT UP! | 0:18:20 | 0:18:21 | |
The Army has its own hierarchy | 0:18:21 | 0:18:24 | |
and everybody knows what it is. | 0:18:24 | 0:18:26 | |
Is that the only hat you've got, Gunner? | 0:18:26 | 0:18:30 | |
Yes, Sergeant Major. It's MO's orders. | 0:18:31 | 0:18:34 | |
It protects me head from the sun. I've got very thin skull bones. | 0:18:34 | 0:18:39 | |
-Well, you know why that is, don't you? -No. -You've got a huge brain. | 0:18:39 | 0:18:45 | |
It's rubbing inside and wearing your head out. | 0:18:45 | 0:18:48 | |
When you're on location and you have a lot of extras on the show, | 0:18:48 | 0:18:53 | |
er...you find that the private extras gather in one section | 0:18:53 | 0:18:58 | |
and the officers gather in another section... They're all extras! | 0:18:58 | 0:19:04 | |
They sort of associate with their own rank. | 0:19:04 | 0:19:08 | |
I say! These are working men's caps. | 0:19:09 | 0:19:13 | |
I was in India, um...and Malaya | 0:19:14 | 0:19:17 | |
and my partner Jimmy Perry ran a concert party for the royal artillery in India. | 0:19:17 | 0:19:23 | |
-It was second nature. -Any complaints? | 0:19:23 | 0:19:26 | |
-If I may say so - the diet is very monotonous. -Monotonous? | 0:19:26 | 0:19:31 | |
Monday you had corned beef hash, Tuesday corned beef fritters. | 0:19:31 | 0:19:36 | |
What's monotonous? | 0:19:36 | 0:19:39 | |
-Not bad, Sir. The only trouble is they get the same thing every day. -It's as bad for us. | 0:19:39 | 0:19:45 | |
I'm fed up with chicken. | 0:19:45 | 0:19:47 | |
'Jimmy and David would observe people's mannerisms.' | 0:19:47 | 0:19:52 | |
I remember an incident in Ain't Half Hot when Donald was in the Navy, | 0:19:52 | 0:19:57 | |
during the war, and was chatting at my desk. | 0:19:57 | 0:20:01 | |
He said, "I was in the Navy. I did training - the worst two weeks of my life before I was commissioned." | 0:20:01 | 0:20:08 | |
A few weeks later, this was in the script. | 0:20:08 | 0:20:12 | |
-When I was in ranks the food was uneatable - worst two weeks of my life. -Carry on! | 0:20:12 | 0:20:19 | |
With material that close to hand, no wonder the hits kept coming. | 0:20:19 | 0:20:24 | |
David Croft moved into the '80s with Oh, Happy Band and Hi De Hi. | 0:20:24 | 0:20:29 | |
A kind of It Ain't Half Cold Mum in a holiday camp. | 0:20:29 | 0:20:33 | |
Meanwhile, his protegee Mollie Sugden | 0:20:33 | 0:20:36 | |
was larger than life in That's My Boy, which ran for six series - | 0:20:36 | 0:20:40 | |
five more than John Inman's Take A Letter, Mr Jones. | 0:20:40 | 0:20:43 | |
That was lucky because he was free to go down under | 0:20:43 | 0:20:47 | |
and remake Are You Being Served? which couldn't live without him. | 0:20:47 | 0:20:53 | |
The excuse was made that they couldn't find anybody camp enough. | 0:20:53 | 0:20:58 | |
But, when I got there, that was totally untrue. | 0:20:58 | 0:21:02 | |
Welcome, Mr Humphries. I'm Mr Dunkley I'm very proud of my floor. | 0:21:02 | 0:21:07 | |
You've got a nice shine. What polish do you use? | 0:21:07 | 0:21:11 | |
I wasted a lot of videotape because I couldn't remember their names. | 0:21:11 | 0:21:16 | |
Having done so many episodes with Slocombe and Peacock, | 0:21:16 | 0:21:21 | |
it was difficult to remember Crawford and Wagstaff. | 0:21:21 | 0:21:24 | |
-Mrs Crawford and Miss Buxton, her junior. -May I say how pleased we are and I am unanimous in this | 0:21:24 | 0:21:31 | |
and that goes for my assistant. | 0:21:31 | 0:21:34 | |
Mr Bankovitch will be over you and Mr Randall will be under you. | 0:21:34 | 0:21:40 | |
Just like being at home! | 0:21:40 | 0:21:42 | |
At home, audiences hadn't taken to Oh, Happy Band but Hi De Hi, with its nostalgic setting, | 0:21:42 | 0:21:49 | |
and familiar characters, became a ratings smash. | 0:21:49 | 0:21:53 | |
# ..Off we go again... # | 0:21:53 | 0:21:57 | |
I used to produce shows at Butlin's and Jimmy Perry was a redcoat. | 0:21:57 | 0:22:03 | |
We knew all about the Butlin world | 0:22:03 | 0:22:06 | |
and the structure of holiday camps. | 0:22:06 | 0:22:10 | |
# Be sincere | 0:22:10 | 0:22:13 | |
# In everything you do | 0:22:14 | 0:22:19 | |
# Be sincere Is all I ask of you. # | 0:22:20 | 0:22:27 | |
It was a world we knew well | 0:22:27 | 0:22:29 | |
and we depicted it, I think. | 0:22:29 | 0:22:32 | |
HI DE HI-I-I-I! | 0:22:35 | 0:22:39 | |
So, between 1968 and 1982, David Croft and collaborators Jimmy Perry and Jeremy Lloyd | 0:22:40 | 0:22:47 | |
had created Dad's Army, Are You Being Served?, | 0:22:47 | 0:22:51 | |
It Ain't Half Hot Mum and Hi De Hi. | 0:22:51 | 0:22:54 | |
That's four more sitcoms than most people manage in an entire career. | 0:22:54 | 0:22:59 | |
But the question was, what next? | 0:22:59 | 0:23:02 | |
We finished Are You Being Served? then we decided we'd write something sort of Upstairs Downstairs, | 0:23:02 | 0:23:09 | |
and we had two days on that and we were just doing the downstairs part and I wasn't enjoying it. | 0:23:09 | 0:23:16 | |
Either something's going or not. | 0:23:16 | 0:23:18 | |
So I lay under the table to have a think and thought, | 0:23:18 | 0:23:22 | |
what about the French Resistance? I phoned and he was in bed. I said, "I'm not enjoying what we're doing. | 0:23:22 | 0:23:29 | |
"What about the French Resistance?" | 0:23:29 | 0:23:32 | |
Oh, Rene! | 0:23:32 | 0:23:35 | |
-Oh, Yvette! -At last we are alone! | 0:23:35 | 0:23:37 | |
Hold me! Kiss me! | 0:23:37 | 0:23:40 | |
Oh! | 0:23:40 | 0:23:42 | |
It seems so very long. | 0:23:43 | 0:23:46 | |
What does? | 0:23:46 | 0:23:48 | |
It seemed an ideal setting because there was danger, excitement, er... | 0:23:48 | 0:23:53 | |
seduction. You know, generals to find out what the plans were, etc. | 0:23:53 | 0:23:58 | |
Um...hiding people. The central thing is a cafe everyone comes to. The perfect set, really. | 0:23:58 | 0:24:06 | |
-Good moaning. -You stupid woman! | 0:24:06 | 0:24:09 | |
When we had the best of any pair or threesome, in any scene, | 0:24:09 | 0:24:13 | |
we could cut elsewhere quickly. | 0:24:13 | 0:24:16 | |
-Listen very carefully - I shall say this only once. -Heil Hitler! -Club! | 0:24:16 | 0:24:21 | |
-It has great pace. -You will put it in 'ere and clip it to a pigeon. | 0:24:21 | 0:24:27 | |
You, Rene, will write about the uniforms we require. | 0:24:27 | 0:24:31 | |
Here is the paper supplied with the cylinder. | 0:24:31 | 0:24:35 | |
-What shall I say? -To London, | 0:24:35 | 0:24:38 | |
please supply urgently, by parachute | 0:24:38 | 0:24:40 | |
drop at your earliest convenience, | 0:24:40 | 0:24:43 | |
German uniforms as follows... | 0:24:43 | 0:24:45 | |
With 'Allo 'Allo, Croft and Lloyd perfected the style of comedy they first used on Are You Being Served? | 0:24:45 | 0:24:52 | |
Find a situation full of conflict, | 0:24:52 | 0:24:54 | |
fill with strong characters and add catchphrases and gags. | 0:24:54 | 0:24:59 | |
Make it nostalgic and satirical at the same time - et voila! | 0:24:59 | 0:25:04 | |
The partnership couldn't end without those who brought it together. | 0:25:04 | 0:25:09 | |
In 1992, they took Grace Brothers away from the shop floor | 0:25:09 | 0:25:13 | |
and gave them a country hotel. | 0:25:13 | 0:25:16 | |
In Grace And Favour we actually went on location. | 0:25:16 | 0:25:20 | |
Lovely locations in the Cotswolds, | 0:25:20 | 0:25:22 | |
on a farm. It was... It was great fun. | 0:25:22 | 0:25:26 | |
There's a rumour that you weren't on your own last night. | 0:25:26 | 0:25:30 | |
I wonder where that came from! | 0:25:30 | 0:25:33 | |
Well, don't look at me! | 0:25:33 | 0:25:36 | |
Do you know? I don't feel like breakfast. I'll go for a manly walk. | 0:25:36 | 0:25:42 | |
I might pop into the village and buy a pipe... | 0:25:47 | 0:25:51 | |
-DEEP VOICE: -..and a couple of ounces of St Bruno. | 0:25:51 | 0:25:54 | |
In my opinion it should never have been called Grace And Favour. | 0:25:54 | 0:25:58 | |
It should be, as it is in America, Are You Being Served Again? | 0:25:58 | 0:26:03 | |
Some of the others didn't like it so much because we lost this hierarchical thing we had before. | 0:26:03 | 0:26:10 | |
I said to Jeremy, when we did the second series, | 0:26:10 | 0:26:14 | |
"I think it ought to be emphasised Rumbold is managing the hotel. | 0:26:14 | 0:26:19 | |
"Thus, we can produce friction." And he said, "I think you're right." I think that's what happened. | 0:26:19 | 0:26:25 | |
In 1995, David Croft OBE produced one last series for the BBC | 0:26:25 | 0:26:31 | |
and marked the privatisation of the railways by taking a swipe at the industry in Oh, Dr Beeching! | 0:26:31 | 0:26:38 | |
But like the age of steam, | 0:26:38 | 0:26:40 | |
it looked like Croft's style of comedy had run out of puff. | 0:26:40 | 0:26:45 | |
On the train! | 0:26:45 | 0:26:47 | |
Lots of us are all part of David Croft's repertory company. | 0:26:47 | 0:26:52 | |
In fact, years ago, on David's This Is Your Life, I sat with Mollie | 0:26:52 | 0:26:56 | |
and we had tears in our eyes because we're very proud of David, apart from being fond of him. | 0:26:56 | 0:27:03 | |
I looked at everyone and I thought, "He's made stars of all of you." | 0:27:03 | 0:27:08 | |
With hindsight, how fortunate to be in that period | 0:27:08 | 0:27:12 | |
of great comedies and to be part of them. | 0:27:12 | 0:27:15 | |
It's belonging to a fellowship, I suppose, that I don't think will be repeated. | 0:27:15 | 0:27:21 | |
That was a golden vein, no longer there. | 0:27:21 | 0:27:25 | |
For many of us they'll always be ready to serve, | 0:27:28 | 0:27:31 | |
in a store that will be forever England. | 0:27:31 | 0:27:35 | |
This gentleman is going to a fancy dress do and wishes to use the gent's facilities to try it on. | 0:27:35 | 0:27:41 | |
The gentleman's department will be suitable. | 0:27:41 | 0:27:45 | |
-This way, please. -Thank you. | 0:27:45 | 0:27:48 | |
Mr Grainger, are you free? | 0:27:48 | 0:27:50 | |
Sorry, Captain Peacock - I'm going to have my coffee in the staff cafe. | 0:27:50 | 0:27:56 | |
Mr Humphries, are you free? | 0:27:56 | 0:27:59 | |
I'm busy pricing ties, Captain. | 0:27:59 | 0:28:01 | |
-The gentleman wishes to try on a dress. -I'm free! | 0:28:01 | 0:28:05 |