Episode 4 Connie's Musical Map of Wales


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Connie!

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You may remember me from a place that was alive

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with the sound of music.

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Well, I've been set free to explore a much more beautiful place

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where the hills truly are alive with the sound of music.

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I'm taking a magical mystery tour

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to draw my very own musical map of Wales.

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I'll be travelling the length and breadth of the country,

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meeting some fabulous people...

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I used to be where you are.

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..all with wonderful talents...

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# That will bring us back to... #

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..and amazing tales to share.

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Hold on for a bumpy ride.

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I haven't driven a car in 10 years. It's really fine, honestly.

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Famous last words!

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# When you're 16 going on 17

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# Waiting for life to start... #

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I'm slightly biased, but I think this journey will take us

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through the most stunning part of Wales -

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Pembrokeshire, my old home.

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I'll be going back to many of my old haunts as I travel the country

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and coast of God's own county.

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It's going to be a beautiful ride.

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And my travelling companion

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is one of the very few remaining Welsh-built cars, the Gilbern -

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or Gilbert, as I've christened him.

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We'll get there, Gilbert, come on.

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His age and my driving have been a challenge,

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but I'm confident now I'm back home.

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I know these roads like the back of my hand.

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Pride before a fall!

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As I drive across the Preseli hills

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towards the first destination on my map,

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I think I've got time to stop off

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to let you in to a little secret from way back when.

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All those years ago, locals would spot a waif-like girl

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walking across the beautiful hills and if they got close enough,

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they might even think I was more than a little odd.

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I didn't talk to myself but I did sing to myself.

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SHE HUMS

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Little did I know!

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# The hills are alive

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# With the sound of music

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# With songs they have sung for a thousand years...

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I've sung that song a thousand times in theatres around the UK,

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but if I don't get a move on, I'll be in trouble with my first ever singing teacher.

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The thing about Pembrokeshire is that it has lots of windy lanes

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and where I lived growing up, there were many a winding road.

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I used to bomb down these roads on the way to choir practice

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in Maenclochog and that's where I'm headed now.

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# Long and winding road to Maenclochog...

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# In the Gilbert! #

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So here I am in Maenclochog, a place I'm very familiar with

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because I spent every weekend I can remember of my childhood

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singing in Cor Iua Newyddion Da.

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That's a fabulous choir led by Marilyn Lewis

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and they're in there at the moment rehearsing for an eisteddfod,

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so I'm here to surprise them at their dress rehearsal.

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They sound pretty good, under-12s.

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Amazing.

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Here we go.

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Da iawn! Helo!

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Surprise? THEY ALL LAUGH

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They're very quiet.

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Ffion's face is full of surprise!

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-How are you, sweetheart?

-Good to see you!

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I used to be where you are.

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Can I sit at the back and be quiet?

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No, take over if you want to because I'm feeling old now.

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Go on, then, give me your best rendition. I'll give it a shot.

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THEY SING IN WELSH

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Being here brings back so many memories

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and my first lesson with Marilyn really cut me down to size.

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And I went to the singing lesson thinking, "I'm quite good, yeah."

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Came out crying. I was in tears.

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At that time, you used to say to your parents after many a lesson,

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"I'm never going back again," and they had to work on her to come back.

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If she hadn't, she wouldn't have got where she was now.

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No, I don't go out to make them cry. It's just...

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It is tough love.

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If you want to go down into the entertainment,

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you know how much of a back-stabbing life it is.

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People will drag you down and you've got to be hardened

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for the outdoor life.

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But you were focused for the stage from the beginning.

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You just lived it and that's what I see

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in a couple that are coming up here again,

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and I really think some of those, you'll hear of in time.

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Who would you prefer to conduct you in the eisteddfod tomorrow?

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-Me or that woman there?

-Connie.

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What?!

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Helen Hunt, your days are numbered!

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This isn't in my contract, right?

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No, it's a dangerous life you lead!

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Well, you've got some mistakes so let's see if Connie

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can pick them out.

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Right, here we go, then.

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Believe it or not, this is the first time I've ever properly conducted

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and I always thought it was so easy,

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but with 12 pairs of eyes focused on your every move

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for the beat and rhythm, I'm starting to realise

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I don't know my crotchet from my quaver.

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# Hallelujah, hallelujah... #

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For me and the children, this eisteddfod's no laughing matter.

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# Hallelujah, hallelujah... #

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If we don't keep the little eisteddfodau going,

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there won't be any big ones.

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You have to feed the big ones.

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Like the eisteddfod in little Brynberian in north Pembrokeshire

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is really important.

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Very important to us.

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It's a great platform, I think, which other countries don't have.

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-This is why we're called the land of song.

-Definitely.

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And you know what I said about leaving singing lessons crying?

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I could leave my conducting lesson in tears too.

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Right, OK, we'll work the ending.

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Maz, you've come to save the day!

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You know, I really think I have!

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Well, if we're going to win, we might need your help.

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Conduct in a strict four meter.

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OK. Conduct a strict four meter. What does that mean?

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Un, dau, tri...

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OK.

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THEY SING

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Speak with your eyes.

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Yes.

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# Hallelujah, hallelujah.

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# Hallelujah...

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# Hallelujah, hallelujah

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# Hallelujah... #

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One, two, three, four, five,

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six, seven, eight, nine, ten, off!

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Yeah!

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Ah! OK, there's a part of me that's laughing and smiling.

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The other part of me's really nervous because I now have

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a new song to learn, to learn how to conduct, learn the words

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and learn to clap in time. How am I going to learn this?

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I'm really, really nervous.

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And there's not even time to do my homework,

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as I've got a very important appointment further west

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in the cathedral city of St David's.

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But I can't resist going the pretty way

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to revive sweet memories and pass through some old haunts.

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It's a bit weird coming back. It's like a musical time warp.

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# Let's do the time warp again. #

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Hands on the wheel at all times.

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I love Newgale.

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Seven miles of beach, did you know that? Seven miles.

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Who could get bored of that?

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I don't think there's anything nicer for me than to come home

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and come to Newgale.

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I used time out here as a teenager. This was my misspent youth.

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Hanging around, did a bit of body boarding, once maybe...

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Throw pebbles at bottles, have bonfires, barbecues,

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bit of camping. What more could you want?

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Ah, maybe a bit of singing as well.

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Even the summers were hotter back then - but enough nostalgia already,

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as I'm moving seamlessly on from Beach Boys to choir boys.

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I'm heading up the coast road to a very different place

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with a very different musical tradition.

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ORGAN MUSIC PLAYS

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St David's cathedral has resounded to the chords of celestial music

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for over six centuries.

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Tens of thousands of worshippers and some amazing musicians

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have made music within these hallowed walls.

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I haven't been here since I was a teenager

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with the John S Davies choir.

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We came here to perform Handel's Messiah. You know the one...

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SHE VOCALISES

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That one. You can hear the beautiful acoustic.

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The only trouble was, I wasn't really happy

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stood in the front row with the Messiah in front of me.

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I wanted to give it all that...

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That wasn't really allowed in the choir.

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# Hallelujah, hallelujah

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# Hallelujah, hallelujah... #

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And if there's one instrument other than the human voice

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that feels perfect here, it's the organ.

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I've got an appointment with cathedral organist, Alex Mason.

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He might even let me have a go.

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Alex, thank you so much for meeting with me.

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You're possible the hottest organist I've met, quite young.

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Tell me, what's the actual link between the organ

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and music in worship? Why not a flute, why not a fiddle?

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The reason the organ won the day was because of its sheer power

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and as congregations grew,

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you needed an instrument which could lead hymn singing.

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An observation, playing the organ is quite a dance, isn't it?

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You're sat there and your legs don't actually touch the ground.

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Organists are probably the most athletic musicians on the planet.

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And you've to be able to almost balance from your sitting bones

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and reach the keys and use your feet at the same time.

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-So you've got a good six-pack.

-Absolutely, yes.

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I was wondering if you could teach me maybe a tune on the organ.

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I think so. Shall we go on up?

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Let's do it.

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After you.

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So we're in the nerve centre where the magic happens,

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where the music all happens.

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Where do you start? What do all these knobs do?

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Each one controls a different sound on the organ.

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We've got some which are called flutes.

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-I play one of those.

-And they sound like flutes really.

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HE PLAYS NOTES

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Very serene, lovely.

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On top of the one, two, three, four layers, there are 30 stops.

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You've got, what, 15 pedals as well.

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We've got a whole keyboard down here

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so I can play tunes or just baselines with my feet.

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Listen to this.

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LOW, GRINDING NOISES

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I don't know what to say to that really.

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That was a surprise for an organ.

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What's your favourite sound the organ makes?

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I love the power of the full organ.

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POWERFUL, VOLUMINOUS MUSIC

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I love it and your feet are doing a tip-tap dance routine.

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Yes, the feet are going too.

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-OK.

-Shall we swap places?

-OK, fine.

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The gloves are off. That's it.

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-Pull out all the stops for this.

-Are you having all the stops?

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-I was joking!

-Go on, do it, just play a really big chord.

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LOUD CHORD

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Yeah, now with your left foot, play the bottom C down there.

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-Can you see that?

-Yeah, the bottom C.

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-No!

-Now put that chord on top.

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-So these are notes as well as these?

-Yeah, exactly.

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DENSE AND DRAMATIC MUSIC

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-Wow!

-Great! Shall we try a piece.

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-Do you know Baa Baa Black Sheep?

-Yes, I think I do.

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OK, shall I do the chord and you do the right hand.

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Three, and...

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SONG: "Baa Baa Black Sheep"

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Right.

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-I love it!

-Brilliant!

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Well, I think if I keep working at it, one day I'll rival Alex.

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Or, maybe not!

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But no time for an encore as Gilbert and I are back on the road again

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heading some 20 miles further up the coast.

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But my vintage ride seems to be having a bit of a senior moment.

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It's a bit worrying when Gilbert does that,

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especially with the big silage lorry going past.

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This part of Pembrokeshire has been hugely influenced by the sea,

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in work, play and music.

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My next port of call, Fishguard, has been a port for centuries,

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welcoming sailors, travellers and a range of musical influences.

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All my life, I've lived in Pembrokeshire and I've never been down here.

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I'm about to discover exactly what I've be missing,

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as I find out about the local tradition of singing sea shanties.

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# In Yarmouth town, there lived a man

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# And he kept the tavern by the Strand

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# The landlord had a daughter fair

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# A plump little girl with long, blonde hair...#

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Sea shanties like this were heard on ships and in port.

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Gary Jones is determined that they still be heard for many a year.

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What we have got here is a port which, at one time,

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had 150 sailing ships.

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Sea shanties are work songs.

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The guys who used to work the ships here were known for singing as they worked.

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The whole idea is if you've got a beat, you are busy pulling together.

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One, two, three, one, two, three and so on.

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And different songs for different jobs.

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So you had long-haul, short-haul, pump shanty...

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If you're working the pump you worked a different tune, different beat.

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It was always said that the sea shanty could improve their performance by 25%.

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-Really?

-So if your crew men all pulled together,

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a sea shanty would make them work quicker and better.

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-I should do it while I'm cleaning, I'd get more done.

-I think you could.

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So can anyone join in on the sea shanty?

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Yes, you don't have to know the words at all.

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Only one person knows the words and that's the shanty man,

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he sings the verse and the chorus you pick up.

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# In South Australia I was born.

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# Heave away, haul away!

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# In South Australia round Cape Horn

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# Bound for South Australia

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# Haul away, you rowing kings

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# Heave away, haul away!

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# All the way you'll hear me sing

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# We're bound for South Australia. #

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-What's unique about the sea shanty in Fishguard?

-It's the only place

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where you've got a weekly folk music session in probably the whole of west Wales.

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-And that happens in these pubs?

-It happens in these pubs.

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# Haul away...

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It would have been on board ship years ago,

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but nowadays it's pubs and it's spontaneous

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and it's traditional and it's not a revival, it's something that's always happened

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and still keeps going, which is nice.

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-Why keep this traditional alive, then?

-It's really good fun!

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OK, girls, we're gonna get a lot of action in this.

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This is a hauling shanty and we're gonna haul a mast up aloft.

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-OK? Are you ready?

-Arr.

-Arr.

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# One hundred years on an eastern shore

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# Oh, yes, oh!

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# One hundred years on an eastern shore

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# One hundred years ago

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# When first I went away to sea

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# Oh, yes, oh!

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# My girl said she'd be true to me

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# One hundred years ago! #

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-Oi!

-Hey!

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What's this?

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Oh, thank you!

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Swept away at sea!

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I got my crab!

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To be honest, sea shanties were a closed songbook to me

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but after this, I'll be whistling them as I work.

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Fuelled by sea shanty and sea food,

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Gilbert and I are nearly at the end of the road as we head back inland.

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I've got a couple more stops before that dreaded eisteddfod.

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No time for the faint-hearted!

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-Woo!

-MAN:

-A little bit slower...

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We'll be fine but if something goes wrong,

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luckily our next destination is connected with the music of heaven and angels.

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HARP MUSIC

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Harps are always associated with Wales.

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Well, it is heaven on earth and ours are so good, we strung them thrice.

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Wales has been the home of the triple harp for centuries

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but in the last few years, they've become an endangered species.

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I'm meeting Alun Thomas, who is trying to keep the tradition alive.

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Alun, we're here in your workshop.

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The harp is a traditional instrument to Wales.

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Tell me how you would go about making a harp?

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You break it down into three different parts.

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The neck with the tuning pins on.

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The column and the soundbox with a sound board on it.

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There's laminates used inside for strength

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and veneered on the outside to give the beauty of the natural wood.

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Do you think it's a dying tradition?

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I think I could be the only person in Wales making triple harps.

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I don't know. It would be nice if somebody did carry it on.

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Alun, do you play the harp?

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No, unfortunately, I don't. My father didn't learn to play either.

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He said he was too busy making the harps for other people to play

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and get their enjoyment out of the instrument.

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-It's all right, I know a man who can.

-Right.

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Robin Huw Bowen is one of Wales's most accomplished triple harpists.

0:18:550:18:59

I love being serenaded.

0:19:020:19:05

-Robin, you are a triple harpist.

-Absolutely.

0:19:050:19:07

-How many of you are there in Wales?

-There is not so many.

0:19:070:19:11

The one thing about the triple harp in Wales -

0:19:110:19:13

is it's still an unbroken oral folk tradition

0:19:130:19:16

that has been passed down from the time when it was much more common. It's still around.

0:19:160:19:20

Where did it originate?

0:19:200:19:23

Originally, the idea of the three rows of strings was an Italian idea.

0:19:230:19:26

An Italian invention, really.

0:19:260:19:28

A Welsh harpist in London in 1650 brought it back to Wales,

0:19:280:19:32

possibly about 1670, 1680

0:19:320:19:34

and it became known as the uniquely Welsh harp.

0:19:340:19:37

On a single row of strings you basically get do, re, me.

0:19:370:19:41

It's like two sets of the white notes of the piano with the black notes in between.

0:19:440:19:49

You have to reach through with your fingers to get at them.

0:19:490:19:52

-Can you show me?

-Yes, of course I will. Why not?

0:19:530:19:55

Something as beautiful as that has to be preserved.

0:20:080:20:11

I'm travelling 50 miles to meet someone who recently had the hottest gig in town.

0:20:140:20:20

And it was straight to the most exclusive of receptions

0:20:220:20:26

in Buckingham Palace, no less.

0:20:260:20:28

Wales and the harp are well represented by the then royal harpist, Claire Jones,

0:20:280:20:32

who played for the 600 guests.

0:20:320:20:35

She happens to be from Pembrokeshire

0:20:350:20:38

and just happens to be an old mate from our eisteddfod days.

0:20:380:20:41

Small world, big harp.

0:20:410:20:44

-Hiya!

-Hello.

-Do you remember me?

-Of course.

0:20:450:20:48

-Can I come in?

-Come in.

0:20:480:20:49

I met her just before the biggest wedding of the year.

0:20:490:20:52

-Do you remember the eisteddfod days?

-I do, more than ever.

0:20:520:20:55

I never thought I'd be playing with a royal harpist then

0:20:550:20:59

but you don't look so glamorous in this, do you?!

0:20:590:21:02

Thank you, Connie!

0:21:020:21:04

How an earth do you go from Pembrokeshire to the Palace?

0:21:040:21:07

I was asked to perform for the Prince of Wales.

0:21:070:21:10

At a private audition and the Prince of Wales stood pretty much where I'm standing here.

0:21:100:21:14

-This close, listening to me perform.

-No way!

0:21:140:21:17

Is he a bit hard of hearing?

0:21:170:21:19

I've performed for the Royal Family and Her Majesty The Queen

0:21:200:21:24

probably on about 150 occasions over the last four years.

0:21:240:21:28

That includes private performances for Her Majesty,

0:21:280:21:30

where she's come into the room

0:21:300:21:32

-and sat a few feet away and I've performed.

-No way!

0:21:320:21:36

Can I be the Queen for a second and maybe be the serenaded by you?

0:21:360:21:40

-Of course you can.

-I'm going to take my seat.

0:21:400:21:44

Oh, Claire, would you please play me a tune. I do like your playing.

0:21:440:21:49

Wow! Do you know what, your neighbours are lucky people.

0:22:150:22:18

There's such a passion when you're playing. Where does that come from?

0:22:180:22:22

It's such a huge part of our history and culture and heritage, isn't it?

0:22:220:22:26

I think it comes naturally to a lot of us!

0:22:260:22:30

-Can I maybe have a pluck?

-Of course, of course. Have a go.

0:22:300:22:34

Take a seat. If you just hold the harp between your knees, there.

0:22:340:22:38

-Gosh!

-Then just use one hand, followed by the other.

0:22:380:22:42

-Exactly!

-It was all a dream!

0:22:470:22:49

Or it could be my worst nightmare.

0:22:500:22:53

# It's a world of laughter A world of tears

0:22:570:23:01

-# It's a world of...

-OK, I can't put it off any longer.

0:23:010:23:05

I'm going have to face the ultimate test -

0:23:050:23:08

conducting the Maenclochog choir in the X Factor of all eisteddfods,

0:23:080:23:12

the final of the Under-12s choral section. OMG!

0:23:120:23:18

You film me conducting my imaginary choir.

0:23:200:23:23

I'm getting so nervous, it's ridiculous.

0:23:230:23:26

I mean, it's only Eisteddfod Gadeiriol Brynberian,

0:23:260:23:30

but feels like the Palladium. No, it feels like Wembley.

0:23:300:23:34

All they see is my back, but I have to look like I know what I'm doing.

0:23:350:23:39

One, two, three...

0:23:390:23:41

For those of you who haven't competed at an eisteddfod,

0:23:410:23:45

you may be surprised to see that we're the only choir competing.

0:23:450:23:49

That doesn't mean that we're going to get the prize. Oh, no!

0:23:490:23:52

In many eisteddfodau, the adjudicators decide that nobody is good enough to win.

0:23:520:23:56

That's meaner than Simon Cowell and Andrew Lloyd Webber on a bad night.

0:23:560:24:00

It would be worse than coming second. I mean, the shame of it!

0:24:000:24:05

APPLAUSE

0:24:120:24:13

PIANO

0:24:170:24:18

THEY SING IN WELSH

0:24:200:24:23

# Hallelujah

0:24:360:24:38

# Hallelujah

0:24:380:24:41

# Hallelujah...

0:24:410:24:42

# Hallelujah, hallelujah

0:24:450:24:48

# Hallelujah...

0:24:480:24:51

APPLAUSE

0:25:010:25:03

The official adjudicator's making too many notes for my liking.'

0:25:050:25:09

But here it comes. The results are in from the Maenclochog jury.

0:25:100:25:15

LAUGHTER AND APPLAUSE

0:25:180:25:20

-Yes! Congratulations, guys. We won. How do you feel?

-Amazing.

0:25:260:25:31

The adjudication said you had lovely, sweet voices

0:25:310:25:35

and you sang brilliantly as a group, so hopefully

0:25:350:25:38

we shall go on to win the Yr Urdd National one day.

0:25:380:25:41

Caws.

0:25:410:25:43

That was so nerve-racking, I can't tell you.

0:25:430:25:46

You know what? I'm used to standing up on stage and singing a song

0:25:460:25:50

and trying not to forget the words.

0:25:500:25:52

When I stood there conducting it, it was like doing this,

0:25:520:25:55

conducting, remembering the words, clapping.

0:25:550:25:57

I'm not sure I've got an alternate career

0:25:570:25:59

but I'm happy it's over and I did my one, two, three, four perfectly.

0:25:590:26:03

Phew.

0:26:030:26:04

Ha! Despite the doubters, Gilbert and the driver have made it back

0:26:090:26:14

to the very beginning and what a magical musical map we've drawn.

0:26:140:26:18

Well, it's been an amazing journey.

0:26:180:26:20

I've seen some stunning landscape, I've caught up with old friends

0:26:200:26:24

and I've heard some incredible home-grown talent.

0:26:240:26:26

Gilbert and I have proved Wales is truly alive with the sound of music.

0:26:260:26:33

Now it all went so well and the weather was so lovely,

0:26:330:26:37

but I did have one or two...moments.

0:26:370:26:40

Are you sitting comfortably? Then we'll begin.

0:26:400:26:44

# How do you solve a problem like Maria?

0:26:440:26:48

Da-da da-da da-di-da di-da.... da!

0:26:490:26:52

Forget Geri Halliwell. I've got the new dress.

0:26:520:26:55

I'm afraid they don't sing.

0:26:550:26:57

-Could you give me Bread Of Heaven?

-DOG BARKS

0:26:570:26:59

Not at all.

0:26:590:27:00

-Does it matter I look to the road now and again?

-MAN: No, I love it.

0:27:000:27:03

Oh, a hill start.

0:27:030:27:05

Oh! Sorry, sorry.

0:27:060:27:09

SHE LAUGHS

0:27:090:27:10

Everyone behind me's laughing.

0:27:100:27:13

This driving lark's hard, innit?

0:27:130:27:14

Sorry, the door's stuck.

0:27:160:27:19

So, I'm here...

0:27:190:27:21

SHE LAUGHS

0:27:210:27:22

Sorry.

0:27:220:27:23

-Wow, and...

-TUMMY RUMBLES

-Excuse me.

0:27:230:27:26

Don't... Agh!

0:27:260:27:28

LAUGHTER

0:27:280:27:30

# Many a thing you know you'd like to tell her

0:27:310:27:35

# Many a thing she ought to understand...

0:27:350:27:38

-You look a bit Mick Jagger.

-Do you think so?

0:27:380:27:41

-Go on, do it, do it.

-I haven't got the lips any more.

0:27:410:27:44

-Feed the pigeons...

-And a new Hollywood star is born.

0:27:440:27:47

Rock'n'roll. You love it.

0:27:470:27:49

Oh, are we nearly there yet?

0:27:490:27:52

No, I need a wee wee.

0:27:520:27:55

That's all, folks.

0:27:570:27:59

# Goodbye...

0:28:060:28:12

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