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Connie! | 0:00:01 | 0:00:03 | |
You may remember me from a place that was alive | 0:00:04 | 0:00:07 | |
with the sound of music. | 0:00:07 | 0:00:08 | |
Well, I've been set free to explore a much more beautiful place | 0:00:08 | 0:00:12 | |
where the hills truly are alive with the sound of music. | 0:00:12 | 0:00:16 | |
I'm taking a magical mystery tour | 0:00:17 | 0:00:20 | |
to draw my very own musical map of Wales. | 0:00:20 | 0:00:23 | |
I'll be travelling the length and breadth of the country, | 0:00:23 | 0:00:26 | |
meeting some fabulous people... | 0:00:26 | 0:00:29 | |
I used to be where you are. | 0:00:29 | 0:00:31 | |
..all with wonderful talents... | 0:00:31 | 0:00:34 | |
# That will bring us back to... # | 0:00:34 | 0:00:36 | |
..and amazing tales to share. | 0:00:36 | 0:00:38 | |
Hold on for a bumpy ride. | 0:00:41 | 0:00:43 | |
I haven't driven a car in 10 years. It's really fine, honestly. | 0:00:43 | 0:00:47 | |
Famous last words! | 0:00:47 | 0:00:49 | |
# When you're 16 going on 17 | 0:00:50 | 0:00:55 | |
# Waiting for life to start... # | 0:00:55 | 0:00:59 | |
I'm slightly biased, but I think this journey will take us | 0:00:59 | 0:01:02 | |
through the most stunning part of Wales - | 0:01:02 | 0:01:04 | |
Pembrokeshire, my old home. | 0:01:04 | 0:01:07 | |
I'll be going back to many of my old haunts as I travel the country | 0:01:07 | 0:01:11 | |
and coast of God's own county. | 0:01:11 | 0:01:13 | |
It's going to be a beautiful ride. | 0:01:13 | 0:01:15 | |
And my travelling companion | 0:01:17 | 0:01:19 | |
is one of the very few remaining Welsh-built cars, the Gilbern - | 0:01:19 | 0:01:22 | |
or Gilbert, as I've christened him. | 0:01:22 | 0:01:24 | |
We'll get there, Gilbert, come on. | 0:01:24 | 0:01:27 | |
His age and my driving have been a challenge, | 0:01:27 | 0:01:29 | |
but I'm confident now I'm back home. | 0:01:29 | 0:01:32 | |
I know these roads like the back of my hand. | 0:01:32 | 0:01:35 | |
Pride before a fall! | 0:01:35 | 0:01:36 | |
As I drive across the Preseli hills | 0:01:36 | 0:01:39 | |
towards the first destination on my map, | 0:01:39 | 0:01:42 | |
I think I've got time to stop off | 0:01:42 | 0:01:43 | |
to let you in to a little secret from way back when. | 0:01:43 | 0:01:46 | |
All those years ago, locals would spot a waif-like girl | 0:01:46 | 0:01:50 | |
walking across the beautiful hills and if they got close enough, | 0:01:50 | 0:01:54 | |
they might even think I was more than a little odd. | 0:01:54 | 0:01:57 | |
I didn't talk to myself but I did sing to myself. | 0:01:58 | 0:02:01 | |
SHE HUMS | 0:02:01 | 0:02:03 | |
Little did I know! | 0:02:05 | 0:02:07 | |
# The hills are alive | 0:02:07 | 0:02:10 | |
# With the sound of music | 0:02:10 | 0:02:15 | |
# With songs they have sung for a thousand years... | 0:02:15 | 0:02:20 | |
I've sung that song a thousand times in theatres around the UK, | 0:02:22 | 0:02:26 | |
but if I don't get a move on, I'll be in trouble with my first ever singing teacher. | 0:02:26 | 0:02:30 | |
The thing about Pembrokeshire is that it has lots of windy lanes | 0:02:30 | 0:02:35 | |
and where I lived growing up, there were many a winding road. | 0:02:35 | 0:02:39 | |
I used to bomb down these roads on the way to choir practice | 0:02:39 | 0:02:42 | |
in Maenclochog and that's where I'm headed now. | 0:02:42 | 0:02:45 | |
# Long and winding road to Maenclochog... | 0:02:45 | 0:02:49 | |
# In the Gilbert! # | 0:02:49 | 0:02:53 | |
So here I am in Maenclochog, a place I'm very familiar with | 0:02:58 | 0:03:03 | |
because I spent every weekend I can remember of my childhood | 0:03:03 | 0:03:06 | |
singing in Cor Iua Newyddion Da. | 0:03:06 | 0:03:09 | |
That's a fabulous choir led by Marilyn Lewis | 0:03:09 | 0:03:11 | |
and they're in there at the moment rehearsing for an eisteddfod, | 0:03:11 | 0:03:15 | |
so I'm here to surprise them at their dress rehearsal. | 0:03:15 | 0:03:18 | |
They sound pretty good, under-12s. | 0:03:22 | 0:03:25 | |
Amazing. | 0:03:25 | 0:03:27 | |
Here we go. | 0:03:30 | 0:03:32 | |
Da iawn! Helo! | 0:03:32 | 0:03:35 | |
Surprise? THEY ALL LAUGH | 0:03:35 | 0:03:37 | |
They're very quiet. | 0:03:37 | 0:03:39 | |
Ffion's face is full of surprise! | 0:03:39 | 0:03:41 | |
-How are you, sweetheart? -Good to see you! | 0:03:41 | 0:03:43 | |
I used to be where you are. | 0:03:43 | 0:03:46 | |
Can I sit at the back and be quiet? | 0:03:46 | 0:03:48 | |
No, take over if you want to because I'm feeling old now. | 0:03:48 | 0:03:51 | |
Go on, then, give me your best rendition. I'll give it a shot. | 0:03:51 | 0:03:55 | |
THEY SING IN WELSH | 0:03:55 | 0:03:58 | |
Being here brings back so many memories | 0:04:01 | 0:04:04 | |
and my first lesson with Marilyn really cut me down to size. | 0:04:04 | 0:04:08 | |
And I went to the singing lesson thinking, "I'm quite good, yeah." | 0:04:08 | 0:04:11 | |
Came out crying. I was in tears. | 0:04:11 | 0:04:14 | |
At that time, you used to say to your parents after many a lesson, | 0:04:14 | 0:04:17 | |
"I'm never going back again," and they had to work on her to come back. | 0:04:17 | 0:04:21 | |
If she hadn't, she wouldn't have got where she was now. | 0:04:21 | 0:04:24 | |
No, I don't go out to make them cry. It's just... | 0:04:24 | 0:04:28 | |
It is tough love. | 0:04:28 | 0:04:30 | |
If you want to go down into the entertainment, | 0:04:30 | 0:04:33 | |
you know how much of a back-stabbing life it is. | 0:04:33 | 0:04:37 | |
People will drag you down and you've got to be hardened | 0:04:37 | 0:04:40 | |
for the outdoor life. | 0:04:40 | 0:04:42 | |
But you were focused for the stage from the beginning. | 0:04:42 | 0:04:45 | |
You just lived it and that's what I see | 0:04:45 | 0:04:49 | |
in a couple that are coming up here again, | 0:04:49 | 0:04:51 | |
and I really think some of those, you'll hear of in time. | 0:04:51 | 0:04:54 | |
Who would you prefer to conduct you in the eisteddfod tomorrow? | 0:04:54 | 0:04:58 | |
-Me or that woman there? -Connie. | 0:04:58 | 0:05:01 | |
What?! | 0:05:01 | 0:05:02 | |
Helen Hunt, your days are numbered! | 0:05:05 | 0:05:08 | |
This isn't in my contract, right? | 0:05:08 | 0:05:11 | |
No, it's a dangerous life you lead! | 0:05:11 | 0:05:14 | |
Well, you've got some mistakes so let's see if Connie | 0:05:14 | 0:05:16 | |
can pick them out. | 0:05:16 | 0:05:18 | |
Right, here we go, then. | 0:05:18 | 0:05:20 | |
Believe it or not, this is the first time I've ever properly conducted | 0:05:24 | 0:05:28 | |
and I always thought it was so easy, | 0:05:28 | 0:05:31 | |
but with 12 pairs of eyes focused on your every move | 0:05:31 | 0:05:34 | |
for the beat and rhythm, I'm starting to realise | 0:05:34 | 0:05:37 | |
I don't know my crotchet from my quaver. | 0:05:37 | 0:05:40 | |
# Hallelujah, hallelujah... # | 0:05:40 | 0:05:44 | |
For me and the children, this eisteddfod's no laughing matter. | 0:05:44 | 0:05:48 | |
# Hallelujah, hallelujah... # | 0:05:48 | 0:05:51 | |
If we don't keep the little eisteddfodau going, | 0:05:51 | 0:05:54 | |
there won't be any big ones. | 0:05:54 | 0:05:56 | |
You have to feed the big ones. | 0:05:56 | 0:05:57 | |
Like the eisteddfod in little Brynberian in north Pembrokeshire | 0:05:57 | 0:06:01 | |
is really important. | 0:06:01 | 0:06:02 | |
Very important to us. | 0:06:02 | 0:06:04 | |
It's a great platform, I think, which other countries don't have. | 0:06:04 | 0:06:07 | |
-This is why we're called the land of song. -Definitely. | 0:06:07 | 0:06:10 | |
And you know what I said about leaving singing lessons crying? | 0:06:10 | 0:06:14 | |
I could leave my conducting lesson in tears too. | 0:06:14 | 0:06:16 | |
Right, OK, we'll work the ending. | 0:06:18 | 0:06:20 | |
Maz, you've come to save the day! | 0:06:20 | 0:06:24 | |
You know, I really think I have! | 0:06:24 | 0:06:27 | |
Well, if we're going to win, we might need your help. | 0:06:27 | 0:06:30 | |
Conduct in a strict four meter. | 0:06:30 | 0:06:32 | |
OK. Conduct a strict four meter. What does that mean? | 0:06:32 | 0:06:35 | |
Un, dau, tri... | 0:06:35 | 0:06:37 | |
OK. | 0:06:40 | 0:06:41 | |
THEY SING | 0:06:41 | 0:06:42 | |
Speak with your eyes. | 0:06:52 | 0:06:53 | |
Yes. | 0:06:53 | 0:06:54 | |
# Hallelujah, hallelujah. | 0:06:56 | 0:07:00 | |
# Hallelujah... | 0:07:00 | 0:07:04 | |
# Hallelujah, hallelujah | 0:07:04 | 0:07:08 | |
# Hallelujah... # | 0:07:08 | 0:07:11 | |
One, two, three, four, five, | 0:07:13 | 0:07:15 | |
six, seven, eight, nine, ten, off! | 0:07:15 | 0:07:18 | |
Yeah! | 0:07:18 | 0:07:20 | |
Ah! OK, there's a part of me that's laughing and smiling. | 0:07:22 | 0:07:27 | |
The other part of me's really nervous because I now have | 0:07:27 | 0:07:30 | |
a new song to learn, to learn how to conduct, learn the words | 0:07:30 | 0:07:35 | |
and learn to clap in time. How am I going to learn this? | 0:07:35 | 0:07:38 | |
I'm really, really nervous. | 0:07:38 | 0:07:40 | |
And there's not even time to do my homework, | 0:07:41 | 0:07:44 | |
as I've got a very important appointment further west | 0:07:44 | 0:07:47 | |
in the cathedral city of St David's. | 0:07:47 | 0:07:50 | |
But I can't resist going the pretty way | 0:07:51 | 0:07:53 | |
to revive sweet memories and pass through some old haunts. | 0:07:53 | 0:07:57 | |
It's a bit weird coming back. It's like a musical time warp. | 0:07:57 | 0:08:01 | |
# Let's do the time warp again. # | 0:08:01 | 0:08:03 | |
Hands on the wheel at all times. | 0:08:03 | 0:08:06 | |
I love Newgale. | 0:08:08 | 0:08:10 | |
Seven miles of beach, did you know that? Seven miles. | 0:08:10 | 0:08:13 | |
Who could get bored of that? | 0:08:13 | 0:08:15 | |
I don't think there's anything nicer for me than to come home | 0:08:16 | 0:08:19 | |
and come to Newgale. | 0:08:19 | 0:08:21 | |
I used time out here as a teenager. This was my misspent youth. | 0:08:21 | 0:08:24 | |
Hanging around, did a bit of body boarding, once maybe... | 0:08:24 | 0:08:28 | |
Throw pebbles at bottles, have bonfires, barbecues, | 0:08:28 | 0:08:31 | |
bit of camping. What more could you want? | 0:08:31 | 0:08:34 | |
Ah, maybe a bit of singing as well. | 0:08:34 | 0:08:37 | |
Even the summers were hotter back then - but enough nostalgia already, | 0:08:39 | 0:08:43 | |
as I'm moving seamlessly on from Beach Boys to choir boys. | 0:08:43 | 0:08:47 | |
I'm heading up the coast road to a very different place | 0:08:47 | 0:08:51 | |
with a very different musical tradition. | 0:08:51 | 0:08:53 | |
ORGAN MUSIC PLAYS | 0:08:53 | 0:08:55 | |
St David's cathedral has resounded to the chords of celestial music | 0:08:59 | 0:09:03 | |
for over six centuries. | 0:09:03 | 0:09:05 | |
Tens of thousands of worshippers and some amazing musicians | 0:09:06 | 0:09:09 | |
have made music within these hallowed walls. | 0:09:09 | 0:09:12 | |
I haven't been here since I was a teenager | 0:09:17 | 0:09:19 | |
with the John S Davies choir. | 0:09:19 | 0:09:22 | |
We came here to perform Handel's Messiah. You know the one... | 0:09:22 | 0:09:25 | |
SHE VOCALISES | 0:09:25 | 0:09:27 | |
That one. You can hear the beautiful acoustic. | 0:09:27 | 0:09:30 | |
The only trouble was, I wasn't really happy | 0:09:30 | 0:09:33 | |
stood in the front row with the Messiah in front of me. | 0:09:33 | 0:09:36 | |
I wanted to give it all that... | 0:09:36 | 0:09:38 | |
That wasn't really allowed in the choir. | 0:09:38 | 0:09:40 | |
# Hallelujah, hallelujah | 0:09:40 | 0:09:45 | |
# Hallelujah, hallelujah... # | 0:09:45 | 0:09:47 | |
And if there's one instrument other than the human voice | 0:09:47 | 0:09:50 | |
that feels perfect here, it's the organ. | 0:09:50 | 0:09:53 | |
I've got an appointment with cathedral organist, Alex Mason. | 0:09:54 | 0:09:58 | |
He might even let me have a go. | 0:09:58 | 0:10:00 | |
Alex, thank you so much for meeting with me. | 0:10:00 | 0:10:04 | |
You're possible the hottest organist I've met, quite young. | 0:10:04 | 0:10:09 | |
Tell me, what's the actual link between the organ | 0:10:09 | 0:10:12 | |
and music in worship? Why not a flute, why not a fiddle? | 0:10:12 | 0:10:15 | |
The reason the organ won the day was because of its sheer power | 0:10:15 | 0:10:19 | |
and as congregations grew, | 0:10:19 | 0:10:21 | |
you needed an instrument which could lead hymn singing. | 0:10:21 | 0:10:23 | |
An observation, playing the organ is quite a dance, isn't it? | 0:10:23 | 0:10:27 | |
You're sat there and your legs don't actually touch the ground. | 0:10:27 | 0:10:31 | |
Organists are probably the most athletic musicians on the planet. | 0:10:31 | 0:10:35 | |
And you've to be able to almost balance from your sitting bones | 0:10:35 | 0:10:39 | |
and reach the keys and use your feet at the same time. | 0:10:39 | 0:10:42 | |
-So you've got a good six-pack. -Absolutely, yes. | 0:10:42 | 0:10:45 | |
I was wondering if you could teach me maybe a tune on the organ. | 0:10:45 | 0:10:49 | |
I think so. Shall we go on up? | 0:10:49 | 0:10:51 | |
Let's do it. | 0:10:51 | 0:10:52 | |
After you. | 0:10:53 | 0:10:54 | |
So we're in the nerve centre where the magic happens, | 0:10:57 | 0:11:00 | |
where the music all happens. | 0:11:00 | 0:11:02 | |
Where do you start? What do all these knobs do? | 0:11:02 | 0:11:05 | |
Each one controls a different sound on the organ. | 0:11:05 | 0:11:08 | |
We've got some which are called flutes. | 0:11:08 | 0:11:10 | |
-I play one of those. -And they sound like flutes really. | 0:11:10 | 0:11:13 | |
HE PLAYS NOTES | 0:11:13 | 0:11:16 | |
Very serene, lovely. | 0:11:16 | 0:11:18 | |
On top of the one, two, three, four layers, there are 30 stops. | 0:11:18 | 0:11:23 | |
You've got, what, 15 pedals as well. | 0:11:23 | 0:11:25 | |
We've got a whole keyboard down here | 0:11:25 | 0:11:28 | |
so I can play tunes or just baselines with my feet. | 0:11:28 | 0:11:31 | |
Listen to this. | 0:11:31 | 0:11:33 | |
LOW, GRINDING NOISES | 0:11:33 | 0:11:36 | |
I don't know what to say to that really. | 0:11:36 | 0:11:39 | |
That was a surprise for an organ. | 0:11:39 | 0:11:41 | |
What's your favourite sound the organ makes? | 0:11:41 | 0:11:43 | |
I love the power of the full organ. | 0:11:43 | 0:11:46 | |
POWERFUL, VOLUMINOUS MUSIC | 0:11:46 | 0:11:48 | |
I love it and your feet are doing a tip-tap dance routine. | 0:11:57 | 0:12:00 | |
Yes, the feet are going too. | 0:12:00 | 0:12:02 | |
-OK. -Shall we swap places? -OK, fine. | 0:12:02 | 0:12:05 | |
The gloves are off. That's it. | 0:12:07 | 0:12:09 | |
-Pull out all the stops for this. -Are you having all the stops? | 0:12:09 | 0:12:11 | |
-I was joking! -Go on, do it, just play a really big chord. | 0:12:11 | 0:12:14 | |
LOUD CHORD | 0:12:16 | 0:12:18 | |
Yeah, now with your left foot, play the bottom C down there. | 0:12:18 | 0:12:22 | |
-Can you see that? -Yeah, the bottom C. | 0:12:22 | 0:12:25 | |
-No! -Now put that chord on top. | 0:12:25 | 0:12:27 | |
-So these are notes as well as these? -Yeah, exactly. | 0:12:27 | 0:12:30 | |
DENSE AND DRAMATIC MUSIC | 0:12:30 | 0:12:35 | |
-Wow! -Great! Shall we try a piece. | 0:12:35 | 0:12:38 | |
-Do you know Baa Baa Black Sheep? -Yes, I think I do. | 0:12:38 | 0:12:41 | |
OK, shall I do the chord and you do the right hand. | 0:12:41 | 0:12:44 | |
Three, and... | 0:12:44 | 0:12:46 | |
SONG: "Baa Baa Black Sheep" | 0:12:46 | 0:12:52 | |
Right. | 0:12:52 | 0:12:54 | |
-I love it! -Brilliant! | 0:13:05 | 0:13:08 | |
Well, I think if I keep working at it, one day I'll rival Alex. | 0:13:10 | 0:13:14 | |
Or, maybe not! | 0:13:18 | 0:13:21 | |
But no time for an encore as Gilbert and I are back on the road again | 0:13:24 | 0:13:28 | |
heading some 20 miles further up the coast. | 0:13:28 | 0:13:31 | |
But my vintage ride seems to be having a bit of a senior moment. | 0:13:31 | 0:13:35 | |
It's a bit worrying when Gilbert does that, | 0:13:38 | 0:13:41 | |
especially with the big silage lorry going past. | 0:13:41 | 0:13:44 | |
This part of Pembrokeshire has been hugely influenced by the sea, | 0:13:48 | 0:13:51 | |
in work, play and music. | 0:13:51 | 0:13:54 | |
My next port of call, Fishguard, has been a port for centuries, | 0:13:55 | 0:13:58 | |
welcoming sailors, travellers and a range of musical influences. | 0:13:58 | 0:14:03 | |
All my life, I've lived in Pembrokeshire and I've never been down here. | 0:14:03 | 0:14:07 | |
I'm about to discover exactly what I've be missing, | 0:14:07 | 0:14:11 | |
as I find out about the local tradition of singing sea shanties. | 0:14:11 | 0:14:15 | |
# In Yarmouth town, there lived a man | 0:14:15 | 0:14:17 | |
# And he kept the tavern by the Strand | 0:14:17 | 0:14:19 | |
# The landlord had a daughter fair | 0:14:19 | 0:14:22 | |
# A plump little girl with long, blonde hair...# | 0:14:22 | 0:14:24 | |
Sea shanties like this were heard on ships and in port. | 0:14:24 | 0:14:28 | |
Gary Jones is determined that they still be heard for many a year. | 0:14:28 | 0:14:32 | |
What we have got here is a port which, at one time, | 0:14:32 | 0:14:35 | |
had 150 sailing ships. | 0:14:35 | 0:14:37 | |
Sea shanties are work songs. | 0:14:37 | 0:14:41 | |
The guys who used to work the ships here were known for singing as they worked. | 0:14:41 | 0:14:45 | |
The whole idea is if you've got a beat, you are busy pulling together. | 0:14:45 | 0:14:49 | |
One, two, three, one, two, three and so on. | 0:14:49 | 0:14:52 | |
And different songs for different jobs. | 0:14:52 | 0:14:54 | |
So you had long-haul, short-haul, pump shanty... | 0:14:54 | 0:14:58 | |
If you're working the pump you worked a different tune, different beat. | 0:14:58 | 0:15:02 | |
It was always said that the sea shanty could improve their performance by 25%. | 0:15:02 | 0:15:07 | |
-Really? -So if your crew men all pulled together, | 0:15:07 | 0:15:10 | |
a sea shanty would make them work quicker and better. | 0:15:10 | 0:15:13 | |
-I should do it while I'm cleaning, I'd get more done. -I think you could. | 0:15:13 | 0:15:17 | |
So can anyone join in on the sea shanty? | 0:15:17 | 0:15:19 | |
Yes, you don't have to know the words at all. | 0:15:19 | 0:15:23 | |
Only one person knows the words and that's the shanty man, | 0:15:23 | 0:15:26 | |
he sings the verse and the chorus you pick up. | 0:15:26 | 0:15:30 | |
# In South Australia I was born. | 0:15:30 | 0:15:34 | |
# Heave away, haul away! | 0:15:34 | 0:15:37 | |
# In South Australia round Cape Horn | 0:15:37 | 0:15:39 | |
# Bound for South Australia | 0:15:39 | 0:15:42 | |
# Haul away, you rowing kings | 0:15:42 | 0:15:44 | |
# Heave away, haul away! | 0:15:44 | 0:15:46 | |
# All the way you'll hear me sing | 0:15:46 | 0:15:48 | |
# We're bound for South Australia. # | 0:15:48 | 0:15:51 | |
-What's unique about the sea shanty in Fishguard? -It's the only place | 0:15:51 | 0:15:55 | |
where you've got a weekly folk music session in probably the whole of west Wales. | 0:15:55 | 0:16:01 | |
-And that happens in these pubs? -It happens in these pubs. | 0:16:01 | 0:16:03 | |
# Haul away... | 0:16:03 | 0:16:05 | |
It would have been on board ship years ago, | 0:16:05 | 0:16:08 | |
but nowadays it's pubs and it's spontaneous | 0:16:08 | 0:16:10 | |
and it's traditional and it's not a revival, it's something that's always happened | 0:16:10 | 0:16:14 | |
and still keeps going, which is nice. | 0:16:14 | 0:16:16 | |
-Why keep this traditional alive, then? -It's really good fun! | 0:16:16 | 0:16:19 | |
OK, girls, we're gonna get a lot of action in this. | 0:16:20 | 0:16:24 | |
This is a hauling shanty and we're gonna haul a mast up aloft. | 0:16:24 | 0:16:28 | |
-OK? Are you ready? -Arr. -Arr. | 0:16:28 | 0:16:31 | |
# One hundred years on an eastern shore | 0:16:31 | 0:16:35 | |
# Oh, yes, oh! | 0:16:35 | 0:16:38 | |
# One hundred years on an eastern shore | 0:16:38 | 0:16:40 | |
# One hundred years ago | 0:16:40 | 0:16:42 | |
# When first I went away to sea | 0:16:42 | 0:16:45 | |
# Oh, yes, oh! | 0:16:45 | 0:16:47 | |
# My girl said she'd be true to me | 0:16:47 | 0:16:50 | |
# One hundred years ago! # | 0:16:50 | 0:16:52 | |
-Oi! -Hey! | 0:16:52 | 0:16:54 | |
What's this? | 0:16:56 | 0:16:58 | |
Oh, thank you! | 0:16:58 | 0:17:02 | |
Swept away at sea! | 0:17:02 | 0:17:04 | |
I got my crab! | 0:17:06 | 0:17:08 | |
To be honest, sea shanties were a closed songbook to me | 0:17:10 | 0:17:14 | |
but after this, I'll be whistling them as I work. | 0:17:14 | 0:17:18 | |
Fuelled by sea shanty and sea food, | 0:17:19 | 0:17:22 | |
Gilbert and I are nearly at the end of the road as we head back inland. | 0:17:22 | 0:17:27 | |
I've got a couple more stops before that dreaded eisteddfod. | 0:17:27 | 0:17:30 | |
No time for the faint-hearted! | 0:17:30 | 0:17:32 | |
-Woo! -MAN: -A little bit slower... | 0:17:32 | 0:17:35 | |
We'll be fine but if something goes wrong, | 0:17:36 | 0:17:39 | |
luckily our next destination is connected with the music of heaven and angels. | 0:17:39 | 0:17:43 | |
HARP MUSIC | 0:17:43 | 0:17:45 | |
Harps are always associated with Wales. | 0:17:45 | 0:17:48 | |
Well, it is heaven on earth and ours are so good, we strung them thrice. | 0:17:48 | 0:17:53 | |
Wales has been the home of the triple harp for centuries | 0:17:53 | 0:17:56 | |
but in the last few years, they've become an endangered species. | 0:17:56 | 0:18:00 | |
I'm meeting Alun Thomas, who is trying to keep the tradition alive. | 0:18:00 | 0:18:04 | |
Alun, we're here in your workshop. | 0:18:04 | 0:18:06 | |
The harp is a traditional instrument to Wales. | 0:18:06 | 0:18:09 | |
Tell me how you would go about making a harp? | 0:18:09 | 0:18:12 | |
You break it down into three different parts. | 0:18:12 | 0:18:14 | |
The neck with the tuning pins on. | 0:18:14 | 0:18:17 | |
The column and the soundbox with a sound board on it. | 0:18:17 | 0:18:20 | |
There's laminates used inside for strength | 0:18:20 | 0:18:24 | |
and veneered on the outside to give the beauty of the natural wood. | 0:18:24 | 0:18:28 | |
Do you think it's a dying tradition? | 0:18:28 | 0:18:31 | |
I think I could be the only person in Wales making triple harps. | 0:18:31 | 0:18:35 | |
I don't know. It would be nice if somebody did carry it on. | 0:18:35 | 0:18:38 | |
Alun, do you play the harp? | 0:18:38 | 0:18:41 | |
No, unfortunately, I don't. My father didn't learn to play either. | 0:18:41 | 0:18:44 | |
He said he was too busy making the harps for other people to play | 0:18:44 | 0:18:47 | |
and get their enjoyment out of the instrument. | 0:18:47 | 0:18:49 | |
-It's all right, I know a man who can. -Right. | 0:18:49 | 0:18:53 | |
Robin Huw Bowen is one of Wales's most accomplished triple harpists. | 0:18:55 | 0:18:59 | |
I love being serenaded. | 0:19:02 | 0:19:05 | |
-Robin, you are a triple harpist. -Absolutely. | 0:19:05 | 0:19:07 | |
-How many of you are there in Wales? -There is not so many. | 0:19:07 | 0:19:11 | |
The one thing about the triple harp in Wales - | 0:19:11 | 0:19:13 | |
is it's still an unbroken oral folk tradition | 0:19:13 | 0:19:16 | |
that has been passed down from the time when it was much more common. It's still around. | 0:19:16 | 0:19:20 | |
Where did it originate? | 0:19:20 | 0:19:23 | |
Originally, the idea of the three rows of strings was an Italian idea. | 0:19:23 | 0:19:26 | |
An Italian invention, really. | 0:19:26 | 0:19:28 | |
A Welsh harpist in London in 1650 brought it back to Wales, | 0:19:28 | 0:19:32 | |
possibly about 1670, 1680 | 0:19:32 | 0:19:34 | |
and it became known as the uniquely Welsh harp. | 0:19:34 | 0:19:37 | |
On a single row of strings you basically get do, re, me. | 0:19:37 | 0:19:41 | |
It's like two sets of the white notes of the piano with the black notes in between. | 0:19:44 | 0:19:49 | |
You have to reach through with your fingers to get at them. | 0:19:49 | 0:19:52 | |
-Can you show me? -Yes, of course I will. Why not? | 0:19:53 | 0:19:55 | |
Something as beautiful as that has to be preserved. | 0:20:08 | 0:20:11 | |
I'm travelling 50 miles to meet someone who recently had the hottest gig in town. | 0:20:14 | 0:20:20 | |
And it was straight to the most exclusive of receptions | 0:20:22 | 0:20:26 | |
in Buckingham Palace, no less. | 0:20:26 | 0:20:28 | |
Wales and the harp are well represented by the then royal harpist, Claire Jones, | 0:20:28 | 0:20:32 | |
who played for the 600 guests. | 0:20:32 | 0:20:35 | |
She happens to be from Pembrokeshire | 0:20:35 | 0:20:38 | |
and just happens to be an old mate from our eisteddfod days. | 0:20:38 | 0:20:41 | |
Small world, big harp. | 0:20:41 | 0:20:44 | |
-Hiya! -Hello. -Do you remember me? -Of course. | 0:20:45 | 0:20:48 | |
-Can I come in? -Come in. | 0:20:48 | 0:20:49 | |
I met her just before the biggest wedding of the year. | 0:20:49 | 0:20:52 | |
-Do you remember the eisteddfod days? -I do, more than ever. | 0:20:52 | 0:20:55 | |
I never thought I'd be playing with a royal harpist then | 0:20:55 | 0:20:59 | |
but you don't look so glamorous in this, do you?! | 0:20:59 | 0:21:02 | |
Thank you, Connie! | 0:21:02 | 0:21:04 | |
How an earth do you go from Pembrokeshire to the Palace? | 0:21:04 | 0:21:07 | |
I was asked to perform for the Prince of Wales. | 0:21:07 | 0:21:10 | |
At a private audition and the Prince of Wales stood pretty much where I'm standing here. | 0:21:10 | 0:21:14 | |
-This close, listening to me perform. -No way! | 0:21:14 | 0:21:17 | |
Is he a bit hard of hearing? | 0:21:17 | 0:21:19 | |
I've performed for the Royal Family and Her Majesty The Queen | 0:21:20 | 0:21:24 | |
probably on about 150 occasions over the last four years. | 0:21:24 | 0:21:28 | |
That includes private performances for Her Majesty, | 0:21:28 | 0:21:30 | |
where she's come into the room | 0:21:30 | 0:21:32 | |
-and sat a few feet away and I've performed. -No way! | 0:21:32 | 0:21:36 | |
Can I be the Queen for a second and maybe be the serenaded by you? | 0:21:36 | 0:21:40 | |
-Of course you can. -I'm going to take my seat. | 0:21:40 | 0:21:44 | |
Oh, Claire, would you please play me a tune. I do like your playing. | 0:21:44 | 0:21:49 | |
Wow! Do you know what, your neighbours are lucky people. | 0:22:15 | 0:22:18 | |
There's such a passion when you're playing. Where does that come from? | 0:22:18 | 0:22:22 | |
It's such a huge part of our history and culture and heritage, isn't it? | 0:22:22 | 0:22:26 | |
I think it comes naturally to a lot of us! | 0:22:26 | 0:22:30 | |
-Can I maybe have a pluck? -Of course, of course. Have a go. | 0:22:30 | 0:22:34 | |
Take a seat. If you just hold the harp between your knees, there. | 0:22:34 | 0:22:38 | |
-Gosh! -Then just use one hand, followed by the other. | 0:22:38 | 0:22:42 | |
-Exactly! -It was all a dream! | 0:22:47 | 0:22:49 | |
Or it could be my worst nightmare. | 0:22:50 | 0:22:53 | |
# It's a world of laughter A world of tears | 0:22:57 | 0:23:01 | |
-# It's a world of... -OK, I can't put it off any longer. | 0:23:01 | 0:23:05 | |
I'm going have to face the ultimate test - | 0:23:05 | 0:23:08 | |
conducting the Maenclochog choir in the X Factor of all eisteddfods, | 0:23:08 | 0:23:12 | |
the final of the Under-12s choral section. OMG! | 0:23:12 | 0:23:18 | |
You film me conducting my imaginary choir. | 0:23:20 | 0:23:23 | |
I'm getting so nervous, it's ridiculous. | 0:23:23 | 0:23:26 | |
I mean, it's only Eisteddfod Gadeiriol Brynberian, | 0:23:26 | 0:23:30 | |
but feels like the Palladium. No, it feels like Wembley. | 0:23:30 | 0:23:34 | |
All they see is my back, but I have to look like I know what I'm doing. | 0:23:35 | 0:23:39 | |
One, two, three... | 0:23:39 | 0:23:41 | |
For those of you who haven't competed at an eisteddfod, | 0:23:41 | 0:23:45 | |
you may be surprised to see that we're the only choir competing. | 0:23:45 | 0:23:49 | |
That doesn't mean that we're going to get the prize. Oh, no! | 0:23:49 | 0:23:52 | |
In many eisteddfodau, the adjudicators decide that nobody is good enough to win. | 0:23:52 | 0:23:56 | |
That's meaner than Simon Cowell and Andrew Lloyd Webber on a bad night. | 0:23:56 | 0:24:00 | |
It would be worse than coming second. I mean, the shame of it! | 0:24:00 | 0:24:05 | |
APPLAUSE | 0:24:12 | 0:24:13 | |
PIANO | 0:24:17 | 0:24:18 | |
THEY SING IN WELSH | 0:24:20 | 0:24:23 | |
# Hallelujah | 0:24:36 | 0:24:38 | |
# Hallelujah | 0:24:38 | 0:24:41 | |
# Hallelujah... | 0:24:41 | 0:24:42 | |
# Hallelujah, hallelujah | 0:24:45 | 0:24:48 | |
# Hallelujah... | 0:24:48 | 0:24:51 | |
APPLAUSE | 0:25:01 | 0:25:03 | |
The official adjudicator's making too many notes for my liking.' | 0:25:05 | 0:25:09 | |
But here it comes. The results are in from the Maenclochog jury. | 0:25:10 | 0:25:15 | |
LAUGHTER AND APPLAUSE | 0:25:18 | 0:25:20 | |
-Yes! Congratulations, guys. We won. How do you feel? -Amazing. | 0:25:26 | 0:25:31 | |
The adjudication said you had lovely, sweet voices | 0:25:31 | 0:25:35 | |
and you sang brilliantly as a group, so hopefully | 0:25:35 | 0:25:38 | |
we shall go on to win the Yr Urdd National one day. | 0:25:38 | 0:25:41 | |
Caws. | 0:25:41 | 0:25:43 | |
That was so nerve-racking, I can't tell you. | 0:25:43 | 0:25:46 | |
You know what? I'm used to standing up on stage and singing a song | 0:25:46 | 0:25:50 | |
and trying not to forget the words. | 0:25:50 | 0:25:52 | |
When I stood there conducting it, it was like doing this, | 0:25:52 | 0:25:55 | |
conducting, remembering the words, clapping. | 0:25:55 | 0:25:57 | |
I'm not sure I've got an alternate career | 0:25:57 | 0:25:59 | |
but I'm happy it's over and I did my one, two, three, four perfectly. | 0:25:59 | 0:26:03 | |
Phew. | 0:26:03 | 0:26:04 | |
Ha! Despite the doubters, Gilbert and the driver have made it back | 0:26:09 | 0:26:14 | |
to the very beginning and what a magical musical map we've drawn. | 0:26:14 | 0:26:18 | |
Well, it's been an amazing journey. | 0:26:18 | 0:26:20 | |
I've seen some stunning landscape, I've caught up with old friends | 0:26:20 | 0:26:24 | |
and I've heard some incredible home-grown talent. | 0:26:24 | 0:26:26 | |
Gilbert and I have proved Wales is truly alive with the sound of music. | 0:26:26 | 0:26:33 | |
Now it all went so well and the weather was so lovely, | 0:26:33 | 0:26:37 | |
but I did have one or two...moments. | 0:26:37 | 0:26:40 | |
Are you sitting comfortably? Then we'll begin. | 0:26:40 | 0:26:44 | |
# How do you solve a problem like Maria? | 0:26:44 | 0:26:48 | |
Da-da da-da da-di-da di-da.... da! | 0:26:49 | 0:26:52 | |
Forget Geri Halliwell. I've got the new dress. | 0:26:52 | 0:26:55 | |
I'm afraid they don't sing. | 0:26:55 | 0:26:57 | |
-Could you give me Bread Of Heaven? -DOG BARKS | 0:26:57 | 0:26:59 | |
Not at all. | 0:26:59 | 0:27:00 | |
-Does it matter I look to the road now and again? -MAN: No, I love it. | 0:27:00 | 0:27:03 | |
Oh, a hill start. | 0:27:03 | 0:27:05 | |
Oh! Sorry, sorry. | 0:27:06 | 0:27:09 | |
SHE LAUGHS | 0:27:09 | 0:27:10 | |
Everyone behind me's laughing. | 0:27:10 | 0:27:13 | |
This driving lark's hard, innit? | 0:27:13 | 0:27:14 | |
Sorry, the door's stuck. | 0:27:16 | 0:27:19 | |
So, I'm here... | 0:27:19 | 0:27:21 | |
SHE LAUGHS | 0:27:21 | 0:27:22 | |
Sorry. | 0:27:22 | 0:27:23 | |
-Wow, and... -TUMMY RUMBLES -Excuse me. | 0:27:23 | 0:27:26 | |
Don't... Agh! | 0:27:26 | 0:27:28 | |
LAUGHTER | 0:27:28 | 0:27:30 | |
# Many a thing you know you'd like to tell her | 0:27:31 | 0:27:35 | |
# Many a thing she ought to understand... | 0:27:35 | 0:27:38 | |
-You look a bit Mick Jagger. -Do you think so? | 0:27:38 | 0:27:41 | |
-Go on, do it, do it. -I haven't got the lips any more. | 0:27:41 | 0:27:44 | |
-Feed the pigeons... -And a new Hollywood star is born. | 0:27:44 | 0:27:47 | |
Rock'n'roll. You love it. | 0:27:47 | 0:27:49 | |
Oh, are we nearly there yet? | 0:27:49 | 0:27:52 | |
No, I need a wee wee. | 0:27:52 | 0:27:55 | |
That's all, folks. | 0:27:57 | 0:27:59 | |
# Goodbye... | 0:28:06 | 0:28:12 |