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I'm on a very personal journey across Wales | 0:00:02 | 0:00:04 | |
in search of our most valuable resource - the people. | 0:00:04 | 0:00:09 | |
I've met an amazing range of individuals, | 0:00:09 | 0:00:12 | |
from the men and women who save lives in their spare time, | 0:00:12 | 0:00:15 | |
to the colourful, | 0:00:15 | 0:00:17 | |
and eccentric. | 0:00:17 | 0:00:19 | |
Hold tight and be prepared to be shocked... | 0:00:19 | 0:00:22 | |
..surprised... | 0:00:23 | 0:00:26 | |
or just plain grateful for their heroic effort. | 0:00:26 | 0:00:30 | |
As I introduce you to Connie's People. | 0:00:30 | 0:00:34 | |
'And today I'm knitting and wrapping to make hats for heroes.' | 0:00:37 | 0:00:41 | |
Come on, ladies. | 0:00:41 | 0:00:42 | |
In, around, off. | 0:00:42 | 0:00:43 | |
'And go dancing with Daleks in Prestatyn.' | 0:00:43 | 0:00:46 | |
Swing! | 0:00:46 | 0:00:48 | |
He exterminated my foot! Ow! | 0:00:50 | 0:00:52 | |
Daleks cannot dance. | 0:00:53 | 0:00:56 | |
But first I'm heading to the South Wales valleys to meet the men | 0:00:58 | 0:01:01 | |
who are the current members of an emergency rescue service | 0:01:01 | 0:01:05 | |
that has been saving lives for 100 years. | 0:01:05 | 0:01:08 | |
The Mines Rescue Centre is based in Dinas near Tonypandy | 0:01:08 | 0:01:12 | |
in the heart of the old South Wales mining industry. | 0:01:12 | 0:01:14 | |
-Hello! -Hi. -Hiya. -Hello, Connie! | 0:01:14 | 0:01:17 | |
'The service was founded in 1912 and volunteers have been involved | 0:01:17 | 0:01:21 | |
'in some of the most tragic mining disasters throughout the past century.' | 0:01:21 | 0:01:25 | |
In 1913, Mines Rescue was called to one of the worst disasters | 0:01:26 | 0:01:31 | |
in British mining history. | 0:01:31 | 0:01:34 | |
At the Senghenydd pit, 439 men and boys lost their lives. | 0:01:34 | 0:01:39 | |
Men from neighbouring mines have always come to the aid | 0:01:39 | 0:01:42 | |
of their fellow miners when they're in trouble. | 0:01:42 | 0:01:44 | |
Their heroic efforts have saved countless lives. | 0:01:44 | 0:01:48 | |
..Get the reviver on the casualty. | 0:01:48 | 0:01:51 | |
And that tradition of miners helping fellow miners | 0:01:51 | 0:01:54 | |
is still the basis of the Mine Rescue Service, | 0:01:54 | 0:01:56 | |
as brigadesman Tim Carey explains. | 0:01:56 | 0:01:59 | |
All the people who come to us, the part-timers from the pits, | 0:01:59 | 0:02:02 | |
we train them to the highest level to make sure that | 0:02:02 | 0:02:05 | |
they can carry out a successful rescue in the mines. | 0:02:05 | 0:02:08 | |
We are there, we're on call 24 hours a day. | 0:02:08 | 0:02:11 | |
We've got a team of five men all the time, 24 hours a day, | 0:02:11 | 0:02:15 | |
and we can be called out to anything. | 0:02:15 | 0:02:16 | |
We all thought that these tragedies were part of history, | 0:02:16 | 0:02:20 | |
and thankfully not our present. | 0:02:20 | 0:02:22 | |
Then on 15th September last year, there was news that changed all that. | 0:02:22 | 0:02:26 | |
Breaking news this lunchtime - | 0:02:26 | 0:02:28 | |
Four miners are trapped underground in the Swansea Valley. | 0:02:28 | 0:02:32 | |
Three others have escaped. | 0:02:32 | 0:02:34 | |
Emergency services are at the scene as a rescue mission gets underway. | 0:02:34 | 0:02:38 | |
At the Gleision drift mine near Pontardawe, | 0:02:44 | 0:02:47 | |
an explosion trapped seven miners working in a narrow coal seam. | 0:02:47 | 0:02:50 | |
All the rescue men trained here at Dinas were there immediately. | 0:02:53 | 0:02:57 | |
Three of the miners had made it to safety, | 0:03:00 | 0:03:03 | |
and the information they could supply would help the rescue effort. | 0:03:03 | 0:03:06 | |
Les Jackson was part of the team. | 0:03:06 | 0:03:09 | |
It seemed to me that the adrenaline took over. | 0:03:09 | 0:03:12 | |
Everything was happening in front of you. | 0:03:12 | 0:03:14 | |
You just went through the routines we knew we had to do. | 0:03:14 | 0:03:17 | |
Checking for things while we were going down. | 0:03:17 | 0:03:19 | |
When we first arrived, we come across a casualty that had just got out. | 0:03:19 | 0:03:25 | |
There was one being taken to hospital | 0:03:25 | 0:03:27 | |
so a chance to talk to someone who had been down there and just escaped. | 0:03:27 | 0:03:32 | |
He told us that an area where the other person had got out of, | 0:03:32 | 0:03:37 | |
which was old workings, so we made up two teams, | 0:03:37 | 0:03:40 | |
one went straight down into the mine, | 0:03:40 | 0:03:42 | |
the other went into the left-hand side into old workings | 0:03:42 | 0:03:45 | |
and I was the ones who went into the old workings looking for the people. | 0:03:45 | 0:03:48 | |
Conditions were appalling. | 0:03:48 | 0:03:51 | |
Complete darkness, three-foot-high seams, | 0:03:51 | 0:03:54 | |
potential danger from gas or flooding. | 0:03:54 | 0:03:57 | |
And the men didn't know what they would be facing. | 0:03:57 | 0:04:00 | |
But Len and his team encountered the situation they'd been dreading. | 0:04:00 | 0:04:04 | |
At one stage, we stopped and there was concern about our safety, | 0:04:06 | 0:04:09 | |
but because there was life at risk, we pushed on, but when we came | 0:04:09 | 0:04:13 | |
to no oxygen, we had to pull back. | 0:04:13 | 0:04:15 | |
We put on our breathing apparatus and deployed again down into that area. | 0:04:15 | 0:04:19 | |
We went about 60 metres more down round a corner | 0:04:19 | 0:04:22 | |
and we just come to a reservoir of water, | 0:04:22 | 0:04:24 | |
so the water just rushed down and filled up to that area. | 0:04:24 | 0:04:28 | |
After a torturous wait through the night came the news that everybody had feared. | 0:04:30 | 0:04:36 | |
A search team had found the body of one miner in a flooded tunnel, | 0:04:36 | 0:04:39 | |
followed by another. | 0:04:39 | 0:04:41 | |
After two days of searching, | 0:04:41 | 0:04:43 | |
it was confirmed that all four had lost their lives. | 0:04:43 | 0:04:47 | |
You must talk about it after, | 0:04:47 | 0:04:49 | |
because the adrenaline will run inside you and it will bring you up, | 0:04:49 | 0:04:53 | |
it's like a high and you don't realise what you're going through. | 0:04:53 | 0:04:56 | |
After it's all over, then the adrenaline goes and it hits you hard. | 0:04:56 | 0:05:01 | |
And if you don't talk about it, it can build up inside you | 0:05:04 | 0:05:06 | |
and cause problems, but we was offered counselling, | 0:05:06 | 0:05:09 | |
but on this occasion no-one took the counselling because the men | 0:05:09 | 0:05:12 | |
around us were talking to each other, and we found that good enough... | 0:05:12 | 0:05:17 | |
-Sorry. I got a bit emotional there thinking about it. -Aw, don't. OK. | 0:05:18 | 0:05:23 | |
'One thing was already becoming clear to me - | 0:05:23 | 0:05:26 | |
'these men support each other as much above ground as below.' | 0:05:26 | 0:05:30 | |
The camaraderie within the mines was second to none in the beginning. | 0:05:31 | 0:05:35 | |
Coming into the rescue service, it hasn't altered. | 0:05:35 | 0:05:37 | |
The camaraderie is still second to none and at the end of the day, | 0:05:37 | 0:05:41 | |
when we go out there, if you see us having a laugh and joke, | 0:05:41 | 0:05:44 | |
it's how we deal with the actual incidents that are put in front of us. | 0:05:44 | 0:05:48 | |
Although on the actual turnout to the incident, | 0:05:48 | 0:05:51 | |
it's a serious situation, | 0:05:51 | 0:05:53 | |
we are serious, but once we stand down from that situation, | 0:05:53 | 0:05:57 | |
we have the joviality and laughing and joking. | 0:05:57 | 0:05:59 | |
It's how we deal with the situations. | 0:05:59 | 0:06:01 | |
And to get just a small sense of that camaraderie and heroism, | 0:06:01 | 0:06:04 | |
the Mines Rescue Team are bending their rules | 0:06:04 | 0:06:06 | |
to allow me to be a part of their training exercise. | 0:06:06 | 0:06:11 | |
OK. | 0:06:11 | 0:06:12 | |
Ladies don't normally take part in this so it's quite unique. | 0:06:12 | 0:06:15 | |
Obviously, Connie, those clothes are not suitable. | 0:06:15 | 0:06:18 | |
What, heels? | 0:06:18 | 0:06:19 | |
No, all your attire. There's your protective equipment for the day. | 0:06:19 | 0:06:23 | |
Thank you very much. | 0:06:23 | 0:06:24 | |
'I'm going to be joining the team to find out how they train, | 0:06:24 | 0:06:27 | |
'and take part in a simulated rescue.' | 0:06:27 | 0:06:29 | |
What we've got to help you see in the ground, | 0:06:29 | 0:06:32 | |
and help you breathe in the ground in the event of an emergency, | 0:06:32 | 0:06:35 | |
we have a cap lamp and the self rescuer, which will protect you from the carbon monoxide. | 0:06:35 | 0:06:39 | |
The belt has been slightly adapted. | 0:06:39 | 0:06:41 | |
Why's that then? | 0:06:41 | 0:06:42 | |
Look at the shape of the lads up there. | 0:06:42 | 0:06:44 | |
Look, that's where they are! | 0:06:44 | 0:06:46 | |
That's where I am. | 0:06:46 | 0:06:48 | |
There we go. That's one part of you done. | 0:06:48 | 0:06:50 | |
Now we need to protect your knees. | 0:06:50 | 0:06:52 | |
Are you wearing these on your days off? | 0:06:52 | 0:06:54 | |
I try not to! | 0:06:54 | 0:06:56 | |
You can tell a miner when he's on holidays, | 0:06:56 | 0:06:59 | |
he's got marks from the rubber bands on the backs of his legs forever. | 0:06:59 | 0:07:04 | |
So now we'll take you through the breathing apparatus you'll be wearing today. | 0:07:04 | 0:07:08 | |
There's a face mask available for you. | 0:07:08 | 0:07:10 | |
If it gets steamed up, then we've got our own little personal windscreen wiper. | 0:07:10 | 0:07:15 | |
And this is oxygen inside here, OK, cos it's an oxygen rebreather. | 0:07:15 | 0:07:19 | |
These are heavy sets. 15.5 kilograms. | 0:07:19 | 0:07:22 | |
It's very heavy. | 0:07:22 | 0:07:23 | |
It's all very comfortable on you, is it? | 0:07:23 | 0:07:26 | |
-It's not very comfortable, no, but I'm all right. -OK. | 0:07:26 | 0:07:29 | |
Again, Connie, if you think that's heavy, | 0:07:29 | 0:07:31 | |
you haven't put the ice cube in yet. | 0:07:31 | 0:07:33 | |
That's to cool your breathing down | 0:07:33 | 0:07:35 | |
when you're working for a two-hour duration. | 0:07:35 | 0:07:37 | |
-You have to put this in the backpack? -Yes. | 0:07:37 | 0:07:40 | |
This is the set that you just had on your back | 0:07:40 | 0:07:42 | |
with the full contents and the weight that you felt. | 0:07:42 | 0:07:45 | |
If you open it up, we can see the oxygen cylinder in the bottom, | 0:07:45 | 0:07:49 | |
the breathing bag, the springs operate the breathing bag, | 0:07:49 | 0:07:53 | |
and you can see the crystals... absorbent granules inside there, | 0:07:53 | 0:07:57 | |
which actually absorb the carbon dioxide. | 0:07:57 | 0:08:00 | |
That's the weight, there and there. | 0:08:00 | 0:08:03 | |
Every exercise these teams undertake has to be for real. | 0:08:03 | 0:08:07 | |
Every piece of equipment is checked and double checked. | 0:08:07 | 0:08:11 | |
In a real disaster, their lives will depend on it working effectively. | 0:08:11 | 0:08:15 | |
We were preparing to be briefed by today's team leader. | 0:08:15 | 0:08:18 | |
These scenarios are all based on real-life accidents, | 0:08:18 | 0:08:22 | |
and potential life and death situations. | 0:08:22 | 0:08:25 | |
For today's exercise, the team and I | 0:08:25 | 0:08:27 | |
are going down the centre's own underground training complex | 0:08:27 | 0:08:30 | |
which replicates the actual conditions of a working mine. | 0:08:30 | 0:08:34 | |
Narrow, dark shafts, with many potential dangers. | 0:08:34 | 0:08:37 | |
The exercise today is we have a report of a deputy mine | 0:08:37 | 0:08:42 | |
supervisor that's collapsed. | 0:08:42 | 0:08:45 | |
We believe there's low oxygen in that part of the mine, | 0:08:45 | 0:08:48 | |
so we're going to take a team down and search down that leg. | 0:08:48 | 0:08:52 | |
OK, then, lads, if you'd like to get your masks on. | 0:08:52 | 0:08:55 | |
Gary, if you'd give Connie a hand, | 0:08:55 | 0:08:58 | |
make sure she's got everything that she should have. | 0:08:58 | 0:09:01 | |
Surely you have to do this in a certain time. | 0:09:01 | 0:09:04 | |
As quick as you can, cos a life is at stake. | 0:09:04 | 0:09:06 | |
We need to get under oxygen, we need to get our sets checked | 0:09:06 | 0:09:09 | |
and we need to get in straightaway | 0:09:09 | 0:09:11 | |
to give them the best chance we can of saving their lives. | 0:09:11 | 0:09:14 | |
-OK. -OK? | 0:09:14 | 0:09:16 | |
The last thing I need off you team is a grid reading! | 0:09:16 | 0:09:19 | |
194. | 0:09:19 | 0:09:20 | |
-Connie? -192. | 0:09:20 | 0:09:23 | |
193. | 0:09:23 | 0:09:24 | |
It's really claustrophobic wearing one of these masks | 0:09:26 | 0:09:29 | |
and I'm already feeling about two stone heavier with all this equipment on. | 0:09:29 | 0:09:33 | |
This is tough. Tougher than I thought. | 0:09:33 | 0:09:36 | |
Later in the programme, I'll be a part of the team in an exercise, | 0:09:43 | 0:09:47 | |
which for me was to prove incredibly real. | 0:09:47 | 0:09:50 | |
I can't imagine it being smoky in here, it's a nightmare. | 0:09:50 | 0:09:54 | |
Needles clicking at world-record pace, | 0:10:01 | 0:10:03 | |
a whirl of wool and seismic stitching, | 0:10:03 | 0:10:06 | |
is this the very latest Welsh government grey enterprise zone? | 0:10:06 | 0:10:10 | |
No, it's hats for heroes. | 0:10:10 | 0:10:12 | |
If you want to get ahead, get a hat or so the saying goes, | 0:10:12 | 0:10:17 | |
but what if you've got 400 hats in your living room? | 0:10:17 | 0:10:20 | |
Then you must be streets ahead! | 0:10:20 | 0:10:22 | |
I'm here in Penarth to meet a woman who is hat crazy. | 0:10:22 | 0:10:26 | |
-Nice to meet you. -Come on in. | 0:10:26 | 0:10:28 | |
Welcome to Hat Central. | 0:10:28 | 0:10:29 | |
Thank you. I love your hat! | 0:10:29 | 0:10:31 | |
One of my many knitters has done this. Come on in! | 0:10:31 | 0:10:34 | |
Tina, why have you got so many hats in your living room? | 0:10:36 | 0:10:39 | |
We collect them and send them out to the troops in Afghanistan | 0:10:39 | 0:10:42 | |
as a sign of support from all the British people. | 0:10:42 | 0:10:45 | |
-Have you knitted all of these hats yourself? -No. | 0:10:45 | 0:10:47 | |
I've got knitters from all over the UK, | 0:10:47 | 0:10:50 | |
from one end of Scotland right down to Penzance and all that lot. | 0:10:50 | 0:10:54 | |
All over the country, people send me hats. | 0:10:54 | 0:10:56 | |
From Land's End to John O'Groats, | 0:10:56 | 0:10:58 | |
and not forgetting the local line dancing club, | 0:10:58 | 0:11:00 | |
Tina's so committed to her knitting, | 0:11:00 | 0:11:02 | |
she's even persuaded her fellow line-dancers to knit too. | 0:11:02 | 0:11:07 | |
We've got over 900 at the moment, | 0:11:07 | 0:11:09 | |
and since September, we've sent out 3,800. | 0:11:09 | 0:11:12 | |
3,800 hats? | 0:11:12 | 0:11:14 | |
Why do you do it? | 0:11:14 | 0:11:15 | |
I like to show support. They're our boys. | 0:11:15 | 0:11:17 | |
We might not agree why they're there, | 0:11:17 | 0:11:19 | |
but they're our boys and girls so we need to support them. | 0:11:19 | 0:11:21 | |
So send then each a hat. | 0:11:21 | 0:11:23 | |
With a bar of chocolate, yes. | 0:11:23 | 0:11:24 | |
If you're going to do it, do it properly. | 0:11:24 | 0:11:26 | |
We've had a phenomenal response. | 0:11:26 | 0:11:28 | |
We've got photos there. | 0:11:28 | 0:11:30 | |
They're the Queen's Dragoon Guards. They've all got Welsh hats on. | 0:11:30 | 0:11:33 | |
Fantastic! Dragons on their hats. Wales written on it, that's lovely. | 0:11:33 | 0:11:36 | |
We've had loads of letters saying how the hats have made such a difference, | 0:11:36 | 0:11:41 | |
how warm they are. | 0:11:41 | 0:11:43 | |
You wouldn't think a hat would make such a difference | 0:11:43 | 0:11:45 | |
but they really appreciate it. | 0:11:45 | 0:11:47 | |
It's incredible that they actually take the time to all stand together with their hats on. | 0:11:47 | 0:11:51 | |
-It's lovely. -It's lovely. | 0:11:51 | 0:11:53 | |
And we've got a photo here. | 0:11:53 | 0:11:55 | |
Even Dusty the dog has a hat. | 0:11:55 | 0:11:57 | |
Oh! The dog's got a hat on! Fantastic! | 0:11:57 | 0:12:00 | |
I think we should go and meet some of these amazing knitters. | 0:12:00 | 0:12:03 | |
Follow me. | 0:12:03 | 0:12:04 | |
'Tina's taking me to the knitting sweatshop, | 0:12:04 | 0:12:07 | |
'and the word is, I can be allowed control of my own needles.' | 0:12:07 | 0:12:10 | |
All I can hear is clacking from the needles. | 0:12:10 | 0:12:12 | |
How many hours a week do you think you spend knitting hats for heroes? | 0:12:12 | 0:12:16 | |
About ten, 12 hours. | 0:12:16 | 0:12:19 | |
Ten, 12 hours a week? | 0:12:19 | 0:12:20 | |
A week. | 0:12:20 | 0:12:21 | |
So why did you give so much time to donate these hats? | 0:12:21 | 0:12:25 | |
It gives these soldiers a lot of pleasure, doesn't it, | 0:12:25 | 0:12:28 | |
when they receive their hats, | 0:12:28 | 0:12:30 | |
and I just think we're doing good for them. | 0:12:30 | 0:12:33 | |
So how long does it take you to make a hat? | 0:12:33 | 0:12:36 | |
Two nights? | 0:12:36 | 0:12:37 | |
Two nights. I think it would take me two years. | 0:12:37 | 0:12:41 | |
No, I don't think so. | 0:12:41 | 0:12:43 | |
Come on, teach me, ladies. | 0:12:43 | 0:12:44 | |
Yes. What you've got to do, | 0:12:44 | 0:12:46 | |
you hold your needle, you insert it into the stitch, | 0:12:46 | 0:12:49 | |
pull your wool around, pull it through | 0:12:49 | 0:12:52 | |
and push it off the other needle. | 0:12:52 | 0:12:54 | |
Go on, go on. | 0:12:54 | 0:12:56 | |
In, around, off. | 0:12:56 | 0:12:58 | |
In, around, off. | 0:12:59 | 0:13:02 | |
It's like a song, isn't it? | 0:13:02 | 0:13:04 | |
..around, off. | 0:13:04 | 0:13:05 | |
Five, six, seven, eight. | 0:13:05 | 0:13:08 | |
ALL: In, around, off. | 0:13:08 | 0:13:10 | |
Wooh! | 0:13:10 | 0:13:11 | |
In, around, off. | 0:13:11 | 0:13:13 | |
In, around, off. | 0:13:13 | 0:13:15 | |
Whoop, whoop! | 0:13:15 | 0:13:16 | |
In, around, off. | 0:13:16 | 0:13:17 | |
Get down with 'em. | 0:13:17 | 0:13:19 | |
In, around, off. | 0:13:19 | 0:13:20 | |
Come on, ladies. | 0:13:20 | 0:13:21 | |
In, around, off. | 0:13:21 | 0:13:23 | |
Yo, yo! | 0:13:23 | 0:13:25 | |
In, around, off. | 0:13:25 | 0:13:27 | |
I see you've got the hang of it now. | 0:13:27 | 0:13:28 | |
Come back in a year, you might have a hat. | 0:13:28 | 0:13:30 | |
I think there'll be one special hat made by Connie... Fisher. | 0:13:30 | 0:13:34 | |
Don't say Connie Francis! She didn't knit it. | 0:13:34 | 0:13:37 | |
LAUGHTER | 0:13:37 | 0:13:39 | |
'I'll definitely finish my hat for a hero but the way I'm going, | 0:13:41 | 0:13:44 | |
'it might have to be a Christmas present.' | 0:13:44 | 0:13:46 | |
I'm off to the jewel of the North Wales coast - Prestatyn, | 0:13:58 | 0:14:02 | |
to join people from every galaxy known to man and alien. | 0:14:02 | 0:14:05 | |
I've even been told there are people from Scunthorpe(!) | 0:14:05 | 0:14:09 | |
This is one of the biggest sci-fi conventions in the UK | 0:14:09 | 0:14:12 | |
but, for me, this could be a bit of a black hole. | 0:14:12 | 0:14:16 | |
I'm going to be honest with you, teleportation, space guns and intergalactic space travel | 0:14:16 | 0:14:22 | |
isn't really my forte. | 0:14:22 | 0:14:24 | |
I don't know my lightsabre from my sonic screwdriver | 0:14:24 | 0:14:27 | |
but it's OK, help is at hand at Pontins in Prestatyn. | 0:14:27 | 0:14:30 | |
I've come to the hottest event on the Welsh sci-fi calendar. | 0:14:30 | 0:14:35 | |
Fun, fun, fun! | 0:14:35 | 0:14:37 | |
Dum-dum-dum, dum-du-dum... | 0:14:37 | 0:14:40 | |
'My secret orders were to rendezvous at 1400 hours in chalet number 421. | 0:14:40 | 0:14:46 | |
'Is that a significant number?' | 0:14:46 | 0:14:48 | |
SHE SCREAMS | 0:14:50 | 0:14:53 | |
Power Rangers! | 0:14:54 | 0:14:56 | |
Hello. I'm Connie. Nice to meet you. | 0:14:56 | 0:14:59 | |
OK, they're mute. | 0:14:59 | 0:15:01 | |
I come in peace and I bring biscuits. | 0:15:01 | 0:15:04 | |
Aha, they let me in. Is this your TARDIS? | 0:15:04 | 0:15:07 | |
'My producer then made it clear to me that they weren't Power Rangers | 0:15:07 | 0:15:10 | |
'or characters in Doctor Who. | 0:15:10 | 0:15:12 | |
'With those weapons, I don't want them taking offence.' | 0:15:12 | 0:15:15 | |
I've established you're not Power Rangers. You are Stormtroopers, right? | 0:15:15 | 0:15:19 | |
What planet do you really come from? | 0:15:19 | 0:15:21 | |
-Planet Earth, and I'm James, by the way. -And I'm Graham. | 0:15:21 | 0:15:25 | |
-How many people will be at this convention? -Probably several thousand. | 0:15:25 | 0:15:29 | |
Several thousand people, all dressed like you are? | 0:15:29 | 0:15:33 | |
Yep. Stormtroopers, Clone Troopers, a few Daleks, | 0:15:33 | 0:15:37 | |
Jabba the Hutt, Chewbacca, Darth Vader. | 0:15:37 | 0:15:40 | |
Who should I be? I haven't come prepared. | 0:15:40 | 0:15:43 | |
-As we're the bad guys, we need somebody good. -Princess Leia? | 0:15:43 | 0:15:47 | |
Oh, I've heard of her. OK. | 0:15:47 | 0:15:48 | |
My name's Connie Fisher and I think Princess Leia was played by Carrie Fisher. | 0:15:48 | 0:15:54 | |
-That works. -That's only three letters away. | 0:15:54 | 0:15:57 | |
-That's the closest you'll ever come to Pricess Leia here. -That'll work. | 0:15:57 | 0:16:02 | |
Love it! Let's get into costume. | 0:16:03 | 0:16:05 | |
The Stormtroopers took me to my dressing room...well, chalet 474. | 0:16:06 | 0:16:11 | |
A picture of someone I'm supposed to be. | 0:16:11 | 0:16:14 | |
Already, look at the likeness. | 0:16:14 | 0:16:15 | |
I could be on Stars in their Eyes as her...if she sang. | 0:16:15 | 0:16:18 | |
Ah...may the Force be with me. | 0:16:19 | 0:16:22 | |
'I've got the wig, the white lycra robe and an hour to get ready.' | 0:16:22 | 0:16:26 | |
I think I'm going as Cousin Itt! | 0:16:26 | 0:16:29 | |
Ma-ma-ma-ma. | 0:16:29 | 0:16:30 | |
He's sci-fi, isn't he? | 0:16:30 | 0:16:32 | |
'But a few twists later, I think I might be getting close to the Princess.' | 0:16:32 | 0:16:37 | |
We're going to get pulverised if we stay much longer. Worried look. | 0:16:37 | 0:16:41 | |
'Or maybe not.' Next! | 0:16:41 | 0:16:43 | |
-We're going to get pulverised is we stay... -SHE LAUGHS | 0:16:43 | 0:16:46 | |
Sorry. | 0:16:46 | 0:16:49 | |
Right, next. | 0:16:49 | 0:16:51 | |
Oh...that is much better, isn't it? | 0:16:52 | 0:16:55 | |
This is the one. | 0:16:55 | 0:16:57 | |
I mean, originality, top marks. | 0:16:57 | 0:17:00 | |
Practicality, zero. | 0:17:01 | 0:17:03 | |
'Pastries gone, it's back to Plan A.' | 0:17:04 | 0:17:08 | |
If we stay out here much longer, we're going to get pulverised. | 0:17:08 | 0:17:13 | |
My mission today, to boldly go where no woman has gone before. | 0:17:14 | 0:17:19 | |
Well, the Entertainment Centre, Prestatyn, | 0:17:19 | 0:17:21 | |
to find out more about these alien creatures. | 0:17:21 | 0:17:25 | |
-Have you been dressing as a Dalek for long? -I am a Dalek! | 0:17:25 | 0:17:29 | |
Of course you are. Stupid question(!) | 0:17:29 | 0:17:32 | |
-Doctor Who, yes. Sorry. -"Doctor who" are you? | 0:17:32 | 0:17:36 | |
Just the Doctor. The one, the only, the best. That's me. Hello. | 0:17:36 | 0:17:39 | |
-Are you in character all day? -Yes. | 0:17:39 | 0:17:42 | |
There's somebody behind you who's slightly upstaged you because he's cute and furry | 0:17:42 | 0:17:46 | |
and he looks a bit like Julia Roberts on the catwalk. Do you remember that? | 0:17:46 | 0:17:51 | |
Oh, that's normal. | 0:17:51 | 0:17:53 | |
Can I ask you... Aah, you're very cuddly. | 0:17:53 | 0:17:56 | |
-Who are you? -GROWLS | 0:17:56 | 0:17:58 | |
He's a...grrrrgh. | 0:17:58 | 0:18:01 | |
-DALEK: -Chewbacca. -Yes, Chewbacca. | 0:18:01 | 0:18:04 | |
Helpful Daleks! They're not as bad as people say. | 0:18:04 | 0:18:07 | |
Thank you! | 0:18:07 | 0:18:09 | |
Wow! Look at this. | 0:18:11 | 0:18:14 | |
'Those boots are definitely not made for walking.' | 0:18:14 | 0:18:17 | |
-Are you a good guy or a bad guy? -Good guy. | 0:18:17 | 0:18:20 | |
I can be good sometimes. | 0:18:20 | 0:18:23 | |
You can be good sometimes. I'm having to translate. He's from a different planet. | 0:18:23 | 0:18:27 | |
I'm Scar. | 0:18:27 | 0:18:28 | |
Scar? You sound scary. | 0:18:28 | 0:18:31 | |
-How much did your costume cost you? -Erm, probably about £1,000. | 0:18:31 | 0:18:35 | |
No way. Mine cost about all of ten quid. | 0:18:35 | 0:18:38 | |
Do you speak? You've got very big hands. | 0:18:38 | 0:18:42 | |
'These space travellers have come from all over Wales and the UK. | 0:18:42 | 0:18:47 | |
'They spend a lot of their spare time and money being aliens and superheroes, | 0:18:47 | 0:18:50 | |
'often raising money for charity at the same time.' | 0:18:50 | 0:18:55 | |
What first got you into dressing up like this, as Spiderman? | 0:18:55 | 0:18:58 | |
As soon as I found out you can get suits like these. | 0:18:58 | 0:19:02 | |
When I was a child, I was always making stuff out of papier-mache and bits of paper and cardboard | 0:19:02 | 0:19:06 | |
and I found out you could do it for real. | 0:19:06 | 0:19:09 | |
-Have you always wanted to be a superhero? -Always, yeah. | 0:19:09 | 0:19:11 | |
Shall we dance with the Dalek? | 0:19:11 | 0:19:15 | |
'I told you Daleks were gentlemen.' | 0:19:15 | 0:19:18 | |
# Sway me now, sway me... # | 0:19:18 | 0:19:22 | |
SHE LAUGHS | 0:19:22 | 0:19:23 | |
He exterminated my foot. Ouch! | 0:19:23 | 0:19:27 | |
Daleks cannot dance. | 0:19:27 | 0:19:29 | |
It's been out of this world, but now the pressure is really on. | 0:19:29 | 0:19:35 | |
I'm one of the judges in The Galaxy's Got Talent competition, | 0:19:35 | 0:19:39 | |
choosing the best alien in Prestatyn. | 0:19:39 | 0:19:41 | |
Taking it very seriously, I gave some advice to the hundreds of competitors. | 0:19:41 | 0:19:46 | |
Already I can see some brilliant costumes out there | 0:19:46 | 0:19:49 | |
but if you can sell it as an actor, I think you're a winner. | 0:19:49 | 0:19:52 | |
'Did I really just say that? Never mind. On with the judging. | 0:19:52 | 0:19:56 | |
'First up, a mini Stormtrooper from my film, Star Wars.' | 0:19:56 | 0:20:01 | |
APPLAUSE AND CHEERING | 0:20:01 | 0:20:03 | |
Good effort! | 0:20:03 | 0:20:05 | |
-Hello. What's your name? -I don't have a name. I'm a number. | 0:20:05 | 0:20:08 | |
Seven! | 0:20:08 | 0:20:09 | |
'And this could be the Super Mario family, but isn't that a computer game? | 0:20:09 | 0:20:15 | |
'I must check the rule book.' | 0:20:15 | 0:20:17 | |
And they kept coming and coming | 0:20:19 | 0:20:22 | |
and coming. | 0:20:22 | 0:20:24 | |
But then there was something really special. | 0:20:24 | 0:20:28 | |
A family of aliens from the sci-fi cartoon, Futurama. | 0:20:28 | 0:20:31 | |
That is cute. | 0:20:31 | 0:20:33 | |
Can I ask you, did you make these costumes? | 0:20:33 | 0:20:36 | |
Yeah, my husband, he made all the costumes. | 0:20:36 | 0:20:39 | |
CHEERING AND APPLAUSE | 0:20:39 | 0:20:40 | |
My winner so far has got to be the frog family. | 0:20:40 | 0:20:45 | |
I don't know how they're sci-fi, but I'm going to say | 0:20:45 | 0:20:48 | |
they're futuristic frogs because I want them to win. | 0:20:48 | 0:20:51 | |
And there's a baby. Could it be more cute? | 0:20:51 | 0:20:53 | |
'I thought that it was all over, but no...oh, no. | 0:20:53 | 0:20:58 | |
'There was going to be more competitions.' | 0:20:58 | 0:21:00 | |
I've just spent an hour judging a competition and I've been told it's going to go on for three more hours. | 0:21:02 | 0:21:10 | |
I just took a little phone call from the chief Jedi | 0:21:10 | 0:21:15 | |
and he's asked me to go and save a galaxy far, far away from here | 0:21:15 | 0:21:20 | |
so that's what I'm going to have to do. | 0:21:20 | 0:21:22 | |
I'm out of here. | 0:21:22 | 0:21:24 | |
SHE HUMS INDIANA JONES THEME | 0:21:26 | 0:21:28 | |
Earlier in the programme, I met the brave men of the Mines Rescue Service | 0:21:41 | 0:21:45 | |
who have been saving miners' lives for a century. | 0:21:45 | 0:21:48 | |
These men respond to any mining emergency. | 0:21:48 | 0:21:51 | |
Most recently, last year's tragic accident at the Gleision Colliery in the Tawe Valley. | 0:21:51 | 0:21:56 | |
And they made me a unique offer that I couldn't refuse. | 0:21:56 | 0:22:00 | |
Ladies don't normally take part, so it's quite unique for yourself. | 0:22:00 | 0:22:04 | |
And I was kitted out so I could take part in a rescue training excercise. | 0:22:04 | 0:22:09 | |
Quick as we can, as a life is at stake. | 0:22:09 | 0:22:11 | |
We need to get under oxygen, we need our kit checked | 0:22:11 | 0:22:13 | |
and we need to get in straight away to give them the best chance we can and save their lives. | 0:22:13 | 0:22:20 | |
We have to find a miner who has collapsed at the coal face, | 0:22:22 | 0:22:25 | |
assess his condition, and get him out as quickly as we can. | 0:22:25 | 0:22:29 | |
This is hard! | 0:22:30 | 0:22:31 | |
What we've got here is two sets of tunnels. The bottom one is very tight. | 0:22:34 | 0:22:39 | |
But the teams have to get used to crawling through these constricted spaces. | 0:22:39 | 0:22:43 | |
-OK. -I'll lead the way. You follow behind. | 0:22:43 | 0:22:46 | |
'It's hot, clostrauphobic, and even though I know they're looking after me, I'm still frightened.' | 0:22:48 | 0:22:54 | |
This is really heavy and it pusheS on your helmet. | 0:22:54 | 0:22:59 | |
-We have casualty. -Found the casualty here. | 0:23:04 | 0:23:08 | |
At this point, we'd have people designated in the team. | 0:23:08 | 0:23:11 | |
Les is out first aider. | 0:23:11 | 0:23:14 | |
There's no breathing, boys, at the moment. | 0:23:14 | 0:23:17 | |
Tilting the head back. Right, we've got some breathing. | 0:23:17 | 0:23:20 | |
OK, Dai. Get the reviver on the casualty. | 0:23:20 | 0:23:23 | |
We've got the oxygen cylinder turned on and the casualty is now in an oxygen environment. | 0:23:25 | 0:23:30 | |
Pulse is rapid and weak. He's unconscious. | 0:23:30 | 0:23:34 | |
Connie, if you'd be part of the team getting the stretcher ready? | 0:23:34 | 0:23:40 | |
Mark on the plan where we found him and get in touch with the base and tell them what we've got. | 0:23:40 | 0:23:44 | |
At this point we get him on the stretcher | 0:23:44 | 0:23:46 | |
and start evacuation of the casualty from the tunnel system. | 0:23:46 | 0:23:51 | |
Turn it over? | 0:23:51 | 0:23:53 | |
One, two, three. Woah! That's it. | 0:23:53 | 0:23:58 | |
We're getting the casualty onto the stretcher now. If we connect the straps up. | 0:23:58 | 0:24:02 | |
How do I thread it through there with these gloves on? | 0:24:02 | 0:24:06 | |
This what we've got to endure. | 0:24:06 | 0:24:09 | |
The sooner we get him in the stretcher, the quicker we can get him out of here. | 0:24:09 | 0:24:13 | |
It's like threading a needle. I can't imagine it being smoky in here. It's just a nightmare. | 0:24:13 | 0:24:20 | |
If we were in fire environment, we'd have zero visibility, so we'd just have to feel our way. | 0:24:20 | 0:24:25 | |
This is the point of knowing our equipment and how to use it correctly. | 0:24:25 | 0:24:29 | |
He's still in shock. We need to get him out of here as soon as possible. | 0:24:29 | 0:24:34 | |
-Wait a minute, Connie. -OK. | 0:24:34 | 0:24:35 | |
I can't see a thing. | 0:24:47 | 0:24:50 | |
'We've had to manhandle the casualty onto the stretcher. | 0:24:50 | 0:24:53 | |
'Even in this controlled training environment, it's awkward and exhausting.' | 0:24:53 | 0:24:58 | |
-I can do it. I can do it. -Here it comes. -It's really heavy, isn't it? | 0:24:58 | 0:25:02 | |
It's so slippy. | 0:25:02 | 0:25:04 | |
'In this excercise, we only have to drag and carry the stretcher a few hundred metres | 0:25:04 | 0:25:10 | |
'but I'm getting some idea of just how difficult and dangerous it could be.' | 0:25:10 | 0:25:15 | |
This is going to be heavy now. Steady. | 0:25:15 | 0:25:18 | |
Steady. OK, down to the floor. Lower. | 0:25:19 | 0:25:22 | |
OK, rest. Out of puff? | 0:25:22 | 0:25:25 | |
I'm hanging in there. There's light at the end of the tunnel. | 0:25:25 | 0:25:29 | |
OK, our exit point is through this tunnel section here, OK, team? | 0:25:29 | 0:25:34 | |
Nearly there. All on your own now. You're dragging the stretcher on your own. | 0:25:34 | 0:25:40 | |
For these guys it was a light training excercise, for me it was a revelation. | 0:25:40 | 0:25:46 | |
Well, it feels good to stand up straight. | 0:25:47 | 0:25:51 | |
-OK? -Yeah. | 0:25:51 | 0:25:52 | |
-Oh, and I'm out. -You OK? -Thanks, guys. | 0:25:52 | 0:25:57 | |
Wow, what an experience! | 0:25:57 | 0:25:59 | |
I feel really privileged. Thank you so much. | 0:25:59 | 0:26:03 | |
And it's really, really tough. | 0:26:03 | 0:26:04 | |
And at the end of the day, it's not just a wacky obstacle course, | 0:26:04 | 0:26:07 | |
-is it? -No. -It's saving people's lives. -Yes, yes. | 0:26:07 | 0:26:10 | |
And it really does bring it home that this is serious work | 0:26:10 | 0:26:13 | |
and these are heroes in training. | 0:26:13 | 0:26:15 | |
So, thank you so much for letting me be a part of it. | 0:26:15 | 0:26:18 | |
And next time, I get cold on the outside, husky racing in West Wales. | 0:26:20 | 0:26:25 | |
And cold on the inside, creating Wales' weirdest ice cream. | 0:26:26 | 0:26:30 | |
The whole thing in one, that's not advisable. | 0:26:30 | 0:26:32 | |
And I spend a moving day with a volunteer army, | 0:26:32 | 0:26:36 | |
helping people across Wales. | 0:26:36 | 0:26:38 | |
SHE PLAYS THE PIANO | 0:26:38 | 0:26:41 | |
Bravo! | 0:26:42 | 0:26:44 | |
Subtitles by Red Bee Media Ltd | 0:26:50 | 0:26:54 |