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Series Four, Catherine Tate is back as Donna. | 0:00:03 | 0:00:06 | |
Oh, my God! | 0:00:08 | 0:00:10 | |
It's great to be back, yeah, it's as if I never left, actually. | 0:00:11 | 0:00:15 | |
Doctor! This is all your fault. I should have stayed at home. | 0:00:17 | 0:00:21 | |
MUSIC: "Ray Of Light" by Madonna # Quicker than a ray of light | 0:00:21 | 0:00:26 | |
# Quicker than a ray of light | 0:00:26 | 0:00:30 | |
# Quicker than a ray of light... # | 0:00:30 | 0:00:35 | |
Just like old times! | 0:00:35 | 0:00:37 | |
With the script for Partners In Crime complete, | 0:00:51 | 0:00:55 | |
the cast and crew are gathered at the Cardiff studios for the first read-through of the series. | 0:00:55 | 0:00:59 | |
Until you hear the actors you've cast reading those lines, | 0:00:59 | 0:01:04 | |
it's the first time, really, that the whole thing comes to life. | 0:01:05 | 0:01:08 | |
Marvellous, I'll be reading the stage directions. Always exciting. | 0:01:08 | 0:01:12 | |
A lot of them in this. Exterior, Nobles' house, fast, cheeky music. | 0:01:12 | 0:01:16 | |
Donna steps out, head held high on a mission. | 0:01:16 | 0:01:19 | |
Donna walking along, left to right, | 0:01:25 | 0:01:27 | |
the Doctor walking along right to left. | 0:01:27 | 0:01:30 | |
Donna stops in the street, looks up at a tower block which is the HQ of Adipose Industries. | 0:01:32 | 0:01:37 | |
The first half of the episode is basically about the fact that | 0:01:38 | 0:01:41 | |
the two of them keep missing each other... | 0:01:41 | 0:01:44 | |
-Does he need a Coke? -Thanks, then. | 0:01:44 | 0:01:46 | |
What's that? | 0:01:46 | 0:01:48 | |
'..And that Donna's been looking for the Doctor.' | 0:01:48 | 0:01:51 | |
CAR HORN | 0:01:54 | 0:01:56 | |
It's pretty surprising when the Doctor | 0:02:10 | 0:02:12 | |
sees Donna for the first time. | 0:02:12 | 0:02:14 | |
It's fairly, er, unlikely. | 0:02:14 | 0:02:16 | |
'It's a great way to reintroduce the characters to each other.' | 0:02:18 | 0:02:22 | |
In a moment of great peril you have this sort of dumb show... | 0:02:22 | 0:02:27 | |
..and you saw that on the page. | 0:02:28 | 0:02:29 | |
The Doctor looks straight ahead and Donna looks straight ahead and she sees him. | 0:02:29 | 0:02:34 | |
And he sees her. | 0:02:35 | 0:02:37 | |
HE MOUTHS | 0:02:37 | 0:02:38 | |
-SHE WHISPERS: -Doctor. | 0:02:38 | 0:02:40 | |
She does a little mime, "I came here, trouble, internet, pills, places..." THEY LAUGH | 0:02:40 | 0:02:46 | |
Marvellous! | 0:02:48 | 0:02:50 | |
I said to James Strong, the director, the day before, | 0:02:50 | 0:02:53 | |
"Have you got any thoughts about that? | 0:02:53 | 0:02:56 | |
"You know, at all?" | 0:02:56 | 0:02:58 | |
And he said no. | 0:02:58 | 0:03:01 | |
He said, "I'll ask Russell." | 0:03:01 | 0:03:02 | |
And then the message that came back was, "See what Catherine comes up with." | 0:03:02 | 0:03:07 | |
So I kind of did it a bit on the hoof, actually. | 0:03:07 | 0:03:10 | |
Well as we were filming it, really. | 0:03:10 | 0:03:12 | |
And just mucked about with it a bit and will be taking a career in mime a lot further. | 0:03:12 | 0:03:18 | |
It's funny, Catherine's first day on the set just felt like | 0:03:18 | 0:03:21 | |
she'd never been away. It was like catching up with an old mate. | 0:03:21 | 0:03:25 | |
Cos its the second time I've worked with him, I don't have to curtsy every morning which was the ritual | 0:03:27 | 0:03:34 | |
when I was in the Christmas Special which was a little bit much, you know, but fair enough, really. | 0:03:34 | 0:03:40 | |
So now I don't have to, so that's great. | 0:03:40 | 0:03:44 | |
Obviously we know Catherine Tate as a great comic actor. | 0:03:44 | 0:03:48 | |
So you've got all that coming out of the script, | 0:03:48 | 0:03:51 | |
because people know they are writing for her. Also the way she will turn a line will keep surprising you... | 0:03:51 | 0:03:57 | |
..Then she'll surprise you again by fulfilling all the emotional moments as powerfully as she does as well. | 0:03:59 | 0:04:05 | |
She seems to have a valve that taps right into her soul and into the soul of Donna. | 0:04:05 | 0:04:10 | |
You're right. | 0:04:10 | 0:04:12 | |
Cos he's still out there... | 0:04:12 | 0:04:14 | |
..somewhere. | 0:04:15 | 0:04:17 | |
And I'll find him. | 0:04:17 | 0:04:19 | |
Even if I have to wait 100 years. | 0:04:19 | 0:04:23 | |
I'll find him. | 0:04:23 | 0:04:25 | |
Adipose Industries, | 0:04:32 | 0:04:33 | |
the 21st century way to lose weight. And here it is. | 0:04:33 | 0:04:38 | |
One capsule, once a day for three weeks and the fat, as they say... | 0:04:38 | 0:04:43 | |
'The fat just walks away!' | 0:04:43 | 0:04:44 | |
Donna calls her supernanny, | 0:04:44 | 0:04:47 | |
that's where the costume came from, the glasses, the pose, everything, | 0:04:47 | 0:04:51 | |
everyone said she's supernanny-come-space villain. | 0:04:51 | 0:04:54 | |
-Action. -Matron Caphelia, listen to me! | 0:04:56 | 0:04:59 | |
Oh, I don't think so, Doctor. | 0:04:59 | 0:05:02 | |
And whatever... | 0:05:02 | 0:05:04 | |
whatever I say next. | 0:05:04 | 0:05:06 | |
-Really. -'Keep rolling.' -Start again. | 0:05:06 | 0:05:08 | |
-'Do you want a reminder, are you all right?' -No, I'm fine. -'Here we go. And...action.' | 0:05:08 | 0:05:14 | |
Matron Caphelia, listen to me! | 0:05:14 | 0:05:16 | |
Oh, I don't think so, Doctor. | 0:05:16 | 0:05:18 | |
And if I never see you again, it will be too soon. | 0:05:18 | 0:05:20 | |
Why does nobody ever listen? I'm trying to help. Can you shift the levitation beam? | 0:05:20 | 0:05:25 | |
What? So you can arrest me? | 0:05:25 | 0:05:26 | |
Listen, I saw the Adiposian instructions, they know it's a crime breeding on earth, | 0:05:26 | 0:05:31 | |
so what's the one thing they want to get rid of? Their accomplice! | 0:05:31 | 0:05:35 | |
I'm far more than that. | 0:05:35 | 0:05:38 | |
I'm nanny to all these children. | 0:05:38 | 0:05:42 | |
Exactly. Mum and Dad have got the kids now, they don't need the nanny any more. | 0:05:42 | 0:05:47 | |
'Lights.' | 0:05:47 | 0:05:49 | |
'Drop.' | 0:05:49 | 0:05:52 | |
I don't think she's a baddie. If she is a baddie, | 0:05:52 | 0:05:55 | |
maybe we're seeing things from a slightly different perspective, | 0:05:55 | 0:05:58 | |
but I've persuaded myself that actually she's quite a nice lady. | 0:05:58 | 0:06:02 | |
Back to it. | 0:06:02 | 0:06:04 | |
So then, Tardis. | 0:06:04 | 0:06:06 | |
Where do you want to go? | 0:06:07 | 0:06:09 | |
Oh, I know exactly the place. | 0:06:10 | 0:06:13 | |
Which is? | 0:06:13 | 0:06:15 | |
Two-and-a-half miles that way. | 0:06:15 | 0:06:16 | |
MUSIC: "Land Of A Thousand Words" by Scissor Sisters | 0:06:19 | 0:06:23 | |
# Another constellation dies | 0:06:23 | 0:06:27 | |
# Do what you want cos it's your own sky | 0:06:29 | 0:06:36 | |
-Donna! Donna! -# Call me when The phone stops ringing... # | 0:06:36 | 0:06:39 | |
Donna! Donna... it's the flying blue box! | 0:06:39 | 0:06:44 | |
# I am on your good side | 0:06:44 | 0:06:47 | |
-# Where it's smoldering Or freezing... # -What?! | 0:06:49 | 0:06:52 | |
# It's never all that easy to decide | 0:06:52 | 0:06:59 | |
# This is a land of 1000 words | 0:06:59 | 0:07:04 | |
-# But it seems so few are worth... # -David, can you put that arm down? | 0:07:06 | 0:07:13 | |
# ..I'll be looking after My own world | 0:07:13 | 0:07:18 | |
-# You just keep on Saving the day... # -That's Donna! That's Donna! | 0:07:20 | 0:07:25 | |
And that's him. | 0:07:25 | 0:07:26 | |
That's him! That's him! | 0:07:26 | 0:07:28 | |
That's him! | 0:07:28 | 0:07:31 | |
Yeah! Go on, girl, go on, get up there! | 0:07:31 | 0:07:36 | |
Hey! | 0:07:36 | 0:07:39 | |
It's just the joy. of someone being able to travel off in time and space. | 0:07:41 | 0:07:45 | |
To see that via a grandfather, one of my favourite things we've done. | 0:07:45 | 0:07:48 | |
He doesn't resent that, he doesn't envy her, he stands there and cheers and waves her off, | 0:07:48 | 0:07:54 | |
and says go get it girl, grab it. | 0:07:54 | 0:07:56 | |
And do what I never did. | 0:07:56 | 0:07:59 | |
Subtitles by Red Bee Media Ltd | 0:08:20 | 0:08:23 | |
Email [email protected] | 0:08:23 | 0:08:26 |