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He's menacing. | 0:00:01 | 0:00:04 | |
He's mad. | 0:00:06 | 0:00:08 | |
He's the Doctor's most dangerous enemy. | 0:00:09 | 0:00:12 | |
He's been 20 years in the time void. | 0:00:13 | 0:00:15 | |
And now he's back. | 0:00:18 | 0:00:20 | |
On set in Cardiff, the most evil being in the universe is getting ready to make an entrance. | 0:00:41 | 0:00:47 | |
-I've never seen Davros's face in this. -Right. | 0:00:47 | 0:00:51 | |
I didn't want to show him too quickly. | 0:00:51 | 0:00:53 | |
I didn't want to show Davros's features so you see him too early. | 0:00:53 | 0:00:57 | |
-And action. -I warned you, Supreme One, | 0:00:57 | 0:01:02 | |
just as Dalek Caan foretold, the children of time are moving against us. | 0:01:02 | 0:01:07 | |
But everything is falling into place. | 0:01:07 | 0:01:11 | |
It was quite hard to show a little bit at a time, | 0:01:11 | 0:01:14 | |
because you've got the skirt, you've got a gloved hand and you've got some dials at the top. | 0:01:14 | 0:01:20 | |
The rest of it's a leather jacket, then the face. | 0:01:20 | 0:01:22 | |
Just move your hand through that speech, move your hands slowly across on the speech. | 0:01:22 | 0:01:27 | |
So you go with it, and it's that one. | 0:01:27 | 0:01:30 | |
Action. | 0:01:30 | 0:01:31 | |
I could almost mistake that tone for one of victory. | 0:01:31 | 0:01:35 | |
Beware your pride. | 0:01:35 | 0:01:37 | |
The Doctor cannot stop us. | 0:01:37 | 0:01:40 | |
And yet Dalek Caan is uneasy. | 0:01:40 | 0:01:44 | |
Thank you. | 0:01:47 | 0:01:48 | |
That was my huge responsibility to start. From there onwards... | 0:01:48 | 0:01:51 | |
Back to your positions... | 0:01:51 | 0:01:53 | |
..to make sure the prosthetics and the body and figure looked authentic and terrific. | 0:01:53 | 0:01:59 | |
It's just getting the right kind of shots to show him off. | 0:01:59 | 0:02:02 | |
Action! | 0:02:02 | 0:02:03 | |
Supreme One, this wave network, I would address it, give me access. | 0:02:03 | 0:02:08 | |
We've lost them! | 0:02:10 | 0:02:11 | |
No, there's another signal coming through, there's someone else out there. Hello? Can you hear me? | 0:02:11 | 0:02:17 | |
Rose? | 0:02:17 | 0:02:19 | |
Your voice is different and yet... | 0:02:19 | 0:02:22 | |
its arrogance is unchanged. | 0:02:22 | 0:02:25 | |
No. | 0:02:25 | 0:02:27 | |
But he's dead! | 0:02:27 | 0:02:29 | |
Welcome to my new empire, Doctor. | 0:02:31 | 0:02:35 | |
Cut! | 0:02:35 | 0:02:37 | |
But it's not Davros's first appearance in the studios. | 0:02:37 | 0:02:40 | |
Complex creations need a trial run. | 0:02:40 | 0:02:43 | |
Wow. This is brilliant, absolutely brilliant. | 0:02:45 | 0:02:47 | |
That chair looks so mean. | 0:02:47 | 0:02:49 | |
With most of the big designs of the monsters | 0:02:49 | 0:02:51 | |
we have a "show and tell", | 0:02:51 | 0:02:53 | |
so a couple of days before the first day of filming, | 0:02:53 | 0:02:55 | |
we'll get the actor in, we'll get the prosthetics on them, if that's what they need, or the costume on them. | 0:02:55 | 0:03:01 | |
We'll get them in the chair or the device, or whatever. | 0:03:01 | 0:03:05 | |
Can I have a lift? | 0:03:05 | 0:03:06 | |
And we'll put the whole thing together and see how it works. | 0:03:06 | 0:03:09 | |
How malleable are you? | 0:03:09 | 0:03:12 | |
-It's fairly flexible. -It's absolutely brilliant! | 0:03:13 | 0:03:17 | |
Eyebrows go and everything... | 0:03:19 | 0:03:20 | |
Here's the Doctor! | 0:03:20 | 0:03:22 | |
-It's brilliant. -Cool! | 0:03:25 | 0:03:27 | |
-How's it feel? -All right, thanks. | 0:03:27 | 0:03:30 | |
It's very comfortable. | 0:03:30 | 0:03:32 | |
Very comfortable! | 0:03:32 | 0:03:34 | |
David and I spent the entire morning in a state of complete frenzy | 0:03:34 | 0:03:40 | |
because we knew we doing the Davros show and tell that afternoon. | 0:03:40 | 0:03:44 | |
We just kept laughing at each other. We were so excited. | 0:03:44 | 0:03:47 | |
One of my earliest memories of Doctor Who is Davros. | 0:03:47 | 0:03:50 | |
It was 1975. | 0:03:50 | 0:03:53 | |
I was a very small child, absolutely captivated by this extraordinary creature. | 0:03:53 | 0:03:58 | |
Do the wires come out? | 0:03:58 | 0:04:01 | |
'It doesn't disappoint when these things from your own cultural memory | 0:04:01 | 0:04:04 | |
'are suddenly now part of the job you're doing for real.' | 0:04:04 | 0:04:08 | |
You never quite get over those slightly surreal moments. | 0:04:08 | 0:04:11 | |
In a nearby rehearsal room, another cultural memory is being awakened. | 0:04:12 | 0:04:17 | |
What we're doing today is a bit of trouble-shooting. | 0:04:17 | 0:04:21 | |
It's 18 months, nearly two years, since we last did a Dalek episode. | 0:04:21 | 0:04:25 | |
-Is that right? -Yeah. | 0:04:25 | 0:04:26 | |
I have been summoned! | 0:04:26 | 0:04:29 | |
We're making sure everything works. | 0:04:29 | 0:04:30 | |
Having a trundle round, making sure things fit and the electrics work. | 0:04:30 | 0:04:34 | |
We need more bodies immediately! | 0:04:34 | 0:04:37 | |
Yes, Master. | 0:04:37 | 0:04:38 | |
It's all about the legs. If you've got long legs, you're in trouble. | 0:04:38 | 0:04:42 | |
Luckily it's all right. | 0:04:42 | 0:04:44 | |
It's a simple seat which is a bit padded at the bottom. | 0:04:44 | 0:04:47 | |
It's trying not to bang your knees. | 0:04:47 | 0:04:50 | |
Daleks have no concept of worry. | 0:04:50 | 0:04:53 | |
We've got quite used to it over the years, | 0:04:53 | 0:04:56 | |
visibility is always a bit restricted. | 0:04:56 | 0:04:58 | |
It's usually off to one side as well. | 0:04:58 | 0:05:00 | |
The bit you can see out of is like that. | 0:05:00 | 0:05:03 | |
If you need to look there, fine but if you have to look there... | 0:05:03 | 0:05:06 | |
Come with me! | 0:05:06 | 0:05:08 | |
Just using the force, really. | 0:05:09 | 0:05:11 | |
-We're wearing these the whole time. -Oh, yes, have to do that. | 0:05:11 | 0:05:15 | |
Then there's smoke and | 0:05:15 | 0:05:16 | |
steam from the mini-bar and the Jacuzzi. | 0:05:16 | 0:05:20 | |
The in-Dalek entertainment system. It's all in there! | 0:05:20 | 0:05:24 | |
Now... | 0:05:24 | 0:05:25 | |
join with me! | 0:05:25 | 0:05:28 | |
The hardest part is keeping out of the way of the mutant, | 0:05:28 | 0:05:31 | |
isn't it, mutant? | 0:05:31 | 0:05:32 | |
Yeah, the mutant doesn't like it if you sit on him. | 0:05:32 | 0:05:35 | |
You sort of get in sideways, or have him on your lap. | 0:05:35 | 0:05:40 | |
# I've got you under my skin | 0:05:46 | 0:05:51 | |
# I've got you deep in the heart of the me | 0:05:54 | 0:05:59 | |
# You're so deep in my heart That you're really a part of me | 0:06:01 | 0:06:07 | |
# And I've got you under my skin... # | 0:06:08 | 0:06:14 | |
Once we are inside and the lids have been put on and everything. | 0:06:16 | 0:06:19 | |
People do kind of forget that we're in there. | 0:06:19 | 0:06:22 | |
Because it looks real and it moves and it twitches and we glide around. | 0:06:22 | 0:06:25 | |
It's a testament to what an amazing piece of design it is. | 0:06:25 | 0:06:28 | |
It comes to life and people think it's just a Dalek. | 0:06:28 | 0:06:31 | |
It's not a bloke and some plywood and some fibre glass and some metal. | 0:06:31 | 0:06:35 | |
It's a Dalek. Fantastic. | 0:06:35 | 0:06:37 | |
-Hello, boys. -DALEK OPERATORS: Hello! | 0:06:37 | 0:06:40 | |
-Look, can you show me your twitching? -Check us all out. | 0:06:40 | 0:06:43 | |
The far one, are you switched on? | 0:06:43 | 0:06:47 | |
I'm switched on, yes. | 0:06:47 | 0:06:49 | |
-Can you move for us as well? -Yeah, sure, shall I just...? | 0:06:49 | 0:06:53 | |
Yup, yeah, yeah. That's going to be good. | 0:06:55 | 0:06:59 | |
Once you know who they are, you remember their names. | 0:06:59 | 0:07:01 | |
But once they start moving, I haven't a clue! | 0:07:01 | 0:07:04 | |
-Stage 42, take two. -Action! | 0:07:04 | 0:07:07 | |
Dalek fleet in battle formation. | 0:07:08 | 0:07:11 | |
All systems locked and primed. | 0:07:11 | 0:07:14 | |
Crucible at 90% efficiency. | 0:07:14 | 0:07:17 | |
The human harvest will commence. | 0:07:17 | 0:07:21 | |
-Right, cut. -Yes, please. | 0:07:21 | 0:07:23 | |
# I've got you | 0:07:23 | 0:07:26 | |
# Under my skin | 0:07:26 | 0:07:29 | |
# And I love you under my skin. # | 0:07:31 | 0:07:38 | |
-Rehearsing! -Quiet! | 0:07:38 | 0:07:41 | |
And, action! | 0:07:41 | 0:07:42 | |
Negative! No reports of Time Lords. | 0:07:42 | 0:07:46 | |
A big part of the Dalek is his voice. The voice. | 0:07:46 | 0:07:49 | |
We are beyond the Doctor's reach. | 0:07:49 | 0:07:52 | |
The person who realises that is Nick Briggs. He's a genius. | 0:07:52 | 0:07:56 | |
He sits at the side of the set | 0:07:56 | 0:07:58 | |
and delivers a completely chilling performance. | 0:07:58 | 0:08:02 | |
The Doctor cannot stop us. | 0:08:02 | 0:08:04 | |
Nick's involvement begins months before shooting | 0:08:04 | 0:08:07 | |
when the cast gathers for a first read of the script. | 0:08:07 | 0:08:10 | |
Nick comes to the read-through with his ring modulator. | 0:08:10 | 0:08:13 | |
-Jacqueline Breen. -Gary Milner. | 0:08:13 | 0:08:16 | |
Nick Briggs. | 0:08:16 | 0:08:17 | |
And he sets up a little speaker. He sits there and he patiently waits | 0:08:19 | 0:08:24 | |
for the first Dalek line to come around, | 0:08:24 | 0:08:26 | |
Knowing that when it does and when he first booms across | 0:08:26 | 0:08:29 | |
that read-through room he's going to get a shiver of delight | 0:08:29 | 0:08:32 | |
from everyone in the room. | 0:08:32 | 0:08:34 | |
I'm receiving a communication. They have a message for the human race. | 0:08:34 | 0:08:38 | |
Put it through, let's hear it. | 0:08:38 | 0:08:39 | |
Exterminate! Exterminate! | 0:08:39 | 0:08:43 | |
Exterminate! Ex-ter-min-ate! | 0:08:43 | 0:08:46 | |
CHEERING, LAUGHTER AND APPLAUSE | 0:08:46 | 0:08:51 | |
It's lovely for an actor's ego. | 0:08:57 | 0:08:58 | |
I got a huge round of applause on my first line | 0:08:58 | 0:09:01 | |
and then any little different nuance I did, | 0:09:01 | 0:09:04 | |
another round of applause. | 0:09:04 | 0:09:05 | |
Daleks are the masters of the Earth. | 0:09:05 | 0:09:09 | |
IN DIFFERENT PITCH: Daleks are masters of Earth. | 0:09:09 | 0:09:13 | |
And we're a massive multiplication shot of the Daleks on the floor, everywhere. All chanting. | 0:09:14 | 0:09:20 | |
Everyone together now... | 0:09:20 | 0:09:22 | |
LAUGHTER | 0:09:22 | 0:09:25 | |
It's late at night on a street in south Wales. | 0:09:34 | 0:09:38 | |
There's an invasion in progress. | 0:09:38 | 0:09:40 | |
It's the first time ever in the new series of the Daleks I'v have gone on location. | 0:09:42 | 0:09:47 | |
So we've got rain and we've got cold and weather and it's brilliant. I love it. | 0:09:47 | 0:09:52 | |
We're doing the scene where Rose and the Doctor are reunited | 0:10:00 | 0:10:04 | |
after so many years. | 0:10:04 | 0:10:06 | |
Just before they embrace, | 0:10:06 | 0:10:09 | |
a Dalek comes out of the shadows and kills the Doctor. | 0:10:09 | 0:10:12 | |
Barnaby, on action, you're trundling from the back up to the front, | 0:10:12 | 0:10:17 | |
-turning and firing. -Yup. | 0:10:17 | 0:10:20 | |
With an exterminate. | 0:10:20 | 0:10:23 | |
Exterminate, then gun? | 0:10:23 | 0:10:24 | |
Exterminate, then gun, yeah. Pow. | 0:10:26 | 0:10:28 | |
After 45 years it feels good to be the Dalek who got him. | 0:10:28 | 0:10:33 | |
HE SNIGGERS | 0:10:33 | 0:10:34 | |
Exterminate! | 0:10:37 | 0:10:39 | |
Long time no see. | 0:10:49 | 0:10:50 | |
Been busy, you know. Don't die. | 0:10:52 | 0:10:55 | |
It's...a moment of high emotion for all involved. | 0:10:55 | 0:10:59 | |
-Don't die. -Argh. -Oh, God, don't die. | 0:10:59 | 0:11:03 | |
We can't have happy endings. Especially not when there's a cliffhanger to be worked up towards. | 0:11:03 | 0:11:08 | |
1/10, take one... And action. | 0:11:08 | 0:11:11 | |
What do we do? There must be some medicine or something! | 0:11:13 | 0:11:18 | |
Rose is faced with the fact that she might lose another Doctor. | 0:11:18 | 0:11:21 | |
Just step back. | 0:11:21 | 0:11:24 | |
Rose! Do as I say and get back. | 0:11:24 | 0:11:25 | |
Just as she's managed to come, goodness knows how many zillion light years to be reunited with him. | 0:11:25 | 0:11:31 | |
He's dying, and you know what happens next. | 0:11:31 | 0:11:34 | |
What do you mean? | 0:11:34 | 0:11:36 | |
She's very fond of this version of the Doctor. | 0:11:36 | 0:11:39 | |
She hasn't seen him for a long time. | 0:11:39 | 0:11:41 | |
She's completely in love with him and he's about to change form again. | 0:11:41 | 0:11:44 | |
I've come all this way. | 0:11:44 | 0:11:45 | |
What do you mean? | 0:11:45 | 0:11:47 | |
She knows what it means and it frightens her. | 0:11:47 | 0:11:51 | |
It's starting. | 0:11:57 | 0:11:59 | |
So yeah, the Doctor is...is mortally wounded and needs to regenerate. | 0:11:59 | 0:12:03 | |
There's not really any going back from that. | 0:12:03 | 0:12:05 | |
But you can't. | 0:12:05 | 0:12:07 | |
I'm sorry. It's too late. | 0:12:07 | 0:12:09 | |
I'm regenerating. | 0:12:11 | 0:12:13 | |
So, at the end of this episode, the Doctor is dying... | 0:12:13 | 0:12:18 | |
He starts to glow, he starts to boil... | 0:12:20 | 0:12:22 | |
He's changing into a new man. I've got no idea what happens next. | 0:12:26 | 0:12:31 | |
I'm going to be sitting down next week watching as rapt, as excited, and as in the dark as everyone else. | 0:12:31 | 0:12:37 | |
Honestly. | 0:12:37 | 0:12:39 | |
HE LAUGHS | 0:12:39 | 0:12:42 | |
Subtitles by Red Bee Media Ltd | 0:12:54 | 0:12:57 | |
E-mail [email protected] | 0:12:57 | 0:13:00 |