Browse content similar to Sontar-Ha!. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Those big-headed Sontarans are still waging war. | 0:00:02 | 0:00:05 | |
Change of plan! | 0:00:05 | 0:00:06 | |
And they have an almighty chip on their shoulder. | 0:00:06 | 0:00:10 | |
They look brilliant. | 0:00:10 | 0:00:12 | |
A whole new dynamic of creature. | 0:00:12 | 0:00:14 | |
We will ravage this planet! | 0:00:14 | 0:00:16 | |
Because they have no fear of death, they are sort of unstoppable. | 0:00:18 | 0:00:21 | |
They're truly brutal, nasty, monstrous creatures. | 0:00:26 | 0:00:29 | |
# Tick, tick, tick, tick, | 0:00:33 | 0:00:35 | |
# Tick, tick, tick | 0:00:35 | 0:00:36 | |
# Boom. # | 0:00:36 | 0:00:38 | |
It's battle stations for the Doctor Who production team | 0:00:53 | 0:00:56 | |
as they plan, with military precision, the Sontarans' attack against UNIT forces. | 0:00:56 | 0:01:01 | |
SCREAMING | 0:01:05 | 0:01:06 | |
It's big battle time in this episode, and it's the first time ever | 0:01:09 | 0:01:13 | |
on screen you get to see the Sontarans en masse. | 0:01:13 | 0:01:16 | |
I just want to see hordes of them, armies of them, | 0:01:27 | 0:01:30 | |
marching, guns, battleships, action, | 0:01:30 | 0:01:32 | |
to see these soldiers, these famous soldiers of the Doctor Who universe, | 0:01:32 | 0:01:36 | |
at war, in battle, fighting, and loving it. | 0:01:36 | 0:01:39 | |
All troops. Code Red. | 0:01:42 | 0:01:44 | |
This isn't war! | 0:01:46 | 0:01:47 | |
Get them out of there. SONTARAN LAUGHS | 0:01:47 | 0:01:50 | |
This is sport! | 0:01:50 | 0:01:51 | |
They're running like slime bait from a spiel fox! | 0:01:58 | 0:02:02 | |
Get them out of there! | 0:02:02 | 0:02:03 | |
God save us. | 0:02:09 | 0:02:11 | |
North America, online. | 0:02:16 | 0:02:18 | |
United Kingdom, online. | 0:02:18 | 0:02:20 | |
North Korea, online. | 0:02:21 | 0:02:23 | |
The honour of battle. | 0:02:23 | 0:02:26 | |
The glory! | 0:02:26 | 0:02:27 | |
With the coordination of Tom, our stunt coordinator, | 0:02:29 | 0:02:32 | |
and Ailsa, our choreographer, | 0:02:32 | 0:02:34 | |
we really felt the full force of their warrior techniques. | 0:02:34 | 0:02:38 | |
They're truly brutal, nasty, monstrous creatures, and that's what Sontarans are, they fight. | 0:02:40 | 0:02:45 | |
At the moment we're waiting to go and shoot the big battle | 0:02:47 | 0:02:50 | |
that we're going to be having with the UNIT troops. | 0:02:50 | 0:02:53 | |
Action! | 0:02:53 | 0:02:55 | |
And shooting various members of them. | 0:02:56 | 0:02:59 | |
It's an interesting way to spend a morning, certainly. | 0:02:59 | 0:03:02 | |
-Come on, come on. -What we're seeing on that is the soldiers running around, half panicking. | 0:03:04 | 0:03:09 | |
Then the Sontarans come in into a set line, | 0:03:13 | 0:03:16 | |
and then we had to work out different scenarios - | 0:03:16 | 0:03:18 | |
running, falling and trying to shoot, but their guns are jammed. | 0:03:18 | 0:03:22 | |
I think we really did get a sense of scale, in that we had | 0:03:22 | 0:03:25 | |
these two big forces facing each other, | 0:03:25 | 0:03:28 | |
and then throwing in our set piece special effects, | 0:03:28 | 0:03:31 | |
in episode five, makes for a very dramatic sequence. | 0:03:31 | 0:03:36 | |
Action! | 0:03:36 | 0:03:37 | |
# You | 0:03:38 | 0:03:40 | |
# Should | 0:03:42 | 0:03:43 | |
# You | 0:03:45 | 0:03:46 | |
# Live | 0:03:48 | 0:03:49 | |
# The sun has gone and you're all alone | 0:03:49 | 0:03:53 | |
# And you know | 0:03:53 | 0:03:54 | |
# You're my dream. # | 0:03:54 | 0:03:58 | |
We want to give them that testosterone. | 0:04:01 | 0:04:03 | |
ALL: Sontar-ha! Sontar-ha! Sontar-ha! | 0:04:03 | 0:04:07 | |
ALL: Sontar-ha! | 0:04:07 | 0:04:08 | |
They just needed that release, that joy in battle, beyond just saying, "I'm having fun." | 0:04:08 | 0:04:14 | |
I thought that chant brought out their aggression and their rituals and also their fun, | 0:04:14 | 0:04:20 | |
but also the fact that they're all of one like mind, they are clones. | 0:04:20 | 0:04:24 | |
They do things together. They all join in exactly the same actions and words. | 0:04:24 | 0:04:28 | |
It just seems really Sontaran to do that. | 0:04:28 | 0:04:30 | |
About three or four weeks ago when the guys first came together, | 0:04:30 | 0:04:34 | |
we did a few basic exercises | 0:04:34 | 0:04:37 | |
just running things, just some marching, | 0:04:37 | 0:04:40 | |
to get everybody in the feel of the quality of movement that we were actually looking for. | 0:04:40 | 0:04:45 | |
D camera. | 0:04:45 | 0:04:47 | |
OK, and... | 0:04:48 | 0:04:49 | |
Three, two, one, action! | 0:04:49 | 0:04:52 | |
400 million weapons! | 0:04:52 | 0:04:55 | |
Sontar-ha! | 0:04:55 | 0:04:56 | |
Sontar-ha! | 0:04:56 | 0:04:58 | |
I seem to remember saying that quite a few times. | 0:04:58 | 0:05:01 | |
ALL: Sontar-ha! Sontar-ha! Sontar-ha! | 0:05:01 | 0:05:04 | |
ALL: Sontar-ha! | 0:05:04 | 0:05:06 | |
My left palm was very sore | 0:05:06 | 0:05:09 | |
at the end of...after each session of my Sontar-ha-ing. | 0:05:09 | 0:05:12 | |
ALL: Sontar-ha! Sontar-ha! Sontar-ha! | 0:05:12 | 0:05:16 | |
ALL: Sontar-ha! | 0:05:16 | 0:05:17 | |
Gimme a break. | 0:05:17 | 0:05:18 | |
It's a good chance... When we come back to Earth, mid-series, | 0:05:19 | 0:05:22 | |
it's a good chance for the companion to develop. | 0:05:22 | 0:05:25 | |
For example, Donna gets her key to the Tardis. | 0:05:25 | 0:05:27 | |
Oh, I've never given you a key! | 0:05:27 | 0:05:30 | |
Keep that. That's yours. Quite a big moment. | 0:05:30 | 0:05:32 | |
She's given a key to the Tardis, yeah, | 0:05:32 | 0:05:35 | |
which, in true Donna fashion she goes, "Never mind. Don't get all sentimental, | 0:05:35 | 0:05:39 | |
"cos I'm choking to death." | 0:05:39 | 0:05:41 | |
Action! | 0:05:41 | 0:05:43 | |
Look after yourself. Get yourself in the building. | 0:05:49 | 0:05:52 | |
What's perhaps different to the Doctor and Donna's relationship | 0:05:52 | 0:05:55 | |
to relationships that we've seen the Doctor have before | 0:05:55 | 0:05:58 | |
is that Donna herself feels no need to prove herself. | 0:05:58 | 0:06:02 | |
SHE COUGHS | 0:06:02 | 0:06:03 | |
-God, this air's disgusting! -It looks bad. Get in the Tardis. | 0:06:03 | 0:06:08 | |
Oh! I've never given you a key! | 0:06:08 | 0:06:12 | |
She's very much her own woman | 0:06:12 | 0:06:14 | |
and I think the Doctor therefore goes along with that. | 0:06:14 | 0:06:20 | |
'Keep that. That's yours.' | 0:06:20 | 0:06:23 | |
Quite a big moment, really. | 0:06:23 | 0:06:24 | |
-Yeah. Maybe we'll get sentimental after the world's finished choking to death. -Yeah, good idea. | 0:06:24 | 0:06:29 | |
Donna's not been waiting, going "Oh, you know. Are you going to tell me the alarm code?" | 0:06:29 | 0:06:34 | |
I don't think she's really reading into that in any way. | 0:06:34 | 0:06:38 | |
Donna just forces herself upon him | 0:06:38 | 0:06:40 | |
and inhabits the Doctor's life from the moment she steps on board. | 0:06:40 | 0:06:43 | |
I can't believe I'm doing this! | 0:06:43 | 0:06:46 | |
No, neither can I. | 0:06:46 | 0:06:47 | |
For instance, when the Doctor gives her a Tardis key, | 0:06:47 | 0:06:50 | |
I think he assumed he'd already done it. | 0:06:50 | 0:06:52 | |
She treats it in a much more cavalier way than either Rose or Martha did. | 0:06:52 | 0:06:56 | |
None of that. The world's choking to death. | 0:06:56 | 0:06:58 | |
With Rose and possibly even more with Martha there was a sense that perhaps they felt | 0:06:58 | 0:07:03 | |
they didn't quite deserve to be there. | 0:07:03 | 0:07:06 | |
What's happened? Where are you? | 0:07:06 | 0:07:08 | |
Still on Earth. But don't worry. I've got my secret weapon. | 0:07:08 | 0:07:11 | |
-'What's that?' -You! -Somehow that's not making me happy! | 0:07:11 | 0:07:15 | |
Companion alone on an alien spaceship and all she's got is a hammer. | 0:07:15 | 0:07:19 | |
It's like there's something really dreadful about that, | 0:07:19 | 0:07:23 | |
genuinely full of dread, in that the Doctor isn't there, and he isn't there to save her. | 0:07:23 | 0:07:28 | |
It's a scary place to be. It's very alone. | 0:07:28 | 0:07:30 | |
I find that very, very scary. It's one of my favourite sequences, because of the loneliness of it. | 0:07:30 | 0:07:35 | |
-There's a Sontoran... Sont-A-ran. -Did he see you? -No. He's got his back to me. | 0:07:41 | 0:07:46 | |
'Listen, on the back of his neck,' | 0:07:46 | 0:07:48 | |
on his collar, there's a plug, a hole, the probic vent. 'One blow to the probic vent | 0:07:48 | 0:07:52 | |
-'knocks him out.' -But he's going to kill me. -I'm sorry, I swear, I'm so sorry, but you've got to try. | 0:07:52 | 0:07:59 | |
She does have a wobble. And that's quite unusual. | 0:07:59 | 0:08:01 | |
Because we haven't really seen that from her, because she is quite sure of who she is, | 0:08:01 | 0:08:06 | |
of what she can do and what she can't do. | 0:08:06 | 0:08:08 | |
-But I can't even mend a fuse! -Donna! Stop talking like that. You can do this. I promise. | 0:08:08 | 0:08:13 | |
When the Doctor really has to push her, it feels... | 0:08:13 | 0:08:17 | |
new and he's sorry for it. | 0:08:17 | 0:08:19 | |
But what if they find me? | 0:08:19 | 0:08:20 | |
I know. I wouldn't ask, but there's nothing else I can do. | 0:08:21 | 0:08:24 | |
The planet's choking, Donna. | 0:08:24 | 0:08:26 | |
The Doctor almost regrets having to push her into situations | 0:08:26 | 0:08:29 | |
where she wouldn't feel entirely comfortable. | 0:08:29 | 0:08:32 | |
But of course he does, because he has to and of course she fulfils it, because she is | 0:08:32 | 0:08:36 | |
perhaps more able than she believes herself to be. | 0:08:36 | 0:08:39 | |
She rises to the occasion. She does. | 0:08:39 | 0:08:42 | |
And I think she sort of finds this strength within her, and I don't know if she knew she had it. | 0:08:42 | 0:08:48 | |
Because she's cocky and she's mouthy and she's ballsy, | 0:08:48 | 0:08:52 | |
but that doesn't necessarily mean she's brave in the face of alien warfare! | 0:08:52 | 0:08:57 | |
But it turns out she is! | 0:08:59 | 0:09:01 | |
There's something very human about that. | 0:09:01 | 0:09:03 | |
She doesn't suddenly become some superhero and step up to the mark | 0:09:03 | 0:09:07 | |
in a way that's just too much. | 0:09:07 | 0:09:09 | |
And action! | 0:09:09 | 0:09:10 | |
Back of the neck! | 0:09:25 | 0:09:26 | |
Here's a bit of trivia for you. It was supposed to be a shoe. | 0:09:26 | 0:09:31 | |
But because I only wear trainers, they didn't want it to be a trainer, | 0:09:31 | 0:09:35 | |
or thought probably a trainer would just bounce off the back of his neck, | 0:09:35 | 0:09:39 | |
so I had to have a mallet. | 0:09:39 | 0:09:41 | |
-I'm through. -Oh, you are brilliant, you are! | 0:09:46 | 0:09:49 | |
DOOR CLUNKS | 0:09:49 | 0:09:51 | |
Shut up! | 0:09:51 | 0:09:53 | |
Previously he's been more used to being admired and slightly goggled at. | 0:09:53 | 0:09:58 | |
With various parts of the story, Donna becomes more of the companion. | 0:09:58 | 0:10:01 | |
There's some really brilliant stuff to come. | 0:10:01 | 0:10:04 | |
It's part of the new...the different flavour that Donna brings. | 0:10:04 | 0:10:09 | |
Hello. | 0:10:10 | 0:10:11 | |
Doctor! | 0:10:14 | 0:10:16 | |
# I walked out cos I had some plans | 0:10:16 | 0:10:19 | |
# Yeah, I walked out | 0:10:19 | 0:10:21 | |
# Destiny in my own hands | 0:10:21 | 0:10:24 | |
# I thought I'd get by without you | 0:10:24 | 0:10:28 | |
# Thought I'd survive without you... # | 0:10:28 | 0:10:31 | |
Donna Noble, since you didn't ask. | 0:10:31 | 0:10:33 | |
I'll have a salute. | 0:10:33 | 0:10:35 | |
-Ma'am! -Thank you. | 0:10:36 | 0:10:38 | |
# Cos I can't get along without you | 0:10:39 | 0:10:44 | |
# I can't get along without you | 0:10:44 | 0:10:47 | |
# I can't get along without you | 0:10:47 | 0:10:52 | |
# No, something is wrong | 0:10:52 | 0:10:53 | |
# I can't get along without you... # | 0:10:53 | 0:10:58 | |
Come on. | 0:10:58 | 0:11:00 | |
# So I picked fights with men twice my size... # | 0:11:00 | 0:11:03 | |
-And you're would be? -The Doctor and Donna Noble. | 0:11:04 | 0:11:07 | |
Representing the Noble Corporation Plc Ltd, intergalactic. | 0:11:07 | 0:11:11 | |
-It's always like this with you, innit? -Oh yes, and off we go! | 0:11:13 | 0:11:16 | |
# Can't get along without you | 0:11:16 | 0:11:20 | |
# I can't get along without you | 0:11:20 | 0:11:24 | |
# I can't get along without you, girl | 0:11:24 | 0:11:30 | |
# Believe me, baby | 0:11:30 | 0:11:32 | |
-# Can't get along without you -Can't get along | 0:11:32 | 0:11:37 | |
-# I can't get along without you -Can't get along | 0:11:37 | 0:11:41 | |
# I can't get along without you | 0:11:41 | 0:11:45 | |
# No, something is wrong | 0:11:45 | 0:11:46 | |
# I can't get along without you | 0:11:46 | 0:11:51 | |
# I really need you, baby. # | 0:11:51 | 0:11:55 | |
Subtitles by Red Bee Media Ltd | 0:12:21 | 0:12:23 | |
E-mail [email protected] | 0:12:23 | 0:12:25 |