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Confidential goes down to the woods today | 0:00:04 | 0:00:06 | |
to join the Doctor Who cast and crew. | 0:00:06 | 0:00:09 | |
In this episode, Amy faces her darkest moment yet. | 0:00:09 | 0:00:12 | |
Amy is on the brink of death, basically. | 0:00:12 | 0:00:15 | |
Doctor, it's coming. I can feel it. | 0:00:15 | 0:00:17 | |
I'm going to die! | 0:00:17 | 0:00:19 | |
And the Doctor has left her again, | 0:00:19 | 0:00:22 | |
and he kind of has a habit of doing this. | 0:00:22 | 0:00:25 | |
I always come back. | 0:00:25 | 0:00:27 | |
Can you imagine walking through a forest | 0:00:27 | 0:00:29 | |
of Weeping Angels with your eyes shut? | 0:00:29 | 0:00:33 | |
It's hideous! That's as bad as it gets! | 0:00:33 | 0:00:35 | |
MUSIC: "Bad Romance" by Lady Gaga | 0:00:35 | 0:00:38 | |
And Miss Pond puckers up as she prepares to land one on the Doctor. | 0:00:44 | 0:00:48 | |
And then they have a little smoochie! | 0:00:51 | 0:00:53 | |
-Which we call... -BOTH: ..smoochie-smoochie time! | 0:00:53 | 0:00:56 | |
Doctor... | 0:00:57 | 0:00:59 | |
In this adventure, it's all about Amy. | 0:01:28 | 0:01:30 | |
Despite a rough ride in the previous episodes, the heavenly host still have her in their sights. | 0:01:30 | 0:01:37 | |
MUSIC: "Bad Day" by Blur | 0:01:37 | 0:01:39 | |
Part of the mission statement of writing a script for Doctor Who | 0:01:49 | 0:01:53 | |
is, "How bad a time | 0:01:53 | 0:01:55 | |
"can you give Amy Pond?" | 0:01:55 | 0:01:56 | |
What's it going to do to me? | 0:01:56 | 0:01:58 | |
I'm going to die! Please, just listen to me! | 0:01:58 | 0:02:00 | |
'In one scene in the spaceship,' | 0:02:00 | 0:02:03 | |
they're trying to run away from the Angels and keep them away, | 0:02:03 | 0:02:06 | |
and Amy takes some instructions from the Doctor, | 0:02:06 | 0:02:10 | |
but she actually says a different number to the number that he tells her. | 0:02:10 | 0:02:13 | |
Spin it clockwise four turns. | 0:02:13 | 0:02:16 | |
Ten. | 0:02:16 | 0:02:17 | |
-How long have we got? -Five minutes max. -Nine. -Five. | 0:02:17 | 0:02:21 | |
-Five, right. Yeah. -Why did you say nine? | 0:02:21 | 0:02:23 | |
I didn't. | 0:02:23 | 0:02:25 | |
Eight. | 0:02:25 | 0:02:26 | |
What did you say? | 0:02:26 | 0:02:28 | |
-Seven. -Seven? | 0:02:28 | 0:02:31 | |
-Sorry, what? -You said seven. | 0:02:31 | 0:02:33 | |
-No, I didn't. -Yes, you did. | 0:02:33 | 0:02:35 | |
Angel Bob makes her aware that she's actually counting down. | 0:02:35 | 0:02:38 | |
Six. | 0:02:38 | 0:02:39 | |
OK, here's what I want to know. What have you done to Amy? | 0:02:39 | 0:02:42 | |
'There's something in her eye.' | 0:02:42 | 0:02:44 | |
-What's in her eye? -'We are.' | 0:02:44 | 0:02:46 | |
What's he talking about? | 0:02:46 | 0:02:47 | |
Doctor, I'm five! | 0:02:47 | 0:02:49 | |
I mean...five. | 0:02:52 | 0:02:54 | |
Fine. | 0:02:57 | 0:02:58 | |
For Amy, I think that was just such a freaky thing, because imagine | 0:02:58 | 0:03:02 | |
saying something else to what you mean to say. | 0:03:02 | 0:03:06 | |
It's a really strange situation for her to comprehend. | 0:03:06 | 0:03:10 | |
And then she gets really freaked out, | 0:03:10 | 0:03:12 | |
because as she counts down further and further to one, she's getting closer and closer to death. | 0:03:12 | 0:03:18 | |
MUSIC: "Where Is My Mind?" by the Pixies | 0:03:18 | 0:03:20 | |
Four. | 0:03:20 | 0:03:21 | |
Three. | 0:03:26 | 0:03:27 | |
There's a line when the Angel says, | 0:03:27 | 0:03:29 | |
"Oh, we're just doing it for fun." | 0:03:29 | 0:03:32 | |
You know, they're killing Bob and inside Amy's mind and all that. | 0:03:32 | 0:03:36 | |
Bob? Why are they making her count? | 0:03:36 | 0:03:38 | |
-'To make her afraid, sir.' -OK, but why? What for? | 0:03:38 | 0:03:41 | |
'For fun, sir.' | 0:03:41 | 0:03:43 | |
That riles the Doctor, because it's Amy, it's his Amy, | 0:03:43 | 0:03:46 | |
and the Doctor will always confront that which is just inherently bad. | 0:03:46 | 0:03:53 | |
But when it's taking the mickey as well, | 0:03:53 | 0:03:57 | |
that stirs him. | 0:03:57 | 0:03:59 | |
It stirs him forward, though, in a good way. | 0:03:59 | 0:04:02 | |
Gives him courage to go, "Come on, I can beat these things." | 0:04:02 | 0:04:05 | |
What's the matter with Amelia? Something's in her eye. | 0:04:05 | 0:04:08 | |
-Doctor, I'm scared. -Of course - you're dying. Shut up! | 0:04:08 | 0:04:11 | |
OK, let him think. | 0:04:11 | 0:04:13 | |
When the Doctor encounters Amy in the clearing | 0:04:13 | 0:04:15 | |
and very quickly works out that he's got seconds, he's got a couple of minutes to solve this, | 0:04:15 | 0:04:21 | |
we get to see the Doctor being very, very basic, very, very pure, simple Doctor. | 0:04:21 | 0:04:27 | |
He hasn't got time to comfort Amy. | 0:04:27 | 0:04:29 | |
That's one thing I rather like. He says, "Shut up, I've got to think." | 0:04:29 | 0:04:32 | |
And River understands that, and she's just saying to Amy, | 0:04:32 | 0:04:36 | |
"Just let him think, just let him think. Just do it." | 0:04:36 | 0:04:38 | |
Come on, come on, come on, wakey-wakey. | 0:04:38 | 0:04:40 | |
She watched an Angel climb out of the screen, stared at the Angel, and... | 0:04:40 | 0:04:43 | |
The image of the Angel IS an Angel. | 0:04:43 | 0:04:45 | |
'Of course he cares -' | 0:04:45 | 0:04:47 | |
but he's got to not let that get in the way. | 0:04:47 | 0:04:49 | |
He's not got to let his compassion drive him away from the right answer. | 0:04:49 | 0:04:53 | |
So he actually has to sort of close all that down, and be the | 0:04:53 | 0:04:57 | |
extraordinary thinking machine he is, and pull an answer out of the air, as he does with seconds to spare. | 0:04:57 | 0:05:02 | |
How would you starve your lungs? | 0:05:02 | 0:05:04 | |
-I'd stop breathing. -Amy, close your eyes. | 0:05:04 | 0:05:06 | |
No, I don't want to. | 0:05:06 | 0:05:08 | |
Good. Because that's not you, it's the Angel inside you. It's afraid. Close your eyes. | 0:05:08 | 0:05:12 | |
Amy is passionate and a fighter, and she's also really smart. | 0:05:16 | 0:05:20 | |
The Doctor says, "If you open your eyes for more than a second..." And she says, "OK, more than a second - | 0:05:20 | 0:05:24 | |
"I could do a good half-second, then." That'd be Amy's response. | 0:05:24 | 0:05:29 | |
She's SO determined not to be a victim, she's in permanent danger of making herself one. | 0:05:29 | 0:05:36 | |
I need to see it. | 0:05:36 | 0:05:38 | |
-Am I looking the right way? -You have to be quick. | 0:05:38 | 0:05:42 | |
Very quick. | 0:05:42 | 0:05:43 | |
OK. | 0:05:44 | 0:05:45 | |
It's the same shape as the crack in my wall. | 0:05:53 | 0:05:56 | |
This whole series is about cracks in time. They will develop throughout | 0:05:56 | 0:06:01 | |
and you will see them just about every single week, in different forms and in different ways. | 0:06:01 | 0:06:08 | |
Two parts of space and time that should never have touched... | 0:06:08 | 0:06:12 | |
pressed together. | 0:06:12 | 0:06:13 | |
-It's like the crack from my bedroom wall when I was a little girl. -Yes. | 0:06:17 | 0:06:21 | |
Hello...! | 0:06:22 | 0:06:23 | |
Hello?! | 0:06:23 | 0:06:25 | |
What's that? | 0:06:27 | 0:06:28 | |
Where the crack comes from is above my younger son Louis's bed. | 0:06:28 | 0:06:32 | |
There was a crack along the wall. | 0:06:32 | 0:06:34 | |
It's not there any more, but there was a roughly crooked smile-shaped crack in the wall, | 0:06:34 | 0:06:38 | |
Which I didn't point out to him, he'd never have slept again. | 0:06:38 | 0:06:41 | |
But I thought, "Ooh, that's good, cracks in walls. | 0:06:41 | 0:06:43 | |
"We should do cracks in walls." | 0:06:43 | 0:06:45 | |
"What's the worst thing that could happen," | 0:06:53 | 0:06:55 | |
I was thinking when I was writing this, "if you're surrounded by Weeping Angels?" | 0:06:55 | 0:06:59 | |
Well...unable to open your eyes is good, obviously. I thought first of all, blind. | 0:06:59 | 0:07:03 | |
I thought blind, surrounded by Weeping Angels and walking like you can see. That would be cool. | 0:07:03 | 0:07:10 | |
Then I thought, that's kind of ordinary for Doctor Who. | 0:07:10 | 0:07:13 | |
What if you were in a situation - | 0:07:13 | 0:07:15 | |
which I think would be so frightening - where if you open your eyes, you'll die? | 0:07:15 | 0:07:20 | |
Imagine forcing yourself to keep your eyes shut when you're surrounded by scary monsters, | 0:07:20 | 0:07:24 | |
knowing that if you open your eyes, you'll die. | 0:07:24 | 0:07:27 | |
I had to do it with my eyes closed, | 0:07:27 | 0:07:28 | |
which was quite difficult, because the ground was pretty uneven. | 0:07:28 | 0:07:32 | |
It was a muddy place. | 0:07:32 | 0:07:33 | |
MUSIC: "In A Forest by The Cure | 0:07:33 | 0:07:37 | |
And I had to fall over a step at the end - | 0:07:54 | 0:07:57 | |
with my eyes closed still - which was the most scary thing, | 0:07:57 | 0:08:00 | |
because it was throwing myself into the unknown. | 0:08:00 | 0:08:03 | |
And all Karen has to do is start the trip, | 0:08:03 | 0:08:05 | |
and as long as she ducks out through a tight one, we're OK. | 0:08:05 | 0:08:09 | |
'Although I knew there was a crash mat there, your instincts tell you not to do it.' | 0:08:10 | 0:08:15 | |
But I had to, so, erm... so that was quite a challenge. | 0:08:15 | 0:08:19 | |
Doctor? | 0:08:24 | 0:08:25 | |
I can't find the communicator. | 0:08:25 | 0:08:27 | |
Acting with your eyes open, you kind of channel a lot of emotion into your eyes and out of your eyes. | 0:08:28 | 0:08:35 | |
Without the eyes, you kind of have to up your performance and make it | 0:08:35 | 0:08:39 | |
a little bit more animated, almost as if you've got a mask on, | 0:08:39 | 0:08:42 | |
and you have to be a bit more animated | 0:08:42 | 0:08:44 | |
to convey the emotions that you want to get across. | 0:08:44 | 0:08:47 | |
After her brush with death, Amy's up for returning home to share | 0:08:49 | 0:08:52 | |
something with the Doctor. Perhaps a bit more than he was expecting. | 0:08:52 | 0:08:55 | |
Amy's bed is amazing. It's got like, two mattresses on it, | 0:09:02 | 0:09:06 | |
and it's really high, and it's kind of like, old and cool. | 0:09:06 | 0:09:09 | |
And I love the blue. | 0:09:12 | 0:09:14 | |
And that was Adam's idea, Adam the director, to kind of have lots of blue | 0:09:14 | 0:09:18 | |
in Amy's house, because it kind of symbolises the colour of the TARDIS and Amy's love for the Doctor. | 0:09:18 | 0:09:24 | |
Hi! No-one cares about your silly bedroom. | 0:09:24 | 0:09:28 | |
It's interesting. You don't often find them in a bedroom, sat on a bed, chilling out. | 0:09:30 | 0:09:35 | |
Usually they're being chased by an Angel or a Silurian or something. | 0:09:35 | 0:09:39 | |
-And we're just kind of having a normal conversation without the fear of... -"A normal conversation"! | 0:09:39 | 0:09:44 | |
Shut up! That's how I talk! | 0:09:44 | 0:09:46 | |
Let me do that again. We're just having a normal conversation. | 0:09:46 | 0:09:50 | |
We're just having a normal conversation... | 0:09:51 | 0:09:53 | |
-"We're just having a normal conversation"! -Oh, will you shut up! | 0:09:53 | 0:09:56 | |
..without the fear of death, which is really nice and refreshing for us to do. | 0:09:56 | 0:10:01 | |
I'm getting married in the morning. | 0:10:01 | 0:10:03 | |
Why did you leave it here? | 0:10:05 | 0:10:08 | |
Why did I leave my engagement ring off when I ran away with a strange man the night before my wedding? | 0:10:08 | 0:10:13 | |
You really are an alien, aren't you? | 0:10:13 | 0:10:15 | |
It's a light-hearted scene. It's at the end of episode five, and Amy decides to come on to the Doctor! | 0:10:15 | 0:10:22 | |
And he's completely oblivious at the beginning, so it's quite funny. | 0:10:22 | 0:10:26 | |
-And then... -Well, let's hope so. -Well...! | 0:10:26 | 0:10:29 | |
-As funny as HE gets. -Yeah. | 0:10:29 | 0:10:31 | |
-It's true. -But erm...yeah, and then they have a little smoochie! | 0:10:31 | 0:10:35 | |
-Ooh! Which we call... -BOTH: ..smoochie-smoochie time! | 0:10:35 | 0:10:39 | |
-Oh yeah! -Yeah, all right, that's enough. | 0:10:39 | 0:10:41 | |
MUSIC: "Pumpkin Soup" by Kate Nash | 0:10:41 | 0:10:43 | |
# I just want your kiss, boy, kiss, boy, kiss boy | 0:10:43 | 0:10:46 | |
# I just want your kiss | 0:10:46 | 0:10:50 | |
# I just want your kiss, boy, kiss, boy, kiss boy... # | 0:10:51 | 0:10:55 | |
Here's this man, this generally rather good-looking man - | 0:10:55 | 0:10:58 | |
sometimes older, sometimes younger, but generally good-looking - | 0:10:58 | 0:11:01 | |
who's wonderful, funny, passionate and kind | 0:11:01 | 0:11:04 | |
and the nicest, bestest human being - apparently - you'll ever meet. | 0:11:04 | 0:11:08 | |
And all those girls didn't notice? | 0:11:08 | 0:11:11 | |
Ever? Not once? They didn't think, "Well, he's quite nice"? | 0:11:11 | 0:11:14 | |
When we rehearsed for the wide, | 0:11:14 | 0:11:16 | |
Karen actually subconsciously put | 0:11:16 | 0:11:18 | |
her hand on Matt's inner thigh. | 0:11:18 | 0:11:20 | |
-Subconsciously(!) I've been batting her off for months. -And denied it afterwards. | 0:11:20 | 0:11:25 | |
-But it was on camera, wasn't it? -God! | 0:11:25 | 0:11:27 | |
In a word, in one very simple word even you can understand... | 0:11:27 | 0:11:31 | |
-You were lost in the moment, weren't you? -You were. I seduced you. | 0:11:31 | 0:11:35 | |
You didn't seduce... Ohhh! | 0:11:35 | 0:11:37 | |
-And come on, you know, the Doctor... 900 years... -They've been through a tough time. | 0:11:37 | 0:11:42 | |
-Amy and the Doctor have just been through a big, big adventure, haven't they? -Yeah. | 0:11:42 | 0:11:46 | |
So why does that make her want to kiss him? | 0:11:46 | 0:11:49 | |
-They've shared something together. -She was going to die. | 0:11:49 | 0:11:52 | |
And also, sometimes you do things in the heat of the moment. | 0:11:52 | 0:11:55 | |
-Well, SHE does. -Yeah. Well, she certainly does. | 0:11:55 | 0:11:58 | |
I don't know, when you're excited and you've shared something with someone and, | 0:11:58 | 0:12:03 | |
you know... | 0:12:03 | 0:12:04 | |
-Will you stop? -And he hasn't tried it on yet. | 0:12:04 | 0:12:07 | |
Yeah! Amy can't understand why this man hasn't tried it on with her. | 0:12:07 | 0:12:11 | |
We know from episode one | 0:12:11 | 0:12:13 | |
that Amy isn't restrained in thinking about those things. | 0:12:13 | 0:12:16 | |
-I heard you on the radio. You called for backup. -It's a pretend radio. | 0:12:17 | 0:12:20 | |
-But you're a policewoman. -I'm a kissagram! | 0:12:20 | 0:12:23 | |
The way we've played it up until now is people falling in unrequited love with the Doctor. Great, why not? | 0:12:25 | 0:12:31 | |
But actually, Amy isn't offering that at all. | 0:12:31 | 0:12:33 | |
She's just thinking, "Well, we've got some time! | 0:12:33 | 0:12:36 | |
"You're kinda hot, and I've had a bad night!" And I think, "OK, why not?" | 0:12:36 | 0:12:41 | |
Now, Amy, listen to me. I am 907 years old. | 0:12:41 | 0:12:44 | |
-Do you understand what that means? -It's been a while? | 0:12:44 | 0:12:46 | |
And the Doctor isn't very good at facing off that at all! | 0:12:46 | 0:12:51 | |
He just gets embarrassed and flustered, which I love about the Doctor. | 0:12:51 | 0:12:54 | |
He's so wise in so many ways, but he's tripping over his shoelaces the moment a woman is behaving that way. | 0:12:54 | 0:13:01 | |
But you're human! You're Amy! | 0:13:02 | 0:13:04 | |
You're getting married in the morning! In the morning... | 0:13:04 | 0:13:07 | |
Doctor... | 0:13:07 | 0:13:09 | |
It's you. It's all about you. | 0:13:09 | 0:13:10 | |
Everything. It's about you. | 0:13:10 | 0:13:13 | |
Hold that thought. | 0:13:15 | 0:13:17 | |
But possibly the single most important thing in the history of the universe | 0:13:19 | 0:13:22 | |
is that I get you sorted out right now. | 0:13:22 | 0:13:24 | |
-That's what I've been trying to tell you! -Come on. | 0:13:24 | 0:13:26 | |
Doctor... | 0:13:31 | 0:13:32 | |
And for those of us who can't read the base code of the universe...? | 0:13:35 | 0:13:38 | |
Amy, it's time. | 0:13:38 | 0:13:41 | |
Subtitles by Red Bee Media Ltd | 0:14:04 | 0:14:07 | |
E-mail [email protected] | 0:14:07 | 0:14:10 |