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My fellow Americans, this is President Richard Milhous Nixon, | 0:00:02 | 0:00:06 | |
and this | 0:00:06 | 0:00:08 | |
is Doctor Who Confidential. | 0:00:08 | 0:00:10 | |
Doctor Who Confidential are in the US of A. | 0:00:37 | 0:00:41 | |
The team has travelled Stateside to Utah to tell you the story | 0:00:41 | 0:00:45 | |
of how Doctor Who created their very own American dream. | 0:00:45 | 0:00:49 | |
We wanted a location that said America like nowhere else | 0:00:49 | 0:00:52 | |
and these monuments are so identifiable. One shot, you know exactly where you are. | 0:00:52 | 0:00:56 | |
This is the country of John Wayne. | 0:00:56 | 0:00:59 | |
This is the US of A. | 0:00:59 | 0:01:01 | |
I'd like to start on the floor, looking at the floor, | 0:01:09 | 0:01:11 | |
then we come up and meet the bus as it's going past. | 0:01:11 | 0:01:15 | |
See the angle we're at with the road now. | 0:01:15 | 0:01:19 | |
Travel with the bus a little bit, then on to... Let the bus... | 0:01:19 | 0:01:23 | |
Let it go ahead, then reveal the monuments. | 0:01:23 | 0:01:26 | |
Every single year, you're trying to say | 0:01:26 | 0:01:28 | |
"How do we come crashing through the door this time?" | 0:01:28 | 0:01:31 | |
Howdy, Confidential, and we are in the US of A! | 0:01:34 | 0:01:38 | |
-Yee-ha! -We start off with Amy and Rory and River Song | 0:01:39 | 0:01:44 | |
being summoned by the Doctor, | 0:01:44 | 0:01:45 | |
by these special blue envelopes, to a particular point on the map. | 0:01:45 | 0:01:49 | |
-Howdy! -Doctor! | 0:02:00 | 0:02:03 | |
THEY LAUGH | 0:02:03 | 0:02:05 | |
Look at you. Hello! | 0:02:05 | 0:02:08 | |
-Come here. -Someone's been a busy boy! | 0:02:08 | 0:02:11 | |
-Did you see me? -Hello, stalker. | 0:02:11 | 0:02:13 | |
-Flirt! -Husband! -Rory the Roman, come here, you! | 0:02:13 | 0:02:18 | |
One of the things we wanted to do while we were here | 0:02:18 | 0:02:20 | |
was get American icons into the story, | 0:02:20 | 0:02:22 | |
so in this scene, the original script had a truck pulling up | 0:02:22 | 0:02:26 | |
and the Doctor getting out | 0:02:26 | 0:02:27 | |
but we wanted a way of getting another of those American icons in, | 0:02:27 | 0:02:31 | |
so Toby had the brilliant idea of swapping it for a yellow school bus, | 0:02:31 | 0:02:34 | |
which everybody knows from movies. | 0:02:34 | 0:02:36 | |
It's just another little bit of America that we can't get in the UK. | 0:02:36 | 0:02:39 | |
-Day three. -In America. | 0:02:42 | 0:02:45 | |
It's pretty cold. Here he comes. | 0:02:45 | 0:02:47 | |
-Missing the good stuff right here. -Oh, dear. | 0:02:47 | 0:02:50 | |
How's it going out there, Matt? | 0:02:50 | 0:02:52 | |
-It's day three in... -We've already done that. | 0:02:52 | 0:02:54 | |
I know, I felt a bit left out. | 0:02:54 | 0:02:56 | |
Come in, get in this shot, you. | 0:02:56 | 0:02:58 | |
It's wonderful, I've got to say. | 0:02:58 | 0:03:00 | |
You know, we've got these wonderful locations. | 0:03:00 | 0:03:03 | |
This place is, you've seen it for yourselves, | 0:03:03 | 0:03:06 | |
it's just devastatingly vast and epic. | 0:03:06 | 0:03:10 | |
Nearly fell on the seaweed there, well done, Confidential. | 0:03:10 | 0:03:15 | |
Yeah, so you know, | 0:03:15 | 0:03:17 | |
I think it's going to do something really brilliant | 0:03:17 | 0:03:19 | |
for these first two episodes | 0:03:19 | 0:03:21 | |
and sort of start us off on a grand scale, you know? | 0:03:21 | 0:03:25 | |
See you on the other side, dudes. | 0:03:25 | 0:03:27 | |
We're on Lone Rock Beach, which is a beautiful part of Lake Powell, | 0:03:46 | 0:03:50 | |
which is a huge body of water in Arizona. | 0:03:50 | 0:03:52 | |
In fact, it stretches across the state line into Utah as well. | 0:03:52 | 0:03:56 | |
In the scene we're shooting today - | 0:03:56 | 0:03:58 | |
and tomorrow as well, because it's a huge scene - | 0:03:58 | 0:04:01 | |
it's one of the kind of seminal scenes of the episode. | 0:04:01 | 0:04:05 | |
It's a really key moment for the Doctor's story in the episode | 0:04:05 | 0:04:08 | |
and across the series. | 0:04:08 | 0:04:10 | |
Of course, Stephen has packed in every element you can imagine. | 0:04:10 | 0:04:14 | |
We've got the four principal cast. | 0:04:14 | 0:04:16 | |
I'm just trying to get in shot here because your hair, Alex, there. | 0:04:16 | 0:04:19 | |
Oh, is that what it is? | 0:04:19 | 0:04:20 | |
We've got the first appearance of Canton in his older guise. | 0:04:20 | 0:04:24 | |
We've got an astronaut coming out of the lake, as you do. | 0:04:24 | 0:04:28 | |
An authentic Apollo 11 astronaut, | 0:04:28 | 0:04:31 | |
so we've had to get the suit specially fabricated. | 0:04:31 | 0:04:34 | |
It's an absolute replica, | 0:04:34 | 0:04:37 | |
right down to the design of the helmet and the badges on it. | 0:04:37 | 0:04:41 | |
Because it's coming out of the water | 0:04:42 | 0:04:44 | |
and their suits were designed to be used in space and not in the sea, | 0:04:44 | 0:04:48 | |
we've had to adapt it slightly. We've got a stuntman inside it. | 0:04:48 | 0:04:51 | |
-Action. -Oh, my God. | 0:05:02 | 0:05:05 | |
You all need to stay back. | 0:05:09 | 0:05:11 | |
Whatever happens now, you do not interfere. | 0:05:11 | 0:05:14 | |
There's no question that Time Lords can die. | 0:05:16 | 0:05:19 | |
The Doctor is running from real death. | 0:05:19 | 0:05:21 | |
He's not running from the possibility of a new body. | 0:05:21 | 0:05:24 | |
So if you kill him fast enough, then, yes, he won't regenerate. | 0:05:24 | 0:05:28 | |
The Doctor is now standing still, preparing. | 0:05:28 | 0:05:30 | |
So after you've said it and agreed to do it, | 0:05:30 | 0:05:32 | |
that's when you just stand ready | 0:05:32 | 0:05:35 | |
and go "OK, it's time now." | 0:05:35 | 0:05:36 | |
He's being reassuring. "It's OK, it's OK, don't worry, it's fine." | 0:05:36 | 0:05:41 | |
He then closes his eyes, puts his head back and waits. | 0:05:41 | 0:05:45 | |
The astronaut raises a gloved hand, pointing at him | 0:05:45 | 0:05:50 | |
and...bang, like that. | 0:05:50 | 0:05:53 | |
He really does die in that first scene and that really is him. | 0:05:53 | 0:05:56 | |
So I'm going to get my arms back, I look at you and I'm going to go... | 0:05:56 | 0:06:02 | |
Exactly. Action. | 0:06:02 | 0:06:04 | |
Hello. It's OK. I know it's you. | 0:06:12 | 0:06:16 | |
Well, then. | 0:06:20 | 0:06:22 | |
GUNSHOTS | 0:06:22 | 0:06:23 | |
-No! -We have to stay back. | 0:06:25 | 0:06:26 | |
Doctor! | 0:06:31 | 0:06:33 | |
I'm sorry. | 0:06:37 | 0:06:38 | |
He starts to regenerate | 0:06:40 | 0:06:42 | |
and gets shot during that regeneration cycle | 0:06:42 | 0:06:44 | |
so he doesn't live forever and he's not indestructible. | 0:06:44 | 0:06:47 | |
GUNSHOT | 0:06:53 | 0:06:55 | |
For all the kind of spacemen, | 0:07:16 | 0:07:19 | |
cowboys and sort of adventure that Doctor Who has, | 0:07:19 | 0:07:22 | |
at the heart of this was a very emotional kind of moment, | 0:07:22 | 0:07:25 | |
a true moment of a friend who's gone. | 0:07:25 | 0:07:28 | |
SHE SOBS | 0:07:28 | 0:07:29 | |
Won't wake up. You're dead. | 0:07:34 | 0:07:36 | |
It's not possible. | 0:07:36 | 0:07:38 | |
Whatever that was, it killed him in the middle of his regeneration cycle. | 0:07:40 | 0:07:44 | |
His body was already dead. He didn't make it to the next one. | 0:07:44 | 0:07:48 | |
Maybe he's a clone or a duplicate. | 0:07:50 | 0:07:52 | |
Doctor Song, I believe I can save you some time. | 0:07:52 | 0:07:56 | |
That most certainly is the Doctor. | 0:08:01 | 0:08:03 | |
And he is most certainly dead. | 0:08:04 | 0:08:06 | |
He said you'd need this. | 0:08:09 | 0:08:12 | |
Karen, who plays Amy, when we shot the scene, she was incredibly distraught. | 0:08:22 | 0:08:28 | |
Doctor. | 0:08:28 | 0:08:30 | |
SHE WHISPERS | 0:08:31 | 0:08:33 | |
I know it's a trick, so wake up. Come on, wake up. | 0:08:34 | 0:08:38 | |
SHE SOBS | 0:08:38 | 0:08:40 | |
Our hearts were in our mouths. | 0:08:42 | 0:08:44 | |
You almost don't want to say cut because she's crying so much. | 0:08:44 | 0:08:49 | |
It was very emotional. | 0:08:49 | 0:08:51 | |
It was very kind of, she was really acting her heart out out there, | 0:08:51 | 0:08:56 | |
and it just was, you know, we knew that it was powerful. | 0:08:56 | 0:09:01 | |
Almost too powerful and we had to pull it back. | 0:09:01 | 0:09:03 | |
I think it's good to see characters at that extreme. | 0:09:03 | 0:09:07 | |
We've seen them be happy and jolly. We've seen them have adventures. | 0:09:07 | 0:09:11 | |
We rarely see them - more often this year - facing the consequences | 0:09:11 | 0:09:15 | |
of that extraordinary lifestyle with the Doctor. | 0:09:15 | 0:09:17 | |
People do die. Sometimes it's be the wrong people | 0:09:17 | 0:09:20 | |
and sometimes it's the people you love. | 0:09:20 | 0:09:22 | |
We came here a couple of days ago and recced this place | 0:09:26 | 0:09:29 | |
and knew we had to shoot a scene at dusk. | 0:09:29 | 0:09:31 | |
We noticed the sun went down over there, which is the wrong direction. | 0:09:32 | 0:09:37 | |
We wanted to have a beautiful sunset over the Doctor's burial, | 0:09:37 | 0:09:40 | |
so we figured if we do it in the morning we get a perfect, amazing sky | 0:09:40 | 0:09:47 | |
and it'll look like evening. | 0:09:47 | 0:09:49 | |
But we won't have enough time to do the whole scene in the morning, | 0:09:49 | 0:09:53 | |
so we split the scenes. | 0:09:53 | 0:09:54 | |
Looked one way in the morning and got a beautiful sky behind Arthur and the Doctor burning. | 0:09:54 | 0:09:59 | |
And then we looked the other way the day before, | 0:09:59 | 0:10:01 | |
and we had beautiful sky behind everybody else. | 0:10:01 | 0:10:04 | |
After the Doctor is dead, they're tasked with burning his body. | 0:10:04 | 0:10:07 | |
We actually put him in a boat, wrap him and put him in a boat, | 0:10:47 | 0:10:51 | |
and set him alight like the Vikings. | 0:10:51 | 0:10:55 | |
It was really, really moving, actually. | 0:10:55 | 0:11:00 | |
Who are you? | 0:11:36 | 0:11:38 | |
-Why have you come? -The same reason as you. | 0:11:38 | 0:11:42 | |
Doctor Song, | 0:11:50 | 0:11:53 | |
Amy, | 0:11:53 | 0:11:54 | |
Rory, | 0:11:54 | 0:11:57 | |
I won't be seeing you again. | 0:11:57 | 0:11:59 | |
But you'll be seeing me. | 0:12:01 | 0:12:03 | |
It did feel like the end-of-series moment | 0:12:06 | 0:12:08 | |
but it had to feel like this is going to set off | 0:12:08 | 0:12:11 | |
the whole of the second series for Matt Smith and Matt Smith's Doctor. | 0:12:11 | 0:12:15 | |
-"I'm scared, Mr President." -I think we've gone a bit darker. | 0:12:16 | 0:12:20 | |
"I'm scared of the spaceman." | 0:12:20 | 0:12:22 | |
I think that's an inevitable function of just lives getting more complicated, | 0:12:22 | 0:12:26 | |
the Doctor's continued presence in that young couple's life, | 0:12:26 | 0:12:29 | |
when he should have gone by now. | 0:12:29 | 0:12:31 | |
Doctor, I need to tell you something. | 0:12:31 | 0:12:33 | |
There are major twists in the ongoing plot line | 0:12:33 | 0:12:37 | |
and it's all about that pregnancy. | 0:12:37 | 0:12:40 | |
I'm pregnant. | 0:12:40 | 0:12:42 | |
There's a lot of things we're putting into play at the beginning, | 0:12:42 | 0:12:45 | |
that are going to pay off later in the series. | 0:12:45 | 0:12:48 | |
-Who's that? -Now it's starting. | 0:12:48 | 0:12:51 | |
We are, over the course of 13 episodes, | 0:12:51 | 0:12:53 | |
going to find out who they are and what they're up to. | 0:12:53 | 0:12:56 | |
You will tell the Doctor. | 0:12:56 | 0:13:00 | |
Answers are coming, big answers are coming. | 0:13:00 | 0:13:02 | |
How can you be OK with this? | 0:13:02 | 0:13:04 | |
Not to every single question. | 0:13:04 | 0:13:06 | |
The Doctor's death doesn't frighten me. Nor does my own. | 0:13:06 | 0:13:09 | |
He will find out who River Song is, definitely, yes. | 0:13:09 | 0:13:13 | |
There's a far worse day coming for me. | 0:13:13 | 0:13:16 | |
You do get big and hopefully surprising answers to big questions. | 0:13:16 | 0:13:20 | |
Spoilers. | 0:13:21 | 0:13:23 | |
Subtitles by Red Bee Media | 0:13:33 | 0:13:36 |