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-I'm coping on my own! -Hello, Craig. I'm back! | 0:00:02 | 0:00:05 | |
ROCK MUSIC HE LAUGHS | 0:00:05 | 0:00:08 | |
'Confidential are on set with an inseparable duo.' | 0:00:08 | 0:00:11 | |
-I'm your baby? -You're my baby! | 0:00:11 | 0:00:14 | |
'All this and more on Doctor Who Confidential.' | 0:00:14 | 0:00:17 | |
-This is James and Matt. -We're doing a video diary | 0:00:41 | 0:00:45 | |
for Doctor Who. The time is... | 0:00:45 | 0:00:47 | |
-Sorry. -The time... What's the time? | 0:00:47 | 0:00:49 | |
-The time is... -Hang on. I've got it here. | 0:00:49 | 0:00:52 | |
-The time is... -17... -Three hours left! | 0:00:52 | 0:00:55 | |
-It's nothing, is it? -That's 17 minutes past midnight. | 0:00:55 | 0:00:58 | |
-We've got three hours left. -Which is nothing, | 0:00:58 | 0:01:01 | |
-cos we've been working till six. -Every morning. -Every morn. | 0:01:01 | 0:01:04 | |
I've got a missed call, so I might just call my girlfriend. | 0:01:04 | 0:01:07 | |
-Absolutely. -Cos she's pregnant. Maybe she's having a baby. | 0:01:07 | 0:01:10 | |
-HE LAUGHS Oh, God. -Can you imagine? | 0:01:10 | 0:01:13 | |
We should capture it on film, see if she's having a baby. | 0:01:13 | 0:01:16 | |
Mrs JC. | 0:01:16 | 0:01:17 | |
Have you had the baby? | 0:01:17 | 0:01:20 | |
No, she hasn't. OK. Thank God. | 0:01:20 | 0:01:22 | |
'The Doctor Who cast and crew are preparing to film | 0:01:27 | 0:01:30 | |
'in a department store. | 0:01:30 | 0:01:32 | |
'They're joined by returning guest star James Corden.' | 0:01:32 | 0:01:37 | |
-Is this Doctor Who Confidential? -Doctor Who Confidential. Look who's back! | 0:01:37 | 0:01:41 | |
One of the great joys for me in series five | 0:01:41 | 0:01:43 | |
was how successful and how beloved the episode The Lodger was, | 0:01:43 | 0:01:47 | |
because it was quite close to my heart, that one. | 0:01:47 | 0:01:50 | |
-JC's back in the house. -How are you? I've missed you. | 0:01:50 | 0:01:54 | |
Having had that, the wonderful James Corden playing Craig, | 0:01:54 | 0:01:58 | |
I said, "Can we do it again? Can you go back and visit again? Is there some other story we can tell?" | 0:01:58 | 0:02:03 | |
It's a pleasure to see you again. | 0:02:03 | 0:02:05 | |
It's lovely to come back to the show. | 0:02:05 | 0:02:09 | |
It was, you know, a pleasant, unexpected surprise, really. | 0:02:09 | 0:02:14 | |
Hello. I... Is it recording? Yes. | 0:02:14 | 0:02:17 | |
I just love working with Matt, really, | 0:02:17 | 0:02:19 | |
so it was a no-brainer to come back. | 0:02:19 | 0:02:21 | |
In between scenes, Matt Smith likes to hold art classes. | 0:02:21 | 0:02:25 | |
This is one of them. | 0:02:25 | 0:02:27 | |
I'm never sure how much people getting on off-screen affects on-screen stuff, | 0:02:27 | 0:02:32 | |
cos they're all really good actors, so they can fake it, frankly. | 0:02:32 | 0:02:35 | |
You're beginning to annoy me, Corden. JAMES LAUGHS | 0:02:35 | 0:02:38 | |
But they do get on very well, and that's up there for all to see. | 0:02:38 | 0:02:42 | |
-What is this? -Don't know. | 0:02:43 | 0:02:45 | |
The Doctor's this otherworldly guy | 0:02:45 | 0:02:48 | |
who knows everything about the universe, | 0:02:48 | 0:02:51 | |
and Craig is this very comfortable guy being pulled along on this adventure, | 0:02:51 | 0:02:54 | |
and the humour comes out of those two worlds crashing together, | 0:02:54 | 0:02:58 | |
and it's very funny to watch. | 0:02:58 | 0:02:59 | |
-Ahh! -We're partners. | 0:02:59 | 0:03:02 | |
I love you. | 0:03:02 | 0:03:03 | |
It's nice for baby to have two daddies who love each other. | 0:03:03 | 0:03:07 | |
Argh! | 0:03:07 | 0:03:08 | |
The Doctor allows Craig to come along | 0:03:08 | 0:03:11 | |
and play the part of his companion, and gives him advice, | 0:03:11 | 0:03:15 | |
and I think Craig is following what the Doctor does, really. | 0:03:15 | 0:03:18 | |
He thinks if you go up and speak to people in that confidential way, | 0:03:18 | 0:03:23 | |
that they'll respond. He's trying it out. | 0:03:23 | 0:03:25 | |
He thinks, "If the Doctor can do it, so can I." | 0:03:25 | 0:03:27 | |
All right, Alfie. You watch Daddy investigate. | 0:03:27 | 0:03:31 | |
You look cute, I'll do the talking. | 0:03:31 | 0:03:33 | |
And Craig, unfortunately... meets Kelly, and it goes very badly. | 0:03:33 | 0:03:39 | |
And action. | 0:03:39 | 0:03:41 | |
Good afternoon, sir. Can I help you? | 0:03:53 | 0:03:55 | |
Hello. | 0:03:55 | 0:03:57 | |
-I'm Craig. -Yeah? | 0:03:57 | 0:03:59 | |
I was kind of thinking about him sort of bumbling through that. | 0:03:59 | 0:04:04 | |
-Do you mind if I ask you some questions? -You what? | 0:04:06 | 0:04:09 | |
Just between me and you, in confidence, | 0:04:09 | 0:04:11 | |
have you noticed anything... | 0:04:11 | 0:04:14 | |
unusual? | 0:04:14 | 0:04:16 | |
-Interesting? -You what? | 0:04:16 | 0:04:19 | |
Talk to me about ladies' wear. | 0:04:19 | 0:04:21 | |
George! | 0:04:21 | 0:04:22 | |
He gets too close to Kelly, asking her too many questions. | 0:04:23 | 0:04:27 | |
As he backs away, we got him to keep bumping into this sales unit, | 0:04:27 | 0:04:31 | |
and he knocked it over time after time after time. | 0:04:31 | 0:04:34 | |
It almost felt like a stunt. We just kept the camera running. | 0:04:34 | 0:04:37 | |
Some of the stuff that happened afterwards is so funny. | 0:04:37 | 0:04:40 | |
We had to cut away to get the impact to be in another scene, | 0:04:40 | 0:04:43 | |
but what happened was very funny. | 0:04:43 | 0:04:45 | |
Look how cute my baby is! | 0:04:45 | 0:04:47 | |
Look at his face! | 0:04:47 | 0:04:49 | |
-All right... -Oh! -Whoa! | 0:04:49 | 0:04:51 | |
So sorry. I'll be all right. I'll be... | 0:04:51 | 0:04:55 | |
I'm all right now. | 0:04:55 | 0:04:57 | |
Sorry. I've got it. | 0:04:57 | 0:04:59 | |
I've got it. | 0:05:01 | 0:05:04 | |
-Get that? -THEY LAUGH | 0:05:04 | 0:05:06 | |
-THEY LAUGH AND CHATTER -And cut. Thank you. | 0:05:07 | 0:05:10 | |
Very good. | 0:05:10 | 0:05:12 | |
Hey, come with me. Come and look who this is. | 0:05:15 | 0:05:19 | |
Are you a Radio 1 fan? | 0:05:19 | 0:05:21 | |
-You a Radio 1 fan, yeah? -Absolutely. | 0:05:21 | 0:05:24 | |
-Doctor Who Confidential... -Hiya. | 0:05:24 | 0:05:26 | |
-It's Greg James. -All right? | 0:05:26 | 0:05:28 | |
-From Radio 1. -That's exciting, isn't it? | 0:05:28 | 0:05:31 | |
He sent me a text saying, "I'm coming to Doctor Who. | 0:05:31 | 0:05:33 | |
"I think it's when you're there." He came down, | 0:05:33 | 0:05:36 | |
and he had a bit of a shock when it was nights, | 0:05:36 | 0:05:38 | |
and he's in the back of shot in one of my scenes. | 0:05:38 | 0:05:41 | |
So if you look behind James when he's being extra-creepy, | 0:05:41 | 0:05:45 | |
you'll see Greg James shopping for ladies' underwear, | 0:05:45 | 0:05:48 | |
and the only note I gave to him was, | 0:05:48 | 0:05:50 | |
"Make sure you're looking... | 0:05:50 | 0:05:52 | |
So you catch a couple of flashes of Greg over James's shoulder. | 0:05:52 | 0:05:56 | |
Today I've been playing the role of "man in lingerie department", | 0:05:56 | 0:06:02 | |
which I can do really well. | 0:06:02 | 0:06:05 | |
I do it most Saturdays, so... | 0:06:05 | 0:06:07 | |
I just brought that here today to Cardiff. I have to react and go... | 0:06:07 | 0:06:12 | |
Like the acting? I've a got a 2:1 in drama. | 0:06:12 | 0:06:16 | |
-Sorry, George. -OK. Cut that. | 0:06:16 | 0:06:19 | |
'Someone said to me, | 0:06:19 | 0:06:21 | |
'"Would you like to be in a bit of Doctor Who?" | 0:06:21 | 0:06:25 | |
'And only an idiot would say no.' | 0:06:25 | 0:06:28 | |
And they said, "Well, it's a night shoot," | 0:06:28 | 0:06:31 | |
and I went, "That's all right. That's fine." | 0:06:31 | 0:06:33 | |
They said, "It's in Cardiff." I went, "OK. That's fine." | 0:06:33 | 0:06:36 | |
They said, "You won't be done until one." | 0:06:36 | 0:06:39 | |
I said, "That's quite late. I've got to be back at Radio by one next day." | 0:06:39 | 0:06:43 | |
It's now... | 0:06:43 | 0:06:45 | |
..four o'clock, nearly. | 0:06:46 | 0:06:48 | |
My train back to London is at eight. | 0:06:48 | 0:06:51 | |
It was very tough to shoot in the department store, | 0:06:51 | 0:06:53 | |
because the department store would have to be closed out of hours | 0:06:53 | 0:06:57 | |
so we could shoot, even though a lot of scenes were set in the daytime. | 0:06:57 | 0:07:01 | |
We had to shoot from seven o'clock onwards, | 0:07:01 | 0:07:03 | |
so after the staff went, we'd move in and shoot till six in the morning. | 0:07:03 | 0:07:06 | |
Don't be surprised if we're not all looking at the 12th Doctor. | 0:07:06 | 0:07:11 | |
That's all I'll say. And that's not my words. | 0:07:11 | 0:07:15 | |
That's the words of the producers. | 0:07:15 | 0:07:17 | |
It was... It was amazing. | 0:07:17 | 0:07:20 | |
'Greg created a character, and that character was called Carlos.' | 0:07:20 | 0:07:25 | |
Carlos was shopping for underwear for a friend - | 0:07:25 | 0:07:28 | |
not his girlfriend, and it was a whole thing, and... | 0:07:28 | 0:07:31 | |
-Did you not get that by watching it? -Did you not... | 0:07:31 | 0:07:34 | |
If you watch it back now, you'll see there's a whole thing. | 0:07:34 | 0:07:37 | |
-That's why he's... -You'll be kicking yourself. | 0:07:37 | 0:07:40 | |
Yeah. You'll really, um... But, yeah. I was blown away by it. | 0:07:40 | 0:07:45 | |
On the DVD box, it'll say, | 0:07:45 | 0:07:47 | |
-"Carlos"... -It'll say "Carlos Who". | 0:07:47 | 0:07:50 | |
-"Carlos Who". -"Carlos Who, question mark". | 0:07:50 | 0:07:53 | |
I think filming at four o'clock in the morning | 0:07:53 | 0:07:55 | |
does put a drain on people. We were only there four or five nights. | 0:07:55 | 0:08:00 | |
Then when we moved to the house, we were finishing at, like... | 0:08:00 | 0:08:03 | |
four or five in the morning, and me and Matt, | 0:08:03 | 0:08:06 | |
one night, I mean, we lost it. | 0:08:06 | 0:08:08 | |
-Craig? -Doctor? | 0:08:12 | 0:08:14 | |
-Can you hear me? -Yes. I don't know what to do. | 0:08:14 | 0:08:16 | |
-Listen to me, Craig. -Yes. -There's something in your house now. | 0:08:16 | 0:08:22 | |
If you see it... | 0:08:22 | 0:08:24 | |
It's been miniaturised, but it's the most evil, terrible, ghastly thing | 0:08:25 | 0:08:29 | |
that the universe has ever, ever known. | 0:08:29 | 0:08:31 | |
What do you mean? | 0:08:31 | 0:08:34 | |
It's a Dalek. | 0:08:34 | 0:08:36 | |
-HE GASPS IN FEAR -What does it look like? | 0:08:36 | 0:08:39 | |
Small. Gold. | 0:08:39 | 0:08:41 | |
Oh, God. I know. It's in Alfie's room. | 0:08:41 | 0:08:44 | |
MATT SINGS "DOCTOR WHO THEME" INTRO | 0:08:46 | 0:08:49 | |
JAMES SINGS THEME MELODY | 0:08:52 | 0:08:54 | |
THEY LAUGH | 0:09:02 | 0:09:04 | |
Action. | 0:09:09 | 0:09:10 | |
-Doctor! -Craig! -Do something, please! | 0:09:10 | 0:09:13 | |
The script was very detailed | 0:09:16 | 0:09:17 | |
on how Craig was to be turned into a Cyberman. | 0:09:17 | 0:09:20 | |
-CYBERMAN -Begin conversion. | 0:09:20 | 0:09:22 | |
One difficult thing about this kind of story | 0:09:22 | 0:09:24 | |
is, what would normally in Doctor Who be the main plot, | 0:09:24 | 0:09:27 | |
the alien invasion, doesn't take over till the end, | 0:09:27 | 0:09:30 | |
and feels like a different movie. | 0:09:30 | 0:09:32 | |
Stage one - cleanse the brain of emotions. | 0:09:32 | 0:09:36 | |
It becomes a very highly charged emotional scene. | 0:09:36 | 0:09:38 | |
I want the audience to think, "Maybe they're going to do it." | 0:09:38 | 0:09:42 | |
No! Craig! Fight it. They can't convert you if you fight back. | 0:09:42 | 0:09:46 | |
-You're strong. Don't give in to it. -Help me! | 0:09:46 | 0:09:49 | |
Think of Alfie. Don't let them take it all away! | 0:09:49 | 0:09:51 | |
-Make it stop! Please, make it stop! -Please! | 0:09:51 | 0:09:55 | |
Listen to me. I believe in you. I believe you can do this. | 0:09:55 | 0:09:58 | |
I've always believed in all of you, all my life. | 0:09:58 | 0:10:02 | |
Prove me right! | 0:10:04 | 0:10:06 | |
The series has got that theme of death and lingering darkness. | 0:10:06 | 0:10:10 | |
We wanted to try and hold that moment for as long as possible. | 0:10:10 | 0:10:14 | |
Craig! ELECTRICITY CRACKLES | 0:10:14 | 0:10:16 | |
The Doctor can shout till he's blue in the face to Craig about Alfie, | 0:10:16 | 0:10:20 | |
and "Don't let it all go", but the crying is the important thing. | 0:10:20 | 0:10:23 | |
It's the very thing that Craig has hated, | 0:10:23 | 0:10:26 | |
that triggers that thing inside him, | 0:10:26 | 0:10:28 | |
so it's almost like Craig has no conscious control over that. | 0:10:28 | 0:10:31 | |
Emotions eradicated. Conversion complete. | 0:10:31 | 0:10:35 | |
BABY CRYING | 0:10:35 | 0:10:38 | |
SONG: "I Am Not A Robot" by Marina And The Diamonds | 0:10:38 | 0:10:43 | |
# Guess what | 0:10:43 | 0:10:45 | |
# I'm not a robot | 0:10:45 | 0:10:48 | |
# A robot # | 0:10:48 | 0:10:49 | |
Alfie! | 0:10:49 | 0:10:51 | |
Oh, please, just give me this. Craig! | 0:10:51 | 0:10:54 | |
You wanted a chance to prove you're a dad. You are never going to get a better one than this. | 0:10:54 | 0:10:59 | |
-What is happening? -What is happening, you metal moron, | 0:10:59 | 0:11:02 | |
a baby is crying. And you'd better watch out, because guess what! | 0:11:02 | 0:11:07 | |
HE LAUGHS Daddy's coming home! | 0:11:07 | 0:11:10 | |
Alfie! | 0:11:10 | 0:11:11 | |
HE LAUGHS | 0:11:11 | 0:11:13 | |
Alfie, I'm here! | 0:11:13 | 0:11:15 | |
-I'm coming for you! -Yes, Craig! Try! | 0:11:15 | 0:11:18 | |
Alfie! | 0:11:18 | 0:11:20 | |
ALFIE WAILS | 0:11:20 | 0:11:22 | |
-Alfie needs you! -Emergency. Emotional influx. | 0:11:22 | 0:11:26 | |
-We've got to get out of here! -I know! | 0:11:26 | 0:11:29 | |
The teleport! | 0:11:29 | 0:11:32 | |
Agh! | 0:11:34 | 0:11:36 | |
-Alfie! -Here's your daddy. | 0:11:41 | 0:11:44 | |
That was another review. Ten out of ten! | 0:11:44 | 0:11:47 | |
The Cybermen... They blew up! | 0:11:47 | 0:11:50 | |
I blew 'em up with love. | 0:11:50 | 0:11:52 | |
It's fatherhood that destroys the Cybermen, | 0:11:52 | 0:11:54 | |
because that's the real story. | 0:11:54 | 0:11:57 | |
It's the Doctor Who version of a new father bonding with his son. | 0:11:57 | 0:12:03 | |
He blows them up with love, you know? | 0:12:03 | 0:12:05 | |
And I make no apologies for that. HE LAUGHS | 0:12:05 | 0:12:09 | |
Subtitles by Red Bee Media Ltd | 0:12:17 | 0:12:20 | |
E-mail [email protected] | 0:12:20 | 0:12:23 |