Browse content similar to The Ecstasy of Wilko Johnson. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language | 0:00:02 | 0:00:04 | |
and some scenes which some viewers may find upsetting | 0:00:04 | 0:00:07 | |
When Wilko Johnson exploded onto the stage in the early 1970s, | 0:00:07 | 0:00:11 | |
in the punk, blues band Dr. Feelgood, | 0:00:11 | 0:00:13 | |
strutting and grimacing and wielding | 0:00:13 | 0:00:16 | |
his Telecaster guitar like a machinegun, | 0:00:16 | 0:00:19 | |
the world didn't know what had hit it. | 0:00:19 | 0:00:21 | |
# The way that you smile when you hold my hand... # | 0:00:21 | 0:00:24 | |
He inspired everyone from The Who's Roger Daltrey to Paul Weller | 0:00:24 | 0:00:28 | |
and The Jam. | 0:00:28 | 0:00:29 | |
This story goes way beyond rock and roll. | 0:00:32 | 0:00:35 | |
It's a film about a man confronting his mortality | 0:00:35 | 0:00:38 | |
and how the paradox of being told he was going to die | 0:00:38 | 0:00:42 | |
only made him feel more alive. | 0:00:42 | 0:00:44 | |
Tonight, Imagine celebrates the miracle | 0:00:44 | 0:00:47 | |
of Wilko Johnson in Julien Temple's remarkable film. | 0:00:47 | 0:00:51 | |
BELL TOLLS | 0:01:12 | 0:01:15 | |
"Send not to know for whom the bell tolls | 0:01:18 | 0:01:21 | |
"It tolls for thee." | 0:01:21 | 0:01:22 | |
It's Canvey Island, | 0:01:33 | 0:01:34 | |
it's springtime, it's 2014 and my life is coming to an end. | 0:01:34 | 0:01:39 | |
It's been the most extraordinary year. | 0:01:40 | 0:01:43 | |
# I've been searching all through the city | 0:01:57 | 0:02:00 | |
# See you in the morning down by the jetty | 0:02:00 | 0:02:03 | |
# I'll take you down to the jetty... # | 0:02:06 | 0:02:10 | |
CHEERING | 0:02:11 | 0:02:14 | |
CHEERING FADES | 0:02:31 | 0:02:34 | |
WIND WHISTLES | 0:02:34 | 0:02:37 | |
I had this lump in my stomach which I'd been treating by ignoring | 0:02:43 | 0:02:48 | |
and hoping it will go away. | 0:02:48 | 0:02:50 | |
And my son saw it one evening and said, "Come on, you're going | 0:02:50 | 0:02:54 | |
"into the A & E," and dragged me down there and tests began and... | 0:02:54 | 0:02:59 | |
they started saying to me, "Yes, you've got this mass | 0:02:59 | 0:03:02 | |
"in your stomach that seems to be emanating from your pancreas." | 0:03:02 | 0:03:08 | |
Yes, they told me I had cancer. | 0:03:11 | 0:03:13 | |
An inoperable cancer | 0:03:17 | 0:03:19 | |
and erm... | 0:03:19 | 0:03:21 | |
..perhaps ten months to live. | 0:03:23 | 0:03:26 | |
I was absolutely calm. | 0:03:42 | 0:03:44 | |
Not a flutter. | 0:03:46 | 0:03:47 | |
It was as if he was telling me something I'd known all my life. | 0:03:48 | 0:03:52 | |
I knew it meant that... | 0:03:52 | 0:03:55 | |
I was going to die. | 0:03:55 | 0:03:56 | |
I remember walking out of the hospital - | 0:04:02 | 0:04:04 | |
my house was quite near the hospital so I was going to walk home. | 0:04:04 | 0:04:07 | |
It was a beautiful winter's day, | 0:04:07 | 0:04:09 | |
looking at the trees against the sky | 0:04:09 | 0:04:13 | |
and suddenly I felt this... | 0:04:13 | 0:04:18 | |
elation. | 0:04:18 | 0:04:22 | |
It was almost an ecstatic feeling. | 0:04:22 | 0:04:24 | |
You're vividly alive. | 0:04:29 | 0:04:31 | |
Every little thing you see, every cold breeze against your face, | 0:04:33 | 0:04:38 | |
every brick in the road. | 0:04:38 | 0:04:40 | |
The very paving stones seemed to be shimmering. | 0:04:40 | 0:04:44 | |
Oh, man, it looked so good. | 0:04:45 | 0:04:48 | |
I mean, everything was tingling. | 0:04:48 | 0:04:50 | |
You know, looking around and everything | 0:04:50 | 0:04:52 | |
in the street, everything, I'm thinking, | 0:04:52 | 0:04:54 | |
"I'm alive, I'm alive, I'm alive." | 0:04:54 | 0:04:56 | |
Suddenly everything lifted off of me. | 0:04:58 | 0:05:00 | |
Present, future, past - it was all concentrated down into the moment. | 0:05:02 | 0:05:09 | |
"The corn was orient and immortal wheat | 0:05:13 | 0:05:15 | |
"Which never should be reaped | 0:05:15 | 0:05:18 | |
"Nor was ever sown | 0:05:18 | 0:05:20 | |
"I thought it had stood from everlasting to everlasting | 0:05:20 | 0:05:24 | |
"The dust and stones of the street were as precious as gold | 0:05:24 | 0:05:28 | |
"The green trees when I saw them first transported and ravished me | 0:05:28 | 0:05:34 | |
"Their sweetness and unusual beauty made my heart to leap | 0:05:34 | 0:05:38 | |
"And almost mad with ecstasy | 0:05:38 | 0:05:40 | |
"They were such strange and wonderful things. | 0:05:40 | 0:05:43 | |
"The men and young men were glittering and sparkling angels | 0:05:45 | 0:05:51 | |
"And maids, strange seraphic pieces of life and beauty | 0:05:51 | 0:05:58 | |
"Boys and girls tumbling in the street and playing | 0:05:58 | 0:06:02 | |
"Were moving jewels | 0:06:02 | 0:06:04 | |
"I knew not that they were born or should die | 0:06:04 | 0:06:08 | |
"The city seemed to stand in Eden, or to be built in Heaven | 0:06:10 | 0:06:15 | |
"The streets were mine | 0:06:17 | 0:06:18 | |
"The temple was mine | 0:06:18 | 0:06:20 | |
"The people were mine | 0:06:20 | 0:06:22 | |
"Their clothes and gold and silver were mine | 0:06:22 | 0:06:26 | |
"The skies were mine | 0:06:26 | 0:06:29 | |
"And so were the sun and moon and stars | 0:06:29 | 0:06:32 | |
"And all the world was mine | 0:06:32 | 0:06:35 | |
"And I the only spectator and enjoyer of it." | 0:06:35 | 0:06:39 | |
We're so wrapped up in what's going on in our everyday lives... | 0:06:47 | 0:06:52 | |
we don't think about... You exist. | 0:06:52 | 0:06:55 | |
You exist. You, you... look at all this. | 0:06:55 | 0:06:58 | |
You can see it and experience it. | 0:07:00 | 0:07:02 | |
See a world in a grain of sand. | 0:07:02 | 0:07:05 | |
Look at Blake. | 0:07:10 | 0:07:11 | |
He was seeing trees full of angels at Peckham | 0:07:11 | 0:07:14 | |
long before Dr Timothy Leary. | 0:07:14 | 0:07:16 | |
By the time I got home, I was... | 0:07:34 | 0:07:36 | |
almost euphoric. | 0:07:36 | 0:07:39 | |
JAZZ MUSIC PLAYS | 0:07:39 | 0:07:42 | |
The idea that death is imminent | 0:08:05 | 0:08:08 | |
really makes you realise what a wonderful thing it is to be alive. | 0:08:08 | 0:08:13 | |
I never would've guessed that it would feel like this. | 0:08:13 | 0:08:16 | |
It seems to me that finding this out has somehow completed my life. | 0:08:16 | 0:08:21 | |
All of the things I would imagine one would feel, I don't feel. | 0:08:21 | 0:08:25 | |
I am a feather for each wind that blows, you know, | 0:08:26 | 0:08:29 | |
and the wind's blowing me this way now. | 0:08:29 | 0:08:31 | |
And naturally you sit and think, | 0:08:31 | 0:08:32 | |
"Why didn't I work out before that...? | 0:08:32 | 0:08:34 | |
"Man, just the moment you're in that matters." | 0:08:34 | 0:08:37 | |
Of course, we can't always be threatened with imminent death, | 0:08:39 | 0:08:42 | |
but it probably takes that to knock a bit of sense into our heads. | 0:08:42 | 0:08:46 | |
I did feel so high. | 0:08:47 | 0:08:49 | |
I was wondering first of all, "Is this shock?" | 0:08:49 | 0:08:52 | |
CROWD CHEERS | 0:08:52 | 0:08:54 | |
But in fact, this feeling has persisted. | 0:08:54 | 0:08:57 | |
CRACKLING | 0:09:01 | 0:09:04 | |
I remember somebody telling me there are several stages you're supposed to go through | 0:09:10 | 0:09:14 | |
about denial and anger and I haven't been through any of that. | 0:09:14 | 0:09:18 | |
I don't get angry about it. I mean, who's to get angry with? | 0:09:18 | 0:09:21 | |
I've got cancer cos I'm actually a human being | 0:09:21 | 0:09:24 | |
and human beings are prone to get cancer. | 0:09:24 | 0:09:27 | |
And why should I be any different? | 0:09:27 | 0:09:28 | |
So, no, I've never been through those things. | 0:09:28 | 0:09:31 | |
Just realised that, you know, that something's happened to me. | 0:09:32 | 0:09:36 | |
SINGING | 0:09:36 | 0:09:40 | |
Everybody's going to die and I've got the advantage of knowing that it's worked out for me. | 0:09:44 | 0:09:49 | |
In a way, you're free of the grip of mortality | 0:09:49 | 0:09:52 | |
and your destiny is settled. | 0:09:52 | 0:09:54 | |
Death is something that you always look at as the indefinite future. | 0:09:58 | 0:10:03 | |
And, me, it's going to be, | 0:10:03 | 0:10:05 | |
I don't know, a few months or something. | 0:10:05 | 0:10:09 | |
There's a special providence in the fall of a sparrow | 0:10:11 | 0:10:15 | |
If it be now, 'tis not to come. | 0:10:16 | 0:10:20 | |
"If it be not to come, then 't'will be now." | 0:10:20 | 0:10:24 | |
If it be not now... yet it will come. | 0:10:24 | 0:10:28 | |
The readiness is all. | 0:10:30 | 0:10:31 | |
Since no man has aught of what he leaves, | 0:10:34 | 0:10:37 | |
what is to leave betimes? | 0:10:37 | 0:10:42 | |
Hamlet and he was right. And that's true for everybody. | 0:10:42 | 0:10:45 | |
It will come. | 0:10:45 | 0:10:47 | |
If you love certain lines, they're always in your mind. | 0:10:49 | 0:10:53 | |
I do love my conversation with the quotations from here and there. | 0:10:53 | 0:10:56 | |
It doesn't matter if whoever I'm talking to is not going to pick up on that either, you know? | 0:10:56 | 0:11:02 | |
Or if you're with a fellow literary type they'll pick up on what you're saying. | 0:11:02 | 0:11:07 | |
Just fun. | 0:11:07 | 0:11:09 | |
Reading is just something I've done as almost a reflex all my life. | 0:11:11 | 0:11:15 | |
You know, I'll sit there reading every word on the Cornflakes packet in the morning. | 0:11:15 | 0:11:18 | |
You know, I just do it. | 0:11:18 | 0:11:20 | |
I get uncomfortable if I haven't got something to read. | 0:11:20 | 0:11:25 | |
"But at my back I always hear Time's winged chariot hurrying near | 0:11:25 | 0:11:28 | |
"And yonder all before us lie Deserts of vast eternity." | 0:11:28 | 0:11:33 | |
Andy Marvell. What a marvel. | 0:11:33 | 0:11:35 | |
Repeat. Are you wounded? Are you bailing out? | 0:11:35 | 0:11:38 | |
Yes, I'm bailing out, but there's a catch. I've got no parachute. | 0:11:38 | 0:11:42 | |
And I'd rather jump than fry. | 0:11:42 | 0:11:43 | |
WIND WHISTLES | 0:11:43 | 0:11:46 | |
After I received the verdict, they told me | 0:11:55 | 0:11:57 | |
I had about ten months to live. | 0:11:57 | 0:12:00 | |
And with chemotherapy, maybe a year. | 0:12:00 | 0:12:03 | |
Chemotherapy makes you very, very ill | 0:12:03 | 0:12:06 | |
and actually I feel fine right now. | 0:12:06 | 0:12:08 | |
And I would rather just have my last months | 0:12:08 | 0:12:12 | |
just feeling as good as I can. | 0:12:12 | 0:12:13 | |
"What cannot be cured must be endured." | 0:12:17 | 0:12:20 | |
I think the best thing to do, | 0:12:23 | 0:12:24 | |
rather than trying to fight it, is to accept it | 0:12:24 | 0:12:28 | |
and make the most of it. | 0:12:28 | 0:12:29 | |
The whole idea of running for a second opinion or something, you think you just, | 0:12:29 | 0:12:33 | |
you know, I don't want to spend my time doing that. | 0:12:33 | 0:12:36 | |
I've avoided any kind of false hope and didn't try | 0:13:03 | 0:13:06 | |
and bargain with it, because if you're struggling against something | 0:13:06 | 0:13:09 | |
and hoping for some miracle cure, it means it's on your mind. | 0:13:09 | 0:13:13 | |
If it's going to kill me, I don't want it to bore me. | 0:13:14 | 0:13:19 | |
So I just want it out of the way until it does its stuff. | 0:13:19 | 0:13:22 | |
It's not so much death that bothers me as much as dying. | 0:13:31 | 0:13:34 | |
Sooner or later, my health is going to break down | 0:13:34 | 0:13:37 | |
and I'm going to be horribly sick in bed, | 0:13:37 | 0:13:39 | |
and I just don't want to go through that. | 0:13:39 | 0:13:41 | |
I was asking them what's going to happen. | 0:13:41 | 0:13:45 | |
They told me that when the cancer comes on, | 0:13:45 | 0:13:48 | |
it will come on gradually, slowly. | 0:13:48 | 0:13:50 | |
And so naturally you think every little sniffle you get, | 0:13:50 | 0:13:53 | |
you think, "Whoa, it's beginning." | 0:13:53 | 0:13:56 | |
And then, then you're not so cocky. | 0:13:58 | 0:14:00 | |
HE CHUCKLES | 0:14:00 | 0:14:02 | |
Good Hamlet. All that lives must die. | 0:14:07 | 0:14:10 | |
Passing through nature to eternity. | 0:14:10 | 0:14:13 | |
The first thing I did was go to Japan, | 0:14:36 | 0:14:39 | |
which is a place I love very much. | 0:14:39 | 0:14:42 | |
If you want to seek tranquillity, it's a good place to go. | 0:14:47 | 0:14:50 | |
We went up to visit a monastery up in the hills in Kyoto. | 0:14:53 | 0:14:58 | |
We got there, this place was just so silent. | 0:15:01 | 0:15:04 | |
There was no-one there. | 0:15:04 | 0:15:05 | |
At one point, I was looking out across the temple roofs | 0:15:07 | 0:15:12 | |
and there was a fine snow falling | 0:15:12 | 0:15:16 | |
through these huge pine trees. | 0:15:16 | 0:15:18 | |
The sun was shining through and made the snow golden. | 0:15:20 | 0:15:24 | |
Normally, I would be looking at a scene like this and thinking, | 0:15:25 | 0:15:28 | |
"Wow, I must impress this memory on my mind | 0:15:28 | 0:15:31 | |
"so I can recollect it in future times." | 0:15:31 | 0:15:34 | |
But, of course, there will be no more future times for me. | 0:15:34 | 0:15:36 | |
I realised what I've got to do is just experience this now - | 0:15:36 | 0:15:41 | |
not try and commit it to memory. | 0:15:41 | 0:15:44 | |
I managed to do it. It's quite a hard thing to do actually. | 0:15:44 | 0:15:47 | |
But just looking at it and just contemplating that scene, | 0:15:47 | 0:15:52 | |
without reference to the future or the past or anything, | 0:15:52 | 0:15:57 | |
just that moment. The sublime moment. | 0:15:57 | 0:15:59 | |
Wordsworth had these daffodils right, | 0:16:03 | 0:16:05 | |
"Which flash upon that inward eye," | 0:16:05 | 0:16:08 | |
which is the bliss of solitude. | 0:16:08 | 0:16:10 | |
And... | 0:16:11 | 0:16:12 | |
yes, it was something like that. | 0:16:12 | 0:16:16 | |
CHEERING AND APPLAUSE | 0:16:16 | 0:16:18 | |
In Japan, I took the opportunity to do a couple of farewell gigs. | 0:16:20 | 0:16:25 | |
OK, listen. I'm never going to see you again. | 0:16:25 | 0:16:28 | |
CHEERING DROWNS OUT SPEECH | 0:16:28 | 0:16:30 | |
BLUES INTRO PLAYS | 0:16:33 | 0:16:38 | |
The last number we did was Chuck Berry's Bye Bye Johnny. | 0:16:45 | 0:16:49 | |
# So bye, bye-bye, bye... # | 0:16:49 | 0:16:54 | |
And I'm waving, I'm going, # Bye-bye, bye-bye... # | 0:16:56 | 0:16:59 | |
And all the crowd are going, "Bye." | 0:16:59 | 0:17:01 | |
Like we're all waving to each other going bye-bye... | 0:17:01 | 0:17:04 | |
# Bye, bye, bye... # | 0:17:04 | 0:17:07 | |
Hello, hello, hello. | 0:17:07 | 0:17:10 | |
# Bye-bye, Johnny | 0:17:10 | 0:17:12 | |
# Goodbye, Johnny Go home | 0:17:12 | 0:17:14 | |
# I said, bye, bye, bye-bye | 0:17:16 | 0:17:20 | |
# We'll go bye, bye, bye-bye | 0:17:22 | 0:17:26 | |
# Bye-bye, Johnny | 0:17:29 | 0:17:30 | |
# Goodbye, Johnny B Goode. # | 0:17:30 | 0:17:34 | |
CHEERING | 0:17:36 | 0:17:38 | |
Arigatou. | 0:17:42 | 0:17:43 | |
That was a buzz because it was just such a great piece of show-business. | 0:17:43 | 0:17:47 | |
You know, you're going, "Bye-bye." Everybody's crying | 0:17:47 | 0:17:50 | |
and that, it's fantastic. | 0:17:50 | 0:17:52 | |
Me, I didn't have a lump in my throat or anything. | 0:17:54 | 0:17:57 | |
I didn't feel at all upset. | 0:17:57 | 0:17:59 | |
-CHANTING: -We want more, we want more, we want more. | 0:18:01 | 0:18:05 | |
Thank you, Wilko. | 0:18:05 | 0:18:06 | |
Wilko. | 0:18:08 | 0:18:10 | |
We want more, we want more, we want more. | 0:18:10 | 0:18:13 | |
I came back from Japan with a carrier bag full of letters | 0:18:21 | 0:18:23 | |
that people had given me. | 0:18:23 | 0:18:25 | |
Thank you, Wilko. | 0:18:25 | 0:18:27 | |
Full of these good feelings for me. | 0:18:29 | 0:18:31 | |
Often expressed in broken English, which makes them | 0:18:31 | 0:18:35 | |
all the more touching. | 0:18:35 | 0:18:37 | |
Wilko, see you again. | 0:18:37 | 0:18:39 | |
God, I love Japan. | 0:18:39 | 0:18:41 | |
But I love it here, too. | 0:18:46 | 0:18:48 | |
Anyone that grew up on Canvey Island | 0:18:48 | 0:18:50 | |
knows that Canvey Island's special. | 0:18:50 | 0:18:51 | |
It's Treasure Island. | 0:18:57 | 0:18:58 | |
SURF GUITAR PLAYS | 0:18:58 | 0:19:01 | |
CHILDREN SCREAM | 0:19:07 | 0:19:09 | |
People say, "Wow, what, you live in Canvey Island, right? | 0:19:15 | 0:19:19 | |
"It must be fantastic. | 0:19:19 | 0:19:20 | |
"It must be like being on holiday all the time." | 0:19:20 | 0:19:22 | |
"Yes, yes, it is." | 0:19:22 | 0:19:24 | |
Whoop! | 0:19:24 | 0:19:25 | |
# Come on, pretty baby | 0:19:28 | 0:19:30 | |
# Let's move it and a groove it... # | 0:19:30 | 0:19:32 | |
People used to come from the East End of London | 0:19:34 | 0:19:38 | |
to Canvey Island, right. | 0:19:38 | 0:19:40 | |
# It's a rhythm that gets into your heart and soul | 0:19:40 | 0:19:43 | |
# Let me tell you, baby It's called rock'n'roll | 0:19:46 | 0:19:49 | |
# They say it's gonna... # | 0:19:52 | 0:19:53 | |
SCREAMING | 0:19:53 | 0:19:55 | |
# They just don't know what's a goin' to replace it | 0:19:57 | 0:20:01 | |
# Ballads and calypso they've got nothing on real... # | 0:20:04 | 0:20:06 | |
On these summer days the traffic used to back up several miles. | 0:20:06 | 0:20:10 | |
When we were kids, we used to see all these people stuck, | 0:20:10 | 0:20:12 | |
fuming in this bloody traffic jam. | 0:20:12 | 0:20:14 | |
And we, we used to walk along going, "1,032... | 0:20:16 | 0:20:19 | |
"1,033." | 0:20:19 | 0:20:21 | |
SURF MUSIC PLAYS | 0:20:21 | 0:20:23 | |
It was funny. | 0:20:32 | 0:20:33 | |
I mean, you wonder, is this your idea of a good time? | 0:20:33 | 0:20:36 | |
You drive down here and you, you get on this shingle beach, | 0:20:37 | 0:20:41 | |
which gives way to a sort of mud of the river bottom. | 0:20:41 | 0:20:46 | |
There were a lot of magical things for me on Canvey Island. | 0:20:49 | 0:20:53 | |
I don't think that the beach is really one of them. | 0:20:53 | 0:20:56 | |
He was a founding member of the rock band Dr. Feelgood | 0:21:00 | 0:21:03 | |
and is known for his unique way of playing the guitar. | 0:21:03 | 0:21:06 | |
Picking and strumming at the same time. | 0:21:06 | 0:21:09 | |
BLUES MUSIC PLAYS | 0:21:09 | 0:21:11 | |
When he was diagnosed with terminal cancer, | 0:21:19 | 0:21:22 | |
Wilko Johnson decided to refuse treatment | 0:21:22 | 0:21:24 | |
and carry on doing what he does best. | 0:21:24 | 0:21:28 | |
He's now embarked on his farewell tour. | 0:21:28 | 0:21:31 | |
-Good morning, Wilko. -Morning. | 0:21:31 | 0:21:33 | |
Bring us up to speed because some people won't know you've been ill, but you have. | 0:21:33 | 0:21:37 | |
You've been diagnosed with terminal cancer. | 0:21:37 | 0:21:39 | |
-Yeah. -So, what, what's happening? How are you right now? | 0:21:39 | 0:21:41 | |
I'm feeling fit and fine at the moment. | 0:21:41 | 0:21:44 | |
I've got maybe six months, | 0:21:44 | 0:21:47 | |
I can expect to feel healthy before I start to, erm, crumble. | 0:21:47 | 0:21:51 | |
I get the distinct impression that because of what's happening to you, that you, you're just sort of, | 0:21:51 | 0:21:56 | |
absolutely embracing everything that's, you know, in front of you. | 0:21:56 | 0:22:00 | |
Is that what, is that what's going on? | 0:22:00 | 0:22:02 | |
You walk down the street, you'll, you'll look at | 0:22:02 | 0:22:04 | |
you'll look at a dustbin or a pussycat or something. | 0:22:04 | 0:22:07 | |
Wow, you know, it's almost tingling. | 0:22:07 | 0:22:10 | |
The world is almost tingling with life and it, | 0:22:10 | 0:22:13 | |
it just feels so good. | 0:22:13 | 0:22:15 | |
And to live in the moment you're in, | 0:22:15 | 0:22:16 | |
without any of that extraneous stuff, | 0:22:16 | 0:22:19 | |
it's, it's a euphoric feeling and I'm... | 0:22:19 | 0:22:22 | |
Yes, I'm pleased I've had it. | 0:22:22 | 0:22:24 | |
Dave has texted to say, "Wilko, you have brought pleasure to millions. | 0:22:25 | 0:22:29 | |
"You are a special man." | 0:22:29 | 0:22:31 | |
Olly Iron has quoted you, "Wilko Johnson, tingling with | 0:22:31 | 0:22:34 | |
"the euphoria of being alive after being given ten months to live." | 0:22:34 | 0:22:37 | |
And lots of people inspired by your attitude. | 0:22:37 | 0:22:40 | |
If other people can find some strength in anything I've said, | 0:22:40 | 0:22:43 | |
then good. | 0:22:43 | 0:22:44 | |
The great, great Wilko Johnson. | 0:22:45 | 0:22:48 | |
First time I've heard him play, I think, since 1975. | 0:22:48 | 0:22:51 | |
-Eh? -Do stay with us. | 0:22:51 | 0:22:53 | |
Many people have told me they've found, you know, | 0:22:57 | 0:23:00 | |
whatever I've said about having a fatal illness, erm, | 0:23:00 | 0:23:04 | |
somehow inspiring. But I've, I've only... | 0:23:04 | 0:23:07 | |
spoken about the way I felt it, the way I've experienced it. | 0:23:07 | 0:23:11 | |
People come up to me in the street and so on and shake my hand and that, | 0:23:12 | 0:23:16 | |
perhaps thinking it's their last chance. | 0:23:16 | 0:23:18 | |
You've decided to go out in style, on stage, with a bang. | 0:23:26 | 0:23:30 | |
Not literally go out. | 0:23:30 | 0:23:31 | |
I mean, don't buy a ticket hoping you can see me keel over. | 0:23:31 | 0:23:34 | |
Right at the moment, thank you very much, I feel fit as a fiddle. | 0:23:34 | 0:23:38 | |
And yet I know that death is upon me. | 0:23:44 | 0:23:47 | |
I'm just hoping it spares me long enough to do these gigs, | 0:23:47 | 0:23:50 | |
then I'll be a happy man. | 0:23:50 | 0:23:52 | |
That's all right. | 0:24:07 | 0:24:09 | |
Norman's bass playing is one of the reasons I'm still going. | 0:24:09 | 0:24:13 | |
Norman Watt-Roy! | 0:24:13 | 0:24:15 | |
CHEERING | 0:24:15 | 0:24:17 | |
And now we've got Dylan Howe on the drums and they're just so good. | 0:24:20 | 0:24:24 | |
I just get such a kick off playing with these guys. | 0:24:24 | 0:24:27 | |
And it's a good band. | 0:24:27 | 0:24:29 | |
So many bands, so many musicians talk about their farewell tour | 0:24:30 | 0:24:33 | |
and then they're back again a few years later. But you've got no choice. | 0:24:33 | 0:24:36 | |
Well, I've got no choice about that at all, no. | 0:24:36 | 0:24:39 | |
You know, I can't go on for another five years. | 0:24:39 | 0:24:42 | |
When you're playing, | 0:24:42 | 0:24:43 | |
you realise that this might be the last one, this is the end. | 0:24:43 | 0:24:47 | |
# Bye, bye, bye... # | 0:24:47 | 0:24:51 | |
Oh, that sounds so sweet now! | 0:24:51 | 0:24:54 | |
# Bye, bye, bye, bye... # | 0:24:54 | 0:24:57 | |
# Bye-bye, Johnny Goodbye, Johnny B Goode. # | 0:24:59 | 0:25:02 | |
CHEERING | 0:25:05 | 0:25:07 | |
Thank you so much. Thank you. | 0:25:07 | 0:25:10 | |
Goodnight. And goodbye. | 0:25:10 | 0:25:12 | |
I think I'm a happier person | 0:25:12 | 0:25:15 | |
probably now than I have been for years and years. | 0:25:15 | 0:25:18 | |
I'm not suggesting I'm walking around | 0:25:31 | 0:25:33 | |
with a silly grin on my face all the time. | 0:25:33 | 0:25:35 | |
Obviously there are dark nights of the soul. | 0:25:36 | 0:25:39 | |
Like three o'clock in the morning and you're thinking about it. | 0:25:46 | 0:25:49 | |
And, erm... | 0:25:49 | 0:25:50 | |
..moods go up and down easily. | 0:25:55 | 0:25:57 | |
But I think my mood this year has been | 0:25:57 | 0:26:02 | |
better than it normally is. | 0:26:02 | 0:26:04 | |
There is no such thing as happiness - | 0:26:07 | 0:26:10 | |
only lesser shades of melancholy. | 0:26:10 | 0:26:12 | |
Generally through my life, I have been a fairly miserable so-and-so. | 0:26:14 | 0:26:18 | |
I'm someone who tends to shrink away from erm, people. | 0:26:18 | 0:26:25 | |
I don't know why. | 0:26:27 | 0:26:29 | |
I'm never the life and soul of the party, if you know what I mean. | 0:26:29 | 0:26:34 | |
I tend to be in the kitchen. | 0:26:34 | 0:26:35 | |
And subject to getting uptight about the tiniest thing | 0:26:39 | 0:26:44 | |
or something, and of course now I realise how foolish all that is. | 0:26:44 | 0:26:48 | |
You know, there's really, you know... | 0:26:48 | 0:26:51 | |
It just don't matter. | 0:26:51 | 0:26:54 | |
-# Tell me who's that writin'? -John the Revelator | 0:26:54 | 0:26:58 | |
-# Who's that writin'? -John the Revelator | 0:26:58 | 0:27:02 | |
-# Who's that writin'? -John the Revelator | 0:27:02 | 0:27:05 | |
-# What's John writin'? -Ask the Revelator | 0:27:09 | 0:27:13 | |
-# What's John writin'? -Ask the Revelator | 0:27:13 | 0:27:17 | |
-# What's John writin'? -Ask the Revelator | 0:27:17 | 0:27:20 | |
# The book of the seven seals...# | 0:27:20 | 0:27:23 | |
Death has no fear for me. | 0:27:24 | 0:27:26 | |
I'm not frightened of going to hell or anything like that. | 0:27:26 | 0:27:29 | |
I'm an atheist. | 0:27:35 | 0:27:37 | |
I absolutely do not believe in God. | 0:27:37 | 0:27:42 | |
I don't believe in any kind of survival after death. | 0:27:43 | 0:27:46 | |
I believe that death is oblivion. | 0:27:46 | 0:27:49 | |
I'm just going to return to the oblivion that I came from. | 0:27:49 | 0:27:52 | |
Time began 13-and-a-half billion years ago, and these | 0:28:07 | 0:28:10 | |
13-and-a-half billion years went by until 1947 | 0:28:10 | 0:28:12 | |
when I popped out and thought, "Blimey, it's big, innit?" | 0:28:12 | 0:28:17 | |
And that's where I'm going back to. | 0:28:17 | 0:28:20 | |
That's where we're all going back to in the end. | 0:28:20 | 0:28:23 | |
Oblivion. | 0:28:26 | 0:28:27 | |
Death is our normal state. | 0:29:05 | 0:29:06 | |
For all of eternity, we exist for the briefest eye blink. | 0:29:11 | 0:29:14 | |
You've got your Anglo-Saxons and their famous image | 0:29:19 | 0:29:22 | |
of man's life being like a bird | 0:29:22 | 0:29:26 | |
that flies out of the darkness into the lighted hall and through | 0:29:26 | 0:29:29 | |
and then out into the darkness again. | 0:29:29 | 0:29:31 | |
Of course, if you study astronomy, | 0:29:35 | 0:29:37 | |
you begin to get some inkling of how vast eternity is. | 0:29:37 | 0:29:41 | |
Man, it's so big. It's light years. | 0:29:43 | 0:29:46 | |
Billions of stars and billions of galaxies. | 0:29:46 | 0:29:50 | |
Wilko, you love astrology and the stars and looking at... | 0:29:50 | 0:29:52 | |
-Astronomy. -Astronomy. Apologies. | 0:29:52 | 0:29:54 | |
Astronomy. But you have lectured about the Moon as well, haven't you? | 0:29:54 | 0:29:58 | |
Oh, yeah. You know, | 0:29:58 | 0:30:00 | |
I'm a keen astronomer. | 0:30:00 | 0:30:01 | |
I've got a great, big, huge telescope on my roof in a dome. | 0:30:03 | 0:30:07 | |
What you've got up there is this marvellous huge clock, | 0:30:08 | 0:30:12 | |
turning and turning. | 0:30:12 | 0:30:14 | |
FAUSTUS: Stand still, you ever-moving spheres of heaven, | 0:30:21 | 0:30:26 | |
That time may cease, and midnight never come; | 0:30:27 | 0:30:32 | |
The stars move still | 0:30:32 | 0:30:36 | |
Time runs, the clock will strike | 0:30:38 | 0:30:43 | |
The devil will come | 0:30:43 | 0:30:45 | |
And Faustus must be damn'd. | 0:30:45 | 0:30:49 | |
The constellation Orion, which is my, you know, | 0:30:57 | 0:30:59 | |
my favourite constellation, | 0:30:59 | 0:31:01 | |
is moving out of the sky now and I'll never see it again. | 0:31:01 | 0:31:05 | |
Also my very favourite thing in the sky is, of course, Saturn | 0:31:07 | 0:31:11 | |
and it comes up over the houses across the road. | 0:31:11 | 0:31:14 | |
Nice big star. | 0:31:14 | 0:31:15 | |
And if you look at it through a telescope, it's fantastic. | 0:31:15 | 0:31:18 | |
I said goodbye to that | 0:31:20 | 0:31:22 | |
and thought, "Well, I'll never look on that wonderful thing again". | 0:31:22 | 0:31:25 | |
It's weird, you know, you're saying farewell to... | 0:31:27 | 0:31:30 | |
It gives you some funny feelings. | 0:31:30 | 0:31:32 | |
"To die, to sleep. | 0:31:46 | 0:31:49 | |
"To sleep, perchance to dream. | 0:31:49 | 0:31:52 | |
"Aye, there's the rub. | 0:31:52 | 0:31:53 | |
"For in that sleep of death what dreams may come | 0:31:53 | 0:31:56 | |
"When we have shuffled off this mortal coil." | 0:31:56 | 0:31:59 | |
Funnily enough, in my dreams there is no cancer. | 0:32:02 | 0:32:06 | |
I've never dreamt about it. I've never had cancer in, | 0:32:06 | 0:32:09 | |
in, in my dreams. Er... | 0:32:09 | 0:32:10 | |
One reason I enjoy them so much, I think. | 0:32:13 | 0:32:15 | |
HE LAUGHS | 0:32:15 | 0:32:16 | |
COCKEREL CROWS | 0:32:16 | 0:32:19 | |
The first thing that happens when you wake up | 0:32:21 | 0:32:24 | |
is that you remember you've got cancer. | 0:32:24 | 0:32:26 | |
"O Rose thou art sick. | 0:32:27 | 0:32:29 | |
"The invisible worm | 0:32:29 | 0:32:31 | |
"That flies in the night | 0:32:31 | 0:32:32 | |
"In the howling storm: | 0:32:32 | 0:32:34 | |
"Has found out thy bed | 0:32:34 | 0:32:35 | |
"Of crimson joy: | 0:32:35 | 0:32:37 | |
"And his dark secret love | 0:32:37 | 0:32:39 | |
"Does thy life destroy." | 0:32:39 | 0:32:41 | |
Oooh. | 0:32:43 | 0:32:44 | |
My future self is quite close to me now. | 0:33:08 | 0:33:10 | |
I mean, I'm not going to get much older. | 0:33:12 | 0:33:14 | |
Now I'm going to die, | 0:33:17 | 0:33:19 | |
I find myself in a retrospective kind of mood. | 0:33:19 | 0:33:24 | |
It's the only one you can have, innit? | 0:33:24 | 0:33:26 | |
You know, it's all behind you, mate. | 0:33:26 | 0:33:28 | |
I was born here, I grew up here. | 0:33:36 | 0:33:38 | |
Erm... It's always had a certain magic for me. | 0:33:39 | 0:33:44 | |
And there's something magic about it still. | 0:33:47 | 0:33:50 | |
It's imprinted on me, I think, this. | 0:33:57 | 0:34:00 | |
I love it, I just love it. I love this. | 0:34:00 | 0:34:02 | |
I love this estuary. I love this... | 0:34:02 | 0:34:04 | |
..blessed plot. | 0:34:06 | 0:34:08 | |
One of my earliest memories, sort of, flood, | 0:34:21 | 0:34:25 | |
I can remember looking out the back and where there used to be, | 0:34:29 | 0:34:32 | |
er, fields, I could see, er, waves | 0:34:32 | 0:34:34 | |
and I knew that something was amiss. | 0:34:34 | 0:34:37 | |
And our house was ruined. | 0:34:42 | 0:34:44 | |
"Canute turned towards the ocean. | 0:34:54 | 0:34:57 | |
"Back!" he said, "thou foaming brine | 0:34:57 | 0:34:59 | |
"From the sacred shore of Canvey I command thee to retreat. | 0:34:59 | 0:35:03 | |
"Venture not thou stormy rebel, to approach thy master's feet." | 0:35:03 | 0:35:07 | |
The wall broke down in the middle of the night and, of course, | 0:35:14 | 0:35:19 | |
many people lost their lives. | 0:35:19 | 0:35:20 | |
My dad was a gas fitter. | 0:35:22 | 0:35:25 | |
And, I mean, he remained here on Canvey during the flood. | 0:35:29 | 0:35:33 | |
They had to maintain the gas pipes... | 0:35:33 | 0:35:35 | |
..which meant he was wading around in icy water up to his chest | 0:35:38 | 0:35:42 | |
and stuff like that. | 0:35:42 | 0:35:43 | |
This did his chest in. | 0:35:44 | 0:35:46 | |
Pneumonia. He couldn't breathe. | 0:35:46 | 0:35:48 | |
Every year he got worse and worse until finally | 0:35:53 | 0:35:56 | |
I come home from school one day | 0:35:56 | 0:35:58 | |
and there was something funny about the house. It's quiet. | 0:35:58 | 0:36:01 | |
I look on the table and I see all these certificates | 0:36:06 | 0:36:09 | |
and I realised he's, he's gone. He's dead. | 0:36:09 | 0:36:12 | |
(And I thought, "Fuck, great".) | 0:36:12 | 0:36:14 | |
I was so pleased. | 0:36:15 | 0:36:17 | |
I didn't like my father. | 0:36:21 | 0:36:23 | |
I despised him. | 0:36:24 | 0:36:26 | |
He was violent and, er... | 0:36:33 | 0:36:34 | |
Yes, fuck him. | 0:36:36 | 0:36:38 | |
Are you sitting comfortably? | 0:36:39 | 0:36:41 | |
Then I'll begin. | 0:36:41 | 0:36:42 | |
My mother was an educated woman, actually. | 0:36:47 | 0:36:50 | |
She got this gig, er, scrubbing the floors | 0:36:50 | 0:36:54 | |
at the gas company in order to buy our grammar school uniforms. | 0:36:54 | 0:36:59 | |
And, er, what more can you say? | 0:36:59 | 0:37:02 | |
But I cannot ever remember... | 0:37:02 | 0:37:06 | |
kissing her. | 0:37:06 | 0:37:07 | |
All through our childhood when we were visiting relatives, | 0:37:21 | 0:37:24 | |
I was always aware that there was something shameful about us. | 0:37:24 | 0:37:27 | |
You could feel it. | 0:37:29 | 0:37:30 | |
Just something I grew up with. I thought, "Yeah, it's natural. | 0:37:32 | 0:37:35 | |
"Course, you come from Canvey Island you've every right to be ashamed". | 0:37:35 | 0:37:39 | |
After my mother had died, I was clearing up the house, | 0:37:39 | 0:37:45 | |
I suppose, and I found this envelope, big, brown envelope. | 0:37:45 | 0:37:49 | |
And I emptied it out and there's all these certificates | 0:37:49 | 0:37:51 | |
and forms in there. | 0:37:51 | 0:37:53 | |
And fuck... | 0:37:53 | 0:37:54 | |
What was it? It was my father's divorce. | 0:37:58 | 0:38:02 | |
I knew that he'd been married before. | 0:38:02 | 0:38:04 | |
It, it also contained my mother's discharge from the Army. | 0:38:05 | 0:38:11 | |
This is during the war, you see, and it... | 0:38:11 | 0:38:13 | |
-HE CHUCKLES -On it it said, | 0:38:13 | 0:38:15 | |
"Reason for discharge," and it put "Family reasons". | 0:38:15 | 0:38:19 | |
He had obviously got her pregnant and... | 0:38:23 | 0:38:27 | |
Ah! | 0:38:27 | 0:38:29 | |
That's why, that's why we, that's why I was so ashamed. | 0:38:29 | 0:38:33 | |
Whenever we went to visit our relatives, | 0:38:33 | 0:38:34 | |
that's why I was so ashamed. | 0:38:34 | 0:38:36 | |
Because we were, we were... | 0:38:36 | 0:38:38 | |
..the prodigy of sin. | 0:38:39 | 0:38:41 | |
You fucking bastard. | 0:38:42 | 0:38:44 | |
It was heavy ... | 0:38:45 | 0:38:46 | |
and, er... | 0:38:46 | 0:38:48 | |
Yeah. | 0:38:50 | 0:38:51 | |
I've always, through my life, suffered from this misery... | 0:38:55 | 0:39:01 | |
I get. | 0:39:01 | 0:39:02 | |
I always had a world of my own, you know. | 0:39:02 | 0:39:05 | |
Rock and roll. | 0:39:08 | 0:39:09 | |
MUSIC: Shakin' All Over by Johnny Kidd & The Pirates | 0:39:09 | 0:39:13 | |
I saw Roy Orbison, Chuck Berry | 0:39:20 | 0:39:23 | |
and I saw Johnny Kidd & The Pirates a couple of times at a club here. | 0:39:23 | 0:39:28 | |
# That's when I get the shakes all over me | 0:39:28 | 0:39:32 | |
# Quivers down the backbone... # | 0:39:38 | 0:39:40 | |
They would come on stage wearing pirate outfits, | 0:39:40 | 0:39:43 | |
and Johnny Kidd had this, er, sword, right? | 0:39:43 | 0:39:46 | |
He would throw it, "thoomp!" into the stage. | 0:39:46 | 0:39:49 | |
# Shakin' all over... # | 0:39:49 | 0:39:53 | |
They looked so hard. | 0:39:58 | 0:39:59 | |
You know, they looked like fairground people | 0:39:59 | 0:40:01 | |
and they were putting down this fierce sound | 0:40:01 | 0:40:04 | |
and I became devoted to them. | 0:40:04 | 0:40:06 | |
# Quivers down the backbone | 0:40:24 | 0:40:26 | |
# Yeah, shakes in the knee bone... # | 0:40:28 | 0:40:30 | |
Now your Lobster Smack is, er... | 0:40:30 | 0:40:32 | |
I think it's actually the oldest building on the island. | 0:40:32 | 0:40:36 | |
Many tales and legends cling to it, right? | 0:40:36 | 0:40:38 | |
People think Captain Kidd used to go down there for a drink | 0:40:38 | 0:40:41 | |
but I don't think so. | 0:40:41 | 0:40:42 | |
Also people think that smugglers used to go there | 0:40:42 | 0:40:44 | |
and there's some kind of tunnel | 0:40:44 | 0:40:46 | |
leading all the way up to somewhere else, like, you know, | 0:40:46 | 0:40:48 | |
smugglers use these sort of things but I think that's a lie as well. | 0:40:48 | 0:40:51 | |
Dick, Dick, Dick used to stay away. | 0:40:54 | 0:40:56 | |
He wasn't hard enough to come down to Canvey Island, mate, | 0:40:56 | 0:40:59 | |
you know, like, Dick Turpin. He was up in, | 0:40:59 | 0:41:01 | |
up in Essex somewhere, you know... | 0:41:01 | 0:41:02 | |
Pip! Pip! Come back, Pip. | 0:41:02 | 0:41:06 | |
HE SCREAMS | 0:41:07 | 0:41:09 | |
Keep still, you little devil, or I'll cut your throat. | 0:41:09 | 0:41:12 | |
And no, Charles Dickens did not base Great Expectations | 0:41:12 | 0:41:16 | |
round Canvey Island. | 0:41:16 | 0:41:17 | |
I think it's over the other side of the river, really. | 0:41:17 | 0:41:20 | |
Kent, Canterbury. | 0:41:21 | 0:41:23 | |
Holy Blissful Martyr. | 0:41:24 | 0:41:26 | |
CHURCH BELLS RING | 0:41:26 | 0:41:29 | |
This used to be cheap, little caravans | 0:41:34 | 0:41:37 | |
and these houses that have sprouted up here | 0:41:37 | 0:41:39 | |
unfortunately obscuring the view of the oil tanks which I love as well. | 0:41:39 | 0:41:44 | |
HE LAUGHS | 0:41:44 | 0:41:46 | |
At night-time, the chimney stacks are all lit up. | 0:42:02 | 0:42:06 | |
You get the flames flickering underneath the clouds. | 0:42:06 | 0:42:08 | |
Very Miltonic. | 0:42:10 | 0:42:12 | |
"Yet from those flames. | 0:42:12 | 0:42:13 | |
2No light, but rather darkness visible: | 0:42:13 | 0:42:15 | |
"Served only to discover sights of woe." | 0:42:15 | 0:42:18 | |
I do like Milton. | 0:42:20 | 0:42:21 | |
I'm very fond of Milton, yeah. I like Paradise Lost. | 0:42:21 | 0:42:25 | |
I'm one of the few people that's read it all. | 0:42:25 | 0:42:28 | |
It takes eight and a half hours, with a break for lunch | 0:42:28 | 0:42:31 | |
-to read Paradise Lost. -HE CHUCKLES | 0:42:31 | 0:42:34 | |
"Of Man's first disobedience and the fruit of that forbidden tree | 0:42:35 | 0:42:40 | |
"whose mortal taste brought death into the world and all our woe. | 0:42:40 | 0:42:45 | |
"With loss of Eden till one greater man restore us | 0:42:46 | 0:42:49 | |
"and regain the blissful seat. | 0:42:49 | 0:42:50 | |
"Sing, heav'nly muse." | 0:42:50 | 0:42:53 | |
It's a great poem. Everyone should read it. | 0:42:55 | 0:42:58 | |
Milton says he is writing to justify the ways of God to men. | 0:43:01 | 0:43:05 | |
Now, if I think there is no God, | 0:43:05 | 0:43:07 | |
there's no need for Milton to justify his ways to me, | 0:43:07 | 0:43:10 | |
but it's just the eloquence with which he does so. | 0:43:10 | 0:43:13 | |
And everybody knows that who is the hero of Paradise Lost? | 0:43:15 | 0:43:18 | |
It's Satan. | 0:43:18 | 0:43:19 | |
And Satan is the one who defies God and will not bow down to God. | 0:43:19 | 0:43:24 | |
He is the hero. | 0:43:24 | 0:43:25 | |
Because I love to read Paradise Lost does not mean that I have to | 0:43:39 | 0:43:44 | |
believe in life after death or Heaven and Hell or anything. | 0:43:44 | 0:43:47 | |
I can experience it in those lines. | 0:43:47 | 0:43:49 | |
The mind is its own place, | 0:43:51 | 0:43:54 | |
and in itself can make a heaven of hell, a hell of heaven. | 0:43:54 | 0:43:59 | |
I had an interest in literature, | 0:44:09 | 0:44:12 | |
you know, doing A Levels at school. | 0:44:12 | 0:44:14 | |
Particularly keen on medieval literature, poetry. | 0:44:14 | 0:44:18 | |
I particularly like Chaucer. | 0:44:18 | 0:44:20 | |
Hello, Geoffrey. | 0:44:20 | 0:44:22 | |
"The well of English undefiled. | 0:44:22 | 0:44:24 | |
"When that Aprill, with his shoures soote | 0:44:24 | 0:44:27 | |
"The droghte of March hath perced to the roote | 0:44:27 | 0:44:29 | |
"And bathed every veyne in swich licour | 0:44:29 | 0:44:32 | |
"Of which vertu engendered is the flour | 0:44:32 | 0:44:35 | |
"So priketh hem Nature in hir corages; | 0:44:35 | 0:44:39 | |
"And then desiren folk to goon on pilgrimages." | 0:44:39 | 0:44:42 | |
Constable painted this castle. | 0:44:52 | 0:44:55 | |
I used to climb up and sit in that window | 0:44:55 | 0:44:58 | |
and just imagine I was a medieval soldier. | 0:44:58 | 0:45:02 | |
You know, with the chainmail and a crossbow or something. | 0:45:02 | 0:45:06 | |
Look, there's a little boy having a piss. | 0:45:18 | 0:45:20 | |
That's fairly medieval, pissing against a wall. | 0:45:20 | 0:45:22 | |
When I went up to university, um, | 0:45:25 | 0:45:27 | |
I started reading more medieval stuff. | 0:45:27 | 0:45:30 | |
But one of these choices was, um, Old Icelandic, | 0:45:30 | 0:45:35 | |
and I thought, "I'm never, ever, ever going to read Old Icelandic | 0:45:35 | 0:45:40 | |
"unless I do it now." | 0:45:40 | 0:45:41 | |
I was the only one, right? | 0:45:42 | 0:45:44 | |
Me and Mr Frankus, used to teach me er, Old Icelandic. | 0:45:44 | 0:45:47 | |
HE SPEAKS OLD ICELANDIC | 0:45:47 | 0:45:53 | |
This is what's known as a Lewis chess set, is it not? | 0:45:58 | 0:46:01 | |
It looks pretty Nordic, doesn't it? | 0:46:01 | 0:46:04 | |
These chaps. | 0:46:04 | 0:46:06 | |
In the sagas, we find this laconic, humorous almost, er, | 0:46:08 | 0:46:12 | |
attitude towards death. | 0:46:12 | 0:46:13 | |
SCREAMING | 0:46:13 | 0:46:15 | |
I was reading Njall's saga just, just last night. | 0:46:18 | 0:46:21 | |
HE SPEAKS IN OLD ICELANDIC | 0:46:21 | 0:46:26 | |
There's a passage in there where the hero is being besieged | 0:46:30 | 0:46:34 | |
in his house and the guy comes up to the window | 0:46:34 | 0:46:37 | |
and the hero shoves his spear through him. | 0:46:37 | 0:46:39 | |
And the guy walks back to his friends and they ask him | 0:46:39 | 0:46:42 | |
if Gunnar is at home. | 0:46:42 | 0:46:44 | |
And he says, "I don't know if he's at home | 0:46:44 | 0:46:46 | |
"but his halberd certainly is," and just falls down dead. | 0:46:46 | 0:46:49 | |
Go with a joke. | 0:46:51 | 0:46:52 | |
Er... I'll... | 0:46:57 | 0:46:59 | |
I'll, I'll do that. | 0:46:59 | 0:47:01 | |
Down at The Railway Hotel in Southend, | 0:47:12 | 0:47:14 | |
when, um, I first got this diagnosis, | 0:47:14 | 0:47:16 | |
everybody was coming up and embracing you. | 0:47:16 | 0:47:19 | |
Makes you into a bit of a star, you know, | 0:47:19 | 0:47:21 | |
"here is the doomed man," you know, walking in and all that. | 0:47:21 | 0:47:24 | |
All right, Wilks? How's it going? | 0:47:24 | 0:47:26 | |
It's just day-by-day really. | 0:47:26 | 0:47:28 | |
It can hit me any moment. | 0:47:28 | 0:47:30 | |
-And apparently when it hits you... -Yeah. -..it hits you quick. | 0:47:30 | 0:47:34 | |
And so it gets to the stage where you start thinking, | 0:47:34 | 0:47:37 | |
"Man, I'm still doing OK." | 0:47:37 | 0:47:39 | |
It's starting to get a bit embarrassing to the extent | 0:47:40 | 0:47:43 | |
where French Henry, he's going to me, | 0:47:43 | 0:47:45 | |
"Man, you're not going to die, you're not going to die." | 0:47:45 | 0:47:48 | |
And I'm going, "Henry, I'm not going to see Christmas." | 0:47:48 | 0:47:50 | |
And I made the most stupid bet in the universe, right? | 0:47:50 | 0:47:54 | |
I bet Henry £100 that I wouldn't see Christmas, | 0:47:54 | 0:47:58 | |
and he bet me £100 that I would. | 0:47:58 | 0:48:01 | |
Now, of course, if I win, I'm dead. | 0:48:01 | 0:48:03 | |
If he wins, he gets £100. | 0:48:03 | 0:48:05 | |
After I'd got the verdict... | 0:48:13 | 0:48:15 | |
..I wrote several songs. | 0:48:17 | 0:48:18 | |
I noticed that a lot of them tended to be about death. | 0:48:22 | 0:48:26 | |
Stuff about clocks and stuff like that, you know. | 0:48:26 | 0:48:29 | |
And I thought, "Well, you've got to watch it, right? | 0:48:29 | 0:48:31 | |
"Cos I don't want this to be progressive music or anything." | 0:48:31 | 0:48:35 | |
I think there are some kind of references | 0:48:35 | 0:48:37 | |
to the inexorability of the Grim Reaper. | 0:48:37 | 0:48:40 | |
You will come with me. | 0:48:42 | 0:48:44 | |
I fell in love with, er, particularly cumulus clouds | 0:49:00 | 0:49:03 | |
because they're just sort of great backgrounds for hallucination. | 0:49:03 | 0:49:07 | |
Just seemed like an obvious thing to do one sunny day, | 0:49:07 | 0:49:10 | |
"Let's go and look at the clouds". | 0:49:10 | 0:49:12 | |
They're good things to look at. | 0:49:13 | 0:49:15 | |
Do you see yonder cloud that's almost in the shape of a camel? | 0:49:15 | 0:49:18 | |
By th' mass, and tis like a camel indeed. | 0:49:20 | 0:49:22 | |
Methinks it's like a weasel. | 0:49:22 | 0:49:25 | |
It is backed like a weasel. | 0:49:25 | 0:49:27 | |
Or like a whale. | 0:49:27 | 0:49:28 | |
It's very like a whale. | 0:49:30 | 0:49:32 | |
Everybody knows you just stare at clouds | 0:49:34 | 0:49:36 | |
and you see the most wonderful pictures. | 0:49:36 | 0:49:38 | |
I love riding in an aeroplane for that reason. | 0:49:40 | 0:49:43 | |
I decided I wanted to be a... | 0:49:49 | 0:49:51 | |
a painter. | 0:49:51 | 0:49:53 | |
Maybe I could convey some of this imagery | 0:49:53 | 0:49:55 | |
that I've never seen anywhere else but... | 0:49:55 | 0:49:58 | |
You do get ecstasies with LSD. | 0:50:02 | 0:50:06 | |
But LSD is a whole... | 0:50:06 | 0:50:08 | |
..different place. | 0:50:11 | 0:50:13 | |
Wow. | 0:50:13 | 0:50:15 | |
MUSIC: Merrily We Roll Along | 0:50:15 | 0:50:20 | |
A lot of it is just visions that arise, you know, | 0:50:35 | 0:50:37 | |
it might be visions of, er... | 0:50:37 | 0:50:39 | |
..Babylon. | 0:50:42 | 0:50:44 | |
The primal swamp, you know. | 0:50:44 | 0:50:47 | |
DOLL SINGS | 0:50:50 | 0:50:54 | |
The road of excess leads to the palace of wisdom. | 0:50:54 | 0:50:57 | |
It makes you see everything in a different kind of way. | 0:51:03 | 0:51:05 | |
I think at one point I probably used to think life was the boring time | 0:51:13 | 0:51:16 | |
you spent in-between LSD trips. | 0:51:16 | 0:51:18 | |
And then you realise it's scrambling you a bit. | 0:51:20 | 0:51:24 | |
And, er, I didn't do it. | 0:51:24 | 0:51:25 | |
You never know what is enough | 0:51:32 | 0:51:35 | |
unless you know what is more than enough. | 0:51:35 | 0:51:38 | |
Good old William Blake. | 0:51:38 | 0:51:39 | |
You were, for a short period of time, a teacher, weren't you? | 0:51:51 | 0:51:53 | |
What were you supposed to be teaching? | 0:51:53 | 0:51:55 | |
Er, I was an English teacher. | 0:51:55 | 0:51:57 | |
I really enjoyed teaching. | 0:51:57 | 0:51:59 | |
I felt a mission to turn people on to literature | 0:51:59 | 0:52:02 | |
and I thought, "They ain't getting past me | 0:52:02 | 0:52:04 | |
"without seeing a bit of Shakespeare". | 0:52:04 | 0:52:06 | |
To be or not to be... | 0:52:09 | 0:52:12 | |
"That is the question. | 0:52:14 | 0:52:15 | |
"Whether tis nobler in the mind to suffer the slings | 0:52:16 | 0:52:19 | |
"and arrows of outrageous fortune | 0:52:19 | 0:52:21 | |
"or to take arms against a sea of troubles | 0:52:21 | 0:52:25 | |
"and by opposing, end them." | 0:52:25 | 0:52:27 | |
Alas, poor Yorick! | 0:52:28 | 0:52:30 | |
I knew him, Horatio. | 0:52:32 | 0:52:34 | |
If you got a bit of enthusiasm and you're willing to show people | 0:52:34 | 0:52:37 | |
what you can find in Shakespeare or literature, | 0:52:37 | 0:52:39 | |
one or two of 'em, at least, you're going to turn on | 0:52:39 | 0:52:42 | |
and you've given them a gift for life. | 0:52:42 | 0:52:44 | |
What do you read, my lord? | 0:52:44 | 0:52:46 | |
Hmm? Er, words. | 0:52:46 | 0:52:47 | |
Words. | 0:52:49 | 0:52:50 | |
Words. | 0:52:53 | 0:52:54 | |
Being in a rock and roll band | 0:52:54 | 0:52:56 | |
and being a teacher, very similar things. | 0:52:56 | 0:53:00 | |
I mean, what are you doing? | 0:53:00 | 0:53:01 | |
You're in a room making a fool of yourself | 0:53:01 | 0:53:04 | |
in front of a load of young people and trying to put something across. | 0:53:04 | 0:53:07 | |
MUSIC: I Can Tell by Dr. Feelgood | 0:53:07 | 0:53:10 | |
# I can tell cos it's plain to see, yeah | 0:53:21 | 0:53:25 | |
# I can tell the way you look at me | 0:53:28 | 0:53:32 | |
# The way that you smile when you hold my hand, yeah... # | 0:53:35 | 0:53:39 | |
You were the leaders in this style of music, weren't you? | 0:53:41 | 0:53:44 | |
-I do believe that's fair to say, yeah. -Yeah. -Canvey Island boys. | 0:53:44 | 0:53:48 | |
# I can tell | 0:53:52 | 0:53:54 | |
# I can tell | 0:53:54 | 0:53:57 | |
# I know you don't love me no more... # | 0:53:57 | 0:53:59 | |
Come on, Wil! | 0:53:59 | 0:54:01 | |
In Dr. Feelgood, he had attitude. | 0:54:06 | 0:54:08 | |
They're gritty as well, there is a bite to them. | 0:54:08 | 0:54:11 | |
MOSQUITO BUZZES | 0:54:11 | 0:54:12 | |
And Wilko was the stand-out to me. | 0:54:12 | 0:54:14 | |
The way he moved. | 0:54:14 | 0:54:15 | |
Whoops. Mosquito up the butt. | 0:54:15 | 0:54:18 | |
We had a sound and it was a sound reminiscent | 0:54:24 | 0:54:27 | |
of Johnny Kidd & The Pirates. | 0:54:27 | 0:54:29 | |
Exactly our influence. | 0:54:30 | 0:54:32 | |
Well, we supported Johnny Kidd & the Pirates on quite a few gigs. | 0:54:33 | 0:54:37 | |
Lee's white suit was actually quite famous. | 0:54:40 | 0:54:43 | |
It had been lived in, that suit. | 0:54:43 | 0:54:46 | |
I always went for a black suit. | 0:54:51 | 0:54:53 | |
This is 15 quid in Asda. | 0:54:53 | 0:54:55 | |
"Tis not alone my inky cloak, good mother." | 0:54:55 | 0:54:57 | |
Great, isn't it? Yeah, look, I bought four of 'em. | 0:55:01 | 0:55:03 | |
I thought, "I can look smart all the time." | 0:55:03 | 0:55:05 | |
Throw it on the ground of an evening and put on a new one the next day. | 0:55:05 | 0:55:10 | |
# Cos I'm a hog for you, baby | 0:55:10 | 0:55:12 | |
# I can't enough of your love | 0:55:12 | 0:55:15 | |
# When I go to sleep at night | 0:55:17 | 0:55:19 | |
# You're the only thing I'm dreaming of... # | 0:55:19 | 0:55:24 | |
Gradually, Lee was building this kind of persona, | 0:55:24 | 0:55:27 | |
then the one I had kind of complimented it. | 0:55:27 | 0:55:29 | |
I was either his lieutenant... | 0:55:29 | 0:55:30 | |
GUNFIRE | 0:55:30 | 0:55:32 | |
..or his berserker. | 0:55:32 | 0:55:33 | |
Berserkers were very valued warriors | 0:55:43 | 0:55:46 | |
and when they went into battle | 0:55:46 | 0:55:48 | |
they became possessed with this fighting rage | 0:55:48 | 0:55:51 | |
and it was impossible to stop them. | 0:55:51 | 0:55:53 | |
You had to kind of cleave their head in two. | 0:55:53 | 0:55:56 | |
When it came to the guitar solo, then I would be the mad axeman. | 0:55:59 | 0:56:03 | |
And that is a berserker. | 0:56:07 | 0:56:09 | |
Tricky to be around. | 0:56:10 | 0:56:12 | |
HE LAUGHS | 0:56:12 | 0:56:14 | |
APPLAUSE AND CHEERING | 0:56:14 | 0:56:17 | |
All this rock and roll business was a complete accident. | 0:56:17 | 0:56:20 | |
I... I never meant to do this. | 0:56:20 | 0:56:24 | |
I thought I was going to be a painter but, um... | 0:56:24 | 0:56:26 | |
..when it came to make your mind up time, | 0:56:27 | 0:56:30 | |
I chose the, er, Cadillac rather than the garret. | 0:56:30 | 0:56:32 | |
CROWD CLAP IN UNISON | 0:56:32 | 0:56:35 | |
What's he doing here? | 0:56:38 | 0:56:40 | |
Sir Ilyn? | 0:56:40 | 0:56:42 | |
He's here to defend us. | 0:56:42 | 0:56:43 | |
When the axes smash down those doors, you may be glad to have him. | 0:56:45 | 0:56:48 | |
My character in Game of Thrones was Ser Ilyn Payne, the executioner. | 0:56:48 | 0:56:54 | |
He's a violent psychopath. | 0:56:54 | 0:56:56 | |
He's, at some point in his career, had his tongue removed, | 0:56:56 | 0:56:59 | |
which, you see, I've never done any acting before and it's... | 0:56:59 | 0:57:03 | |
HE LAUGHS | 0:57:03 | 0:57:04 | |
It's really good to get a part where you don't have to learn any lines. | 0:57:04 | 0:57:07 | |
All you've got to do is give people dirty looks, and I can do that. | 0:57:07 | 0:57:12 | |
"I'm fucking having you." | 0:57:13 | 0:57:15 | |
Just thinking that in your mind and your face'll do the rest. | 0:57:15 | 0:57:20 | |
No, it was a lot of fun. | 0:57:20 | 0:57:21 | |
Unfortunately cancer intervened. | 0:57:21 | 0:57:25 | |
MUSIC: Cross Road Blues by Robert Johnson | 0:57:26 | 0:57:29 | |
You definitely step into a different kind of consciousness. | 0:57:35 | 0:57:38 | |
You look on everything differently so all of my past experience | 0:57:38 | 0:57:41 | |
and things like that, they're all in that other world. | 0:57:41 | 0:57:44 | |
You know, I call it BC. | 0:57:44 | 0:57:46 | |
Before Cancer. | 0:57:47 | 0:57:48 | |
I have found myself becoming more and more isolated. | 0:57:50 | 0:57:54 | |
Um, I'm living in a, in a, in a... | 0:57:54 | 0:57:58 | |
I don't know, a different place than most people. | 0:57:58 | 0:58:01 | |
# Standin' at the crossroads | 0:58:01 | 0:58:03 | |
# I tried to flag a ride | 0:58:05 | 0:58:07 | |
# Didn't nobody seem to know me | 0:58:13 | 0:58:15 | |
# Everybody pass me by... # | 0:58:15 | 0:58:18 | |
I look out on a crowded street and think, | 0:58:20 | 0:58:22 | |
"Look at all these people. They're all subject to mortality." | 0:58:22 | 0:58:26 | |
But I'm not because mine is, er, established and sorted out. | 0:58:30 | 0:58:35 | |
MUSIC: Stranger On The Shore by Acker Bilk | 0:58:35 | 0:58:39 | |
I've stopped reading newspapers. | 0:58:51 | 0:58:53 | |
I don't look at the news on the television. | 0:58:53 | 0:58:55 | |
I'm completely shut off from the ways of the world. | 0:58:55 | 0:58:58 | |
The feeling that I have no future | 0:59:01 | 0:59:04 | |
means that whatever's happening in the world, | 0:59:04 | 0:59:06 | |
you don't get to see what's going to happen. | 0:59:06 | 0:59:09 | |
So I won't concern myself with it. | 0:59:10 | 0:59:12 | |
It's a kind of limbo. | 0:59:16 | 0:59:18 | |
"Tis a strange place, this Limbo! | 0:59:31 | 0:59:35 | |
"Not a Place, yet name it so; | 0:59:38 | 0:59:41 | |
"Lank Space, and scytheless Time with branny hands | 0:59:50 | 0:59:57 | |
"Barren and soundless as the measuring sands | 0:59:57 | 1:00:01 | |
" 'Not mark'd by flit of shades, unmeaning they...' | 1:00:04 | 1:00:07 | |
" '..as moonlight on the dial of the day.' " | 1:00:10 | 1:00:13 | |
It is as though there's this kind of barrier. | 1:00:24 | 1:00:27 | |
It can mean being very, very lonely... | 1:00:27 | 1:00:30 | |
..in a way that I've never known before. | 1:00:34 | 1:00:36 | |
This feeling of isolation can, you know, if you're a bit tired | 1:00:38 | 1:00:42 | |
or a bit down, it can turn into the most terrible loneliness | 1:00:42 | 1:00:46 | |
which you know nobody can save you from. | 1:00:46 | 1:00:49 | |
Who are you going to run to? | 1:00:49 | 1:00:51 | |
You can't run to your friends and go, "I'm lonely, I'm lonely". | 1:00:51 | 1:00:55 | |
"Of course you're lonely, cos you're on your own." | 1:00:55 | 1:00:59 | |
But you just have to go through these things. | 1:00:59 | 1:01:01 | |
The same as you might enjoy the ecstasy of existence, | 1:01:01 | 1:01:04 | |
you've also got to enjoy the, the kind of misery | 1:01:04 | 1:01:07 | |
of the reverse side of the coin. | 1:01:07 | 1:01:11 | |
BLUES GUITAR NOODLING | 1:01:11 | 1:01:12 | |
If you're not afraid of dying, there is nothing you cannot achieve. | 1:01:19 | 1:01:24 | |
It's always bothered me that our generation have, er, | 1:01:27 | 1:01:31 | |
kind of lived a life of denial about death. | 1:01:31 | 1:01:34 | |
You know, we worry far too much about it, you know. | 1:01:34 | 1:01:36 | |
It's something that should be embraced. | 1:01:36 | 1:01:39 | |
# Mmm... | 1:01:39 | 1:01:40 | |
# Ah... # | 1:01:40 | 1:01:42 | |
Death is something that everybody, every single person, | 1:01:42 | 1:01:44 | |
has to face up to, and it's not just you've got to face up to it | 1:01:44 | 1:01:48 | |
at the end, it's with you all your life. | 1:01:48 | 1:01:52 | |
"Who would lose, though full of pain, this intellectual being?" | 1:01:52 | 1:01:56 | |
We've all got to face that. | 1:01:57 | 1:01:59 | |
# Ah... | 1:01:59 | 1:02:01 | |
# Ah, oh-oh... | 1:02:03 | 1:02:07 | |
# Oh-oh... # | 1:02:07 | 1:02:08 | |
I know the hardest thing is for my friends | 1:02:08 | 1:02:10 | |
and my family and that who are losing, | 1:02:10 | 1:02:13 | |
because I experienced this ten years ago | 1:02:13 | 1:02:17 | |
when my wife Irene died from cancer. | 1:02:17 | 1:02:20 | |
# It was a teenage wedding | 1:02:20 | 1:02:22 | |
# And the old folks wished them well. # | 1:02:22 | 1:02:24 | |
We'd been together for 40 years. | 1:02:26 | 1:02:28 | |
You know, I'm still in love with her | 1:02:28 | 1:02:30 | |
and still miss her tremendously. | 1:02:30 | 1:02:33 | |
And that was probably the hardest thing I've had to | 1:02:35 | 1:02:37 | |
accept in my whole life was that she's gone. | 1:02:37 | 1:02:39 | |
I know what it's like to sit there helpless... | 1:02:43 | 1:02:45 | |
while somebody you love is just taken away from you | 1:02:47 | 1:02:51 | |
by this horrible spectre. | 1:02:51 | 1:02:53 | |
A dreadful feeling. | 1:02:55 | 1:02:57 | |
LOUD DOOR SLAM | 1:02:58 | 1:02:59 | |
"The mystery of love is greater than the mystery of death." | 1:03:01 | 1:03:05 | |
# Goodnight, Irene | 1:03:06 | 1:03:09 | |
# Goodnight, Irene | 1:03:09 | 1:03:11 | |
# I'll kiss you in my dreams. # | 1:03:11 | 1:03:15 | |
I'm still prone to burst into tears thinking about her, | 1:03:18 | 1:03:21 | |
but I've never come anywhere near that thinking about myself. | 1:03:21 | 1:03:25 | |
# Irene, goodnight | 1:03:25 | 1:03:29 | |
# Irene, goodnight | 1:03:29 | 1:03:33 | |
# Goodnight, Irene | 1:03:34 | 1:03:37 | |
# Goodnight, Irene | 1:03:37 | 1:03:39 | |
# I'll kiss you in my dreams. # | 1:03:39 | 1:03:42 | |
It honestly doesn't seem to me to be tragic or sad or anything | 1:03:46 | 1:03:51 | |
that I'm going to die, | 1:03:51 | 1:03:53 | |
but I know what it's like for my people around me. | 1:03:53 | 1:03:57 | |
LOUD BANG | 1:03:59 | 1:04:00 | |
They can't make jokes about it. | 1:04:00 | 1:04:01 | |
-HE CHUCKLES -It would be in very poor taste! But I can. | 1:04:01 | 1:04:05 | |
HE CHUCKLES | 1:04:05 | 1:04:07 | |
SOMBRE ORCHESTRAL MELODY | 1:04:08 | 1:04:11 | |
The ten months have gone by. I'm still on my feet. | 1:04:39 | 1:04:44 | |
But the tumour continues to grow. | 1:04:47 | 1:04:50 | |
When the disease will kick in and do its stuff, I don't know. | 1:05:06 | 1:05:09 | |
They told me I would be dead by now. | 1:05:10 | 1:05:12 | |
The first thing I did after October when they told me I would die | 1:05:21 | 1:05:26 | |
was to make this album with Roger Daltrey. | 1:05:26 | 1:05:30 | |
BLUESY ROCK MUSIC | 1:05:30 | 1:05:31 | |
This idea of doing an album together, | 1:05:37 | 1:05:39 | |
it came up a couple of years ago and nothing ever came of it. | 1:05:39 | 1:05:42 | |
Then when Roger heard that I'd got cancer, | 1:05:42 | 1:05:44 | |
he come back and said, "Well, you know, we'll do that album". | 1:05:44 | 1:05:47 | |
I'll sing any song he wants me to sing. | 1:05:47 | 1:05:50 | |
Let's just make a record, let's make the record for fun. | 1:05:50 | 1:05:52 | |
So I said, I said, "Yeah, yeah, but we'd better do it quick". | 1:05:52 | 1:05:56 | |
Which we did. | 1:05:56 | 1:05:58 | |
Eight days. | 1:05:58 | 1:05:59 | |
BLUESY ROCK GUITAR | 1:05:59 | 1:06:00 | |
-DALTREY: -By this time, it is starting to affect him. | 1:06:03 | 1:06:06 | |
He had wobbly days. | 1:06:06 | 1:06:08 | |
He used to feel sick a lot and it was pushing in, | 1:06:08 | 1:06:10 | |
into other organs in his body. | 1:06:10 | 1:06:13 | |
We're thinking we're making an album with a man who's going to be | 1:06:13 | 1:06:16 | |
dead in, maybe next week. We might not | 1:06:16 | 1:06:18 | |
even get this thing finished. | 1:06:18 | 1:06:20 | |
No expectations of this record whatsoever. | 1:06:22 | 1:06:24 | |
Didn't even have a record deal. | 1:06:24 | 1:06:26 | |
And it's turned out to be very successful. | 1:06:29 | 1:06:31 | |
That's great! You know, I'm going to, I'm going to die. | 1:06:31 | 1:06:35 | |
# I want to live | 1:06:35 | 1:06:37 | |
# The way I like | 1:06:38 | 1:06:40 | |
# Sleep all the morning | 1:06:41 | 1:06:43 | |
# Go and get my fun at night | 1:06:43 | 1:06:46 | |
# Yeah, things ain't like that here | 1:06:46 | 1:06:49 | |
# Working just to keep my payments clear | 1:06:49 | 1:06:53 | |
# I bought a brand-new motor | 1:06:59 | 1:07:01 | |
# And I'm waiting on a loan | 1:07:01 | 1:07:02 | |
# So I can fill her up and start her | 1:07:04 | 1:07:07 | |
# And I'm going back home. # | 1:07:07 | 1:07:10 | |
TYRES SCREECH | 1:07:10 | 1:07:11 | |
When I listen to the album now, there is so much life. | 1:07:12 | 1:07:15 | |
There's so much energy in it. It made me want to go, "Yeah! | 1:07:15 | 1:07:19 | |
-"Yeah! Fuck it!" -HE CHUCKLES | 1:07:19 | 1:07:23 | |
This is what music SHOULD be about. | 1:07:23 | 1:07:24 | |
Who would have thought that I would have an album | 1:07:38 | 1:07:40 | |
in the charts at the end of that year? | 1:07:40 | 1:07:42 | |
But there it was. | 1:07:42 | 1:07:44 | |
Roger Wilko and out. | 1:07:44 | 1:07:45 | |
It's good that we could think of those things | 1:07:45 | 1:07:48 | |
with his condition. | 1:07:48 | 1:07:50 | |
Even though we could see this tumour was now sticking out... | 1:07:50 | 1:07:53 | |
He looked pregnant. | 1:07:53 | 1:07:55 | |
He had names for it. I gave it a name. | 1:07:55 | 1:07:57 | |
-Henry. -HE LAUGHS | 1:07:57 | 1:07:59 | |
I tried to get it to sing. | 1:08:00 | 1:08:02 | |
CROWD LAUGHS | 1:08:03 | 1:08:05 | |
'Couldn't get a word out of it.' | 1:08:05 | 1:08:07 | |
First of all it wasn't that obvious but now, now it's grown quite big. | 1:08:07 | 1:08:11 | |
It's now quite huge, to the extent that my guitar actually rocks on it. | 1:08:11 | 1:08:18 | |
If I'd lie on my back, in bed, it would be sticking up. | 1:08:18 | 1:08:22 | |
Beating - boom, boom, boom. | 1:08:22 | 1:08:23 | |
And you think, "Oh, man, it's an alien job!" | 1:08:23 | 1:08:26 | |
WEIRD MUSIC | 1:08:26 | 1:08:28 | |
"Is it going to come bursting out one night and strangle me?" | 1:08:28 | 1:08:32 | |
It's just as well to laugh at it, really. | 1:08:32 | 1:08:35 | |
It's important. | 1:08:35 | 1:08:37 | |
A sense of TUMOUR. | 1:08:37 | 1:08:38 | |
This year's GQ Man of the Year award goes to... | 1:08:41 | 1:08:45 | |
Ladies and gentlemen, Sir Elton John. | 1:08:45 | 1:08:48 | |
CHEERING AND APPLAUSE | 1:08:48 | 1:08:52 | |
Wilko Johnson is a hero of mine. | 1:08:56 | 1:08:59 | |
I remember seeing Dr Feelgood so many times. | 1:08:59 | 1:09:03 | |
But for this man to take time out... | 1:09:03 | 1:09:06 | |
and we all know his personal story at the moment, | 1:09:06 | 1:09:09 | |
and the beauty of what he's going through and telling that he's | 1:09:09 | 1:09:12 | |
too busy living life to think about fucking dying. | 1:09:12 | 1:09:14 | |
If I could give you this award, I will. You can have that. | 1:09:14 | 1:09:19 | |
CHEERING AND APPLAUSE | 1:09:19 | 1:09:20 | |
You're the fucking genius here. | 1:09:22 | 1:09:24 | |
I'm not bothered about | 1:09:28 | 1:09:30 | |
entering any hall of fame or anything like that. | 1:09:30 | 1:09:32 | |
I mean, I've had my fun and that's that. | 1:09:32 | 1:09:34 | |
I think rock'n'roll is a thing that is of the moment. | 1:09:34 | 1:09:38 | |
You know, it's not something to try and set in stone. | 1:09:38 | 1:09:41 | |
When I'm gone, I'm gone. | 1:09:41 | 1:09:42 | |
I mean, what's it going to matter to me? | 1:09:42 | 1:09:45 | |
One of the things that's made this so tolerable, if you like, | 1:09:48 | 1:09:51 | |
is I think I have just been so lucky. | 1:09:51 | 1:09:54 | |
I've had a splendid life and to demand more seems greedy, in a way. | 1:09:54 | 1:09:58 | |
I can't imagine it being...better. | 1:09:59 | 1:10:02 | |
People I've loved and things I've loved. | 1:10:02 | 1:10:06 | |
WHISTLING | 1:10:06 | 1:10:09 | |
# Dreamin' thing in my heart. # | 1:10:10 | 1:10:14 | |
I always used to have this thing, you know, | 1:10:16 | 1:10:19 | |
in my life from when I was younger, | 1:10:19 | 1:10:20 | |
that I thought one day, when I got old, that I would be wise. | 1:10:20 | 1:10:24 | |
-HE CHUCKLES -I don't know what I imagined this as | 1:10:24 | 1:10:27 | |
but, anyway, I've got old | 1:10:27 | 1:10:29 | |
and I'm afraid I'm still not very wise, but I think | 1:10:29 | 1:10:32 | |
a little bit wiser than I was. | 1:10:32 | 1:10:34 | |
I imagined this kind of venerable figure by a mullioned window | 1:10:34 | 1:10:37 | |
with sunbeams slanting through it and the young folks will come | 1:10:37 | 1:10:41 | |
to me and I would say... | 1:10:41 | 1:10:44 | |
I would say incredibly wise things to them | 1:10:44 | 1:10:46 | |
and they'll think, "What a wise guy." | 1:10:46 | 1:10:48 | |
Time's nearly up. | 1:10:54 | 1:10:56 | |
AMPLIFIED TICKING | 1:10:56 | 1:10:59 | |
FLAMES ROAR | 1:10:59 | 1:11:01 | |
SINISTER LAUGHTER ECHOES | 1:11:10 | 1:11:12 | |
Maybe I would've liked to have | 1:11:26 | 1:11:28 | |
spent my life in the groves of academe and been studying books. | 1:11:28 | 1:11:33 | |
You just get one shot. | 1:11:33 | 1:11:35 | |
My one's worked out OK. Mm. | 1:11:36 | 1:11:40 | |
I've often seen the humorous side of all this. | 1:11:42 | 1:11:44 | |
I'm not trying to make some big tragedy of it. | 1:11:44 | 1:11:47 | |
You know, "I'm going to die". So are we all. | 1:11:47 | 1:11:49 | |
DISTORTED: Check...mate. | 1:11:54 | 1:11:58 | |
The cosmic joke is, in fact, very, very funny. | 1:12:02 | 1:12:06 | |
HE CHUCKLES | 1:12:06 | 1:12:08 | |
After all this time of believing that I was doomed... | 1:12:28 | 1:12:32 | |
..the last couple of weeks, doctors have determined that they can | 1:12:35 | 1:12:40 | |
in fact operate on this thing here. | 1:12:40 | 1:12:45 | |
And, er, on, on Wednesday, that's two days' time, they're, | 1:12:45 | 1:12:50 | |
they're going to, er, remove it. | 1:12:50 | 1:12:53 | |
Along with half of my viscera. | 1:12:53 | 1:12:56 | |
THUNDERCLAP | 1:12:56 | 1:12:57 | |
If they can succeed in doing this, suddenly I have got a future. | 1:12:59 | 1:13:03 | |
It came out of the blue, this new twist. | 1:13:04 | 1:13:06 | |
This guy Charlie Chan popped up, who's a photographer/cancer doctor. | 1:13:09 | 1:13:15 | |
Man has learned much who has learned how to die. | 1:13:15 | 1:13:19 | |
When I saw him in October at KOKO, | 1:13:27 | 1:13:29 | |
and I photographed him and I thought, "You look really good," | 1:13:29 | 1:13:32 | |
and I thought, "This can't be what they say it is." | 1:13:32 | 1:13:35 | |
I was very mindful of the fact that he'd been very | 1:13:38 | 1:13:41 | |
accepting of what was going on. | 1:13:41 | 1:13:43 | |
And trying to challenge that was going to be quite difficult | 1:13:43 | 1:13:46 | |
because it was going to require a very sort of significant | 1:13:46 | 1:13:50 | |
psychological turnaround. | 1:13:50 | 1:13:52 | |
He was saying, if I had the normal pancreatic cancer | 1:13:55 | 1:13:58 | |
I should have been dead. | 1:13:58 | 1:14:00 | |
I shouldn't have been prancing around on stage. | 1:14:00 | 1:14:02 | |
I went through his medical records, examined him at home | 1:14:07 | 1:14:10 | |
and I said, "Well, look, you don't have to go and do something. | 1:14:10 | 1:14:13 | |
"Sleep on it and let me, you know, let me know what you want." | 1:14:13 | 1:14:17 | |
I arranged for Wilko to meet my friend | 1:14:17 | 1:14:19 | |
and colleague, Emmanuel Huguet, and his team at Addenbrooke's Hospital. | 1:14:19 | 1:14:23 | |
They ran all the tests on me again and thought, | 1:14:26 | 1:14:28 | |
"Hang on, maybe something can be done." | 1:14:28 | 1:14:31 | |
After 18 months of believing my life was at an end, | 1:14:34 | 1:14:38 | |
believing my death was inevitable, | 1:14:38 | 1:14:41 | |
to suddenly be told that, "Maybe you're not going to die just yet." | 1:14:41 | 1:14:45 | |
And at the moment I just can't grasp it. It just seems too good... | 1:14:45 | 1:14:50 | |
I mean, I thought I was ending, you know... | 1:14:50 | 1:14:52 | |
I'd done the album with Roger Daltrey. | 1:14:52 | 1:14:56 | |
It's been far more successful than anybody expected. | 1:14:56 | 1:14:59 | |
And thinking, "Wow, what a way to go out." | 1:14:59 | 1:15:02 | |
You know, go out with a bang, and I'm thinking... | 1:15:02 | 1:15:04 | |
-HE CHUCKLES -..maybe I'm NOT going out. | 1:15:04 | 1:15:07 | |
What's to come is still unsure. | 1:15:07 | 1:15:09 | |
Things are going to come to a head in a couple of days' time | 1:15:09 | 1:15:12 | |
and I'm going to get an injection and...and enter oblivion. | 1:15:12 | 1:15:17 | |
And if I come out the other side and... | 1:15:17 | 1:15:21 | |
I've got to start rethinking things, you know. | 1:15:21 | 1:15:24 | |
Yea, though I walk through the Valley of the Shadow of Death | 1:15:32 | 1:15:36 | |
yet shall I fear no evil. | 1:15:36 | 1:15:37 | |
An operation on something that size has never been tried before, | 1:15:41 | 1:15:45 | |
and the kind of word I got back there was a 15% | 1:15:45 | 1:15:48 | |
chance of surviving it. | 1:15:48 | 1:15:49 | |
Either they'll kill me or cure me. | 1:15:51 | 1:15:53 | |
If I don't wake up, it's a good way to go. | 1:15:53 | 1:15:56 | |
An atropine injection, sister? | 1:15:56 | 1:15:58 | |
Yes, 100. | 1:15:58 | 1:15:59 | |
Hello, Squadron Leader. | 1:16:03 | 1:16:04 | |
We're all ready for you. | 1:16:04 | 1:16:07 | |
I got this, er... | 1:16:17 | 1:16:18 | |
They opened me right up. | 1:16:22 | 1:16:23 | |
HE CHUCKLES | 1:16:23 | 1:16:25 | |
I certainly don't miss it. | 1:16:28 | 1:16:30 | |
-HE CHUCKLES -It's gone. | 1:16:30 | 1:16:32 | |
Today is actually my birthday. | 1:16:46 | 1:16:48 | |
It's... It's the birthday I never thought I was going to have. | 1:16:48 | 1:16:53 | |
Um, and actually I am still feeling quite frail. | 1:16:54 | 1:16:58 | |
I'm recovering from the life-saving operation that was given to me | 1:16:58 | 1:17:03 | |
at Addenbrooke's Hospital. | 1:17:03 | 1:17:05 | |
They removed a 3kg tumour from my...from my stomach. | 1:17:06 | 1:17:13 | |
So I no longer have this cancer. | 1:17:15 | 1:17:17 | |
Apparently the normal pancreatic tumour, they cannot operate on | 1:17:19 | 1:17:21 | |
because if they operate on it, it just comes back. | 1:17:21 | 1:17:24 | |
This one, er...they, they thought they could do it and they did it. | 1:17:24 | 1:17:29 | |
It was a large tumour. | 1:17:33 | 1:17:35 | |
Literally the size of a watermelon. | 1:17:35 | 1:17:38 | |
Um, and by virtue of that size, | 1:17:38 | 1:17:40 | |
it had got itself stuck to a number of other organs. | 1:17:40 | 1:17:42 | |
The dangerous part of it, it had grown round the aorta - | 1:17:42 | 1:17:46 | |
the main artery from the heart. | 1:17:46 | 1:17:48 | |
So that was a percentage of chance of surviving it... | 1:17:48 | 1:17:52 | |
But, of course, typical Wilko again, | 1:17:52 | 1:17:55 | |
"All right. Let's have a go." | 1:17:55 | 1:17:57 | |
He had nothing to lose. | 1:17:57 | 1:17:58 | |
It was quite a lengthy operation. It took nine hours or so. | 1:17:58 | 1:18:02 | |
Potentially hazardous. | 1:18:02 | 1:18:04 | |
The first few hours were spent in extensive | 1:18:07 | 1:18:10 | |
dissection of most of the abdominal organs | 1:18:10 | 1:18:12 | |
and about halfway through the day we committed ourselves | 1:18:12 | 1:18:16 | |
and started doing irreversible things. | 1:18:16 | 1:18:18 | |
The next few hours were spent dissecting the tumour away, | 1:18:20 | 1:18:24 | |
also removal of the entire pancreas, um, the spleen, | 1:18:24 | 1:18:29 | |
er, parts of the stomach, part of the small intestine, | 1:18:29 | 1:18:31 | |
part of the large intestine. | 1:18:31 | 1:18:33 | |
And when it came to the aorta, | 1:18:33 | 1:18:35 | |
apparently it peeled away like an orange. | 1:18:35 | 1:18:37 | |
Just like an orange skin. | 1:18:37 | 1:18:39 | |
So that was the bit of luck. | 1:18:39 | 1:18:41 | |
Eventually the tumour came out at about 4.30 in the afternoon | 1:18:41 | 1:18:46 | |
and then the reconstruction took us to about 7.30 in the evening | 1:18:46 | 1:18:49 | |
when we finally finished. | 1:18:49 | 1:18:51 | |
We really do take these patients to the very limits of what | 1:18:51 | 1:18:55 | |
human beings can endure, | 1:18:55 | 1:18:57 | |
and I have to say Wilko dealt with it with great dignity and courage. | 1:18:57 | 1:19:01 | |
Congratulations. | 1:19:01 | 1:19:02 | |
An interesting case. | 1:19:02 | 1:19:03 | |
How long this tumour would've carried on before it killed me, | 1:19:03 | 1:19:06 | |
I don't know. | 1:19:06 | 1:19:08 | |
But it would've got me in the end. | 1:19:08 | 1:19:10 | |
Thank you, Charlie Chan. | 1:19:10 | 1:19:11 | |
In fact, it looked like I was going to make a very swift recovery. | 1:19:19 | 1:19:24 | |
I was in for about four weeks getting my guts to work again | 1:19:24 | 1:19:28 | |
and I'm now diabetic. | 1:19:28 | 1:19:30 | |
I was home for a few days and then the first infection hit me. | 1:19:30 | 1:19:34 | |
And I...I was shaking, | 1:19:34 | 1:19:37 | |
I was just shaking uncontrollably. | 1:19:37 | 1:19:38 | |
Like, it was frightening, you know. | 1:19:38 | 1:19:40 | |
Oooh! And, er, boom - went back to hospital. | 1:19:40 | 1:19:45 | |
I had an infection in my chest and on my liver. | 1:19:46 | 1:19:49 | |
And I was lying on that bed for weeks in hospital with all | 1:19:54 | 1:19:58 | |
tubes coming out of me and stuff like that. | 1:19:58 | 1:20:01 | |
And that was... God, it was terrible. | 1:20:01 | 1:20:04 | |
I would just be lying there in some kind of trance, really, | 1:20:05 | 1:20:08 | |
and time kind of stops. | 1:20:08 | 1:20:11 | |
MUSIC SLOWS DOWN | 1:20:11 | 1:20:14 | |
I was groggy a lot of the time, as well. | 1:20:18 | 1:20:21 | |
-Morphine, yes. -HE CHUCKLES | 1:20:21 | 1:20:24 | |
# We have all the time in the world... # | 1:20:24 | 1:20:31 | |
I was a bit disappointed with the morphine, actually. | 1:20:31 | 1:20:34 | |
Don't go rushing out for it, folks. | 1:20:34 | 1:20:36 | |
At one point, I was really wimping out. | 1:20:39 | 1:20:41 | |
I was saying I wanted to go home. | 1:20:41 | 1:20:43 | |
You know, I didn't like lying there and all that. | 1:20:43 | 1:20:46 | |
And then I suddenly realised there's all these people, the surgeons | 1:20:46 | 1:20:50 | |
and pathologists and...and nurses. | 1:20:50 | 1:20:53 | |
You know, the girl bringing around the dinner. | 1:20:53 | 1:20:56 | |
All of these people working so hard to, to put you right, | 1:20:56 | 1:21:02 | |
you know, and I'm thinking, there's me | 1:21:02 | 1:21:05 | |
sitting in the middle of it, whining like a kid, "I want to go home." | 1:21:05 | 1:21:08 | |
You know, so I...I changed my tune about that | 1:21:08 | 1:21:12 | |
and decided to tolerate it. | 1:21:12 | 1:21:14 | |
But it took some tolerating. | 1:21:14 | 1:21:17 | |
They're coming round every sort of hour or so | 1:21:19 | 1:21:21 | |
taking your blood pressure | 1:21:21 | 1:21:23 | |
and pricking your finger and taking your blood sugar count. | 1:21:23 | 1:21:27 | |
And I looked forward to that. | 1:21:27 | 1:21:28 | |
You know, you're kinda holding your arm out and, er... | 1:21:28 | 1:21:31 | |
it was kind of human contact. | 1:21:31 | 1:21:33 | |
Save the NHS. It saved ME. | 1:21:37 | 1:21:40 | |
# Nothing more, nothing less | 1:21:40 | 1:21:44 | |
# Only love. # | 1:21:46 | 1:21:48 | |
I'm still very weak and not well. | 1:21:50 | 1:21:53 | |
Still going to be some months before I can leap about and say, | 1:21:53 | 1:21:57 | |
"Whoopee! I'm-I'm going to carry on." | 1:21:57 | 1:22:00 | |
The one thing that does worry me is, | 1:22:00 | 1:22:02 | |
if I can't get my strength back, which means that physically | 1:22:02 | 1:22:05 | |
I can't perform, and I don't like that idea. | 1:22:05 | 1:22:08 | |
I hope that doesn't happen. | 1:22:08 | 1:22:10 | |
I hope I can do it again. | 1:22:10 | 1:22:11 | |
And now it looks like I'm going to live, I just hope | 1:22:14 | 1:22:19 | |
I can carry some of these lessons I've learned along with me. | 1:22:19 | 1:22:23 | |
I just hope that I can have some gratitude | 1:22:23 | 1:22:26 | |
and I can have a little less selfishness | 1:22:26 | 1:22:28 | |
and bothering about stupid things that don't matter. | 1:22:28 | 1:22:30 | |
And I hope I'm properly worthy of having been given this. | 1:22:30 | 1:22:34 | |
# Happy Jack wasn't old but he was a man | 1:22:36 | 1:22:40 | |
# But they couldn't stop Jack or the waters lapping | 1:22:43 | 1:22:46 | |
# Lap, lap, lap, lap. # | 1:22:46 | 1:22:47 | |
Look at this, Canvey Island. I like it. | 1:22:50 | 1:22:54 | |
Look, there's a ship going. Look at that ship. | 1:22:54 | 1:22:56 | |
# Louie, Louie, oh, baby...# | 1:23:05 | 1:23:08 | |
Oh, wow, I'm getting one of those. | 1:23:08 | 1:23:11 | |
Feeling that kind of ecstasy. | 1:23:11 | 1:23:13 | |
Sometimes you get buzzes like that, you think, "Bloody hell, man, | 1:23:13 | 1:23:17 | |
"I could be...I'm supposed to be dead." | 1:23:17 | 1:23:19 | |
And here we are watching the tide come in. | 1:23:22 | 1:23:25 | |
# I wonder when I'm gonna make it home. # | 1:23:25 | 1:23:29 | |
It's so hard for me to actually... | 1:23:30 | 1:23:33 | |
..describe how I feel. | 1:23:36 | 1:23:39 | |
Christ, I was going to die. | 1:23:40 | 1:23:43 | |
It happens in an instant, right? It goes bang. | 1:23:49 | 1:23:52 | |
It goes, "You've got cancer." | 1:23:52 | 1:23:53 | |
Bang, your life changes, like that, with those three words. | 1:23:53 | 1:23:56 | |
But there's not another three words on the other side. | 1:23:58 | 1:24:01 | |
So you don't suddenly feel, | 1:24:01 | 1:24:03 | |
"Great, I'm back in the land of the living," you know. | 1:24:03 | 1:24:07 | |
You... You... And then you sort of go home and grad... | 1:24:07 | 1:24:11 | |
gradually get better. | 1:24:11 | 1:24:12 | |
And I'm still gradually getting better and better and better. | 1:24:12 | 1:24:15 | |
But there's no sudden - boom! - like that, | 1:24:15 | 1:24:17 | |
like there was when they told me I was going to die. | 1:24:17 | 1:24:20 | |
I'm slowly, slowly coming back to everyday life. | 1:24:26 | 1:24:30 | |
Yes, it's like parachuting back down into the real world. | 1:24:30 | 1:24:34 | |
I'm still not quite down to earth yet. | 1:24:41 | 1:24:44 | |
I'm finding it quite difficult to get my head round it, actually. | 1:24:45 | 1:24:49 | |
And I'm still in this limbo. | 1:24:49 | 1:24:51 | |
It's kind of hard for me to get used to the idea | 1:24:51 | 1:24:55 | |
that my death is not imminent. | 1:24:55 | 1:24:57 | |
TYRES SCREECH | 1:24:57 | 1:24:58 | |
I might step under a bus tomorrow, mightn't I? | 1:24:58 | 1:25:00 | |
I mean, we don't know. | 1:25:00 | 1:25:02 | |
Er, I'll get used to it. | 1:25:02 | 1:25:04 | |
I still don't read the newspapers, | 1:25:07 | 1:25:09 | |
cos I don't want 'em to bring me down. | 1:25:09 | 1:25:11 | |
# Don't bring me down Don't bring me down... # | 1:25:11 | 1:25:16 | |
I'm not sort of happy-clappy or anything, | 1:25:16 | 1:25:19 | |
but I think I'm more tolerant now and I think that's stayed with me. | 1:25:19 | 1:25:23 | |
I was...quite a twat, actually. | 1:25:24 | 1:25:27 | |
What's come back is my misery. | 1:25:33 | 1:25:36 | |
-HE CHUCKLES -I mean, I'm spending a lot of time | 1:25:41 | 1:25:44 | |
sitting around moping about nothing at all. | 1:25:44 | 1:25:46 | |
You think, "Man, you must be cracked - | 1:25:46 | 1:25:48 | |
"you've been given your life again." | 1:25:48 | 1:25:50 | |
You know, you shouldn't even be... | 1:25:50 | 1:25:52 | |
and yet I can contrive to feel miserable. | 1:25:52 | 1:25:54 | |
What I'm about to do now is just see if | 1:26:00 | 1:26:02 | |
I can remember how to play this thing | 1:26:02 | 1:26:04 | |
cos it's actually the first time I've touched my guitar | 1:26:04 | 1:26:10 | |
since I went into hospital for the operation. | 1:26:10 | 1:26:15 | |
Shall I see if I can do it? | 1:26:15 | 1:26:17 | |
I'll see if I can do it. | 1:26:17 | 1:26:18 | |
JAGGED RIFF | 1:26:18 | 1:26:21 | |
Which is far and away the longest I've ever gone without playing. | 1:26:31 | 1:26:36 | |
Sometimes I was a... a bit frightened I'd lost my mojo. | 1:26:36 | 1:26:42 | |
HE FINISHES PLAYING | 1:26:42 | 1:26:44 | |
And my hands are freezing. | 1:26:51 | 1:26:52 | |
I still feel very, er... | 1:27:01 | 1:27:03 | |
..isolated | 1:27:05 | 1:27:07 | |
But, you know, let's hope I get better and better, | 1:27:07 | 1:27:09 | |
and I can start playing and that. It's all going to go away | 1:27:09 | 1:27:12 | |
-and I'll be laughing. -HE CHUCKLES | 1:27:12 | 1:27:15 | |
WIND WHISTLES | 1:27:15 | 1:27:17 | |
CAR HORN BLARES | 1:27:19 | 1:27:22 | |
Tomorrow night I'm going to get up and have a twang with Norman. | 1:27:22 | 1:27:25 | |
If I can get up and do a couple of numbers | 1:27:25 | 1:27:27 | |
without keeling over, I'll know I'm on my way. | 1:27:27 | 1:27:29 | |
And when you actually walk on stage and you start to perform, | 1:27:31 | 1:27:35 | |
that's it, that's the universe. | 1:27:35 | 1:27:37 | |
You're just reduced down to that moment. | 1:27:37 | 1:27:39 | |
OK, listen. Er... | 1:27:41 | 1:27:43 | |
Boy, have we got a surprise tonight! | 1:27:43 | 1:27:46 | |
WHISTLING AND CHEERING | 1:27:46 | 1:27:47 | |
How's it feel? | 1:27:47 | 1:27:49 | |
Ave Maria. We're going in, yeah. | 1:27:49 | 1:27:52 | |
Look here, one of my dearest and favourite guys of all time. | 1:27:52 | 1:27:56 | |
The wonderful, the marvellous, the ma... | 1:27:56 | 1:28:00 | |
magical Wilko Johnson's here tonight. | 1:28:00 | 1:28:02 | |
Unbelievable. | 1:28:02 | 1:28:04 | |
CHEERING | 1:28:04 | 1:28:05 | |
'I wasn't supposed to be here at all,' | 1:28:05 | 1:28:07 | |
-so it's all, it's all a bonus. -HE CHUCKLES | 1:28:07 | 1:28:10 | |
# Well, if there's something that I like | 1:28:17 | 1:28:21 | |
# It's the way that woman walks | 1:28:21 | 1:28:23 | |
# And if there's something I like better | 1:28:23 | 1:28:26 | |
# It's the way she baby talks | 1:28:26 | 1:28:29 | |
# She does it right | 1:28:29 | 1:28:31 | |
# She does it right | 1:28:32 | 1:28:34 | |
# She works hard every night She makes me feel all right | 1:28:35 | 1:28:39 | |
# Tells me not to worry | 1:28:39 | 1:28:40 | |
# Ain't a single trouble in sight... # | 1:28:40 | 1:28:42 | |
CHEERING AND APPLAUSE | 1:28:48 | 1:28:50 | |
'I'm a performer, really.' | 1:29:02 | 1:29:04 | |
That's what I do. | 1:29:04 | 1:29:05 | |
As I emerge back into the world, I just wonder what I'll be doing. | 1:29:08 | 1:29:11 | |
CHEERING AND APPLAUSE | 1:29:14 | 1:29:16 | |
Thank you! | 1:29:20 | 1:29:22 | |
Well, there it is. I'm not dead. | 1:29:30 | 1:29:33 | |
I'm actually on my roof | 1:29:33 | 1:29:35 | |
with my telescope and my guitar | 1:29:35 | 1:29:37 | |
and a few more years. | 1:29:37 | 1:29:40 | |
And, er, what more could you ask? | 1:29:40 | 1:29:42 | |
Maybe seeing Saturn again. Saturn! | 1:29:42 | 1:29:44 | |
Saturn, I'll see you again. | 1:29:44 | 1:29:46 | |
That year, when I thought I was going to die, | 1:29:48 | 1:29:51 | |
was one of the most significant years of my life. | 1:29:51 | 1:29:55 | |
I would say it was a marvellous year. | 1:29:55 | 1:29:57 | |
I found out what it was to be alive. | 1:29:57 | 1:30:01 | |
I've had so many insights into existence | 1:30:01 | 1:30:04 | |
that I'm almost glad this happened. You know, almost. | 1:30:04 | 1:30:08 | |
And...and I got away with it. | 1:30:08 | 1:30:11 | |
HE CHUCKLES | 1:30:11 | 1:30:12 | |
-A wretch like me. -HE CHUCKLES | 1:30:12 | 1:30:14 | |
# Well, if there's something that I like | 1:30:26 | 1:30:29 | |
# It's the way that woman walks | 1:30:29 | 1:30:32 | |
# And if there's something I like better | 1:30:33 | 1:30:36 | |
# It's the way she baby talks | 1:30:36 | 1:30:38 | |
# She does it right | 1:30:38 | 1:30:39 | |
# She does it right | 1:30:41 | 1:30:43 | |
# She works hard every night just to make me feel all right | 1:30:44 | 1:30:47 | |
# Told me not to worry | 1:30:47 | 1:30:48 | |
# And there ain't a single trouble in sight | 1:30:48 | 1:30:51 | |
# I said, you ought to see her jerk | 1:30:56 | 1:30:59 | |
# You ought to see her walk the floor | 1:30:59 | 1:31:02 | |
# And when she gets back to her seat | 1:31:02 | 1:31:04 | |
# All the people cry for more | 1:31:04 | 1:31:07 | |
# She does it right | 1:31:07 | 1:31:09 | |
# She does it right | 1:31:10 | 1:31:12 | |
# She works hard every night just to make me feel all right | 1:31:13 | 1:31:16 | |
# She told me not to worry | 1:31:16 | 1:31:18 | |
# And there ain't a single trouble in sight | 1:31:18 | 1:31:20 | |
# I said, I give her anything that her little heart desires | 1:31:42 | 1:31:47 | |
# Anything she wants just to keep her by my side | 1:31:48 | 1:31:53 | |
# She does it right She does it right | 1:31:53 | 1:31:57 | |
# She works hard every night just to make me feel all right | 1:31:59 | 1:32:03 | |
# She told me not to worry | 1:32:03 | 1:32:04 | |
# And there ain't a single trouble in sight... # | 1:32:04 | 1:32:07 | |
Wouldn't it be good if we could just dig being around, | 1:32:34 | 1:32:38 | |
instead of trying to harm each other and things like that? | 1:32:38 | 1:32:41 | |
The world is the world and... | 1:32:41 | 1:32:44 | |
..I never managed to sort it out and whether anyone will | 1:32:48 | 1:32:52 | |
in time to come, I don't know. | 1:32:52 | 1:32:54 | |
Maybe you've got a chance to go on and do that. | 1:32:54 | 1:32:56 | |
Your move. | 1:32:58 | 1:33:00 |